ARTBOOK | D.A.P.

ARTBOOK | D. A.P. 

FALL 2012 NEW BOOKS ON ART & CULTURE

Barry mcgee, “one more thing,” From Barry McGee, published by D.a.p./UC Berkeley art museum and pacific Film archive. See page 13. 

artBooK |D.a.p. 

CataLogUe eDItor 

thomas evans 

art DIreCtIon 

Stacy Wakefield 

Image proDUCtIon 

nicole Lee 

Data proDUCtIon 

alexa Forosty 

CopY WrItIng 

thomas evans, marc Lowenthal, Cory reynolds, eleanor Strehl 

prIntIng 

royle 

Front Cover Image 

marcel Dzama, “Welcome to L.a.,” 2011. Collage on paper, 15 ½ x 12". 

Courtesy Sies + Höke, Düsseldorf and David Zwirner, new York. 

From Marcel Dzama: The Never Known into the Forgotten, published by Kettler. 

See page 106. 

BaCK Cover Image 

roman ondák, “Untitled,” 1992. Book, specimen jar, formaldehyde, glass showcase. 

Courtesy of the artist and evn Sammlung, Wien. 

From Roman Ondák, published by Hatje Cantz. See page 156. 

FeatUreD reLeaSeS 2 

Back in Stock 66 

eBooks 68 

FaLL HIgHLIgHtS 70 

art History 72 

photography 76 

art 94 

Writings 126 

architecture & Design 130 

Journals & annuals 142 

SpeCIaLtY BooKS 146 

art 148 

photography 180 

Backlist Highlights 187 

Index 192

Back in Print! 

Walker Evans: American Photographs 

Seventy-Fifth Anniversary Edition 

The MuseuM of Modern ArT, new York 

Introduction by sarah Meister. Text by Lincoln kirstein. 

more than any other artist, Walker evans invented the images of essential america that we have long since accepted as fact, and his 

work has influenced not only modern photography but also literature, film and visual arts in other mediums. the original edition of 

American Photographs was a carefully prepared letterpress production, published by the museum of modern art in 1938 to accompany 

an exhibition of photographs by evans that captured scenes of america in the early 1930s. as noted on the jacket of the first edition, 

evans, “photographing in new england or Louisiana, watching a Cuban political funeral or a mississippi flood, working cautiously so 

as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator 

against time and its hammers.” this seventy-fifth anniversary edition of American Photographs, made with new reproductions, 

recreates the original 1938 edition as closely as possible to make the landmark publication available for a new generation. American 

Photographs has fallen out of print for long periods of time since it was first published, and even subsequent editions—two of which 

altered the design and typography of the book in small but significant ways—are often available only at libraries and rare bookstores. 

this version, like the fiftieth-anniversary edition produced by the museum in 1988, captures the look and feel of the very first edition 

with the aid of new digital technologies. 

Walker Evans (1903–1975) took up photography upon his return to new York in 1927, following a year in paris when his aspiration to 

become a writer withered in the shadow of Fitzgerald, Hemingway and Joyce. In 1935, evans was commissioned by the Farm Security 

administration to photograph the effects of the great Depression in the Southeast. During this time he took many of the photographs 

that appeared in his collaboration with James agee, Let Us Now Praise Famous Men (1941), a book which has become a defining document 

of that era. evans joined the staff of Time magazine in 1945 and shortly thereafter became an editor at Fortune, where he stayed 

for the next two decades. In 1964, he became a professor at the Yale University School of art, where he taught until his death in 1975. 

978-0-87070-835-0 

Clth, 7.75 x 8.75 in. / 208 pgs / 87 duotone. 

U.S. $35.00 CDn $35.00 

July/photography 

Seventy-fifthanniversary 

facsimile 

edition of one 

of the most 

significant 

photobooks 

ever published 

orders@dapinc.com artBooK.Com 3

Hopper 

d.A.P./réunIon des Musées nATIonAux - GrAnd PALAIs 

edited and with text by Tomàs Llorens, didier ottinger. 

edward Hopper is as quintessentially american as Jackson pollock or andy Warhol. Like them, his imagery has reached 

far beyond the realm of art to impact on our culture in the broadest terms, so that we see early twentieth-century 

america through his work, as much as within it. the painter Charles Burchfield attributed Hopper’s success to his “bold 

individualism,” declaring that “in him we have regained that sturdy american independence which thomas eakins 

gave us.” Hopper’s art was profoundly of its time, both in its expression of the subtle melancholies of modern life and 

in its deeply cinematic qualities—perhaps Hopper’s greatest gift was his treatment of light—to which directors from 

alfred Hitchcock to Wim Wenders have paid homage. 

this volume presents a definitive Hopper monograph. published for a massive retrospective at the museo thyssen- 

Bornemisza in madrid, and the grand palais in paris, it approaches Hopper’s relatively small oeuvre in two sections. 

the first covers the artist’s formative years from approximately 1900 to 1924, examining a selection of sketches, paintings, 

drawings, illustrations, prints and watercolors, which are considered alongside works by painters that influenced 

Hopper, such as Winslow Homer, robert Henri, John Sloan, edgar Degas and Walter Sickert. the second section 

considers the years from 1925 onwards, addressing his mature output through chronological but thematic groupings. 

Comprehensive in its scope, with a wealth of color reproductions, Hopper is the last word on the artist. 

978-1-935202-87-5 

Hbk, 9.75 x 11.5 in. / 368 pgs / 345 color. 

U.S. $65.00 CDn $65.00 

September/art 

4 artBooK | D.a.p. 1.800.338.2665 

exHIBItIon SCHeDULe 

madrid, Spain: museo thyssen-Bornemisza 06/12/12–09/16/12 

paris, France: grand palais galeries nationales in paris, 

10/05/12–01/28/13 

The definitive 

Edward Hopper 

Also Available: 

edward hopper 

9780878467129 

hbk, u.s. $65.00 Cdn $65.00 

MfA Publications 

The Bitter Years: Edward Steichen and the Farm Security 

Administration Photographs 

d.A.P./dIsTrIbuTed ArT PubLIshers 

edited by françoise Poos. Text by Jean back, Gabriel bauret, Antoinette Lorang, Miles orvell, Ariane Pollet. 

The Bitter Years was the title of a seminal exhibition held in 1962 at the museum of modern art, new York, curated by 

edward Steichen, and 2012 marks its fiftieth anniversary. the show featured 209 images by photographers who worked 

under the aegis of the U.S. Farm Security administration (FSa) in 1935–41, as part of roosevelt’s new Deal. the FSa, set 

up to combat rural poverty during the great Depression, included an ambitious photography project that launched many 

photographic careers, most notably those of Walker evans and Dorothea Lange. the exhibition featured their work as well 

as that of ten other FSa photographers, including Ben Shahn, Carl mydans and arthur rothstein. their images are among 

the most remarkable in documentary photography—testimonies of a people in crisis, hit by the full force of economic 

turmoil and the effects of drought and dust storms. this volume includes all the photographs in the original show, in a 

structure and sequence that reflect those devised by Steichen for the exhibition. The Bitter Years was the last exhibition 

curated by Steichen as Director of the Department of photography at moma, in which role he had won international 

acclaim for his 1955 The Family of Man exhibition. essays by Jean Back, gabriel Bauret, ariane pollet, miles orvell and 

antoinette Lorang discuss the FSa, its place in the history of twentieth-century photography and the continuing role of 

its archive, and Steichen and the origins, impact and legacy of the exhibition. The Bitter Years celebrates some of the most 

iconic photographs of the twentieth century, and—since no proper catalogue was produced at the time—provides a whole 

new insight into Steichen’s impact on the history of documentary photography. 

978-1-935-202-86-8 

Clth, 9.5 x 12 in. / 288 pgs / 229 duotone. 

U.S. $60.00 CDn $60.00 

october/photography 

Steichen’s 

seminal vision 

of American 

photography 

under the 

New Deal 


Definitive 

edition of an 

American 

photobook 

classic 

6 artBooK | D.a.p. 1.800.338.2665 

New Edition! 

Joel Sternfeld: American Prospects 


Text by kerry brougher, Andy Grundberg, Anne w. Tucker. 

First published in 1987, Joel Sternfeld’s American Prospects is the classic photo record of 1980s america. this definitive edition, made 

with new plates and including one additional photograph, offers a spectacular, funny, sad and soberly riveting portrait of america’s diverse 

possibilities and prospects in the reagan era. From the famous “Wet n’ Wild aquatic theme park” in Florida to “the Space 

Shuttle Columbia Lands at Kelly air Force Base” in San antonio, texas; from melancholy images of beached whales in oregon to 

beautiful views of Yellowstone national park and Bear Lake in Utah; from post-tornado nebraska to a previously unseen photograph 

from the series, “Bikini Contest, Fort Lauderdale, FL, march 1983”; the sublime contradictions and tragicomedy of this volume are 

without doubt one of the greatest accomplishments of color photography, all the more fully realized in this splendid new edition. an 

essay by Kerry Brougher, Chief Curator at the Hirshhorn museum and Sculpture garden, considers the historical context of Sternfeld’s 

book and the pivotal role that American Prospects has played in the evolution of contemporary filmmaking and art photography. 

a major exponent of color photography in america, Joel Sternfeld was born in new York City in 1944. He has received numerous 

awards including two guggenheim fellowships, a prix de rome and the Citibank photography award. Sternfeld’s other books include 

On This Site (1997), Hart Island (1998), Stranger Passing (2001), Walking the High Line (2002), Sweet Earth (2006), When It 

Changed (2007), Oxbow Archive (2008) and First Pictures (2011). 

978-1-935202-97-4 

Clth, 14.5 x 11.75 in. / 140 pgs / 66 color. 

U.S. $125.00 CDn $125.00 

September/photography 

Doug Rickard: A New American Picture 

APerTure 

Text by david Company. Interview by erin o’Toole. 

Doug rickard’s A New American Picture offers a startling and fresh perspective on american street photography. 

While at first glance the work looks reassuringly familiar and well within the traditional bounds of the genre, rickard’s 

methodology is anything but conventional. all of the images are appropriated from google Street view; over a period 

of two years, rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the 

unseen and overlooked roads of america—bleak places that are forgotten, economically devastated and abandoned. 

With an informed and careful eye, rickard finds and decodes these previously photographed scenes of urban and rural 

decay. He rephotographs the machine-made images as they appear on his computer screen, framing and freeing them 

from their technological origins. as geoff Dyer has commented on the work, “It was William eggleston who coined the 

phrase ‘photographing democratically,’ but rickard has used google’s indiscriminate omniscience to radically extend 

this enterprise—technologically, politically and aesthetically.” a limited-edition monograph of A New American Picture 

was published by White press/Schaden in 2010; upon publication, it was named a best book of that year by Photo-Eye 

magazine, and quickly went out of print. this edition brings rickard’s provocative series, including more than 30 new 

images, to a wider audience. 

Doug Rickard (born 1968) studied american history and sociology at University of California, San Diego. He is the 

founder of american Suburb x (www.americansuburbx.com) and these americans (www.theseamericans.com), aggregating 

websites for essays on contemporary photography and historical photographic archives. A New American 

Picture was included in the annual New Photography exhibition at the museum of modern art, new York, in 2011. 

978-1-59711-219-2 


U.S. $60.00 CDn $60.00 


exHIBItIon SCHeDULe: 

new York: Yossi milo gallery, october 2012 

Seeing 

America 

through 

Google 

Street View 



diane Arbus: 

A Chronology 

9781597111799 

Pbk, u.s. $29.95 

Cdn $29.95 

Aperture 

8 artBooK | D.a.p. 1.800.338.2665 

Now in Paperback! 

Diane Arbus: An Aperture Monograph 

Fortieth-Anniversary Edition 

APerTure 

With new 

digital 

separations, 

Arbus’ great 

monograph 

receives its 

most superb 

treatment 

to date in this 

new paperback 

edition 

edited by Marvin Israel, doon Arbus. 

When Diane arbus died in 1971 at the age of 48, she was already a significant influence—even something of a legend—for serious 

photographers, although only a relatively small number of her most important pictures were widely known at the time. the publication 

of Diane Arbus: An Aperture Monograph in 1972—along with the posthumous retrospective at the museum of modern 

art—offered the general public its first encounter with the breadth and power of her achievements. the response was unprecedented. 

the monograph, composed of 80 photographs, was edited and designed by the painter marvin Israel, Diane arbus’ friend 

and colleague, and by her daughter Doon arbus. their goal in producing the book was to remain as faithful as possible to the 

standards by which arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged 

as a photobook classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages, and remains 

the foundation of her international reputation. a quarter of a century has done nothing to diminish the riveting impact of 

these pictures or the controversy they inspire. arbus’ photographs penetrate the psyche with all the force of a personal encounter 

and, in doing so, transform the way we see the world and the people in it. 

978-1-59711-175-1 

pbk, 9.25 x 11 in. / 182 pgs / 82 duotone. 

U.S. $39.95 CDn $39.95 



Nan Goldin: The Ballad of 

Sexual Dependency 

Twenty-Fifth Anniversary Edition 

APerTure 

edited by Marvin heiferman, Mark holborn, suzanne fletcher. 

Text by nan Goldin. 

First published in 1986, nan goldin’s The Ballad of Sexual Dependency 

is a visual diary chronicling the struggles for intimacy 

and understanding among the friends and lovers whom goldin 

describes as her “tribe.” these photographs described a lifestyle 

that was visceral, charged and seething with a raw appetite for 

living, and the book soon became the swan song for an era that 

reached its peak in the early 1980s. twenty-five years later, 

goldin’s lush color photography and candid style still demand 

that the viewer encounter their profound intensity head-on. as 

she writes: “real memory, which these pictures trigger, is an invocation 

of the color, smell, sound and physical presence, the 

density and flavor of life.” through an accurate and detailed 

record of goldin’s life, The Ballad of Sexual Dependency records 

a personal odyssey as well as a more universal understanding of 

the different languages men and women speak. the book’s influence 

on photography and other aesthetic realms has continued 

to grow, making it a classic of contemporary photography. this 

anniversary edition features all-new image separations produced 

using state-of-the-art technologies and specially prepared reproduction 

files, which offer a lush, immersive experience of this 

touchstone monograph. 

Nan Goldin was born in Washington, D.C., in 1953, and grew up 

in Lexington, massachusetts. Her first solo show was held in 

Boston in 1973. She moved to new York in 1979, where she began 

documenting the city’s gay and transvestite scenes and developed 

the informal snapshot aesthetic for which she is celebrated 

today. goldin was the 2007 recipient of the Hasselblad award. 

978-1-59711-208-6 

Hbk, 10 x 9 in. / 144 pgs / 130 color. 

U.S. $50.00 CDn $50.00 


This twenty-fifth anniversary 

edition of Nan Goldin’s celebrated 

and influential photobook features 

new image separations using 

state-of-the-art technologies 



Andrew Moore: 

detroit disassembled 

9788862081184 

hbk, u.s. $50.00 

Cdn $50.00 

damiani/Akron Art 

Museum 

10 artBooK | D.a.p. 1.800.338.2665 

Andrew Moore: Cuba 

dAMIAnI 

Introduction by Joel smith. Afterword by orlando Luis Pardo Lazo. 

american photographer andrew moore began photographing in Cuba in 1998, and over the next fourteen years 

he made ten further visits, working to reveal the many facets of the island’s unique character and life. In 2002, he 

published some of this work in Inside Havana, which is now out of print. this new edition includes many of moore’s 

older classic images but reconceives its predecessor with a new layout and finer, larger reproductions. Cuba also 

features many older photographs never previously published, as well as new photographs made specifically for this 

edition. the afterword was especially commissioned for this edition from orlando Luis pardo Lazo, one of Cuba’s 

leading independent bloggers. 

Working with a large format camera, moore insightfully records the shifting fortunes of Cuba, in superb photographs 

full of painterly light and dynamic color. His images span a tremendous variety of subjects, ranging from humble interiors 

to magnificent modernism, as well as portraits and landscapes. one theme introduced in this revised version 

is the contrast between the frayed patinas of Cuban homes and the great, unspoiled beauty of the island’s nature. Cuba 

is a stirring portrait of a country isolated from the globalized world, overflowing with its own remarkable riches. 

the photographs of Andrew Moore (born 1957) are represented in the collections of the metropolitan museum of 

art, the Whitney museum, Yale University art gallery, the museum of Fine arts Houston, the Library of Congress, 

the Israel museum, the george eastman House and the Canadian Centre for architecture. 

978-88-6208-252-5 


U.S. $75.00 CDn $75.00 

September/photography/ 

Latin american art & Culture 

Andrew Moore: Cuba Limited Edition 

978-88-6208-236-5 

Slip, Hbk, 11.75 x 14.5 in. / 128 pgs / illustrated 

throughout / Signed & numbered edition of 300 copies. 

U.S. $150.00 CDn $150.00 SDnr30 

September/Limited & Special editions/photography 

JR & José Parlá: The 

Wrinkles of the City: 

Havana Cuba 

dAMIAnI/sTAndArd Press 

Since 2004, the French artist Jr has traveled 

the world flyposting colossal black-and-white 

portraits of ordinary citizens on the walls of 

city buildings. His most recent project, The 

Wrinkles of the City, began in Cartagena, 

Spain, where he photographed the city’s 

oldest inhabitants, imagining their wrinkles 

as metaphors of urban texture and history. 

He has subsequently reprised the project in 

Shanghai, China and Los angeles. In may 

2012, Jr collaborates with american artist 

José parlá on the latest iteration of The 

Wrinkles of the City: a huge mural installation 

in Havana, undertaken for the Havana Biennale, 

for which Jr and parlá photographed 

and recorded 25 senior citizens who had 

lived through the Cuban revolution, creating 

portraits which parlá, who is of Cuban 

descent, interlaced with palimpsestic 

calligraphic writings and paintings. parlá’s 

markings echo the distressed surfaces of the 

walls he inscribes, and offer commentary on 

the lives of Cuba’s elders; together, Jr and 

parlá’s murals marvelously animate a city 

whose walls are otherwise adorned only by 

images of its leaders. this volume features 

the portraits, short biographies of their 

subjects and photographs of their mural collaborations 

painted around Havana. a film 

documenting the project appears in 2013. 

Based in paris, JR exhibits freely in public 

sites in the cities around world. His projects 

include Portraits of a Generation (2004– 

2006), Face2Face (2007) and Women Are 

Heroes (2008). In 2011 he was awarded the 

teD prize. 

José Parlá studied painting at the Savannah 

College of art and Design in georgia, and 

the new World School of the arts in miami, 

and lives and works in Brooklyn, new York. 

a recent project is a special commission for 

the Brooklyn academy of music. His most 

recent monograph is Walls, Diaries and 

Paintings (Hatje Cantz, 2011). 

978-88-6208-250-1 

Hbk, 11.75 x 11.75 in. / 160 pgs / 

illustrated throughout. 

U.S. $49.95 CDn $49.95 

September/art/Latin american art & 

Culture 

JR and José Parlá’s street celebration 

of Cuba’s elders 


12 artBooK | D.a.p. 1.800.338.2665 

Thomas Campbell: Slide Your 

Brains Out 

Surfing in General 1997–2012 

uM YeAh Press 

foreword by scott hulet. Afterword by ed Templeton. 

growing up in southern California, artist, photographer and filmmaker 

thomas Campbell was raised on the DIY aesthetic of the early 1980s 

skateboarding culture. photography tips came from like-minded fellow 

photographers employed in the skateboarding press rather than from 

school, and art history was a matter of osmosis, not academia. In the 

mid-1990s, Campbell moved to new York and immersed himself in 

the scene around alleged gallery, where he quickly befriended and 

exhibited among the generation of artists who would star in the landmark 

2004 exhibition Beautiful Losers. Campbell began documenting 

surfing culture in the late 1990s through both photography and film. 

His first feature-length film, The Seedling, came out in 1999, followed 

by Sprout in 2004 and The Present in 2009. Campbell’s surfing 

photography has long been admired among by fellow surfers for its lack 

of gloss finish; unlike most, he eschews the familiar fish-eye shots or 

tightly cropped land angles. the first of ten projected volumes in 

Um Yeah press’ surf photobook series, Slide Your Brains Out compiles 

work from the past 15 years. often lo-fi and gritty, other times lush 

and saturated, Campbell’s compositions—which include portraits 

and action shots of some of the best surfers in the world—are always 

surprising and full of emotion, from melancholy to exultation. 

Thomas Campbell (born 1969) is a self-taught painter, sculpture, 

photographer and filmmaker. He divides his time between his painting/sculpture 

studio in Bonny Doon, California, and traversing the 

globe making films. Campbell has had solo exhibitions in new York, 

paris, tokyo, Denmark, the netherlands, San Francisco, Los angeles 

and morocco; he is also creative director for the independent record 

label galaxia, which has released records by tommy guerrero, Bonnie 

“prince” Billy, peggy Honeywell and the Black Heart procession. 

978-0-9853611-0-5 

Hbk, 6.75 x 9.75 in. / 176 pgs / illustrated throughout. 

U.S. $39.95 CDn $39.95 

august/Sports/photography 

Magnificent 

surf photos 

from the 

multitalented 

Beautiful Loser 


surfing Photographs from the 

eighties Taken by Jeff divine 

hbk, u.s. $40.00 Cdn $40.00 

9781935202448 

T. Adler books 

Barry McGee 

d.A.P./unIversITY of CALIfornIA, berkeLeY ArT MuseuM And PACIfIC fILM ArChIve 

edited by Lawrence rinder, dena beard. Text by Alex baker, natasha boas, Germano Celant. 

published on the occasion of the first major survey of Barry mcgee’s work, this monumental volume 

records more than two decades of incredible fecundity, over the course of which mcgee has pioneered 

a new iconography of sharp street vitality and graphic snap. mcgee began as a graffiti artist on the 

streets of San Francisco, working under such tags as ray Fong, twist and twisto, and his work since 

then has hugely expanded the terms of both street art and contemporary art. the freshness of mcgee’s 

work stems in part from his virtuoso handling and consolidation of a whole panoply of influences, 

from hobo art, sign painting and graffiti to comics, Beat literature and much else. His extraordinary 

skill as a draughtsman is energized by his insistence on pushing at the parameters of art—his work can 

be shockingly informal in the gallery and surprisingly elegant on the street—and by his keen nose for 

social malaise. 

this volume revisits mcgee’s most influential installations in art spaces, and considers the evolution 

of his aesthetic within institutional settings. previously unseen photographs by Craig Costello document 

the artist’s work on the streets of San Francisco in the early 90s, highlighting the contributions of 

his friends and mentors. also included are images from the artist’s famous slide lecture, compiled and 

refined over the past 20 years, and an oral history of the Bay area’s mission School by mcgee’s friends, 

mentors and collaborators. Featuring 450 images, including many never before published, the book is 

designed by the artist in collaboration with Conny purtill. 

Barry McGee (born 1966) began exhibiting his work in the 1980s—not in a museum or gallery setting 

but on the streets of San Francisco. In the early 90s he was closely associated with the mission School 

and the San Francisco Bay area’s graffiti boom. In 2001 his work was included in the venice Biennale. 

From street art to museum: 

450 color reproductions showcase 

the Mission School maestro 

978-1-935202-85-1 

Hbk, 6.75 x 9 in. / 448 pgs / 450 color / 15 b&w. 

U.S. $49.95 CDn $49.95 

September/art 

also Forthcoming as an eBook edition 


Berkeley, Ca: University of California, Berkeley art 

museum and pacific Film archive, 08/24/12–12/09/12 

Boston, ma: Institute of Contemporary art, 

04/05/13–09/02/13 


beautiful Losers 

Pbk, u.s. $39.95 Cdn $39.95 

9781933045306 

d.A.P./Iconoclast 


American abstraction’s finest 

living exponent 

14 artBooK | D.a.p. 1.800.338.2665 

Frank Stella 

hATJe CAnTz 

Text by holger bröker, Markus brüderlin, 

Gregor stemmrich, et al. 

Frank Stella is abstraction’s greatest living 

champion—the artist who, more than any other, 

has merged abstract painting with sculpture 

and architecture, pursuing the implications of 

his “what you see is what you see” stance. a 

forceful clarity of purpose and vision has characterized 

his art and his career from the start: 

he dominated the new York art scene of the 

late 1950s with his Black Paintings composed 

of stripes, which famously helped pave the way 

for minimalism, and which were exhibited in 

the museum of modern art, new York’s milestone 

exhibition Sixteen Americans, alongside 

Johns and rauschenberg. In 1970 Stella became 

the youngest artist to receive a show at 

the museum of modern art, by which time he 

had already blazed his way through several stylistic 

evolutions. to the surprise of many, the 

passionate race-car driver did not follow the 

seemingly inevitable route towards minimalism, 

and instead followed a path that led him to 

ever more opulent and baroque reliefs. With 

this idiosyncratic turn “from minimalist to 

maximalist,” Stella developed into one of the 

boldest artists of the twentieth century. 

on the occasion of Stella’s comprehensive retrospective 

at the Kunstmuseum Wolfsburg, this 

massive survey celebrates the many lives of 

Frank Stella. It includes classic examples of 

each of his many periods, such as the Black 

Paintings, Irregular Polygons, the Protractor 

paintings, the Circuits series, the metal reliefs 

and floor sculptures of the past two decades 

and an “archiSkulptur” conceived by the artist 

exclusively for the exhibition. With more 

than 660 color reproductions, this volume is as 

ambitious and spectacular as its subject. 

Frank Stella was born in 1936, to first-generation 

Sicilians, and grew up in a suburb of Boston. 

