CV rirkrit tiravanija ENG - kurimanzutto

kurimanzutto 

gob. rafael rebollar 94 

col. san miguel chapultepec 

11850 méxico df, méxico 

t/f (52 55) 52 56 24 08 

www.kurimanzutto.com 

RIRKRIT TIRAVANIJA 

BIOGRAPHY 

Buenos Aires, Argentina, 1961. 

Lives and works in New York, Berlin and Chiang Mai. 

STUDIES 

The Whitney Independent Studies Program, New York 

The School of the Art Institute of Chicago 

The Banff Center School of Fine Arts, Banff, Canada 

The Ontario College of Art, Toronto, Canada 

SOLO SHOWS 

2010 Ne travaillez jamais, Tang Contemporary Art, Beijing 

OUT, Argentina 

2009 Rirkrit Tiravanija: Reflection. Nyehaus, New York, USA. 

2008 

Palm Pavilion, kurimanzutto, Mexico City 

Foster, You’re Dead, Galleria Emi Fontana, Milan, 

Italy, with Neil Logan 

2007 An Untitled Concert, untitled 2007 (orchestral 

score for Luis Buñuel), Theater Basel, Basel 

Untitled 1992 (Free), David Zwirner Gallery, New York, with 

Gordon Matta-Clark 

Stories Are Propaganda, Friedrich Petzel Gallery, New York, 

with Philippe Parreno 

Brychcy Bar, Ontario College of Art and Design, Ontario, Canada 

Multiples, Helga Maria Klosterfelde, Berlin 

Rirkrit Tiravanija, OCAD, Toronto, CA

2006 Brychy Bar, Gavin Brown’s enterprise, New York 

Demonstration Drawings, 1301PE, Los Angeles, US 

Philippe Parreno & Rirkrit Tiravanija, Friedrich 

Petzel Gallery, New York, US 

Galerie Chantal Crousel, Paris 

2005 Untitled 2005 (magazine station no. 4), Neugerriemschneider, 

Berlin 

Retrospective, Serpentine Gallery, London (cat.) 

Retrospective, ARC, Musee d’Art Moderne de la Ville de Paris, 

Paris (cat.) 

Hugo Boss 2004, Guggenheim Museum, New York 

2004 Retrospective, Museum Bojmans Van Beuningen, Rotterdam, 

Netherlands (cat.) 

Gordon Matta-Clark-In the Belly of Anachitect (with Pierre 

Huyghe & Pamela M. Lee), Portikus, Frankfurt am Main, Germany 

(brochure) 

Nothing, CMU Art Museum, Chiang Mai, Thailand 

Social Pudding, Rirkrit Tiravanija and Superflex, 1301PE, Los 

Angeles, CA 

2003 Demo Station No. 4, Ikon Gallery, Birmingham, UK 

In the Future Everything Will Be Chrome, Gavin Brown’s 

enterprise, New York, NY 

Social Pudding, Galerie fur Zeitgenossische Kunst, Leipzig, 

Germany 

2002 Untitled 2002 (He Promised), Secession, Vienna, Austria (cat.) 

Untitled, (Demo Station no. 3), Sumida River 

Project, Asahi Beer Co, Tokyo, JAP 

Untitled 2002 (The Raw & The Cooked), City Opera Gallery, 

Tokyo, Japan 

Demonstration, Sumida River Project, Asahi Beer, Tokyo 

oVer station no 2, Astrup Fearnley Museum of Modern Art, Oslo 

2001 The Land, Galerie Chantal Crousel, Paris, France 

Rirkrit Tiravanija – Over Magazine, Oslo Kunsthall, Oslo, 

Norway 

GAM, Turin Italy 

Untitled 2001 (the two sons of Monchengladbach), Stadtisches 

Museum Abteiberg, Monchengladbach, Germany 

Untitled 2001 (No Fire No Ashes), Neugerriemschneider, Berlin, 

Germany 

Untitled 2001 (Demo Station No. 3), Portikus, Frankfurt, 

Germany 

Kunstverein, Wolfsburg, Germany

2000 Passage Cosmo, Project Gallery, CCA Kitakyushu 

Untitled 2000 (oVer Station No.2), Galleria Emi Fontana, Milan, 

Italy 

Untitled 2000 (oVer Station No.1), Gallery Side 2, Tokyo, Japan 

Untitled 2000 (demonstrate), Galeria Salvador Diaz, Madrid, 

Spain 

1999 Untitled 1999 (Community Cinema for a Quiet Intersection 

(After Oldenburg)), The Modern Institute,Glasgow, UK 

1998 Dom-Ino (Une Demonstration D’automne), Galerie 

Chantal Crousel, Paris, France. 

Galerie Micheline Szwajcer, Antwerp, Belgium. 

Untitled, 1998 (Das Soziale Kapital), Migros Museum Museum 

fur Gegenwartskunst, Zurich, Switzerland. 

Untitled, 1998 (On The Road With Jiew, Jeaw, Jieb, Sri And Moo) 

Philadelphia Museum of Art, Philadelphia, PA. 

1997 Untitled, 1997 (Playtime) Projects 58, MoMA, New 

York, USA. 

Williams College Museum of Art, Williamstown, MA. 

Untitled, 1997 (A Demonstration By Faust As A Sausage And 

Franz Biberkopf As A Potato), neugerriemschneider, Berlin, 

Germany. 

Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg (cat.) 

Untitled, 1997 (Schupfnudeln), Jan Winkelmann, Munich, 

Germany. 

Helga Maria Klosterfelde, Hamburg, Germany. 

1996 Untitled 1996, (Loup, Es-Tu-La?), Galleria Emi Fontana, Milano, 

Italy. 

Untitled 1996, (Traffic), Navin Gallery Bangkok, 

Thailand. 

1995 Untitled 1996 (Rehearsal Studio No. 6), Kunsthalle 

St. Gallen, Switzerland. 

Untitled, 1996, (Tomorow's Another Day), Kolnischer 

Kunstverien, Koln, Germany . (cat.) 

Untitled, 1996 (One Revolution Per Minute), Le Consortium, 

Centre d'Art Contemporain, Dijon, France. 

Douglas Gordon/Rirkrit Tiravanija, FRAC Languedoc-Rousillion, 

Montpellier, France. 

The Pool Room, Kunstverein in Hamburg, Hamburg, Germany 

In / Out, (a collaborative project with U of I and The Resource 

Center, Gallery 400 U of I, Circle Campus, Chicago, IL. 

Untitled,1996 (Rehearsal Studio No. 6), Spiral Garden, Tokyo, 

Japan.

Stitching Deappel, with Renee Green, Amsterdam, NL (Cat.) 

Stormer, Hamburg; Helga Maria Klosterfelde Editionen, Hamburg, 

Germany. 

Untitled, 1994 (From Baragas...To Reina Sofia), Kunsthalle 

Basel, Switzerland. 

Untitled, 1995 (Still), 303 Gallery, New York, USA. 

Untitled, 1995 (Tent), Architektenbüro Alsop & 

Störmer, Hamburg; Helga Maria Klosterfelde 

Editionen, Hamburg, Germany. 

1994 Andy Warhol Rirkrit Tiravanija, Gavin Brown's 

enterprise, New York, USA. 

Untitled, 1994, (Meet Tim & Burkhard), neugerriemschneider, 

Berlin, Germany. 

Untitled 1993, (Rucksack), Architektenbüro Alsop & Störmer, 

Hamburg, Germany. 

Helga Maria Klosterfelde Editionen, Hamburg, Germany 

Untitled, 1994, (Angst Essen Seele A Uf), Friesenwall 116, 

Cologne, Germany. 

Untitled, 1994, (Beauty), Jack Hanley Gallery, San 

Francisco, CA. 

1993 Untitled, 1993, (Live And Eat, Eat And Die), 

Randolph Street Gallery, Chicago, IL. 

1992 Untitled, 1992, (Free), 303 Gallery, New York, USA. 

1991 Untitled, 1990, (Blind), Randy Alexander Gallery, 

New York. 

1990 Pad Thai, Project Room, Paula Allen Gallery, New 

York 

SELECTED GROUP SHOWS 

2009 Moral Imagination Current positions in Contemporary Art in 

the FACE of Global Warming. Museum Morsbroich, Germany. 

The House the Cat Built. Galería Salvador Diaz, Spain. 

