Manuscripts & Paper Collectibles, Magazines & Periodicals from Chaco 4ever Books (Over 1,800 results)

Encuadernación de tapa dura. Condition: Muy bien. Folio. #1 Jun 1983 - #85 Nov 1988. (Complete set). Bound im 2 vol full green cloth. Aníbal Domingo D'Angelo Rodríguez Ivanissevich (June 15, 1927, Buenos Aires, Argentina - February 21, 2015, Bella Vista, Argentina) was an Argentine lawyer and writer very committed to the nationalist cause, he was a prominent columnist for the magazine Cabildo, writing numerous articles in its culture section. One of them, published in 1981, caused great confusion internationally, since outside Argentina they did not notice the joking tone with which the author stated that Jorge Luis Borges was not a real writer but rather a collective invention, and that an actor named Aquiles Scatamacchia had been playing him for the mass media for more than 25 years. He also collaborated with various publications of the nationalist press such as Patria Argentina, Memoria and Centurión among others, participated in the founding of the Independence Party and the OIKOS association and was the director of the Independence newspaper, which is a great testimony of the events that took place with the arrival of democracy in Argentina and the following 5 years. CodZ.

Seller Inventory # ABE-1715100570205

Encuadernación de tapa dura. Condition: Muy bien. Folio. #1 Jun1995 - # 1997. (Complete set). Bound in full blue cloth. Collaborators : Alberto Collazo, Alain Jouffroy, Ricardo Carpani, Graciela Mariotto, Antonio Berni, Rosa Rovira, Damian Bayon, Andrea Rey, Rodrigo Alonso, Eduardo Rosenzvaig, Sarah Guerra, Carlos Maria Pinasco, Regis Debray, Osvaldo Lopez Churrua, Viviana Reznik, Osvaldo Svanascini, Aldo Pellegrini, Amog others.Magazine with very good printing quality and important authors dedicated above all to modern Argentine art. Its director Vera Ocampo is an experienced editor since he participated in several magazines and was also a poet, essayist and art critic. He was a scholarship holder at the Faculty of Philosophy and Letters of the University of Rome. In his early years he collaborated with the prestigious Sur Magazine by Victoria Ocampo and was a member of European magazines directed by Camilo José Cela and Germán Arciniegas.1 He has published several poetry plaquettes in Palma de Mallorca: Ecuaciones, Biblical Exercises, Twelve Songs for the Time of Epiphany, Inscriptions and Latin Epistles. He directed the culture supplements of the newspaper La Opinión in Buenos Aires, the newspaper Le Monde Diplomatique and the plastic arts section of the magazines El Periodista , Humor and Telva" in Spain.1 He also directed He served as director of the Eduardo Sívori Municipal Museum of Fine Arts. On the occasion of his fiftieth birthday, he organized a museum heritage exhibition with more than 200 works of art at the Recoleta Cultural Center. Tarcus only quotes 4 issues. CodBos.

Seller Inventory # ABE-1715098432533

Encuadernación de tapa blanda. Condition: Muy bien. In-8. #1 Sep 1967 - #46 Aug/Sep. (lacks #4). Wrappers. Collaborators : Roberto J. Payro, Alvaro Yunque, Raul Larra, Mario Jose Grabivker, Juan Carlos Heber, Jaime Fuchs, Carlos Verillanti, Inda Ledesma, Among others. The second stage of Cuadernos de Cultura follows the first with double numbering, on the cover it resets to #1 to #48, but on the first page the numbering of the first era continues, that is, #85 to #132. B3.

Seller Inventory # ABE-1715094289844

Encuadernación de tapa dura. Condition: Muy bien. In-4. #1 Jan 1967 - #36 Dic 1969. (Complete set). Wrappers. Collaborators : Hilario Lafuente, Belisario Tello, Mariano de Vedia y Mitre, Arnaldo Rossi, Juan Pablo Oliver, Among others.Leonardo Luis Castellani (Reconquista, province of Santa Fe, Argentina, November 16, 1899-Buenos Aires, March 15, 1981) was an Argentine Catholic priest, writer and journalist, author of religious, philosophical and sociopolitical essays, as well as novels, stories and poetry. In 1967 he founded the magazine Jauja and directed it during its three years of existence. The end of Jauja magazine coincides with the end of a decade in which intense social changes occurred. Castellani, while continuing to be a reference among the most traditional sectors of Catholicism, and a prominent figure of Argentine nationalism, increasingly distances himself from political activity and, in general, from society. Focused on his religious interiority, his activity is limited to writing books and giving lectures. He professes great devotion to the Lutheran philosopher Soren Kierkegaard, whom he calls "my Danish brother." He dedicates 'From Kierkegord to Thomas Aquinas' to him, one of the main books of the last stage of his life. CodZ.