In 1954 he entered princeton University, where 

he took a night class in painting and drawing. 

His first solo exhibition was at the Leo Castelli 

gallery in 1960. 

978-3-7757-3407-3 


U.S. $75.00 CDn $75.00 

December/art 


Wolfsburg, germany: Kunstmuseum 

Wolfsburg, 09/01/12–01/20/13 

A sensational experiment in book-making 

from Gerhard Richter 

Gerhard Richter: Patterns 

Divided, Mirrored, Repeated 


Text by Gerhard richter. 

Patterns represents a brilliant new adventure in image-making and book-making by gerhard richter, who in 

recent years has produced several fascinating explorations of the possibilities of the artist’s book. For this latest 

project, richter took an image of his work “abstract painting” (Cr: 7244) and divided it vertically into strips: 

first 2, then 4, 8, 16, 32, 64, 128, 256, 512, 1,024, 2,048, up to 4,096 strips. this process, involving twelve stages of 

division, results in 8,190 strips, each of which is reproduced here at the height of the original image. With each 

stage of division, the strips become progressively thinner (a strip of the 12th division is just 0.08 millimeters; 

further divisions would only become visible by enlargement). each strip is then mirrored and repeated, 

producing an incredibly detailed patterning. the number of repetitions increases with each stage of division 

in order to make patterns of consistent size. the resulting 221 patterns are reproduced here on landscape 

spreads, making for a truly extraordinary reading-viewing book experience. 

Born in Dresden, east germany, in 1932, Gerhard Richter migrated to West germany in 1961, settling in 

Düsseldorf, where he studied at the Düsseldorf academy, and where he held his first solo exhibition in 1963. 

over the course of that decade, richter helped to liberate painting from the legacy of Socialist realism (in 

eastern germany) and abstract expressionism (in Western germany and throughout europe). He has 

exhibited internationally for the last five decades, with a major european touring retrospective in London, 

Berlin and paris in 2012. He lives and works in Cologne. 

978-1-935202-98-1 


U.S. $45.00 CDn $45.00 

august/art/artist's Books 


Gerhard richter: Panorama 

9781935202714 

hbk, u.s. $65.00 Cdn $65.00 

d.A.P./Tate 

Gerhard richter: 

Landscapes 

Clth, u.s. $60.00 Cdn $60.00 

9783775726399 

hatje Cantz 


The birth of abstract art, from Paris and New York to Moscow 

978-0-87070-828-2 

Hbk, 9.5 x 12 in. / 376 pgs / 446 color. 

U.S. $75.00 CDn $75.00 

December/art 

16 artBooK | D.a.p. 1.800.338.2665 

Inventing Abstraction, 1910–1925 

How a Radical Idea Changed Modern Art 


by Leah dickerman. Text by Matthew Affron, Yve-Alain bois, Masha Chlenova, ester Coen, Christoph Cox, 

hubert damisch, rachael deLue, hal foster, Mark franko, Matthew Gale, Peter Galison, Maria Gough, Jodi hauptman, 

Gordon hughes, david Joselit, Anton kaes, david Lang, susan Laxton, Philippe-Alain Michaud, Jaroslav suchan, 

Lanka Tatersall, Michael Taylor. 

In 1912, in several european cities, a handful of artists—vasily Kandinsky, Frantisek Kupka, Francis picabia and 

robert Delaunay—presented the first abstract pictures to the public. Inventing Abstraction, published to accompany 

an exhibition at the museum of modern art, celebrates the centennial of this bold new type of artwork. It traces the 

development of abstraction as it moved through a network of modern artists, from marsden Hartley and marcel 

Duchamp to piet mondrian and Kazimir malevich, sweeping across nations and across media. this richly illustrated 

publication covers a wide range of artistic production—including paintings, drawings, books, sculptures, film, 

photography, sound poetry, atonal music and non-narrative dance—to draw a cross-media portrait of these watershed 

years. an introductory essay by Leah Dickerman, Curator in the museum’s Department of painting and Sculpture, is 

followed by focused studies of key groups of works, events and critical issues in abstraction’s early history by renowned 

scholars from a variety of fields. 


new York: the museum of modern art, 12/23/12–04/15/13 

Vladimir Tatlin: New 

Art For a New World 

hATJe CAnTz 

Text by simon baier, Gian Casper bott, dimitrij 

dimakov, Jürgen harten, nathalie Leleu, Maria 

Lipatova, Anatolij strigalev, Anna szech, david 

walsh, roland wetzel. 

painter, architect, engineer, set designer, father 

to the russian Constructivist movement, inventor 

of the “counter-relief” and author of one of 

modernism’s greatest icons, the “monument to 

the third International,” vladimir tatlin blazed 

an incredible trail of innovation through the glory 

years of the Soviet avant-garde. nevertheless, 

“not the old, not the new, but the necessary” was 

his motto; having spent his early years as an icon 

painter, tatlin eschewed the modernist disavowal 

of heritage in favor of a research-based attitude 

to materials and genres. His “counter-relief” 

sculptures, made of wood, cardboard, metal and 

wire, were foundational works for rodchenko 

and the Constructivists, and their influence can 

be seen today in the works of creators as various 

as Zaha Hadid and richard tuttle. But it is his 

“monument to the third International,” often 

called simply “tatlin’s tower,” that has grasped 

the imaginations of artists, architects and writers 

down the generations. though it was never built, 

“tatlin’s tower” endures as a promethean image 

of utopian heroism and Soviet optimism, as 

does the artist himself, who applied his energies 

so broadly, without loss of integrity or focus. 

With 120 color illustrations and a wealth of 

archival photos, this volume offers the first 

english-language overview of tatlin’s diverse 

achievements in more than 25 years. published 

for a landmark exhibition at the museum 

tinguely in Basel, it examines every facet of his 

output, from his early Cubist-influenced paintings 

to the counter-reliefs, the “tower,” prints, set 

and costume designs and aeronautic researches, 

and constitutes an essential portrait of the 

ambitions of Soviet modernism. 

Vladimir Tatlin (1885–1953) was born in the 

Ukraine, and studied icon painting in moscow. 

In 1913 he traveled to paris, where he encountered 

picasso’s three-dimensional sculptures, which 

directly inspired his own “counter-reliefs.” 

Following the october revolution, tatlin directed 

his skills towards the Soviet cause, devising in 

1920 his “monument to the third International.” 

978-3-7757-3363-2 


U.S. $60.00 CDn $60.00 

august/art 


Basel, Switzerland: museum tinguely, 

06/06/11–10/14/12 

“Not the old, not the 

new, but the necessary”: 

the art and design of 

Vladimir Tatlin 


Tokyo as avant-garde hub 

of the postwar era 

18 artBooK | D.a.p. 1.800.338.2665 

Tokyo 1955–1970 

A New Avant-Garde 


edited by doryun Chong. Text by doryun Chong, 

Michio hayashi, Miryam sas, Mika Yoshitake. 

Tokyo 1955–1970: A New Avant-Garde explores the extraordinary 

convergence of artists and other creators 

in Japan’s capital city during the radically transformative 

postwar period. examining works from a range of 

media—painting, sculpture, photography, drawing, 

printmaking, video and film, as well as graphic design, 

architecture, musical composition and dance— 

this is the first publication in english to focus in 

depth on the full scope of postwar art in Japan. During 

this period, tokyo was a vibrant hub that attracted 

such critical artistic figures as taro okamoto, Hiroshi 

nakamura, ay-o, Yoko ono, mieko Shiomi and tetsumi 

Kudo; photographers Daido moriyama, eikoh 

Hosoe and Shomei tomatsu; illustrators and graphic 

designers tadanori Yokoo, Kohei Sugiura and Kiyoshi 

awazu; and architects arata Isozaki and Kisho 

Kurokawa; as well as many important artists’ collectives. 

Curator Doryun Chong’s essay investigates 

tokyo’s sociopolitical context and the massive urban 

changes that set the stage for the city to emerge as a 

vital node in the international avant-garde network. 

essays by scholars Hayashi michio and miryam Sas 

and curator mika Yoshitake discuss critical concepts 

in art and culture at this time, including “graphism,” 

which manifested itself across various mediums; the 

development of new sculptural languages; and the 

“intermedia” tendency that engendered provocative 

cross-pollination among artistic genres. masatoshi 

nakajima provides an illustrated chronology and Yuri 

mitsuda supplies artist biographies. Tokyo 1955–1970: 

A New Avant-Garde brings fresh insight to this dynamic 

metropolis during a time of remarkable artistic 

burgeoning. 

978-0-87070-834-3 

Hbk, 9 x 10.5 in. / 264 pgs / 215 color. 

U.S. $55.00 CDn $55.00 

november/art/asian art & Culture 


new York: the museum of modern art, 

11/18/12–02/25/13 

Labyrinth: Daido Moriyama 

APerTure 

Text by daido Moriyama. 

throughout his career, Daido moriyama has sought new ways of recasting his images through the use of different printing techniques, 

installation, or by re-editing and re-formatting them. For this volume, moriyama has returned to his contact sheets from 

the past five decades, selecting both classic and previously unpublished images. Included here are reproductions of original 

contact sheets; sequences of new contact sheets made from recombined negative strips that juxtapose images from the 1950s 

with those from the past ten years; and selections of individual images, both familiar and newly discovered. together, they offer 

a comprehensive assembly of moriyama’s oeuvre, tracing recurring motifs and proposing startling new interpretations of some 

of his most iconic photographs. In opening up this private process of reexamination to a wider public, moriyama continues to 

challenge the viewer, his own practice and the larger mechanisms by which photography makes meaning. 

Daido Moriyama (born 1938) has been publishing and exhibiting his photography since the late 1960s, with a bibliography of 

more than 300 monographs to his name. a major retrospective, Daido Moriyama: Stray Dog, originated in 2000 at the San Francisco 

museum of modern art, and subsequently toured internationally to the metropolitan museum of art and Japan Society in 

new York, Fotomuseum Winterthur in Switzerland and numerous other venues. He is a recipient of the Cultural award of the 

Deutsche gesellschaft für photographie and the 2012 Infinity award for Lifetime achievement. exhibitions include a major retrospective, 

On the Road, presented at the osaka national museum of art from June to october 2011, and William Klein/Daido 

Moriyama at tate modern from october 2012 to January 2013. 

978-1-59711-217-8 

pbk, 8.75 x 11.75 in. / 304 pgs / 300 duotone. 

U.S. $80.00 CDn $80.00 

october/photography/asian art & Culture 

Classic and 

unknown 

Moriyama 

images, 

reconceived 

by the 

photographer 

himself 


Aperture’s early years: the first anthology of America’s 

most influential photography magazine 

Aperture Magazine Anthology 

The Minor White Years, 1952–1976 

APerTure 

edited and with introduction by Peter C. bunnell. Text by Ansel Adams, harry Callahan, Andreas feininger, 

Jonathan Green, henry holmes smith, dorothea Lange, nathan Lyons, barbara Morgan, beaumont newhall, 

nancy newhall, Aaron siskind, Minor white, frederick sommer, John szarkowski, et al. 

published on the occasion of its sixtieth anniversary, this is the first ever anthology of Aperture magazine. this 

long-awaited overview provides a selection of the best critical writing from the first 25 years of the magazine—the 

period spanning the tenure of cofounder and editor minor White. Aperture was established in 1952 by a group of 

photographers, including ansel adams, Dorothea Lange, Barbara morgan and historian-curators Beaumont and 

nancy newhall. their intention was to provide a forum “in which photographers can talk straight to each other, 

discuss the problems that face photography as profession an art, share their experiences, comment on what goes 

on, descry the new potentials.” With its far-ranging interests in diverse photographic styles, myriad themes and 

subjects (including a strong streak of spirituality in diverse forms) and an adventurous commitment to a broad 

international range, Aperture has had a profound impact on the course of fine-art photography. the texts and 

visuals in this anthology were selected by peter C. Bunnell, White’s protégé and an early member of the Aperture 

staff, who went on to become a major force in photography as an influential writer, curator and professor. Several 

articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a 

portfolio of exceptional covers, as well as a selection of the colophons (short statements or quotes) that appeared 

at the front of each magazine. 

978-1-59711-196-6 

Clth, 6.5 x 9 in. / 356 pgs / 150 color. 

U.S. $39.95 CDn $39.95 


Paul Strand: The Garden at 

Orgeval 

APerTure 

edited and with text by Joel Meyerowitz. 

after nearly a lifetime of traveling and photographing in far-flung 

places such as mexico, ghana, Italy, Scotland and his adoptive 

country, France, paul Strand began to concentrate on the stony 

beauty of his own garden at orgeval. the work that constitutes The 

Garden at Orgeval offers a close, exacting study of nature’s forms 

and patterns: tiny button-shaped flowers, cascading winter branches 

and snarls of twigs. While these photographs exhibit the same 

directness and precise vision that is so quintessentially Strand, 

they also reflect his increasing preoccupation with mortality and 

the fragility of existence. 

the photographs in this volume have been selected by the 

renowned photographer, Joel meyerowitz—whose own affinity 

toward the Orgeval series stems from a lifetime of photographing 

in different genres and ultimately, like Strand, returning to nature 

as an enduring subject. meyerowitz also contributes an essay 

responding to Strand’s images and reflecting on the contemplation 

of gardens and the process of aging. 

Paul Strand (1890–1976) was one of the greatest photographers of 

the twentieth century, and among the first to establish photography 

as an art form. as a youth, he studied under Lewis Hine at the 

ethical Culture Fieldston School, going on to win acclaim from the 

likes of alfred Stieglitz and David alfaro Siqueiros. after World 

War II, Strand traveled around the world—from new england to 

ghana, France to the outer Hebrides—and eventually settled in 

orgeval, France, where he spent the remaining 27 years of his life. 

978-1-59711-124-9 

Clth, 8 x 10.5 in. / 96 pgs / 40 duotone. 

U.S. $45.00 CDn $45.00 

october/photography/gardens & Landscape 

Paul Strand’s last body 

of work, assembled 

by Joel Meyerowitz 


Paul strand in Mexico 

9781597111379 

hbk, u.s. $75.00 Cdn $75.00 

Aperture/fundacin Televisa 

20 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 21

Returning to 

35-mm, 

Friedlander 

captures the 

girl in the shop 

window 


Lee friedlander: 

The new Cars 1964 

hbk, u.s. $49.95 

Cdn $49.95 

9781881337317 

fraenkel Gallery 

22 artBooK | D.a.p. 1.800.338.2665 

Lee Friedlander: Mannequin 

frAenkeL GALLerY 

Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. 

to make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest 

decades of his career. over the past three years, Friedlander has roamed the sidewalks of new York City, Los angeles 

and San Francisco, focusing on storefront windows and reflections that conjure marketplace notions of sex, fashion and 

consumerism, while recalling atget’s surreal photographs of parisian windows made 100 years earlier. thoroughly 

straightforward, their unsettling and radical new compositions suggest photographs that have been torn up and pasted 

back together again in near-random ways. 

Lee Friedlander (born 1934) first came to public attention in the landmark exhibition New Documents, at the museum of 

modern art, new York, in 1967. the range of his work since then—including portraits, nudes, still lifes and studies of people 

at work—is anchored in a uniquely vivid and far-reaching vision of the american scene. more than 40 books about his work 

have been published since the early 1970s, including Self-Portrait, Sticks and Stones, Cherry Blossom Time in Japan, Family, 

America by Car, People at Work and The New Cars 1964. His career was the focus of a major traveling retrospective organized 

by the museum of modern art in 2005. His work can be found in depth in the collections of the museum of modern art, 

the metropolitan museum of art, the San Francisco museum of art and the national gallery of art, among many others. 

978-1-881337-32-4 

Hbk, 9 x 13 in. / 112 pgs / 103 duotone. 

U.S. $49.95 CDn $49.95 


Marilyn Monroe: NYC, 1955 

Photographs by Peter Mangone 

dAnzIGer GALLerY/T.AdLer books 

Text by James danziger. 

In 1955, peter mangone was 14 years old—a skinny boy from the Bronx with 

a marilyn monroe fixation, like so many teenagers of his generation. What 

distinguished mangone was that he got to meet his idol. For several months, 

he had played truant from school to stake out the gladstone Hotel on 

manhattan’s east 52nd Street, where the 29-year-old monroe was staying 

after her unhappy divorce from Joe Dimaggio and her dismissal from 

the twentieth-Century Fox studios. one morning, mangone borrowed 

an eight-millimeter Kodak camera from his brother, headed down to the 

gladstone and met monroe as she was on her way out shopping with her 

friend milton greene. mangone’s dream came true: she waved, winked 

and invited him along. over the course of the afternoon, he filmed her 

intermittently, without sound, later developing the film and viewing it at 

home. When mangone left home, the footage went missing, and was thought 

to be lost—until 2002, when his brother found it among their father’s 

possessions, virtually in mint condition. “It was like refinding my high 

school sweetheart,” he said. “She was just the way I remembered her.” this 

book of stills from mangone’s five-minute movie shows the great screen 

siren in wonderful moments of unguardedness, against the Chevys and 

Checker cabs of 1950s midtown manhattan. the great charm of mangone’s 

images lies at the opposite end of familiar portraits by Cecil Beaton, 

elliott erwitt and co.: in his 14-year-old hands, through the grainy Kodak 

film, with its erratic lighting, marilyn remains every inch the icon. 

978-1-935202-34-9 

Hbk, 9 x 9 in. / 48 pgs / 30 b&w. 

U.S. $35.00 CDn $35.00 


Recently discovered 

footage of Marilyn— 

taken by a 14-year-old boy 


Celebrities 

asleep at 

L.A.’s historic 

Chateau 

Marmont 

24 artBooK | D.a.p. 1.800.338.2665 

Jork Weismann: Asleep at the Chateau 

dAMIAnI 

Preface by bret easton ellis. 

Chateau marmont on Sunset Boulevard in Los angeles is a fantastical folly in the land of make-believe. as Harry 

Cohn, the founder of Columbia pictures, said in 1939, “If you must get in trouble, do it at the Chateau marmont.” 

Several generations of actors, directors, writers and artists have heeded Cohn’s advice, from Dorothy 

parker and F. Scott Fitzgerald to Hunter S. thompson and Jim morrison. the hotel has provided a refuge where 

both partying and privacy are equally available—where you can hole up to write a script or ride your motorcycle 

through the hotel lobby (as Led Zeppelin once did). James Dean climbed through a window of the hotel to audition 

with natalie Wood for Rebel Without a Cause; gene Harlow and Clark gable conducted an illicit affair 

there; Jim morrison used up what he called “the eight of my nine lives” when he fell off its roof; and celebrities 

from greta garbo to Howard Hughes have taken up extended residence within its hallowed walls. Asleep at the 

Chateau pays homage to this fabled place by picturing its quieter moments. Here, photographer Jork Weismann 

portrays a range of celebrities asleep at the Chateau—among them Bret easton ellis, Kirsty Hume, patti Smith, 

orlando Bloom, Juergen teller, Sally Singer and Justin theroux. Sprawled out in chairs, on couches or across the 

floor, Weismann’s subjects reveal both themselves and the Chateau as they have never before been portrayed. 

978-88-6208-242-6 

Hbk, 12 x 9 in. / 184 pgs / illustrated throughout. 

U.S. $50.00 CDn $50.00 


Terry Richardson: 

Terrywood 

dAMIAnI/ohwow 

Text by Jeffrey deitch, Al Moran. 

this volume compiles all of the photographs 

from terry richardson’s wildly successful 

2012 show Terrywood, held at the oHWoW 

gallery in Los angeles. Terrywood is the photographer’s 

vision of everything that Hollywood 

has meant and continues to mean in 

the public imagination: grand-scale glitz, bigbudget 

glamour—and of course the awards 

ceremonies, in homage to which richardson 

produced a series of ten award statuettes for 

the show, fashioned in his own bespectacled 

likeness. these works and all of the photographs 

included in the exhibition are reproduced 

here, alongside documentation of the 

year long process of planning the exhibition, 

and coverage of the opening night, which 

was attended by celebrities such as tom 

Ford, James Franco, odd Future, Sasha grey, 

paris Hilton, paz de la Huerta, Jared Leto, 

Lindsay Lohan and Frank ocean, and which 

has already become legendary as one of the 

glitziest opening nights in recent memory. 

Terrywood also includes texts by Jeffrey 

Deitch and al moran. 

Born in new York City and raised in Hollywood, 

Terry Richardson took up photography 

while attending Hollywood High School 

and playing in a punk rock band. His work 

has been the subject of numerous group and 

solo shows throughout the world, and he has 

published several monographs, beginning 

with Hysteric Glamour in 1998, followed by 

the print retrospective Terryworld and most 

recently, Lady Gaga x Terry Richardson. 

978-88-6208-251-8 

Hbk, 10 x 12 in. / 228 pgs / illustrated 

throughout. 

U.S. $60.00 CDn $60.00 

november/photography/Fashion 

Terry Richardson’s 

homage to Hollywood 


From Purple magazine 

to unpublished work, 

Krasilcic’s era-defining 

portraits of 90s bohemia 

26 artBooK | D.a.p. 1.800.338.2665 

Marcelo Krasilcic: 1990s 

fAnToMbooks 

part of the generation of photographers that included Juergen teller and terry richardson, marcelo Krasilcic 

(born 1969) moved from São paulo to new York in 1990 to study art and photography, and quickly became 

known for his spare, iconic and sweetly erotic photographs of liberated youth, artists, designers, musicians 

and otherwise beautiful and creative personalities. Krasilcic captured the style of the 90s in situ, outside 

of the studio, and his photographs of people like maurizio Cattelan, everything but the girl and Chloë 

Sevigny were immediately absorbed by the most influential magazines of the era, including Purple, Dazed 

& Confused, Self-Service and Visionaire to name a few. today, Krasilcic travels extensively on assignment 

as a portraitist and fashion photographer, produces sculpture and installation work, and directs art, music 

and fashion videos. at more than 300 pages, this oversize, slipcased, clothbound, two-volume publication 

features only the work for which Krasilcic first became known: his era-defining photographs from the 1990s. 

Marcelo Krasilcic was born in São paulo, Brazil and moved to new York in 1990 to study art and photography 

at new York University. Krasilcic has directed art, music and fashion videos while continuing to work 

between art and fashion photography. 

978-88-96677-21-6 

Slip, Clth, 2 vols, 10.25 x 13.25 in. / 340 pgs / illustrated throughout. 

U.S. $80.00 CDn $80.00 

September/Fashion/photography 

Polaroid portraits of fashion icons and celebrities 

Diego Uchitel: Polaroids 

dAMIAnI 

Diego Uchitel has long revered the polaroid for its dreamlike color and 

depth, and over the course of his 25-year career, he has continually 

sought to conjure these qualities in his fashion and celebrity photography. 

Uchitel used polaroid film from 1982 to 2006, until the digital camera 

became an unavoidable replacement. this volume is his loving homage 

to the medium that helped define his style—a selection of his favorite images, 

both commercial and personal, of models, fashion designers and 

celebrities such as Jessica alba, gabriel Byrne, Sofia Coppola, Diane von 

Furstenberg, Lazaro Hernandez of proenza Schouler, Jack mcCollough, 

Julianne moore and Sting, as well as landscape photographs. Polaroids is 

awash with the tonal warmth and artifact feel of polaroid film, from its 

splendid design to the photographs themselves, which are reproduced 

in their original (and current) condition, with traces of tape and little 

signs of wear and tear around their edges. the book is bound in linen 

with a tip-on image. 

Diego Uchitel grew up in Buenos aires, argentina, where as a boy he 

often photographed his physician father’s patients. He moved to Los 

angeles just after high school to pursue a career in film and enrolled 

at UCLa Film School, but soon realized that photography was closer to 

his heart. Uchitel’s photographs have been featured in Elle, Vanity Fair, 

Harper’s Bazaar, german and Spanish Vogue, Vogue Hommes, The New 

York Times Sunday Magazine, D, Surface, Premiere, Citizen K and Rolling 

Stone. His advertising clients include Bergdorf goodman, Saks Fifth 

avenue, victoria’s Secret, Diane von Furstenberg, anthropologie, graff, 

avon, neiman marcus, olay, Warner Brothers, nike, Levi’s and microsoft. 

978-88-6208-239-6 

Clth, 9.75 x 12.5 in. / 240 pgs / illustrated throughout. 

U.S. $50.00 CDn $50.00 

September/photography/Fashion 


The golden era of the postcard, from the Lauder Collection 

The Postcard Age 

Selections from the Leonard A. Lauder Collection 

MfA PubLICATIons 

Preface by Leonard A. Lauder. Text by Lynda klich, benjamin weiss. 

In the decades around 1900, postcards were twitter, email, Flickr and Facebook, all wrapped into one. a postcard craze swept 

the world, and billions of cards were bought, mailed and pasted into albums. many famous artists turned to the new medium, 

but one of the great pleasures and enigmas of postcards is how some of the most beautiful and interesting examples were 

made by artists whose names we barely know. Drawing on the riches of the Leonard a. Lauder postcard Collection (probably 

the finest and most comprehensive collection of its type), this gorgeous book traces the historical and cultural themes—enthralling, 

exciting, and sometimes disturbing—of the modern age. the first general publication on the postcard as an artistic 

medium since the mid-1970s, The Postcard Age is organized thematically, with chapters devoted to urban life, the changing 

role of women, sports, celebrity, new technologies, the stylish collectors’ cards of art nouveau and World War I. the result is at 

once a vivid picture of the concerns and pastimes of the turn of the century and a sampler from the Lauder’s vast archives. 