Desenhos (drawings): A-Z. Museu da Cidade, Portugal. 

2008 Exhibition inaugural new space. kurimanzutto, Mexico City 

An Unruly History of the readymade. Colección Jumex, Mexico. 

The Puppet Show, Santa Monica Museum of Art, CA 

Pivot Points: Defining MOCA’s Collection, MOCA Miami, Florida 

Art and Capital: Spiritual Odyssey, Gallery Loop, Korea 

Servitude & Simulacre, Ce Soir, curated by Jordi Vidal, Paris,

France 

2007 Art Beijing, Tang Gallery, Beijing, China 

Show Me Thai, Museum of Contemporary Art, Tokyo, Japan 

Sharjah Biennial, Sharjah 

Tomorrow Artsonje Center, Seoul, Korea 

Anyang Public Art Project, Anyang, Korea 

Copenhagen Bar Project Karrier contemporary art &social life, 

Denmark 

The Place and The Plate The Jim Thompson Art Center, Bangkok, 

Thailand 

The Lath Picture Show Petzel Gallery, New York 

Sympathy for the Devil: Art and Rock and Roll Since 1967, MCA 

Chicago, IL 

Just use it Nordjyllands Kunst museum, Aalborg, Denmark 

Scotiabank Nuit Blanche Ontario College of Art and Design, 

Ontario, Canada 

Art Public Contemporain, Luxembourg 

Lucelia Artist Award 2001 – 2006 Smithsonian American Art 

Museum, Washington DC 

Lyon Biennale, Lyon, France 

Words Fail Me, Museum of Contemporary Art, Detroit, curated by 

Matthew Higgs 

ShContemporary, Shanghai, China 

Il Tempo del Postino, Manchester International Festival, 

Manchester, UK 

The Freak Show, Musée d’Art Contemporain de Lyon, France 

Get Lost: Artists Map Downtown New York, New Museum Project, 

New York 

New Economy, Artists Space, New York 

Someone Else With My Fingerprints, Galerie Chantal Crousel, 

Paris, France 

Generation 1.5, Queens Museum of Art, New York 

The Shapes of Space, Guggenheim Museum, New York 

La planta. Arte Contemporáneo Omnilife, Guadalajara, Mexico 

City. 

Generation 1.5. Queens Museum of Art, New York, USA. 

Rirkrit Tiravanija & Gordon Matta Clark, David Zwirner Gallery, 

New York, NY 

2006 25 x 25, Cereal Art Gallery, Philadelphia, PA 

Open Ended (the art of engagement), Walker Art Center, 

Minneapolis, MN 

All Hawaii Entrées / Lunar Reggae, Irish Museum of Modern 

Art 

The Exotic Journey Ends, Foksal Gallery Foundation, Warsaw; 

kurimanzutto, Mexico City 

Emergency Biennale in Chechnya, atklasanas forums, Riga,

Lettland 

Sao Paulo Biennial, Sao Paulo, Brazil 

Surprise, Surprise, Institute of Contemporary Art, London 

Sculptures in the Park, Villa Manin Centro d’Arte 

Contemporanea, Codroipo, Udine, Italy 

Yes Bruce Nauman,”Zwirner & Wirth, New York 

Satellite of Love, Witte de With, Rotterdam, NL 

Anstoss Berlin: Kunst macht Welt, Haus am Waldsee, Berlin, 

Germany 

Not All Is Visible…, Astrup Fearnley Museum, Oslo, Norway 

Into Me/ Out of Me, PS1 Contemporary Art Center, New York 

The Large Piece of Turf – Contemporary Art in the Public 

Domain, curated by Raimer Stange and Florian Waldvogel for the 

City of Nuremberg and the German Football Assoc. 

Again for Tomorrow, Royal College of Art Galleries, London 

Infinite Painting, Villa Manin Centre for Contemporary Art, 

Codroipo. Italy 

Whitney Biennial, Whitney Museum of American Art, New York 

2005 Thank You For the Music, Sprüth Magers Projekte, Munich, 

Germany 

Looking at Words, Andrea Rosen Gallery, New York 

36 x 27 x 10, White Cube Berlin im ehemaligen Palast der 

Republik, Berlin 

FUSION. Aspects of Asian Culture in the MUSAC Collection, 

MUSAC, Leon, SP 

Early Work, White Columns, New York 

Lichtkunst aus Kunstlicht, ZKM, Museum für Neue Kunst, 

Karlsruhe, D 

Fantasia, The Second Guangzhou Triennial, Guangdong Museum 

of Art, Er-sha Island, Guangzhou, China 

Nach Rokytnik. The EVN Collection, MUMOK Museum Moderner 

Kunst Stiftung Ludwig Wien, Wien, A 

In the Middle of the Night. Die Neuerwerbungen seit 1996, 

Kunsthalle Bielefeld, D 

Räume und Schatten, Haus der Kulturen der Welt, Berlin 

Post No Bills, White Columns, New York 

Universal experience. art, life and the tourist’s eye, Hayward 

Gallery, London 

Nur hier? (3), Hochschule für Grafik und Buchkunst, Leipzig, D 

Drive. Cars in Contemporary Art, Galleria D’Arte Moderna, 

Bologna, I 

La Biennale de Lyon, Lyon, France (cat.) 

Luna Park. Arte Fantastica, Villa Manin, Codroipo, 

Italy (cat.) 

Universal Experience, MCA, Chicago (cat.) 

2004 Small: The Object in Film, Video and Slide Installation.

Whitney Museum of American Art, New York, NY 

70/90 Engagierte Kunst, neues museum, Staatliches Museum 

für Kunst und Design in Nürnberg, Nürnberg 

The Encounters in the 21st Century: Polyphony - Emerging 

Resonances, 21 st Century Museum of Modern Art, Kanazawa, JAP 

Klütterkammer, ICA, London, GB 

International 04, Liverpool Biennial, Liverpool, GB 

e-flux video rental, e-flux, New York, US 

Dakar Biennial 2004, Dakar, SN 

Qualsiasi (TV), base, Florenz, I 

Artists’ Favourites, ICA Galleries, London, GB 

2003 Elephant Juice (Sexo entre amigos), kurimanzutto @ Los 

Manantiales, Xochimilco, Mexico. 

Perfect Timeless Repetition, c/o Atle Gerhardsen, 

Berlin. 

2002 void, Rice Gallery G2, Tokyo, JAP. 

Comfort Zone, Fabric Work Shop, Philadelphia, PA. 

2001 4Free, Buro Friedrich, Berlin, Germany. 

Fig-1, 50 projects in 50 weeks, conceived and developed by 

Mark Francis and Jay Jopling, London (cat.) 

Yokohama Triennale, Yokohama, Japan. 

orientale 1 ; ACC Galerie Weimar, D. 

Kleine Paradiese, Gutspark Bockel, Ostwestfalen, Lippe, 

Germany. 

GAM, Turin, Italy. 

Heimaten, Galerie fur Zeitgenossische Kunst, Leipzig, Germany. 

Cushy job, Swiss Institute-Contemporary Art, New York, USA. 

Public Offerings, MOCA, Los Angeles, CA, curated by Paul 

Schimmel (cat.) 

Beautiful Productions Parkett, Whitechapel Art Gallery, 

London. 

Il Dono, offerta ospitalita insidia, Palazzo Delle Papesse, 

Centro Arte Contempoanea, Sienna, Italy. 

Plug in--- Einheit and Mobilitat, Westfalisches Landesmuseum, 

Munster, Germany. 

Germania, Palazzo delle Papesse, Centro Arte Contemporanea, 

Sienna, Italy. 

The Beauty of Intimacy, Gemeentemuseum, Den Haag, 

Netherlands/Staatliche Kunsthalle, Baden-Baden, Germany. 

Egofugal, 7 th International Istanbul Biennial, Istanbul, Turkey 

(cat.) 

2000 Finale di Partita, Chiostro di Ognissanti, Firenze, 

Italy. 

More Works about Buildings and Food, Fundiçao de Oeiras,

Hangar K7, Oeiras, Portugal. 

“Editions and Multiples 1990-2000”, Helga Maria Klosterfelde, 


AutoWerke, Deichhtorhallen Hamburg, Hamburg, Germany. 

Vicinato 2, Friedrich Petzel, New York. 

Taxa, Navin Gallery Bankok, and Onepercent Copenhagen, 

Copenhagen. 