Seller Inventory # ABE-1715091438094

Encuadernación de tapa dura. Condition: Muy bien. In-8. #1 1908 - #75 Mar 1914. (Complete set). Bound in 12 vol half black cloth. Touche à tout is a French monthly illustrated magazine founded by the Librairie Arthème Fayard in 1908 and disappeared in 1914 and the issues of 1914 are very rare and are missing from almost all collections includon the BNF. Touche à tout, subtitled magazine des magazines , was launched on January 15, 1908 by editions managed by Arthème Fayard in Paris, at the attractive price of 25 centimes for 140 pages. The orange-red two-tone cover is designed by Charles Pourriol (1871-1910) who invented for the occasion a middle-aged character, quite eccentric and curious about everything, interested, on the stage platforms, in second-hand booksellers, to works of different natures. This character has its source in Le Jardin de Bérénice by Maurice Barrès, it will be taken up and declined on the cover during the following months, until December 1909. In the summary of the first issue, we find two complete novels, one of Jean Rameau, the other of Daniel Lesieur (Jeanne Loiseau, known as). Complementing everything with numerous articles with an encyclopedic and practical claim, embellished with dozens of original illustrations (drawings and reproductions of photographs), the publisher promises no advertising inside the notebooks. The numbering restarts at number one every January. The price rose to 50 centimes, ending at 60 centimes in 1914. The cover changed from January 1910, offered to different artists. Among them, Benjamin Rabier, who composes many front pages, and Georges Conrad. The latest issues, in addition to short novels, include numerous advertising pages and reports. CodZ.

Seller Inventory # ABE-1715015882899

Encuadernación de tapa blanda. Condition: Muy bien. In-8. #1 Nov/Dic 1969 - #5 1972. (Lacks #5). Wrappers.#4 Inscribed by Marta Perez to Grupo evolucion. Collaboartors : Ernesto Sabato, Hector Roberto Paruzzo, Maria Susana Perez, Guillermo Ibañez, G Harveg, Maria Elena von Fink de Mantaras, Among others. Illustrated by Guillermo Fernandez de Gamboa, Among others. Gustavo Aguirre in # 20 of the International Poetry Magazine (2011) wrote a note about this magazine: "Runa, Literature and Art Magazine that we started at the end of the 60 ', concluded in its number 5, mid-70' , when anonymous hands, easily identifiable, planted a bomb in the Sarmiento printing press on Entre Ríos street, owned by Israel and Daniel, attached to the Communist Party. Hence, it is easy to deduce which gang on which side blew it to pieces with our nº5 of which although four or five copies were saved, due to loan orders, not a single copy of the #5 remained in the large library of our Association". Missing to all bibliographies. Federico Voghelius copy with his seal. D7.

Seller Inventory # ABE-1715005938867

Encuadernación de tapa blanda. Condition: Muy bien. Folio. #322 May, 25 1910, #323 #27 may, 27 1910. Wrappers. Two important issues of this newspaper that coincide with the 100 years of Argentina's independence May 25 1910. This long-lived newspaper appeared on June 1, 1865, founded by Joseph Alexandre Bernheim, owner of one of the most modern printing presses of those times and considered a pioneer of the written press. Created in the early days of the Argentine national organization, its importance was also given by its permanence, since it was published for 81 years, during the long period of immigration. In addition, it was one of the first community newspapers, which were abundant at the time, although few managed to survive. Among others were El Correo Español (founded in 1871), L'Operario Italiano (1873), the renowned The Buenos Aires Herald (1876), La Patria Italiana (1876), the Deutsche La Plata Zeitung (1877), La Nazione Italiana ( 1883), Argentinisches Tageblatt (1889) and Le Courrier Suisse (1893). CodMK.