978-0-87846-781-5 


U.S. $45.00 CDn $45.00 

october/Design & Decorative arts 

28 artBooK | D.a.p. 1.800.338.2665 


Boston, ma: the museum of Fine arts, 10/24/12–04/13/13 

Facsimile edition of this delightful Russian avant-garde children’s book 

Baggage 

By Samuil Marshak & Vladimir Lebedev. 


Afterword by sarah suzuki. 

During the 1920s, avant-garde russian authors and artists worked with fervent dedication to create a new 

type of children’s literature, drawing on both the aesthetic innovations of the period and contemporary 

social and political philosophy to inspire and stimulate young minds. this whimsical children’s picture 

book is one of numerous remarkable collaborations between artist and illustrator vladimir Lebedev and 

poet, translator and children’s writer Samuil marshak, many of which are now in the collection of the 

ddfmuseum of modern art, new York. this volume reproduces the original book in size, shape and layout, 

with new english translations in place of the russian and an accompanying text by curator Sarah Suzuki. 

the dynamic graphic compositions and playful rhyming texts remain as compelling today as they were 

nearly a century ago. 

978-0-87070-842-8 


U.S. $12.95 CDn $12.95 

July/Children’s/art 


The European Poster 1881–1938 

fundACIón Museo PICAsso MáLAGA 

Introduction by José Lebrero stals. Text by Carlos Pérez, dara kiese, 

Luigi Cavadini, Anne-Marie sauvage, Aymeric Perroy, katalin bakos. 

the modern poster dates back to around 1870, when color lithography had been 

sufficiently perfected to permit mass production. artists such as toulouse-Lautrec 

and Jules Chéret were quick to perceive and embrace the possibilities of the poster 

as a form, as means of disseminating their work and as a source of income. new 

movements in late nineteenth-century art, such as art nouveau and Symbolism, 

also adapted their respective styles to commercial demands, and their graphic 

power was such that major poster surveys were held as early as 1884. among 

the genre’s earliest innovators, Chéret is considered to have been especially 

influential commercially, for having first used seductive depictions of women as 

an advertising ploy. Later on, in the early days of the Soviet avant-garde, artists 

like rodchenko and Klutsis were also to apply their graphic know-how to the 

poster form, in the service of a new communist russia and its booming industries. 

this magnificent paperback volume reproduces 200 posters from the last decades 

of the nineteenth century to the early twentieth century, in full color. the works 

have been gathered by expert Carlos pérez from european museums and renowned 

international private collections. among the 90-plus artists included here are 

Chéret, ramón Casas, toulouse-Lautrec, Cassandre, paul Colin, Jean Carlu, 

Herbert Bayer, otto Baumberger, vladimir Lebedev, alexander rodchenko, 

man ray, robert Béreny and Fortunato Depero. 

978-84-938427-8-9 

pbk, 8.25 x 11 in. / 336 pgs / 200 color / 30 b&w. 

U.S. $55.00 CDn $55.00 

July/Design & Decorative arts 

Posters: Irony, Imagination and Eroticism in 

Advertising 1895–1960 

sILvAnA edITorIALe 

Text by dario Cimorelli. 

In the closing decade of the nineteenth century, the modern age invaded the city streets of Italy in the 

form of advertising posters. Bouquets of monkeys, elephants, masks, automobiles and elegantly—and 

sometimes scantily—clad ladies suddenly blossomed upon walls everywhere, indoors and out, visually 

grabbing the attention of an Italian public interested in the new commercial products that promised a 

new way of living. these advertisements were executed by some of the greatest illustrators of the day— 

Leonetto Cappiello, achille Lucien mauzan, marcello Dudovich, plinio Codognato, Leopoldo metlicovitz 

and gino Boccasile—who together produced a medley of playful, allusive, ironic and 

experimental imagery unmatched by any other european or american posters of that era. the current 

scarcity of Italian posters on the market today makes this lush publication all the more valuable for its 

depiction of a legacy in poster design. 

978-88-366-2252-8 

Clth, 10 x 12 in. / 288 pgs / 250 color. 

U.S. $75.00 CDn $75.00 

September/Design & Decorative arts 


Posters: Travelling Around Italy 

Through Advertising 

Clth, u.s. $75.00 Cdn $75.00 

9788836619221 

silvana editoriale 

The most complete Chagall overview in print 

30 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 31 

Chagall 

Museo ThYssen-borneMIszA 

foreword by Meret Meyer. Text by Jean-Louis Prat, 

ekaterina selezneva, Angela Lampe, ángeles Caso. 

marc Chagall is justly famed as one of modernism’s greatest 

colorists, and its most articulate painter of dispossession, 

exile and human joy. Chagall also uniquely reconciled 

the motifs and concerns of Jewish culture with his strange 

amalgam of Symbolism, Fauvism and Cubism. His lifespan 

encompassed two world wars, the october revolution of 

1917 and continual uprooting, with lengthy spells in paris, 

moscow and new York; although he painted the ravages 

of these wars and the sufferings of the Jewish people, and 

although his art is steeped in the melancholia of exile, it 

never ceased to affirm life and to praise it. 

this beautifully produced volume, with its abundance of 

color plates and first-rate scholarship, celebrates Chagall 

in all his diversity, reproducing paintings, book illustrations 

to the Bible and works by gogol and La Fontaine, 

stained glass, stage sets, ceramics, tapestries and prints. 

these works are contextualized in essays by Chagall 

scholars meret meyer, Jean-Louis prat, ekaterina Selezneva, 

angela Lampe and Ángeles Caso, and in an extensive 

chronology of the artist’s life, amply illustrated 

with photographs from his personal album. 

Marc Chagall (1887–1985) was born in Liozna, near 

vitebsk, Belarus, a major center of Hassidic culture in 

the russian empire. In 1906 he moved to St petersburg, 

russia, enrolling in art school before moving to paris in 

1910, where apollinaire, Delaunay and Léger were among 

his earliest advocates. Chagall’s reputation began to 

grow during his moscow years (1914–1922), but it was not 

until some five years after his return to paris that his first 

major exhibitions took place. two years into the Second 

World War, Chagall went into exile again, living in new 

York until 1948. the major triumph of his last decades 

was perhaps his ceiling for the paris opera (1963), which 

astounded both critics and the wider public. 

978-84-15113-19-5 

Hbk, 9 x 11 in. / 328 pgs / 279 color / 42 b&w. 

U.S. $85.00 CDn $85.00 

august/art

Gustav Klimt: Expectation and Fulfillment 

Cartoons for the Mosaic Frieze at Stoclet House 

hATJe CAnTz 

32 artBooK | D.a.p. 1.800.338.2665 

Renoir: Between Bohemia 

and Bourgeoisie 

The Early Years 

hATJe CAnTz 

edited by Christoph Thun-hohenstein, beate Murr. Text by rainald franz, Anette freytag, beate Murr, elisabeth schmuttermeier, 

Christoph Thun-hohenstein, Johannes wieninger. 

In 1905, adolphe Stoclet commissioned a private mansion in Brussels. Josef Hoffmann designed the home and its garden, and 

the many artists and friends of the Wiener Werkstätte decorated all of the rooms. the end result was a true synthesis of the arts, 

an exquisitely realized environment whose residents would carefully dress so as to complement their surroundings. But it was 

the contribution of gustav Klimt that would become the Stoclet palace’s most famous component: a three-part mosaic frieze for 

the dining room, consisting of 15 separate components inlaid with gold, enamel and semi-precious stones. on the occasion of 

the recent completion of the frieze’s restoration—the only one of Klimt’s murals that survived the aerial bombardments of 

World War II—this publication examines Klimt’s methods and compares his instructions with the work’s execution. 

978-3-7757-3305-2 

pbk, 8.5 x 10.25 in. / 132 pgs / 133 color. 

U.S. $45.00 CDn $45.00 

august/art 

Text by Augustin de butler, Peter kropmanns, Marc Le Coeur, 

stefanie Manthey, sylvie Patry, david Pullins, nina zimmer, 

Michael f. zimmermann. 

alongside monet, Bazille and Sisley, pierre-auguste renoir laid the 

foundations of Impressionism in 1860s paris. But acclaim for his 

painting was slow in coming, primarily because of the tribulations of 

the Franco-prussian War and the paris Commune, which put a hiatus 

on so much artistic activity during the 1860s–70s. as a result, the 

first two decades of renoir’s career are sometimes ignored, an oversight 

this superb volume decisively remedies. the artist’s most important 

model during these years was his mistress, Lise tréhot, with 

whom he was involved from 1865 to 1872. His depictions of tréhot, in 

classic paintings such as “Woman in a garden” and “en été” (both 

1868), underscore the importance of manet for the Impressionists in 

general, but also show renoir infusing the older artist’s somber 

palette with the warm, burnished glow for which he is beloved today, 

and exploring the looser handling of the brush so closely associated 

with the Impressionist movement. this volume also looks at renoir’s 

plein air landscape paintings and other portraits, such as those of his 

fellow Impressionists Frédéric Bazille and Claude monet, altogether 

reproducing 250 works in full color. revelatory and comprehensive, 

Between Bohemia and Bourgeoisie is the first extensive examination 

of the painter’s early oeuvre and the importance of his close friendships 

with Bazille, manet, monet and Sisley. 

978-3-7757-3241-3 

Hbk, 9.5 x 11.25 in. / 302 pgs / 

107 color. 

U.S. $75.00 CDn $75.00 

august/art 

Gustav Klimt: The Collection of the 

Wien Museum 

hATJe CAnTz 

edited by ursula storch. 

nowhere is the fabled sensuality of gustav Klimt more apparent than in the 

tapering limpidity of his drawings. now, in celebration of the artist’s 150th 

birthday, this volume draws on the world’s largest collection of Klimt drawings, 

at the vienna museum, to offer a thorough account of around 400 

works by the artist. Drawings are arranged in thematic groups, such as the 

Secession works, sketches for the Faculty paintings (also known as the University 

of vienna Ceiling paintings) and the nudes. the book also includes 

paintings from the vienna museum collection, such as the portrait of emilie 

Flöge (1902), as well as posters and prints designed for the viennese Secession 

(including a number of original drafts, as well as the first prints), plus 

photographs of some extraordinary memorabilia, such as the artist’s smock, 

his death mask and a drawing of Klimt’s body by egon Schiele. also featured 

are rare vintage prints of early portrait photographs and sculptures. 

With more than 500 color reproductions, this volume constitutes a uniquely 

broad overview of the artist’s legendary virtuoso draughtsmanship. 

Gustav Klimt (1862–1918) was a founding member and president of the 

vienna Secession. trained academically, Klimt infused allegory painting 

with an eroticism that was frequently deemed controversial—perhaps most 

notoriously in his allegorical portraits of “philosophy,” “medicine” and 

“Jurisprudence,” for the ceiling of the great Hall in the University of vienna, 

which were destroyed by the german army in 1945. His later paintings of 

the “golden phase” expressed his love of Byzantine art. 

978-3-7757-3361-8 


U.S. $75.00 CDn $75.00 

november/art 

The Vienna Museum’s 

extraordinary 

collection of Klimt 

drawings, paintings 

and memorabilia 


A Symbolist 

virtuoso and 

forefather 

of German 

Expressionism 

34 artBooK | D.a.p. 1.800.338.2665 

Ferdinand Hodler 

hATJe CAnTz 

Ferdinand Hodler’s emotionally loaded landscapes and ritualized portraits were among the earliest harbingers of 

expressionist painting in europe, and a key bridge between the idioms of late-nineteenth-century Symbolism, realism 

and modernist expressionism. published for a major 2012 exhibition at new York’s neue galerie, this volume gathers 

a selection of Hodler’s best-loved work: his famous late paintings, in which figures are heavily stylized and landscapes 

are pared down to simple effects of mood and color; his outstanding works on paper; and the much-acclaimed, extremely 

moving series of works chronicling the illness and early death of the artist’s lover, valentine godé-Darel. a documentary 

section reproduces letters, sketchbooks and photographs that illuminate the relationship between Hodler and godé- 

Darel. Central to this publication is the role that series and variations play throughout Hodler’s oeuvre—most famously 

in his groups of figures arranged in ritualized poses, a style to which he gave the name “parallelism.” this volume reveals 

Hodler both as a painter of great emotional intensity and as a crucial progenitor of the expressionist worldview. 

Ferdinand Hodler (1835–1918) was born in Bern, Switzerland. By the time Hodler was eight years old, he had lost his 

father and two younger brothers to tuberculosis; his mother and remaining siblings would also succumb to the disease, 

instilling in the artist a heightened sense of mortality. the vienna Secession’s 1903 exhibition of his work, for which 

Josef Hofmann built the galleries, was decisive for expressionist painters such as emil nolde and particularly ernst 

Ludwig Kirchner, who later made a woodcut portrait of Hodler in homage to his influence. 

978-3-7757-3380-9 


U.S. $60.00 CDn $60.00 

november/art 


new York: neue galerie, 09/20/12–01/07/13 

The essential monograph on the modern master of the still life 

Giorgio Morandi 


Text by Maria Cristina bandera, Marco franciolli, simona Tosini Pizzetti, siri hustvedt, Lawrence Carroll. 

giorgio morandi’s visual lexicon consisted of the most minimal of props—bottles, vases, pitchers, boxes—but from 

these humble forms he extrapolated a marvelous and decidedly modern metaphysics of objecthood and space. 

morandi reinvented the still life for modern times, without ever having directly incorporated modern content into 

his pictures: “only we can know that a cup is a cup, that a tree is a tree,” he observed, concisely expressing the continued 

relevance of the still life in the twentieth century. nothing could be clearer than a morandi still life, with its 

mute tones of beige, grays and off-whites, and its glyphic quality of cluster surrounded by spaciousness, and yet 

few artists have achieved such a singular atmosphere of absolute enigma. In this respect, morandi is of the school 

of vermeer and Chardin, practicing a devotional art of tranquility and privacy—“moods which I have always valued 

above all else,” as he once told an interviewer—finding whole new worlds in simple permutations of ordinary objects. 

this handsomely produced volume offers a detailed examination of morandi’s paintings, watercolors, drawings 

and etchings. alongside the still lives, it presents his landscapes, floral compositions and his well-known 

self-portrait, as well as various works by contemporary artists for whom morandi has been a crucial precursor. 

978-88-366-2251-1 

Hbk, 9.75 x 11.25 in. / 288 pgs / 153 color / 17 b&w. 

U.S. $60.00 CDn $60.00 

September/art 


Giorgio Morandi 

9788881587049 

Pbk, u.s. $34.95 Cdn $34.95 

Charta/Italian Cultural Institute 


Between mysticism and modernity: 

the Magical Surrealism of Remedios Varo 

36 artBooK | D.a.p. 1.800.338.2665 

Remedios Varo: 

The Mexican Years 

rM 

Text by Masayo nonaka. 

Remedios Varo: The Mexican Years offers a definitive 

survey of the life and work of a singularly appealing and 

mysterious Surrealist painter. Born and raised in Spain, 

remedios varo received her earliest training in madrid 

before fleeing the Spanish Civil War in 1937 to join Surrealist 

circles in paris. the outbreak of World War II forced 

her to take refuge in mexico, where she remained until 

her untimely death in 1963, and where she created her 

most enduring work. Known as one of the three “brujas” 

(witches) active in the mexico City art milieu, varo 

shared an interest in esotericism with fellow painter 

Leonora Carrington and a range of interests in science, 

philosophy and the literature of german romanticism 

with the photographer Kati Horna. For some ten years, 

from the mid–1950s until her death in 1963, varo devoted 

herself to creating an extraordinary dreamlike oeuvre, on 

the threshold between mysticism and modernity. Her 

beautifully crafted images of medieval interiors, occult 

workshops and androgynous figures engaged in alchemical 

pursuits evoke the eerie allegories of Hieronymus 

Bosch, esoteric engravings and the charm and lure of 

fairytales. this catalogue includes a complete illustrated 

chronology with never before published images and describes 

varo’s role in the mexican Surrealist movement 

and her relations with Luis Buñuel, octavio paz, 

Benjamin péret, alice rahon, Wolfgang paalen and many 

others. 

Remedios Varo (1908–1963) fled the Spanish Civil War 

and then World War II to settle in mexico where she 

helped establish a mexican Surrealist movement and 

painted visions that combined modernism with mysticism. 

She was married to the leading French Surrealist 

Benjamin péret. 

978-84-15118-22-0 

Hbk, 9.5 x 11 in. / 120 pgs / illustrated throughout. 

U.S. $45.00 CDn $45.00 

august/art/Latin american art & Culture 

Charles Dellschau 

MArquAnd books/d.A.P. 

foreword by Thomas Mcevilley. Text by Tracy baker-white, James brett, roger Cardinal, Tom Crouch. 

In the fall of 1899, Charles a.a. Dellschau (1830–1923), a retired butcher from Houston, embarked on a project that would 

occupy him for more than 20 years. What began as an illustrated manuscript recounting his experiences in the California 

gold rush became an obsessive project resulting in 12 large, hand-bound books with more than 2,500 drawings related to 

airships and the development of flight. Dellschau’s designs resemble traditional hot air balloons augmented with fantastic 

visual details, collage and text. the hand-drawn “aeros” were interspersed with collaged pages called “press Blooms,” 

featuring thousands of newspaper clippings related to the political events and technological advances of the period. 

after the artist’s death in 1923, the books were stored in the attic of the family home in Houston. In the aftermath of a fire in the 

1960s, they were dumped on the sidewalk and salvaged by a junk dealer. eight made their way into the collections of the San 

antonio museum of art, the Witte museum and the menil Collection; the remainder were sold to a private collector. Dellschau’s 

works have since been collected by numerous other museums including the american Folk art museum, the High museum, 

the John michael Kohler arts Center and the philadelphia museum of art. Like the eccentric outpourings of adolf Wölfli, Henry 

Darger and achilles rizzoli, these private works were not created for the art world, but to satisfy a driving internal creative force. 

Dreamer, optimist and visionary, Charles Dellschau is one of the earliest documented outsider artists known in america. this 

first monograph on Dellschau includes a foreword by art critic thomas mcevilley, a biographical overview by artist and independent 

curator tracy Baker-White, an essay by critic roger Cardinal of the University of Kent, a short text by James Brett of 

the museum of everything in London and an essay by tom Crouch of the Smithsonian Institution’s museum of air and Space. 

978-1-935202-90-5 


U.S. $50.00 CDn $50.00 

october/art 


Chicago, IL: Intuit museum, September 2012 

Dreamer, 

optimist and 

visionary— 

Dellschau is one 

of America’s 

earliest 

outsider artists 


James Castle: 

show and store 

hbk, u.s. $55.00 

Cdn $55.00 

9781935202707 

d.A.P./Museo nacional 

Centro de Arte reina 

sofìa 


Real life in Detroit’s modernist masterpiece: Mies van der Rohe’s Lafayette Park 

38 artBooK | D.a.p. 1.800.338.2665 

Thanks for the View, 

Mr. Mies 

Lafayette Park, Detroit 

MeTroPoLIs books 

edited and with text by danielle Aubert, Lana Cavar, 

natasha Chandani|Placement. 

Lafayette park, an affordable middle-class residential 

area in downtown Detroit, is home to the largest 

collection of buildings designed by Ludwig mies van 

der rohe in the world. today, it is one of Detroit’s most 

racially integrated and economically stable neighborhoods, 

although it is surrounded by evidence of a city in 

financial distress. through interviews with and essays 

by residents; reproductions of archival material; and new 

photographs by Karin Jobst, vasco roma, and Corine 

vermeulen, and previously unpublished photographs 

by documentary filmmaker Janine Debanné, Thanks 

for the View, Mr. Mies examines the way that Lafayette 

park residents confront and interact with this unique 

modernist environment. Lafayette park has not received 

the level of international attention that other similar 

projects by mies have. this may be due in part to its 

location in Detroit, a city whose most positive qualities 

are often overlooked in the media. this book is a 

reaction against the way that iconic modernist architecture 

is often represented. Whereas other writers may 

focus on the design intentions of the architect, authors 

aubert, Cavar and Chandani seek to show the organic 

and idiosyncratic ways that the people who live in 

Lafayette park actually use the architecture and how 

this experience, in turn, affects their everyday lives. 

While there are many publications about abandoned 

buildings in Detroit and about the city’s prosperous 

past, this book is about a remarkable part of the city as 

it exists today, in the twenty-first century. 

978-1-935202-92-9 

pbk, 6.5 x 9.5 in. / 272 pgs / illustrated throughout. 

U.S. $29.95 CDn $29.95 

September/architecture & Urban Studies 

Diller, Scofidio + Renfro: 

Inside-Out, and still Lincoln 

Center 

dAMIAnI 

the redesign of Lincoln Center is one of the most challenging and 

innovative civic projects in recent urban history. over the past eight 

years, Diller Scofidio + renfro (DS+r), in close collaboration with 

FxFowle, Beyer Blender Belle and Lincoln Center’s leadership, has 

transformed the 50-year-old modernist citadel into a porous and 

democratic campus. this visually rich document is the first comprehensive 

book to feature the extensive redevelopment in its entirety. 

Inside-Out, and still Lincoln Center details DS+r’s interpretation of 

the modernist project after several generations of social and political 

change. through a combination of photographs, drawings, renderings, 

archival records and texts, the book describes the innovative 

strategies that have dissolved the public/private divide and 

effectively turned the campus inside-out, extending the spectacle 

of the performance halls into the Center’s mute public spaces and 

surrounding streets. Conceived as a cross between an art book, 

a scholarly record and an architectural diary, this publication 

demonstrates how the recent redesign both respects and challenges 

preconceived notions about Lincoln Center and its ongoing role 

as a cultural hub in an ever-changing city. 

this unorthodox publication is comprised entirely of gatefolds; a 

series of inside-out centerfolds where the exterior pages of each 

spread feature large-format photographs highlighting different parts 

of the campus. new imagery has been produced for this publication 

by the acclaimed architectural photographer Iwan Bann and newcomer, 

matthew montieth, as well as by other photographers. Inside 

the gatefolds, tucked behind these lush photos, is a series of “back 

stories” that reveal the surprising evolution and unexpected afterlife 

of the same spaces. the book can therefore be read in two ways— 

as a photo essay that leads readers on a visual tour of the campus, 

or as a series of intricate short stories narrated through rich and 

experimental ephemera that allows readers to explore the many 

projects within a project. 

Diller Scofidio + Renfro is a transdisciplinary practice that spans the 

fields of architecture, urban planning, landscape design, visual arts, 

performing arts, digital media and print. DS+r is led by elizabeth 

Diller, ricardo Scofidio and Charles renfro, who collaborate with a 

group of architects and artists in their new York-based studio. 

978-88-6208-244-0 

Clth, 9.25 x 12.5 in. / 288 pgs / 60 gatefolds / illustrated throughout. 

U.S. $85.00 CDn $85.00 

november/architecture & Urban Studies 

A brilliantly designed 

documentation of Lincoln 

Center’s inspired architectural 

transformation 


40 artBooK | D.a.p. 1.800.338.2665 

The buildings of 

David Chipperfield, 

Director of the 2012 

Venice Architecture 

Biennial 

David Chipperfield 

Architects 

wALTher könIG, köLn 

edited by rik nys. Intoduction by fulvio Irace. Text by david 

Chipperfield, rik nys. 

the British architect David Chipperfield is an exemplary exponent 

of modernism and its ongoing relevance. the confident 

elegance of his buildings expresses a belief in the 

discreet craftsmanship and clarity of early-twentieth-century 

architecture: “If you look at a building by mies van der rohe,” 

he observes, “it might look very simple, but up close, the sheer 

quality of construction, materials and thought are inspirational.” 

David Chipperfield Architects is the most comprehensive 

monograph on Chipperfield to date, and the first in 

which he himself has developed both its conceptual outline 

and (with graphic artist John morgan) its layout. the first section 

of the book breaks down Chipperfield’s architectural philosophy, 

across five themed chapters titled “Context,” 

“Building Form,” “Interiors,” “private House” and “Developing 

Ideas.” the second part focuses on 30 built projects considered 

by Chipperfield to be his most important works, and provides 

a wealth of full-page and full-spread illustrations, with 

texts elucidating each building. the last section surveys other 

projects, both built and unbuilt, offering in sum a thorough 

survey of his influential output over the past 25 years. 

David Chipperfield (born 1953) established David Chipperfield 

architects in 1985. He was professor of architecture at 

the Staatliche akademie der Bildenden Künste, Stuttgart, 

from 1995 to 2001 and norman r. Foster visiting professor of 

architectural Design at Yale University in 2011, and he has 

taught and lectured worldwide. In 2010 he was knighted for 

services to architecture in the U.K. and germany; in 2011 he 

received the rIBa royal gold medal for architecture, in 

recognition of a lifetime’s work. Chipperfield is Director of the 

2012 venice architecture Biennale. 

978-3-86335-134-2 

pbk, 10 x 12.75 in. / 352 pgs / 250 color. 

U.S. $49.95 CDn $49.95 

august/architecture & Urban Studies 

Wendell Castle: Wandering Forms 

Works from 1959–1979 

GreGorY r. MILLer & Co./The ALdrICh ConTeMPorArY ArT MuseuM 

foreword by evan snyderman. Text by Alastair Gordon. 

american studio furniture icon Wendell Castle is one of the most important, influential and celebrated designers of the 

twentieth and twenty-first centuries. For more than 50 years, he has consistently pioneered new territory in design and beyond. 