Re_public, Grazer Kunstverein, Graz, Austria. 

Loneliness in the City, Migros Museum, Zurich, Switzerland 

(with Franz Ackermann). 

1301 PE, Los Angeles, USA. 

M Art in (n), M Art in (n) c/o Martin Schibli, Helsingborg, 

Sweden. 

LKW, Lebenskunstwerke, Kunst in der Stadt 4, Kunsthaus 

Bregenz, Austria (cat.) 

Ein/raümen-Arbeiten im Museum, Hamburger Kunsthalle, 


Berühmte Künstler Helfen Koch und Kesslau, Koch und 

Kesslau, Berlin, Germany. 

M(odel)4∞, BüroFriedrich, Berlin, Germany. 

Das Unheimliche Heim, Kunstverein, Wolfsburg, Germany. 

Continental Shift, Ludwig Forum Aachen, Germany; 

Artworkers, curated by Melissa Feldman, Oriel Mostyn Gallery, 

Llandudno, Wales. 

1999 Project Row Houses: Street Life (Round 11), curated 

by Jerôme Sans, Houston, TX 

Embedded Metaphor, curated by Nina Felshin, organized by ICI, 

New York, traveling exhibition (1996-99) 

Une histoire parmi d' autres, FRAC Nord-Pas de Calais, 

Dunkerque, France (cat.) 

Peace, , Museum fur Gegenwartskunst, Zurich, 

Switzerland (cat.) 

Moving Images-Film Reflexion in der kunst, Galerie fur 

Zeitgenossische Kunst Leipzig, Germany (cat.) 

Locally Interested, ICA, Nationl Gallery for Foreign Art, Sofia, 

Bulgaria 

dAPERTutto, 48. Esposizione Internazionale d’Arte, La Biennale 

di Venezia, Venedig, I (Kat.) 

Go away: artists and travel, Royal College of Art, London, UK 

(cat.) 

A Piece of Furniture..., Galerie Anselm Dreher, Berlin, Germany 

1st Fukuoka Triennale, Fukuoka Asian Art Musem, Fukuoka, 

Japan 

Talk.Show. Die Kunst der Kommunikation in den 90er Jahen, Von 

der Heydt-Museum Wuppertal, Wuppertal, Germany (cat.) 

Photography Salon, Elizabeth Cherry Contemporary Art, Tucson, 

AZ

FROM/TO, Internatinal Film festival Rotterdam/Witte de With, 

Rotterdam,NL 

Cities on the move, Artspace 1%. Louisiana Museum of Madern 

Art, Copenhagen, Denmark 

Konstruktionszeichnungen, Kunst- Werke, Berlin, Germany 

Places to stay #5 M(usic), Buro Friedrich, Berlin, Germany 

Kunst-Welten im Dialog, Museum Ludwig Koln, D (Kat.) 

Blown Away, 6 th International Caribbean Biennal, St. 

Kitts, Caribbean Islands 

1998 Leisure and Travel, Paula Cooper Gallery, New York, NY 

Crossings, National Gallery of Canada, Ottawa, Ontario 

Not Today, Gavin Brown's enterprise, New York, NY 

Wounds: between democracy and redemption in contemporary 

art, Moderna Museet, Stockholm, Sweden 

Dad's Art, neugerriemschnungen, kunst-Werke, Berlin, Germany 

"__, 1994untitled, 1994 (meettim&burkhard)brancsi, 

1997 ", Grazer Kunstverein, Austria 

Le proces de pol pot, Magasin Centre National d'Art 

Contemporain de Grenoble, Grenoble, France 

Sidney Biennale, Sidney, Australia (cat.) 

Cities on the Move, Wiener Secession, Wien, A. 

1997 Berlin Biennale, Berlin, Germany (cat.) 

Mostrato. Fuori Uso '98, Mercati Ortofrutticoli, Pescari, I (cat.) 

National Gallery of Canada, Ottawa, Ontario, Canada 

Inside..Outside, Stadtisches Museum Leverkusen. SchloB 

Morsbroich, Germany 

ONTOMtm, Galerie fur Zeitgenossische Kunst, Leipzig, Germany 

(cat,) 

Kunstlerlnnen, 40 positionen zeitgenossischer internationaler 

Kunst in Videoportaits, museurm in progress in Zusammenarbeit 

mit dern Kundthaus Bregenz/ Kunstlerhaus Bethanien, Berlin, 

Germany 

Kunst und papier auf dem Laufsteg, Deutsche Guggenheirm 

Berlin, Germany 

Deserted & Embraced, Goethe-Institue Bankok, thailand (cat.) 

1997 Cities on the Move, CAPC Bordeaux, France (cat.) 

enterprise, ICA, The Institute of Comtemporary Art, Boston, MA 

Kunst...Arbeit, Sudwest LB, Stuttgart, Germany (cat.) 

Deserted & Embraced, Chiang Mai, Thailland (cat.) 

Helga Maria Klosterfelde, Hamburg, Germany 

Truce: Echoes of Art in an Age of Endless Conclusions, Site 

Santa Fe, NM 

Medium of Exchange, Congress Centrum Hamburg, Confinea 

1997, Hamburg, Germany 

Letter and Event, Apex Art C.P. New York, NY

Performance Anxiety, MCA Chicago, IL, MCA San Diego, CA, USA 

Skulptur.projekte, Munster 97, Munster, Germany 

A Summer Group Show, Neugerriemschneider, Berlin, Germany 

Wandstucke IV, Gallerie Bob Van Orsouw, Zurich, CH 

Thinking Print, Museum of Modern Art, New York 

Campo 6, the Spiral Village, Bonnefantenmuseum, Maastricht, NL 

Fiat, Stuttgart/Umbauraum, Germany 

Supastore De Luxe, Up & Co, New York, NY 

1996 a/drift, curated by Joshua Decter, Center for 

Curatorial Studies, Bard College, Annandale-on 

Hudson, NY, USA 

Campo 6, Fondazione Sandretto Rebaudengo per L'Arte, Galleria 

Civica d'Arte Moderna di Torino, Turin, Italy 

almost invisible/fast nichts, Umspannwerk Singen, 

Singen/Hohnentwiel, curated by Jan Winkelmann, Alle 

Neue, ACC Galerie, Weimar, Germany 

Manifesta 1, Rotterdam, Holland 

Oporto Festival, Oporto, Portugal 

Gary Hume, Udomsak Krisanamis, Rirkrit Tiravanija, Gavin 

Brown's enterprise, New York, NY 

Vicinato, Air de Paris, Paris, France 

Vicinato, Schipper & Krome, Koln, Germany 

In/Out, (a collaborative project with U of I and the Resource 

Center), Gallery 400, U of I, Circle Campus, Chicago, IL 

Kunst in der neuen Messe Leipzig, Leipzig, Germany 

TRAFFIC, CAPC Musee d'Art Contemporain, Bordeaux, France 

Thinking Print, Henry Art Gallery, Seattle,WA 

Campo 6, The spiral Village, Bonnefantenmuseum, Maastricht, 

Holland 

Fiat, Stuttgart/Umbauraum, Stuttgart, Germany 

Supastore De Luxe, Up & Co, New York, NY 

Annandale-on-Hudson, NY 

Thinking Print, MoMA, New York, NY 

Kofferkunst, Lagerraum, Frankfurt am Main, Germany 

Modema di Torino, Turin, Italy (cat.) 

almost invisable / fast nichts, Umspannwerk Singen, Curated 

by Jan Winkelmann, Singen/Hohentwiel, Germany 

Alle Neune, ACC Galerie, Weimar, Germany 

1995 Biennale D'Art Contemporain De Lyon, Lyon, France (cat.) 

The Carnegie International, The Carnegie Museum of Art, 

Pittsburgh, PA (cat.) 

Carsten Holler, Philippe Parreno, Rirkrit Tiravanija, Studio 

Guenzani, Milano, Italy 

Kwangju Biennale, Kwangju, Republic of Korea (cat.) 

Das Ende der Avantgarde - Kunst als Dienstleistung, 

Sammlung Schürmann, Kunsthalle der Hypo - Kulturstiftung,

Munich, Germany 

The Moral Maze, Le Consorsium, Dijon, France (cat.) 

Configura II: Dialog der Kulturen , Erfurt, Germany (cat.) 

Nutopi, Rooseum, Malmö, Denmark (cat.) 

