Program Book - Carmina burana

Page 1

FEBRUARY–MAY 2023

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a note from the chair and the president

Greetings, and welcome to Symphony Center, home of the Chicago Symphony Orchestra, which recently returned from its seven-city, eight-concert North American tour. We are delighted to share the gifts of our extraordinary Orchestra with eager listeners in venues across the continent as well as at home in Chicago. The singular artistic collaboration of Zell Music Director Riccardo Muti and the CSO is to be treasured and celebrated, and we look forward to doing so in the weeks and months to come. To explore the Orchestra’s tour activities, which continue into March, please refer to page 6 of your program and visit cso.org/tour as well as our social media channels.

We are also pleased to have recently announced the Chicago Symphony Orchestra Association’s 2023–24 season. Muti returns to open the season with three distinct programs, including the world premiere of a CSOcommissioned work by Philip Glass, The Triumph of the Octagon, and the annual Symphony Ball concert with violinist Leonidas Kavakos on September 23. Muti and the CSO also will undertake four weeks of touring activities in the United States and Europe next season with details to be announced at a later date.

In addition, a distinguished list of guest conductors from around the world will lead the Chicago Symphony Orchestra and Chorus and renowned soloists in an impressive array of repertoire, including works receiving their world and U.S. premieres, three additional CSO commissions, and many first CSO performances. CSO Mead Composer-in-Residence Jessie Montgomery and CSO Artistin-Residence Hilary Hahn will continue to contribute their talents in ongoing projects with the Orchestra and the community.

Next season Symphony Center Presents continues its legacy of welcoming extraordinary artists across an array of ensembles, soloists, and genres, including the Staatskapelle Berlin conducted by Daniel Barenboim and the Bavarian Radio Symphony Orchestra with Sir Simon Rattle. The Piano and Chamber Music series are equally brilliant, and details of the Jazz series will be announced this spring.

To learn more about this and next season’s offerings, visit cso.org or pick up a brochure available in the lobby. Subscribing allows you to take advantage of the best prices and seats as well as special benefits.

We look forward to seeing you often at Symphony Center.

FEBRUARY–MAY 2023 3
PHOTOS BY TODD ROSENBERG

chicago symphony orchestra association board of trustees

OFFICERS

Mary Louise Gorno Chair

Chester A. Gougis Vice Chair

Steven Shebik Vice Chair

Helen Zell Vice Chair

Renée Metcalf Treasurer

Jeff Alexander President

Kristine Stassen Secretary of the Board

Stacie M. Frank

Assistant Treasurer

Dale Hedding Vice President for Development

HONORARY TRUSTEES

The Honorable Lori Lightfoot, Honorary Chair

The Honorable

Richard M. Daley

TRUSTEES

John Aalbregtse

Peter J. Barack

H. Rigel Barber

Randy Lamm Berlin

Roderick Branch

Kay Bucksbaum

Robert J. Buford

Leslie Henner Burns

Debra A. Cafaro

Marion A. Cameron-Gray

George P. Colis

Keith S. Crow

Stephen V. D’Amore

Timothy A. Duffy

Brian W. Duwe

Charles Emmons, Jr.*

Judith E. Feldman*

Graham C. Grady

Lori Julian

Neil T. Kawashima

Geraldine Keefe

Donna L. Kendall

Thomas G. Kilroy

Randall S. Kroszner

Patty Lane

Susan C. Levy

Renée Metcalf

Britt M. Miller

Mary Pivirotto Murley

Sylvia Neil

Gerald Pauling

Col. Jennifer N. Pritzker

Dr. Don M. Randel

Dr. Mohan Rao

Burton X. Rosenberg

Kristen C. Rossi

E. Scott Santi

Steven Shebik

Marlon R. Smith

Walter Snodell

Dr. Eugene Stark

Daniel E. Sullivan, Jr.

Scott Swanson

Nasrin Thierer

Liisa Thomas

Terrence J. Truax

Frederick H. Waddell

William Ward*

Paul S. Watford

Craig R. Williams

Robert Wislow

Helen Zell

Gifford R. Zimmerman

LIFE TRUSTEES

William Adams IV

Mrs. Robert A. Beatty

Arnold M. Berlin

Laurence O. Booth

William G. Brown

Dean L. Buntrock

Bruce E. Clinton

Richard Colburn

Richard H. Cooper

Anthony T. Dean

Debora de Hoyos

Charles Douglas

John A. Edwardson

Thomas J. Eyerman

James B. Fadim

David W. Fox, Sr.

Richard J. Franke †

Cyrus F. Freidheim, Jr.

H. Laurance Fuller

Mrs. Robert W. Galvin

Paul C. Gignilliat

Joseph B. Glossberg

Richard C. Godfrey

William A. Goldstein

Mary Louise Gorno

Howard L. Gottlieb

Chester A. Gougis

Mary Winton Green

Dietrich Gross

David P. Hackett

Joan W. Harris

John H. Hart

Thomas C. Heagy

Jay L. Henderson

Mrs. Roger B. Hull †

Judith A. Istock

William R. Jentes

Paul R. Judy

Richard B. Kapnick

Donald G. Kempf, Jr.

George D. Kennedy †

Mrs. John C. Kern

Robert Kohl

Josef Lakonishok

Charles Ashby Lewis

Eva F. Lichtenberg

John S. Lillard

Donald G. Lubin †

John F. Manley

Ling Z. Markovitz

R. Eden Martin

Arthur C. Martinez

Judith W. McCue

Lester H. McKeever

David E. McNeel

John D. Nichols

James J. O’Connor

William A. Osborn

Mrs. Albert Pawlick

Jane DiRenzo Pigott

John M. Pratt

Dr. Irwin Press

John W. Rogers, Jr.

Jerry Rose

Frank A. Rossi

Earl J. Rusnak, Jr.

Cynthia M. Sargent †

John R. Schmidt

Thomas C. Sheffield, Jr.

Robert C. Spoerri

Carl W. Stern

William H. Strong

Louis C. Sudler, Jr.

Richard L. Thomas

Richard P. Toft

Penny Van Horn

Paul R. Wiggin

* Ex-officio Trustee † Deceased List as of January 2023

4 CSO.ORG

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this page, clockwise from top left: On January 19, Riccardo Muti shares a smile with the Orchestra during an open rehearsal to prepare for the tour. The stage technicians work diligently behind the scenes to ensure the safe and efficient transport of all the musicians’ cases, which carry everything from something as large as a harp to as small as a bow tie, from venue to venue. At intermission during the concert in Mesa, Arizona, Principal Bass Alexander Hanna takes a moment to reconnect with his first music teacher, Kay Moore. Muti and the CSO acknowledge cheers and applause from the concertgoers at Koerner Hall after the first of two concerts in Toronto on February 1.

opposite page, clockwise from top left: Designed by César Pelli, the Renée and Henry Segerstrom Concert Hall in Costa Mesa is one of the foremost cultural centers in Orange County, California. A quartet of CSO members, including So Young Bae, Karen Basrak, Matous Michal, and Simon Michal, perform at John A. Murdy Elementary School in nearby Garden Grove. Riccardo Muti provides autographs and encouragement to a young fan following the performance in Costa Mesa.

6 CSO.ORG ALL PHOTOS
BY TODD ROSENBERG
“Muti touchingly acknowledged the tragic recent shootings in California . . . . It was a reminder that in addition to his musical gifts, Muti has been a tireless promoter of the healing power of culture over the course of his long career.”
—VOICE OF ORANGE COUNTY

Travelogue from the CSO’s Winter Tour

On January 21, Zell Music Director Riccardo Muti and the Chicago Symphony Orchestra embarked on a seven-city, eight-concert North American tour. This marked their first tour together since before the start of the pandemic. Sold-out concert halls and eager listeners greeted Muti and the Orchestra at each location. In addition, the Negaunee Music Institute at the CSO arranged multiple educational activities, allowing members of the Orchestra to work with young music students.

Muti conducted in his CSO debut at the Ravinia Festival in July 1973, all showcased the depth of their singular artistic partnership.

FOR

EXTENSIVE TOUR COVERAGE, VISIT

“It is good to be able to have the CSO out once again in the world as an important cultural ambassador for the city of Chicago and to witness the extremely positive impact on the communities in which it performs,” said Chicago Symphony Orchestra Association President Jeff Alexander.

tour

The CSO’s sixty-third international tour included debuts in three cities—Mesa, Arizona; Stanford, California; and Stillwater, Oklahoma— in addition to returns to Costa Mesa and Santa Barbara, California, and Iowa City. The tour culminated with two concerts at Toronto’s Koerner Hall, representing the Orchestra’s first appearances in Chicago’s sister city since 1914.

Muti carefully designed programs to showcase the Orchestra’s talents. Beethoven’s Seventh and Eighth symphonies and Coriolan Overture, Prokofiev’s Fifth Symphony, Liadov’s The Enchanted Lake, and Ravel’s orchestration of Mussorgsky’s Pictures from an Exhibition, which

FEBRUARY–MAY 2023 7
cso.org/
The second part of the tour begins February 26 at the Kauffman Center for the Performing Arts in Kansas City and continues with four concerts in Florida between February 28 and March 4, including the Orchestra’s first in Orlando, one in Sarasota, and two in Naples as part of its three-season residency that began in 2019 but was interrupted by the pandemic. (continued)
—SF CLASSICAL
“ The CSO remains a model of what an orchestra should sound like and stand for.”
VOICE
The Chicago Symphony Orchestra’s North American Tour was generously sponsored by the Zell Family Foundation. Sponsorship support for the CSO’s Florida performances are generously provided by the Lauter McDougal Charitable Fund, Zell Family Foundation, Judy and Verne Istock, The Clinton Family Fund, and The Regenstein Foundation.

“Inspirational music at its best. You couldn’t help but smile as the Chicago Symphony took on Modest Mussorgsky’s Pictures from an Exhibition and made it soar.”

—SANTA

“Deep and moving musicality”

“Lending added poignancy to the evening, and this season, is the matter of the maestro. Riccardo Muti, an eminent and energizing presence on the podium, . . . seemed to lack no intensity or subtlety at the helm, moving lithely and presiding with a wise hand over—and with—the musicians. His legend becomes him.”

—CLASSICAL VOICE, LA

8 CSO.ORG
clockwise from top left: The second stop of the CSO's winter tour, the Renée and Henry Segerstrom Concert Hall in Costa Mesa, California; the third, the Granada Theatre in Santa Barbara; at the fourth venue, Bing Concert Hall on the Stanford University campus (seen here in the last three photos), Riccardo Muti acknowledges Concertmaster Robert Chen
FEBRUARY–MAY 2023 9 CSO.ORG/SUBSCRIBE | 312-294-3000 OFFICIAL AIRLINE OF THE CSO 2023/24 SUBSCRIPTIONS NOW ON SALE! Explore the season at cso.org/subscribe Highlights include: BEETHOVEN Symphony No. 5 | HANDEL Messiah | STRAVINSKY The Rite of Spring HOLST The Planets | RAVEL Boléro | MAHLER Symphony No. 2 (Resurrection)
YO-YO MA
the pull of an orchestra that plays as one. Experience a dynamic list of musical guests. Celebrate what’s possible when talents unite.
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Feel
SHEKU KANNEH-MASON
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MUTI
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clockwise from top: Riccardo Muti acknowledges violinist Simon Michal as the CSO receives enthusiastic applause at Koerner Hall in Toronto. Organized by the CSO’s Negaunee Music Institute, members of the CSO brass section, including CSO Principal Trumpet Esteban Batallán (seen here), lead master classes with students at Oklahoma State University. The CSO receives an ovation at the conclusion of its concert at Hancher Auditorium on the University of Iowa campus. On the observation deck of Toronto’s CN Tower, CSO musicians (from left, Susan Synnestvedt, Melanie Kupchynsky, and Yuan-Qing Yu, joined by her mother, Yiwen Mi) document the dramatic views of the city below. Muti speaks with musicians from the Glenn Gould School Orchestra at the Royal Conservatory of Music in Toronto after leading them in a rehearsal of music by Beethoven and Giordano.

10 CSO.ORG
“ The return of the Chicago Symphony Orchestra to Iowa City on January 29 offered solace as well as celebration— the sort of healing that great art can help facilitate.”
—DON MCLEASE, CSO.ORG/EXPERIENCE
CLASSICAL
“Under its music director the orchestra is a musicmaking ensemble par excellence.”
VOICE NORTH AMERICA

Music’s Ambassador

Riccardo Muti has embraced the Chicago Symphony Orchestra’s touring legacy and invigorated its reputation as a cultural ambassador during their numerous tours together since the beginning of his tenure as the CSO’s tenth music director in 2010. They have traveled to venues on both coasts of the United States and performed multiple times at Carnegie Hall and the Kennedy Center, in addition to eight European tours and two tours to Asia. As part of an ongoing series, members of the Orchestra share their reflections on performing around the world with Maestro Muti.

“Perhaps one of the greatest performances I will ever know happened in Moscow performing Shostakovich’s Symphony no. 5. The Italian portion of the tour felt like we were rock stars. The audiences were so supportive and ecstatic over their great conductor and countryman, Maestro Muti. We were truly witnessing a special time in history.”

“I remember the performance at La Scala some years ago, after Muti had not been back in a while. The audience went nuts. At one point, while addressing the audience, he mentioned that La Scala was the ‘house of Verdi,‘ to which someone in the audience shouted back, ‘No! This is the house of MUTI!‘ ”

“I remember the remarkable experience of playing the Verdi Requiem at the Musikverein in Vienna and feeling like we were going to tear the walls down!”

“I find playing concerts on tour a special experience. . . . It is great to see Maestro Muti react to the excitement of a new place and audience.”

“As a native of Iowa City, I remember the opening of the original Hancher Auditorium. I attended and performed in many concerts there, which played a part in inspiring my decision to become a professional musician. Having the opportunity to perform in the new Hancher with the CSO and Maestro Muti was a great pleasure.”

12 CSO.ORG
Riccardo Muti conducting the CSO; guest vocalists Krassimira Stoyanova (soprano), Daniela Barcellona (mezzo-soprano), Francesco Meli (tenor), and Riccardo Zanellato (bass); and the Wiener Singverein in Verdi’s Requiem at Vienna’s Musikverein during the 2020 European tour
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Bank of America is proud to continue its long-standing support of the Chicago Symphony Orchestra. Our partnership not only delivers artistic quality but also helps to create meaningful connections with a diverse audience base in Chicago and around the world.

United is pleased to serve the CSO as its official airline and proudly supports its remarkable contributions to the performing arts community here in Chicago and beyond. With the CSO, we celebrate the energy that performers and audiences alike bring to our hometown and to the global stage.

The Chicago Symphony Orchestra is rightly regarded as one of the greatest orchestras in the world. Northern Trust is committed to serving our communities and the arts, and we are proud to support—as we have for more than a half century—the CSO’s extraordinary tradition of musical excellence.

ITW is proud to support the Chicago Symphony Orchestra and its long tradition of excellence in providing extraordinary classical music performances for audiences here in Chicago and around the world.

From one Chicago tradition to another, Sidley Austin congratulates the Chicago Symphony Orchestra on a successful 2022–23 season. We are proud to support an organization that has contributed so much to the rich heritage of our city. May the music continue to transform and inspire us all.

Jenner & Block is proud to share the CSO’s passion for creativity, innovation, and the pursuit of excellence. As a longtime CSO supporter, the firm looks forward to continuing to participate in the symphony’s rich tradition of musical excitement and unfolding artistry in Chicago and the many communities it touches in the United States and around the world.

14 CSO.ORG
spotlight
executive
maestro residency presenter

negaunee music institute at the cso

CSO-Connect

CSO-Connect, the Chicago Symphony Orchestra’s flagship school partnership program, brings Chicago Public Schools’ teachers together to develop arts integrated curriculum.

This season, teachers have attended workshops at Symphony Center, where they have explored the program’s theme and repertoire connected to the CSO for Kids concert In Pursuit of Dreams. During these gatherings, teachers have worked with their school colleagues to develop arts integrated curriculum that allows students to find inspiration and reasons to dream, both as individuals and as part of the classroom.

Using this curriculum, teachers were able to provide students the opportunity to discover the dreams of the musicians and composers spotlighted in the concert. In the spring, inspired by their experience at Orchestra Hall and their exploration at school, students will compose original music expressing their individual dreams, and those of their communities and their world.

The February 2023 concert featured the music of CSO Mead Composer-in-Residence Jessie Montgomery. This program, led by guest conductor Tania Miller, took students on a journey that showed that although life has many challenges, we all have the potential to find our own way to create the world we want to live in.

With the support of generous donors, the Negaunee Music Institute provides free tickets and transportation for students at Chicago Public Schools. Over 4,000 students attended the In Pursuit of Dreams concerts.

To support the work of the Negaunee Music Institute, visit cso.org/makeagift.

Youth Education Program Sponsor

CSO-Connect is generously sponsored by Polk Bros. Foundation and Lloyd A. Fry Foundation.

Additional support for the February performances of In Pursuit of Dreams has been provided by Catherine M. and Frederick H. Waddell in honor of their team at Northern Trust: Tyler Converso, Sally Nolan Giegerich, Kim Lewis, Teresa Michols, Aileen Wala, Daniella Shin, Dan Stephans, Anne Stevens, and Marisa Torres.

Support for Chicago Symphony Orchestra Association programming for children and families is provided by Abbott Fund, Archer Daniels Midland Company, John D. and Leslie Henner Burns, John Hart and Carol Prins, Kinder Morgan, PNC, Megan and Steve Shebik, Michael and Linda Simon, the Walter and Caroline Sueske Charitable Trust, and an anonymous family foundation.

FEBRUARY–MAY 2023 15
PHOTOS BY TODD ROSENBERG

ONE HUNDRED THIRTY-SECOND SEASON CHICAGO SYMPHONY ORCHESTRA

RICCARDO MUTI Zell Music Director

Thursday, March 16, 2023, at 7:30

Friday, March 17, 2023, at 1:30

Saturday, March 18, 2023, at 8:00

Osmo Vänskä Conductor

Joélle Harvey Soprano

Reginald Mobley Countertenor

Elliot Madore Baritone

Chicago Symphony Chorus

Jenny Wong Guest Director

Uniting Voices Chicago

Josephine Lee President and Artistic Director

montgomery Banner

First Chicago Symphony Orchestra subscription concert performances

rautavaara Cantus arcticus, Op. 61

The Bog—

Melancholy—

Swans Migrating

First Chicago Symphony Orchestra performances

intermission

orff Carmina Burana

Fortune, Empress of the World

I Springtime

On the Green

II. In the Tavern

III. The Courts of Love

Blanziflor and Helena

Fortune, Empress of the World

joélle harvey

reginald mobley

elliot madore

chicago symphony chorus

uniting voices chicago

The appearance of the Chicago Symphony Chorus has been made possible by a generous gift from The Grainger Foundation.

The appearances of Joélle Harvey, Reginald Mobley, and Elliot Madore are made possible by the Grainger Fund for Excellence.

United Airlines is the Official Airline of the Chicago Symphony Orchestra. This program is partially supported by a grant from the Illinois Arts Council Agency.

FEBRUARY–MAY 2023 17

comments by phillip huscher

Born December 8, 1981, New York City

Banner, for String Quartet and Chamber Orchestra

“Music is my connection to the world,” Jessie Montgomery, our Mead Composerin-Residence has said. “It guides me to understand my place in relation to others and challenges me to make clear the things I do not understand.” Jessie Montgomery is a native of the Lower East Side of New York City. The arts were part of her daily family life. She remembers practicing violin in one room while her father, Edward Montgomery, was busy composing in another and her mother, Robbie McCauley—a performance artist, director, and writer—was rehearsing in yet another space. Growing up as an artist in that world, Montgomery says she was always in a “state of wonder.” She was also accustomed to having many different cultures in her friend group. She started violin lessons at the Third Street Music School Settlement, and now hold degrees from the Juilliard School (in violin) and New York University (a master’s in composition for film and multimedia), and is completing her doctorate from Princeton University. Since 1999 she has been closely involved with Sphinx, a Detroit-based nonprofit organization that supports young African American and Latino string players, and in recent years, she has made time to continue appearing with Yo-Yo Ma’s Silk Road Ensemble.

As Mead Composer-in-Residence since June 2021, Montgomery has been commissioned to write three new works for the Orchestra—one for each of her three seasons in the post. Hymn for Everyone, the first, was given its premiere on April 28, 2022, conducted by Riccardo Muti, who will introduce her second work with the Chicago Symphony in May. Like her immediate predecessors as resident composers in Chicago, Montgomery guides the Orchestra’s MusicNOW series, curating its programs of new works and writing music for its concerts as well. In 2020 she was one of three Black composers named to the Metropolitan Opera/Lincoln Center Theater New Works commissioning program. The significance of her emergence in today’s cultural climate—especially heightened in the wake of George Floyd’s murder and the Black Lives Matter movement—and the responsibilities it carries, are not lost on Montgomery: “We have to take into account that we’re

composed

2014

first performance

October 14, 2014; Detroit, Michigan

instrumentation

two flutes with piccolo, oboe, clarinet, bassoon, horn, trumpet, timpani, percussion (kick drum, snare drum, tom-tom), strings, solo string quartet

approximate performance time

8 minutes

first cso performance

July 16, 2021, Ravinia Festival. Marin Alsop conducting

Co-commissioned by the Sphinx Organization and the Joyce Foundation in tribute to the 200th anniversary of The StarSpangled Banner

These are the first Chicago Symphony Orchestra subscription concert performances.

this page: Jessie Montgomery, photo by Todd Rosenberg

opposite page: First sheet-music publication of The Star-Spangled Banner, arranged by Thomas Carr (1780–1849), 1814

18 ONE HUNDRED THIRTY-SECOND SEASON

carrying a history inside of our beings and in the work that we do,” she has said.

In Montgomery’s hands, Banner is an exploration of the divides that slice through American culture. Montgomery’s career echoes what her late mother, whose work often dealt with issues of race, once said: “Find a way to house the contradictions rather than resolve them.” Montgomery makes art that is firmly set in the present, which would not be notable today in theater or fiction, for example, but stands out in the world of classical music, which has for so long lived largely in the European past.

But Montgomery’s music suggests that she not only possesses the rare gift of writing music that reflects the complexity of our world, but also one that will lead us forward. By already forging her own distinct voice in a crowded musical scene—a voice that melds and marries many different influences—she is well positioned to help guide the music of our multifaceted future. “I’ve always been interested in trying to find the intersection between different types of music,”

she has said. “I imagine that music is a meeting place at which all people can converse about their unique differences and common stories.”

Banner is a tribute to the 200th anniversary of The Star-Spangled Banner, . . . [the 1814 poem] under the penmanship of Francis Scott Key. Scored for solo string quartet and string orchestra, Banner is a rhapsody on the theme of The Star-Spangled Banner. Drawing on musical and historical sources from various world anthems and patriotic songs, I’ve made an attempt to answer the question: “What does an anthem for the twenty-first century sound like in today’s multicultural environment?”

In 2009 I was commissioned by the Providence String Quartet and Community MusicWorks to write Anthem: A Tribute to the Historical Election of Barack Obama. In that piece, I wove together the theme from The StarSpangled Banner with the commonly named

FEBRUARY–MAY 2023 19

Black national anthem, Lift Every Voice and Sing by James Weldon Johnson [to music by younger brother, John Rosamond Johnson] (which coincidentally share the exact same phrase structure).

Banner picks up where Anthem left off by using a similar backbone source in its middle section, but expands further both in the number of references and also in the role played by the string quartet as the individual voice working both with and against the larger community of the orchestra behind them. The structure is loosely based on traditional marching-band form, where there are several strains, or contrasting sections, preceded by an introduction, and I have drawn on the drum-line chorus as a source for the rhythmic underpinning in the finale. Within the same tradition, I have attempted to evoke the breathing of a large brass choir as it approaches the climax of the “trio” section. A variety of other cultural anthems and American folk songs and popular idioms interact to form various textures in the finale section, contributing to a multilayered fanfare.