His visionary constructions and distinctive stacked-laminate woodworking process cross the boundaries between 

sculpture, design and craft. published on the occasion of Castle’s retrospective exhibition at the aldrich Contemporary art 

museum, this publication is the first in 20 years devoted to the designer’s work. the book focuses on Castle’s exceptional 

early works in wood and fiberglass, which transformed the way we look at furniture and its making. these highly original 

works have influenced generations of furniture makers, designers, artists, sculptors, collectors and design enthusiasts. 

renowned writer alastair gordon lucidly tells the exciting story of Castle’s impact and innovations through the defining 

works of his career. the text is accompanied by hundreds of drawings, press clippings and never-before-seen images of 

Castle, his workspace and process. Beautifully designed by the award-winning pandiscio Co. and incorporating materials 

from Castle’s personal archives, this book is certain to be the definitive study of one of the most significant furniture designers 

working in the world today and one of america’s true cultural treasures. 

978-0-9826813-4-3 


U.S. $60.00 CDn $60.00 

november/Design & Decorative arts 


ridgefield, Ct: the aldrich Contemporary art museum, 10/19/12–02/24/13 

Wood and 

fiberglass 

furniture by 

the influential 

American 

designer 


42 artBooK | D.a.p. 1.800.338.2665 

Bio Design 

Nature + Science + Creativity 


edited and text by william Myers. foreword by Paola Antonelli. 

For centuries, designers and artists have looked to nature for inspiration 

and materials, but only recently have they developed the ability to alter 

and incorporate living organisms or tissues into their work. this startling 

development, at the intersection of biology and design has created new 

aesthetic possibilities and helps address a growing urgency to build 

and manufacture ecologically. Bio Design surveys recent design and 

art projects that harness living materials and processes, presenting biointegrated 

approaches to achieving sustainability, innovations enabled 

by biotechnology, and provocative experiments that deliberately illustrate 

the dangers and opportunities in manipulating life for human ends. 

as the first publication to focus on this new phenomenon and closely 

examine how it fits into the history of architecture, art and industrial 

design, this volume surveys this shift and contextualizes it through 

comparisons to previous historic transitions in art and design practices, 

clarifying its implications for the future. a reference for students and 

teachers of art, architecture, industrial design and engineering, Bio Design 

will also introduce the subject to a broad audience. 

978-0-87070-844-2 


U.S. $50.00 CDn $50.00 

December/architecture & Urban Studies/Sustainability 

The coming biotechnology 

revolution in art, 

architecture and design 

• Henk Jonkers’ BioConcrete, bacteria-enriched 

concrete that has self-healing capabilities 

and BioFilm, a living, protective coating for 

submerged structures 

• Kate Orff on ‘Oyster-techture,’ cultivating 

oyster reefs to create a sea barrier and flood 

protection in New York harbor 

• Magnus Larsson’s Dune project to halt 

desertification in Africa using microbial-induced 

cementation 

• Suzanna Lee on BioCouture, growing 

clothing with bacteria and green tea 

• James Auger and Jimmy Loizeau on 

Carnivorous Domestic Entertainment Robots, 

including a clock powered by flies that are 

caught and digested 

Feeding the city: 13 visionary 

proposals for the future metropolis 

Food for the City 

A Future for the Metropolis 

nAI PubLIshers 

Text by Peter de rooden, Adam Grubb, han wiskerke, Lola sheppard, Mason white, 

Gaynor Paradza, et al. 

By the year 2050 there will be nine billion people living on earth. Seventy-five percent of them 

will be living in cities. If the world population continues to grow at this rate, it will take several 

extra planets just to produce the food that will be needed to feed it. While putting food on the 

table today seems to entail no more than a visit to the market for the average city dweller, a 

worldwide network of food producers and supermarket chains lies hidden behind our meals. 

It is a network of convenience, but one that poses new problems in that fewer people than 

ever decide what more people than ever eat. the result of a multi-year interdisciplinary 

program called “Foodprint,” Food for the City offers 13 visions from experts across the world: 

a politician, an activist, an economist, a philosopher, a chef, an architect and a farmer, among 

others. From the visionary to the practical, their essays and proposals examine the influence 

food can have on the culture, shape and functioning of the city, addressing issues of urban 

farming and laboratory engineering, and weighing the choices to be made between altering 

our food production systems or our consumption patterns. the book comes with a timeline 

from 2050 BCe to 2050 Ce and a rich pictorial essay that demonstrates how feeding a city 

has been a preoccupation as old as the city itself. 

978-90-5662-854-3 


U.S. $34.95 CDn $34.95 

august/architecture & Urban Studies/Sustainability 

How to Make a Japanese House 


Text by Cathelijne nuijsink. 

nowhere in the world have architects built homes as small as in Japan, and nowhere have they done so 

with such ingenuity and success. How to Make a Japanese House presents 21 lessons in how to design a 

single-family home from three decades of architectural practice. From the Western perspective, in which 

more space is better space, small interiors may once have seemed undesirable, but Japanese architects have 

long excelled at overcoming the limitations of building in densely populated areas and creating brilliant 

effects of spaciousness with minimal square footage. as urban areas across the world grow only more dense 

in population, a knack for the economic handling and design of domestic space has clearly established itself 

as a key virtue of contemporary architectural practice. through a rich array of research, interviews, drawings 

and photographs, How to Make a Japanese House demonstrates that Japanese homes present a radically 

different way of thinking about architecture, and provide inspiration for dwelling on a smaller scale. 

978-90-5662-850-5 


U.S. $55.00 CDn $55.00 

September/architecture & Urban Studies/asian art & Culture 


Japanese Identities 

9783939633389 

Pbk, u.s. $40.00 Cdn $40.00 

Jovis 


MoMA’s smart and fun introduction to contemporary art for children 

What Is Contemporary Art? A Guide for Kids 

By Jacky Klein & Suzy Klein. 


What Is Contemporary Art? opens up the exciting, dynamic and sometimes bewildering world of contemporary 

art for a young audience, inviting readers to explore, enjoy and question a variety of artworks drawn 

from the collection of the museum of modern art. organized thematically by subjects of interest to children—from 

games and unusual materials to outer space and bizarre beasts—the book features nearly 70 

works made over the past 50 years by a range of international artists, from modern icons of the early 1960s 

such as andy Warhol’s “Campbell’s Soup Cans” and Yves Klein’s “anthropometry: princess Helena” to recent 

pieces by contemporary artists such as Louise Bourgeois, Bruce nauman, olafur eliasson, andreas 

gursky and Jeff Koons. Designed to encourage children to explore their own imaginative responses to art 

across all media—including painting and sculpture, film, photography, performance and installation—the 

book is packed with special features, including pull-out information and idea boxes, quotes from the artists, 

and “How did they do it?” prompts. What Is Contemporary Art? is an invaluable guide to the museum of 

modern art’s contemporary collection for family visitors, and a captivating read for children (ages eight and 

up) and parents at home. 

978-0-87070-809-1 


U.S. $19.95 CDn $19.95 

october/Children’s/art 

You Are Awesome 

25 Crafts to Make You Happy 

CICAdA books 

edited by Abbey hendrickson. 

abbey Hendrickson writes the highly trafficked 

blog aesthetic outburst, which documents her 

life in an old farmhouse in rural new York. In between 

DIY disasters, childcare catastrophes, 

book obsessions and cultural consumption, 

abbey makes some fantastic and funky craft 

projects, which she sells through her online etsy 

shop. You Are Awesome collects together 25 of 

her craft ideas from her blog and her “20 in 20” 

challenge (for which she made 20 crafts in 20 

days), each one presented in color and clearly 

explained step by step. they range from an embroidery 

sampler to a bookshelf to a laptop toy 

made from a cardboard box. the projects are 

fairly simple, but all distinctive and quirky, and 

will appeal to novices and crafting professionals 

alike. each one captures the warmth and humor 

that abbey herself radiates and which has made 

her and her blog so popular. You Are Awesome 

follows Cicada Books’ recent publication, State 

of Craft, and will appeal to a new generation of 

young crafters seeking fresh inspiration for cultivating 

their own individual aesthetic. Small 

and chunky, with a hard-cut gray board cover 

and overflowing with illustrations and photography, 

it is itself a crafty object you will want to 

have and to hold, and makes a perfect feel-good 

gift for the holiday season. 

Ping Pong 

CICAdA books 

978-1-908714-00-8 


U.S. $15.95 CDn $15.95 

november/Crafts & Hobbies 

edited by ziggy hanaor. 

ping-pong is the most popular racquet sport in the world. and no wonder: it is one of the few sports that is 

genuinely enjoyable to play at any skill level and at any age. From the fluorescent-lit basements of the family 

home to the professional arena of the olympics, it can be as relaxed or as competitive as players want it to 

be, while still offering all the adrenaline rush of any fast-paced sport or entertainment. no labored strategizing 

or belly itching: just quick instincts and the instantly recognizable click-clacking of its hypnotic rhythm. 

the sociable aspects of the game are today leading thousands of people to rediscover the sport, with tables 

popping up in all the hippest bars and workplaces. the joys and tribulations of ping-pong are beautifully illustrated 

in this delightful little gift book; the rules of singles and doubles games are clearly explained and 

tips and techniques provide readers with the crucial edge to vanquish their opponents. photography from 

tournaments sits alongside classic archival imagery, bringing the book alive while paying tribute to the 

sport’s vintage roots. Ping Pong captures a breaking trend in a small but beautiful little volume, and is a great 

little gift book for young and old alike. 

978-1-908714-01-5 


U.S. $9.95 CDn $9.95 

november/pop Culture/Sports 


the Inspirational moustache 

pbk, U.S. $9.95 CDn $9.95 

9780956205353 

Cicada Books 



state of Craft 

9780956205346 

Pbk, u.s. $19.95 

Cdn $19.95 

Cicada

Comics & Graphic Novels 

Todd James: Yield 

to Temptation 

PICTurebox 

new York–based todd James (born 

1969) pioneered a distinct cartoonbased 

graffiti style in new York in the 

1980s, working under the name reaS 

and gaining the respect of both a streetculture 

audience and the art and design 

market. He has since produced work for 

the Beastie Boys, eminem and Iggy 

pop, among others. this unique artist’s 

book is the first publication by James in 

half a decade, and collects 60 of his 

drawings, all created exclusively for this 

volume. Bearing close resemblance to 

his best-known graffiti work, each drawing 

is complete unto itself yet also represents 

a potential painting for the 

future. Yield to Temptation is of a piece 

with James’ broader concerns: american 

excess as represented by the forms 

and fictions of sexuality and the ravages 

of war. James invites his audience 

to glamorize these issues, even as he 

undercuts any assumptions about them. 

His drawings have the expressive, minimal 

intensity of a cartoon Franz Kline 

and evoke the Day-glo era of 1970s 

print culture, where Schoolhouse Rock 

crosses over into Playboy cartoons. 

Yield to Temptation is being published 

on the occasion of James’ solo exhibition 

in tokyo. 

978-0-9837199-9-1 

Hbk, 5 x 7 in. / 64 pgs / 16 color / 

48 b&w. 

U.S. $20.00 CDn $20.00 

September/art 

46 artBooK | D.a.p. 1.800.338.2665 

Jonny Negron: 

Negron 

PICTurebox 

the Brooklyn-based Jonny negron, 

editor of the ongoing anthology zine 

Chameleon, emerged in 2011 as a web 

sensation, appearing in many anthologies 

and the subject of numerous features 

in Vice Magazine. an acclaimed 

“master of voluptuousness” in the 

tradition of robert Crumb and tom 

of Finland, his highly erotic drawings 

occupy a space that draws from fashion 

drawings, video games, Japanese 

hentai and street art. Negron is his 

first book and explores the ample 

proportions of his vision. It features 

all-new drawings of his signature zaftig 

women and gangsta men, placed in 

fantastical, raunchy scenarios involving 

multi-fluid lactation, demon-faced 

copulations and exaggerated accidents 

with various condiments. With new 

comic strips created especially for this 

publication, lists of the artist’s favorite 

things and selected vintage photography 

from 1970s magazines, Negron 

demonstrates how he has successfully 

combined high fashion with street 

comics. this is a guide to his brave new 

world, produced in as lush a package 

as the women in his work: printed on 

high-gloss paper, this dust-jacketed 

paperback is an art object unto itself, 

and will be coveted by fans of Juxtapoz 

magazine and street-style erotica. 

978-0-9837199-6-0 

pbk, 6 x 8 in. / 80 pgs / 80 color. 

U.S. $19.95 CDn $19.95 

october/Comics & graphic 

novels/art 

C.F.: Powr Mastrs 

Vol. 4 

PICTurebox 

providence artist and musician C.F.’s 

ongoing saga Powr Mastrs has been 

described as an unsettling hybrid of 

Jack Kirby and Henry Darger. this 

fourth installment continues his exploration 

of the lives and activities of the 

denizens of the ever-shifting mystical 

realm of new China. Featuring characters 

not seen since volume one, a central 

part of this new volume is an 

extended erotic sequence that combines 

a corset-bound atmosphere of 

victoriana with a discomforting science-fiction 

dystopia, all executed in 

C.F.’s delicate lines and immaculate 

compositions that combine the harsh 

geometries of Donald Judd with the 

lush figuration of John Currin. the 

Powr Mastrs series has been praised by 

Vice Magazine as “dark doors into the 

stunningly fantastic,” and The Village 

Voice has noted that “the homemade 

arcane dominates in C.F.’s sexy danger 

world.” 

978-0-9837199-8-4 

Flexi, 5.75 x 8.25 in. / 120 pgs / 

32 color / 88 b&w. 

U.S. $18.00 CDn $18.00 

november/Comics & graphic novels/ 

art 


C.f.: Powr Mastrs 

vol. 3 

9780982094761 

Pbk, u.s. $18.00 

Cdn $18.00 

Picturebox 

Brian Chippendale: 

Puke Force 

PICTurebox 

Comic-book artist and Lightning Bolt 

drummer Brian Chippendale (born 

1973) returns with a new graphic novel 

that addresses the disconnect between 

the world on our computer screens and 

the world outside our window. Welcome 

to grave City: an urban dystopia 

in which kids are hooked on computer 

games, and obesity and intersocietal 

strife runs rampant. When a cafe is 

blown up in a horrific act of terrorism, 

the deadly explosion’s reverberations 

manifest as a growing darkness that 

embodies both a spiritual and physical 

evil. But out of this sour stew comes a 

team of positive-minded weirdos aiming 

to set things on a brighter course. 

they are puke Force, and the world will 

never be the same. equal parts sitcom, 

horror movie, superhero comic and visionary 

drawing, Puke Force is printed 

as an oversize edition on thick textured 

paper for a fully immersive print experience. 

978-0-9837199-7-7 

Hbk, 11.5 x 8.75 in. / 128 pgs / 128 b&w. 

U.S. $26.95 CDn $26.95 

november/Comics & graphic 

novels/art 


brian Chippendale: 

If ‘n oof 

9780982094754 

Pbk, u.s. $29.95 

Cdn $29.95 

Picturebox 

Sammy Harkham: 

Everything Together 

Collected Stories 

PICTurebox 

Sammy Harkham is one of the most influential cartoonists and 

comics editors of his generation. after a decade of work and 

groundbreaking anthologies, Everything Together collects his 

short-story comics, which condense vast amounts of emotion and 

information into nuanced cartoon narratives. Harkham’s classic 

style is both articulate and expedient. at the center of the book 

are two vastly different tales: “poor Sailor,” a sea-faring myth of a 

man gone to find wealth for his love; and “Somersaulting,” a kind 

of fever dream of teenagers in love, wiling away the summer. 

alongside these stories are shorter comic strips tackling everything 

from napoleon as a tortured artist to touching examinations 

of Jewish mysticism and life in a shtetl, to satires on 

contemporary university life. throughout these tales, Harkham 

maintains a light touch and emotive wit. the works in this book 

confirm his place among the best storytellers of his generation. 

Sammy Harkham was born in Los angeles in 1980, moving to 

Sydney, australia, at the age of 14. He soon started making his 

own comics and a zine, Kramers Ergot, which has evolved into 

one of the most influential comics anthologies published today. 

His comic strip Poor Sailor, originally published in Kramers Ergot 

4, was subsequently included in Best American Nonrequired 

Reading of 2004 and has been published in French, Korean and 

Italian. Kramers Ergot has been on numerous “best of the year” 

lists including the LA Weekly, Time, The New York Times, Dazed 

and Confused, The Comics Journal and Publishers Weekly. In 

2006 Harkham started the ongoing comic series, Crickets, and 

edited The Simpsons’ Treehouse of Horror, and most recently the 

eighth volume of Kramers Ergot. a partner in both the renowned 

bookstore Family, and the movie theater, Cinefamily, Harkham 

lives in Los angeles with his wife and three children. 

978-0-9851595-0-4 

pbk, 7.25 x 9.75 in. / 120 pgs / 88 color / 32 b&w. 

U.S. $19.95 CDn $19.95 

october/Comics & graphic novels/art 


kramers ergot 8 

hbk, u.s. $32.95 Cdn $32.95 

9780984589272 

Picturebox 

First overview by the acclaimed 

cartoonist and editor of Kramers Ergot 


Blow Your Head: A Diplo Zine 

Vol. 1: Dancehall 

PICTurebox 

Introduction by diplo. Photographs by shane McCauley. 

the DJ and producer Diplo—aka thomas Wesley pentz—and photographer Shane mcCauley are launching Blow 

Your Head, a series of photographic accounts of global music scenes, all of which filter into Diplo’s creative base, 

the hugely popular record label mad Decent. each volume will explore a different country and musical genre, from 

technobrega in Brazil to Cumbia and tribal in mexico, to the subject of the debut volume: Jamaica’s vibrant 

dancehall scene. For this volume, the duo traveled through trenchtown, visiting tuff gong Studios, gee Jam Studios 

and Sugarman Beach, documenting the most cutting-edge music and dance with candid photographs of the 

players and venues. only one of the world’s most sought-after DJs could get access like this. Follow Diplo into the 

musical future! 

978-0-9851595-2-8 

pbk, 8 x 10 in. / 96 pgs / 92 b&w. 

U.S. $20.00 CDn $20.00 

october/music/photography 

48 artBooK | D.a.p. 1.800.338.2665 


dancehall 

flexi, u.s. $39.95 Cdn $39.95 

9780955481710 

soul Jazz records Publishing 

Mati & The Music: 

52 Record Covers 

1955–2005 

rM/LIbrAIrIe 213 

Text by serge bramly. 

the 1960s and 1970s offered many options for mind 

expansion: psychedelic drugs, eastern meditation, 

sex—and the art of mati Klarwein. Klarwein (1932– 

2002) was a major presence in the new York art 

scene, admired by everyone from andy Warhol and 

Salvador Dalí to Jimi Hendrix and Jackie onassis 

(who commissioned him to paint a portrait of John F. 

Kennedy). His pop-surrealist universe of pantheistic 

religious harmony, sexual fertility and gender and 

racial unity gave visual expression to an era and to a 

generation of music, and was embraced by some of 

the most progressive musicians of his time. Mati & 

the Music presents Klarwein’s 52 paintings that appeared 

on album covers, a body of work that began in 

the mid–1950s and continued for half a century. the 

majority of the album covers Klarwein painted were 

commissioned by the musicians themselves, most famously 

by miles Davis for his breakthrough fusion albums 

Bitches Brew and Live Evil and Carlos Santana 

for Abraxas. others included earth Wind & Fire, 

Buddy miles and gregg allman. major record labels 

also employed Klarwein, including Blue note for 

Jackie mcLean and reuben Wilson, and Douglas 

records for the Last poets, Howard Wales and Jerry 

garcia. With the trim size of an Lp album, Mati & The 

Music will appeal to lovers of music, graphic design 

and psychedelic art. 

978-84-92480-19-7 


U.S. $45.00 CDn $45.00 

august/music/art 

Reggae Soundsystem! 

Mento to Dancehall: 60 Years of Original Reggae Album 

Cover Art 

souL JAzz books 

edited by stuart backer, steve barrow. Introduction by steve barrow. 

From its early mento (Jamaican Calypso) beginnings through to the invention 

of Ska, rocksteady, roots, Dub and Dancehall, Jamaican music is 

one of the richest and innovative veins in popular music. this deluxe publication, 

featuring hundreds of stunning full-size record cover designs that 

span the history of reggae music, takes a timely look at the endless visual 

creativity of reggae record cover designs—iconic, classic, rare and unique 

artwork spanning 60 years of Jamaican sounds. Reggae Soundsystem! includes 

a fascinating introductory essay on the history of reggae by Steve 

Barrow (author of Rough Guide to Reggae and founder of the reggae label 

Blood & Fire) and is edited by Stuart Baker, founder of Soul Jazz records. 

978-0-9554817-8-9 


U.S. $49.95 CDn $49.95 

october/music/Design & Decorative arts 

Reggae Soundsystem 45! 

Original Label Art of the Reggae 45 Single 

souL JAzz books 

edited by stuart baker, steve barrow. Introduction by steve barrow. 

the 45-rpm seven-inch single is at the heart of reggae music, the main vehicle by which reggae music has been communicated 

to the public by the deejays in the dancehalls of Kingston, and to its worldwide audience beyond. ever since the birth 

of the Jamaican music industry, over 60 years ago, and through to the present day, these idiosyncratic label designs have 

helped illustrate, signify and energize the music they accompany. Reggae Soundsystem 45! features 1,000 stunning 45-rpm 

single designs, reproduced full size, that span the history of reggae music. these label designs give us a hidden history 

in album design that is raw, innovative and hip. published in tandem with the album-size Reggae Soundsystem!, the book 

includes a fascinating essay on the birth and rise of the 45-rpm single in reggae music by Steve Barrow, author of Rough 

Guide to Reggae and founder of the reggae label Blood & Fire. the book is edited by Soul Jazz founder Stuart Baker. 

978-0-9554817-9-6 


U.S. $39.95 CDn $39.95 

october/music/Design & Decorative arts 


studio one records 

9780955481772 

hbk, u.s. $49.95 

Cdn $49.95 

soul Jazz books 


Warhol’s worlds, from the Factory to his Czech origins 

The Factory 

Photography and the Warhol Community 

LA fábrICA 

edited and with text by Catherine zuromskis. 

of the many ways in which pop artist andy Warhol 

(1928–1987) has influenced contemporary art, perhaps 

the most significant is the collaborative sphere he orchestrated 

through the Factory. established in 1962, 

the Factory was a studio space that also served as a 

locus for social and cultural interactions between 

Warhol and a host of assistants, friends, lovers, fellow 

artists and curious onlookers. a space of both labor 

and leisure, the Factory was a vital community that 

grew increasingly mobile over the course of Warhol’s 

career. Within it, artists forged a cultural and social 

world that became one of the earliest examples of a 

relational approach to art making. The Factory examines 

the critical role that photography played in both 

documenting and realizing the flamboyant bohemian 

culture of this community. It includes the work of 

numerous professional and amateur photographers, 

Factory insiders and passing voyeurs, as well as the 

photographs of Warhol himself. Combining photo 

strips and polaroids with small-scale black-and-white 

and color prints, an intimate perspective on the 

Factory emerges resembling a family album. Warhol 

ultimately sought to turn the Factory outward and 

include the public at large, and a selection of books, 

magazines and celebrity photographs highlights the 

more public and increasingly global scope of 

Warhol’s social and cultural practice. 

978-84-15303-72-5 

pbk, 8 x 9.5 in. / 168 pgs / 


U.S. $45.00 CDn $45.00 

September/photography/art 

50 artBooK | D.a.p. 1.800.338.2665 

Image Machine: Andy Warhol 

and Photography 

Moderne kunsT nürnberG 

edited and text by raphaela Platow, synne Genzmer, Joseph 

d. ketner II. 

Image Machine: Andy Warhol and Photography examines the 

role of the photograph in Warhol’s art, its relationship to his 

portrait painting and his late paintings and prints, and his 

rigorous documentation of his social life. the book is divided 

into three sections: the first, “Warhol’s mediated Image,” 

focuses on the artist’s appropriation of the photographic 

image, his initial use of the photo booth for portraits, the 

polaroids and his mature portrait painting process in the 

1970s. Direct comparisons are made here between source 

material and finished work. the second section, “the 80s 

through the eyes of andy,” covers Warhol’s legendary 

socializing on the new York club scene of the 1980s, and 

contains his portraits of leading celebrities of the era. 

Lastly, “the Hand and the machine” looks at Warhol’s use 

of photographs to create his late paintings and prints, and 

features works such as the Self-Portrait wallpaper (1978) and 

the series Ladies and Gentlemen (1975) and Torsos (1977). 

the extent of andy Warhol’s photographic output has been 

only recently made apparent, thanks to the efforts of the 

Warhol photographic Legacy program, which assisted in the 

production of this volume. 

978-3-86984-316-2 


U.S. $55.00 CDn $55.00 

november/photography/art 


Cincinnati, oH: the Center of 

Contemporary art, 09/22/12–01/13/13 

vienna, austria: Kunsthalle, 

02/22/13–06/16/13 

Waltham, ma: rose art museum, 

Brandeis University, 09/01/13–12/13 

Andy Warhol and 

Czechoslovakia 

Arbor vITAe 

edited by rudo Prekop, Michal Cihlář. 

through a wealth of research, and illustrated 

with more than 1,200 photographs 

and documents (many published here for 

the first time), this enormous compendium 

traces andy Warhol’s relationship to his 

parents’ native Czechoslovakia. neither 

routine monograph nor ordinary biography, 

Andy Warhol and Czechoslovakia is the 

fruit of a 22-year labor of love by editors 

rudo prekop and michal Cihlář, who were 

granted unprecedented access to the family 

archives by the artist’s brothers. prekop and 

Cihlář amassed a wealth of interviews with 

friends and family members (both in the 

U.S. and in Czechoslovakia), and compiled 

these alongside archival interviews and 

all manner of ephemera, from family 

mementos and early artworks to previously 

unseen snapshots of Warhol. the editors 

also examine Warhol’s close relationship 

to his mother and explore his influence 

upon prague’s underground music scene. 

the vast wealth of material gathered in 

this splendidly designed Warhol scrapbook 

paints a vivid portrait of the artist’s 

connection to his ethnic background. 

