05/06/2018 Desenho - prática - história - teoria: On drawing Marcelo Guimarães Lima terça-feira, 5 de junho de 2018 Marcelo Guimarães Lima, PhD, MFA, é artista plástico, escritor, professor e conferencista. Doutor (PhD) em História da Arte e Master of Fine Arts pela University of New Mexico, EUA, bacharel em Filosofia pela USP com pós-doutorado em Filosofia pela mesma universidade. Lecionou como professor contratado na University of Illinois (EUA), Goddard College (EUA), American University in Dubai (Emirados Árabes), e como professor convidado no Art Institute of Chicago (EUA), Universidad de Salamanca (Espanha), Universidad Internacional de Andaluzia (Huelva, Espanha) , Canadian University of Dubai (Emirados Árabes) entre outras instituições. On drawing Implementou projetos de arte comunitária e arte em contextos educacionais com minorias, organizações comunitárias e profissionais, movimentos sociais, crianças, jovens e adultos no Brasil e nos EUA. É autor de Heterochronia and Vanishing Viewpoints (Metasenta Editions, Melbourne, Austrália,2012) e de numerosos artigos e capítulos de livros sobre temas de arte contemporânea, crítica de arte, teoria e historia da arte, psicologia da arte, filosofia e cultura. ......... Marcelo Guimarães Lima, PhD, MFA, is a visual artist, writer, teacher and lecturer. He taught art history and studio art at the University of Illinois (USA), Goddard College (USA), American University in Dubai (United Arab Emirates), and was a visiting instructor at the Art Institute of Chicago (USA), Universidad de Salamanca Andalusia (Huelva, Marcelo Guimarães Lima On drawing in general We can situate the origin of drawing in the process of human development and the early graphic activities related to neuromotor and perceptive developments of the species, activties and forms of behaviour at the source, among other modalities, of the various graphical forms of communication which "culminate", so to speak, historically in writing. Thus considered, drawing, that is, the graphic act, its procedures and results, is an important element of human intellectual and emotional life; it is both the source and the product of developments of perception, of manual ability, of symbolization, and of the interrelated capacities of cognition and expression in social life. This characterization is relevant for the understanding of drawing as an artistic discipline in our time, as the cultural context today, marked by technological development, transforms the disciplines, pressing their boundaries as it modifies our means of knowledge, communication and expression, relating and transforming in depth the "means of production" in general, and consequently our material and symbolic ways of life. On drawing as art Drawing is both form and discipline. The autonomous discipline (that is, drawing considered and appreciated by itself) is based on the form which is also an "infrastructural" elemen of several other disciplines such as painting, design, architecture, etc. In the comparison and distinction between, for example, drawing and painting, it has been said that drawing is what remains of painting when color is removed. An operation that emphasizes the ideal nature or ideal element characteristic of drawing - a more abstract element by contrast to the essential, unmediated sensuality of painting - and also discloses drawing as an initial moment, level or basic element of the visual creation of forms in the arts of spatial representation , including the arts of space-time experience such as dance, film, among others. Point → Line → Plane → Figure, the primary generative elements of spatial analysis and representation appear in drawing as "concrete abstractions" and characterize its essential functions of mediation in the process of mapping space-time relations, in processes of identification and projection, in the construction of the experience of self and of the world. If we remove the element of color from painting, what remains is the delimitation of forms by the essential, "primitive" contrast between light and shadow. In this way, drawing can be considered as the elementary or primary way of graphical organization of the relations between lights and darks generating the forms and the rhythms of spatial representation. As an autonomous or artistic form, drawing is also a "last" or final form, both synthetic and dynamic, that is, based on a relative economy of means, self-sufficient and, at the same time, implying a space of future developments as a generative form (the same consideration applies to the use of color in the drawing). Drawing is concomitantly and essentially, both complete and incomplete form and process, the embodiment of an essential tension between being and becoming. As synthesis and, at the same time, as the overcoming of form by form, drawing is art itself. https://desenho-mglimastudio.blogspot.com/2018/06/on-drawing.html 1/4 05/06/2018 Spain), Canadian University of Dubai (United Arab Emirates) among other institutions. He has implemented community art projects with minorities, community and professional organizations, social movements, native communities, children, youth and adults in Brazil and the USA. He is the author of Heterochronia and Vanishing Viewpoints (Metasenta Editions, Melbourne, Australia, 2012) and of numerous articles and book chapters on contemporary art, art criticism, art theory and history, art psychology, philosophy and culture. Desenho - prática - história - teoria: On drawing Portuguese text Postado por Marcelo Guimaraes Lima às 12:00 Marcadores: definição de desenho, definition of drawing, desenho, drawing, Marcelo Guimarães Lima, teoria, theory Nenhum comentário: Postar um comentário Digite seu comentário... Comentar como: contato / contact Publicar Marcelo Guimaraes Lima (Google) Visualizar Sair Notifique-me marceloguimaraeslima.studio @gmail.com Cursos presenciais, cursos à distância, consultoria, projetos e textos Página inicial Postagem mais antiga Assinar: Postar comentários (Atom) Heterochronia and Vanishing Viewpoints Marcelo Guimaraes Lima Metasenta Publications, Melbourne Quem sou eu Marcelo Guimaraes Lima https://desenho-mglimastudio.blogspot.com/2018/06/on-drawing.html 2/4 05/06/2018 Desenho - prática - história - teoria: On drawing 0 Seguir Visualizar meu perfil completo Arquivo do blog ▼ 2018 (5) ▼ Junho (3) On drawing Historic publication of Munch's drawings Sobre o desenho ► Maio (2) Marcadores aquarela (1) carvão (1) charcoal (1) definição de desenho (3) definition of drawing (2) desenho (4) drawing (4) Edvard Munch (1) estética (1) fusain (1) história do desenho (1) Marcelo Guimarães Lima (4) history of draw ing (1) papel (1) portrait (1) practice (1) prática (1) retrato (1) teoria (3) theory (2) w atercolor (1) Drawing on the web / O desenho na rede GLOBAL CENTRE FOR DRAWING artistas / artists GABRIEL LIMA IRENE BARBERIS Arte Gráficas / Graphic Arts O Papel da Arte Total de visualizações de página 135 Tema Espetacular Ltda.. 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