The Star-Spangled Banner is an ideal subject for exploration in contradictions. For most

einojuhani rautavaara

Born October 9, 1928; Helsinki, Finland

Died July 27, 2016; Helsinki, Finland

Americans, the song represents a paradigm of liberty and solidarity against fierce odds, and for others it implies a contradiction between the ideals of freedom and the realities of injustice and oppression. As a culture, it is my opinion that we Americans are perpetually in search of ways to express and celebrate our ideals of freedom—a way to proclaim, “we’ve made it!” as if the very action of saying it aloud makes it so. And for many of our nation’s people, that was the case: through work songs and spirituals, enslaved Africans promised themselves a way out and built up the nerve to endure the most abominable treatment for the promise of a free life. Immigrants from Europe, Central America, and the Pacific have sought out a safe haven here, and though met with the trials of building a multicultured democracy, continue to find rooting in our nation and make significant contributions to our cultural landscape. In 2014, a tribute to the U.S. National Anthem means acknowledging the contradictions, leaps and bounds, and milestones that allow us to celebrate and maintain the tradition of our ideals.

Cantus arcticus, Op. 61 (Concerto for Birds and Orchestra)

Einojuhani Rautavaara was the first Finnish composer to command world attention after Sibelius early in the twentieth century. For many years, he was a low-profile figure whose name was barely known outside his native land. Rautavaara was born into a musical family (his father was an opera singer and cantor); he studied musicology

at the University of Helsinki and composition at the Sibelius Academy. It was the ninety-year-old Sibelius, in fact, who selected him for a Koussevitzky Foundation Grant to study in the United States. In 1955 Rautavaara came to this country and worked with Vincent Persichetti at the Juilliard School and with Roger Sessions and Aaron Copland at the Tanglewood Music Center. After he returned to Finland, Rautavaara taught at the Sibelius Academy.

20 O NE HUNDRED THIRTY-SECOND SEASON COMMENTS

Although Rautavaara’s music was regularly performed at home and had won several awards, his popularity was largely limited to Finland until the 1990s, when he became a kind of cult figure, both throughout Europe and the United States. Although his works aren’t overtly religious, their spiritual and contemplative nature, conveyed in highly tonal music of simplicity and atmospheric beauty, began to attract a wide following, particularly from listeners drawn to the suddenly fashionable music of such composers as Arvo Pärt and Henryk Górecki. Rautavaara also has unwittingly cashed in on a rising fascination with angels, which he anticipated by more than a decade. (His own interest in the dark and powerful force of angels was inspired by a childhood dream and by a cloud formation in the shape of an angel that he saw many years later from an airplane window.) This obsession—“They repeat in my mind like a mantra that radiates musical energy,” he says—has influenced much of his output, beginning with Angels and Visitations in 1978. (The last manifestation was his Seventh Symphony, subtitled Angel of Light, composed in 1994.)

Rautavaara’s music has evolved over his long career from neoclassicism through serialism to his own idiosyncratic language. He has fashioned something distinctive and personal of the Sibelius legacy he inherited, but calls himself a romantic composer: “A romantic has no coordinates. In time he is in yesterday or tomorrow, but never in today.” When Rautavaara died in 2016, he left a large body of work: eight symphonies, nine operas, and a dozen concertos, along with many chamber, choral, and orchestral scores. Cantus arcticus, an early work, dating from 1972, incorporates field recordings and improvisatory gestures; it remains his most frequently performed piece. At the top of the score, Rautavaara gives the musicians this direction: “Think of autumn and Tchaikovsky.”

first performance

October 18, 1972; Oulu, Finland

instrumentation

two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, trombone, celesta, strings, recording

19 minutes

These are the first Chicago Symphony Orchestra performances.

The Cantus arcticus was commissioned by the “Arctic” University of Oulu for its degree ceremony. Instead of the conventional festive cantata for choir and orchestra,

opposite page: Einojuhani Rautavaara, ca. 1950s

this page: Liminganjoki River, a 1934 landscape by Finnish artist Vilho Lampi (1898–1936), born in Oulu. Helsinki Art Museum

FEBRUARY–MAY 2023 21 COMMENTS composed 1972
approximate performance
time
Einojuhani Rautavaara on Cantus arcticus

I wrote a “concerto for birds and orchestra.” The bird sounds were taped in the Arctic Circle and the marshlands of Liminka [a municipality in the former province of Oulu, in Northern Finland]. The first movement, Suo (The Bog), opens with two solo flutes. They are gradually joined by other wind instruments and the sounds of bog birds in spring. Finally, the strings enter with a broad melody that might be interpreted as the voice and mood of a person walking in the wilds.

carl orff

Born July 10, 1895; Munich, Bavaria

Died March 29, 1982; Munich, Bavaria

Carmina Burana

In Melankolia (Melancholy), the featured bird is the shore lark; its twitter has been brought down by two octaves to make it a “ghost bird.” Joutsenet muuttavat (Swans Migrating) is an aleatory texture with four independent instrumental groups. The texture constantly increases in complexity, and the sounds of the migrating swans are multiplied, too, until finally the sound is lost in the distance.

When Carmina Burana made him an overnight celebrity at the age of forty-two, Carl Orff decided to start his career over from scratch. Immediately after the premiere in 1937, he wrote to the Schott company in Munich, which had been his publisher for a full decade: “Everything I have written to date, and which you have, unfortunately, printed, can be destroyed. With Carmina Burana my collected works begin.”

Before the premiere of Carmina Burana in 1937, Orff’s career had proceeded nicely, if routinely, on track. His infatuation with music began at an early age—he took music lessons and composed songs as a young child—and at the age of four he became enchanted with the theater during a traditional Punch and Judy show. He was essentially self-taught. At fourteen he heard his first opera, Wagner’s The Flying Dutchman; it started an avalanche, as Orff later recalled. The young composer’s grandfather kept a notebook in which he recorded the progress of Carl’s musical education: Wagner’s entire Ring cycle and Tristan and Isolde, the principal operas by Mozart, Strauss’s Salome and Elektra. By the age of seventeen, Orff had composed some sixty songs, which revealed the unmistakable influence of Debussy and early Schoenberg. (He was particularly taken with Schoenberg’s Five Pieces for Orchestra, and he made a piano duet arrangement of his Chamber Symphony.) Orff’s interests were wide—he studied the great Renaissance

composed

1935–36

first performance

June 8, 1937 (staged), Frankfurt Opera

instrumentation

three solo voices (soprano, tenor or countertenor, and baritone), large mixed chorus, small mixed chorus, children’s chorus, three flutes with two piccolos, three oboes with english horn, three clarinets with E-flat clarinet and bass clarinet, two bassoons and contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, three glockenspiels, xylophone, castanets, ratchet, small bells, triangle, antique cymbals, crash cymbals, suspended cymbal, tam-tam, tubular bells, tambourine, snare drum, bass drum, celesta, two pianos, strings

approximate performance time

60 minutes

22 ONE HUNDRED THIRTY-SECOND SEASON
COMMENTS

and baroque masters as well as African music—and he eventually composed in a number of forms. The catalog he asked Schott to destroy in 1937 included an operatic treatment of the Japanese play Terakoya, a symphony based on the poetry of Maurice Maeterlinck, and choral settings of texts by Franz Werfel (Orff’s favorite writer) and Bertold Brecht.

Carmina Burana marked a shift in direction. It was Orff’s first attempt at total theater—a combination of music, word, movement, and visual spectacle—and his earliest essay in a potent and accessible musical style designed to engage listeners who

opposite page: Carl Orff, photo by Hans Holdt (1887–1944), 1940

this page: Page from the Carmina Burana (Songs of Bavaria), ca. 1230, with the Wheel of Fortune, center. Bavarian State Library, Munich, Germany

COMMENTS

first cso performances

March 17, 18, and 22, 1955, Orchestra Hall. Lois Marshall, Leslie Chabay, and Morley Meredith as soloists; the Concert Choir (Margaret Hillis, director); Fritz Reiner conducting

July 18, 1965, Ravinia Festival. Julia Diane Ragains, Pierre Duval, Sherrill Milnes, and Alfred Reichel as soloists; Chicago Symphony Chorus (Margaret Hillis, director); Chicago Children’s Choir (Christopher Moore, director); Seiji Ozawa conducting

most recent cso performances

July 23, 2004, Ravinia Festival. Harolyn Blackwell, Donald Kaasch, and Rodney Gilfry as soloists; Chicago Symphony Chorus (Duain Wolfe, director); Glen Ellyn Children’s Chorus (Emily Ellsworth, director); James Conlon conducting

January 26, 27, 28, and 31, 2012, Orchestra Hall. Maria Grazia Schiavo (January 26, 27, and 28), Lisette Oropesa (January 31), Max Emanuel Cencic, and Stéphane Degout as soloists; Chicago Symphony Chorus (Duain Wolfe, director); Chicago Children’s Choir (Josephine Lee, director); Riccardo Muti conducting

October 3, 2012, Carnegie Hall. Rosa Feola, Antonio Giovannini, and Audun Iversen as soloists; Chicago Symphony Chorus (Duain Wolfe, director); Chicago Children’s Choir (Josephine Lee, director); Riccardo Muti conducting

cso recording

1984. June Anderson, Philip Creech, and Bernd Weikl as soloists; Chicago Symphony Chorus (Margaret Hillis, director); Glen Ellyn Children’s Chorus (Doreen Rao, director); James Levine conducting. Deutsche Grammophon

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had lost their way in the complexities of twentieth-century music, although it was Orff more than anyone who found his way as a result of the piece. The work was wildly popular at once, and its exceptional appeal has never waned. After Carmina Burana, Orff did not tamper with his formula: he composed virtually nothing but vocal works for the stage—few are operas in the traditional sense—that place a high value on simplicity of musical language and directness of expression. At its most extreme, as in Die Bernauerin, composed in 1947, Orff’s output hardly resembles music as we know it: spoken word alternates with rhythmic chanting; notated pitch is virtually nonexistent.

The life-changing idea of composing Carmina Burana began in a rare bookshop in Würzburg on Maundy Thursday in 1934, when Orff’s eye fell upon a collection of medieval poems. The texts—most of them are in Latin, but a few are Middle High German and French— celebrate springtime, love, and the varied pleasures of a full, if self-indulgent, life. The tone, however, is dark, even bitter. (The very first poem in the collection, and the one Orff chose for his opening and closing chorus, ends: “Weep ye all with me.”) These songs—Orff was not aware that melodies for these texts also existed—had been preserved for centuries in the Benedikbeuern Monastery in the foothills of the Bavarian Alps thirty miles south of Munich. In the early nineteenth century, the manuscript was transferred to Munich,

and in 1847, selections were published by Johann Andreas Schmeller, the Munich court librarian. (Schmeller also was a self-appointed censor: he omitted the raciest numbers.) Schmeller’s title, Carmina—the accent is on the first syllable— Burana, means “songs of Bavaria.” (Beueren, the site of the Benedictine monastery, is a variant of Bayern, the German name for Bavaria.) It was Schmeller’s edition that Orff picked up during an afternoon of fortuitous browsing.

“On opening the first page,” Orff later remembered, “I found the familiar image of Fortune with her wheel, and under it the lines ‘O Fortuna velut Luna statu variabilis . . . (O fortune, like the moon ever-changing).’ Picture and words seized hold of me.” That very day, he sketched the opening chorus, with its great, inexorable wheel of fate. Orff picked twenty-four poems, already imagining a stage piece with chorus and dancers, and, with the help of poet Michael Hofmann, he arranged a libretto. He composed the music quickly, in a single burst of inspiration; visitors to his Munich apartment recall the red-faced excitement with which he played finished numbers for them at the piano.

The title page of Orff’s Carmina Burana promises “secular songs to be sung by singers and choruses to the accompaniment of instruments and also of magic pictures.” Although the premiere, at the Frankfurt Opera House, was staged and costumed, and magic pictures accompanied many early performances, Carmina Burana is

24 ONE HUNDRED THIRTY-SECOND SEASON COMMENTS
above: Set design for Carmina Burana by Helmut Jürgens (1902–1963) for a production in Munich, Germany, 1959

best known today through concerts and recordings, where the immediacy and physical excitement of Orff’s music stand alone.

Orff’s score has sometimes been criticized for popularizing the musical style of Stravinsky’s landmarks Oedipus rex and, in particular, Les noces. Orff was attracted to the most superficial aspects of those Stravinsky scores, such as the glittering and percussive orchestral writing (Les noces is scored for four pianos, Carmina Burana

CARMINA BURANA

FOR TUNE, EMPRESS OF THE WORLD

1 O Fortuna (chorus)

2. Fortune plango vulnera (chorus)

I. SPRINGTIME

3. Veris leta facies (small chorus)

4 Omnia Sol temperat (baritone)

5 Ecce gratum (chorus)

ON THE GREEN

6. Dance (orchestra)

7 Floret silva (chorus)

8 Chramer, gip die varwe mir (chorus)

9. Reie (orchestra)

Swaz hie gat umbe (chorus) Chume, chum, geselle min (chorus)

10. Were diu werlt alle min (chorus)

II. IN THE T AVERN

11. Estuans interius (baritone)

12. Olim lacus colueram (countertenor and male chorus)

13. Ego sum abbas (baritone and male chorus)

14. In taberna quando sumus (male chorus)

III. THE COUR TS OF LOVE

15. Amor volat undique (soprano and children’s choir)

16. Dies, nox et omnia (baritone)

17. Stetit puella (soprano)

18. Circa mea pectora (baritone and chorus)

19. Si puer cum puella (male soloists)

20. Veni, veni, venias (double chorus)

21. In trutina (soprano)

calls for two), the idea of giving the central narrative role to the chorus, and the prominent use of insistent rhythms. But where Stravinsky achieves a certain complexity of style and idea, Orff intentionally keeps his music stripped to its bones. In Carmina Burana, he avoids complicated rhythm and harmony (several numbers subsist on a steady diet of two chords), and eschews polyphony altogether. His melodies are plain and syllabic. Occasionally, a single driving rhythmic pattern alone keeps the music going. (Imagine the courage it must have taken to write a pitband oom-pah accompaniment in 1935.) Despite the spartan recipe, Orff succeeds brilliantly because of his flair for dramatic pacing, his ear for dazzling and seductive color, the energy of his rhythms, and the number of catchy tunes he composed. The result is a highly charged, expressive work of undeniable power and immediacy—claims that can be made for few pieces of serious music written in the twentieth century.

2 2. Tempus est iocundum (soprano, baritone, chorus, and children’s choir)

23. Dulcissime (soprano)

BL ANZIFLOR AND HELENA

24. Ave formosissima (chorus)

FOR TUNE, EMPRESS OF THE WORLD

25. O Fortuna (chorus)

Orff begins and ends with the wheel of fate—a massive chorus that slowly revolves around the same relentless, unchanging pattern, building in intensity and volume as it goes. In between these two pillars, he writes three large chapters. The first celebrates springtime in a series of songs and dances. The dance music is for orchestra alone; the vocal pieces are scored for baritone solo and various combinations of full chorus and small choir, often singing in alternation. The second section moves indoors to the tavern—the exclusive province of male voices and the temple of food and drink. (The

FEBRUARY–MAY 2023 25 COMMENTS

saga of the roasted swan, sung by a wailing countertenor, is a marvel of exotic color.) In the sensuous music of the third section, set in the courts of love, we hear the solo soprano and the voices of children for the first time. Almost all of these nine pieces are scored for different vocal forces, and the final sequence of numbers is swift and dramatic. From a rowdy, swinging chorus (no. 20, for split choirs), Orff turns to the soprano, who is lost in thought as she vacillates between chastity and physical love (a measured monologue, set in

the soprano’s lowest range). Encouraged by the baritone and choruses, she makes her choice, suddenly soaring to the highest reaches of the soprano voice. The music erupts in a magnificent hymn of praise (“Noble Venus, hail”), and the circle starts over as the wheel of fate begins to spin once again.

CARMINA BURANA

FORTUNA IMPERATRIX MUNDI

1. O Fortuna (Chorus)

O Fortuna, velut Luna statu variabilis, semper crescis aut decrescis; vita detestabilis nunc obdurat et tunc curat ludo mentis aciem, egestatem, potestatem dissolvit ut glaciem.

Sors immanis et inanis, rota tu volubilis, status malus, vana salus semper dissolubilis, obumbrata et velata michi quoque niteris; nunc per ludum dorsum nudum fero tui sceleris.

FORTUNE, EMPRESS OF THE WORLD

O Fortune! Like the moon ever-changing rising first then declining; hateful life treats us badly then with kindness making sport with our desires, causing power and poverty alike to melt like ice.

Dread destiny and empty fate, an ever-turning wheel, who make adversity and fickle health alike turn to nothing, in the dark and secretly you work against me; how through your trickery my naked back is turned to you unarmed.

26 O NE HUNDRED THIRTY-SECOND SEASON COMMENTS
Phillip Huscher has been the program annotator for the Chicago Symphony Orchestra since 1987.

Sors salutis et virtutis michi nunc contraria est affectus et defectus semper in angaria. Hac in hora sine mora corde pulsum tangite; quod per sortem sternit fortem, mecum omnes plangite!

2. Fortune plango vulnera (Chorus)

Fortune plango vulnera stillantibus ocellis, quod sua michi munera subtrahit rebellis. Verum est, quod legitur fronte capillata, sed plerumque sequitur occasio calvata.

In Fortune solio sederam elatus, prosperitatis vario flore coronatus; quicquid enim florui felix et beatus, nunc a summo corrui gloria privatus.

Fortune rota volvitur: descendo minoratus; alter in altum tollitur; nimis exaltatus rex sedet in vertice— caveat ruinam!

Nam sub axe legimus Hecubam reginam.

Good fortune and strength now are turned from me. Affection and defeat are always on duty, come now pluck the strings without delay; and since by fate the strong are overthrown, weep ye all with me.

I lament the wounds that Fortune deals with tear-filled eyes, for returning to the attack she takes her gifts from me. It is true as they say, the well-thatched pate may soonest lose its hair.

Once on Fortune’s throne I sat exalted crowned with a wreath of Prosperity’s flowers. But from my happy flower-decked paradise I was struck down and stripped of all my glory.

The wheel of Fortune turns: dishonored I fall from grace and another is raised on high. Raised to over dizzy heights of power the king sits in majesty— but let him beware his downfall! For ’neath the axle of Fortune’s wheel behold Queen Hecuba.

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I. PRIMO VERE

3. Veris leta facies (Small Chorus)

Veris leta facies mundo propinatur, hiemalis acies victa iam fugatur, in vestitu vario Flora principatur, nemorum dulcisono que cantu celebratur.

Flore fusus gremio Phebus novo more risum dat, hoc vario iam stipate flore Zephyrus nectareo spirans in odore; certatim pro bravio curramus in amore.

Cytharizat cantico dulcis Philomena, flore rident vario prata iam serena, salit cetus avium silve per amena, chorus promit virginum iam gaudia millena.

4. Omnia sol temperat (Baritone)

Omnia sol temperat purus et subtilis, novo mundo reserat faciem Aprilis, ad Amorem properat animus herilis, et iocundis imperat deus puerilis.

I. SPRINGTIME

The joyous face of spring is presented to the world. Winter’s army is conquered and put to flight. In colorful dress Flora is arrayed, and the woods are sweet with birdsong in her praise.

Reclining in Flora’s lap Phoebus again laughs merrily covered with many colored flowers. Zephyr breathes around the scented fragrance; eagerly striving for the prize let us compete in love.

Trilling her song sweet Philomel is heard, and smiling with flowers the peaceful meadows lie, a flock of wild birds rises from the woods; the chorus of maidens brings a thousand joys.

All things are tempered by the sun so pure and fine. In a new world are revealed the beauties of April, to thoughts of love the mind of man is turned and in pleasure’s haunts the youthful god holds sway.

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COMMENTS

Rerum tanta novitas in solemni vere et veris auctoritas iubet nos gaudere; vias prebet solitas, et in tuo vere fides est et probitas tuum retinere.

Ama me fideliter! fidem meam nota: de corde totaliter et ex mente tota sum presentialiter absens in remota, quisquis amat taliter, volvitur in rota.

5. Ecce gratum (Chorus)

Ecce gratum et optatum

Ver reducit gaudia, purpuratum floret pratum, Sol serenat omnia. Iamiam cedant tristia! Estas redit, nunc recedit Hyemis sevitia.

Iam liquescit et decrescit grando, nix, et cetera; bruma fugit, et iam sugit

Ver Estatis ubera; illi mens est misera, qui nec vivit, nec lascivit sub Estatis dextera.

Nature’s great renewal in solemn spring and spring’s example bid us rejoice; they charge us keep to well-worn paths, and in your springtime there is virtue and honesty in being constant to your lover.

Love me truly! Remember my constancy. With all my heart and all my mind I am with you even when far away. Whoever knows such love knows the torture of the wheel. Behold the welcome long-awaited Spring, which brings back pleasure and with crimson flowers adorns the fields. The sun brings peace to all around; away with sadness! Summer returns and now departs cruel winter.

Melt away and disappear hail, ice, and snow. The mists flee and spring is fed at summer’s breast. Wretched is the man who neither lives nor lusts under summer’s spell.

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COMMENTS

Gloriantur et letantur in melle dulcedinis, qui conantur, ut utantur premio Cupidinis; simus jussu Cypridis gloriantes et letantes pares esse Paridis.

UF DEM ANGER

6. Dance (Orchestra)

7. Floret silva (Chorus)

Floret silva nobilis floribus et foliis. Ubi est antiquus meus amicus? Hinc equitavit, eia, quis me amabit?

Floret silva undique. Nah mime gesellen ist mir wê. Gruonet der walt allenthalben, wâ ist min geselle alse lange? der ist geriten hinnen, o wî, wer sol mich minnen?

8. Chramer, gip die varwe mir (Chorus)

Chramer, gip die varwe mir, die min wengel roete, da mit ich die jungen man an ir dank der minnenliebe noete.

Seht mich an, jungen man! lat mich iu gevallen!

They taste delight and honeyed sweetness who strive for and gain Cupid’s reward. Let us submit to Venus’s rule and joyful and proud be equal to Paris.

ON THE GREEN

The noble forest is decked with flowers and leaves. Where is my old, my long-lost lover? He rode away on his horse. Alas, who will love me now?

The forest all around is in flower. I long for my lover. The forest all around is in flower whence is my lover gone? He rode away on his horse. Alas, who will love me now?

Salesman! give me colored paint, to paint my cheeks so crimson red, that I may make these bold young men whether they will or no, to love me.

Look at me, young men all! Am I not well pleasing?

30 O NE HUNDRED THIRTY-SECOND SEASON

Minnet, tugentliche man, minnecliche frouwen! minne tuot iu hoch gemuot unde lat iuch in hohen eren schouwen.

Seht mich an, jungen man! lat mich iu gevallen!

Wol dir, Werlt, daz du bist also freudenriche! ich will dir sin undertan durch din liebe immer sicherliche.

Seht mich an, jungen man! lat mich iu gevallen!

9. Reie (Orchestra)

Swaz hie gat umbe (Chorus)

Swaz hie gat umbe, daz sint allez megede, die wellent an man alle disen sumer gan!

Chume, chum, geselle min (Small Chorus)

Chume, chum, geselle min, ih enbite harte din, ih enbite harte din, chume, chum geselle min.

Suzer rosenvarwer munt, chum un mache mich gesunt, chum un mache mich gesunt, suzer rosenvarwer munt.

Love, all you right-thinking men, women worthy to be loved! Love shall raise your spirits high and put a spring into your step.

Look at me, young men all! Am I not well pleasing?

Hail to thee, O world that art in joy so rich and plenteous! I will ever be in thy debt surely for thy goodness’s sake!

Look at me, young men all! Am I not well pleasing?