978-80-7467-000-8 

Flexi, 9.5 x 11.5 in. / 

448 pgs / 1,230 color. 

U.S. $115.00 

CDn $115.00 

august/art 

Back in Print—New Lower Price! 

Keith Haring: 1978–1982 


edited by Gerald A. Matt, raphaela Platow. Preface by Gerald A. Matt. 

Text by Pedro Alonzo, bill Arning, synne Genzmer, raphaela Platow. 

Situated in that explosive mini-era from 1978 to 1982 in new York, this monograph 

explores the early and most experimental period in the career of Keith Haring (1958– 

1990). Its narrative commences with a portrait of the vigorous studio practice Haring 

had already established after enrolling in new York’s School of visual arts, and 

tracks his metamorphosis into an ultra-prolific artist creating political public art on 

downtown streets and responding to the city’s graffiti culture, intent on making art 

that would thrive outside the boundaries of institutions. reproduced throughout are 

rarely seen drawings and sketchbooks, video stills, flyers, posters, photographs, subway 

drawings, word collages, texts and diaries. the evolution of Haring’s visual vocabulary 

in these years is explored, through his cornucopia of influences, ranging 

from Jean Dubuffet, pierre alechinsky, Jackson pollock and Henri matisse to 

William Burroughs, Dr. Seuss and Walt Disney. Haring’s heroes directly informed his 

development of interlocking geometric shapes, comic-inspired narrative storyboards 

and humor-infused homoerotic tableaux. Keith Haring: 1978–1982 unfolds the nascent 

career of this tireless creator, philosopher, agitator and activist, one of the most 

influential and popular artists of the twentieth century. 

978-3-86984-313-1 


U.S. $45.00 CDn $45.00 

august/art 


new York: Brooklyn museum, 03/16/12–07/08/12 

Thus Spoke LaChapelle 

Arbor vITAe 

Text by otto M. urban. 

the photographs of David LaChapelle (born 1963) are among the most instantly recognizable images in 

contemporary photography. His über-pop color portraits of celebrities such as Cameron Diaz, marilyn 

manson and Kanye West (whom he has portrayed, respectively, as King Kong, a crossing guard and Black 

Jesus) have propelled his work outside the closed society of galleries and museums into a wider public 

arena. Thus Spoke LaChapelle is the first retrospective of the artist’s work to include photographs from 

the mid–1980s up to the present, plus a range of work that has never previously appeared. more than an 

exhibition catalogue, this book presents the culmination of LaChapelle’s artistic activity to date: a world 

in which religious iconography comes in pink latex trappings and a new surrealism explodes in the 

conjunction of flaming pianos, giant hamburgers, orally fixated triceratops and Day-glo disaster sites. 

978-80-87164-86-0 


U.S. $95.00 CDn $95.00 

august/photography/Fashion 


101 crime-scene 

classics from the 

Mexican Weegee 

52 artBooK | D.a.p. 1.800.338.2665 

101 Tragedies of Enrique Metinides 

APerTure 

edited and with introduction by Trisha ziff. 

101 Tragedies is enrique metinides’ selection of the key 101 images from his half-century of photographing crime scenes 

and accidents in mexico for local newspapers and the notas rojas (or red pages—for their bloody content) crime press. 

alongside each image, extended captions give metinides’ account of the situation depicted—the life and characters of 

the streets, the criminals, the heroism of emergency workers and the sadness of bereaved families—revealing much of 

his personality in the process. thirty of the selected photographs are paired with their original newsprint tearsheets, 

preserved by metinides, the typography of which has inspired the design of this book. the images are compiled by 

trisha Ziff, a filmmaker and curator who knows metinides well, and who here contributes an essay about his life, work 

and personality. the first overview of the photographer in many years, 101 Tragedies is also the only metinides monograph 

comprised of images chosen by the photographer himself, and which offers his own account of his life’s work. 

Enrique Metinides (born 1934) worked as a crime photographer for more than 50 years, capturing murders, crashes and 

catastrophes for mexico’s infamous crime magazines. He has won numerous prizes and received recognition from the 

presidency of the republic, journalists’ associations, rescue and judicial corps and Kodak of mexico. In 1997 he received 

the “espejo de Luz” (mirror of Light) prize, awarded to the country’s most outstanding photographer. His work has been 

shown at numerous international venues, including the museum of modern art and anton Kern gallery, new York; 

photographers’ gallery, London; and Les rencontres d’arles photographie, arles, France. 

978-1-59711-211-6 


U.S. $50.00 CDn $50.00 

September/photography/Latin american art & Culture 

Visions of 

horror and 

decadence: the 

photographs 

of Joel-Peter 

Witkin 

Joel-Peter Witkin: Vanitas 

Arbor vITAe 

Text by otto M. urban. 

Joel-Peter Witkin: Vanitas offers a concise survey of one of the most controversial photographers alive. Since the late 1970s, 

Witkin’s black-and-white portraits and still-lifes of hermaphrodites, body parts, severed heads, mutilations and similar 

themes have inevitably provided shock fodder to the religious right, while seeming to evoke an easy relationship to ideas of 

decadence and morbidity. For Witkin, the goal is simple: “I wanted my photographs to be as powerful as the last thing a person 

sees or remembers before death.” Witkin’s photographs offer up examples of life’s extremities as unblinking confrontations 

with mortality, whose power derives not merely from their content but from the keen compositional instincts 

governing that content. Witkin’s gift for still life and his use of religious motifs such as crucifixion and sainthood have been 

nourished by his appreciation of the likes of Francisco goya, odilon redon and Hieronymus Bosch, whose examples he has 

translated for the concerns of the present. Witkin’s photographs have made a colossal impact upon contemporary culture, 

influencing artists such as the Chapman Brothers and erwin olaf, musicians such as Diamanda galás and trent reznor, 

and the late fashion designer alexander mcQueen, among many others. Vanitas provides a cross-section of the artist’s work 

from the 1970s to the present. In addition to photographs, it includes many lesser-known drawings and paintings, as well as 

Witkin’s most recent, previously unpublished photographs. a bilingual (english/Czech) text by the art historian otto m. 

Urban summarizes the development of Witkin’s life and work. 

Joel-Peter Witkin was born in Brooklyn, new York, in 1939, and lives in albuquerque, new mexico. 

978-80-87164-72-3 

Flexi, 9 x 10.25 in. / 164 pgs / 93 color. 

U.S. $40.00 CDn $40.00 

august/photography 


Quay Brothers: On Deciphering the Pharmacist’s 

Prescription for Lip-Reading Puppets 


edited by ron Magliozzi. Text by edwin Carels, the quay brothers. 

For more than 30 years, internationally renowned moving image artists and designers the Quay Brothers have been in the 

avant-garde of stop-motion puppet animation. Creating work in the tradition of Czech Surrealists Jan Švankmajer and Jiři 

trnka, russian animator Yuri norstein and polish animator Walerian Borowczyk, the twin brothers practice a design aesthetic 

influenced by the graphic surrealism of polish poster artists of the 1950s and 1960s such as Jan Lenica, roman 

Cieślewicz, Franciszek Starowieyski and Henryk tomaszewski. Since 1971, they have produced more than 45 moving images, 

including features, music videos, dance films and documentaries, and have designed sets and projections for opera, drama 

and concert performances. published to accompany an exhibition at the museum of modern art—the first presentation of the 

Quay Brothers’ work in all their fields of creative activity—this publication presents their films as well as previously unseen 

moving image works and graphic design, drawings, typography and notebooks for films. 

the Quay Brothers were born near philadelphia and have worked from their London studio, 

atelier Koninck, since the late 1970s. their works include The Street of Crocodiles (1986), the 

Stille Nacht series (1988–2008), Institute Benjamenta (1995) and In Absentia (2000). they 

have also designed sets and projections for opera, drama, and concert performances such as 

Ionesco’s The Chairs (tony-nominated design, 1997) and recent site-specific pieces based on 

the work of Bartók and Kafka. 

978-0-87070-843-5 


U.S. $24.95 CDn $24.95 

august/art/Film 


new York: the museum of modern art, 

08/12/12–01/07/13 

Stills, drawings, 

etchings, engravings 

and 

designs by the 

cult animators 

Phantom 

Museums: 

The Short 

Films of the 

Quay Brothers 

zeITGeIsT fILMs 

Best known for their classic 1986 

film Street of Crocodiles—which 

terry gilliam selected as one of the 

ten best animated films of all time— 

the Quay Brothers are masters of 

miniaturization, and with their tiny 

sets have created unforgettable 

worlds. this two-disc set contains 

13 of their classic short films in 

restored and remastered editions 

(personally supervised by the 

Quays), plus audio commentaries, 

interviews, alternative versions, 

unrealized pilot projects and more. 

Phantom Museums also features 

a gorgeously illustrated booklet, 

including a “Quay Dictionary” and 

an essay by michael atkinson. 

978-1-935-202-42-4 

DvD (ntSC), 5 x 7 in. 

U.S. $34.99 CDn $34.99 

July/Film & video/art 

Jess: O! Tricky Cad and Other Jessoterica 

sIGLIo 

edited by Michael duncan. 

the San Francisco artist Jess (1923–2004) has for decades been known to cognoscenti 

as an inventive and sophisticated master of the collage aesthetic. recently however, 

his works are receiving fresh attention from a younger generation attuned to Jess’ interests 

in myth, narrative and appropriation. Jess used images taken from sources 

ranging from Dick Tracy to Dürer, from a Beatles bubblegum card to medical textbook 

drawings, from 1887 Scientific American line engravings to frames from george 

Herriman’s Krazy Kat. In reexamining myth through a synthesis of art and literature, 

Jess’ work remains a crucial assemblage of the meanings of our time. this volume 

brings to light collages, collage books, word poems and altered comics that have been 

largely inaccessible or unavailable since their making. originally published in small 

editions and hard-to-find journals, or made as one-off artist’s books, these works 

demonstrate the full range of Jess’s extraordinary verbal and visual play. Several of 

Jess’s surreal comic-strip manipulations, Tricky Cad (1954–1959), are reproduced for 

the first time in their entirety, as are others such as Ben Big Bolt and Nance that have 

never before been published. the book also includes a group of complex wraparound 

book covers, several unpublished collage poems, and two artist’s books never before 

reproduced in full: From Force of Habit, a “fantastic tale” which plays with the pages 

of a Swedish cult sci-fi novel, and When a Young Lad Dreams of Manhood, a homoerotic 

paean (and naughty parody) of the priapic urge. a facsimile reproduction of the 

20-page collage masterpiece O! is included as a separate booklet, and the book sports 

a dustjacket that folds out into a poster-size collage. 

978-1-938221-00-2 


U.S. $47.50 CDn $47.50 

november/art/Comics & graphic novels 


Jess: To and from the Printed Page 

9780916365752 

Pbk, u.s. $29.95 Cdn $29.95 

Independent Curators International 


Bean Spasms 

By Ted Berrigan & Ron Padgett. 

GrAnArY books 

Illustrations by Joe brainard. 

ted Berrigan, Joe Brainard and ron padgett’s Bean Spasms is the defining publication of the 1960s literary/pop 

scene in new York. originally published in 1967 by Kulchur press in an edition of 1,000, and out of 

print for more than 40 years, Bean Spasms is a book many have heard about but relatively few have seen, and 

which—until now—has been consequently shrouded in legend. the text is comprised of collaborations between 

poets ted Berrigan and ron padgett, with further writings, illustrations and cover by artist and writer 

Joe Brainard. the three began collaborating in 1960, and kept a folder of their works titled “Lyrical Bullets” (a 

humorous homage to the well-known collaboration between Coleridge and Wordsworth, Lyrical Ballads). as 

ron padgett describes, in his introduction to this new facsimile edition, their collaborations included “plays, a 

fictitious correspondence, a picaresque novel, goofy interviews and poems of various types and lengths, as 

well as mistranslations and parodies of each other’s work and the work of others.” poet friends dropping by 

during writing sessions would also add lines, and although Berrigan and padgett also contributed visuals, and 

Brainard contributed texts, all works in the book were intentionally left unattributed. Full of wild wit and joy in 

experimentation, competition and collaboration, Bean Spasms is a classic document of the new York School. 

978-1-887123-80-8 

pbk, 7.5 x 10 in. / 212 pgs / 26 b&w. 

U.S. $39.95 CDn $39.95 

September/Literature 


From cut-ups to shotgun paintings, 

the art of William S. Burroughs 

The Art of William S. Burroughs: 

Cut-ups, Cut-ins, Cut-outs 


edited by synne Genzmer, Colin fallows, barry Miles, Jon savage. Interview by Allen 

Ginsberg, Lee ranaldo. 

the influence of William Burroughs on popular culture has been enormous: the Beatles, the 

Stones, andy Warhol, the velvet Underground, David Bowie, Keith Haring, David Cronenberg 

and Sonic Youth have all paid homage to the Beat writer in various media. While Burroughs’ 

life story and sexual/narcotic proclivities have had their own legacy, the “cut-up” method that 

he developed in the 1960s with his friend Brion gysin has proved his most generative legacy. 

Writers, musicians and artists of all kinds have adopted this chance procedure, which involves 

the cutting and splicing of language—or image, or sound—to produce unexpected conjunctions 

and scramble consensus reality. “the cut-up is actually closer to the facts of perception 

than representational painting,” Burroughs wrote of the method. “take a walk down a city 

street and put down what you have just seen on canvas . . . consciousness is a cut up.” this 

compendium of Burroughs’ artwork, collages, cut-ups, scrapbooks, photographs, films, 

ephemera and paintings offers a full overview of his visual output, emphasizing the importance 

and legacy of the cut-up method. In addition, it examines the significance of his tape 

cut-up experiments of the 60s and 70s, as well as his practice of collaboration across media. 

Containing much previously unseen material, The Art of William Burroughs is a definitive 

publication on a writer and artist whose influence only increases with time. 

William Seward Burroughs (1914–1997) was born in St. Louis, missouri. He studied at Harvard 

University where he graduated in 1936 and briefly attended medical school in vienna. In the 

1940s he met Jack Kerouac and allen ginsberg, thus helping to found the Beat movement, of 

which his novel Naked Lunch is a key text. 

978-3-86984-315-5 


U.S. $65.00 CDn $65.00 

September/art/photography 


vienna, austria: Kunsthalle Wien, 06/15/12–10/21/12 

New English-Language Edition! 

Gerhard Richter: 

War Cut 


In 1988, gerhard richter created one of the most controversial 

and fascinating political painting-cycles of all time, with 

his Baader-meinhof series. In 2002, he returned to the theme 

of media and political truth with his artist’s book War Cut. 

For this project, richter photographed 216 details of his abstract 

painting “no. 648-2” (1987), and, working on a long 

table over a period of several weeks, combined these 4 x 6inch 

details with 165 texts on the Iraq war, published in the 

german Frankfurter Allgemeine Zeitung newspaper on the 

dates of the war’s outbreak (march 20 and 21, 2003). “my 

method was to attach a number of texts to a number of images 

without having to think about whether something 

would be better positioned to the left or the right, above or 

below,” richter told an interviewer, for a New York Times feature 

on the publication. “I placed these images so that a connection 

develops in terms of colors, structures and other 

characteristics. . . . Some images match the cruelty and the 

madness described in the texts shockingly well. and others 

can even serve as illustrations when the texts speak of 

deserts and other landscapes.” originally published only in 

german in 2004, this long-awaited english version of this 

important artist’s book presents richter’s powerful attempt 

to accommodate the extremity of war. For this edition, 

richter applied the same process of text selection to The 

New York Times, using the same dates of the war’s outbreak. 

978-1-935202-99-8 


U.S. $75.00 CDn $75.00 

august/art/artist's Books 

On Democracy 

By Saddam Hussein. 

bAdLAnds unLIMITed/desTe 

edited by Paul Chan. Introduction by Jeff severns Guntzel. Afterword by negar Azimi, nickolas Calabrese. 

drawings by Paul Chan. 

In 2003, after returning from a monthlong stay in Baghdad, american artist paul Chan was given a gift from a colleague 

in the human-rights group voices of the Wilderness: a copy of three speeches on democracy written by Saddam 

Hussein in the 1970s, before he became president of Iraq. the speeches, compiled here for the first time in english, are 

politically perverse, yet eerily familiar. the then vice president of Iraq characterizes social democracy as demanding 

authority, and defines free will as the patriotic duty to uphold the good of the state. this volume takes the speeches as 

an opportunity to ask what democracy means from the standpoint of a notorious political figure who was anything but 

democratic, and to reflect on how promises of freedom and security can mask the reality of repressive regimes. With 

drawings by paul Chan, including a new suite in its entirety, and essays by Bidoun’s negar azimi, philosopher and 

artist nickolas Calabrese and journalist Jeff Severns guntzel, this book is the inaugural copublication of the Deste 

Foundation for Contemporary art and Chan’s own Badlands Unlimited. 

978-1-936440-32-0 


U.S. $15.00 CDn $15.00 

September/political Science/nonfiction & Criticism/artists’ Books 

Paul Chan’s salvaged Saddam Hussein speeches reveal 

the competing claims at the heart of democracy 


58 artBooK | D.a.p. 1.800.338.2665 

A half-century of landmark 

photobooks from 

van der Elsken to Lundgren 

Previously Announced. 

The Dutch Photobook 

A Thematic Selection from 1945 Onwards 

APerTure 

edited by frits Gierstberg, rik suermondt. 

the Dutch photobook is internationally celebrated for its particularly 

close collaboration between photographer, printer and designer. the 

current photobook publishing boom in the netherlands stems from a 

tradition of excellence that precedes World War II, but the postwar years 

inaugurated a period of particularly close collaboration between photographers 

and designers, producing such unique photography books as 

ed van der elsken’s Love on the Left Bank (1956) and Koen Wessing’s 

Chili, September 1973 (1973). Innovations such as the photo novel and the 

company photobook blossomed in the 1950s and 60s; later, other genres 

emerged to characterize the publishing landscape in Holland, including 

conceptual and documentary photobooks, books on youth culture, urbanism 

photobooks and landscape photobooks and travelogues. examining 

each of these genres across six themed chapters, The Dutch Photobook 

features selections from more than 100 historical, contemporary and 

self-published photobook projects. It includes landmark publications such 

as Hollandse taferelen by Hans aarsman (1989), The Table of Power by 

Jacqueline Hassink (1996), Why Mister Why by geert van Kesteren (2006) 

and Empty Bottles by Wassink Lundgren (2007). Dutch photo historians 

Frits gierstberg and rik Suermondt contribute several essays on the 

history of the genre, the collaborative efforts between photographers 

and designers and their inspiration and influences, complementing the 

high-quality reproductions of photobooks throughout. award-winning 

designer Joost grootens contributes unique charts and diagrams that 

consolidate all of these elements, in a visually unique map of the Dutch 

photobook. 

978-1-59711-200-0 


U.S. $75.00 CDn $75.00 

may/photography 

Ed van der Elsken: 

Sweet Life 

Books on Books No. 13 

errATA edITIons 

Text by frits Gierstberg, ed van der 

elsken, Jeffrey Ladd. 

In 1960, armed with two magazine 

commissions and a stipend from 

netherlands television, ed van der 

elsken (1925–1990) and his wife gerda 

set off on a fourteen-month journey 

around the world, from West africa, the 

malay peninsula, the philippines, Hong 

Kong and Japan to the United States 

and mexico. Six years after their return, 

he published his travelogue Sweet Life 

(named after a little tramp steamer in 

the philippines): a sprawling, exuberant 

chronicle of their journey and his encounters 

with a range of people in the 

streets, from joyous lovers to destitute 

down-and-outs. the book itself exhibited 

a panoply of layout effects: doublepage 

bleeds, crops, printed in deep 

gravure, and different cover designs for 

each of the six countries in which it 

was published. this legendary Dutch 

photobook is presented here complete, 

with a contemporary essay by Frits 

gierstberg. 

978-1-935004-25-7 


U.S. $39.95 CDn $39.95 



koen wessing: 

Chili september 1973 

9781935004141 

hbk, u.s. $39.95 

Cdn $39.95 

errata editions 

Keld Helmer- 

Petersen: 

122 Colour 

Photographs 



Text by Mette sandbye, keld helmer- 

Petersen, Jeffrey Ladd. 

While the rise of color photography as 

a viable artistic medium has often been 

credited to the celebrated work of 

Willam eggleston and Stephen Shore 

in the 1970s, their efforts had in fact 

been preceded by almost two decades 

by the Danish photographer Keld 

Helmer-petersen (born 1920). Helmerpetersen’s 

1948 publication of 122 

Colour Photographs stands as an extraordinary 

accomplishment: inspired 

by the realism of the neue Sachlichkeit 

movement, Helmer-petersen concentrated 

on the mundane and the everyday, 

generating a panoply of geometric 

abstractions out of curved doorknobs, 

crates of tomatoes, industrial metal 

drums and straw-colored buildings 

against milky blue skies. With this reproduction, 

accompanied by an essay 

by historian mette Sandbye, 122 Colour 

Photographs can at last assume its 

proper role as the foundational book 

that successfully put color photography 

on the map and brought modernism 

into Danish photography. 

978-1-935004-27-1 

Clth, 7 x 9.5 in. / 136 pgs / 80 color. 

U.S. $39.95 CDn $39.95 


Nobuyoshi Araki: 

The Banquet 



Text by Ivan vartanian, nobuyoshi 

Araki, Jeffrey Ladd. 

First published in Japan in 1993, 

nobuyoshi araki’s The Banquet 

(Shokuji) offers a moving tribute to the 

photographer’s late wife, Yoko, through 

a photo-diary of the food they shared 

together in the last months of her life. 

the book is composed of three related 

sections: commercial color photographs 

of meals shot by araki from 

1985 onwards, using a ring flash and a 

macro lens; a (written) food diary; and 

black-and-white photographs taken at 

home, using only available light, a series 

araki began after doctors told his 

wife she had only a month to live. as 

martin parr and gerry Badger observe, 

“the obvious metaphor is to suggest 

that the color was leaving araki’s 

world, but his intentions are not quite 

so simple. the retreat from color is a 

retreat from realism to romanticism. . . .” 

this deeply personal diary of loss is 

here reprinted in its entirety along with 

an essay by Ivan vartanian. 

978-1-935004-29-5 

Clth, 7 x 9.5 in. / 136 pgs / 40 color / 

45 b&w. 

U.S. $39.95 CDn $39.95 

September/photography/asian art & 

Culture 

Krass Clement: 

Drum 



Text by rune Gade, Jeffrey Ladd. 

photographed in a small pub in Drum, 

Ireland, on a single evening and with 

only a few rolls of film (and a rumored 

“five pints of guinness”), Krass 

Clement (born 1946) created one of the 

most important contributions to the 

contemporary Danish photobook. His 

1996 Drum opens in a darkening and 

foggy town, with a workday ending and 

some men heading off for a drink. 

through subtle shifts in focus and a 

masterful filmic sequencing, the book 

comes to concentrate on one principal 

character in the shadowy pub: a 

hunched, weather-beaten old man sitting 

alone with his drink. Drum is a 

quiet, dusky meditation on community, 

the outsider, alienation and the terrors 

of being alone. a virtually unobtainable 

and therefore highly sought-after photobook, 

Clement’s masterwork is here 

reproduced in full, accompanied with 

an essay by photo historian rune gade. 

978-1-935004-31-8 


U.S. $39.95 CDn $39.95 



Laszlo Moholy-nagy: 

60 fotos 

9781935004202 

hbk, u.s. $39.95 

Cdn $39.95 



The longawaited 

English 

publication of 

Sophie Calle’s 

legendary work 


sophie Calle: Take Care 

of Yourself 

9782742768936 

hbk, u.s. $125.00 

Cdn $125.00 

dis voir/Actes sud 

60 artBooK | D.a.p. 1.800.338.2665 

Sophie Calle: The Address Book 

sIGLIo 

The Address Book, a key and controversial work in Sophie Calle’s oeuvre, lies at the epicenter of many layers of reality 

and fiction. Having found a lost address book on the street in paris, Calle copied the pages before returning it to its 

anonymous owner. She then embarked on a search to come to know this stranger by contacting listed individuals—in 

essence, following him through the map of his acquaintances. originally published as a serial in the newspaper Libération 

over the course of one month, her incisive written accounts with friends, family and colleagues, juxtaposed with 

photographs, yield vivid subjective impressions of the address book’s owner, pierre D., while also suggesting ever more 

complicated stories as information is parsed and withheld by the people she encounters. Collaged through a multitude of 

details—from the banal to the luminous, this fragile and strangely intimate portrait of pierre D. is a prism through which 

to see the desire for, and the elusivity of, knowledge. Upon learning of this work and its publication in the newspaper, 

pierre D. expressed his anger, and Calle agreed not to republish the work until after his death. Until then, The Address 

Book had only been described in english—as the work of the character maria turner, whom paul auster based on Calle 

in his novel Leviathan; and in Double Game, Calle’s monograph which converses with auster’s novel. this is the first 

trade publication in english of The Address Book (gemini g.e.L. in Los angeles released a suite of lithographs modeled 

on the original tabloid pages from Libération in an edition of 24). the book has the physical weight and feel of an actual 

address book with a new design of text and images which allow the story to unfold and be savored by the reader. 