Shift, De Appel, Amsterdam, Holland (cat.) 

House in Time, Moderna Galerija Ljublijana, Slovenia, (cat.) 

The Whitney Biennial, Whitney Museum, NY (cat.) 

Economies, Walker Art Center, Minneapolis, MN (with Hans 

Accola) 

Africus, Johannesburg Biennale, Johannesburg, South Africa 

Carsten Holler, Phillppe Parreno, Rirkrit Tiravanija, Studio 

Guenzani, Milan, Italy 

Rewind, City Racing, London, UK (Curated by Eric Troncy) 

Moral Maze, Le Consortium, Centre d’Art Contemporain, Dijon, F. 

Kunsthalle der Hypo-Kulturstiftung, Munchen, Germany (cat.) 

1994 Cocido y Crudo, (curated by D. Cameron) Reina 

Sofia, Madrid, Spain (cat.) 

Der Stand der Dinge, Kölnischer Kunstverein, Köln, Germany 

(cat.) 

Lost Paradise, kuratiert von Barbara Steiner, Kunstraum, Wien, 

Austria (cat.) 

Esprit d ‘Amusement, Kunstverein Graz, Austria 

new reality mix, Högbergsgatan 18, Stockholm, Sweden 

Multiple, Deichtorhallen Hamburg, Germany (cat.) 

Out Side the Frame, Contemporary Art Center, 

Cleveland, OH (cat.) 

SPNY, Galerie Camargo Vilaca, Sao Paulo BRA.(cat.) 

Drawing on Sculpture, Cohen Gallery, New York, NY 

Residence Secondaire, Paris, France 

Untitled Group Show, organized by Friedrich Petzel, Metro 

Pictures, New York, NY 

Surface de Reparations, organized by Eric Troncy, Le 

Consortium, Centre d'Art Contemporain, Dijon, France (cat.) 

Camping, Galerie Jennifer Flay, Paris, France 

Don't Look Now, organized by Joshua Decter, Threadwaxing 

Space, New York, NY (cat.) 

art after collecting, kuratiert von Rainer Ganahl, 

Philomene Magers, Koln, D. 

L'Hiver de l'Amour, Musée d'Art Moderne de la Ville de Paris, 

Paris, France; and P.S.1, Long Island City, New York (cat.) 

1993 Viennese Stories, curated by Jerome Sans, Wiener 

Secession, Wien, Austria (cat.) 

Real, Real, Wiener Secession, Wien, Austria (cat.) 

Holly Solomon Gallery, New York, NY 

Backstage, Hamburger Kunstverein, Hamburg; and Kunstmuseum, 

Luzern, Switzerland, (1994) (cat.)

Migrateurs, Musée d'Art Moderne de la Ville de Paris, Paris, 

France (cat.), curated by Hans-Ulrich Obrist 

Real Time, curated by Gavin Brown, Institute of Contemporary 

Art, London, UK, (cat) 

Jorge Pardo, Sarah Seager, Rirkrit Tiravanija, Lincoln Tobier, 

1301, Santa Monica, CA 

Künstlerhaus Bethanien, organized by Tim Neuger, Berlin, 

Germany 

Spielhölle, organized by Kaspar König and Robert Fleck, Grazer 

Kunstverein, Graz, Austria; and Galerie Sylvana 

Lorenz, Paris, France (cat.) 

Aperto, Biennale Venedig, Venice, Italy, (curator: M. Slotover) 

(cat.) 

Sleepless Nights, curated by Zdenka Gabalova, PS1 Museum, 

Queens, NY 

Galerie Max Hetzler, organized by Tim Neuger, Köln, Germany 

Simply Made in America, Aldrich Museum of Contemporary Art, 

CT (cat.) 

Fever, Exit Art, New York, NY 

Kunstmuseum, Luzern, Switzerland 

1993 Sleepless Nights, curated by Zdenka Gabalova, PS1 

Museum, Queens, New York 

1992 Transgressions in the White Cube: Territorial 

Mapping, organized by Joshua Decter, Usdan Gallery, 

Bennington College, Bennington, VT (cat.) 

Writings on the Wall, 303 Gallery, New York, NY 

Home Improvements, 209 W 97th St, Apt. 7B, New York, NY, 

curated by Gavin Brown Consumed, Goethe Haus, New York, NY 

Insignificant, 10 E 39th St., Suite 525, New 

York, NY, curated by Gavin Brown 

1991 One Leading to Another, 303 Gallery, New York, NY 

The Big Nothing or Le Presque Rien, The New Museum of 

Contemporary Art, New York, NY (cat.) 

Brooklyn, Jack Tilton Gallery, New York, NY 

Wealth of Nations, Center for Contemporary Arts, Ujazdowski 

Castle, Warsaw, Poland 

Dis Mantling Invisibility: Asian & Pacific Islander Artists 

Response to the AIDS Crisis, Art in General, New York, NY 

Shooters Hill, AC Project Room, New York, NY 

Arriving, Leonor Datil Perez Gallery, New York, NY 

Home?, Home for Contemporary Theater & Art, New York, NY 

True to Life, curated by Gavin Brown, 303 Gallery, New York, NY 

Fluxattitude, Hallwalls, Buffalo, NY; and The New Museum for 

Contemporary Art, New York, NY, (1992) (cat.) 

Marginal Majority, (Artists Against Racial Prejudice), Arron

Davis Hall, New York, NY (cat.) 

The New Museum for Contemporary Art, New York, USA 

1990 Post-Consumerism, The Storefront for Art & 

Architecture, New York, NY 

Work on Paper, Paula Allen Gallery, New York, NY 

4th Annual Invitational, Cold City Gallery, Toronto, Canada 

1989 Caught in a Revolving Door, The Alumni Association 

of the School of the Art Institute of Chicago, 

Chicago, IL (cat.) 

Outside the Clock: Beyond Good & Elvis, Scott Hanson Gallery, 

New York, NY 

Lotto as Metaphor, Hallwalls, Buffalo, New York, NY (cat.) 

FILM WORKS 

2001 Vicinato 2, with Philippe Parreno, Douglas Gordon, Liam Gillick, 

Carsten Holler, Pierre Huyghe, Friedrich Petzel Gallery, New 

York; neugerriemschneider, Berlin, Germany 

1991 Video Event, Tom Cugliani Gallery, New York, NY 

1985 New Film Maker, The Collective for Living Cinema, 

New York, NY 

Super super 8, The Museum of Moving Image, LIC , New York, NY 

Super 8 NY, San Francisco Cinemateque, San Francisco, CA 

PROJECTS 

1990 The Arrival, Message to the Public, Spectracolor Board at Times 

Square, New York, NY 

BIBLIOGRAPHY 

2008 

Noe, Paola, Critics’ Picks, Artforum.com, May 2008 

Browne, Alix, “Asian Fusion,” T Magazine, March 2008 

Sherwin, Skye, “Encounters of the Third Kind,” ArtReview, 

March 2008, p. 40 

Coulson, Amanda, “Consulting the Atlas,” Art on Paper, 

Jan/Feb. 2008, p. 33-34

2007 

Drobnick, Jim, “Sometimes It’s Good to Put Up a Couple of 

Walls,” OCAD Sketch, Spring 2007, p. 8-11 

Saltz, Jerry, “Conspicuous Consumption,” New York Magazine, 

May 14, 2007 p. 88 

“Gordon Matta-Clark and Rirkrit Tiravanija,” New Yorker, May 7, 2007 p. 14 

Kerr, Merrily, “Matta-Clark/Tiravanija,” Time Out New York, 

April 26 – May 2, 2007, p 106 

Smith, Roberta, “Space Redefined in Chelsea,” The New York Times, April 13, 

2007 

Orden, Abraham, “The Minute,” Artnet.com, April 6, 2007 

Lee, Carol, “Rirkrit Tiravanija and Gordon Matta-Clark United 

– And it Tastes So Good!” Papermag.com, March 23, 3007 

Neil, Jonathan T.D., “Tales From the City: New York,” 

Artreview, March, p. 48 

Lütticken, Sven “Black Bloc, White Penguin: Reconsidering 

Representation Critique,” Artforum, March, pp.298-303, 331 

Tiravanija, Rirkrit, “Influence Today and Tomorrow,” Art Asia Pacific, Almanac 

2007, p. 225 

2006 

Moulène, Claire, “Imaginaire: Mode d’Emploi, ‘Art contemporain 

et lien social’” published by Editions Cercle d’Art, Paris 

Andrews, Max, editor, “Land Art: A Cultural Ecology Handbook,” 

published by RSA, London 

Mertens, Brian, “Rirkrit Tiravanija Launches New Bangkok Venture,” Art Asia 

Pacific, Winter 2007, p. 55 

“Spirituality,” Art Asia Pacific, Winter 2007, pp. 82-91 

Thomas, Rachel; Philippe Pareno, et. Al “All Hawaii Entrées / Lunar Reggae,” 

published by Irish Museum of Modern Art, Dublin and Charta, Milan 

“All the Best: The Deutsche Bank Collection and Zaha Hadid,” 

published by Deutsche Bank, Frankfurt, a.M. 