Seller Inventory # ABE-1714069245632

Encuadernación de tapa blanda. Condition: Muy bien. In-4. 2 Apr 1971. Wrappers. Collaborators : Cruz Echenique, Alberto Luis Ponzo, Ricardo Molinari, German Garcia Pardo, Mahfud Massis, Hector R. Gomez, Among others. The magazine Galaxia 71 was a Venezuelan literary publication that circulated during the 1970s. Its focus was on literature, art and culture, and it became an important space for creative expression and intellectual dialogue in Caracas, edited by the Organization of the Venezuelan Writers Group and which has the subtitle "For truth, justice and beauty." Directed by Modesto Vargas Lopes, the Caracas writer who died in 2018 and that much of his work was published in this magazine, whose duration we do not know. WHol.

Seller Inventory # ABE-1714062936583

Encuadernación de tapa blanda. Condition: Muy bien. Folio. #14 Jul 1957. (Wrappers). Collaborators : Maurice Toesca, Rene Lalou, P.M. Pasinetti, Juan Cornaglia, Nestor Bondoni, Andre Bourin, Ernesto Larsen, Among others. Rare magazine of which Provenzano only cites #13 and #15, missing from all public and private libraries. Washington Pereyra T5,265. Provenzano 308. CodMk.

Seller Inventory # ABE-1713990149176

Encuadernación de tapa blanda. Condition: Muy bien. Folio. #16 Apr 1948. Wrappers. Collaborators : Ildemaro Hernandez, among others. Rare magazine missing to all bibliography, directed by Serafin Cordero Criado who was born in the Province of León, Spain on September 1, 1904. As a teenager, he emigrated with his family to Uruguay, where he lived the rest of his life. A journalist by profession, he carried out important literary and scientific work. Regarding his literary activity, we highlight that he was the founder of the magazine Mentor (1938-1945). Of his scientific activity, we highlight having been a founding member in 1945 of the Center for Natural Sciences Studies, of which he was a member of the first Board of Directors as secretary. Likewise, as a result of his numerous excursions to archaeological sites in Uruguayan territory and his travels through Latin America, he gathered an important archaeological, paleontological and ethnological collection with which he organized the Museum of Primitive Archeology of the New World. And based on his experiences and knowledge, he published the book Los Charrúas: ethnographic and archaeological synthesis of Uruguay in 1960. CodZ.

Seller Inventory # ABE-1713988314048

Encuadernación de tapa dura. Condition: Muy bien. In-4. #1 Dic 1945. (All published). Bound in half blue cloth. Rare bulletin and manifesto that, despite being cataloged by Pereyra and Tarcus, is missing from all public and private libraries. The director Silvio Frondizi (Paso de los Libres, January 19, 1907 - Buenos Aires, September 27, 1974) was an Argentine Marxist lawyer and intellectual, owner of a vast literary work. Brother of Argentine President Arturo Frondizi, he was murdered by the anti-communist vigilante group Triple A during the presidency of María Estela Martínez de Perón. This newsletter anticipates by 5 years what Frondizi would create towards the beginning of the 1950s when he created the Independent Democratic Action movement (ADI) and later the PRAXIS group. Washington pereyra T4,p148. Tarcus Catalogo de publicaciones de izquierda p211. CodBos.

Seller Inventory # ABE-1713897187293

Encuadernación de tapa blanda. Condition: Muy bien. In-8. #2 Jul 1928. Wrappers. Collaborators : G. Astrada, Xavier Villaurrutia, Alfonso Lazo, Among others. Important Mexican avant-garde magazine from the group Los Contemporáneos. Los Contemporáneos is the name of a group of young Mexican intellectuals, grouped around the magazine Contemporáneos, who were responsible for disseminating many of the innovations of art and culture in Mexican society from the first half of the 20th century. The group took its name from the magazine, whose publication began in 1928. There really was no defined program or generational manifesto, although it was evident that all those who published in the magazine shared a desire for modernize not only literature, but a good part of the most significant aspects of culture. WHol.