978-0-9799562-9-4 


U.S. $29.95 CDn $29.95 

october/art/artists’ Books 

The first in a two-volume compilation of essays 

on art by one of today’s most imaginative writers 

The Symbol Gives Rise to Thought: 

Writings on Art by Marina Warner 

Volume I 

vIoLeTTe edITIons 

edited by vivian sky rehberg. 

this collection brings together a selection of writings on art by the internationally 

acclaimed novelist, historian and critic marina Warner. For 30 years Warner has 

published widely on a range of art-world subjects and objects, from contemporary 

installation and film works to paintings by Flemish and Italian renaissance masters, 

through victorian photography and twentieth-century political drawings and prints. 

Warner’s extraordinary curiosity in art and culture is conveyed in writing that is at 

once poetic and playful, elegant and rigorous, training our eyes on the smallest of 

details while painting a broad-brushstroke landscape of art past and present. themes 

familiar to Warner’s readers—myth and fantasy, psychic and sexual experience, the 

vast and marvelous expanse of the human imagination—are treated in the lectures 

and articles, stories, interviews and essays contained here, some of which are 

published for the first time or republished from out-of-print sources. 

For the first of two volumes, editor vivian Sky rehberg has assembled themed 

sections titled “playing in the Dark,” “telling tales” and “phantom technologies.” 

texts include interviews with tacita Dean and paula rego; catalogue essays on 

Leonora Carrington, Henry Fuseli, Zarina Bhimji, tony oursler and Fischli/Weiss; 

articles on tracy emin, marlene Dumas, Louise Bourgeois; stories for artist’s books 

by Kiki Smith and Helen Douglas; and lectures on Francis Bacon, Hieronymous Bosch 

and William Kentridge. The Symbol Gives Rise to Thought invites us to explore new 

ways of seeing and engaging with the traces of our artistic heritage. 

Marina Warner is a writer of fiction, criticism and history. Holder of 12 honorary 

degrees and two honorary fellowships, Warner is a Fellow of the British academy and 

of the royal Society of Literature. She has judged the the Jerwood Drawing prize and 

the turner prize; she is a regular broadcaster on the BBC, and has taught and given 

lectures worldwide, including the national gallery and ICa, London and the prado 

in madrid; she has delivered the presidential Lecture at Stanford University and the 

Carpenter Lecture at Harvard. She has been awarded a CBe, Chevalier de l'ordre des 

arts et des Lettres, France and Commendatore dell'ordine della Stella di Solidareità, 

Italy. Warner is a winner of the aby Warburg prize and a getty Scholar. 

Vivian Sky Rehberg is an art historian and critic based in paris and rotterdam. a 

founding editor of Journal of Visual Culture, she is a contributing editor of Frieze, 

and has written for numerous contemporary art publications. previously Chair of 

the department of Critical Studies at parsons paris School of art + Design, where 

she taught modern and contemporary art, rehberg is currently Course Director for 

the masters in Fine art at piet Zwart Institute in rotterdam.. 

978-1-900828-39-0 


U.S. $40.00 CDn $40.00 

november/art/nonfiction & Criticism 

“Marina Warner’s essays and lectures reveal a consistently 

honest and agile mind preoccupied with the powerful 

controlling fictions of our lives.” —The Observer 

“You can stand in a supermarket queue, 

looking at the items in the trolley, reading 

the cover stories on Family Circle and 

glancing at the other people waiting near 

you; and at the same time, your head can 

be filled with pictures, some of which are 

memories, but many of which are fantasies, 

hopes, speculations, daydreams and 

parts of night dreams, none of which has 

been seen with the eyes of the body and 

maybe never will be. Consciousness is a 

picture palace, among other things; and 

one that is filled with phantasms.” 

Excerpt from The Symbol Gives Rise to Thought 


Two early modernist classics in new translations 

“The serene and gentle amazement with which [Scheerbart] tells 

of the strange natural laws of other worlds . . . makes him one of 

those humorists who, like Lichtenberg or Jean Paul, seem never 

to forget that the earth is a heavenly body.” —Walter Benjamin 

The Book of Monelle 

By Marcel Schwob. 

wAkefIeLd Press 

When marcel Schwob published The Book of Monelle in French in 1894, it immediately became the unofficial bible of the 

French Symbolist movement, admired by such contemporaries as Stéphane mallarmé, alfred Jarry and andré gide. a 

carefully woven assemblage of legends, aphorisms, fairy tales and nihilistic philosophy, it remains a deeply enigmatic 

and haunting work more than a century later, a gathering of literary and personal ruins written in a style that evokes both 

the Brothers grimm and Friedrich nietzsche. The Book of Monelle was the result of Schwob’s intense emotional suffering 

over the loss of his love, a “girl of the streets” named Louise, whom he had befriended in 1891 and who succumbed to 

tuberculosis two years later. transforming her into the innocent prophet of destruction, monelle, Schwob tells the stories 

of her various sisters: girls succumbing to disillusionment, caught between the misleading world of childlike fantasy and 

the bitter world of reality. this new translation reintroduces a true fin-de-siècle masterpiece into english. 

a secret influence on generations of writers, from guillaume apollinaire and Jorge Luis Borges to roberto Bolaño, Marcel 

Schwob (1867–1905) was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom 

he translated into French). paul valéry and alfred Jarry both dedicated their first books to him, and he was the uncle of 

Surrealist photographer Claude Cahun. 

978-0-9841155-8-7 

pbk, 4.5 x 7 in. / 136 pgs / 2 b&w. 

U.S. $12.95 CDn $12.95 

november/Literature 

Lesabéndio 

An Asteroid Novel 

By Paul Scheerbart. 

wAkefIeLd Press 

First published in german in 1913 and widely considered to be paul Scheerbart’s masterpiece, Lesabéndio is an intergalactic 

utopian novel that describes life on the planetoid pallas, where rubbery suction-footed life forms with telescopic 

eyes smoke bubble-weed in mushroom meadows under violet skies and green stars. amid the conveyor-belt highways 

and lighthouses weaving together the mountains and valleys, a visionary named Lesabéndio hatches a plan to build a 

44-mile-high tower and employ architecture to connect the two halves of their double star. a cosmic ecological fable, 

Scheerbart’s novel was admired by such architects as Bruno taut and Walter gropius, and such thinkers as Walter Benjamin 

and gershom Scholem (whose wedding present to Benjamin was a copy of Lesabéndio). Benjamin had intended 

to devote the concluding section of his lost manuscript “the true politician” with a discussion of the positive political 

possibilities embedded in Scheerbart’s “asteroid novel.” as translator Christina Svendsen writes in her introduction, 

“Lesabéndio helps us imagine an ecological politics more daring than the conservative politics of preservation, even as 

it reminds us that we are part of a larger galactic set of interrelationships.” this volume includes alfred Kubin’s illustrations 

from the original german edition. 

Paul Scheerbart (1863–1915) was a novelist, playwright, poet, newspaper critic, draftsman, visionary, proponent of glass 

architecture and would-be inventor of perpetual motion, who wrote fantastical fables and interplanetary satires that were 

to influence expressionist authors and the german Dada movement, and which helped found german science fiction. 

978-0-9841155-9-4 

pbk, 6 x 9 in. / 232 pgs / 16 b&w. 

U.S. $15.95 CDn $15.95 

December/Literature 


The Perpetual Motion Machine 

9780984115549 

Pbk, u.s. $12.95 Cdn $12.95 

wakefield Press 

“The most perfect pages . . . the most simple and the most religiously 

profound it has been given me to read. . . .” —Maurice Maeterlinck 

Back in Stock! 

Composition 

in Retrospect 

By John Cage. 

exACT ChAnGe 

Written in his characteristic “mesostics” 

(lines of prose poetry linked by a 

central vertical acrostic), Composition 

in Retrospect is a statement of methodology 

in which composer John Cage 

examines the central issues of his 

work: indeterminacy, imitation, variable 

structure and contingency. Finished 

only shortly before his death in 

1992, Composition in Retrospect completes 

the documentation of Cage’s 

thought that began with his classic 

book Silence (1961), but it is an introduction 

and invitation to his work as 

much as a summary or conclusion. 

also included in this volume (at Cage’s 

request) is “themes and variations,” a 

piece written in 1982 about friends and 

heroes such as Jasper Johns, Buckminster 

Fuller, marcel Duchamp and erik 

Satie. together these pieces form a 

book that is both a testament to the 

artists Cage admired and a clear statement 

of his own ars poetica. 

978-1-878972-11-8 

pbk, 8 x 6 in. / 184 pgs. 

U.S. $15.95 CDn $15.95 

available/music 


John Cage: every day is a 

Good day 

9781853322839 

Pbk, u.s. $30.00 Cdn $30.00 

hayward Publishing 


The Hearing 

Trumpet 

By Leonora Carrington. 

exACT ChAnGe 

Introduction by helen byatt. 

Leonora Carrington (1917–2011), the 

distinguished British-born Surrealist 

painter who made her home in mexico 

City, was also a writer of extraordinary 

imagination and charm, and The Hearing 

Trumpet is perhaps her best loved 

book. It tells the story of 92-year-old 

marian Leatherby, who is given the gift 

of a hearing trumpet only to discover 

that her family has been plotting to 

have her committed to an institution. 

But this is an institution where the 

buildings are shaped like birthday 

cakes and igloos, where the Winking 

abbess and the Queen Bee reign, and 

where the gateway to the underworld is 

wide open. It is also the scene of a 

mysterious murder. occult twin to 

Alice in Wonderland, The Hearing 

Trumpet is a classic of fantastic literature 

that has been translated and celebrated 

throughout the world. 

978-1-878972-19-4 

pbk, 6 x 8 in. / 224 pgs. 

U.S. $15.95 CDn $15.95 

September/Literature 

Elizabeth Bishop: 

Objects & 

Apparitions 

TIbor de nAGY GALLerY 

Text by Joelle biele, dan Chiasson, 

Lloyd schwartz. 

today established as one of the twentieth 

century’s most important poets, 

elizabeth Bishop (1911–1979) was also a 

gifted artist and collector of art and artifacts, 

many of which were collected 

from her years in Brazil. Objects and 

Apparitions explores for the first time 

Bishop’s art: her delicate, miniaturist 

watercolors and gouaches of domestic 

vignettes; her tenderly fabricated, Cornell-esque 

constructions; and several 

works of art from her own collection, 

including family portraits and a bird 

cage modeled on a medieval cathedral. 

many of these are reproduced here for 

the first time in full color, alongside 

poems, archival photographs and essays 

by Bishop scholars Joelle Biele, 

Dan Chiasson and Lloyd Schwartz that 

discuss Bishop’s art and its relationship 

to her poetry. published for a critically 

acclaimed show at tibor de nagy 

gallery, this handsomely produced volume 

shows Bishop’s visual instincts to 

be as flawlessly poised and exquisite as 

her poetical sensibility. 

978-1-891123-02-3 

Hbk, 8 x 9.75 in. / 48 pgs / 25 color / 

5 b&w. 

U.S. $35.00 CDn $35.00 

July/Literature/art 

Invented Symbols 

An Art Autobiography 

By Alex Katz. 

ChArTA/CoLbY CoLLeGe MuseuM 

of ArT 

edited by vincent katz, Phong bui. 

foreword by sharon Corwin. 

Invented Symbols is alex Katz’s memoir 

of his education in art. Katz’s story 

begins with his parents, russian emigrés 

involved in theater, and discusses 

everything from his finding a high 

school that offered the possibility of 

drawing from antique casts, to his acceptance 

at the Cooper Union, his decision 

to become a fine artist and 

beyond. Katz has always steeped himself 

in the literature of his time, having 

often painted and collaborated with 

poets, and it is no surprise that his take 

on autobiography should be particularly 

considered and original in its 

composition: the entire text of Invented 

Symbols is in fact a transcription 

of the artist recounting his 

memories aloud, typed up by his son, 

poet vincent Katz. this book revises 

and expands upon the 1997 Hatje 

Cantz edition, long out of print. 

978-88-8158-840-4 

pbk, 5.75 x 8.5 in. / 112 pgs / 108 b&w. 

U.S. $29.95 CDn $29.95 

September/art/nonfiction & Criticism 


Alex katz: new York 

9788881586349 

hbk, u.s. $45.00 

Cdn $45.00 

Charta/Irish Museum 

of Modern Art 


Contemporary Avant-Garde Literature 

Lydia’s Funeral 

Video 

By Samantha Chanse. 

kAYA Press 

Illustrated by Jenifer wofford. 

Lydia’s Funeral Video is a one-woman 

play written and performed by 

Samantha Chanse, a writer, performer, 

educator and arts organizer based in 

new York and San Francisco. In 

this apocalyptic satire, devout bank 

clerk Lydia Clark-Lin has 28 days to 

terminate an unplanned pregnancy, 

shoot her own funeral video and do 

some standup comedy. as the camera 

rolls and Lydia gamely sets about her 

grim task, a story emerges that is at 

once hilarious and unnerving. this 

publication unites the full theater 

script of Lydia’s Funeral Video with 

a new counterpoint narrative that 

enhances this dynamic realization 

of a live theater experience in book 

form. It also includes development 

and production notes that chart the 

daunting process of developing a 

solo performance, along with project 

documentation and community 

response and engagement. Seamlessly 

weaving in questions of race, gender 

identity and more existential 

questions, Lydia’s Funeral Video 

is bold, unpredictable storytelling 

at its inventive and unsettling best. 

978-1-885030-08-5 

pbk, 7 x 8 in. / 112 pgs / 12 b&w. 

U.S. $15.95 CDn $15.95 

november/Literature/asian arts & 

Culture 

64 artBooK | D.a.p. 1.800.338.2665 

Magnetic Refrain 

By Nicky Sa-eun Schildkraut. 

kAYA Press 

adopted from Korea at the age of two, 

nicky Sa-eun Schildkraut grew up in 

new england, a circumstance that inevitably 

prompted an early fascination 

with the diaspora that followed the 

Korean civil war. She observes that, 

accordingly, “many of my poems 

repeat and return to the themes of 

inarticulable loss, separation, and 

reimagination of the family and 

kinship.” as the title of this debut 

collection suggests, Schildkraut 

locates these themes in a formal 

expression oriented between refrain 

as song and refrain as restraint—“a 

nuanced method of expressing 

the equivocal and uncertain” that 

produces a tense flexibility in the look 

and feel of her poems. Schildkraut’s 

provocative and intensely lyrical 

poems seek to both unsettle and 

complicate presumptions about what 

binds people together in times of 

longing and loss. they do not draw 

solely on personal experience, but 

also tell the larger tale of the Korean 

diaspora—particularly the experiences 

of its women—in stories of war brides, 

defectors, birth mothers and other 

adoptees. 

978-1-885030-06-1 

pbk, 5.5 x 7 in. / 80 pgs. 

U.S. $14.95 CDn $14.95 

october/poetry/asian arts & Culture 

The Hanging on 

Union Square 

By H.T. Tsiang. 

kAYA Press 

foreword by floyd Cheung. 

originally self-published in 1935, 

H.t. tsiang’s hallucinatory, quasiexperimental 

novel Hanging on Union 

Square explores leftist politics in 

Depression-era new York—an era of 

union busting and food lines—in an 

ambitious style that brilliantly blends 

gertrude Stein’s playful language with 

the political satire of Carl Sandberg’s 

prose fables. It follows the peripatetic 

musings of a young man throughout 

a single day that takes him from a 

worker’s cafeteria to a world of dinner 

clubs and sexual exploitation in the 

highest echelons of society, and 

back again to the streets of greenwich 

village, where starving families rub 

shoulders with the recently evicted. 

each chapter comprises a single hour 

of the day. tsiang’s style combines 

satirical allegory with snatches of 

poetry, newspaper quotations, nonsequiturs 

and slogans, as well as elements 

of classical and contemporary 

Chinese literature. adventurous 

and unclassifiable in its combination 

of avant-garde and proletarian 

concerns, Hanging on Union Square 

is a major rediscovery of a uniquely 

american voice. 

978-1-885030-09-2 

pbk, 5 x 9 in. / 240 pgs / 2 b&w. 

U.S. $17.95 CDn $17.95 

September/Literature/asian arts & 

Culture 

The Moiré Effect 

By Lytle Shaw. 

book horse/CAbIneT books 

edited by Lex Trüb, Jeffrey kastner, 

sina najafi. 

the life of legendary Swiss photographer 

ernst moiré is so shrouded 

in speculation that he sometimes 

seems more like a phantasm than the 

flesh-and-blood figure whose name 

will forever be linked with the wellknown 

printer’s error. Yet as scholar 

Lytle Shaw reveals in The Moiré Effect, 

when it comes to monsieur moiré and 

his circle, fact is often stranger than 

fiction. tracking the artist from his 

humble alpine beginnings as the son 

of a postal clerk to his fateful founding 

of a Zurich photography studio in 

the 1890s and his subsequent role 

in the lives of a number of curious 

figures—including the legendary 

Dutch architect mer awsümbildungs, 

the theosophist philosopher rudolf 

Steiner and several members of the 

secretive Chadwick family—The Moiré 

Effect takes readers on a journey from 

the elegant salons of Swiss palazzi to 

the dusty bowels of ancient archives 

to a conclusion as hair-raising as it is 

oblique. 

978-3-9523391-3-8 

pbk, 4.5 x 7.25 in. / 128 pgs / 10 b&w. 

U.S. $12.00 CDn $12.00 

July/Literature 

Curiosity and Method: Ten Years of Cabinet 

Magazine 

CAbIneT books 

Since its launch in late 2000, Cabinet magazine has become a touchstone for a certain approach to 

understanding culture, one that shuns orthodox distinctions—high/low, serious/humorous, professional/amateur—in 

favor of a commitment to the idea that all objects, practices and discourses can, 

if read against the grain, teach us something important about the world. Its hybrid sensibility 

merges the visually engaging style of an arts periodical, the exuberance of a fanzine and the indepth 

exploration of a scholarly journal to create a sourcebook of ideas for an international audience 

of readers, from artists and designers to scientists, philosophers and historians. Using essays, 

interviews and artist projects to present a variety of topics in language accessible to the non-specialist, 

Cabinet has aimed to encourage a new culture of curiosity. this anthology brings together 

some of the most interesting successes, and a few instructive failures, published in the first 40 issues 

of Cabinet, virtually all of which are sold out, along with essays specially commissioned for 

the volume. It includes texts and artist projects by Francis alÿs, Jonathan ames, Janine antoni, 

Barbara m. Benedict, Daniel Birnbaum, D. graham Burnett, Francis Cape, anne Carson, paul 

Collins, Lorraine Daston, moyra Davey, mark Dery, Brian Dillon, Jeff Dolven, Spencer Finch, Douglas 

gordon, anthony grafton, Sabrina gschwandtner, rachel Harrison, Shelley Jackson, 

Jonathan Lethem, virgil marti, albert mobilio, vik muniz, alexander nagel, matthew ritchie, 

Daniel rosenberg, alexandre Singh, Jane South, Christopher turner, marina Warner and many 

others. 

978-1-932698-56-5 

Clth, 6.5 x 9 in. / 400 pgs / 240 color / 120 b&w. 

U.S. $35.00 CDn $35.00 

December/art/nonfiction & Criticism 

A Crazy Job: Leading Publishers in Conversation 

with Juan Cruz Ruiz 

IvorYPress 

edited and introduction by elena ochoa foster. Text by Juan Cruz ruiz. 

With the explosion of digital publishing and online retailing, and the collapse of major bookstore chains 

and traditional publishing houses, the book industry has changed dramatically over the past decade. 

However, it is also true that the industry is reinventing itself, with book sales up from 20 years ago in 

several categories and new “localist” loyalties evident at innovative independent stores. How are we to 

make sense of the shifts that have occurred over the past decade and half-century, and what might the 

future bring? to address these questions, Ivorypress presents a selection of interviews with some of the 

most important figures in this century’s international publishing community, conducted by noted Spanish 

journalist Juan Cruz, author of the prize-winning literary-scene memoir, Egos revueltos (Scrambled 

Egos). Cruz interviews the world’s top editors and publishers about their careers, the future of books and 

the evolving profession of book editor. Interviewees include riccardo Cavallero of mondadori, Italy’s 

biggest book and magazine publisher; Joaquín Díez-Canedo of Fondo de Cultura económico, one of the 

most important publishing houses in mexico and Latin america; Inge Feltrinelli, head of the influential 

Italian publishing house, Feltrinelli editore; antoine gallimard, director of publications at the renowned 

Éditions gallimard; Jorge Herralde, proprietor and director of the revered experimental Spanish publishing 

house editorial anagrama; Sigrid Kraus, publisher of Salamandra; michael Krüger, chief reader 

at germany’s prestigious Hanser verlag; peter mayer, president and publisher of the distinguished 

american independent, overlook press; Beatriz de moura, founder and publisher of Spanish independent 

tusquets editores; Stephen page, publisher of the UK independent, Faber and Faber; rob Silvers, editor 

of the New York Review of Books; and george Weidenfeld, cofounder of Weidenfeld & nicolson. 

978-84-939498-1-5 

Hbk, 5.5 x 8.25 in. / 250 pgs / 12 b&w / 12 duotone. 

U.S. $37.00 CDn $37.00 

July/nonfiction & Criticism 


Bestsellers Back in Print 

New Edition! 

Walker Evans: 

Decade by Decade 

hATJe CAnTz 

edited and with text by James Crump. 

Walker evans (1903–1975) is, without doubt, one of the 

most influential american photographers ever, and 

many of his images have become fixed in the collective 

memory. But while evans’ uncompromising 

depiction of poverty during the great Depression of 

the 1930s, the subject of a series commissioned by 

the Farm Security administration, has become a key 

chapter in the history of photography, his equally 

innovative images from later decades have generally 

commanded less attention. Back in print, this bilingual 

monograph attempts to redress the balance 

by examining evans’ complete body of work, and 

features many rarely seen photographs, including his 

final works, a sequence of polaroids shot in the early 

1970s (a sequence made possible by an unlimited 

supply of film from its manufacturer). evans’ 

re-ascendancy in the 1970s and his relationship with 

legendary museum of modern art curator John 

Szarkowski are also closely examined, in this essential 

and definitive volume on a great photographer 

who certainly achieved his aim to produce pictures 

that were “literate, authoritative, transcendent.” 

978-3-7757-3340-3 


U.S. $75.00 CDn $75.00 


66 artBooK | D.a.p. 1.800.338.2665 

Previously Announced—Back in Stock! 

Sebastião Salgado: 

Workers 

An Archaeology of the Industrial Age 

APerTure 

more than those of any other living photographer, 

Sebastião Salgado’s images of the world’s poor stand 

in tribute to the human condition. His transforming 

photographs bestow dignity on the most isolated and 

neglected, from famine-stricken refugees in the Sahel 

to the indigenous peoples of South america. Workers 

is a global epic that transcends mere imagery to become 

an affirmation of the enduring spirit of working 

women and men. the book is an archaeological exploration 

of the activities that have defined labor 

from the Stone age through the Industrial age, to the 

present. Divided into six categories—”agriculture,” 

“Food,” “mining,” “Industry,” “oil” and “Construction”—the 

book unearths layers of visual information 

to reveal the ceaseless human activity at the core of 

modern civilization. extended captions provide a historical 

and factual framework for the images. “Salgado 

unveils the pain, the beauty, and the brutality of 

the world of work on which everything rests,” wrote 

arthur miller of this photobook classic, upon its original 

publication in 1993. “this is a collection of deep 

devotion and impressive skill.” an elegy for the passing 

of traditional methods of labor and production, 

Workers delivers a message of endurance and hope. 

978-0-89381-525-7 

Hbk, 9.75 x 13 in. / 400 pgs / 346 duotone. 

U.S. $100.00 CDn $100.00 

available/photography 

Previously Announced—New Edition! 

Ron Church: California 

to Hawaii 1960 to 1965 

T.AdLer books/The surfer's JournAL 

edited by Tom Adler. foreword by steve Pezman. 

Introduction by brad barrett. Text by steve Pezman, 

brad barrett, ron Church. 

Co-published by t. adler Books and the wave-rider’s 

Bible, The Surfer’s Journal, this deluxe collection of 

mostly previously unpublished vintage surfing photographs 

by the cult surf documentarian, ron Church, 

offers a glimpse into the last moments of a small and 

innocent brand of West Coast surf culture before it 

became swallowed up by today’s wave jockeying, 

plastic surfboards and manufactured surf wear (to 

say nothing of the surf media). Church, who died at 

age 39 in 1973, was an amateur surfer himself, as well 

as an adventurer and a cameraman with the deep-sea 

explorer Jacques Cousteau. In photographing his 

peers, Church preferred to paddle out with his waterproof 

equipment, shooting low to the water and far 

from shore. He was among the earliest photographers 

to take a professional interest in the sport from any 

angle. In order to assemble this volume, publisher 

tom adler scoured Church’s long-defunct proof 

sheet binders, maintained for decades by his widow. 

provoked by their sheer volume, adler selected the 

more offbeat moments from Church’s multi-image 

studies, piecing together an evocative, often moody 

collection. this new edition comes in a printed 

and numbered box. 