They who here go dancing round are young maidens all who will go without a man this whole summer long. Come, come, dear heart of mine, I so long have waited for thee, I so long have waited for thee, come, come, dear heart of mine!

Sweetest rosy colored mouth, come and make me well again! Come and make me well again! Sweetest rosy colored mouth.

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COMMENTS

Swaz hie gat umbe (Chorus)

Swaz hie gat umbe, daz sint allez megede, die wellent an man alle disen sumer gan!

10. Were diu werlt alle min (Chorus)

Were diu werlt alle min von deme mere unze an den Rin, des wolt ih mih darben, daz diu chünegin von Engellant lege an minen armen.

II. IN TABERNA

11. Estuans interius (Baritone)

Estuans interius ira vehementi in amaritudine loquor mee menti: factus de materia, cinis elementi similis sum folio, de quo ludunt venti.

Cum sit enim proprium viro sapienti supra petram ponere sedem fundamenti, stultus ego comparor fluvio labenti sub eodem tramite nunquam permanenti.

Feror ego veluti sine nauta navis, ut per vias aeris vaga fertur avis;

They who here go dancing round are young maidens all who will go without a man this whole summer long.

If the whole world were but mine from the sea right to the Rhine gladly I’d pass it by if the queen of England fair in my arms did lie.

II. IN THE TAVERN

Seething inside with boiling rage in bitterness

I talk to myself. Made of matter risen from dust, I am like a leaf tossed in play by the winds.

But whereas it befits a wise man to build his house on a rock, I, poor fool, am like a meandering river, never keeping to the same path.

I drift along like a pilotless ship or like an aimless bird. Carried at random through the air

32 O NE HUNDRED THIRTY-SECOND SEASON

non me tenent vincula, non me tenet clavis, quero mihi similes, et adiungor pravis.

Mihi cordis gravitas res videtur gravis; iocus est amabilis dulciorque favis; quicquid Venus imperat, labor est suavis, que nunquam in cordibus habitat ignavis. Via lata gradior more iuventutis, inplicor et vitiis, immemor virtutis, voluptatis avidus magis quam salutis, mortuus in anima curam gero cutis.

12. Olim lacus colueram (Tenor and Male Chorus)

Olim lacus colueram, olim pulcher extiteram dum cignus ego fueram. Miser, miser!

modo niger et ustus fortiter!

Girat, regirat garcifer; me rogus urit fortiter: propinat me nunc dapifer. Miser, miser!

modo niger et ustus fortiter!

Nunc in scutella iaceo, et volitare nequeo, dentes frendentes video: Miser, miser!

modo niger et ustus fortiter!

no chains hold me captive. No lock holds me fast, I am looking for those like me, and I join the depraved.

The burdens of the heart seem to weigh me down; jesting is pleasant and sweeter than the honeycomb. Whatever Venus commands is pleasant toil; she never dwells in craven hearts. On the broad path I wend my way as is youth’s wont; I am caught up in vice and forgetful of virtue, caring more for voluptuous pleasure than for my health, dead in spirit, I think only of my skin.

Once in lakes I made my home, once I dwelt in beauty. That was when I was a swan. Alas, poor me! Now I am black and roasted to a turn!

On the spit I turn and turn; the fire roasts me through. Now I am presented at the feast alas, poor me! Now I am black and roasted to a turn!

Now in a serving dish I lie and can no longer fly. Gnashing teeth confront me. Alas, poor me! Now I am black and roasted to a turn!

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FEBRUARY–MAY 2023 32A COMMENTS

13. Ego sum abbas (Baritone and Male Chorus)

Ego sum abbas Cucaniensis et consilium meum est cum bibulis, et in secta Decii voluntas mea est, et qui mane me quesierit in taberna, post vesperam nudus egredietur, et sic denudatus veste clamabit:

Wafna, wafna! quid fecisti sors turpissima? Nostre vite gaudia abstulisti omnia!

14. In taberna quando sumus (Male Chorus)

In taberna quando sumus, non curamus quid sit humus, sed ad ludum properamus, cui semper insudamus. Quid agatur in taberna, ubi nummus est pincerna, hoc est opus ut queratur, si quid loquar, audiatur.

Quidam ludunt, quidam bibunt, Qiudam indiscrete vivunt. Sed in ludo qui morantur, ex his quidam denudantur, quidam ibi vestiuntur, quidam saccis induuntur. Ibi nullus timet mortem, sed pro Bacho mittunt sortem:

Primo pro nummata vini, ex hac bibunt libertini; semel bibunt pro captivis, post hec bibunt ter pro vivis, quater pro Christianis cunctis, quinquies pro fidelibus defunctis, sexies pro sororibus vanis, septies pro militibus silvanis.

I am the abbot of Cucany and I like to drink with my friends. I belong from choice to the sect of Decius, and whoever meets me in the morning at the tavern by evening has lost his clothes, and thus stripped of his clothes cries out:

Wafna! Wafna! What has thou done, O wicked fate? All the pleasures of this life thus to take away! When we are in the tavern we spare no thought for the grave but rush to the gaming tables where we always sweat and strain. What goes on in the tavern where a coin gets you a drink if this is what you would know, then listen to what I say.

Some men gamble, some men drink, some indulge in indiscretions, but of those who stay to gamble, some lose their clothes, some win new clothes, while others put on sackcloth, there no one is afraid of death but for Bacchus plays at games of chance.

First the dice are thrown for wine; this the libertines drink. Once they drink to prisoners, then three times to the living, four times to all Christians, five to the faithful departed, six times to the dissolute sisters, seven to the bush-rangers.

32B O NE HUNDRED THIRTY-SECOND SEASON
COMMENTS

Octies pro fratribus perversis, nonies pro monachis dispersis, decies pro navigantibus, undecies pro discordantibus, duodecies pro penitentibus, tredecies pro iter angentibus. Tam pro papa quam pro rege bibunt omnes sine lege.

Bibit hera, bibit herus, bibit miles, bibit clerus, bibit ille, bibit illa, bibit servus cum ancilla, bibit velox, bibit piger, bibit albus, bibit niger, bibit constans, bibit vagus, bibit rudis, bibit magus.

Bibit pauper et egrotus, bibit exul et ignotus, bibit puer, bibit canus, bibit presul et decanus, bibit soror, bibit frater, bibit anus, bibit mater, bibit ista, bibit ille, bibunt centum, bibunt mille.

Parum sexcente nummate durant, cum immoderate bibunt omnes sine meta, quamvis bibant mente leta; sic nos rodunt omnes gentes, et sic erimus egentes. Qui nos rodunt confudantur et cum iustis non scribantur.

III. COUR D’AMOURS

15. Amor volat undique (Soprano and Children’s Choir)

Amor volat undique, captus est libidine. Iuvenes, iuvencule coniunguntur merito.

Eight times to delinquent brothers, nine to the dispersed monks, ten times to the navigators, eleven to those at war, twelve to the penitent, thirteen to travelers. They drink to the pope and king alike; all drink without restraint.

The mistress drinks, the master drinks, the soldier drinks, the man of God, this man drinks, this woman drinks, the manservant with the serving maid, the quick man drinks, the sluggard drinks, the white man and the black man drink, the steady man drinks, the wanderer drinks, the simpleton drinks, the wise man drinks.

The poor man drinks, the sick man drinks, the exile drinks and the unknown, the boy drinks, the old man drinks, the bishop drinks and the deacon, sister drinks and brother drinks, the old crone drinks, the mother drinks, this one drinks, that one drinks, a hundred drink, a thousand drink.

Six hundred coins are not enough when all these drink too much. And without restraint although they drink cheerfully. Many people censure us and we shall always be short of money, may our critics be confounded and never be numbered among the just.

III. THE COURTS OF LOVE

Love flies everywhere and is seized by desire, young men and women are matched together.

FEBRUARY–MAY 2023 32C COMMENTS

Siqua sine socio, caret omni gaudio, tenet noctis infima sub intimo cordis in custodia: fit res amarissima.

16.

Dies, nox et omnia (Baritone)

Dies, nox et omnia mihi sunt contraria, virginum colloquia me fay planszer, oy suvenz suspirer, plu me fay temer.

O sodales, ludite, vos qui scitis dicite, michi mesto parcite, grand ey dolur, attamen consulite per voster honur.

Tua pulchra facies, me fay planszer milies, pectus habet glacies, a remender statim vivus fierem per un baser.

17. Stetit puella (Soprano)

Stetit puella rufa tunica; si quis eam tetigit, tunica crepuit. Eia.

Stetit puella tamquam rosula; facie splenduit, os eius floruit. Eia.

If a girl lacks a partner, she misses all the fun; in the depths of her heart is darkest night; it is a bitter fate. Day, night, and all the world are against me. The sound of maidens’ voices makes me weep. I often hear sighing, and it makes me more afraid.

O friends, be merry, say what you will, but have mercy on me, a sad man, for great is my sorrow, yet give me counsel for the sake of your honor.

Your lovely face makes me weep a thousand tears because your heart is of ice, but I would be restored at once to life by one single kiss.

There stood a young girl in a red tunic; if anyone touched her, the tunic rustled. Heigho. There stood a girl fair as a rose. Her face was radiant, her mouth like a flower. Heigho.

32D O NE HUNDRED THIRTY-SECOND SEASON
COMMENTS

18. Circa mea pectora (Baritone and Chorus)

Circa mea pectora multa sunt suspiria de tua pulchritudine, que me ledunt misere. Manda liet, manda liet, min geselle chumet niet.

Tui lucent oculi sicut solis radii, sicut splendor fulguris lucem donat tenebris. Manda liet, manda liet, min geselle chumet niet.

Vellet deus, vellent dii, quod mente proposui: ut eius virginea reserassem vincula.

Manda liet, manda liet, min geselle chumet niet.

19. Si puer cum puellula (Male Voices)

Si puer cum puellula moraretur in cellula, felix coniunctio. Amore suscrescente, pariter e medio avulso procul tedio, fit ludus ineffabilis membris, lacertis, labiis.

My breast is filled with sighing for your loveliness, and I suffer grievously. Manda liet, manda liet, my sweetheart comes not.

Your eyes shine like sunlight, like the splendor of lightning in the night. Manda liet, manda liet, my sweetheart comes not.

May God grant, may the gods permit the plan I have in mind to undo the bonds of her virginity. Manda liet, manda liet, my sweetheart comes not.

If a boy and a girl linger together, happy is their union; increasing love leaves tedious good sense far behind, and inexpressible pleasure fills their limbs, their arms, their lips.

FEBRUARY–MAY 2023 32E COMMENTS
(Please turn the page quietly.)

COMMENTS

20. Veni, veni, venias (Double Chorus)

Veni, veni, venias, ne me mori facias, hyrca, hyrca, nazaza, trillirivos!

Pulchra tibi facies, oculorum acies, capillorum series, o quam clara species!

Rosa rubicundior, lilio candidior, omnibus formosior, semper in te glorior!

21. In trutina (Soprano)

In trutina mentis dubia fluctuant contraria lascivus amor et pudicitia. Sed eligo quod video, collum iugo prebeo; ad iugum tamen suave transeo.

Come, come, pray come, do not let me die, hyrca, hyrca, nazaza, trillirivos!

Lovely is your face, the glance of your eyes, the braids of your hair, oh, how beautiful you are!

Redder than the rose, whiter than the lily, comelier than all the rest; always I shall glory in you.

In the scales of my wavering indecision physical love and chastity are weighed. But I choose what I see.

I bow my head in submission and take on the yoke, which is, after all, sweet.

22. Tempus est iocundum (Soprano, Baritone, Chorus, and Children’s Choir)

Tempus est iocundum, o virgines, mondo congaudete vos iuvenes.

Oh, oh, oh, totus floreo, iam amore virginali totus ardeo, novus, novus amor est, quo pereo.

Mea me confortat promissio, mea me deportat negatio.

Pleasant is the season o maidens, now rejoice together young men.

Oh, oh, oh, I blossom now with pure love. I am on fire! This love is new, is new, of which I perish.

My love brings me comfort, when she promises, but makes me distraught with her refusal.

32F O NE HUNDRED THIRTY-SECOND SEASON

Oh, oh, oh, totus floreo, iam amore virginali totus ardeo, novus, novus amor est, quo pereo.

Tempore brumali vir patiens, animo vernali lasciviens.

Oh, oh, oh, totus floreo, iam amore virginali totus ardeo, novus, novus amor est, quo pereo.

Mea mecum ludit virginitas, mea me detrudit simplicitas.

Oh, oh, oh, totus floreo, iam amore virginali totus ardeo, novus, novus amor est, quo pereo.

Veni, domicella, cum gaudio, veni, veni, pulchra, iam pereo.

Oh, oh oh, totus floreo, iam amore virginali totus ardeo, novus, novus amor est, quo pereo.

Oh, oh, oh, I blossom now with pure love; I am on fire! This love is new, is new, of which I perish.

In winter time the man is lazy, in spring he will get gaily.

Oh, oh, oh, I blossom now with pure love. I am on fire! This love is new, is new, of which I perish.

My chastity teases me, but my innocence holds me back!

Oh, oh, oh, I blossom, now with pure young love. I am on fire! This love is new, is new, Of which I perish.

Come my darling, come with joy, come with beauty, for already I die!

Oh, oh, oh, I blossom now with pure young love. I am on fire!

This love is new, is new, of which I perish.

(Please turn the page quietly.)

FEBRUARY–MAY 2023 32G COMMENTS

COMMENTS

23. Dulcissime (Soprano)

Dulcissime totam tibi subdo me!

BLANZIFLOR ET HELENA

24. Ave formosissima (Chorus)

Ave formosissima, gemma pretiosa, ave decus virginum, virgo gloriosa, ave mundi luminar ave mundi rosa, Blanziflor et Helena, Venus generosa!

FORTUNA IMPERATRIX MUNDI

25. O Fortuna (Chorus)

O Fortuna, velut Luna statu variabilis, semper crescis aut decrescis; vita detestabilis nunc obdurat et tunc curat ludo mentis aciem, egestatem, potestatem dissolvit ut glaciem.

Sors immanis et inanis, rota tu volubilis, status malus, vana salus semper dissolubilis,

Sweetest boy

I give my all to you!

BLANZIFLOR AND HELENA

Hail to thee, most lovely most precious jewel, hail, pride of virgins! Most glorious virgin! Hail, light of the world! Hail, rose of the world! Blanziflor and Helena! Noble Venus, hail!

FORTUNE, EMPRESS OF THE WORLD

O Fortune! Like the moon ever-changing, rising first then declining; hateful life treats us badly then with kindness making sport with our desires, causing power and poverty alike to melt like ice.

Dread destiny and empty fate, an ever-turning wheel, who make adversity and fickle health alike turn to nothing,

32H O NE HUNDRED THIRTY-SECOND SEASON

obumbrata et velata

michi quoque niteris; nunc per ludum dorsum nudum fero tui sceleris.

Sors salutis et virtutis

michi nunc contraria est affectus et defectus semper in angaria. Hac in hora sine mora corde pulsum tangite; quod per sortem sternit fortem, mecum omnes plangite!

in the dark and secretly you work against me; how through your trickery my naked back is turned to you unarmed.

Good fortune and strength now are turned from me. Affection and defeat are always on duty. Come now pluck the strings without delay; and since by fate the strong are overthrown, weep ye all with me.

Copyright © 1937 by Schott Music GmbH & Co. KG, Mainz, Germany. Copyright renewed. English translation

copyright © 1953 by Schott Music GmbH & Co. KG, Mainz, Germany. Copyright renewed. All rights reserved.

Used by permission of European American Music Distributors Company, sole United States and Canadian agent for Schott Music GmbH & Co. KG, Mainz, Germany

FEBRUARY–MAY 2023 32I COMMENTS

Osmo Vänskä Conductor

first cso performances

February 17, 18, 19, and 22, 2000, Orchestra Hall. Sibelius’s Tapiola, Beethoven’s Piano Concerto no. 1 with Stephen Bishop-Kovacevich, and Nielsen’s Symphony no. 5

most recent cso performances

October 18, 19, and 20, 2012, Orchestra Hall. Brahms’s Concerto for Violin and Cello (Double) with Renaud and Gautier Capuçon and Symphony no. 1

January 26, 2013; Chiang Kai-Shek National Concert Hall, Taipei, Taiwan. Verdi’s Overture to I vespri siciliani, Tchaikovsky’s Violin Concerto with Maxim Vengerov, and Beethoven’s Symphony no. 3

Conductor laureate of the Minnesota Orchestra, where he held the music directorship for nineteen years, and music director of the Seoul Philharmonic Orchestra from 2020 to 2023, Osmo Vänskä is recognised for his compelling interpretations of repertoire of all periods and an energetic presence on the podium. His democratic and inclusive working style has been key in forging long-standing relationships with many orchestras worldwide.

Performances of Mahler’s Symphony no. 8 with the Minnesota Orchestra in June 2022 provided a fitting culmination for Vänskä’s tenure as music director. Together they undertook five major European tours, as well as a historic trip to Cuba in 2015—the first visit by an American orchestra since the two countries reestablished diplomatic relations. They also made a ground-breaking, five-city tour to South Africa in 2018 as part of worldwide celebrations of Nelson Mandela’s centenary. Vänskä and the Minnesota Orchestra also made an acclaimed return to London’s BBC Proms in the summer of 2018.

Osmo Vänskä led the Seoul Philharmonic on a major European tour in the fall of 2022, including concerts in Vienna, Salzburg, Amsterdam, and London. He returns to guest conduct the orchestra several times this spring.

He also returns this season to the symphony and philharmonic orchestras of Bamberg, Los Angeles, Helsinki, Houston, Montreal, and Pittsburgh, among others. Past guest conducting invitations include such renowned international ensembles as the Cleveland and Philadelphia orchestras and the San Francisco Symphony in North America; and the Netherlands Radio Philharmonic Orchestra, Orchestre de Paris, Iceland Symphony Orchestra, Deutsches Symphonie-Orchester Berlin, and the Berlin Radio Symphony Orchestra in Europe, in addition to the London Philharmonic Orchestra. He is regularly invited to guest conduct in Asia, including the Tokyo Metropolitan Symphony Orchestra and the Shanghai Symphony Orchestra; and the China, Hangzhou, Hong Kong, and Taiwan philharmonic orchestras.

Vänskä continues to develop a visiting and touring relationship with the Curtis Symphony Orchestra of the Curtis Institute of Music, leading conducting seminars as well as tours.

A distinguished recording artist for the BIS label, Vänskä is currently recording all of Mahler’s symphonies with the Minnesota Orchestra: Mahler 5 received a Best Orchestral Performance Grammy Award nomination in 2017. Vänskä and Minnesota have also recorded all the symphonies of Beethoven and Sibelius to critical acclaim, winning a Grammy Award for Best Orchestral Performance in 2014 as well as being nominated on several occasions. In 2021 the ensemble was voted Gramophone’s Orchestra of the Year.

Osmo Vänskä is the recipient of a Royal Philharmonic Society Award, the Finlandia Foundation’s Arts and Letters Award, the 2010 Ditson Award from Columbia University, and the Pro Finlandia Medal awarded by the State of Finland. He holds honorary doctorates from the universities of Glasgow and Minnesota, and was named Musical America’s 2005 Conductor of the Year. In 2013 he received the Annual Award from the German Record Critics’ Award Association for his involvement in BIS’s recordings of works by Sibelius.

32J ONE HUNDRED THIRTY-SECOND SEASON profiles
PHOTO BY LISA-MARIE MAZZUCCO

Joélle Harvey Soprano

first cso performances

November 11, 12, and 13, 2021, Orchestra Hall. Barber’s Knoxville: Summer of 1915, Jakub Hrůša conducting

A native of Bolivar, New York, soprano Joélle Harvey holds bachelor’s and master’s degrees in vocal performance from the University of Cincinnati College-Conservatory of Music (CCM). She began her career training at Glimmerglass Opera (now Glimmerglass Festival) and the Merola Opera Program.

Harvey’s 2022–23 season brings appearances with a host of internationally acclaimed organizations. She joined the New York Philharmonic as soprano soloist in a gala performance of Beethoven’s Ninth Symphony conducted by Jaap van Zweden in celebration of the opening of David Geffen Hall. She debuts with the Bamberg Symphony (Mahler’s Symphony no. 4 and songs by Alma Mahler conducted by Jakub Hrůša), Deutsches Symphonie-Orchester Berlin (Handel’s Solomon with Robin Ticciati), and the Minnesota Orchestra (Haydn’s Creation under Paul McCreesh). The season also holds returns to the Cleveland Orchestra (Schubert’s Mass in E-flat in Cleveland and at Carnegie Hall), the Cincinnati Symphony Orchestra (Mahler’s Symphony no. 2), and the Metropolitan Opera (Pamina in The Magic Flute). Notable chamber music performances include a recital with baritone John Moore and pianist Allen Perriello for Philadelphia Chamber Music Society and

appearances with the societies of Lincoln Center and Palm Beach. She also makes debuts with the Jacksonville Symphony in Brahms’s A German Requiem and the Orchestra of St. Luke’s in an all-Handel program conducted by Bernard Labadie at Carnegie Hall. During the summer, she returns to the Glyndebourne Festival as the title role in a new production of Handel’s Semele.

An in-demand soloist, the soprano regularly appears with the great orchestras of the United States, including the New York Philharmonic (Mozart’s Requiem, Messiah), the Cleveland Orchestra (Mahler’s symphonies nos. 2 and 4, Bach’s Mass in B minor), the San Francisco Symphony (Fidelio, Beethoven’s Mass in C, Messiah, Orff’s Carmina Burana), and the Los Angeles Philharmonic (Nixon in China, Beethoven’s Missa solemnis).

On the operatic stage, Joélle Harvey frequently appears at the Glyndebourne Festival, having bowed in six roles, including Handel’s Cleopatra (Giulio Cesare), Mozart’s Susanna (The Marriage of Figaro), and Donizetti’s Adina (The Elixir of Love). She made her Metropolitan Opera debut as Pamina in The Magic Flute and her Royal Opera (Covent Garden) debut as Susanna, and appeared as Galatea in Acis and Galatea and Zerlina in Don Giovanni with the Festival d’Aixen-Provence. Other roles include Flora in The Turn of the Screw with Houston Grand Opera and Anne Trulove in The Rake’s Progress with Utah Opera, as well as Zerlina and Eurydice in Telemann’s Orpheus with New York City Opera. She made her solo Carnegie Hall recital debut in 2019 with Allen Perriello, and she has appeared at the BBC Proms as the Mater Gloriosa in Mahler’s Symphony no. 8, Servilia in La clemenza di Tito, and as soloist in Bach’s Mass in B minor.

FEBRUARY–MAY 2023 32K PROFILES
PHOTO © BY ARIELLE DONESON

Reginald Mobley Countertenor

first cso performances

December 16, 17, 18, and 19, 2021, Orchestra Hall. Handel’s Messiah, Nicholas McGegan conducting

Grammy Award–nominated American countertenor

Reginald Mobley, globally renowned for his interpretation of the baroque, classical, and modern repertoire, leads a prolific career on both sides of the Atlantic.

An advocate for diversity in music and its programming, Mobley became the first-ever programming consultant for the Handel and Haydn Society (H&H), following several years of leading H&H in his community engaging Every Voice concerts. He also holds the position of Visiting Artist for Diversity Outreach with the baroque ensemble Apollo’s Fire, and is a regular guest with Philharmonia Baroque Orchestra, Washington Bach Consort, Seraphic Fire, and Agave Baroque. With the latter, he recorded American Originals, a collection of spirituals, nominated for a Grammy Award in 2022. His American 2022–23 season began with a solo recital at the Miller Theatre in New York showcasing cantatas by Bach and his debut with the New York Philharmonic in Handel’s Messiah, which he also sang with the Pittsburgh Symphony Orchestra. Later in the season, he is featured in concerts with Philharmonia Baroque Orchestra, Early Music Vancouver, and Seraphic Fire. Previous engagements have included concerts and recordings with Opera Lafayette, Blue Heron, Orchestra of St. Luke’s, LA Master

Chorale, Atlanta Baroque Orchestra, Early Music Vancouver, Portland Baroque Orchestra, and Early Music Seattle.