Goncharov, Kathleen, “Review: Whitney Biennial,” Tema Celeste, No. 116, pp. 

86-87 (illus.) 

Blind Date, Published by Deutsche Bank, Frankfurt, 2006 

Mooney, Christopher, Review, Modern Painters, April, p. 117 

Hoptman, Laura, “Give Peace Another Chance,” ArtReview, March, pp.28-29 

“The Artists Talk: A Cross Section of the Art Life in Berlin,” Flash Art, March- 

April, pp. 82-87 

Iles, Chrissie and Philippe Vergne, Whitney Biennial: Day For Night, exhibition 

catalog, published by The Whitney Museum of American Art 

Tiravanija, Rirkrit, “Work in Progress,” V magazine, Spring, 2006 p. 122 

Petlin, Irving; Mark di Suvero; Rirkrit Tiravanija, “Peace Tower,” Artforum, 

March pp. 252-57 

Griffin, Tim, Review: Lyon Biennale, Artforum, Feb. pp. 205, 230 

Morton, Tom; Nancy Spector, “Retrospectives,” Frieze, Jan./Feb. pp. 115-16 

Griffin, Tim, Chrissie Iles, Philippe Vergne, “Cabaret License,” Artforum, January,

pp. 94-96 

2005 

Grosenick, Uta, Art Now: Vol. 2, published by Taschen, 

Cologne, London, L.A., Paris, Madrid, Tokyo 

Birnbaum, Daniel, “Best of 2005,” Artforum December pp.260-61 

Iles, Chrissie, “Film, Best of 2005,” Artforum December, p.58 

McCormack, Christopher, “Previews,” Contemporary, No. 75, p. 51 

Dorment, Richard, “The Exhibition That Says, Make Yourself at Home,” 

Darwent, Charles, “Make Yourself Comfy: The Artist Is at Home,” The Independent, 

July 17 

Cooper, Emmanuel, “Make Yourself at Home…” Tribune, August 5/19 

Martin, Francesca, “Checklist,” British Vogue, August p. 53 

Lewis, Ben, “Private View,” Prospect, August, p. 55 

O’Connell, Alex, “Art Notebook,” The Times, July 28 

Januszczak, Waldemar, “Home Is Where the Art Isn’t,” The Sunday Times, July 

24, p. 10 

Jennings, Rose, “There’s Plenty of Room for Manoeuvre,” The Observer, July 

24 

Hanks, Robert, “The Week in Radio,” The Independent 

Kent, Sarah, “Food for Thought,” Time Out London, July 20 

Croft, Catherine, “Plywood Homes from Home,” Building Design, July 15 

Review, London Evening Standard, July 15 

Searle, Adrian, “Make Yourself at Home,” Guardian, July 12 

Güner, Fisun, Review, Metro London, July 6 

Leitch, Luke, “Home Is Where the Art Is,” London Evening 

Standard, July 5 

Dannatt, Adrian, “Interview,” The Art Newspaper, p. 36 

Baal, Iphigenia, “Home Base: Rirkrit Tiravanija” Dazed & Confused, July, p. 

154 

Cripp, Charlotte, “Everyone Back to My Pad,” The Independent, June 29 

Buck, Louisa, “Preview,” RA, Summer 

Cripps, Charlotte, “Everyone Back to My Pad,” The Independent, June 2 

Griffin, Tim (moderated by) “Remote Possibilities: A Roundtable Discussion on 

Land Art’s Changing Terrain,” Artforum, Summer 2005 pp.288-295, 366 

Joselit, David, “Navigating the New Territory,” Artforum, 

Summer 2005, pp.276-79 

Birnbaum, Daniel, “The Lay of the Land,” Artforum, Summer 

2005, pp.270-74, 346 

Bishop, Claire, “Installation Art,” published by Tate 

Publishing: London 

Laubard, Charlotte, Review Flash Art, May-June, pp.152-53 

“An Interview with Rirkrit Tiravanija,” Asian Art Newspaper, April pp. 6-7 

Wilcox, T.J., “Personal Affects,” Artforum, April, p. 165 

Fox, Dan, “Welcome to the Real World,” Frieze, April, pp. 72-76 + cover 

Waltener, Shane, Review, Modern Painters, April, p. 113 

Cotter, Holland, “Work Whose Medium Is Indeed Its Message,” The New York 

Times, Weekend Arts, Friday March 18th, p. E44

Moisdon, Stéphanie, “Rirkrit Tiravanija: Artiste Relationnel?” Beaux-Arts, 

March 2005 

Ardenne, Paul, Review, Artpress, March 2005 

Bishop, Claire, “But is it –Installation Art?” Tate, Etc., Issue 3, Spring, pp. 

26-35 

Lutticken, Sven, Review, Artforum, XLIII, No. 6, February, pp. 164-165 

Sheets, Hilarie M., “Underrated Overrated (Paul Ha)”, ARTnews. January, p. 

108 

“News: Prizes”, ARTnews. January, p.54 

“News: Prizes and Competitions”, Flash Art, January-February, p. 45 

Wecker, Frédéric and Benjamin Thorel, “Quand les usages deviennent forme de 

vie,” Art 21, No.1, Jan.-Feb. pp.14-21 

2004 

Parreno, Philippe; Sterling, Bruce; Tiravanija, Rirkrit; “A 

Retrospective (Tomorrow is another fine day)”, published by 

Museum Boijmans Van Beuningen: Rotterdam 

Bajo, Delia and Carey, Brainard, “In Conversation,” The Brooklyn 

Rail, February, pp. 21-22 

“Social Capital, Forms of Interaction,” published by Whitney Museum of 

American Art Independent Study Program Exhibition, New York 

2003 

Review, The New Yorker, November 10, p. 27 

Bollen, Christopher, “Critics Picks,” Artforum.com, October 

Cavallucci, Fabio, Work, Art in Progress, April-June, p. 10 

Floriani, Giorgia, Work, Art in Progress, April-June, p. 9 

Culpan, Laura Jane, Work, Art in Progress, April-June, p. 22 

Tetsuya, Ozaki, Invitation, June, p. 59 

Quote, ArtReview, July/August, p. 49 

Gopnik, Blake. “Rirkrit Tiravanija Wins Smithsonian’s Lucelia 

Artist Award” Washington 

Post-Style, Wed April 9 

Secession, Vienna, Austria (cat.) 

Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei 

Zweitasendeins, p. 119 

“The 80’s”, Artforum, March, p. 214 

2002 

Kempkes, Anke, “Art Now,” published by Taschen, Koln 

Fallon, Roberta, “Spiritual Comfort,” Artnet.com 

Canvas, Art News, May 2002 

2001 

Dziewior, Yilmaz, “Art Now”, Taschen, Koln 

Baldon, Diana, “Ein/raümen in Hamburg”, Tema Celeste, 

January-February, p.116 

Herbstreuth, Peter: Held der Arbeit; Der Tagesspiegel,

28. July,/Nr. 17480 

Chapuis, Yvone; “L’Espace d’action Inconditionnelle”, 

Press Release, “Kunstverein Wolfsburg” March 9, 2001 

Erickson, Karl; “The Free Spot”, In These Times, 20. 

August. 

Frangenberg, Frank; Frentzens welke Kranze, Suddeustche Zeitung, 26. June, 

Nr. 144. 

p. 17 

2000 

Stange, Raimar; “ein/raumen” in der Hamburg Kunsthalle; Das 

Kunstbulletin; Nr. 12/2000, p.36 

Winter, Peter; Katzen, Kassen, Karl V; Frankfurter Allgemeine Zeitung; 20. 