Seller Inventory # ABE-1713809904908

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #1 Oct 1955 - #10 Summer 1959/60. (lacks #1). Plus supplement Oct 1956. Wrappers. Collaborators : Nicolas Besio Moreno, Carlos Solis, Jose Luis Romero, Migul Angel Asturias, Jose Carlos Chiaramonte, Angel M. Hurtado de Mendoza, Alberto Ciria, Juan Carlos Pontantiero, Rodolfo Ortega Peña, Ismael Viñas, Roman Frondizi, Analia Kronblit, Antonio Caparros, Horacio Constantini, Roberto Grota, Anibal Ponce, Pablo Neruda, Hector Agosti, Among others. Illustrated by Julia Codesido, Among others. Self-defined as a student voice , Revista del Mar Dulce was directed by Enrique Groisman and Manuel Mora y Araujo. It was published between October 1955 and the end of 1959, dates that suggest two central concerns of the magazine: exhibiting a triumphant anti-Peronism, in its beginnings, and combating the landing of private universities, in the last issues. Although made by a group of young people who still looked a lot at their elders - for example, the second issue pays tribute to José Ingenieros, "archetype of his generation", while the generation that makes the magazine seems to reserve the "Camp Things" section. The thematic diversity that Mar Dulce displays is notable, between aesthetics and politics. Literature, theater and cinema have a wide space; early hints of Americanism appear; various political texts. Mar Dulce featured collaborations with Mario Bunge, Florencio Escardó and Héctor Agosti. Through Juan Carlos Chiaramonte, he polemicizes and dialogues with Contorno, which does not prevent Ismael Viñas from publishing in the magazine with some regularity. Washington Pereyra T5,p 239. Tarcus p48. W46.

Seller Inventory # ABE-1713554730042

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #1 Nov 1934 (All published). Wrappers. Collaborators : Eduardo Wilde, Margarita de Abril, Among others. Missing to all bibliographies. W4.

Seller Inventory # ABE-1713549978095

Encuadernación de tapa blanda. Condition: Muy bien. In-8. #1 Jul 1930. (All published). Wrappers. Rare magazine missing to all bibliographies. Only quoted by ACADEMIE BULGARE BULLETTIN dal 1968 al 1978 p19. W4.

Seller Inventory # ABE-1713548825017

Encuadernación de tapa dura. Condition: Muy bien. In-4º. #1 Jan 1946 - #23 Dic 1948. (Complete set). 23 issues bound in two volumes full blue cloth. Collaborators : Ramón Gómez De La Serna, Ricardo Molinari, Alejandro Casona, Enrique Amorin, Antonio Berni, Vicente Barbieri, Silvina Ocampo, Enrique Molina, Jules Supervielle, J.R Wilcock, William Shand, Franz Kafka, Pablo Neruda, Julio Cortázar, Adolfo Bioy Casares, Guillermo De Torre, Rafael Alberti, Juan Ramón Jiménez, Raul Gongáles Tuñón, Manuel Mujica Lainez, Hector Basualdua, Eduardo Gonzáles Lanuza Illustrations by Norah Borges, María Elizabeth Wrede, Antonio Berni, Elba Fábregas, Luis Laguna Hermitte, Gloria Alcorta, Oliverio Girondo, Caribé, Julia Peyrou, Orlando Pierri, Xul Solar, Amanda Molina y Vedia, Andreu Dameron, Esther Haedo, Juan Otano, Mariette Lydis, Luisa Herrera, Castagnino, Raúl Soldi, Horacio Butler, Atilio del Soldato, Silvina Ocampo, Horacio March, Among others. Los Anales de Buenos Aires was a monthly magazine published by the cultural institution of the same name, whose direction was directed by Jorge Luis Borges. It emerged as the dissemination organ of an artistic society that set out to promote links with French culture that took as a model the Journal de L'Université des Annales de Paris. 19 issues were published between January 1946 and the beginning of 1948, numbered between 1 and 23. Borges's name as director appeared between #3 and #11, from the end of 1946. Starting with #12, Borges became "adviser". The curious thing is that in the last issue published, the only one from 1948, he appears again as director . In the third issue, the Museum section reappears, inaugurated in the magazine Destiempo (1936-1937), where texts written in collaboration with Bioy Casares, signed with the pseudonym B. Lynch Davis, are included. The section stops appearing after #11. The only magazine directed by Jorge Luis Borges. Borges published in this magazine some of his most famous stories ("The Immortals", "The Theologians", "The House of Asterion" and "The Zahir") and essays ("Note on Ulysses in Spanish", "The Paradox of Apollinaire , The First Wells , On Oscar Wilde , Note on Walt Whitman and Note on Chesterton ). Furthermore, of the 106 fragments of Museums , he reissues 7 of his segments, originally attributed to apocryphal sources. Added to this is the relevance of the list of collaborators, both foreign and national, as well as the inclusion of translations, many of his own, which account for the selection operations in the constitution of the aesthetics of this discursive formation. One of the distinctive marks of this publication is the quality of the illustrations, from the cover design, by renowned artists, to the care and harmony with the internal illustrations, which not only distinguish sections, but constitute something more than an accompaniment to the text, invoking its own laws, its space, its autonomy. In this sense, the works of the famous Austrians Marie Elisabeth Wrede and Mariette Lydis stand out, along with Antonio Berni, Castagnino, Norah Borges, Luisa Herrera, Raúl Soldi, Orlando Pierry, José Bonomi, Xul Solar, among other renowned artists. Provenance: This copy belonged to the Uruguayan professor Hector Rico, a stamp with his initials on the cover. Provenzano 213. Washington Pereyra T4,p170. CodBos.