978-0-9663771-7-0 

Boxed, Hbk, 12 x 12 in. / 180 pgs. / 4 color / 177 b&w. 

U.S. $60.00 CDn $60.00 

June/photography/Sports 


surf Contest 

Clth, u.s. $45.00 Cdn $45.00 

9781890481506 

T. Adler books 


Russian Criminal Tattoo Encyclopaedia 

Volume III 

fueL PubLIshInG 

edited by damon Murray, stephen sorrell. Introduction by Alexander sidorov. Text and drawings 

by danzig baldaev. 

this volume of drawings and photographs completes the Russian Criminal Tattoo Encyclopaedia 

trilogy. Danzig Baldaev’s unparallelled ethnographic achievement, documenting more than 3,000 

tattoo drawings, was made during a lifetime working as a prison guard. His recording of this esoteric 

world was reported to the KgB, who unexpectedly supported him, realizing the importance of being 

able to establish facts about convicts by reading the images on their bodies. the motifs depicted 

represent the uncensored lives of the criminal classes, ranging from violence and pornography to 

politics and alcohol. a medieval knight is surrounded by the severed heads of his enemies, a naked 

woman simultaneously services a man and two dwarfs, a crying president gorbachev grips a human 

bone between sabre-like fangs, a group of angels drink vodka with god on a cloud—the meanings of 

these arresting images are explained to the uninitiated eye. Sergei vasiliev’s graphic photographs 

show the grim reality of the russian prison system and some of the alarming characters that inhabit 

it, while the illustrated criminals of russia tell the tale of their closed society. this volume, the last in 

the trilogy, includes an introduction by historian alexander Sidorov exploring the origins of the 

russian criminal tattoo and their various meanings today. 

978-0-9550061-9-7 

Hbk, 5 x 8 in. / 400 pgs / 350 b&w. 

U.S. $32.95 CDn $32.95 


“A fantastic, mind-blowing photo and graphics book documenting 

the subculture of tattooing in Russian prisons.” —David Cronenberg 


russian Criminal Tattoo 

encyclopedia vol. 1 

9780955862076 

hbk, u.s. $32.95 Cdn $32.95 

fueL Publishing 

Doomsdate: 2013 Calendar 

A Project by Mark Hagen 

PAPer ChAse Press 

russian Criminal Tattoo 

encyclopedia volume II 

9780955006128 

hbk, u.s. $32.95 Cdn $32.95 


danzig baldaev: 

drawings from the Gulag 

9780956356246 

hbk, u.s. $32.95 Cdn $32.95 


Despite its poor—that is, zero—rate of success (to date), predicting the end of the world has never 

ceased to be a popular sport throughout the history of humankind. If the turn of the millennium has 

appeared to provoke an uptick in this sport, this week- and month-at-a-glance calendar for 2013 shows 

that apocalypse speculation dates back at least as far as the first century aD. Compiled by artist mark 

Hagen, Doomsdate provides more than 200 listings of doomsday predictions, from the writings of 

early Christian cults such as the Donatists to more recent lapses of sanity, such as ronald reagan’s observation 

to James mills in 1971, regarding the Libyan revolution: “For the first time ever, everything 

is in place for the Battle of armageddon and the Second Coming of Christ.” Bringing an improbably 

apocalyptic twist to the homely format of the moleskin notebook, this leatherbound calendar contains 

approximately 16 doomsday predictions per month, as well as a lengthy notebook section at the back. 

978-0-9852044-2-6 

Leatherbound, 7.5 x 10 in. / 100 pgs. 

U.S. $19.95 CDn $19.95 

July/popular Culture 


EBOOKS ON THE ARTS 

Digital art books for iPad, Nook and Kindle. 

ARTBOOK | DIGITAL and D.A.P. distributes eBooks on the arts from some 

of the world’s finest museums and publishers, such as the the Guggenheim 

Museum; The Museum of Fine Arts, Boston; Gregory R. Miller & Co.; JRP|Ringier; 

and Metropolis Books. We are also proud to announce the new eBook imprint 

from The Cooper-Hewitt Design Museum, DesignFile. 

CURATING & CRITICISM 

Thinking Contemporary Curating 

By terry Smith. 

ICI 

Air Guitar 

By Dave Hickey. 

art ISSUeS preSS 

Seen Written 

Selected Essays 

By Klaus Kertess. 

gregorY r. mILLer & Co. 

A Brief History of Curating 

By Hans Ulrich obrist. 

Jrp|rIngIer 

On Curating 

Interviews with Ten International Curators 

By Carolee thea. 

artBooK |DIgItaL 

ART HISTORY 

Rembrandt’s Nose 

Of Flesh and Spirit in the Master’s Portraits 

By michael taylor. 


Sargent’s Daughters 

Biography of a Painting 

By erica e. Hirshler. 

mFa pUBLICatIonS 

CONTEMPORARY ART 

Barry McGee 

edited by Lawrence rinder, Dena Beard. text by 

alex Baker, natasha Boas, germano Celant. 

artBooK |DIgItaL/UC BerKLeY 

Kippenberger 

The Artist and His Families 

By Susanne Kippenberger. 

J&L BooKS 

Maurizio Cattelan: All 

By nancy Spector. 

gUggenHeIm mUSeUm 

PHOTO 

Larry Sultan & Mike Mandel: 

Evidence 

essays by Sandra philips and robert Forth. 


Photographs Not Taken 

A Collection of Photographers’ Essays 

edited by Will Steacy. Introduction by Lyle rexer. 

DaYLIgHt 

Moby: Destroyed 

photographs and text by moby. 


FICTION 

Waylaid 

By ed Lin. 

KaYa/mUae 

This is a Bust 

By ed Lin. 

KaYa 

Eye of the Fish 

By Luis Francia. 

KaYa 

Available only as ebooks, the Guggenheim’s 

forthcoming reader series present 

important scholarship from throughout 

the museum’s history. Also forthcoming 

is the Guggenheim Forum reader, a 

collection of the first eight installments 

in the museum’s online discussions series. 

Cooper-Hewitt is launching DesignFile, a 

consortium of academic and museum institutions 

that will publish e-books on design 

writing and research. Parsons The New 

School for Design and the School of Visual 

Arts have joined DesignFile for Fall 2012. 

ARCHITECTURE & DESIGN 

Bill’s Design Talks 

By Bill moggridge. 

DeSIgnFILe 

The Smithsonian’s Haiti Cultural 

Recovery Project 

By Bethany romanowski, Sarah Scaturro. 

DeSIgnFILe 

Design Cult 

By Steven Heller. 

DeSIgnFILe 

The Miser’s Purse 

By Laura Camerlengo. 

DeSIgnFILe 

Hacking Design 

By avinash rajagopal tinkering. 

DeSIgnFILe 

Design with the Other 90%: Cities 

text by Cynthia e. Smith. 

DeSIgnFILe 

Design For the Other 90% 

text by Cynthia e. Smith, et al. 

DeSIgnFILe 

Graphic USA 

An Alternative Guide to 25 U.S. Cities 

edited by Ziggy Hanaor. texts by Bryan 

Keplesky, tal rosner, michelle Weinberg, 

Camillia BenBassat, et al. 

CICaDa BooKS 

Material Change 

Design Thinking and the Social 

Entrepreneurship Movement 

By eve Blossom. Foreword by Yves Behar. 

metropoLIS BooKS 

Complete list at: www. artbook.com/ebooks.html 


FALL HIGHLIGHTS 

daan van Golden, spread from Youth Is an Art, 1997. 

from The Dutch Photobook, published by Aperture. see page 58.

Painting from the Baroque to Symbolism 

The Baroque virtuoso as Expressionist forefather 

Van Dyck in Sicily 

1624–1625 Painting and the Plague 



el Greco 

9788434309661 

hbk, u.s. $34.00 Cdn $34.00 

Poligrafa 

Text by xavier salomon. 

In spring 1624, the Flemish Baroque painter anthony van Dyck (1599–1641) traveled from his home base of 

genoa to live in palermo, Sicily. there, van Dyck found a network of Flemish artists and genoese merchants 

that provided him with important connections for his career. published for an exhibition at London’s Dulwich 

picture gallery, this volume takes a close look at van Dyck’s Sicilian years. Its first section focuses on the famous 

portrait of emanuel Filibert, reuniting the work with the actual armor worn by the Italian viceroy in the painting, 

and examining other portraits of the Sicilian period, as well as devotional works. Shortly after van Dyck’s arrival 

in Sicily, the plague struck palermo, and the second portion of the book addresses its effects on both the city and 

on motifs in van Dyck’s art, such as his paintings of Saint rosalia interceding for palermo’s safety. 

978-88-366-2172-9 


U.S. $40.00 CDn $40.00 

September/art 


London, england: Dulwich picture gallery, 02/15/12–05/27/12 

El Greco and 

Modernism 

hATJe CAnTz 

edited by beat wismer, Michael scholz-hänsel. 

Text by beat wismer. 

the oeuvre of el greco (1541–1614) was first 

introduced to a broad german audience in 1910, 

through Julius meier-graefe’s The Spanish 

Journey. numerous artists subsequently caught 

“greco fever” when they first saw larger groups 

of his works in the exhibitions that followed in 

munich in 1911 and Düsseldorf in 1912. In his disregard 

for the renaissance rulebook of painting, 

his love of dramatic mood and emphasis on 

emotive color and form, el greco provided a 

crucial precedent for painters such as max 

Beckmann, oskar Kokoschka, max oppenheimer, 

Ludwig meidner and especially members of the 

Blaue reiter (august macke, Franz marc, albert 

Bloch and others). El Greco and Modernism 

presents more than 40 paintings by el greco, 

gathered from the most famous museums around 

the world, and sets them alongside the work of 

the modernists he influenced. Describing his critical 

role in such currents as Symbolism, Cubism, 

expressionism and abstract art, this catalogue 

offers a richly illustrated account of how an artist 

who, in his time, had no imitators and virtually no 

pupils, would become a flexible lens for artistic 

self-discovery and one of the fathers of modernism 

in the early years of the twentieth century. 

978-3-7757-3327-4 


U.S. $75.00 CDn $75.00 

august/art 

Dark Romanticism 

From Goya to Max Ernst 

hATJe CAnTz 

edited by felix krämer. Text by Ingo borges, dorothee Gerkens, Johannes Grave, Mareike henning, 

felix krämer, Manuela Mena Marqués, Claudia wagner, et al. 

From its very inception in the late eighteenth century, romanticism’s celebration of euphoria and 

sublimity has been dogged by its equally intense fascination with melancholia, insanity, crime, 

the grotesque and the irrational. In 1930, the famous literary theorist mario praz named this strain 

in literature “Dark romanticism,” but its equivalent in art has never been thoroughly assessed in 

art history. this volume is the first to examine a current that runs from goya’s war etchings 

through Symbolism and up to Surrealism, presenting romanticism as an intellectual position 

that was embraced throughout europe and that endured into the twentieth century. among the 

artists included are Henry Fuseli, William Blake, Caspar David Friedrich, victor Hugo, arnold 

Böcklin, gustave moreau, odilon redon, Félicien rops, James ensor, max Klinger, edvard 

munch, Hans Bellmer and max ernst. 

978-3-7757-3373-1 


U.S. $70.00 CDn $70.00 

December/art 


Frankfurt, germany: Städel museum, 

09/26/12–01/20/13 

Odilon Redon: L’expo 

réunIon des Musées nATIonAux, GrAnd PALAIs 

published on the occasion of the largest ever odilon 

redon retrospective, held at the grand palais in paris 

in the spring of 2011, this chunky but pocketbook-size 

paperback volume reproduces all 256 artworks included 

in the landmark exhibition. It begins with 

redon’s “Self-portrait” of 1867 and then examines his 

famous suites of lithographs, including Dans le Rêve 

and the classic illustrations to poe, Huysmans and 

Flaubert. all of the great pastels and oils are here, in 

full color, as well as lesser-known works like painted 

screens; throughout, each of the works is accompanied 

by the captions used in the exhibition, which provide 

details of provenance and, where relevant, edition size. 

978-2-7118-5856-9 


U.S. $22.00 CDn $22.00 

august/art 

Nicolae Grigorescu 

The Age of Impressionism in Romania 

1838–1907 


dark romanticism: 

Art to hear series 

978-3-7757-3377-9 

Hbk, 8.75 x 8.75 in. /48 pgs / 

40 color / audio CD. 

U.S. $30.00 CDn $30.00 

December/art 

Text by Monica enache, valentina Iancu. 

the founder of plein air painting in romania, nicolae 

grigorescu (1838–1907) introduced Impressionism into 

his country. arriving in paris in 1861, grigorescu 

worked and studied alongside the greatest artists of 

his time, from Jean-François millet and Jean-Baptiste 

Camille Corot to pierre-august renoir and Claude 

monet. grigorescu’s palette combined the best of all of 

them to direct an intense, sensual light onto the everyday 

life of his country. romania’s warm countryside, 

the gentle melancholy of its lakes, forests, fields and 

villages, and grigorescu’s portraits of gypsies and 

peasants are all illuminated in this landmark catalogue. 

978-88-366-2164-4 


U.S. $40.00 CDn $40.00 

September/art 

ArT hIsTorY hIGhLIGhTs 

Cézanne and Paris 

réunIon des Musées nATIonAux, GrAnd PALAIs 

Text by Jean Arrouye, Maryline Assante di Panzillo, 

nina Athanassoglou-kallmayer, Isabbelle Chan, et al. 

“provence,” “apples” and “bathers” are probably the 

three words that first come to mind when we consider 

Cézanne’s abiding subject matter. throughout his life, 

the artist, whom posterity has often portrayed as a 

pastoral hermit, was never too far from the capital. In 

fact, Cézanne moved back and forth between aix and 

paris at least 20 times, but, unlike virtually all of his 

contemporaries, he rarely depicted paris on canvas. 

So what was the nature of his relationship to the city? 

this book thoroughly excavates the topic, exploring 

the influence of the metropolis on Cézanne’s art, 

motifs and career through 80 major works. 

978-2-7118-5919-1 


U.S. $45.00 CDn $45.00 

august/art 


Modernist Movements 

Women 

Pablo Picasso, Max Beckmann, Willem de Kooning 

hATJe CAnTz 

Text by elisabeth bronfen, siri hustvedt, Michael köhlmeier, richard shiff, uwe M. schneede, Carla 

schulz-hoffmann, feridun zaimoglu. 

the depictions and roles of women in the paintings of pablo picasso (1881–1973), max Beckmann (1884–1950) 

and Willem de Kooning (1904–1997) typically give rise to conversations and presumptions about machismo 

and misogyny. of course, these artists’ portrayals of women cannot be dismissed so easily, and in fact all 

offer highly nuanced explorations of the theme. this publication explores their depictions of women as more 

than painterly projections of male longing and desire, treating them as reflections of social and political conflicts 

and upheavals. Contributions from art historians, sociologists and artists approach the figures of 

women in these bodies of work from a variety of perspectives: for picasso, as a catalyst for a confrontation 

with the artist’s own life and history; for Beckmann, as completely independent themes; and for de Kooning, 

as the force that makes artistic expression itself possible. 

978-3-7757-3267-3 


U.S. $75.00 CDn $75.00 

august/art 

Art of Another Kind: International 

Abstraction and the Guggenheim, 

1949–1960 

GuGGenheIM MuseuM PubLICATIons 

Text by Tracey bashkoff, Megan M. fontanella, Joan Marter. 

the pioneering artists of the post–World War II era embraced artistic freedom 

and gesture-based styles, nontraditional materials and countercultural 

references. French art critic michel tapié even declared the existence of “un 

art autre” (art of another kind)—an art that entailed a radical break with all 

traditional notions of order and composition, in a movement toward something 

wholly “other.” this catalogue accompanies the Solomon r. guggenheim 

museum exhibition Art of Another Kind: International Abstraction and 

the Guggenheim, 1949–1960, which especially highlights works that entered 

into the collection during the tenure of then-director James Johnson 

Sweeney. Featuring nearly 100 works by Carla accardi, pierre alechinsky, 

Karel appel, martin Barré, Harry Bertoia, Louise Bourgeois, alberto Burri, 

Sam Francis, grace Hartigan, asger Jorn, Yves Klein, Franz Kline, Willem de 

Kooning, Conrad marca-relli, Kenzo okada, Jorge oteiza, Jackson pollock, 

ad reinhardt, pierre Soulages, Clyfford Still, antoni tàpies, Jean tinguely, 

Cy twombly, takeo Yamaguchi and Zao Wou-Ki, among others, this collection-based 

exhibition and publication explore the affinities and differences 

between artists working continents apart, in a period of great transition and 

rapid creative development. the fully illustrated exhibition catalogue includes 

essays by tracey Bashkoff, megan m. Fontanella and Joan marter; an 

illustrated chronology; and short biographies of the artists. 

978-0-89207-469-3 


U.S. $65.00 CDn $65.00 

July/art 


new York: guggenheim museum, 06/08/12–09/12/12 

Bauhaus 

Art as Life 


Text by kathleen James-Chakraborty, eva forgas, Catherine Ince, Anja baumhoff, Philipp oswalt, Philip 

ursprung, Melissa Trimingham, nicholas fox weber, klaus weber, Lydia Yee, wolfgang Thöner. 

Bauhaus: Art as Life explores the diverse artistic production and turbulent 14-year history of the modern world’s 

most famous art school. accompanying the biggest Bauhaus exhibition in the United Kingdom in more than 40 

years, this catalogue features a rich array of painting, sculpture, design, architecture, film, photography, textiles, 

ceramics, theatre and installation, ranging from the school’s expressionist beginnings to its pioneering utopian 

model of uniting art and technology in order to change society in the aftermath of the First World War. exemplary 

works from such Bauhaus masters as Josef and anni albers, marianne Brandt, marcel Breuer, Walter 

gropius, Johannes Itten, Wassily Kandinsky, paul Klee, Hannes meyer, László moholy-nagy, Ludwig mies van 

der rohe and gunta Stölzl are presented alongside works by lesser-known artist masters and Bauhaus students. 

through a range of specially commissioned essays, Bauhaus traces the life of the school from its founding by 

Walter gropius in Weimar in 1919 to its relocation to its newly built campus in Dessau in 1925 under the direction 

of gropius and then Hannes meyer, and finally its brief period in Berlin, under the leadership of Ludwig 

mies van der rohe and through its dramatic closure in 1933 by the nazis. the catalogue also includes a series of 

original writings by Bauhaus artists, drawn from previously published texts and personal correspondence. 

978-3-86335-163-2 


U.S. $49.95 CDn $49.95 

august/art 

Fresh Widow: The 

Window in Art Since 

Matisse and Duchamp 

hATJe CAnTz 

foreword by Marion Ackermann. Text by elke 

bippus, Ina blom, erich franz, rune Gade, et al. 

Leon Battista alberti’s 1435 treatise De pictura influenced 

generations of painters by suggesting that a 

painting should be approached as an open window. 

By the twentieth century, the window had transformed 

into a motif that would test the limits of painting. 

With his 1920 “Fresh Widow”—a replica of a French 

window with panes covered in black leather—marcel 

Duchamp postulated a farewell to illusionist painting. 

this publication presents the development of window 

painting by artists such as robert Delaunay, Henri 

matisse, marcel Duchamp, rené magritte, ellsworth 

Kelly, eva Hesse, gerhard richter and many others. 

978-3-7757-3293-2 


U.S. $60.00 CDn $60.00 

august/art 

exHIBItIon SCHeDULe: 

London, england: Barbican Centre, 05/03/12–08/12/12 

Russian Avant-Garde 

New World Experience 


edited by Giuseppe barbieri, silvia burini. 

Russian Avant-Garde offers a single-volume overview 

of an avant-garde that can legitimately claim to have 

reinvented everyday life in the Soviet era. Bringing 

together more than 80 russian masterpieces from 

museums in Ivanovo, Kostroma, Yaroslavl and tula, 

the emphasis of this book’s previously unpublished 

and untranslated essays is on new perspectives and 

interpretations, with a focus on the russian school 

of expressionism (goncharova, Filonov, Kandinsky) 

and Constructivism (malevich, tatlin, rodchenko). 

these works are examined alongside one of the 

most important collections of russian icons to be 

found in Western europe, as well as a collection of 

russian propaganda textiles. 

978-88-366-2210-8 


U.S. $40.00 CDn $40.00 

September/art 

ArT hIsTorY hIGhLIGhTs 

Women of the Avant- 

Garde 1920–1940 

LouIsIAnA MuseuM of Modern ArT 

edited by Michael Juul holm, Mette Marcus, kirsten 

degel, Jeanne rank. foreword by Poul erik Tøjner 

and Marion Ackerman. Introduction by Mette Marcus 

and kirsten degel. Text by ruth hemus. 

Women of the Avant-Garde 1920–1940 presents eight 

female artists who made major contributions to Dada, 

Surrealism, Constructivism and other european 

avant-gardes of the modernist era: Claude Cahun, 

Sonia Delaunay, germaine Dulac, Florence Henri, 

Hannah Höch, Katarzyna Kobro, Dora maar and Sophie 

taeuber-arp. the artists are constellated in relation 

to one another across five themed sections that 

illuminate the nature of their respective innovations: 

“Composing Color,” “Constructing Space,” “Different 

rules,” “new Identities” and “another reality.” 

978-87-92877-00-0 


U.S. $35.00 CDn $35.00 

august/art 


Limited Editions 

978-1-59711-224-6 

Slip, Clth, 11 x 9 in. / 80 pgs / 98 color/ Signed & numbered Limited edition. 

U.S. $150.00 CDn $150.00 SDnr30 


Nick Haymes: GABEtm Limited Edition 

dAMIAnI 

Martin Parr: Life’s a Beach 

APerTure 

Introduction by Gus van sant. 

nick Haymes first met gabe nevins on an editorial assignment in the summer of 2007. gabe had just wrapped up his lead 

role in gus van Sant’s Paranoid Park, in which he had played a teenage skateboarder who accidentally kills a security guard. 

gabe had never acted prior to starring in the film; he had heard about van Sant’s casting call from a skateboard store and 

initially auditioned as an extra. meeting the teenager, Haymes recalls: “Initially, gabe was fairly shy, but it quickly transpired 

that he had seen some of my skateboarding images online and an instant friendship was struck. When the assignment 

was over, I approached gabe about the possibility of working on more photographs as there was something entirely 

captivating about him and his energy.” published in an edition of 25 copies, this limited edition includes a numbered and 

signed photograph by nick Haymes and original excerpts from gabe’s notebooks. 

978-88-6208-225-9 

Slip Hbk, 9 x 12 in. / 128 pgs / 85 color / 

Signed & numbered edition of 25 Copies. 

U.S. $350.00 CDn $350.00 SDnr20 

September/Limited & Special editions/photography 


nick haymes: GabeTM 

9788862081917 

hbk, u.s. $40.00 Cdn $40.00 

damiani 

In the United Kingdom, one is never more than 75 miles 

away from the coast. With this much shoreline, it’s not surprising 

that there should be a thriving British tradition of 

seaside photography. american photographers may have invented 

street photography, but according to photographer 

martin parr, “in the U.K., we have the beach!” Here, he asserts, 

people can relax, be themselves and indulge in mildly 

eccentric British behavior. parr has been photographing this 

subject for many decades, in close-ups of sun bathers, rambunctious 

swimmers caught mid-plunge and the eternal 

sandy picnic. (His career, in fact, could be traced back to the 

1986 publication of The Last Resort, which depicted the seaside 

resort of new Brighton, near Liverpool.) this compilation 

presents photos of beachgoers on far-flung shores, 

including those of argentina, Brazil, China, Spain, Italy, 

Latvia, Japan, the United States, mexico, thailand and of 

course, the U.K. published to accompany the launch of an exhibition 

at the Lyon photo Festival, this book brings to the 

forefront parr’s engagement with a cherished subject. Featuring 

a Japanese binding and a front cover embossed with a 

seashell pattern, each copy of this ultra-collectible publication 

contains unique, beach-related paper ephemera from 

parr’s own collection. the photographs themselves are inserted 

in die-cut slots, and protected by glassine pages. 

Martin Parr (born 1952) is recognized and admired internationally 

as a brilliant satirist of contemporary life. the author 

of over 30 photography books, including Common Sense, Our 

True Intent Is All for Your Delight and Boring Postcards, his 

photographs have been collected by museums worldwide, including 

the getty museum in Los angeles, new York’s museum 

of modern art and the tate modern, London. His 

retrospective continues to tour major museums around the 

world since opening at the Barbican art gallery, London, in 

2002. parr is a member of magnum photos. 

Uta Barth: To Draw with Light 

Blind Spot Series 03 

bLInd sPoT serIes 

Text by Paul soto. 

In 2011, Blind Spot magazine launched Blind Spot Series, publishing small-format, 

limited-run artist’s books that present concise suites of images from single bodies 

of work by important contemporary artist-photographers. the newest in this series 

is Los angeles–based Uta Barth’s stunning To Draw with Light, featuring 46 color 

photographs from the acclaimed . . . and to draw a bright white line with light and 

Compositions of Light on White series (recently exhibited at the art Institute of 

Chicago, 1301pe in Los angeles and tanya Bonakdar gallery in new York) alongside 

new works created specifically for the book. according to essayist paul Soto’s 

recent review in Art in America, these works are especially remarkable because they 

include, for the first time, traces of the artist’s body as she arranges the elements 

within her photographs—the gauzy curtains in front of her sundrenched windowsill, 

or the light which projects through her window blinds to create floating geometric 

monochromes upon her closet doors. 