November 2000; Nr. 270, p. 54 

Vergez, Juan; Review ARCO 2000: Elective Affinities; ARCO Noticias; 

September Nr. 18 p. 14 

Franz Ackerman/ Rirkrit Tiravanija; Ausst. Kat. RE public; Grazer Kunstverein 

Oct, p. 63-65 

Wolfs, Rein; The Sociale Capital Today; Art Land; Vol. 6, Nr.1, p. 5 

Boers, Waling; Reality is a friend of mine, Interview with mit Rirkrit 

Tiravanija; material; Fruhling/Sommer 2000, Nr. 3, pp. 44-46. 

Continental Shift; Ausst. Kat. Ludwig Forum Aachen, D/ Bonnefantenmuseum 

Maastricht, NL/Stadsgalerij Heerlen NL/Musee d’Art modern Liege, B, 2000. 

Wittneven, Kathrin; Zeichne dich selbst; Der Tagesspiegel; 15. Juli 2000, Nr. 

17111, S.32 

Citytripping.com; ”Free Rent: Rirkrit Tiravanija’s Experiment in Living”, Aug. 1 

Berwick, Carly; “While Some Live for Art, Others Live In It”, The New York 

Times, Aug 1 

Lintzel, Aram; Liebst du much wirklich?; Frankfurter Allegemeine Zeitung; 14 

July, Nr. 161, p. BS 6 

Gardner, Belinda Grace; Verfuhrung des Blicks. Das Haus der Kunst, Munchen, 

Hamburg, p. 175. 

Memba, Javier; Okupas “yvagabundos acuden a cenar a una galeria de arte” 

El Mundo, 14 February. 

Murria, Alicia; Rirkrit Tiravanija; Revista Lapiz, Nr. 161, March 

Llorca, Pablo; Modelo de artista; El Periodico del Arte, Februar 2000, Nr. 30 

Ririkrit Tiravanija. Arte publico. Antiquaria 

Stange, Raimar; Rirkrit Tiravanija; Artist Kunstmagazin, Heft Nr. 42, January, 

pp. 22-26 

“The Art of Eating Curry”, Composite, Tokyo, No. 16, June 

Figaro Japon, No. 181, Ma y 

Spa, Tokyo, May 

Brutus, Tokyo, April 

Stange, Raimar, “Ein/raümen”, in der Hamburgen Kunsthalle; Das 

Kunstbulletin; No. 12, 

1999 

Lonehood, Lex, "Free Rent: Rirkrit Tiravanija's Experiment in

Living", City Tripping.com, Berwick, Carly, "While Some Live 

for Art, Others Live in It", The New York Times, August1, 

Sunday, August, 8. 

Boggs, Sheri; “Sitting Down to Art” The Inland Way, April 14 

Knight, Christopher, "L.A. Map Makes the Invisible Plain", Los Angeles Times, 

July, 23, Art Reviews. 

Hunt, David, "Faraway and Nearby, The Province of Telepresence", 

Camerawork, Spring/Summer, pp.26-29 

1999 Scott, Andrea K., "Mi casa, su casa", Time Out New York, June 10-17, in 

Art Reviews. 

Wong, Gloria M.," Quick Takes", Bazaar, June, pg.88. 

"Living with Art at Gavin Brown's Enterprise", The Art Newspaper, June. 

Saltz, Jerry, "Rising Tide", The Village Voice, June 29, pg.157 

Saltz, Jerry, "Resident Alien", The Village Voice, July 7, pg.157 

Gilson, Nancy, "Eye of the beholder", The Columbus Dispatch, January 27, 

p.8E 

Pettus, Jason, " Extended Stay", Cake walk, Fall 1999,p. 58-59 

Joyce,Julie, "Rirkrit Tiravanija and Licoln Tobier" , Art/Text ,#67, p.90 

Gilson, Nancy; “Eye of the beholder”, The Columbus Dispatch, Jan. 27 

Gellatly, Andrew," Cities on the Move", Frieze, 

Siegel, Katy," Rirkrit Tiravanija", ArtForum, October, p. 146 

Kazakov, Rafaelo, " Rirkrit Tiravanija", The New York Art World, September, p. 

M 14 

Elms, Anthony, "Rirkrit Tiravanija", The New Art Examiner, October 1999, p.47- 

48 

Pinchbeck, Daniel, " NY artist Q & A, Rirkrit Tiravanija" The Art Newspaper, 

July-August 

Boggs, Sheri, " Sitting down to art", The Inlander, April 14, 1999 

Sachs, Brita; Bei Anruf Kunst, Frankfurter Allgemeine Zeitung, 16 Dec., p. 53 

Sanders, Joel; Frames of mind; Artforum, November 1999, S. 126-131 

Nomblot, Javier Rubio; Rirkrit Tiravanija :diez propuestas para Madrid, El 

punto de las Artes, 10-20. December 

Szeeman. Harald; Rirkrit Tiravanija, Katalog zur Ausstellung dAPERTutto, 48. 

Esposizone Internazionale d’Arte, La Biennale di Venezia, p. 162-165 

N.N., Museum Het Domein presenteert Ex-tension, Trompetter, 30 Juni. 

Fischer, Tine/Eskjaer, Mikkel; Spis en film, Kun stmagasinet 1%, #5 February 

Tiravanija, Rirkrit; Dreams, hrsg. v. Francesco Bonami u. Hans Ulrich Obrist 

Lind, Maria; Raumnachbildungen und Erfahrungsraume, Parkett Nr. 54, pp. 

186-190 

Wuffen, Thomas u.a., Berlin Biennale, Kunstforum International, Fan./ Feb., 

Bd. 143, S. 290-310 

Artist Comment, BT, Feb., p. 41 

Berg, Ronald; Jeder Mensch ein Pop-Star, Zitty, Nr. 2, p. 50 

Wolfs, Rein; Ein bisschen Wirklichkeit und bisschen Kunst, fon 33, S. 2-4 

Phillips, Christopher ; Art for an Unfinished City, Art in America, Jan.,S. 62-69 

1998 

Strauss, Dorothea; "Basic Needs", Kunst Bulletin, Sep., p.22

Ammann Rene, Review, Artforum, p. 110, November 

Kraynak, Janet, "Rirkrit Tiravanija's Liability*", Documents, Fall, pp. 26-40 

Koh, Cermaine; “Crossings” 1998 

Seidel, Miriam, "On the Road", Philadelphia Weekly, April, 29 

Sozanski, Edward J., "It's a cross-country trip-- but is it art?, The 

Philadelphia Inquirer, April, 19, F12 

New York Time newsaper clipping, May 1, 1998 

Hou Hanru, Hans Ulrich-Obrist; Cities on the Move, Secession, Capc Musee 

d'Art Contemporain de Bordeaux, France 

Kunstlerhaus Bregenz, KunstlerInnen. 50 Gesprache, pp.229-231 

Koh, Germaine, " Crossings" (Catalogue), p.168 

m.b., Schnee und Nudeln, Salzburg Nachrichten, 5. December. 

Greenleaf, Ken; “Bowdoin has a sleeper in ‘Embedded Metaphor’” Art Review, 

1998, Feb. 22 

Art Review of Embedded Metaphor, Virginia Beach Sun, 1998 April 17 

Nigelhell, Franz, Symbolische Architektur, Neue Zeit, 4. December. 

Hofmann-Sewera, Kathi, Kommunikative Kunstverkaufer, Kleine Zeitung, 29. 

Nov. 

Stefani, Guido, Der Kunstler R.T. zu seiner Ausstellung, Interview Stefani, 

Gudio, Der Kurator Rein Wolfs zur Ausstellung “Das soziale Kapital”, Interview 

1998 Strauss, Dorthea, Basic Needs, Kunst-Bulletin, Sept.,S. 22-29 

Descombes, Mireille, Achetez vos spaghetti au musee, L’Hebdo, 27. Aug. 

Haag, Vera; Jammen inmitten von Thaiduften, Toaster, Juli/Aug. 

Cruvell (kcd.); Galeriesprengend, Frankfurter Allgemeine Zeitung, 28. Nov., 

S.41 

Saltz, Jerry (hrsg.); An Ideal Syllabus, London 

Phataranawik, Phatarawadee; Rirkrit Tiravanija, in :cream. contemporary art 

culture, London (Phaidon), S.400-403 

Gorris, Lothar u. Wiensowski, Ingeborg, Kunst-oder was?, Spiegel Kultur Extra, 

Oktober, S. 12-17 

Beil, Ralf; Rirkrit Tiravanija, Kunstforum International, Okt.-Nov., Bd. 142, S. 