Seller Inventory # ABE-1713277694751

Encuadernación de tapa dura. Condition: Muy bien. In-4. Vol #1 1904 Vol #51 1923. (43 of 51 vol. Lacks 28, 35, 40, 41, 47/50) Bound in half calf. Rare first era of the legendary Magazine of the University of Buenos Aires, directed by Rodolfo Rivarola, most of the articles were original and its pages contained the contributions of distinguished personalities of the time, among whom Rivarola himself is mentioned; Vicente Gregorio Quesada; Leopoldo Uriarte, among others. According to the catalog of the Ibero-American Institute of Berlin, the publication went through different periods. After finishing the first period, a second period was followed by Ventura Pessolano and Gimenez Pastor from 1924 to 1931. It was not published for much of the 1930s and the first years of the 1940s and in 1943 a third series was launched, in 1946, a fourth, in 1956, a fifth in 1979-1981, a sixth since 1983. The first period was published in 158 issues with several releases per year , or bound by volumes in 51 volumes. In 1904 the Anales de la Universidad de Buenos Aires were replaced by the Revista de la Universidad de Buenos Aires. Although the new publication continued to publish the official documentation of the house of studies and minutes of the governing councils and the superior council, resolutions, official reports, an attempt was made to give it a new orientation in which the scientific and cultural dimensions would have a greater space. . As can be read in #1 of the publication: It aspires, if it is to fulfill the vows with which it was sponsored, to reflect the science and thought of the University, to stimulate the study of the great problems of national education, to reunite disintegrated or lost forces, in the common task of working on the institution itself, and to cement in reciprocal esteem and in the fair appreciation of individual merit, the feeling of solidarity, not always manifest in university life. Tarcus p14.

Seller Inventory # ABE-1712705446891

Sin Encuadernar. Condition: Muy bien. 17,5 x 11,5 cm. Manuscript letter signed and dated in sepia Ink sent to to Gabriel Muntaner Palmer, administrator of the Balear Hotel in Palma de Mallorca. Dated in Villa El Terreno, Palma de Mallorca, January 24, 1907. important document from a period of which we know little about the poet's life. Rubén Darío arrived on the island during the month of November 1906 with his friend Francisca Sánchez and her sister. They settled on Dos de Mayo street in El Terreno, which at that time was one of the most privileged areas of the bay of Palma. A Madrid newspaper described the environment in which the poet lived: ". he has sought refuge on one of the most beautiful coasts in the world, in the magnificent Palma Bay, from his little house in El Terreno." The chronicler Guatemalan Enrique Gómez Carrillo, a friend of Rubén, when visiting him at his house in Dos de Mayo, described it as "a small house with a view of the bay and a leafy garden." Of those first images that he saw from his residence in Palma, Rubén Darío will write: "I see the graceful flight of the canvas sails/ and the ships that come from Algiers and Barcelona [.] I have little green trees full of tangerines/ I have several rabbits and a few chickens." The best of the poets, writers and painters who lived in Palma at that time gathered at the terrener residence. In addition to his friend Gabriel Alomar, we know that the Blanes Viale brothers, originally from Uruguay, Juan Sureda Bimet, with whom he would end up establishing a great friendship, frequented the gatherings; Santiago Rusiñol; Gaspar Terrassa; Mario Verdaguer Ernesto María Dethorey; The doctor. Aris; and the poets Estelrich and Joan Alcover. Despite wanting to return to Mallorca soon, Rubén Darió took several years to achieve it. In August 1913, Juan Sureda received a response to his repeated invitations. The 'Prince of Latin American poets' sent him a letter in which he announced his soon arrival to the island with the intention of spending a season at the Sureda house, in Valldemossa. He arrived in mid-September, although this second visit was very different. If on the first visit a poet arrived at peace with himself, now a man arrived tormented by the idea of death and immersed in an existential and faith crisis, whose only refuge was alcohol. MSS1.