In Europe, Reginald Mobley has been invited to perform with Orchester Wiener Akademie, City of Birmingham Symphony Orchestra, Balthasar Neumann Chor and Ensemble, Internationale Bach Akademie Stuttgart, and Holland Baroque Orchestra, among others. His name is often associated with John Eliot Gardiner and the Monteverdi Choir and Orchestra, with which he has been touring and recording for the past ten years, including a European tour in the spring of 2023. In the summer of 2022, the artist made his debut with the Dutch Bach Society in concerts in Bremen and Utrecht. He also appeared for the first time with I Barocchisti at Opéra de Lausanne under Diego Fasolis in Handel’s The Triumph of Time and Disillusion as Disinganno, a role he reprised at the Barbican Centre in London with the Academy of Ancient Music led by Laurence Cummings. In 2021 he performed the role of Ottone in The Coronation of Poppea in a European tour with the Budapest Festival Orchestra, with stops at Grand Théâtre de Genève, Müpa Budapest, and Teatro Olimpico in Vicenza.

Reginald Mobley’s recordings have been received with great critical acclaim. His first solo album, highlighting a collection of spirituals, accompanied by the world-renowned French pianist Baptiste Trotignon, will be released on Alpha Classics in June 2023. The singer also features on several albums with the Monteverdi Choir, including a recording of Bach’s Saint Matthew Passion and Magnificat.

32L ONE HUNDRED THIRTY-SECOND SEASON PROFILES
PHOTO BY LIZ LINDER

Elliot Madore Baritone

These concerts mark Elliot Madore’s debut with the Chicago Symphony Orchestra.

Grammy Award–winning Canadian baritone Elliot Madore has established himself as an international artist in demand at the leading opera houses and orchestras of the world. The 2022–23 season has seen his return to the Los Angeles Philharmonic in the role of Ramón in a semistaged production of John Adams’s Girls of the Golden West, as well as his much-anticipated debut with the Toronto Symphony Orchestra as soloist in Handel’s Messiah under the direction of music director Gustavo Gimeno. Madore also appeared as soloist in Orff’s Carmina Burana in a co-presentation by the Hong Kong Philharmonic and the Hong Kong Ballet, and with the New World Symphony conducted by Patrick Dupré Quigley and the Oregon Symphony led by Leo Hussain. He also debuts with the Kalamazoo Symphony in Brahms’s Requiem. In addition, this season, Madore continues in his post as a performing associate professor of voice with the Cincinnati Conservatory of Music.

In the 2021–22 season, Madore made his house debut in the world premiere of Giorgio Battistelli’s new opera Julius Caesar with the Teatro dell’Opera of Rome directed by Robert Carsen and conducted by Daniele Gatti. He also made his role debut as Dr. Falke in Die

Fledermaus by Johann Strauss, Jr., with the Seiji Ozawa Music Academy in Japan; the Los Angeles Philharmonic conducted by music director Gustavo Dudamel at the Hollywood Bowl as soloist in Carmina Burana; and with the United States Naval Academy in Messiah.

Highlights of previous seasons at the Metropolitan Opera include Mercutio in a new production of Gounod’s Romeo and Juliet broadcast live in HD, Figaro in Rossini’s Barber of Seville, Schaunard in Puccini’s La bohème, as Lysander in Jeremy Sams’s baroque pastiche The Enchanted Island, and Novice’s Friend in Britten’s Billy Budd. Madore made his European operatic debut at the Glyndebourne Festival singing Ramiro in Ravel’s L’heure espagnole and the Tomcat and Grandfather Clock in a new production of Ravel’s L’enfant et les sortilèges, and returned to the company later to sing the title role in Don Giovanni. He has also been seen in a return to Dutch National Opera for the European debut of Adams’s Girls of the Golden West; in his role debut as Figaro in Manitoba Opera’s Barber of Seville; as the title role in Don Giovanni with Opera Philadelphia, Florida Grand Opera, Opera Theatre of Saint Louis, and the Tanglewood Festival; and as Harlequin in Strauss’s Ariadne auf Naxos with the Bavarian State Opera, Théâtre des Champs-Elysées, and the Tanglewood Festival. Additional roles include Anthony Hope in Sweeney Todd and Ramón in the world premiere of Girls of the Golden West with San Francisco Opera, and his video-recorded Dutch National Opera debut as Prince Hérisson de Porc-Epic in Chabrier’s L’étoile, among others.

FEBRUARY–MAY 2023 32M PROFILES
PHOTO BY CYRILL MATTER

Chicago Symphony Chorus

World premieres featuring the Chorus have included Ned Rorem’s Goodbye My Fancy, John Harbison’s Four Psalms, and Bernard Rands’s apókryphos. With visiting orchestras, the Chorus has collaborated with the Berlin Philharmonic under Claudio Abbado, the Boston Symphony Orchestra and Seiji Ozawa, the Israel Philharmonic Orchestra with Zubin Mehta, and the Staatskapelle Berlin under Barenboim.

The Chicago Symphony Chorus regularly performs with the Chicago Symphony Orchestra in Orchestra Hall and at the Ravinia Festival.

The history of the Chorus began in 1957, when sixth music director Fritz Reiner invited Margaret Hillis to establish a chorus to equal the quality of the Orchestra. Hillis accepted the challenge, and the Chicago Symphony Chorus debuted in March and April 1958, in Mozart’s Requiem under Bruno Walter and Verdi’s Requiem under Reiner. Hillis served the Chorus for thirty-seven years, until her retirement in 1994; ninth music director Daniel Barenboim appointed Duain Wolfe as her successor in June of that year.

The Chorus first performed in Carnegie Hall in 1967 in Henze’s Muses of Sicily and Ravel’s Daphnis and Chloe under seventh music director Jean Martinon, and most recently in 2015 with Riccardo Muti for Scriabin’s Prometheus and Prokofiev’s Alexander Nevsky. Touring internationally with the Orchestra, the Chorus traveled to London and Salzburg in 1989 with Sir Georg Solti for performances of Berlioz’s The Damnation of Faust and to Berlin in 1999 with Barenboim for Brahms’s A German Requiem and Pierre Boulez for Schoenberg’s Moses und Aron.

Since first recording commercially in 1959— Prokofiev’s Alexander Nevsky under Reiner— the Chorus has amassed a discography that includes hallmarks of the choral repertoire and several complete operas. The Chorus most recently received a 2010 Grammy Award for Best Choral Performance for Verdi’s Requiem, led by Riccardo Muti on CSO Resound. The Chorus has received an additional nine Grammy awards for Best Choral Performance for Verdi’s Requiem, Beethoven’s Missa solemnis, Brahms’s A German Requiem, Berlioz’s The Damnation of Faust, Haydn’s Creation, and Bach’s Mass in B minor with Solti; Brahms’s Requiem and Orff’s Carmina Burana with James Levine; and Bartók’s Cantata profana with Boulez.

The Chorus also has appeared on two movie soundtracks with the Orchestra: Fantasia 2000 led by Levine and John Williams’s score for Lincoln conducted by the composer. Recordings on CSO Resound featuring the Chorus include Mahler’s Second and Third symphonies, Poulenc’s Gloria, and Ravel’s Daphnis and Chloe under Bernard Haitink; and Berlioz’s Lélio, Verdi’s Otello, Schoenberg’s Kol Nidre, choruses by Verdi and Boito’s Prologue to Mefistofele, Shostakovich’s Symphony no. 13 (Babi Yar) with men of the Chorus, and most recently Mascagni’s Cavalleria rusticana under Riccardo Muti.

32N O NE HUNDRED THIRTY-SECOND SEASON PROFILES
PHOTO BY TODD ROSENBERG

Jenny Wong Guest Chorus Director

A native of Hong Kong based in Los Angeles, Jenny Wong currently is the associate artistic director of the Grammy Award–winning Los Angeles Master Chorale. Recent conducting engagements include the Los Angeles Philharmonic Green Umbrella Series, the San Francisco Symphony Chorus, the Industry, Long Beach Opera, Pasadena Symphony and Pops, Phoenix Chorale, and the Gay Men’s Chorus of Los Angeles. Next season, Wong makes her debut with the Los Angeles Opera Orchestra and returns to Pasadena Symphony and Pops. In 2021 Wong was one of nine national recipients of OPERA America’s inaugural Opera Grants for Women Stage Directors and Conductors. Staged and opera works include Peter Sellars’s staging of Lasso’s Lagrime di San Pietro (Melbourne International Arts Festival, the Festival Internacional Cervantino, Palacio de Bellas Artes in Mexico, and in the United States), the opera Sweet Land by Du Yun and Raven Chacon (2021 Award for Best New Opera by the Music Critics’ Association), and Schoenberg’s Pierrot lunaire and Kate Soper’s Voices from the Killing Jar with Long Beach Opera in collaboration with Wild Up. Under Wong’s baton, the Los Angeles Master

Chorale’s performance of Frank Martin’s Mass for Double Choir was named one of “Ten Notable Performances and Recordings of 2022” by Alex Ross in the New Yorker.

As chorus master, Wong has prepared ensembles for the Los Angeles Philharmonic and Gustavo Dudamel, the San Francisco Symphony and Esa-Pekka Salonen, Susanna Mälkki, Los Angeles Chamber Orchestra and Jaime Martín, Maria Guinand, Eric Whitacre, and Music Academy of the West, including a recording of Mahler’s Eighth Symphony (winner of the 2022 Grammy Award for Best Choral Performance) and the U.S. premiere of Tan Dun’s Buddha Passion. Wong was assistant producer of the Master Chorale’s latest album, Whitacre’s The Sacred Veil, on Signum Classics.

Jenny Wong won two consecutive world champion titles at the World Choir Games 2010 and the International Johannes Brahms Choral Competition 2011 conducting the Diocesan Girls’ School Choir from Hong Kong. She has been a conducting fellow for the Oregon Bach Festival, Baltimore Chamber Orchestra, Norfolk Chamber Music Festival, Distinguished Concerts International New York, and Hong Kong SingFest. Wong received her doctor of musical arts and master of music degrees from the University of Southern California. She holds an undergraduate degree in vocal performance from the University of Illinois Urbana-Champaign.

FEBRUARY–MAY 2023 32O PROFILES

PROFILES

Chicago Symphony Chorus

Cheryl Frazes Hill Associate Director

Jennifer Kerr Budziak Assistant Director

Andrew Lewis Assistant Director

Benjamin Rivera Assistant Director

Michele Braché Agpalo

Alicia Monastero Akers

Melinda Alberty

Melissa Arning

Anastasia Cameron Balmer*

Annie Bennett

Laura Boguslavsky

Madison Bolt

Eileen Marie Bora

Michael Boschert

Michael Brauer

Matthew Brennan

Michael Brown

Terry L. Bucher

Jennifer Kerr Budziak

Anna Joy Buegel

Laura Bumgardner

Diane Busko Bryks*

Michael Cavalieri

Joan Cinquegrani

Joseph Cloonan

Nathalie Colas

Natalie Conseur

Magaly Cordero

Ryan J. Cox

Sandra Cross

Beena David

Leah Dexter

Chris DiMarco

Micah A. Dingler

Katarzyna Dorula

Kathryn Kinjo Duncan

Ashley Eason

Stacy Eckert

Jared Velasco Esguerra

Nicholas Falco

Andrew Fisher

Megan Fletcher

Leigh Folta

Kirsten Fyr-Searcy

Ace T. Gangoso

Klaus Georg*

Dimitri German

Liana Gineitis

Jennifer Gingrich*

David Govertsen*

Mary Lutz Govertsen

Nida Grigalaviciute

Kimberly Gunderson

Amy Gwinn-Becker

Elizabeth Haley

Kevin Michael Hall

Ashlee Hardgrave

Ruth Ginelle Heald

Adam Lance Hendrickson

Megan Hendrickson

Daniel Julius Henry, Jr.

Jianghai Ho

Betsy Hoats

Ingrid Israel Mikolajczyk

Margaret Izard

Taylor Jacobson

Carla Janzen

Garrett Johannsen*

Amy Allyssa Johnson

Robin A. Kessler

Jung Kim

Gabriella Klotz

Jess Koehn

Lisa Kotara

Susan Krout

Mathew Lake

Katelyn Lee

Lee Lichamer

Hannah Little

Amanda Compton LoPresti*

Kathleen Madden

Suzanne Ma-Ebersole

Dorian McCall

Bill McMurray

Mark James Meier

Rebecca S. Moan

Meredith Mollica

Stephen Mollica

Keith A. Murphy

Lillian Murphy

Nathan S. Oakes

Máire O’Brien

Wha Shin Park

Clarissa Parrish Short

Steven Michael Patrick

Douglas Peters

Cassandra Petrie

Cari Plachy

Sarah Ponder

Elvira Ponticelli

Robert J. Potsic

Brett Potts

Angela Presutti

Emily Price

Ian R. Prichard

Nicholas Pulikowski

Antonio Quaranta

Margaret Quinnette

Peder Reiff

Stephen Richardson

Alexia Rivera

Nicoleta Roman

Cole Seaton

Andrew Seymour

Emlynn Shoemaker

Aaron Short

Elizabeth Shuman

Bridget Skaggs

Meaghan Smallwood

Cassidy Smith

Joseph Smith

Alannah Spencer

Sean Stanton*

Heidi Jo Stirling

Avery Sujkowski

Alan Taylor

Samantha Thielen

Paul W. Thompson

Scott Uddenberg

William Vallandigham

Elizabeth Vaughan

Aaron Wardell

Rebecca Watts

Peter Wesoloski

Debra Wilder*

Megan Wilhelm

Juan Zapata

chorus manager

Shelley Baldridge

assistant chorus manager and librarian

Heather Anderson

rehearsal pianists

John Goodwin

Sharon Peterson

32P O NE HUNDRED THIRTY-SECOND SEASON
The Chorus was prepared for these performances by Jenny Wong. *Section leader

Uniting Voices Chicago

Uniting Voices Chicago inspires and unites youth from diverse backgrounds to become global leaders through music.

Founded in 1956 as the Children’s Chorus of the First Unitarian Church of Chicago at the dawn of the civil rights movement, Uniting Voices Chicago (formerly Chicago Children’s Choir) is rooted in the belief that music is a vehicle for fostering empathy and respect between young people of all races, ethnicities, socioeconomic backgrounds, religions, gender identities, and sexual orientations.

Since its founding sixty-five years ago, the organization has grown from a single choir into a vast network of school and after-school programs that serve thousands of students every year. Uniting Voices Chicago offers a performance-based learning experience built around innovative creative partnerships and compelling artistic endeavors—from regular appearances at Lyric Opera and Ravinia Festival to one-of-akind features on major recording projects such as Chance the Rapper’s Coloring Book (2016) and The Big Day (2019).

For more than half a century, Uniting Voices Chicago has developed programs that embrace the racial and economic diversity of Chicago, making a high-caliber musical education available to any singer who wants it. Accessibility forms the foundation of its signature world-class instruction. Eighty percent of the organization’s youth live in low-to-moderate income households, and every year these 4,000+ students participate completely free of charge. Whether they’re just getting started or are already seasoned performers, youth from every corner of the city discover how to make their voice heard through empowering programs.

Josephine Lee President and Artistic Director

Acclaimed conductor, pianist, singer, producer, and non-profit leader Josephine Lee has made a widespread impact in the fields of music and education through an array of engagements across the globe. She has worked with a sterling roster of local and international artists and currently serves as president and artistic director of the United States’ preeminent youth choral organization, Uniting Voices Chicago (formerly Chicago Children’s Choir).

Lee recently sang in the world premiere of Pulitzer Prize finalist Ted Hearne’s Place, which received a Grammy Award nomination and played to critical acclaim at the Brooklyn Academy of Music’s Next Wave Festival. Other recent engagements include a collaboration with Peter CottonTale on the viral work Together in Google’s Year in Search video (2020) and performance on The Late Show with Stephen Colbert (2021); an Obama Foundation feature called A Chorus of Hope (2021); a collaboration with Uniting Voices Chicago and Bobby McFerrin and the SpiritYouAll Band at the Ravinia Festival (2019); the development and world premiere of Long Way Home (2018), a fully staged theatrical work with the Q Brothers Collective; the co-creation of the original world musical Sita Ram with David Kersnar of Lookingglass Theatre Company (2003, 2006, 2012); a collaboration on Chance the Rapper’s debut studio album The Big Day (2019) and on his Grammy-winning Coloring Book, for which she led choruses in studio recordings and tour performances in 2016. In 2015 she founded Vocality, a festival chorus comprising Uniting Voices Chicago alumni as well as young vocal artists from a wide array of communities within and surrounding the city of Chicago. Vocality made its debut in 2015 at the Ravinia Festival in a concert performance of Porgy and Bess with the Chicago Symphony

FEBRUARY–MAY 2023 32Q PROFILES
PHOTO BY MARCIN CYMMER

Orchestra under the baton of Bobby McFerrin. Future engagements include the development of a new theatrical work by J. Nicole Brooks, David Kersnar, and Uniting Voices Chicago Composerin-Residence W. Mitchell Owens III.

In her role as president and artistic director of Uniting Voices Chicago, Josephine Lee has revolutionized the field of youth choral music through cutting-edge performances of diverse repertoire and innovative collaborations with world-class artists. Through her vision and leadership, she has doubled the number of students served to 5,000, tripled the organization’s budget, and established Uniting Voices Chicago as one of Chicago’s premier cultural institutions.

Uniting Voices Chicago

Josephine Lee President and Artistic Director

Lexie Antoine

Elizabeth Awa

Geordan Boling

Amalie Brennan

Margaret Cafarelli

Penelope Charboneau

Ava Carlson

Angela Carlson

Kate Carter

Stella Corotis

Veronica DeLew

Arianna Fernando

Jaylah Fulton

Jahlani Fulton

Mercedes Gong

Kennedy Grooms

Sofia Gutierrez

Charlotte Herman

Andrea Hernandez

Alethia Ikem

Vikram Konkimalla

Eleanor Koss

Margaret Larson

Simone Marino-Beard

Pearl Marino-Beard

Katlyn McVey

Charlotte Miller

Lucia Jane Miranda

Myah Morris

Frances Mulcahey

Nicholas Muthu

Lena Nixon

Zoe Nott

Abigail Pazmino

Livia Pouw

Abby Rades

Morgan Robinson

In recognition of her leadership of Uniting Voices Chicago, Josephine Lee received the Kennedy Center’s National Committee for the Performing Arts Award for Arts Advocacy in 2018, the Roman Nomitch Fellowship in 2012 to attend the Harvard Business School’s Strategic Perspectives in Nonprofit Management program, and was awarded the Jesse L. Rosenberger Medal in 2014 from the University of Chicago. She was recently featured in “The Transformative Power of Music,” a segment on OWN’s acclaimed Super Soul Sunday. Lee holds a bachelor’s degree in piano performance from DePaul University and a master’s degree in conducting from Northwestern University.

Emelia Schuele-Bermeo

Samantha Schultz

Esme Siegelin

Helena Smith-Donald

Sole’ Stampley

Naava Stein

Marina Suarez Espinosa

Celia Talbott

Kackie Talmers

Edie Vanada

Kaliyah Venson

Annabelle Washington

Zara Wilcox

Anne Zweidinger

staff

Josephine Lee President and Artistic Director

Magdalena Delgado Assistant Conductor

John Goodwin Principal Pianist

Irina Foekstitova Accompanist

Jackie Johnson Citywide Program Director

Elinor Keener Program Assistant

Regina Robinson Program Assistant

Kevin Rudzinski Program Assistant

Jocelyn Smith Head of Programs

Sara Zimmerman Production Manager

32R O NE HUNDRED THIRTY-SECOND SEASON PROFILES

chicago symphony orchestra

The Chicago Symphony Orchestra is consistently hailed as one of the world’s leading orchestras, and in September 2010, renowned Italian conductor Riccardo Muti became its tenth music director. During his tenure, the Orchestra has deepened its engagement with the Chicago community, nurtured its legacy while supporting a new generation of musicians and composers, and collaborated with visionary artists.

The history of the Chicago Symphony Orchestra began in 1889, when Theodore Thomas, then the leading conductor in America and a recognized music pioneer, was invited by Chicago businessman Charles Norman Fay to establish a symphony orchestra here. Thomas’s aim to build a permanent orchestra with performance capabilities of the highest quality was realized at the first concerts in October 1891 in the Auditorium Theatre. Thomas served as music director until his death in January 1905—just three weeks after the dedication of Orchestra Hall, the Orchestra’s permanent home designed by Daniel Burnham.

Frederick Stock, recruited by Thomas to the viola section in 1895, became assistant conductor in 1899 and succeeded the Orchestra’s founder. His tenure lasted thirty-seven years, from 1905 to 1942—the longest of the Orchestra’s music directors. Dynamic and innovative, the Stock years saw the founding of the Civic Orchestra of Chicago, the first training orchestra in the United States affiliated with a major symphony orchestra, in 1919. Stock also established youth auditions, organized the first subscription concerts especially for children, and began a series of popular concerts.

Three eminent conductors headed the Orchestra during the following decade: Désiré Defauw was music director from 1943 to 1947, Artur Rodzinski assumed the post in 1947–48, and Rafael Kubelík led the ensemble for three seasons from 1950 to 1953. The next ten years belonged to Fritz Reiner, whose recordings with the Chicago Symphony Orchestra are still considered performance hallmarks. It was Reiner who invited Margaret Hillis to form the Chicago Symphony Chorus in 1957. For the five seasons from 1963 to 1968, Jean Martinon held the position of music director.

Sir Georg Solti, the Orchestra’s eighth music director, served from 1969 until 1991. His arrival launched one of the most successful musical partnerships of our time, and the CSO made its first overseas tour to Europe in 1971 under his direction, along with numerous award-winning recordings. Solti then held

the title of music director laureate and returned to conduct the Orchestra for several weeks each season until his death in September 1997.

Daniel Barenboim was named music director designate in January 1989, and he became the Orchestra’s ninth music director in September 1991, a position he held until June 2006. His tenure was distinguished by the opening of Symphony Center in 1997, highly praised operatic productions at Orchestra Hall, numerous appearances with the Orchestra in the dual role of pianist and conductor, twenty-one international tours, and the appointment of Duain Wolfe as the Chorus’s second director.

Pierre Boulez’s long-standing relationship with the Orchestra led to his appointment as principal guest conductor in 1995. He was named Helen Regenstein Conductor Emeritus in 2006, a position he held until his death in January 2016. Only two others have served as principal guest conductors: Carlo Maria Giulini, who appeared in Chicago regularly in the late 1950s, was named to the post in 1969, serving until 1972; Claudio Abbado held the position from 1982 to 1985. From 2006 to 2010, Bernard Haitink was the Orchestra’s first principal conductor. Cellist Yo-Yo Ma served as the CSO’s Judson and Joyce Green Creative Consultant from 2010 to 2019. Hilary Hahn became the CSO’s first Artist-in-Residence in 2021, a role that brings her to Chicago for multiple residencies each season.

Jessie Montgomery was appointed Mead Composer-in-Residence in 2021. She follows ten highly regarded composers in this role, including John Corigliano and Shulamit Ran—both winners of the Pulitzer Prize for Music. In addition to composing works for the CSO, Montgomery curates the contemporary MusicNOW series.

The Orchestra first performed at Ravinia Park in 1905 and appeared frequently through August 1931, after which the park was closed for most of the Great Depression. In August 1936, the Orchestra helped to inaugurate the first season of the Ravinia Festival, and it has been in residence nearly every summer since.

Since 1916, recording has been a significant part of the Orchestra’s activities. Releases on CSO Resound, the Orchestra’s independent recording label, include the Grammy Award–winning release of Verdi’s Requiem led by Riccardo Muti. Recordings by the Chicago Symphony Orchestra and Chorus have earned sixty-four Grammy awards from the Recording Academy.