452-3 

Imdahl, Georg; Leben im Supermarkt, Frankfurter Allgemein Zeitung, 6 Okt., 

S.46 

Rirkrit Tiravanija, Flash Art, Vol. XXXI, Summer, S.85 

Rooseum, Center for Contemporary Art, Katalog zum 10-jahrigen Bestehen, S. 

36 Hrsg. Kunsthaus Bregenz; KunstlerInnen. 50 Gesprache, S. 229-231 

Lind, Maria; Copies. Reflections. Models, Index, Nr. 21, 1, S. 68-75 

Nemeczek, Alfred; Kunst als Dienstleistung, Art Nr. 5, Mai, S. 26-35 

Herbstreuth, Peter; Rirkrit Tiravanija, Kunstforum, Bd. 140 April-Juni, S.349- 

350 

Hrsg. Hou Hanru, Hans-Ulrich Obrist; Cities on the Move, 

Secession u. capc Musee d’Art Contemporain de Bordeaux 

1997 

Smith, Roberta, "Finding Art in the Artifacts of the Masses", The New York 

Times, Dec.1, pp.43 

Rimanelli, David, "A/Drift", Artforum, February, pp. 83

Ekeberg, Jonas, "Rirkrit Tiravanija", Hyperfoto, no.3-4, p.25 

Lufty, Carol and Lynn Gumpert , "A lot to Digest", Art News, May, pp. 150-3 

Review. Time Out New York, April 24-May 1, pp. 47 

"Performance Anxiety", Catalog, MCA Chicago, IL 

"Thinking Print", catalog, MOMA New York, NY 

Berger, Laurel, ARTnews, March, p. 94 

Dziewior, Yilmaz, "Gastfreundlich", neue bilbende kunst, Feb./Mar., p. 8 

Decter, Joshua, "a/drift", catalogue, Oct.96- Jan. 97, p.10 

Schaechterle, Beatrice, "Die Kunst Des Handelns", Noema, Dec/Jan 96/97, p. 

48 

Tiravanija, Rirkrit, "Rirkrit Tiravanija Talks with Peter Fischli and David 

Weiss", Artforum, Oct., pp 78 

Kawai, Sumi; Rirkrit Tiravanija, BT, June, pp. 41-44 

Smith, Roberta, "Savoring a Medium Whose Bite Has Grown With Age", The New 

York Times, June, 21 

Hainley, Bruce; “Where Are We Going? And What Are We Doing? Rirkrit 

Tiravanija's Art of Living,” Artforum, February, pp. 54-59 

Saltz, Jerry; “A Short history of Rirkrit Tiravanija”, Art in America, February, 

pp. 82-85 

Kittelmann, Udo, "Rirkrit Tiravanija Untitled, 1996 ( tommorrow is another 

day)” (Catalogue) 

Detterer, Gabriele (ed.); Art Recollection. Artist’s Interviews and Statements 

in the Nineties, hierin: Rirkrit Tiravanija in einem Interview mit Rochelle 

Steiner (1995), p. 217-222 

N.N. (ze), Kommunikatives Maltaschen-Mahl statt einer steifen Vernissage, 

Ludwigsburger Kreiszeitung, 28. April. 

N.N., Rirkrit Tiravanija in der Villa Franck, Ludwigsburger Wochenblatt, 30. 

April Winkelmann, Jan,...und noch ein Essen, Blitz Review 

N.N., Spezifische Situationen, Lift, 6 

Fechner-Smarsly, thomas, Einbaukunst, Frankfurter Rundschau, 7. July 

Hoffmann, Gabriele, Kochkunst, Kultur, Juni 

1997 Schaecher, Marko, Radieschen fur die Statisten. Stuttgarter 

Nachrichten. 26. Juni. 

Schroter, Lorenz, Maultasche goes Art. Alles ist Kunst, Cosmosguide, Mai 

Review, Time Out New York, 24. April-1.Mai, S.47 

Stellwaag, Karin,Kunsttest-die interessantesten Ausstellungen in April, Prinz, 

Kunst..Arbeit Katalog, Sudwest LB. Stuttgart, S. 60/61, 146-149 

Steiner, Barbara, Kunstverein Ludwigsburg (Hrsg); Rirkrit Tiravanija- 

Kochbuch, Ludwigsburger 

Institut fur moderne Kunst Nurnberg (Hrsg); Waling through society, 

Jahrbuch, Nurnberg 

Marcori, Roxana; Murphy, Diana; Sinaiko, eve (Hrsg.); New Art. New York von 

Hantelmann, Dorothea; Faust und Biberkopf, zitty Nr. 23, S. 86 

Dobrynski, Judith; A Popular Couple Charge into the Futureof Art, but in 

Opposite Directions, The New York Times, 2. September, S. C11/C13 

Kisters, Jurgen; rirkrit Tiravanija , Kunstforum Bd. 136 “Asthetik des Reisens” 

Febr-Mai, S.412-414 

S.W. “A Cue from Kids” Art and uhhipues, 1997 Dec.

Kisters, Jurgen, Zum Feiern und Schlafen in den Kolner Kunstverein,Kolner 

Stadtanzeiger, Nr. 2,3. Januar S.1 

Herbstreuth, Peter; Wie im Bild, so im Leben, Der Tagesspiegel, 8 Marz, S.21 

1996 

Tiravanija, Rirkrit, Rirkrit Tiravanija Talks with Peter 

Fischli and David Weiss, Art forum, Okt., S.78 

VN-kapi; Kunsthalle als interaktives Studio, Voralberger 

Nachrichten, 24 Dez. Blase, Christoph; Die Beobachtung einer 

Teestube, FAZ, Nr. 296, 19. Dezember, S.34 

Steiner, Juri; “Rehearsal Studio No. 6”. Neue Zuricher Zeitung, 13. dez. 

Hedinger, Johannes M., Rirkrit Tiravanija, Saiten, Dez. 

Aukeman, Anastasia; Small Budgets, Large Ambitions, ART News special, S.48- 

54 

Thiele, Carmela; Des Kunstlers New Yorker Studio fur Koln kopiert, Art Nr. 11, 

November, p. 148 

Badrutt, Schoch, Ursula; Mobel schleppen und reden, St. Galler Tagblatt, 28 

Nov. 

Mettler, Louis; Ver-rucktes, Raume, Begegnungen, Appenzeller Zeitung, 23. 

Nov., p.17 

Maurer, Simon; Jam un Minestrone, buddhistisch, Tagesanzeiger, 27. Nov., 

p.81 

N.N. (vt); Von Krusi bis Techno, Anzeiger, 26. Nov. 

Mettler, Louis; Tiravanijas und Altenburgera “Sozialskulpturen” in der 

Kunsthalle: Dinge ver-rucken, Raume schafen, begegnen, Die Ostschweiz, 23. 

Nov., 

Dziewor, Yilmaz; Rirkrit Tiravanija, Artforum International Sept. 1996, p. 14 

Marger, Mary Ann; “Not-so-sweet dreams”, The New York Times, 11. October 

N.N., Art, Nr. 11, November, S.14 

Real Time, (cat.), essays by Gavin Brown & Emma Dexter, Institute of 

Contemporary Art, London, GroBbritannien 

Aperto, (cat.), Biennale Venedig, Venedig, Italien, (Kurator: Matthew 

Slotover) 

Volkart, Yvonne; Kommunikation, annabelle, Nr. 22, p. 15 

Strauss, Dorothea; Let’s play together, fon, Nr. 2 

Wiensowski, Ingeborg; Rirkrit Tiravanijas, Spiegels Extra, 11, p. 22 

Rohr-Bongard, Linde; Kunstkompass, Capital, Nov., S. 282-283 

Weh, Vitus, Fast nichts/almost invisible, Kunstforum International, Okt. ‘96- 

Jan. 97 

Stellwaag, Karin, Beinahe unsichtbar. Stuttgarter Zeitung, 7. Aug. 

Pesch, Martin, Kleine winzige und unauffallige Kunst, Die Tageszeitung, 20. 

Aug. 