Seller Inventory # ABE-1711034126251

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #1 Mar/May 1953 - #100 Sep 1965. Plus the rare Suplemento to the #46 (94 Issues of 100 lacks #3, 19, 24, 76, 78, 90). Wrappers. Collaborators : Alfonso Reyes, Jules Romains, Víctor Alba, Luis Araquistain, Germán Arciniegas, Raymond Aron, Roger Caillois, José Carner, Jean Cassou, Michel Collinet, R. García Treviño, Gironella, G. Glaser, Fred Goldbeck, Natalicio González, Jean Guehenno, Sidney Hood, Karl Jaspers, Pierre-Jean Jouve, René Lalou, Rodolfo Llopis, Claude-Edmonde Magny, Gabriel Marcel, Thierry Maulnier, Joaquín Maurín, Czeslaw Milosz, Federica Montseny, André Philip, Th. Plievier, Fr. Ponge, Héctor Raurich, Linz do Rego, Eduardo Santos, Ignazio Silone, Stephen Spender, Jules Supervielle, Arnold J. Toynbee, Lionello Venturi, Wladimir Weidle, Among others. The Congress for Cultural Freedom, an anti-communist organization promoted by the USA, supervised and financed directly by the CIA, began its public journey in June 1950, in Berlin, and soon set up its headquarters in Paris (initially at 41 Avenue Montaigne ). Cuadernos was a Spanish-language magazine that was published in Paris, France, in the period 1953 1965. Its full title was Cuadernos del Congreso por la Libertad de la Cultura. It was one of the publications of the Congress for Cultural Freedom. Cuadernos was launched by the Congress for Cultural Freedom in 1953 which targeted Spanish people and Latin Americans. The first issue appeared in May 1953. Cuadernos was based in Paris, and its editor was a Spaniard politician, Julián Gorkin. During his editorship another Spaniard politician Ignacio Iglesias also edited the magazine which was published on a quarterly basis. Gorkin was replaced by a Spaniard exile in Paris, Luis Araquistáin, as editor of the magazine in 1959. However, due to the death of Araquistáin a Colombian diplomat Germán Arciniegas was named as the editor of the magazine. During the editorship of Gorkin between 1953 and 1959 Cuadernos contained only one article which included an overt ideological imposition in favor of the American policies, and it was about the Guatemalan coup d'état in 1954 and the fall of Jacobo Árbenz s government. The magazine featured Hispanic poems, articles on anti-Soviet propaganda and political and cultural news from the European and Latin American countries. In line with the premises of the Congress for Cultural Freedom the magazine argued that the avant-garde or experimental approach towards art was possible only in a society depending on the free enterprise and liberal individualism. The avant-garde approach was also regarded by the magazine as an indication of the developed societies.In 1961 the frequency of Cuadernos was switched to monthly. The magazine was closed by the Congress in 1965 due to its low popularity and its lower levels of circulation although it targeted Hispanic people in Spain and Latin America. The magazine never enjoyed high levels of circulation like Encounter or Der Monat, other magazines of the Congress. Cuadernos was a quarterly magazine during 1953 (issues 1, 2 and 3), from 1954 it became bimonthly, and monthly from issue 48 (May 1961), until its last issue, 100 (September 1965). Mundo Nuevo, another Spanish language magazine, succeeded Cuadernos.

Seller Inventory # ABE-1709946895396

Encuadernación de tapa blanda. Condition: Muy bien. In-8. 12p. First letter #1 Dic 1950. Generation of '51. The straw bird (circular letter of poetry), co-founded and co-directed by Angel Crespo with Gabino Alejandro Carriedo and Federico Muelas. It was published from December 1950 to May 1956 and 11 issues were published. W46.