FEBRUARY–MAY 2023 32S

Chicago Symphony Orchestra

Riccardo Muti Zell Music Director

Jessie Montgomery Mead Composer-in-Residence

Hilary Hahn Artist-in-Residence

violins

Robert Chen Concertmaster

The Louis C. Sudler Chair, endowed by an anonymous benefactor

Stephanie Jeong

Associate Concertmaster

The Cathy and Bill Osborn Chair

David Taylor*

Assistant Concertmaster

The Ling Z. and Michael C. Markovitz Chair

Yuan-Qing Yu*

Assistant Concertmaster

So Young Bae

Cornelius Chiu

Alison Dalton

Gina DiBello

Kozue Funakoshi

Russell Hershow

Qing Hou

Matous Michal

Simon Michal

Blair Milton §

Sando Shia

Susan Synnestvedt

Rong-Yan Tang ‡

Baird Dodge Principal

Lei Hou

Ni Mei

Hermine Gagné

Rachel Goldstein

Mihaela Ionescu

Sylvia Kim Kilcullen

Melanie Kupchynsky

Wendy Koons Meir

Aiko Noda §

Joyce Noh

Nancy Park

Ronald Satkiewicz

Florence Schwartz

violas

Li-Kuo Chang ‡

Assistant Principal

Catherine Brubaker

Beatrice Chen

Youming Chen

Sunghee Choi

Wei-Ting Kuo

Danny Lai

Weijing Michal

Diane Mues

Lawrence Neuman

Max Raimi

cellos

John Sharp Principal

The Eloise W. Martin Chair

Kenneth Olsen

Assistant Principal

The Adele Gidwitz Chair

Karen Basrak

The Joseph A. and Cecile

Renaud Gorno Chair

Loren Brown

Richard Hirschl

Daniel Katz

Katinka Kleijn

David Sanders

Gary Stucka

Brant Taylor

basses

Alexander Hanna Principal

The David and Mary Winton

Green Principal Bass Chair

Daniel Carson

Robert Kassinger ‡

Mark Kraemer

Stephen Lester

Bradley Opland

harp

Lynne Turner

flutes

Stefán Ragnar Höskuldsson Principal

The Erika and Dietrich M.

Gross Principal Flute Chair

Yevgeny Faniuk

Assistant Principal

Emma Gerstein

Jennifer Gunn

piccolo

Jennifer Gunn

The Dora and John Aalbregtse Piccolo Chair

oboes

William Welter Principal

The Nancy and Larry Fuller Principal Oboe Chair

Lora Schaefer

Scott Hostetler

english horn

Scott Hostetler

clarinets

Stephen Williamson Principal

John Bruce Yeh

Assistant Principal

Gregory Smith

e-flat clarinet

John Bruce Yeh

bassoons

Keith Buncke Principal

William Buchman

Assistant Principal

Miles Maner

contrabassoon

Miles Maner

horns

David Cooper Principal

Daniel Gingrich

Associate Principal

James Smelser

David Griffin

Oto Carrillo

Susanna Gaunt

trumpets

Esteban Batallán Principal

The Adolph Herseth Principal Trumpet Chair, endowed by an anonymous benefactor

Mark Ridenour

Assistant Principal

John Hagstrom

The Bleck Family Chair

Tage Larsen

The Pritzker Military Museum & Library Chair

trombones

Jay Friedman Principal

The Lisa and Paul Wiggin Principal Trombone Chair

Michael Mulcahy

Charles Vernon

bass trombone

Charles Vernon

tuba

Gene Pokorny Principal

The Arnold Jacobs Principal

Tuba Chair, endowed by Christine Querfeld

* Assistant concertmasters are listed by seniority. ‡ On sabbatical § On leave

timpani

David Herbert Principal

The Clinton Family

Fund Chair

Vadim Karpinos

Assistant Principal

percussion

Cynthia Yeh Principal

Patricia Dash

Vadim Karpinos

James Ross

librarians

Peter Conover Principal

Carole Keller

Mark Swanson

cso fellow

Gabriela Lara Violin

orchestra personnel

John Deverman Director

Anne MacQuarrie Manager, CSO Auditions and Orchestra Personnel

stage technicians

Christopher Lewis

Stage Manager

Blair Carlson

Paul Christopher

Ryan Hartge

Peter Landry

Joshua Mondie

Todd Snick

The Paul Hindemith Principal Viola, Gilchrist Foundation, and Louise H. Benton Wagner chairs currently are unoccupied. The Chicago Symphony Orchestra string sections utilize revolving seating. Players behind the first desk (first two desks in the violins) change seats systematically every two weeks and are listed alphabetically. Section percussionists also are listed alphabetically.

HUNDRED THIRTY-SECOND SEASON

32T O NE

chicago symphony orchestra association governing members

The Governing Members are the CSOA’s first philanthropic society, which celebrated its 125th anniversary in the 2019–20 season. Its support funds the CSOA’s artistic excellence and community engagement. In return, members enjoy exclusive benefits and recognition. For more information, please contact 312-294-3337 or governingmembers@cso.org.

GOVERNING MEMBERS

EXECUTIVE COMMITTEE

Charles Emmons, Jr. Chair

Michael Perlstein Immediate Past Chair

Merrill and Judy Blau Vice Chairs of Member Engagement

Dr. Phyllis C. Bleck Vice Chair of the Annual Fund

Lisa Ross Vice Chair of Nominations & Membership

GOVERNING MEMBERS

Anonymous (8)

Dora J. Aalbregtse

Floyd Abramson

Ms. Patti Acurio

Fraida Aland

Sandra Allen

Gary Allie

Robert Alsaker

Megan P. Anderson

Dr. Edward Applebaum

David Arch

Dr. Kent Armbruster

Dr. Andrew Aronson

Susan Baird

Ms. Judith Barnard

Merrill Barnes

Peter Barrett

Roberta Barron

Roger Baskes

Cynthia Bates

Robert H. Baum

Mrs. Robert A. Beatty

Kirsten Bedway

Gail Eisenhart Belytschko

Edward H. Bennett III

Meta S. Berger

D. Theodore Berghorst

Ann Berlin

Phyllis Berlin

Mr. William E. Bible

Mrs. Arthur A. Billings

Dianne Blanco

Judy Blau

Merrill Blau

Dr. Phyllis C. Bleck

Ann Blickensderfer

Terry Boden

Fred Boelter

Mrs. Suzanne Borland

James G. Borovsky

Adam Bossov

Janet S. Boyer

John D. Bramsen

† Deceased

Ms. Jill Brennan

Mrs. William Gardner Brown

Sue Brubaker

Mrs. Patricia M. Bryan

Gilda Buchbinder

Samuel Buchsbaum

Rosemarie Buntrock

Elizabeth Nolan Buzard

Ms. Lutgart Calcote

Thomas Campbell

Ms. Vera Capp

Wendy Alders Cartland

Mrs. William C. Childs

Linton J. Childs

Frank Cicero, Jr.

Patricia A. Clickener

Mitchell Cobey

Jean M. Cocozza

Robin Tennant Colburn

Dr. Edward A. Cole

Mrs. Jane B. Colman

Eileen Conaghan

Dr. Thomas H. Conner

Ms. Cecilia Conrad

Beverly Ann Conroy

Jenny L. Corley

Ms. Sarah Crane

Mari Hatzenbuehler Craven

Mr. Richard Cremieux

R. Bert Crossland

Rebecca E. Crown

Catherine Daniels

Mrs. Robert J. Darnall

Dr. Tapas K. Das Gupta

Roxanne Decyk

Ms. Nancy Dehmlow

Mrs. Suzanne Demirjian

Duane M. DesParte

Janet Wood Diederichs

Doug Donenfeld

Mrs. William F. Dooley

Sara L. Downey

Ms. Ann Drake

David Dranove

Robert Duggan

Mimi Duginger

Mr. Frank A. Dusek, CPA

Mrs. David P. Earle III

Judge Frank H. Easterbrook

Mrs. Dorne Eastwood

Mrs. Larry K. Ebert

Louis M. Ebling III

Jon Ekdahl

Kathleen H. Elliott

Charles Emmons, Jr.

Scott Enloe

Dr. James Ertle

William Escamilla

Dr. Marilyn D. Ezri

Neil Fackler

Melissa Sage Fadim

Jeffrey Farbman

Signe Ferguson

Hector Ferral, M.D.

Ms. Constance M. Filling

Mr. Daniel Fischel

Mrs. Dean Fischer

Henry Fogel

Mrs. John D. Foster

David and Janet Fox

Mr. Paul E. Freehling

Mitzi Freidheim

Marjorie Friedman Heyman

Mr. Agustin G. Sanz

Malcolm M. Gaynor

Robert D. Gecht

Frank Gelber

Mrs. Lynn Gendleman

Dr. Mark Gendleman

Rabbi Gary S. Gerson

Dr. Bernardino Ghetti

Karen Gianfrancisco

Ellen Gignilliat

Mr. James J. Glasser

Madeleine Glossberg

Mrs. Judy Goldberg

Mrs. Mary Anne Goldberg

Anne Goldstein

Jerry A. Goldstone

Mary Goodkind

Dr. Alexia Gordon

Mr. Michael D. Gordon

Donald J. Gralen

Ruth Grant

Mrs. Hanna H. Gray

Mary L. Gray

Dana Green Clancy

Freddi L. Greenberg

Delta A. Greene

Joyce Greening

Dr. Jerri Greer

Dr. Katherine L. Griem

Kendall Griffith

Jerome J. Groen

Jacalyn Gronek

John P. Grube

James P. Grusecki

Anastasia Gutting

Lynne R. Haarlow

Joan M. Hall

Dr. Howard Halpern

Mrs. Richard C. Halpern

Anne Marcus Hamada

Josephine Hammer

Joel L. Handelman

John Hard

Mrs. William A. Hark

Dr. Dane Hassani

James W. Haugh

Thomas Haynes

James Heckman

Mrs. Patricia Herrmann Heestand

Dr. Scott W. Helm

Marilyn. P. Helmholz

Richard H. Helmholz

Dr. Arthur L. Herbst

Jeffrey W. Hesse

Konstanze L. Hickey

Thea Flaum Hill

Dr. Richard Hirschmann

Suzanne Hoffman

Anne Hokin

Wayne J. Holman III

Fred E. Holubow

Mr. James Holzhauer

Carol Honigberg

Janice L. Honigberg

Mrs. Nancy A. Horner

Mrs. Arnold Horween

Frances G. Horwich

Italics indicate Governing Members who have served at least five terms (fifteen years or more).

Dr. Mary L. Houston

Patricia J. Hurley

Michael Huston

Barbara Ann Huyler

Mr. Verne G. Istock

Mrs. Nancy Witte Jacobs

Dr. Todd Janus

John Jawor

Ms. Justine Jentes

Brian Johnson

George E. Johnson

Ronald B. Johnson

Dr. Patricia Collins Jones

Edward T. Joyce

Mrs. Carol K. Kaplan †

Claudia Norris Kapnick

Mrs. Lonny H. Karmin

Barry D. Kaufman

Kenneth Kaufman

Marie Kaufman

Don Kaul

Molly Keller

Jonathan Kemper

Nancy Kempf

Elizabeth I. Keyser

Leslie Kiesel

Emmy King

Susan Kiphart

Carol Kipperman

Dr. Elaine H. Klemen

Carol Evans Klenk

Mrs. Janet Knauff

Mr. Henry L. Kohn

Dr. Mark Kozloff

Dr. Michael Krco

Eldon Kreider

David Kreisman

MaryBeth Kretz

Dr. Vinay Kumar

Mr. John LaBarbera

Dr. Lynda Lane

Stephen Lans

William J. Lawlor III

Sunhee Lee

Jonathon Leik

Sheila Fields Leiter

Jeffrey Lennard

Zafra Lerman

Jerrold Levine

Laurence H. Levine

Mrs. Bernard Leviton

Gregory M. Lewis

Carolyn Lickerman

Mrs. Paul Lieberman

Dr. Philip R. Liebson

Patricia M. Livingston

Jane Loeb

Renée Logan

Amy Lubin

Anna Lysakowski

Carol MacArthur

Mrs. Duncan MacLean

Dr. Michael S. Maling

Sharon L. Manuel

David A. Marshall

Judy Marth

Patrick A. Martin

BeLinda I. Mathie

Scott McCue

Ann Pickard McDermott

FEBRUARY–MAY 2023 33

Dr. James L. McGee

Dr. John P. McGee †

Mrs. Lester McKeever

John A. McKenna

Mrs. Peter McKinney

James Edward McPherson

Mr. Paul Meister

Dr. Ellen Mendelson

Mara Mills Barker

Dr. Toni-Marie Montgomery

John H. Mugge

Daniel R. Murray

Mr. Stuart C. Nathan

Mrs. Ray E. Newton, Jr.

Edward A. Nieminen

Dr. Zehava L. Noah

Kenneth R. Norgan

Martha C. Nussbaum

Mrs. James J. O’Connor

Joy O’Malley

James J. O’Sullivan, Jr.

William A. Obenshain

Shelley Ochab

Maria Ochs

Eric Oesterle

Mrs. Norman L. Olson

Michael Oman

Kathleen Field Orr

Mr. Gerald A. Ostermann

Bruce L. Ottley

Pamela Papas

Mr. Bruno A. Pasquinelli

Mr. Timothy J. Patenode

Robert J. Patterson, Jr.

Mr. Michael Payette

Mrs. Richard S. Pepper †

Jean E. Perkins

Mr. Michael A. Perlstein

Bonnie Perry

Dr. William Peruzzi

Robert C. Peterson

Ellard Pfaelzer, Jr.

Sue N. Pick

Stanley M. Pillman

Virginia Johnson Pillman

Betsey N. Pinkert

Ms. Emilysue Pinnell

Harvey R. Plonsker

Mr. John F. Podjasek, III

Andrew Porte

Charles H. Posner

Stephen Potter

Carol Prins

Liz Pritchard

Maridee Quanbeck

Mrs. Lynda Rahal

Diana Mendley Rauner

Susan Regenstein

Mari Yamamoto Regnier

Mary Thomson Renner

Burton R. Rissman

Charles T. Rivkin

Carol Roberts

Mr. John H. Roberts

William Roberts

David Robin

Dr. Diana Robin

Chauncey H. Robinson

Bob Rogers

Kevin M. Rooney

Harry J. Roper

Saul Rosen

Sheli Z. Rosenberg

Dr. Ricardo T. Rosenkranz

Michael Rosenthal

Doris Roskin

Lisa Ross

Maija Rothenberg

Roberta H. Rubin

Mrs. Susan B. Rubnitz

Sandra K. Rusnak

David W. “Buzz” Ruttenberg

Richard O. Ryan

Mrs. Patrick G. Ryan

Norman K. Sackar

Anthony Saineghi

Inez Saunders

Karla Scherer

David M. Schiffman

Judith Feigon Schiffman

Rosa Schloss

Al Schriesheim

Donald L. Schwartz

Susan H. Schwartz

Dr. Penny Bender Sebring

Chandra Sekhar

Mrs. Richard J.L. Senior

Ilene W. Shaw

Pam Sheffield

James C. Sheinin, M.D.

Richard W. Shepro

Jessie Shih

Mrs. Elizabeth Shoemaker

Caroline Orzac Shoenberger

Stuart Shulruff

Adele Simmons

Linda Simon

Mr. Larry Simpson

Craig Sirles

Miyam Slater

Valerie Slotnick

Mrs. Jackson W. Smart, Jr.

Charles F. Smith

Diane W. Smith

Louise K. Smith

Mary Ann Smith

Stephen R. Smith

Mrs. Ralph Smykal

Naomi Pollock and David Sneider

Diane Snyder

Kimberly Snyder

Kathleen Solaro

Ms. Elysia M. Solomon

Orli Staley

William D. Staley

Helena Stancikas

Grace Stanek

Ms. Denise M. Stauder

Leonidas Stefanos

Mrs. Richard J. Stern

Liz Stiffel

Mary Stowell

Lawrence E. Strickling

Patricia Study

Cheryl Sturm

BISCO Foundation

Mrs. Robert Szalay

Mr. Gregory Taubeneck

Chris Thomas

James E. Thompson

Dr. Robert Thomson

Ms. Carla M. Thorpe

Joan Thron

David Timm

Mrs. Ray S. Tittle, Jr.

William R. Tobey, Jr.

Bruce Tranen †

James M. (Mack) Trapp

John T. Travers

David Trushin

Dr. David A. Turner

Robert W. Turner

Zalman Usiskin

Mrs. James D. Vail III

John Van Horn

Mrs. Peter E. Van Nice

William C. Vance

Thomas D. Vander Veen

Jennifer Vianello

Dr. Michael Viglione

Catherine M. Villinski

Charles Vincent

Mr. Christian Vinyard

Theodore Wachs

Mark A. Wagner

Beth Ann Waite

Bernard T. Wall

Nicholas Wallace

Dr. Catherine L. Webb

Jeffrey J. Webb

Mrs. Jacob Weglarz

Chickie Weisbard

Richard Weiss

Robert G. Weiss

Dr. Marc Weissbluth

Rebecca West

Carmen Wheatcroft

Leah Williams

M.L. Winburn

Peter Wolf

Laura Woll

Dr. Hak Yui Wong

Courtenay R. Wood

Michael H. Woolever

Ms. Debbie Wright

Ronald Yonover

Owen Youngman

Priscilla Yu

David J. Zampa

Dr. John P. Zaremba

Karen Zupko

For complete donor listings, please visit the Richard and Helen Thomas Donor Gallery at cso.org/donorgallery.

† Deceased Italics indicate Governing Members who have served at least five terms (fifteen years or more).

34 CSO.ORG GOVERNING MEMBERS

honor roll of donors

Corporate Partners

MAESTRO RESIDENCY PRESENTER

Bank of America

OFFICIAL AIRLINE OF THE CSO

United Airlines

$100,000 AND ABOVE

Abbott

Allstate Insurance Company

CIBC Private Wealth

Citadel and Citadel Securities

ITW

Northern Trust

$50,000–$99,999

Anonymous (1)

Jenner & Block LLP

PNC Bank

PricewaterhouseCoopers LLP

Sidley Austin LLP

Skadden, Arps, Slate, Meagher & Flom LLP

$25,000–$49,999

Abbott Fund

Aon

Bulgari

Corrugated Supplies Company, LLC

Kinder Morgan

Mayer Brown LLP

S&C Electric Company Fund

$10,000–$24,999

Anonymous (1)

Advanced Technology Services

Archer Daniels Midland Company

Deloitte

Exelon

Fifth Third Bank

GCM Grosvenor

Goldman Sachs & Co.

HARIBO of America

Havi Group

JPMorgan Chase & Co.

King & Spalding

Latham & Watkins LLP

McDermott Will & Emery

McKinsey & Company

Oxford Bank

Readerlink LLC

UL, Inc.

Underwriters Laboratories

Walgreens

Winston & Strawn LLP

$5,000–$9,999

Accenture

ArentFox Schiff LLP

Baird

Burwood Group

Fellowes, Inc.

Grant Thornton LLP

The Hallstar Company

Italian Village Restaurants

Law Offices of Jonathan N. Sherwell

Lettuce Entertain You Enterprises, Inc.

Mesirow Financial

Segal Consulting

Starshak & Winzenburg

Steiner Electric Company

Supreme Lobster and Seafood Company

Ventas

Weiss Financial

$1,000–$4,999

American Agricultural Insurance Company

Amsted Industries Incorporated

Central Building & Preservation L.P.

Chapman and Cutler LLP

Columbia Capital Management

Etnyre International

Parkway Elevators

Readerlink

Sahara Enterprises, Inc.

Shetland Limited Partnership

Show Services

Shure Incorporated

Vienna Beef

Vomela

Foundations and Government Agencies

$100,000 AND ABOVE

Anonymous

Paul M. Angell Family Foundation

The Elizabeth F. Cheney Foundation

Julius N. Frankel Foundation

The Negaunee Foundation

Sargent Family Foundation

TAWANI Foundation

Zell Family Foundation

$50,000–$99,999

The Brinson Foundation

The Chicago Community Trust

The Clinton Family Fund

Robert and Joanne Crown Income Charitable Fund, in memory of Joanne Strauss Crown

Lloyd A. Fry Foundation

Sally Mead Hands Foundation

Illinois Arts Council Agency

National Endowment for the Arts

Polk Bros. Foundation

$25,000–$49,999

Crain-Maling Foundation

Crown Family Philanthropies

Dan J. Epstein Family Foundation

John R. Halligan Charitable Fund

Irving Harris Foundation

The Walter E. Heller/Alyce DeCosta Fund at The Chicago Community Trust

Kovler Family Foundation

Leslie Fund, Inc.

Bowman C. Lingle Trust

Hulda B. and Maurice L. Rothschild Foundation

$10,000–$24,999

Anonymous

Robert & Isabelle Bass Foundation

The Buchanan Family Foundation

Darling Family Foundation

The Maval Foundation

Pritzker Traubert Foundation

Roy and Irene Rettinger Foundation

Charles and M. R. Shapiro Foundation

The George L. Shields Foundation

$5,000–$9,999

The Aaron Copland Fund for Music

The Allyn Foundation, Inc.

Harry F. and Elaine Chaddick Foundation

Hoellen Family Foundation

Hunter Family Foundation

Mayer and Morris Kaplan

Family Foundation

Music Performance Trust Fund

E. Nakamichi Foundation

Benjamin J. Rosenthal Foundation

Dr. Scholl Foundation

$2,500–$4,999

Arts Midwest GIG Fund

Charles H. and Bertha L. Boothroyd Foundation

William M. Hales Foundation

$1,000–$2,499

Franklin Philanthropic Foundation

Geraldi Norton Foundation

Walter and Caroline Sueske Charitable Trust

Annual Support

The Chicago Symphony Orchestra Association gratefully acknowledges the following individuals for their annual gifts and commitments in support of the CSOA through January 2023. To learn more, please call Bobbie Rafferty, Director, Individual Giving and Affiliated Donor Groups, at 312-294-3165.

$150,000 AND ABOVE

Anonymous (3)

Randy L. and Melvin R. † Berlin

Mr. & Mrs. Joseph B. Glossberg

Kenneth C. Griffin Charitable Fund

Mr. & Mrs. Dietrich M. Gross

Mr. & Mrs. † William R. Jentes

The Julian Family Foundation

Margot and Josef Lakonishok

The Negaunee Foundation

COL (IL) Jennifer N. Pritzker, IL ARNG (Retired)

Megan and Steve Shebik

Zell Family Foundation

FEBRUARY–MAY 2023 35

$100,000–$149,999

Anonymous (3)

James and Brenda Grusecki

Robert Kohl and Clark Pellett

Ling Z. and Michael C. Markovitz

Cathy and Bill Osborn

The Sargent Family Foundation

Catherine M. and Frederick H. Waddell

$75,000–$99,999

Chet Gougis and Shelley Ochab

John Hart and Carol Prins

Mr. & Mrs. Verne G. Istock

Judy and Scott McCue

Ms. Renee Metcalf

Sandra and Earl Rusnak, Jr.

Lisa and Paul Wiggin

$50,000–$74,999

Anonymous (3)

Dora J. and R. John Aalbregtse

Julie and Roger Baskes

Mrs. Janet R. Bauer

Robert H. Baum and MaryBeth Kretz

Kay Bucksbaum

SEMPRE ALWAYS: The Campaign for the Chicago Symphony Orchestra

This $175 million fundraising effort provides the secure footing needed to promote the Chicago Symphony Orchestra’s preeminent role as a cultural icon showcasing musical brilliance, leadership, and innovation. The Chicago Symphony Orchestra Association gratefully acknowledges the generous donors who have shown tremendous support for this strategic initiative. These commitments make it possible for the CSO’s many facets to thrive today, tomorrow, and always. Contact Al Andreychuk at 312-294-3150 for more information.