Schwitzler, Joachim, Viel mehr als nichts, Thurgauer Volksfreund, 16. Juli 

Kawai , Sumi; Rirkrit Tiravanija, BT, Juni, p. 41-44 

Biehler, Matthias, “Fast nichts” im Umspannwerk, Sudkurier, 27. June 

Saltz, Jerry; A Short History of Rirkrit Tiravanija, Art in America, February, p. 

82-85 

Bloomberg, Katja; Hauptsache, es schmeckt, FAZ, 21. Feb.

1995 

Cubarrubia, Eydie; “’Embedded exhibit foes under the covers’” 

Herald Features, Sept. 20 

Press release from Navin Gallery Bangkok, “Untitled 1996 (traffic)” 

Karcher, Eva; Die Stadt lockt..., ART, December, p.130 

Martinson, Suzanne, "Edible Art", Pittsburgh Post Gazette, November, 26, 

p.H6-7 

Lind, Maria; Letter and Event, Parallel and Palindrome, Paletten, April #223 

Jr.56 p46 

Cameron, Dan, "Cocido y crudo", from the Reina Sofia catalogue 

Lind, Maria; Letter and Event, Parallel and Palindrome, Paletten, 4, Nr. 223, 

Jhg. S. 40 

Harcher, Eva; Die Stadt lockt...,ART, December, p. 130 

Parkett No. 44, p. 106-108 

N.N., Whitney Biennial, frieze, 23, Sommer 

Richard Flood/Rochelle Steiner; En Route, Parkett Nr. 44, p. 114-123 

Steiner, Barbara; Spiegel, Andreas, Rirkrit...,Paletten, 4, p. 4 

Rohr-Bongard, Linde; KunstkompaB 95, Capital, 11, p. 362 

Jones, Ronald; Rirkrit Tiravanija and Andy Warhol, frieze, January-February, p. 

6 

Herbstreuth, Peter; “Meet Tim & Burkhard,” Der Tagesspiegel, 

29. Oktober, S. 21, Sommer, S. 102 

Melo, Alexandre; “Guess Who's Coming to Dinner”, Parkett, #44 pp.96-129 

Gillick, Liam; “Forget about the Ball and Get on with the Game”, Parkett, #44 

pp.96-129 

Flood, Richard & Steiner, Rochelle; “En Route”, Parkett, #44 pp.96-129 

Bertilsson, Sofia, and Host-Ekstrom, Mans, "The Small World", Paletten, 

August, p56-58 

Smith, Roberta, "Art in Review", The New York Times, June, 23 

Saltz, Jerry, "Live through this", The New Art Examiner, May, pp. 19-22, 

Jones, Ronald; “Rirkrit Tiravanija and Andy Warhol”, Frieze, January-February 

1995, p. 60 

NBK, Neue Bildende Kunst, January, p. 18 

Hainley, Bruce, "Rirkrit Tiravanija", Artforum, January 

Cotter, Holand, "A critic's Dozen to catch at the Biennial", The New York 

Times, March12 

Weinstein, Jeff, "Eating Around", The Village Voice, July 18 

1994 

Relyea, Lane, "Fear and loathing at the Whitney"', Frieze, summer, pp. 39-41. 

Herbstreuth, Peter; "Meet Tim & Burkhard", Der Tagesspiegel, 29. October, p. 

21 

Föll, Heike; interview, “Ich brauche kein Atelier”, zitty, Nr. 22/1994, p.40 

Foster, Hal; interview, Feed, work, #1, p. 22-27 

Brown, Gavin; “Otherthings Elsewhere”, Flash Art, summer, p. 102 

Schumacher, Rainald; Köln Kritik, Flash Art, summer, p. 51 

Troncy‚ Eric; “It’ Alive!”‚ Flash Art, summer, p. 105

Cameron, Dan; “Food for Thought”, Frieze, issue 17, p. 50 

Metzger, Rainer; Der Angriff der Kunst auf das ubrige Leben,Der Standard, 

22./23. October, p. 32 

Levin, Kim; Rirkrit Tiravanija, Kunstforum, Jan./Feb. ,pp. 170-173 

Besson, Christian; “Surface de Reparation”, Flash Art, Mai/June, p. 122 

Surface de Reparations, (cat.), organized by Eric Troncy, 

Le Consortium, Centre d'Art Contemporain, Dijon, Frankreich 

Don't Look Now, (cat.), essay by Joshua Decter, Threadwaxing Space, New 

York, NY 

L'Hiver de L'Amour, (cat.), Musée d'Art de la Ville de Paris, Paris, France 

Rirkrit Tiravanija, interview, documents, February, no. 5, p. 33 

1993 

Bonami, Francesco, The Real Stuff (Dion, Grey, joo, 

Pippin, Tiravanija). Flash Art, May/June, p. 80, 82-93, p. 11 

14 

Weitzer, Ludo; “The Accidental Tourist”, Flash Art, October, p. 44-45 

Hixon, Kathrin; “Trouble in Paradise”, New Art Examiner, October, p. 31 

Schiff, Hajo, "Kunst und Schutt", Kultur, September, 10 

1993 Myoda, Paul; “Amateure der Genealogie”, Neue Bildende Kunst, 2-93, p. 

11-14 

Backstage, (cat.), Hamburg Kunstverein, Hamburg 

Fleck, Robert; Spielhölle- Ästhetik und Gewalt, Rogue, #17, p. 17-37 

Holmquist, Karl; “Hole in the Wall” siksi, The Nordic Art Review, issue 4 

Real Time, (cat.), essays by Gavin Brown & Emma Dexter, Institute of 

Contemporary Art, London, Great Britain 

Aperto, (cat.), Biennale Venedig, Venedig, Italy, (Kurator: Matthew Slotover) 

“When the Music’s Over” New Art Examiner Jan. 1993 

Eating with Publicsfear, project for Publicsfear, volume 1, #2, p. 38 

Myers, Terry; Review, Tema Celeste, winter, p. 83 

Sleepless Nights, exhibition pamphlet, PS1 Museum, Queens, NY 

Weil, Benjamin; Ouverture, Flash Art, January/February, p. 79 

Simply Made in America, (cat.), Aldrich Museum of Contemporary Art 

Wealth of Nations, (cat.), Center for Contemporary Arts, Ujazdowski Castle, 

Warsaw, Poland 

Sans, Jerome, " Viennese Story” (cat.) 

1992 Transgression in the White Cube: Territorial Mapping, (cat.), organized 

by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT 

Nesbitt, Lois; Review, Artforum, December, p. 95 

“Rirkrit Tiravanija” The New Yorker, 5. Oct. 

Smith, Roberta; The Gallery is the Message, The New York Times, 4 October, p. 

35 

1991 Hess, Elizabeth; The White Rabbit, (Among Other Alternatives), The 

Village Voice, 17. December Heartney, Eleanor; Review, Art in 

America, June 

Faust, Gretchen; Review, Arts, April 

1990

Joseph, Regina; Being in Nothingness, The West Side Spirit, 4. 

Feb. 

Nesbitt, Lois E., "New York", Art Issues, Sept./Oct. 

Kelly, Deidre; Works Strange but True, The Globe & Mail, 17. August 

Hume, Christopher; Freeze Out, Toronto Star, 10. August 

Faust, Gretchen; Review, Arts, May 

Phora, Pia; Review, Contemporanea, Vol. 3 No. 2, February 

Hodkin, Carter; Review, Nike Magazine, January 

1989 

Hodgkin, Carter, "Review", Nike, vol. 30, Oct./Nov., p. 53 

Kramer, Hilton; Soho Show; Prestigious, maybe, but just more shopworn farce, 

The New York Observer, 31. July 

Smith, Roberta; Review, The New York Times, 21. July 

Wallach, Amei; The Young Turks' Old Master, New York 

Newsday,16. July 

GRANTS AND AWARDS 

Gordon Matta Clark Grant 

Louis Comfort Tiffany Award 

NEA 

Central Kunst Prize 

PUBLIC COLLECTIONS 

Museum of Contemporary Art, Los Angeles 

Museum of Modern Art, New York 

Migros Museum, Zurich 

The Walker Art Center, Minneapolis 

Saint Louis Art Museum, Saint Louis 

Collection FNAC, France 

FRAC Languedoc-Roussillon, Montpellier, France

CV rirkrit tiravanija ENG - kurimanzutto

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