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2022
This work is articulated on two levels: archival and archaeological, which are closely connected. The object of the research is the most ancient burial ground of Falerii Veteres (since a continuity of settlement is recognized in the area: VIII-VII century B.C.) which, although excavated at the end of the nineteenth century, has not yet been thoroughly analyzed. More than 1700 finds have been preserved, which form the catalog of 67 funerary contexts. Those objects are mostly preserved at the Museo dell’Agro Falisco of Civita Castellana, but also at the Museum of Villa Giulia and at the Pigorini Museum in Rome, at the National Museum of Florence and at the Civic Museum of Bologna. These tombs were studied between 1886 and 1891 by the DGAABBAA of the Ministero della Pubblica Istruzione as part of what was the first major archaeological enterprise of the newborn Italian State: a sort of “pilot excavation” in the years when Italian institutions were working on the legislation concerning the management and protection of the national cultural heritage. Such investigations were well received by the scientific community. The materials found at the site constituted the initial core of the Museum of Villa Giulia collection and were about to be published in the fifth volume of the series Monumenti Antichi dell’Accademia Nazionale dei Lincei when the work of the Ministero was involved in one of the first scandals in the history of Italy, fueled by the the antiquities market and by leading exponents of foreign academies active in Italy. Doubts were raised concerning the correctness of correlation among the grave goods presented at Villa Giulia. A special commission was appointed by the ministry to investigate the matter and it succeeded putting the uncomfortable problem to rest. Precisely because of these premises, the work is preceded by a careful analysis of the available documentation, which over the years has merged into various archival collections. The volume opens with a reconstruction of the historical background and the events that led to the investigations and the acquisitions of the objects. This section is followed by an analysis of the materials and the funerary contexts, the latter examined in the light of the administrative acts of the Ministry. Synthesized in synoptic tables, the review of each single item through the collation of the preserved documents has allowed the archaeological analysis to be carried out on a basis as close to the truth as possible. This has allowed to better define the characteristics of the most ancient phases of Falerii and to highlight the chronological and cultural relations with the close territories (Etruscan, Capenate, Latium and Central-Italic).
2020 •
Il contributo è incentrato sull'edizione dell'eccezionale contesto tombale della tomba 111 per approfondire il quadro dei contatti culturali e delle relazioni di scambio del centro indigeno di Monte Vetrano in Campania nel sistema di relazioni a lunga distanza nel Mediterraneo dell'VIII sec. a.C. In questa prospettiva una specifica attenzione è dedicata alla 'navicella nuragica' e alla coppa assira rinvenute nella tomba 74 dello stesso sito.
PREISTORIA E PROTOSTORIA IN ETRURIA Ipogei La vita, la morte, i culti nei mondi sotterranei Ricerche e scavi
A.C. Montanaro, Tombe a camera e a grotticella della Daunia tra V e III secolo a.C. Architettura, pitture funerarie e contesti, in PPE.Atti XV, Milano 2022, pp. 523-550.2022 •
In the Bronze Age, Apulia, like much of Southern Italy, was characterized by the Apennine culture with its sub-Apennine developments, whose funerary ritual involved burial in “grotticella” tombs with collective inhumations. With the advent of the Late Bronze Age (12th-11th century BC), the region was shocked by a series of traumatic events, connected to the traditional arrival of Iapigian people from Illyria, which put an end to the existence of the villages of the Bronze Age. The new settlements have totally different characteristics, while the funerary ritual involves the abandonment of the traditional “grotticella” tombs and the appearance of new types of burials (mound and pit tombs) that will remain in use throughout the Iron Age. Between the 6th and 5th centuries BC Northern Apulia is hit by a strong cultural current from Etruscan Campania, which introduces numerous artifacts and a new type of burial, like the artificial grotticella tomb for multiple depositions reserved for members of the same family. The oldest examples are attested in Ascoli Satriano and Salapia and date back to the first half of the fifth century BC, although its wider use will only begin at the beginning of the fourth century. In this last phase, due to the influence of the Tarentine culture, the large chamber tombs appear, which, in addition to presenting considerable architectural preparations, are decorated with elegant often figured paintings that on the one hand refer to the Etruscan-Campanian territory, from the other are inspired by Macedonian models of the great royal tombs. There are also innovations in the funerary ritual, because in addition to the traditional burial appears the semi-cremation in situ, the meaning of which is still unknown. The funerary assemblages yielded from these tombs are of extraordinary richness, as they also include, in addition to the traditional local pottery, many red-figure vases of exceptional workmanship, glass vessels, goldsmiths and other prestige goods coming from the most disparate cultural environments that attest to the vitality of the aristocratic people of northern Apulia.
descrizione dello scavo e presentazione dei materiali recuperati. Tipologia degli ex voto a forma di utero rinvenuti.
Atti del II Convegno Internazionale di Studi, Paestum 28-30 giugno 2017
B. Baglivo, L. Tomay - Su alcune tombe a camera di Pontecagnano tra IV e III sec. a.C.2018 •
Atti del II Convegno Internazionale di Studi, Paestum 28-30 giugno 2017. Inquadramento generale della necropoli occidentale di Pontecagnano, presso la nuova area di espansione residenziale della città.
2018 •
Guida-catalogo del Museo Diocesano Belluno-Feltre.
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