$20,000,000 AND ABOVE

Zell Family Foundation

$10,000,000–$19,999,999

The Grainger Foundation

The Negaunee Foundation

$5,000,000–$9,999,999

Anonymous

Julian Family Foundation

Ling Z. and Michael C. Markovitz

$2,500,000–$4,999,999

Anonymous

Mary Louise Gorno

Estate of Esther G. Klatz

Dean L. and Rosemarie Buntrock Foundation

Ms. Marion A. Cameron-Gray

Bruce and Martha Clinton for The Clinton Family Fund

Ms. Sarah Crane

Ms. Nancy Dehmlow

Dr. Eugene F. and Mrs. SallyAnn D. Fama

Rhoda Lea † and Henry S. † Frank

Ms. Susan Goldschmidt

Susan Regenstein

Barbara and Barre Seid Foundation

Michael and Linda Simon

Dr. & Mrs. Eugene and Jean Stark

Mr. Irving Stenn, Jr.

Liz Stiffel

Ms. Liisa M. Thomas and Mr. Stephen L. Pratt

Helen G. and Richard L. Thomas

$35,000–$49,999

Sharon and Charles † Angell

Mr. Roderick Branch

Mr. & Dr. George Colis

Dan J. Epstein Family Foundation

Mary Winton Green

Robert Kohl and Clark Pellett

Megan and Steve Shebik

Richard and Helen Thomas

$1,000,000–$2,499,999

Anonymous

Dora J. and R. John Aalbregtse

Mr. & Mrs. William Adams IV

Dr. Phyllis C. Bleck

Mr. & Mrs. William Gardner Brown

Kay Bucksbaum

Rosemarie and Dean L. Buntrock

Michael and Kathleen Elliott

Jim † and Kay Mabie

Estate of Gloria Miner

Cathy and Bill Osborn

Catherine M. and Frederick H. Waddell

$500,000–$999,999

Patricia and Laurence Booth

John D. and Leslie Henner Burns

Ms. Marion A. Cameron-Gray

The Davee Foundation

Howard Gottlieb

ITW

Mr. & Mrs. † William R. Jentes

Mr. & Mrs. Robert S. Murley

Sheli Z. and Burton X. Rosenberg

UP TO $500,000

Anonymous

Jeff and Keiko Alexander

Ruth and Roger Anderson

Family Foundation

Peter and Elise Barack

Merrill and Judy Blau

Roderick Branch and Brant Taylor

Dr. Joseph and Patricia Car

Mr. Collier Hands

Ms. Elizabeth Parker and Mr. Keith Crow

Walter and Kathleen Snodell

Terrence and Laura Truax

$25,000–$34,999

Anonymous (3)

Mr. & Mrs. William Adams IV

Peter and Elise Barack

Peter and Betsy Barrett

Patricia and Laurence Booth

Robert J. Buford

Mr. & Mrs. Johannes Burlin

Mr. & Mrs. Stephen V. D’Amore

Ms. Debora de Hoyos and Mr. Walter Carlson

Ms. Ann Drake

Timothy A. and Bette Anne Duffy

Mr. & Mrs. Brian Duwe

Mrs. Carol Evans, in memory of Henry Evans

Mr. & Mrs. James B. Fadim

Mr. Daniel Fischel and Ms. Sylvia Neil

Mr. & Mrs. David W. Fox, Sr.

Ellen and Paul Gignilliat

William A. and Anne Goldstein

George and Minou Colis

Mimi Duginger

Charles and Carol Emmons

Mr. & Mrs. Joseph B. Glossberg

Alice and Richard Godfrey

William A. and Anne Goldstein

Chet Gougis and Shelley Ochab

Mr. Graham C. Grady

John Hart and Carol Prins

The Heestand Foundation

Mr. & Mrs. Jay L. Henderson

Mr. & Mrs. Paul R. Judy

Karen and Neil Kawashima

Ms. Geraldine Keefe

Anne Kern

Mr. & Mrs. Thomas Kilroy

Randall S. Kroszner and David Nelson

Dr. Eva F. Lichtenberg

Judy and Scott McCue

Mr. David E. McNeel

Mr. Robert Meeker

James and Renée Metcalf

Mr. Daniel R. Murray

Mr. & Mrs. Michael A. Perlstein

Estate of Donald Powell

Andra and Irwin Press

Sage Foundation, Melissa Sage Fadim

Mr. John Schmidt and Dr. Janet Gilboy

Mr. & Mrs. Thomas C. Sheffield, Jr.

Dr. & Mrs. Eugene and Jean Stark

Carl W. Stern and Holly Hayes-Stern

Thierer Family Foundation

Penny and John Van Horn

Craig and Bette Williams

Mr. & Mrs. Robert A. Wislow

Mr. Gifford Zimmerman

Estate of Rita Zralek

36 CSO.ORG HONOR ROLL OF DONORS

Mary Louise Gorno

Howard L. Gottlieb and Barbara G. Greis

Mr. Graham C. Grady

Irving Harris Foundation, Joan W. Harris

Mr. & Mrs. Jay L. Henderson

Ronald B. Johnson

Mr. † & Mrs. Burton Kaplan

Mr. & Mrs. Neil Kawashima

Ms. Donna L. Kendall

Tom and Betsy Kilroy

Mr. & Mrs. James Kolar

Randall S. Kroszner

Susan and Rick Levy

Mr. Terrance Livingston and Ms. Debra Cafaro

The James and Madeleine McMullan Family Foundation

Ms. Britt Miller

Dr. Charles Morcom

Mr. & Mrs. Robert S. Murley

Daniel R. Murray

John D. and Alexandra C. Nichols

Andra and Irwin Press

Dr. Mohan Rao

Diana and Bruce Rauner

Ann and Bob † Reiland, in memory of Arthur and Ruth Koch

Dr. Petra and Mr. Randy O. Rissman

Sheli Z. and Burton X. Rosenberg

Patrick G. and Shirley W. Ryan Foundation

Mr. & Mrs. Scott Santi

Mr. John Schmidt and Dr. Janet Gilboy

Ms. Courtney Shea

Bill and Orli Staley Foundation

Mary Stowell

Thierer Family Foundation

Craig and Bette Williams

Susan and Bob Wislow

Mr. Gifford Zimmerman

$20,000–$24,999

Arnie and Ann Berlin

John D. and Leslie Henner Burns

Elizabeth Crown and Bill Wallace

Nancy and Bernard Dunkel

Richard and Alice Godfrey

Mrs. Carolyn Hallman

Mr. & Mrs. Mark C. Hibbard

Barbara and Kenneth Kaufman

Anne and John † Kern

Richard P. and Susan Kiphart Family

Mr. Michael Leppen

Jim † and Kay Mabie

Mr. Donald W. Nelson

Margo and Michael Oberman

Mr. † & Mrs. Albert Pawlick

Ms. Emilysue Pinnell

LeAnn Pedersen Pope and Clyde F. McGregor

John and Merry Ann Pratt

Mr. & Mrs. Chandra Sekhar

The George L. Shields Foundation, Inc.

Marlon Smith and Dominique Brewer

Dr. Stuart Sondheimer

Mr. & Mrs. Richard P. Toft

Rebecca West

Ronald and Geri Yonover Foundation

$15,000–$19,999

Anonymous (3)

Nancy A. Abshire

Carey and Brett August

Mr. & Mrs. William Gardner Brown

Henry and Gilda Buchbinder

Robert D. Carone

Ann and Richard Carr

Joyce Chelberg

Sue and Jim Colletti

John and Fran Edwardson

Constance M. Filling and Robert D. Hevey Jr.

Sue and Melvin Gray

Halasyamani/Davis Family

Mr. & Mrs. R. Helmholz

Mr. & Mrs. Wayne J. Holman III

Mr. Joel Horowitz

Mrs. Janet Kanter

Ms. Geraldine Keefe

The King Family Foundation

Dr. Lynda Lane

Ms. Betsy Levin

Dr. Eva Lichtenberg and Dr. Arnold Tobin

Mr. Philip Lumpkin

Mr. David E. McNeel

Mr. Frank Modruson and Ms. Lynne Shigley

Edward and Gayla Nieminen

Pasquinelli Family Foundation

Mr. & Mrs. † Andrew Porte

Jerry Rose

Mr. & Mrs. Jason and Kristen Rossi

Al Schriesheim and Kay Torshen

Mr. & Mrs. Thomas C. Sheffield, Jr.

Dr. Dusan Stefoski, M.D. and Mr. Craig Savage

Carl W. Stern and Holly Hayes-Stern

Penny and John Van Horn

Mr. & Mrs. William C. Vance

Mr. Christian Vinyard

Theodore and Elisabeth Wachs

Dr. Marylou Witz

$11,500–$14,999

Anonymous

Mr. & Mrs. Stuart Applebaum

Cynthia Bates and Kevin Rock

Mrs. Gail Belytschko

Mr. † & Mrs. David A. Donovan

Mr. & Mrs. Michael R. Hassan

Stephen and Maria Lans

Mr. & Mrs. Michael Madigan

Dr. Maija Freimanis and David A. Marshall

Jim and Ginger Meyer

Charles A. Moore †

Mr. & Mrs. Thomas Silverstein

Mr. & Mrs. Scott Swanson

Ksenia A. and Peter Turula

Mr. & Ms. Richard Williams

$7,500–$11,499

Anonymous (3)

Ms. Patti Acurio

Fraida and Bob Aland

Jeff and Keiko Alexander

Mr. Edward Amrein, Jr. and Mrs. Sara Jones-Amrein

Ms. Miah Armour

Mr. & Mrs. Alfred Baker

Mr. † & Mrs. Richard Benck

Mr. & Mrs. William E. Bible

Merrill and Judy Blau

Mr. & Mrs. Fred Boelter

Cassandra L. Book

Ms. Lutgart Calcote

Tom and Dianne Campbell

Patricia A. Clickener

Dr. Edward A. Cole and Dr. Christine A. Rydel

Dr. Thomas H. Conner

Mr. Lawrence Corry

Dr. Brenda A. Darrell and Mr. Paul S. Watford

Mr. & Mrs. Charles Demirjian

Mr. & Mrs. William Dooley

Mr. & Mrs. Charles W. Douglas

Mr. & Mrs. † Allan Drebin

Mr. & Mrs. Timothy Earle

Mr. Eric Easterberg and Ms. Cindy Pan

Mr. & Mrs. Stephen Eastwood

Polly Eldringhoff

La and Philip Engel

William Escamilla

Mr. Fred Eychaner

Ms. Nancy Felton-Elkins and Larry Elkins

Rosemary Framburg

Dr. & Mrs. James Franklin

Dr. & Mrs. Mark Gendleman

Mr. & Mrs. Carl Gilmore

Jeannette and Jerry Goldstone

Mr. Gerald and Dr. Colette Gordon

Ann and John Grube

Lynne R. Haarlow

Joan M. Hall

Mrs. Richard C. Halpern

Anne Marcus Hamada

John and Sally Hard

Marguerite DeLany Hark †

Mr. & Mrs. Thomas C. Heagy

Pati and O.J. † Heestand

Ms. Anna Hertsberg

Richard † and Joanne Hoffman

Fred and Sandra Holubow

Janice L. Honigberg

Mr. † & Mrs. Joel D. Honigberg

Tex and Susan Hull

Merle L. Jacob

Howard E. Jessen Family Trust

Mr. † & Mrs. † Howard Jessen

Mr. & Mrs. † George E. Johnson

Mr. & Mrs. Edward T. Joyce

Mr. James Kastenholz and Ms. Jennifer Steans

Mr. & Mrs. Jeff Keller

Kohn and Mitchell Family Foundation

Dr. June Koizumi

Dr. & Mrs. Mark Kozloff

Mr. & Mrs. Ronald Krueck

Mr. Craig Lancaster and Ms. Charlene T. Handler

Dr. † & Mrs. H. Leichenko

Mr. Jeffrey Lennard

FEBRUARY–MAY 2023 37 HONOR ROLL OF DONORS

HONOR ROLL OF DONORS

Lewis-Sebring Family Foundation

Mr. † & Mrs. Paul Lieberman

Mr. & Mrs. John Lillard

Jane and Peter Loeb

Mr. Glen Madeja and Ms. Janet Steidl

Make It Better

Ms. Mirjana Martich and Mr. Zoran Lazarevic

Drs. Bill † and Elaine Moor

Emilie Morphew, M.D.

Mrs. Frank Morrissey

Drs. Robert and Marsha Mrtek

Ms. Susan Norvich

Ms. Martha Nussbaum

Mr. † & Mrs. Norman L. Olson

Kathleen Field Orr

Dr. Edward S. Orzac Foundation

The Osprey Foundation

Mr. & Mrs. James O’Sullivan, Jr.

Richard and Frances Penn

Sue N. Pick

D. Elizabeth Price

Mr. Duane Quaini †

Mr. & Mrs. † Neil K. Quinn

Dr. Diana Robin

Mr. Richard Ryan

Rita † and Norman Sackar

Ms. Cecelia Samans

Mr. Agustin G. Sanz

Mr. † & Mrs. David Savner

Karla Scherer

David and Judy Schiffman

Mr. & Mrs. Michael Scholl

Susan H. Schwartz

David and Judith L. Sensibar

The Earl and Brenda Shapiro Foundation

Jessie Shih and Johnson Ho

Mr. Jack Simpson

Dr. & Mrs. R. Solaro

Elysia M. Solomon

Cheryl Sturm

Mr. & Mrs. † Louis Sudler, Jr.

Ms. Bernadette Y. Tang

Mr. & Mrs. Gregory Taubeneck

Ms. Carla M. Thorpe

Tully Family Foundation in honor of Helen Zell

Frances S. Vandervoort

Ms. Caroline Wettersten

Peggy White

M.L. Winburn

Michael H. and Mary K. Woolever

Ms. Karen Zupko

$4,500–$7,499

Anonymous (14)

Elaine and Floyd Abramson

Sandra Allen and Jim Perlow

Mr. & Mrs. Gary Allie

Ms. Rene Alphonse

Mr. & Mrs. Robert A. Alsaker

Geoffrey A. Anderson

Megan P. and John L. Anderson

Cushman L. and Pamela Andrews

Dr. Edward Applebaum and Dr. Eva Redei

David and Suzanne Arch

Dr. & Mrs. Kent Armbruster

Mr. & Mrs. Theodore M. Asner †

Mr. & Mrs. Stephen Baird

Ms. Judith Barnard

Mr. Merrill and Mr. N.M.K. Barnes

Roberta and Harold S. Barron

Joseph Bartush

Ms. Barbara Barzansky

Ms. Sandra Bass

Professor M. Cherif Bassiouni † and Elaine Klemen

Kirsten Bedway and Simon Peebler

Mr. Ken Belcher

Meta S. and Ronald † Berger Family Foundation

Mr. & Mrs. D. Theodore Berghorst

Dr. Leonard and Phyllis Berlin

Mrs. Arthur A. Billings

Jim † and Dianne Blanco

Ann Blickensderfer

Ms. Terry Boden

Mr. & Mrs. John Borland

Mr. & Mrs. James Borovsky

Adam Bossov

Janet S. Boyer

Mr. & Mrs. John D. Bramsen

Ms. Danolda Brennan

Ms. Jill Brennan

Ms. Dominique Brewer

Mrs. Sue Brubaker

Mr. & Mrs. Timothy Bryan

Butler Family Foundation

Elizabeth Nolan and Kevin Buzard

Ms. Vera Capp

Drs. Virginia and Stephen Carr

Wendy Alders Cartland

Mia Celano and Noel Dunn

Mr. & Mrs. Candelario Celio

Mr. James Chamberlain

Chicago Human Rhythm Project

Linton J. Childs

Harriett and Myron Cholden

Jan and Frank Cicero, Jr.

Mr. & Mrs. Thomas A. Clancy

John Clarke

Mr. & Ms. Keith Clayton

Mitchell Cobey and Janet Reali

Ms. Jean Cocozza

Jane and John C. Colman

E. and V. Combs Foundation

Mrs. Eileen Conaghan

Peter and Beverly Ann Conroy

Jenny L. Corley, in memory of Dr. W. Gene Corley

Nancy R. Corral

Mari Hatzenbuehler Craven

Mr. & Mrs. Richard Cremieux

R. Bert Crossland

Dancing Skies Foundation

Mr. & Mrs. C. Daniels

Dr. & Mrs. Tapas K. Das Gupta

Decyk Watts Charitable Foundation

Duane M. DesParte and John C. Schneider

Janet Wood Diederichs

Mr. Doug Donenfeld

David and Deborah Dranove

Mr. Robert R. Duggan

Mimi Duginger

Mr. & Mrs. Frank A. Dusek

Mr. & Mrs. David P. Earle III

Judge Frank Easterbrook

Mr. & Mrs. Larry K. Ebert

Mr. & Mrs. Louis M. Ebling III

Jon Ekdahl and Marcia Opp

Thomas Eller

Michael and Kathleen Elliott

Charles and Carol Emmons

Scott and Lenore Enloe

Dr. & Mrs. James Ertle

Marilyn D. Ezri, M.D.

Neil Fackler

Jeffrey Farbman and Ann Greenstein

Judith E. Feldman

Donald and Signe Ferguson

Hector Ferral, M.D.

Dr. & Mrs. Sanford Finkel, in honor of Robert Coad

Mr. Conrad Fischer

Mr. & Mrs. Dean Fischer

Ms. Hazel Fisher

Mrs. Roslyn K. Flegel

Mrs. John D. Foster

David and Janet Fox

Mr. & Mrs. Willard Fraumann

Susan and Paul Freehling

Mr. & Mrs. Cyrus F. Freidheim, Jr.

Nancy and Larry Fuller

James and Rebecca Gaebe

Judy and Mickey Gaynor

Robert D. Gecht

Sandy and Frank Gelber

Rabbi Gary S. Gerson and Dr. Carol R. Gerson

Bernardino and Caterina Ghetti

Camillo and Arlene Ghiron

Ms. Karen Gianfrancisco

Mr. & Mrs. James J. Glasser

Judy and Bill Goldberg

Lyn Goldstein

Robert and Marcia Goltermann

Mary and Michael Goodkind

Dr. Alexia Gordon

Mrs. Amy G. Gordon and Mr. Michael D. Gordon

Mr. Peter Gotsch and Dr. Jana French

Donald J. Gralen

Hanna H. Gray

Richard † and Mary L. Gray

Ms. Freddi Greenberg

Thomas † and Delta Greene

Timothy and Joyce Greening

Dr. Jerri E. Greer

Mr. & Mrs. Byron Gregory

Kendall Griffith

Mr. & Mrs. Jerome Groen

Jacalyn Gronek

Anastasia and Gary † Gutting

Stephanie and Howard Halpern

Ms. Josephine Hammer

Dr. Dane Hassani

James W. Haugh

38 CSO.ORG

Thomas and Connie Hsu Haynes

James and Lynne † Heckman

Mr. Dale C. Hedding

Scott Helm

Dr. & Mrs. Arthur L. Herbst

Mr. & Mrs. Jeffrey W. Hesse

Marjorie Friedman Heyman

The Hickey Family Foundation

Robert A. Hill and Thea Flaum Hill

William B. Hinchliff

Dr. Richard Hirschmann

Ms. Gretchen Hoffmann and Mr. Joseph Doherty

Mr. William J. Hokin †

James and Eileen Holzhauer

Frances and Franklin † Horwich

James and Mary Houston

Pamela Kelley Hull † and Roger B. Hull †

Ms. Patricia Hurley

Frances and Phillip Huscher

Michael and Leigh Huston

Leland E. Hutchinson and Jean E. Perkins

Mrs. Nancy Witte Jacobs

Mr. & Mrs. Stan Jakopin

Dr. & Mrs. Todd and Peggy Janus

Mr. John Jawor

Ms. Justine Jentes and Mr. Dan Kuruna

Joni and Brian Johnson

Dr. Patricia Collins Jones

Mr. & Mrs. Edward Kaplan/ Kaplan Foundation

Jared Kaplan † and Maridee Quanbeck

Mrs. Lonny H. Karmin

Barry D. Kaufman

Larry † and Marie Kaufman

Don Kaul and Barbara Bluhm-Kaul

Mr. & Mrs. Michael Keiser

John and Judy Keller

Mrs. Elizabeth Keyser

Mr. & Mrs. Gene Kiesel

Carol Kipperman

Dr. Jay and Georgianna Kleiman

Mr. & Mrs. James Klenk

Mr. Thomas Kmetko

Mr. & Mrs. Thomas Knauff

Cookie Anspach Kohn and Henry L. Kohn

Mr. & Mrs. Richard K. Komarek

Mr. Brian Kosek

Ms. Liesel Kossmann

Dr. Michael Krco

Eldon and Patricia Kreider

David and Susan Kreisman

Drs. Vinay and Raminder Kumar

Mr. & Mrs. Rubin P. Kuznitsky

Mr. John LaBarbera

Mr. & Mrs. Frederick Langrehr

Mr. William Lawlor, III

Sheila Fields Leiter

Ms. Zafra Lerman

Mr. Jerrold Levine

Mary and Laurence Levine

Averill and Bernard † Leviton

Gregory M. Lewis and Mary E. Strek

Mr. † and Mrs. Howard Lickerman

The Loewenthal Fund at The Chicago Community Trust

Mrs. Gabrielle Long

Dr. Anna Lysakowski

Carol MacArthur

Mr. & Mrs. Duncan MacLean

Eileen Madden

Dr. & Mrs. Michael S. Maling

F. Manilow

Sharon L. Manuel

Robert † and Judy Marth

Mr. & Mrs. Patrick A. Martin

Ms. BeLinda Mathie and Dr. Brian Haag

Igor and Olga Matlin

Ann Pickard McDermott

Dr. & Mrs. James McGee

Dr. † & Mrs. John McGee II

John and Etta McKenna

Dr. & Mrs. Peter McKinney

Ms. Carlette McMullan

James Edward McPherson and David Lee Murray †

Mr. & Mrs. Paul Meister

Mr. Gregory and Dr. Alice Melchor

Dr. Ellen Mendelson

Mr. Llewellyn Miller and Ms. Cecilia Conrad

Paul and Robert Barker Foundation

Dr. Anthony Montag † and Dr. Katherine Griem

Dr. Toni-Marie Montgomery

David H. Moscow

Catherine Mouly and LeRoy T. Carlson, Jr.

John H. Mugge

Jo Ann and Stuart Nathan

Mr. † & Mrs. William Neiman

David † and Dolores Nelson

Mrs. Ray E. Newton, Jr.

Dr. Zehava L. Noah

Mr. & Mrs. † Richard Nopar

Mark and Gloria Nusbaum

Bill and Penny Obenshain

Mr. & Mrs. Michael Ochs

Eric and Carolyn Oesterle

Sarah and Wallace Oliver

John and Joy O’Malley

Mr. Michael Oman and Mr. Ted Sigward

Mr. & Mrs. Gerald Ostermann

Ms. Lynne Ostfeld

Ms. Pamela Papas

Mr. Timothy J. Patenode

Dianne M. and Robert J. Patterson, Jr.

Mr. & Mrs. Gerald L. Pauling II

Mr. Michael Payette

Mr. & Mrs. Michael A. Perlstein

Bonnie Perry

Dr. William Peruzzi

Mr. Robert Peterson

Lorna and Ellard Pfaelzer, Jr.