Seller Inventory # ABE-1709654148449

Encuadernación de tapa blanda. Condition: Muy bien. In-8. #1 Jun/Aug 1959 - #101 Mar/Apr 1976. (Complete set). Collaborators : Albert Camus, Guillermo Savloff, Paul Gille, Rudolf de Jong, Heiner Koechlin, Angel Broda, Eugene Kamenka, Geroges Le Bot, Ignazio Silone, Osvaldo Papaleo, joseph Ishill, Giovanni Baldelli, Jacobo Prince, Alex Confort, Luis Franco, Carlos del Peral, Edgar Caicedo, Vladimiro Muñoz, Ciriaco Duarte, Luis de Filippo, Juan Antonio Solari, Fernando Quesada, Rafael Barret, Carlos Penelas, Alfredo Godoy, Among others. During its history, the Argentine Libertarian Federation (FLA) included militants such as Jacobo Maguid, Jacobo Prince, José Grunfeld, Luis Danussi, Antonio José Cora, Enrique and Alberto Balbuena, Carlos Fariña, Fernando Quesada, Vicente Cano and Enrique Palazzo, who were behind their different newspapers: first Acción Libertaria, the spokesperson for the organization between 1933 and 1971, and then El Libertario (1985-). Furthermore, from the FLA they carried out the two eras of the magazine Reconstruir and an important publishing activity under an imprint with the same name. The Reconstruir magazine had 2 stages, the first from 1946-1959 was called RECONSTRUIR. For socialism and freedom published in buenos Aires and Rosario Argentina, 90 issues were published #1 June 1946 #90 June 1959 (due to the persecutions suffered, it was published for a time in Rosario). In July 1959, its second stage was published as the bimonthly magazine Reconstruir. Libertarian Magazine, 1959-1976, It began to be published in Montevideo and then moved to Buenos Aires. The small libertarian publishing world of the Argentine seventies began with the active operation of Proyección and Américalee, which achieved authentic best-sellers with the works of Julio Mafud. But also in the first years, new newspapers appeared, different from those that were already in progress, such as Reconstruir (1959-1976) and the Boletín Libertario (1948-1986) of the Libertarian Socialist Union of Rosario. Publications such as Resistencia (1973), Acción Directa (1973-1974), El Libertario (1973-1975) and Circular (1970-1975) showed the existence of a young sector of the libertarian movement interested in the revolutionary processes of China and Cuba, which He participated in what would be known as the new left". Rare magazine. Tarcus p47. Washington Pereyra T5,p229. CodZ.

Seller Inventory # ABE-1709645679388

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #5 Feb 1944. Wrappers. Rare libertarian-oriented magazine only cited by Washinton Pereyra T4,p475, of which only 5 issues were published. MK.

Seller Inventory # ABE-1709156730952

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #1 Sep 1961- #2 Oct 1961. (Complete set). Wrappers. Collaborators : Ernesto Schoo, Leo Tavela, Francisco Lopez Anaya, Oscar Maisonave, Ladislao Magyar, Osvaldo Svanascini, Hector Yanover,Osvaldo Lopez Chuhurra, Among others. In #2 the GRAV manifesto is reproduced for the first time in Spanish, the French acronym for the Groupe de Recherche d'Art Visuel (Visual Art Research Group). Aesthetic and artistic group founded in Paris during 1960 by Julio Le Parc, García-Rossi, Hugo Demarco, F.Morellet, Denise René, Francisco Sobrino Ochoa, J.Stein and Yvaral, Norberto Gómez also participated in this group. As its name indicates, the manifest interest was to artistically investigate lighting, chromatic and visual effects in general, which led to optical, kinetic and even haptic (mainly tactile) experimentation of objects. With such elements they created works in which the participation of the "spectator" and spatial transformations were decisive. The group was dissolved in 1968. Some of the most notable achievements were called: Labyrinth (1963); Labyrinth II (1965); A day on the street (1966). With the GRAV it can be said that a mainly interactive art between the "spectator" and the work of art is decisively inaugurated. The Visual Art Research Group issued its own manifesto, which highlights that the work should not matter but rather its interpretation; Since the point of interest is in the eye of the viewer who actively participates in works that are similar to installations, some of these works have kinetic effects from silent motors, people participate in games of transparencies, lights, reflections and movements. According to such criteria: art is sought stripped of mystifications, reduced to a simple human activity. Tarcus p51. W46.