Mr. & Mrs. Don Phillips

Richard Phillips

Mr. & Mrs. Dale R. Pinkert

Mary and Joseph Plauché

Harvey and Madeleine Plonsker

John F. Podjasek III Charitable Fund

Charlene H. Posner

Stephen and Ann Suker Potter

Mr. John Potts and Ms. Ann Nguyen

Barry and Elizabeth Pritchard

Mrs. Lynda Rahal

Mary K. Ring

Burton and Francine † Rissman

Charles and Marilynn Rivkin

Ms. Carol Roberts

William and Cheryl Roberts

David and Kathy Robin

Erik and Nelleke Roffelsen

Mr. & Mrs. Harry J. Roper

Dr. & Mrs. Melvin Roseman

Mr. & Mrs. Saul Rosen

Mr. & Mrs. Richard Rosenberg

Dr. & Mrs. Ricardo Rosenkranz

Michael Rosenthal

D.D. Roskin

Ms. Lisa Ross

Mr. & Mrs. Frank A. Rossi

Maija Rothenberg

Ms. Roberta H. Rubin

Mrs. Susan B. Rubnitz

Tina and Buzz Ruttenburg

William † and Mary † Ryan

Anthony Saineghi

Mr. David Sandfort

Raymond and Inez Saunders

Ms. Kay Schichtel and Mr. Barry Lesht

Mr. † & Mrs. Nathan Schloss

Donald L. and Susan J. Schwartz

Ruth Grant and Howard Schwartz

Diana and Richard Senior

Ms. Mary Beth Shea

Dr. & Mrs. James C. Sheinin

Richard W. Shepro and Lindsay E. Roberts

Dr. & Mrs. Mark C. Shields

Mr. & Ms. Alan Shoenberger

Stuart and Leslie Shulruff

Ms. Ann Silberman

Mr. † & Mrs. John Simmons

Julia M. Simpson

Mr. Larry Simpson

Craig Sirles

Valerie Slotnick

Mrs. Jackson W. Smart, Jr.

Charles F. Smith

Louise K. Smith

Mary Ann Smith

Mr. & Mrs. Stephen R. Smith

Naomi Pollock and David Sneider

James and Diane Snyder

Kimberly M. Snyder

Mrs. Linda Spain

Robert and Emily Spoerri

Helena Stancikas

Ms. Denise Stauder

Mr. & Mrs. Leonidas Stefanos

Roger † and Susan Stone

Family Foundation

Dr. Francis H. Straus II †

Lawrence E. Strickling and Sydney L. Hans

Mr. & Mrs. William H. Strong

Ms. Minsook Suh

Mr. & Mrs. Robert Szalay

Mr. Chris Thomas

Mr. James Thompson

FEBRUARY–MAY 2023 39 HONOR ROLL OF DONORS

HONOR ROLL OF DONORS

Joan and Michael Thron

David and Beth Timm

Ray † and Mary Ann Tittle

Bill and Anne Tobey

Bruce † and Jan Tranen

James M. and Carol Trapp

John T. and Carrie M. Travers

Joan and David Trushin

Dr. & Mrs. David Turner

Mr. & Mrs. Robert W. Turner

Mrs. Elizabeth Twede †

Henry † and Janet Underwood

Zalman and Karen Usiskin

Mr. Peter Vale

Jim and Cindy Valtman

Thomas D. Vander Veen, Ph.D.

Mr. & Mrs. Peter E. Van Nice

Mr. David J. Varnerin

Ms. Jennifer Vianello

Catherine M. Villinski

Ms. Raita Vilnins

Charles Vincent

Mr. & Mrs. Mark A. Wagner

Mr. & Mrs. Bernard Wall

Nicholas and Jessica Wallace

Dr. Catherine L. Webb

Mr. Jeffrey J. Webb and Ms. Catherine Yung

Mr. † & Mrs. Jacob Weglarz

Mr. & Mrs. Robert G. Weiss

Marc Weissbluth, in memory of Linda Weissbluth

Carmen and Allen Wheatcroft

Mr. & Mrs. Floyd Whellan

Peter and Marlee Wolf

Ms. Lois Wolff

Sarah R. Wolff and Joel L. Handelman

Michael † and Laura Woll

Dr. Hak Wong

Courtenay R. Wood and H. Noel Jackson, Jr.

Ms. Debbie Wright

Dr. Nanajan Yakoub

Mari Yamamoto Regnier

Owen and Linda Youngman

Paul and Mary Yovovich

In memory of Anthony C. Yu

Mr. Laird Zacheis and Ms. Sunhee Lee

David and Eileen Zampa

Dr. & Mrs. John Zaremba

Gerald Zimmerman and Margarete Gross

$3,500–$4,499

Anonymous (4)

Ms. Rochelle Allen

Ms. Doris Angell

Mr. & Mrs. Edgar Bachrach

Prue and Frank Beidler

Dr. & Mrs. Gustavo Bermudez

Mr. Virgil Bogert

Mr. Donald Bouseman

Ms. Susan Bridge

Mr. & Mrs. Robert Brightfelt

Mr. Robert Clatanoff

Mr. † & Mrs. Robert J. Darnall

Mr. Guy DeBoo and Ms. Susan Franzetti

Mr. & Mrs. Dwight Decker

Dr. & Mrs. James L. Downey

Ingrid and Richard Dubberke

Mr. & Mrs. Estia Eichten

Dr. Gail Fahey

Fidelity Charitable Gift Funds

Mrs. Donna Fleming

Ms. Anita D. Flournoy

Arthur L. Frank, M.D.

Dr. Robert A. Harris

Ms. Dawn E. Helwig

Suzanne Hoffman and Dale Smith

Mr. Stephen Holmes

Dr. Ronald L. Hullinger

Dr. Ashley Jackson

Ian and Valerie Jacobs

Maryl Johnson, M.D.

Ms. JoAnn Joyce

Ms. Ethelle Katz

Jonathan and Nancy Lee Kemper

Ms. Mary Klyasheff

Joseph and Judith Konen

Eric Kuhlman

Mr. Thomas Lad

Mr. & Ms. Steven Marcus

Bill McIntosh

Dr. Leo and Catherine Miserendino

Sanford and Monica Morganstein

Mr. George Murphy

Mr. Bruce Ottley

Mr. & Mrs. Thomas D. Philipsborn

Mary Rafferty

Dorothy V. Ramm

Shirley and John † Schlossman

Dr. John Schneider

Drs. Deborah and Lawrence Segil

In memory of Timothy Soleiman

Joel and Beth Spenadel

Mr. Michael Sprinker

Mr. & Mrs. Wallace Stenhouse

Ms. Sara Szold

Mr. & Mrs. David Weber

Mr. Lawrence Wechter

Judge Eugene Wedoff

Samuel † and Chickie Weisbard

Barbara and Steven Wolf

David Woodhouse

Mike Zimmerman

$2,500–$3,499

Anonymous (6)

Mr. Frank Ackerman

Dr. & Mrs. Whitney Addington

Ms. Marlene Bach

Mr. & Mrs. Christopher Barber

James and Bartha Barrett

Paul Becker and Nancy Becker

Marjorie Benton

Mr. & Mrs. † Robert L. Berner, Jr.

Mr. & Mrs. Andrew Block

Mr. Edward Boehm III

Mr. & Mrs. Peter Borich

Mr. & Mrs. Fred P. Bosselman

Mr. Douglas Bragan

Chris Brezil

Linda S. Buckley

Mr. & Mrs. John Butler

Mr. Ray Capitanini

Ms. Margaret Chaplan

Ms. Melinda Cheung

Mr. Thomas Clewett

Ms. Juli Crabtree

Mr. Ivo Daalder and Mrs. Elisa D. Harris

Mary Dedinsky and William Carlisle Herbert

Mr. & Mrs. James W. DeYoung

Mr. & Mrs. Otto Doering III

Janet Duffy

Mr. Clinton J. Ecker and Ms. Jacqui Cheng

Ms. Paula Elliott

Sandra E. Fienberg

Henry and Frances Fogel

Ms. Irene Fox

Mr. & Mrs. Philip Friedmann

Mr. & Mrs. Lloyd A. Fry III

Drs. Henry and Susan Gault

Dr. & Mrs. Paul B. Glickman

Ms. Barbara Gold

Mr. Stanford Goldblatt

Isabelle Goossen

Mr. Jacques Gordon

Merle Gordon

Enid Goubeaux

Brooks and Wanza Grantier

Dr. Michael Greenwald

BHD Kozloff Family Fund

Mr. Adam Grymkowski

Mr. † & Mrs. Errol Halperin

Amber Halvorson

Hill and Cheryl Hammock

Dr. & Mrs. Chester Handelman

Mrs. John M. Hartigan

Ms. Kyle Harvey

Mr. Hirad Hedayat

Ms. Leigh Ann Herman

James and Megan Hinchsliff

Carter Howard and Sarah Krepp

Mr. Harry Hunderman and Ms. Deborah Slaton

Saul Juskaitis

Peter and Stephanie Keehn

Mr. Alfred Kelley

Anne G. Kimball and Peter Stern

Ms. Lilia Kiselev

Mr. & Mrs. Frank Klapperich, Jr.

Mr. & Mrs. LeRoy Klemt

Mr. Wayne Koepke

Mr. & Mrs. Norman Koglin

Ms. Pamela Larsen

Ms. Leah Laurie

Dr. Gerald Lee

Mr. Jonathon Leik

Mr. Philip Lesser

Dr. & Mrs. Stuart Levin

Dr. & Mrs. Robert Levy

Robert † and Joan Lipsig

Sherry and Mel Lopata

Ms. Jean Lorenzen

Ms. Barbara Malott

Mr. Timothy Marshall

Arthur and Elizabeth Martinez

Robert and Doretta Marwin

40 CSO.ORG

Dr. & Mrs. Daniel Mass

Larry and Donna Mayer

Ms. Marilyn Mccoy

Ric D. McDonough

Mr. & Mrs. Lester McKeever

Sheila and Harvey Medvin

Mr. Zarin Mehta

Ms. Claretta Meier

Ian and Robyn Moncrief

Mr. Carl and Maria Moore

Mr. † & Mrs. Kenneth Nebenzahl

Mr. † & Mrs. Herbert Neil, Jr.

Noteable Notes Music Academy/ Wheaton, IL

Mrs. Janis Notz

Sharon and Lee Oberlander

Mr. Arne Olson

Beatrice F. Orzac †

Mr. Sebastian Patino

Roxy and Richard † Pepper

Kingsley Perkins †

Mr. & Mrs. Norman Perman

Dr. Joe Piszczor

Kenneth J. Poje

Ms. Constance Rajala

Ms. Ginevra R. Ralph

Dr. & Mrs. Don Randel

Mr. Jeffrey Rappin

Dr. & Mrs. Pradeep Rattan

Dr. Hilda Richards

Robert J. Richards and Barbara A. Richards

Patricia Richter

Mrs. Enid Rieser

Jerry and Carole Ringer

Thomas Roberts and Teresa Grosch

Mr. & Mrs. Rich Ryan

Bettylu and Paul Saltzman

Ms. Saslow

Susan Schaalman Youdovin and Charlie Shulkin

Mr. & Mrs. Richard H. Schnadig

Ms. Marcia Schneider

Gerald and Barbara Schultz

Stephen A. and Marilyn Scott

Joan and George Segal

Ms. Gail Seidel

Mr. James Selsor

Dr. Lemuel Shaffer

Mrs. Phyllis Shafron

Mary and Charles M. † Shea

Carolyn M. Short

Margaret and Alan Silberman

Jack and Barbara Simon

The Honorable John B. Simon and Millie Rosenbloom

Lynn B. Singer

Christine A. Slivon

Mr. & Mrs. Frederic Smies

Mrs. Diane W. Smith

Mr. & Mrs. George Spindler

Ms. Corinne Steede

Carol D. Stein

Laurence and Caryn Straus

Mr. & Mrs. Harvey J. Struthers, Jr.

Barry and Winnifred Fallers Sullivan

Mr. † & Mrs. Richard Taft

Mr. Jerome Taxy

Henrietta Vepstas

Robert J. Walker

Ms. Joni Wall

Ms. Mary Walsh

The Acorn Foundation

Mr. & Mrs. William A. Ward

Alexander J. Wayne

Abby and Glen Weisberg

Mr. & Mrs. Joel Weisman

Mr. Kenneth Witkowski

Mr. & Mrs. John Wulfers

Ms. Janice Young

Ms. Camille Zientek

Negaunee Music Institute at the Chicago Symphony Orchestra

The Negaunee Music Institute connects individuals and communities to the extraordinary musical resources of the Chicago Symphony Orchestra. The following donors are gratefully acknowledged for making a gift in support of these educational and engagement programs. To make a gift or learn more, please contact Kevin Gupana, Associate Director of Giving, Educational and Engagement Programs, 312-294-3156.

$150,000 AND ABOVE

The Julian Family Foundation

The Negaunee Foundation

$100,000–$149,999

Anonymous

Allstate Insurance Company

The Elizabeth F. Cheney Foundation

$75,000–$99,999

John Hart and Carol Prins

Megan and Steve Shebik

$50,000–$74,999

Anonymous

Robert and Joanne Crown Income Charitable Fund

Lloyd A. Fry Foundation

Judy and Scott McCue

Nancy Lauter McDougal and Alfred L. McDougal †

Polk Bros. Foundation

Barbara and Barre Seid Foundation

Shure Charitable Trust

Michael and Linda Simon

Mr. Irving Stenn, Jr.

$35,000–$49,999

Kinder Morgan

Bowman C. Lingle Trust

National Endowment for the Arts

$25,000–$34,999

Anonymous

Abbott Fund

Crain-Maling Foundation

Leslie Fund, Inc.

The James and Madeleine McMullan Family Foundation

Dr. & Mrs. Eugene and Jean Stark

Lisa and Paul Wiggin

$20,000–$24,999

Anonymous

Mary Winton Green

Richard P. and Susan Kiphart Family

PNC

Charles and M. R. Shapiro Foundation

The George L. Shields Foundation, Inc.

$15,000–$19,999

Carey and Brett August

Robert and Isabelle Bass Foundation, Inc.

The Buchanan Family Foundation

Bruce and Martha Clinton for The Clinton Family Fund

Sue and Jim Colletti

Ellen and Paul Gignilliat

Illinois Arts Council Agency

The League of the Chicago Symphony Orchestra Association

Mr. Philip Lumpkin

The Maval Foundation

Sandra and Earl Rusnak, Jr.

Ms. Liisa M. Thomas and Mr. Stephen L. Pratt

Dr. Marylou Witz

$11,500–$14,999

Nancy A. Abshire

Mr. † & Mrs. David A. Donovan

Mrs. Carol Evans, in memory of Henry Evans

Jim and Ginger Meyer

Margo and Michael Oberman

Ksenia A. and Peter Turula

Theodore and Elisabeth Wachs

$7,500–$11,499

Anonymous

Robert H. Baum and MaryBeth Kretz

John D. and Leslie Henner Burns

Mr. Lawrence Corry

Mr. & Mrs. † Allan Drebin

Nancy and Bernard Dunkel

Ms. Nancy Felton-Elkins and Larry Elkins

Mr. & Mrs. Joseph B. Glossberg

Chet Gougis and Shelley Ochab

Halasyamani and Davis Family

Robert Kohl and Clark Pellett

Mr. Glen Madeja and Ms. Janet Steidl

Ling Z. and Michael C. Markovitz

Drs. Robert and Marsha Mrtek

Ms. Susan Norvich

Ms. Emilysue Pinnell

D. Elizabeth Price

COL (IL) Jennifer N. Pritzker, IL ARNG (Retired)

FEBRUARY–MAY 2023 41 HONOR ROLL OF DONORS

Robert E. † and Cynthia M. † Sargent TAWANI Foundation

$4,500–$7,499

Anonymous

Joseph Bartush

Ms. Marion A. Cameron-Gray

Ann and Richard Carr

Harry F. and Elaine Chaddick Foundation

Constance M. Filling and Robert D. Hevey Jr.

Italian Village Restaurants

Mr. & Mrs. Stan Jakopin

Dr. June Koizumi

Dr. Lynda Lane

The Osprey Foundation

Benjamin J. Rosenthal Foundation

Dr. Scholl Foundation

Jessie Shih and Johnson Ho

Dr. Nanajan Yakoub

$3,500–$4,499

Arts Midwest GIG Fund

Charles H. and Bertha L. Boothroyd Foundation

Mr. & Ms. Keith Clayton

Dr. Edward A. Cole and Dr. Christine A. Rydel

Mr. & Mrs. Dwight Decker

Dr. Ronald L. Hullinger

Ms. Ethelle Katz

Dr. Leo and Catherine Miserendino

$2,500–$3,499

Ms. Sandra Bass

Mr. Douglas Bragan

Patricia A. Clickener

Mr. Clinton J. Ecker and Ms. Jacqui Cheng

Ms. Paula Elliott

Brooks and Wanza Grantier

William B. Hinchliff

Mrs. Gabrielle Long

Mr. Zarin Mehta

Mrs. Frank Morrissey

David † and Dolores Nelson

Mr. David Sandfort

David and Judith L. Sensibar

Margaret and Alan Silberman

Mr. Larry Simpson

Dr. & Mrs. R. Solaro

Ms. Mary Walsh

Mr. Kenneth Witkowski

$1,500–$2,499

Dora J. and R. John Aalbregtse

Richard J. Abram and Paul Chandler

Mr. Edward Amrein, Jr. and Mrs. Sara Jones-Amrein

Ms. Marlene Bach

Mr. Carroll Barnes

Mr. & Mrs. William E. Bible

Cassandra L. Book

Mr. James Borkman

Adam Bossov

Ms. Danolda Brennan

Mr. Lee M. Brown and Ms. Pixie Newman

Bradley Cohn

Elk Grove Graphics

Charles and Carol Emmons

Dr. & Mrs. Sanford Finkel, in honor of the Civic horn section

Mr. Conrad Fischer

Mrs. Roslyn K. Flegel

David and Janet Fox

Camillo and Arlene Ghiron

Amber Halvorson

James and Megan Hinchsliff

Clifford Hollander and Sharon Flynn Hollander

Michael and Leigh Huston

Cantor Aviva Katzman and Dr. Morris Mauer

Bob and Marian Kurz

Dona Le Blanc

Dr. Herbert and Francine Lippitz

Ms. Molly Martin

Mr. Aaron Mills

Mr. & Mrs. Dennis Moffat

Edward and Gayla Nieminen

Dianne M. and Robert J. Patterson, Jr.

Mr. & Mrs. Jeffery Piper

Erik and Nelleke Roffelsen

Ms. Cecelia Samans

Mr. David Samson

Jane A. Shapiro

Ms. Denise Stauder

Mr. & Mrs. Salme Steinberg

Walter and Caroline Sueske

Charitable Trust

Mr. Peter Vale

Abby and Glen Weisberg

M.L. Winburn

$1,000–$1,499

Anonymous (5)

Ms. Margaret Amato

David and Suzanne Arch

Jon W. and Diane Balke

Mr. & Mrs. John Barnes

Howard and Donna Bass

Marjorie Benton

Ann Blickensderfer

Mr. Thomas Bookey

Mr. Donald Bouseman

Ms. Jeanne Busch

Darren Cahr

Robert and Darden Carr

Drs. Virginia and Stephen Carr

Mr. Rowland Chang

Lisa Chessare

Mr. Ricardo Cifuentes

Mr. & Mrs. Bill Cottle

Constance Cwiok

Mr. Adam Davis

Mr. & Mrs. Barnaby Dinges

Tom Draski

DS&P Insurance Services, Inc.

Mr. & Mrs. Robert Dulski

Judith E. Feldman

Ms. Lola Flamm

Arthur L. Frank, M.D.

Mr. Robert Frisch

Peter Gallanis

Eunice and Perry Goldberg

Enid Goubeaux

Mr. & Mrs. John Hales

Dr. Robert A. Harris

Dr. & Mrs. Jerome Hoeksema

Mr. Matt James

Mr. Randolph T. Kohler

Mr. Steven Kukalis

Ms. Foo Choo Lee

Dr. & Mrs. Stuart Levin

Diane and William F. Lloyd

Mr. † & Mrs. Gerald F. Loftus

Sharon L. Manuel

Mr. & Mrs. William McNally

Mr. Robert Middleton

Stephen W. and Kathleen J. Miller

Mr. & Mrs. Stephen Morales

Mrs. Mary Louise Morrison

Catherine Mouly and LeRoy T. Carlson, Jr.

Mr. George Murphy

Mr. Bruce Oltman

Ms. Joan Pantsios

Mr. & Mrs. Gerald L. Pauling II

Kirsten Bedway and Simon Peebler

Ms. Dona Perry

Quinlan & Fabish

Susan Rabe

Dr. Hilda Richards

Dr. Edward Riley

Mary K. Ring

Christina Romero and Rama Kumanduri

Mr. Nicholas Russell †

Ms. Mary Sauer

Mr. & Mrs. Steve Schuette

Gerald and Barbara Schultz

Mr. & Mrs. Thomas Scorza

Stephen A. and Marilyn Scott

Mr. & Mrs. James Shapiro

Richard Sikes

Dr. Sabine Sobek

Mr. & Mrs. Ronald Stepansky

Sharon Swanson

Ms. Joanne Tarazi

Ms. Joanne C. Tremulis

Mr. & Ms. Terrence Walsh

Mr. & Mrs. Joel Weisman

Ms. Zita Wheeler

In memory of Ira G. Woll

William Zeng

Irene Ziaya and Paul Chaitkin

ENDOWED FUNDS

Anonymous (3)

Cyrus H. Adams Memorial Youth Concert Fund

Dr. & Mrs. Bernard H. Adelson Fund

Marjorie Blum-Kovler Youth Concert Fund

CNA

The Davee Foundation

Frank Family Fund

Kelli Gardner Youth Education Endowment Fund

Mary Winton Green

William Randolph Hearst Foundation Fund for Community Engagement

42 CSO.ORG
ROLL OF DONORS
HONOR

Richard A. Heise

Peter Paul Herbert Endowment Fund

Julian Family Foundation Fund

The Kapnick Family

Lester B. Knight Charitable Trust

The Malott Family School Concerts Fund

The Eloise W. Martin Endowed Fund in support of the Negaunee Music Institute at the Chicago Symphony Orchestra

The Negaunee Foundation

Nancy Ranney and Family and Friends

Shebik Community Engagement Programs Fund

Toyota Endowed Fund

The Wallace Foundation

Zell Family Foundation

Theodore Thomas Society

Mary Louise Gorno Chair

Listed below are generous donors who have made commitments to the Chicago Symphony Orchestra through their wills, trusts, and other estate plans, including life-income arrangements. The Society honors their generosity, which helps to ensure the long-term financial stability and artistic excellence of the CSOA. To learn more, please contact Al Andreychuk, Director of Endowment Gifts and Planned Giving, at 312-294-3150.

STRADIVARIAN ASSOCIATES

The Chicago Symphony Orchestra is pleased to recognize the following individuals for generously creating a revocable bequest of $100,000 or more, or an irrevocable life-income trust or annuity of $50,000 or more, to benefit the Chicago Symphony Orchestra Association, as of January 2023.

Anonymous (9)

Dora J. and R. John Aalbregtse

Lisa J. Adelstein

Jeff and Keiko Alexander

Evy Johansen Alsaker

Robert A. Alsaker

Geoffrey A. Anderson

Louise E. Anderson

Brett and Carey August

Marlene Bach

Dr. Jeff Bale

Mr. Neal Ball

Sally J. Becker

Marlys A. Beider

Dr. C. Bekerman

Martha Bell

Mike and Donna Bell

Julie Ann Benson

K. Richard and Patricia M. Berlet

Merrill and Judy Blau

Ann Blickensderfer

Danolda Brennan

Mr. Leon Brenner, Jr.

Mitchell J. Brown

Marion A. Cameron-Gray

Charles Capwell and Isabel Wong

Mr. Frank and Dr. Vera Clark

Patricia A. Clickener

Judith and Stephen F. Condren

Anita Crocus

Mimi Duginger

Harry and Jean Eisenman

Michael and Kathleen Elliott

Dr. Marilyn Ezri

Mrs. William M. Flory

Mr. & Mrs. David W. Fox, Sr.

Rhoda Lea Frank

Mary J. and Ronald P. Frelk

Penny and John Freund

Mr. & Mrs. Paul C. Gignilliat

Merle Gordon

Mary Louise Gorno

Dr. & Mrs. David Granato

Mary L. Gray

Mary Winton Green

Dr. Jon Brian Greis

John and Patricia Hamilton

John Hart and Carol Prins

Mr. William P. Hauworth II

Thomas and Linda Heagy

Mr. R.H. Helmholz

Stephanie and Allen Hochfelder

Concordia Hoffmann

Stephen D. and Catherine N. Holmes

Frank and Helen Holt

Mark and Elizabeth Hurley

Frances and Phillip Huscher

Ms. Darlene Johnson

Ronald B. Johnson

Roy A. and Sarah C. Johnson

Mr. & Mrs. Paul R. Judy

Lori Julian

Wayne S. and Lenore M. Kaplan

Howard Kaspin

James Kemmerer

Robert Kohl and Clark Pellett

Edwin and Karen Kramer

Mr. & Mrs. Alan Kubicka

Jonathon Leik

Charles Ashby Lewis and Penny

Bender Sebring

Robert Alan Lewis

Dr. Valerie Lober

Glen J. Madeja and Janet Steidl

Sheldon H. Marcus

James Edward McPherson

Janet L. Melk

Dr. Frederick K. Merkel

Dr. Leo and Catherine Miserendino

Drs. Elaine and Bill † Moor

Craig and Rose Moore

Mrs. Mario A. Munoz

John H. Nelson

Muriel Nerad

Edward A. and Gayla S. Nieminen

Ms. Kathy Nordmeyer

Diane Ososke

Dr. Joan E. Patterson

Mary T. † and David R. Pfleger

Mrs. Thomas D. Philipsborn

Judy Pomeranz

Maridee Quanbeck

Neil K. Quinn

Randall and Cara Rademaker

Constance A Rajala

Al and Lynn Reichle

Ann and Bob † Reiland

Wendy Reynes

Dr. Edward O. Riley

Charles and Marilynn Rivkin

David and Kathy Robin

Jerry Rose

Mr. James S. Rostenberg

Richard O. Ryan

John A. Salkowski

Cecelia Samans

A. Wm. Samuel

Franklin Schmidt

Joanne Silver

Mr. Craig Sirles

Betty W. Smykal

Annette and Richard Steinke

Mrs. Deborah Sterling

Mr. & Mrs. William H. Strong

Mrs. Gloria B. Telander

Karin and Alfred Tenny

Richard and Helen Thomas

Ms. Carla M. Thorpe

Dr. Richard Tresley

Paula Turner

Robert W. Turner and Gloria B. Turner

Mr. & Mrs. John E. Van Horn

Mr. Christian Vinyard

Craig and Bette Williams

Florence Winters

Stephen R. Winters and Don D. Curtis

Dr. Robert G. Zadylak

Helen Zell

MEMBERS

Anonymous (33)

Valerie and Joseph Abel

Louise Abrahams

Patrick Alden

Richard and Elynne Aleskow

Judy L. Allen

Ann S. Alpert

Ms. Judith L. Anderson

Steven Andes, Ph.D.

Catherine Aranyi

Dr. Susan Arjmand

Mr. & Mrs. Randy Barba

Mara Mills Barker

Shirley Baron

Dr. & Mrs. Robert Beatty

Joan I. Berger

Robert M. Berger

Mr. & Mrs. James Borovsky

John L. Browar

Catherine Brubaker

Joseph Buc

Edward J. Buckbee

Michelle Miller Burns

FEBRUARY–MAY 2023 43 HONOR ROLL OF DONORS

HONOR ROLL OF DONORS

Mr. Robert J. Callahan

Dr. & Mrs. Joseph R. Car

Mr. & Mrs. William P. Carmichael

Dr. Marlene E. Casiano

Beverly Ann and Peter Conroy

Sharon Conway

Mr. Jerry J. Critser

Ron and Dolores Daly

Mr. & Mrs. John Daniels

Mr. & Mrs. Clyde H. Dawson

Sylvia Samuels Delman

Mrs. David A. DeMar

Ms. Phyllis Diamond

Mrs. William Dooley

Mr. Richard L. Eastline

Nancy Schroeder Ebert

Robert J. Elisberg

Richard Elledge

Charles and Carol Emmons

Lu and Philip Engel

Tarek and Ann Fadel

James B. Fadim

Leslie Farrell

Donna Feldman

Frances and Henry Fogel

Allen J. Frantzen

Nancy and Larry Fuller

Dileep Gangolli

Miss Elizabeth Gatz

Dr. & Mrs. Mark Gendleman

Steve and Lauran Gilbreath

Mr. Daniel Gilmour, III

Mr. Joseph Glossberg

Ms. Georgean Goldenberg

Adele Goldsmith

Douglas Ross Gortner

Chet Gougis and Shelley Ochab

Ms. Elizabeth A. Gray

Delta A. Greene

Mrs. Barbara Gundrum

Lynne R. Haarlow

Mrs. Robin Tieken Hadley

Mr. Tom Hall

Mr. & Mrs. Tom Hallett

Dr. Donald Heinrich

William B. Hinchliff

Marcia M. Hochberg

Mr. Thomas Hochman

Jack and Colleen Holmbeck

Mrs. Walter Horban

James and Mary Houston

Mr. James Humphrey

Merle L. Jacob

Ms. Jessica Jagielnik

Joseph and Rebecca † Jarabak

Mrs. Marian Johnson

Ms. Janet Jones

Nathan Kahn, in memory of Zave H. Gussin and in honor of Robert Gussin

Marshall Keltz

Valerie Kennedy

Anne Kern

Paul Keske

Mr. & Mrs. Frank L. Klapperich, Jr.

Mrs. LeRoy Klemt

Sally Jo Knowles

Mrs. Russell V. Kohr

Ms. Barbara Kopsian

Liesel E. Kossmann

Eugene Kraus

John C and Carol Anderson Kunze

Thomas and Annelise Lawson

Dr. & Mrs. David J. Leehey

Ms. Nicole Lehman

Barbara W. Levin

Dr. & Mrs. Robert L. Levy

Ms. Sally Lewis

Dr. Eva F. Lichtenberg

Mr. Michael Licitra

Dr. & Mrs. Philip R. Liebson

Bonnie Glazier Lipe

Candace Loftus

Heidi Lukas & Mr. Charles Grode

Suzette and James Mahneke

Ann Chassin Mallow

Sharon L. Manuel

Mrs. John J. Markham

Judy and Scott McCue

John McFerrin

Mr. William McIntosh

Leoni Zverow McVey and Bill McVey

Dorothe Melamed

Marcia Melamed

Dr. Sharon D. Michalove

Dale and Susan Miller

Michael Miller and Sheila Naughten

Thomas R. Mullaney

Daniel R. Murray

Dolores D. Nelson

Franklin Nussbaum

Mr. & Mrs. Paul Oliver, Jr.

Wallace and Sarah Oliver

Lynn Orschel

Helen and Joseph Page

George R. Paterson

Dianne M. and Robert J. Patterson, Jr.

Mr. & Mrs. Michael A. Perlstein

Elizabeth Anne Peters

Mr. Lewis D. Petry

Judy C. Petty

Karen and Dick Pigott

Lois Polakoff

D. Elizabeth Price

Dorothy V. Ramm

Jeanne Reed

Ms. Oksana Revenko-Jones

Karen L. Rigotti

Don and Sally Roberts

Mrs. Ben J. Rosenthal

Dr. Virginia C. Saft

Craig Samuels

Sue and William Samuels

Paul and Kathleen Schaefer

Lawrence D. Schectman

Mrs. Milton Scheffler

Mr. Douglas M. Schmidt

David Shayne

Thomas C. Sheffield, Jr.

Anne Sibley

Larry Simpson

Thomas G. Sinkovic

Rosalee Slepian

Mary Soleiman

Jim Spiegel

Julie Stagliano

Denise M. Stauder

Karen Steil

Charles Steinberg

Timothy and Kathleen Stockdale

Mr. John Stokes

Richard and Lois Stuckey

Jeffrey and Linda Swoger

Mr. John C. Telander

Mr. & Mrs. Jerald Thorson

Karen Hletko Tiersky

Myron Tiersky

Jacqueline A. Tilles

Mr. James M. Trapp

Mr. Donn N. Trautman

Mike and Mary Valeanu

Gerrit Vanderwest

Frank Villella

Mr. Milan Vydareny

Dr. Malcolm Vye

Adam R. Walker and BettyAnn Mocek

Mr. Frank Walschlager

Louella Krueger Ward

Dr. Catherine L. Webb

Karl Wechter

Claude M. Weil

Joan Weiss

Mr. Thomas Weyland

Lisa and Paul Wiggin

Linda and Payson S. Wild

Joyce S. Wildman

Kayla Anne Wilson

Robert A. Wilson

Nora M. Winsberg

Mr. & Mrs. Stephen M. Wolf

Beth Wollar

Lev Yaroslavskiy

IN MEMORIAM

Listed below are individuals who were Theodore Thomas Society members and patrons who made exceptional commitments to the Chicago Symphony Orchestra through their estates. They are remembered with gratitude for their generosity and visionary support.

Anonymous (9)

Hope A. Abelson

Richard Abrahams

Ruth T. and Roger A. Anderson

Mychal P. and Dorothy A. Angelos

Elizabeth M. Ashton

Jacqueline and Frank Ball

Wayne Balmer

Paul Barker

Leland and Mary Bartholomew

Arlene and Marshall Bennett

Norma Zuzanek Bennett

Judith and Dennis Bober

Naomi T. Borwell

Kathryn Bowers

Howard Broecker

Claresa Forbes Meyer Brown

44 CSO.ORG

George and Jacqueline Brumlik

Dr. Mary Louise Hirsch Burger

Norma Cadieu

Wiley Caldwell

Nelson D. Cornelius

Anita J. Court, Ph.D.

Christopher L. Culp

Barbara DeCoster

Azile Dick

James F. Drennan

Robert L. Drinan, Jr.

Daisy Driss

William A. Dumbleton

Evelyn Dyba

Marian Edelstein

Estelle Edlis

Dr. Edward Elisberg

Kelli Gardner Emery

Joseph R. Ender

Shirley L. and Robert Ettelson

Leslie Fogel

Robert B. Fordham

Herbert and Betty Forman

Richard Foster

Elaine S. Frank

Henry S. Frank

Florence Ganja

Martin and Francey Gecht

Isak Gerson

Mrs. Willard Gidwitz

Lyle Gillman

Marvin Goldsmith

William B. Graham

Richard Gray

David Green

Nancy Griffin

Ann B. Grimes

Ernest A. Grunsfeld III

Betty and Lester Guttman

A. William Haarlow III

CAPT Martin P. Hanson, USN Ret.

Mrs. David J. Harris

Polly Heinrich

Mary Mako Helbert

Adolph “Bud” and Avis Herseth

Mary Jo Hertel

Allen H. Howard

Helen and Michael L. Igoe, Jr.

Barbara Isserman

Phyllis A. Jones

James Joseph

Joseph M. Kacena

Stuart Kane

Jared Kaplan

Morris A. Kaplan

Roberta Kapoun

George Kennedy

Esther G. Klatz

Russell V. Kohr

Karen Kuehner

Evelyn and Arnold Kupec

Robert B. Kyts and Jadwiga Roguska-Kyts

Rebecca Jarabak

Ruth Lucie Labitzke

Sadie Lapinsky

Caressa Y. Lauer

Arthur E. Leckner, Jr.

Patricia Lee

Christine D. Letchinger

William C. Lordan

Tula Lunsford

Iris Maiter

Arthur G. Maling

Bella Malis

June Betty and Herbert S. Manning

Kathleen W. Markiewicz

Walter L. Marr III and Marilyn G. Marr

Eloise Martin

Virginia Harvey McAnulty

Helen C. McDougal, Jr.

Eunice H. McGuire

Carolyn D. and William W. McKittrick

Lillian E. McLeod

Jack L. Melamed, M.D.

Hugo J. Melvoin

Richard Menaul

Susan Messinger

Phillip Migdal

Kathryn and Edward Miller

Micki Miller

Gloria Miner

Beth Ann Alberding Mohr

Bill Moor

Charles A. Moore

Kathryn Mueller

Marietta Munnis

Leota Ann Meyer Murray

David H. Nelson

Helen M. Nelson

Sydelle Nelson

John and Maynette Neundorf

Piri E. and Jaye S. Niefeld

Raymond and Eloise Niwa

Joan Ruck Nopola

Carol Rauner O’Donovan

T. Paul B. O’Donovan

Mary and Eric Oldberg

Bruce P. Olson

David G. Ostrow

Donald Peck

Mary Perlmutter

Charles J. Pollyea

Miriam Pollyea

Donald D. Powell

Samuel Press

Alfred and Maryann Putnam

Christine Querfeld

Ruth Ann Quinn

Walter Reed

Daniel Reichard

Bob Reiland

Paul H. Resnik

Sheila Taaffe Reynolds

Joan L. Richards

J. Timothy Ritchie

Dolores M. RixFanada

Virginia H. Rogers

Jill N. Rohde

Elaine Rosen

Ben J. Rosenthal

Anthony Ryerson

Richard Schieler

Beverly and Grover Schiltz

Erhardt Schmidt

Robert W. Schneider

Muriel Schnierow

Barbara and Irving Seaman, Jr.

Nancy Seyfried

Muriel Shaw

Mr. Morrell A. Shoemaker

Rose L. and Sidney N. Shure

Dr. & Mrs. Alfred L. Siegel

Joan H. and Berton E. Siegel

Rita Simó and Tomás Bissonnette

Allen R. Smart

Walter Chalmers Smith

Peggy E. Smith-Skarry

Karen A. Sorensen

Edward J. and Audrey M. Spiegel

Vito Stagliano

Mrs. Zelda Star

Charles J. Starcevich

Curtis D. Stensrud

Helmut and Irma Strauss

Franklin R. St. Lawrence

Robert Sychowski

Mr. & Mrs. Robert Swanson

Ruth Miner Swislow

Robert Sychowski

Andrew and Peggy Thomson

J. Ross Thomson

Sue Tice

Beatrice B. Tinsley

C. Phillip Turner

Ted Utchen

Robert L. Volz

Lois and James Vrhel

Louise Benton Wagner

Michael Jay Walanka

Nancy L. Wald

Josephine Wallace

Laurie Wallach

Ann Dow Weinberg

Marco Weiss

Barbara Huth West

The Whateley Trust, in memory of Baron Whateley

Max and Joyce Wildman

Joyce Hadley Williams

Arnold and Ann Wolff

Ronald R. Zierer

Rita A. Zralek

Tribute Program

The Tribute Program provides an opportunity to celebrate milestones such as birthdays, weddings, anniversaries, and graduations. It also can serve as a way to honor the memory of friends and family. An Honor or Memorial Gift enables you to express your feelings in a truly distinctive and memorable way. Contributions may be any amount and are placed in the Orchestra’s Endowment Fund. For more information regarding this program, please call 312-294-3100. Listed below are Honor and Memorial Gifts of $100 or more received from June 2022 through January 2023.

FEBRUARY–MAY 2023 45 HONOR ROLL OF DONORS

MEMORIAL GIFTS

In memory of Theodore Asner

Mrs. Barbara Asner

Ms. Barbara J. Dwyer

In memory of Alfred Balandis

Mr. Robert Callahan

In memory of Bud Beyer

Ms. Jean Flaherty

In memory of John R. Blair

Fidelity Charitable Gift Funds

In memory of Eric L. Brooker

Ralph Brooker

In memory of Dr. Cynthia Pryor Coad

Mr. & Mrs. Louis M. Ebling III

In memory of Dr. Thomas F. Coad

Mr. & Mrs. Louis M. Ebling III

In memory of Michael Cohen

Lisa Hack

Mr. Gregg Mandell

Mr. Mark Schechter

In memory of Henry Cohler

Mrs. Evelyn Alter

In memory of Professor

James D. Compton

Anonymous

In memory of Gary A. Davis

Dr. Steven Andes

In memory of Stephen Dtraus

Mal and Mickey Poland

In memory of David B. Ellis

In memory of Ira G. Woll

In memory of Lynn B. Evans

Mr. † & Mrs. Gershon Berg

In memory of Hazel S. Fackler

Neil Fackler

In memory of John D. Flakne

Willeen V. Smith

In memory of Patricia Grignet

Nott, Dean of Students, New World Symphony

Ms. Mary Walsh

In memory of Zave Gussin

Mr. Nathan Kahn

In memory of Carl A. Hedberg, M.D.

Anonymous

Fidelity Charitable Gift Funds

F. James Rybka

Dr. Susan M Solovy

Mr. James L. Waite

Mr. Eric Wicks and Ms. Linda Baker

In memory of Ed Hochman

Martyn Adelberg

Sherry Caro

Janet Ostrowski

Mrs. Lydia A. Ronning

Mr. & Mrs. Mark Stern

In memory of Joel Honigberg

Mrs. Carol S. Honigberg

In memory of Wayne Janda

Julia Janda

In memory of Howard E. Jessen and Susanne C. Jessen

Howard E. Jessen Family Trust

In memory of Alan Kaufman

Ms. Rosie Nassani

In memory of Mary Kaye

Mr. & Mrs. William F. Bogle Jr.

Ms. Josephine Hammer

Alexandra Thornton

In memory of George N. Kohler

Mr. David Curry

In memory of Joan Levy

Anonymous

Ms. Susan Adams

William and Mary Lee Attea

Elizabeth Copeland

Kelly Dibble

Dr. & Mrs. Henry J. Dold

Mr. & Mrs. Tom Garmisa

Janet and Patrick Graham

Illinois Association Of School Boards

Beth Loeb

Mrs. Joan Loeb

Mr. & Mrs. William Maher

Northern Trust

Lee Ann Raikes

Mr. Earl Rubinoff

Margaret A. Willens

In memory of Herbert A. Loeb III

Ms. Margot Wallace

In memory of Mr. George C. McKann

Mrs. Alice T. McKann

In memory of Lorraine T. McNally

Mr. & Mrs. William McNally

In memory of Richard Melson

Ms. Joyce H. Noh

In memory of Charles Moles

Ms. Kathleen Harrington

In memory of Anthony G. Montag

American Endowment Foundation

Dr. Katherine Griem

In memory of Dolores Nathanson

Lexy Gore

Lynne Gugenheim

Judith O. Roman

Marilyn Slodki

Kate A. Wealton

In memory of Jon Pegis

Mr. Daniel Katz

In memory of Dr. George Pepper

Mr. Tyson Bosier

Mr. Robert Lockner

Ms. Margaret Neff

Sara Poss

Julie Trost-Rekich

Beth Walker

In memory of George Pepper, M.D.

Mary D. Brawley

In memory of Charles Kingsley Perkins

Don and Martha Pollak

William A. Pollak

Ms. Susan Thomas

In memory of Ruth Ann Quinn

Mr. Neil K. Quinn

In memory of Bennett Reimer

Elizabeth A. Hebert

In memory of Al Rose

Mrs. Marian Rose

In memory of Robert Rosenman

Mrs. Harriet Rosenman

In memory of Norman S. Santos

Raquel Costa

Jerry and Janet Curto

In memory of Cynthia Sargent

Mr. David E. McNeel

COL (IL) Jennifer N. Pritzker, IL ARNG (Retired)

In memory of Lee I. Schlesinger

Joe Gordon and Mark Bauer

In memory of Devin Shafron

Mrs. Phyllis Shafron

In memory of Michael Silverstein

Ms. Mara Tapp

In memory of Joan Sims

Edith and Hakim Lys

Rex A. Marbach

Emily and Alec Sims

Aaron Weil

46 CSO.ORG HONOR ROLL OF DONORS

In memory of Frank S. So

Frank So † and Deborah Huggett

In memory of Deborah Sobol

Mr. Rowland Chang

In memory of Marjorie Stone

Stifel Charitable Inc.

In memory of Raymond A. Sutter

MaryAnne Himmes

Judy Vito

In memory of Lynne and Ron Wachowski, my beloved sister and her husband

Peggy Ryan

In memory of Dr. Alan J. Ward, Ph.D., ABPP

Ms. Louella Ward

In memory of Walter W. Whisler, M.D., Ph.D.

Laura Whisler

In memory of Novella Winston

Ms. Betty Henson

In memory of Dale E. Woolley

Regina Janes and Charles Woolley

In memory of Erna Yackel

Lisa Hack

In memory of Eugene and Marion Zajackowski

Anonymous

In memory of Edward T. Zasadil

Mr. Larry Simpson

In memory of Raymond Zielinski

Ms. Arden Handler

Christine M. Koza

Jeanne Mervine

HONOR GIFTS

In honor of Dora and John Aalbregtse

Ms. Sandra Morgan

In honor of Michael Adolph

Mrs. Ann Oros

In honor of Jeffrey Alexander

Mr. Dean Solomon

In honor of Esteban Batallán, Principal Trumpet

Mr. John Burson

In honor of Randy L. Berlin

Ms. Susan J. Moran

In honor of Dr. Patrick Brix

Dale Ann C. Kalvaitis

In honor of Robert Coad

Diana and Richard Senior

Mr. & Mrs. † David Shayne

Ms. Ann Silberman

Liz Stiffel

In honor of Bill Donaldson

Mr. David Oei

In honor of Eddie Druzinsky

Mr. & Mrs. Barnaby Dinges

In honor of Hazel S. Fackler

Neil Fackler

In honor of Judy Feldman, Women’s Board President

Mrs. Robert Glick

Ms. Lynda Gordon

Mr. & Mrs. Steven W. Scheibe

In honor of Kozoe Funakoshi

Mrs. Sharon I. Quigley

In honor of Karen Guerra

Anonymous

In honor of Mr. John Hagstrom

Ms. Susan Bridge

In honor of Terri Hemmert

Janet Duffy

In honor of Margie Heyman

Mrs. Doris Fine

In honor of Robert and Jane Hindsley

Anita Hindsley

In honor of Dr. C.T. Kang and Dr. Li-Yin Lin

Mrs. Doris Fine

In honor of Daniel Katz

Ms. Lois Wolff

In honor of Anne Kern for her 90th birthday

Dr. Mary Davidson

Mrs. David DeMar

Ms. Josephine Hammer

Dr. Eva Lichtenberg and Dr. Arnold Tobin

Mr. & Mrs. John Lopatka

Mr. † & Mrs. Mario Munoz

Louise K. Smith

In honor of Mark Kraemer

Ms. Lois Wolff

In honor of Danny Lai

Ms. Lois Wolff

In honor of Kordt Larsen

Ms. Fran Faller

In honor of Kathleen and Joseph Madden

Eileen Madden

In honor of Patricia E. Meyers

Mr. Thomas Meyers, Jr.

In honor of Matous Michal

Mary and Joseph Plauché

In honor of Dennis Michel and David Griffin

Ms. Polly Novak

In honor of CSO violist Diane Mues

Cynthia Kirk

In honor of Maestro Riccardo Muti

Anonymous

Ms. Kathryn Collier

Patrick G. and Shirley W. Ryan Foundation

In honor of Alex Niekamp

Jessica Pahl

In honor of Ron and Pat Niemaszyk

Tiffany Tocco

In honor of Aiko Noda

Fred Garzon

In honor of Mary Alma Noonan

Renaissance Charitable Foundation

In honor of Frances Penn

Brody Family Fund

In honor of Tom Philipsborn’s birthday

Betty Philipsborn

In honor of John Sharp

Ms. Jessica Jagielnik and Ms. Sam Kufta

In honor of the Shebik Family

Fidelity Charitable Gift Funds

Howard and Julie Hayes Family Fund

Mrs. Christina Hwang

Dr. “Jean” Eugene Stark

Anonymous

In honor of Gary Stucka

Ms. Lois Wolff

FEBRUARY–MAY 2023 47 HONOR ROLL OF DONORS
† Deceased
Italics indicate individual or family involvement as part of the Trustees or Governing Members of the Chicago Symphony Orchestra Association. Gifts listed as of January 2023

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