Seller Inventory # ABE-1708960526135

Encuadernación de tapa dura. Condition: Muy bien. In-8. #9 Jan 1973. Bound in half red morocco. Collaborators : J. Puochet, Jose Marmol, J de Alencar, Amog others. W46.

Seller Inventory # ABE-1708455406178

Encuadernación de tapa blanda. Condition: Muy bien. Folio. #3 Jul 1911. Wrappers. Rare newspaper published by the newspaper sellers, the "canillitas", cited in several biographies and in books such as Wie die Anderen leben: Die Soziale Frage in der argentinischen Magazinpresse .but always citing sources in magazines and newspapers of the time that published it. They cite in comments such as the case of the magazine "mundo Argetino", but it is the first copy we see. Missing to all bibliographies. MK.

Seller Inventory # ABE-1708394595758

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #13 Dic 1922/ Jan/Feb 1923. Wrappers. Youssouf (or Joseph) Fehmi was born in Istanbul on September 4, 1875. With Youssouf Fehmi, we meet a unique witness to the beginning of the 20th century. Son of a civil servant, speaking and writing French fluently and living in Paris, very involved in political debates alongside the Young Turks, then opposed to the Committee of Union and Progress, he apparently never returned to Turkey and emigrated in South America, in Argentina he published this rare magazine. Missing to all bibliographies. MK.

Seller Inventory # ABE-1708361698600

Encuadernación de tapa blanda. Condition: Muy bien. Folio. Apr/May 1926. Wrappers. Collaborators : Guillermo de Torre, Enrique Bustamante y Ballyvian, Murillo Araujo, Manoel Fernandes Cordillo, Among others. Missing to all Bibliographies. CodZ.

Seller Inventory # ABE-1708215192469

Encuadernación de tapa blanda. Condition: Muy bien. In-8. #2 Jun 1900. Wrappers. Collaborators : Wenceslao Cabral, Eladio Arguello, Julian Chilavert, Cantalicio Almada, Francisco Aguinagalde, Bertilda Shuttleworth, Among others. Rare Paraguayan modernist magazine, La Pluma Joven (1900), Cri-Kri (1905-1906), Papel y Tinta (1908), Revista del Centro Estudiantentil (since 1908) fulfilled the function of supporting the incipient Paraguayan modernism. MARCELINO PÉREZ MARTINEZ was a professor, journalist who directed, with Juan F. Finoqueto, "La Pluma Joven", in 1900, and was in charge of the Buenos Aires correspondent of "Caras y Caretas" in Asunción; orator and, above all, a proud fighter. He left numerous poems inspired by patriotic and scholastic motifs. He was one of the first to use the aboriginal language to play the lyre in the cultivation of love poetry - we have described him as the precursor of Guaraní lyric poetry - and it is in those verses rhymed in the language of the absent race where his poetic talent shines more. There are also emotional bilingual songs by Pérez Martínez that make up the repertoire of our minstrels who, guitar under their arms, wander through villages with their sorrows and joys. A beautiful Argentine woman - whom she knew during the long days of her exile - tore from the depths of her heart the most beautiful lyrical gloss woven in Spanish around a Guaraní word: Rojhac-jhú (I love you). He died in Villarrica in 1915. Missing to all bibliographies. B2.

Seller Inventory # ABE-1708212878660

Encuadernación de tapa blanda. Condition: Muy bien. In-8. #1 Apr 1960. (All published). Wrappers. Missing to all Bibliography. B2.

Seller Inventory # ABE-1708211999574

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #8 Jan1906, #11 Mar 1906. Wrappers. Collaborators : Pedro B. Palacios ( Almafuerte ) , Nicomedes Reynal O'Connor , Jose Civils , Angel Menchaca , Pedro F. Alvarez , Angel Licitra , Rafael González, Ricardo Levene, Alberto Gechunoff, Evaristo Carriego, Among others. Rare magazine only cited by Washington Pereyra, directed by Rafael Alberto Arrieta, Argentine writer, poet and literary critic. His style, inherited from modernism, is reminiscent of the poetry of Nordic writers from the late 20th century. His verses follow a clean line without excesses, with suggestive words and a traditional meter, mainly reflecting the daily lifestyle. He was also the author of several works of prose, literary essays and glosses in addition to this rare and forgotten magazine. Washington Pereyra T1,p160. B2.

Seller Inventory # ABE-1707865282572