978-0-9839989-3-8 

Hbk, 10.5 x 11.75 in. / 96 pgs / 46 color / 2 gatefolds / 

Limited edition of 1,000 copies. 

U.S. $65.00 CDn $65.00 SDnr30 

July/photography/Limited editions 

PhoToGrAPhY hIGhLIGhTs 

We are delighted to welcome Blind Spot to the Artbook | D.A.P. list. As well 

as the widely praised journal (see page 142), Blind Spot also publishes limited 

editions by contemporary photographers in a new series announced below. 

Stephen Shore: The Hudson Valley 

Blind Spot Series 01 

bLInd sPoT serIes 

edited by dana faconti. Text by Laurie dahlberg. 

the first of Blind Spot’s Series books, this exquisitely produced clothbound 

artist’s book with tipped-on cover image collects 34 color photographs of 

new York’s Hudson valley by the pioneering american art photographer 

Stephen Shore (born 1947). Shore, one of america’s most important living 

photographers, is celebrated, alongside William eggleston, for elevating 

color photography from a medium associated with family snapshots to a 

genre equivalent to black-and-white photography. First published in 2011, this 

deluxe volume, printed by meridian—widely considered america’s greatest 

photobook printer—was named one of photoeye’s Best Books of the Year by 

critic gerry Badger, who writes, “Stephen Shore is the master of the ‘quiet’ 

photograph, images which paradoxically speak more than most. these images 

of the Hudson valley are quietly and utterly satisfying.” this highly collectible 

volume is available in limited quantities. 

978-0-615-49176-9 

Clth, 11.75 x 9.75 in. / 48 pgs / 34 color / Limited edition of 1,000 Copies. 

U.S. $75.00 CDn $75.00 SDNR30 

July/photography/Limited editions 


Photojournalism 

Robert Capa 


Text by richard whelan. 

even in his lifetime, robert Capa was described as the greatest war photographer in the world. It was an ironic achievement for a 

man who loathed war, but to this day, no one better embodies the photographer as cultural soldier and no one’s work better encapsulates 

the violence and brutality of the twentieth century than Capa. this volume presents a rich selection of his work as a war 

photographer, starting from the images that established his fame: his documentation of the horrors of the Spanish Civil War from 

1936–1939 and the Chinese resistance to the Japanese invasion in 1938. It continues on to World War II—including Capa’s stunning 

photographs of the D-Day landing in normandy, where on June 6, 1944, he swam to shore alongside the second assault wave of 

american troops—and on to the first arab–Israel conflict in 1948, before concluding with the First Indochina War, in which Capa 

joined a French regiment and eventually lost his life. today, the wars of the twentieth century may have transformed from wounds 

into scars, but Capa’s images remain as devastating as ever, describing the trauma of war through a civilian’s eyes, and reminding 

us that despite years of loss and destruction, humanity manages to persist. 

Born endre Friedmann in Hungary, where he was nicknamed “cápa” (shark) at school, Robert Capa (1913–1954) adopted the name 

by which he is remembered in the early 1930s, following his relocation from Berlin to paris. His first published photograph was a 

portrait of Leon trotsky giving a speech on “the meaning of the russian revolution” in Copenhagen, in 1932; his most famous 

work was his record of D-Day, at omaha Beach. Capa was killed by a land mine, during an assignment on the First Indochina War. 

978-88-366-2288-7 

Hbk, 9.75 x 11.25 in. / 144 pgs / 100 b&w. 

U.S. $49.95 CDn $49.95 


78 artBooK | D.a.p. 1.800.338.2665 

Devastating 

images of 

twentiethcentury 

conflict 

Charles Harbutt: 

Departures and Arrivals 

dAMIAnI 

Departures and Arrivals compiles world-renowned 

photographer Charles Harbutt’s favorite photographs, 

selected from throughout his half-decade of making 

pictures. Harbutt (born 1935) has been a prominent 

member of the american postwar photojournalist tradition 

ever since his documentation of the Cuban revolution 

in 1959; he subsequently joined magnum 

photos and has twice been elected its president. Harbutt’s 

pictures have been exhibited and collected by 

the museum of modern art and the Whitney museum 

in new York, the art Institute in Chicago and 

the Corcoran gallery of art in Washington. In 1997, 

his negatives, master prints and archives were acquired 

for the collection of the Center for Creative 

photography in tucson. Departures and Arrivals is 

his third monograph. the black-and-white photographs 

gathered here highlight ordinary moments in 

extraordinary historical circumstances, as well as less 

fraught images of city living. as Harbutt writes in his 

introduction to the volume: “there are pictures of 

men and boys, women and girls, statues, pensive 

monkeys, moments that took my breath away, scared 

me, made me smile.” He adds: “History belongs to all 

of us, not just kings and generals.” Departures and Arrivals 

records Harbutt’s half-century career at the 

forefront of american photography. 

978-88-6208-243-3 


U.S. $50.00 CDn $50.00 


Markov-Grinberg: 

Soviet Era 

dAMIAnI 

Text by zhanna vasilyeva. 

mark markov-grinberg (1907–2006) is one of the Soviet 

era’s greatest photographers, ranking alongside 

alexander rodchenko and gustav Klutsis in his energetic 

portrayals of an optimistic, rapidly changing 

country as it segwayed into the Stalin years. markovgrinberg 

learned photo-reportage in the mid-1920s, 

while working at the newspaper Sovyetski Yug (Soviet 

South). In the early 1930s he moved to moscow to become 

a correspondent for the Soyuzfoto agency. 

today he is perhaps best known for his photographs 

of red stars replacing double-headed eagles on the 

Kremlin towers, or his portraits of nikita Izotov (from 

the Coal and Roses series), Yuri gagarin, maxim 

gorky, David oistrakh, Ilya ehrenburg and Sergei 

eisenstein—photographs that helped to define the 

culture of the U.S.S.r. in the 1930s, and all of which 

are included here. often juxtaposing the march of industrialization 

with rural scenes, this volume reproduces 

those iconic images of those heady times 

alongside numerous previously unseen pictures, 

recording a pivotal and dramatic half-century of russian 

history. 

978-88-6208-227-3 


U.S. $50.00 CDn $50.00 



Marc Riboud: To Asia 

edITIons xAvIer bArrAL 

In the spring of 1955, the celebrated French photographer 

marc riboud (born 1923) bought an old Land 

rover from george rodger (the British photojournalist) 

and set out for Calcutta. reared on his father’s stories 

of traveling, riboud was keen to strike out into 

unfamiliar terrain and see as much of the middle east 

and asia as possible. He first stopped in Istanbul, 

traveled through the rural landscapes of Cappadocia 

and anatolia, and then headed across persia, into 

afghanistan, where he made extended forays into its 

tribal regions. In 1956, he arrived in India, the length 

and breadth of which he travelled for nearly a year, 

from Calcutta and Darjeeling in the east to Delhi and 

rajasthan in the west, then south to Bombay, and 

north to varanasi and into nepal. It was from nepal 

that he entered Communist China, as one of a handful 

of Westerners to obtain a visa at this time. riboud 

ended his “grand tour” in Japan in 1958, eventually 

returning to France with thousands of photographs. 

this five-volume box set gathers together a sprawling 

visual journal from riboud’s three-year odyssey, with 

images ranging from architectural photographs to 

portraits of hospitable locals. 

978-2-9151-7384-0 

Slip, Clth, 5 vols, 7.5 x 8 in. / 320 pgs / 300 duotone. 

U.S. $75.00 CDn $75.00 



Historical Photography 

Jan Svoboda 

TorsT 

Text by Pavel vančát. 

Czech artist Jan Svoboda (1934–1990) spent a lifetime 

laboring to redefine the language of photography. 

this catalogue gives an overview of his career, from 

early still lifes to works that questioned the rules and 

boundaries of the photographic image to his pioneering 

conceptual photographs of the late 1960s—pictures 

that frequently quoted from other works of his. 

978-80-7215-424-1 


U.S. $25.00 CDn $25.00 


80 artBooK | D.a.p. 1.800.338.2665 

Josef Sudek: Labyrinths 

TorsT 

Text by daniela hodrová, Antonín dufek. 

Like the previous volumes The Window of My Studio 

and Still Lifes, this new Josef Sudek monograph 

collects a series of photographs made within the 

confines of the Czech photographer’s workspace. 

Sudek’s studio famously verged on installation art, 

as the poet Jaroslav Seifert recalled: “Breton’s surrealism 

would have come into its own there. a drawing 

by Jan Zrzavý lay rolled up by a bottle of nitric 

acid, which stood on a plate where there was a crust 

of bread and a piece of smoked meat with a bite 

taken out of it. and above this hung the wing of a 

Baroque angel with Sudek’s beret hanging from it. . . . 

this disorder was so picturesque, so immensely 

rich, that it almost came close to being a strange 

but highly subtle work of art.” gathered here in all 

their surreal beauty, the Labyrinths series depicts 

multilayered assemblages of objects in endlessly 

permutated combinations. 

978-80-7215-437-1 


U.S. $60.00 CDn $60.00 


Vladimir Jindrich Bufka 

TorsT 

Text by Antonín dufek. 

Despite a career that was curtailed at the age of 29, 

vladimír Jindrich Bufka (1887–1916) was one of the 

most distinctive early-twentieth-century art photographers 

in prague and indeed in all of austria-Hungary. 

Bufka drew on contemporary artistic movements 

such Impressionism, Symbolism and Cubism for his 

pioneering prints using the demanding process of 

gum printing. 

978-80-7215-401-2 

pbk, 6.5 x 7 in. / 148 pgs / 78 color. 

U.S. $25.00 CDn $25.00 


Jindrich Marco 

TorsT 


Josef sudek: 

Advertisements 

9788072153428 

hbk, u.s. $60.00 

Cdn $60.00 

Torst 

Josef sudek: 

Portraits 

9788072153190 

hbk, u.s. $60.00 

Cdn $60.00 

Torst 

Josef sudek: 

saint vitus’s 

Cathedral 

9788072153862 

hbk, u.s. $60.00 

Cdn $60.00 

Torst 

edited by vladimír birgus. 

the Czech photojournalist Jindrich marco (1921–2000) 

is best known for his World War II photographs, 

which, rather than depicting killing fields, captured 

the ordinary citizens of war-torn cities like Berlin, 

Dresden and Warsaw returning home and attempting 

to pick up the pieces. this monograph includes 

these and later series made throughout europe in 

happier times. 

978-80-7215-423-4 


U.S. $25.00 CDn $25.00 


Picasso as Seen 

by Otero 

LA fábrICA/Museo PICAsso MáLAGA 

Text by José Lebrero, Alberto Martín. 

as a friend of the picasso family, the argentinian 

photographer, journalist, 

writer and documentary filmmaker 

roberto otero (1931–2004) had a 

unique opportunity to continuously 

document pablo picasso and his circle 

of friends during the last years of picasso’s 

life, in the south of France. otero 

first met the artist through the critic ricardo 

Baeza, the writer Jose Bergamin 

and the Spanish poet rafael alberti, 

whose daughter otero married. over 

the course of nearly ten years, from 1961 

to 1970, otero made hundreds of portraits 

of picasso, amassing a vast collection 

of photographs that was eventually 

acquired by museo picasso málaga, in 

2005. these photographs have become 

the most important documentation of 

the artist’s old age. mostly unposed, informal 

and at ease, otero’s color and 

black-and-white portraits show an uncharacteristically 

relaxed picasso, working 

in the studio, reading or 

entertaining with his wife, Jaqueline. 

978-84-15303-74-9 

pbk, 6.5 x 9.25 in. / 96 pgs / illustrated 

throughout. 

U.S. $25.00 CDn $25.00 



MemyselfandI: Photo 

Portraits of Picasso 

9783775731997 

hbk, u.s. $45.00 

Cdn $45.00 

hatje Cantz 

Graciela Iturbide 

rM/Museo AMPAro 

Since 1975, graciela Iturbide (born 

1942) has been esteemed as one 

of Latin america’s most important 

photographers. In 2008 she won the 

Hasselblad award, the world’s most 

prestigious prize in the field of photography. 

accompanying a 2012 exhibition 

at the museo amparo en puebla 

in 2012, for which the photographer 

made an exhaustive trawl of her 

archive, this beautifully printed volume 

juxtaposes a trove of previously 

unpublished photographs with reproductions 

of contact sheets of some 

of Iturbide’s best-known images. the 

book is accordingly divided into two 

sections separated by a double binding. 

the first groups her works into 

four themes that have endured in 

her work from the very beginning— 

children, rituals, urban spaces and gardens. 

the second section is comprised 

of the contact sheets of her well-known 

Oaxaca, Birds and L.A. series. 

978-84-15118-21-3 

Hbk, 7 x 9 in. / 144 pgs / 


U.S. $50.00 CDn $50.00 

august/photography/Latin american 

art & Culture 


Graciela Iturbide: 

Juchitan Las Mujeres 

9788492480531 

hbk, u.s. $65.00 Cdn $65.00 

rM/editorial Calamus 

Elliott Erwitt: 

Icons 


edited by biba Giacchetti. 

this volume assembles a selection of 

truly classic photographs of twentiethcentury 

icons, taken by the iconic 

magnum photographer himself, elliott 

erwitt (born 1928). Both the characters 

and the images in this book are historic, 

from erwitt’s portrayals of the 

grieving Kennedys to richard nixon’s 

infamous confrontation with nikita 

Krushchev to a confident, optimistic 

Che guevara smoking a cigar. Icons 

also includes portraits of the non-political 

celebrities of the past century— 

grace Kelly, or marilyn monroe caught 

in a quiet moment, reading—as well as 

his popular, humorous images of pampered 

dogs. this book offers the 

essence of erwitt’s work: its romantic 

strength and surreal absurdity that became 

part and parcel of post–World 

War II consciousness. It also includes 

a previously unpublished interview 

with erwitt in which he offers personal 

commentary on each image and recaps 

his long career as a photographer. 

978-88-366-2327-3 

pbk, 9 x 11 in. / 96 pgs / 48 duotone. 

U.S. $35.00 CDn $35.00 



Ralph Gibson: 

Passé Imparfait 

ConTreJour 

Preface by Gilles Mora. 

this volume surveys the early days of 

ralph gibson’s career in San Francisco, 

Los angeles and new York, from 

1960 to 1970. gibson’s San Francisco 

years (1960–63) saw the photographer 

testing out his sensual, meditative 

style, inspired by street photographers 

such as robert Frank (whose assistant 

he would later become). photographs 

from this phase include shots of pool 

halls and shop windows. By 1963, gibson 

was eager to begin a career as a 

professional photographer, and he returned 

to Los angeles to find work. He 

recalls, “I would show my portfolio to 

potential clients and would hear the 

same words over and over again: ‘this 

stuff belongs in museums, kid, it’s not 

commercial. . . .’ Well, I guess they were 

right.” gibson’s Los angeles images 

(1963–66) include his Sunset Strip photographs, 

which led to the first of many 

monographs. It was also around this 

time that gibson was commissioned to 

photograph the press conference for 

the Beatles’ Revolver album, and informal 

shots of the mop tops are included 

in this chapter. the third section of the 

book is devoted to gibson’s early new 

York years (1967–70), with several 

nudes and street scenes. 

979-10-90294-05-9 

Hbk, 8.5 x 12.75 in. / 112 pgs / 

96 duotone. 

U.S. $49.95 CDn $49.95 



Art Photography 

Chris McCaw: Sunburn 

CAndeLA books 

Text by Allie haeusslein, katherine ware. 

the photographs of Chris mcCaw (born 1971) are produced with various hand-built view 

cameras as big as 30 by 40 inches, which are equipped with large aerial lenses designed to allow 

a maximum amount of light to pass through. Using large paper negatives, mcCaw makes very 

long exposures ranging from several hours to a full day, which result in solarized final images. 

Besides the attractive neo-primitive qualities of his landscape imagery, the concentrated 

sunlight passing through the large optical elements actually scorches an etched path across the 

surface of the paper, rending open the charred skies to hint at a brighter light behind our sun. 

Sunburn brings together more than 60 of these landscapes, cooked visions in which blackened 

suns move stroboscopically through veiled skies that hang like curtains over vistas reduced 

to shadow. the violent shearing or destruction of each image contests the traditionally mellow 

aesthetic of the landscape photography tradition, and the marks left behind are a physical 

testament to the power of the sun, which is both subject and collaborator in this chance meeting 

of creator and destroyer. the excitement of discovering such a remarkable and untapped 

property of these particular lenses and expired gelatin silver papers is a testament to mcCaw’s 

openness to the photographic process, and his continued experimentation over the past 

eight years has created an equally indelible mark on the tradition of landscape photography. 

978-0-9845739-2-9 


U.S. $50.00 CDn $50.00 

november/photography 

Ori Gersht: History Repeating 


Text by Al Miner, Yoav rinon. Interview by ronni baer. 

History Repeating is the first comprehensive survey of the Israeli-born photographer 

and video artist ori gersht (born 1967). this richly illustrated book presents the best of 

gersht’s achingly beautiful images, and explores how he intertwines spectacles of painterly 

and narrative imagery with personal and collective memory, metaphysical journeys, contextualized 

spaces and the history of art and photography. Be it in the scars left on the sunlit 

yet war-torn buildings in Sarajevo, the white noise of his train journey to auschwitz, or the 

clearing of trees in a forest that once stood witness to mass murder in Ukraine, gersht’s 

vision bridges a history that is full of violent horror and a world of emergent, transcendent 

beauty. From the radiant optical glow of pollution in the atmosphere to his freeze-frame 

shots of shattering floral arrangements frozen by liquid nitrogen, gersht’s calm is one that 

comes after the storm. In his 2010 series of Japanese landscapes, the ghostly visual static 

of cherry-blossom petals echo the militarism and sacrificed youth of World War II and the 

more recent nuclear fallout of Fukushima, but in their own extreme transience, they also 

manage to embody the possibility of spiritual renewal. History Repeating demonstrates 

the thin line between beauty and brutality and the sublime draftsmanship behind history’s 

various traumatic scars. History repeats itself: first as tragedy, then as unexpected beauty. 

978-0-87846-779-2 


U.S. $60.00 CDn $60.00 



Boston, ma: museum of Fine arts, Boston, 8/28/12–01/06/13 

Sharon Harper: 

From Above and 

Below 

Vera Lutter 

hATJe CAnTz 

Text by douglas Crimp, Gertrud koch. 

In 1991, german-born photographer 

vera Lutter (born 1960) moved to new 

York. Inspired by the city’s architecture 

and night-time luminescence, Lutter 

took the extraordinary step of transforming 

her apartment into a pinhole 

camera, and, in a process that could 

last weeks or even months, exposed 

images directly onto wall-size sheets 

of photographic paper. Intent upon 

minimal interference with this process, 

Lutter refrained from duplicating the 

images, and used the negative as the 

final work. new York has remained the 

recurrent subject of Lutter’s (literally) 

unique photographs, but over the past 

two decades, she has applied the 

process to other locations and styles 

of architecture around the world, 

documenting shipyards, airports and 

abandoned factories. this volume 

offers the first thorough overview of 

Lutter’s magical architectural photography, 

representing her full range of 

motifs and subjects in superb duotone. 

also included is an account of her first 

film and sound installation. 

978-3-7757-3278-9 

Hbk, 9.75 x 11.5 in. / 144 pgs / 20 color / 

60 duotone. 

U.S. $55.00 CDn $55.00 



Sung Soo Koo: 

Photogenic 

Drawings 

hATJe CAnTz 

Text by suejin shin, et al. 

Korean photographer Sung Soo Koo 

(born 1970) is best known for his series 

Magical Reality, which features candycolored 

scenes from his homeland: an 

advertiser’s model of the Statue of Liberty 

on the roof of a hotel, or the plush 

interior of a wedding chapel. In contrast, 

his newest series deals with the 

natural world—or seems to at first 

glance. to create the botanical photographs 

in Photogenic Drawings, Koo 

began by uprooting whole plants such 

as delicate flowers and ferns. He then 

either flattened them between glass 

plates to photograph them, or pressed 

them into damp clay to make molds 

out of them, casting perfect replicas of 

the plants in cement. Koo meticulously 

painted these replicas and photographed 

them, lending the illusion of 

naturalness to an object that is in fact 

entirely artificial and is the product of 

absolute control. 

978-3-7757-3349-6 


U.S. $55.00 CDn $55.00 

october/photography/asian art & 

Culture 


rAdIus books 

Text by Jimena Canales, Phillip 

Prodger. 

From Above and Below features ten 

years of Sharon Harper’s conceptual 

photographs and video stills exploring 

perception, technology and the night 

sky. Her experimental images of the 

moon, stars and sun draw on scientific 

and artistic uses of photography to 

illuminate the medium’s contradictory 

ability to both verify empirical evidence 

and to create poetic connections between 

our environment and ourselves. 

If one cannot gaze directly into the 

sun of the sublime, Harper offers the 

scarred and streaked transparences 

and prints of her attempts to do so, 

made manifest through the mediation 

of photographic and telescopic technology, 

and through the framework 

of time. through Harper’s repeated 

long exposures, with time spans of 

hours to a month, star trails turn to star 

scratches, landscapes and cloud formations 

shift and the sublime is slowed 

to a trace made visible to the eye. 

978-1-934435-52-6 


U.S. $55.00 CDn $55.00 


Niko Luoma: And 

Time Is No Longer 

an Obstacle 

hATJe CAnTz 

foreword by Timothy Persons. Text by 

daniel Marzona, Lyle rexer. 

“my material is light,” says Helsinki 

School photographer niko Luoma 

(born 1970), and “my process is a combination 

of . . . calculation and chance.” 

Inspired by mathematics and geometry, 

and elaborating on the rich tradition 

begun by august Strindberg’s 

celestographs, Luoma creates elaborate 

and marvelously evocative photographic 

abstractions, in compositions 

of lines and geometric shapes. His 

methods are purely and emphatically 

analog: light-sensitive materials repeatedly 

exposed to light. the delicate 

crosshatched networks of lines in his 

series Symmetrium, for example, were 

built up through thousands of exposures 

on a single negative. Working 

thus, Luoma’s approach may said to be 

both accretive and chance-based, for 

the composition of the final image, as a 

collaboration with light itself, is wholly 

unpredictable. this volume compiles 

works from the past decade. 

978-3-7757-3339-7 


U.S. $55.00 CDn $55.00 

october/photography

Contemporary American Photography 

978-88-6208-230-3 

Hbk, 12 x 9.75 in. / 150 pgs / illustrated throughout. 

U.S. $45.00 CDn $45.00 


Justin Kimball: Pieces of String 

rAdIus books 

Text by douglas M. kimball. 

For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently 

deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the 

evidence of an individual’s life. photographing “the smallest objects (a note, a box of hair pins, a stain on a pillow),” he 

reimagines their existence and relationship to their absent owners. “I use the camera's descriptive power and the photographic 

illusion of truth to create the narrative and inspire feelings about its subject,” he writes of these images. “the 

resulting photographs are my perception of what happened in those spaces: who lived there? What was hidden and 

what was seen?” these 60 color photographs explore the minutiae of everyday life and contemplate our brief and humble 

legacies before they are cleaned up and cast to the wind. Pieces of String includes a booklet of Kimball’s essay describing 

the emotional storm blowing through our era of foreclosed and abandoned homes. 

978-1-934435-50-2 

Slip, pbk, 10 x 9.5 in. / 136 pgs / 60 color. 

U.S. $55.00 CDn $55.00 


Lisa Kereszi: 

Joe’s Junk Yard 

dAMIAnI 

Spanning 50 years and three generations, 

Joe’s Junk Yard is a personal narrative 

that explores the achievement and subsequent 

demise of the american Dream. 

Lisa Kereszi’s grandfather was a first-generation 

american and boxer-turnedjunkman, 

who built an empire of used 

cars and scrap metal in Chester, pennsylvania, 

during the 1950s boom era, which 

was gradually eroded by a series of misfortunes. 

Kereszi’s disquieting, tender 

photographs of the last decade of the 

junkyard, accompanied by business 

ephemera and family scrapbook photographs, 

tell the story of this family and its 

struggles with a changing economy, 

urban decline, family feuds, tragic and untimely 

deaths and the challenges of an independent 

business. In this photographic 

series, begun before she pursued formal 

studies in photography and continued 

during her years at Bard College and at 

Yale University, Kereszi repeatedly locates 

themes and motifs of impermanence and 

loss in the landscape of the junkyard. 

Brian Finke: Construction 

deCode books 

Text by whitney Johnson. 

For his third monograph, american photographer Brian Finke 

(born 1976) turns his attention to building sites. “I have always been 

attracted to photographing within groups,” Finke has stated, “immersing 

myself in the scene, almost becoming one of the members.” 

Here, as with his previous series, which focused upon such 

subjects as flight attendants, high school cheerleaders and football 

players, Construction examines a profession or vocation that tends 

to be represented in stereotypical terms. photographing at construction 

sites throughout Connecticut, new Jersey, new York and 

pennsylvania, Finke zeroes in upon postures, expressions and gestures, 

revealing diversity in apparent uniformity and examining the 

ritual establishment of individual identities within the image of the 

larger group or industry. In contrast with the photographer’s previous 

series, the photographs in Construction incorporate much more 

of the surrounding environments: Finke shoots the workers in relation 

to the machines they operate, and then contrasts the scale of 

these seemingly small men, women and machines to the mammoth 

structures they erect. the result is a thoughtful and unusually intimate 

view of the construction industry that seamlessly blends the 

heroic with the mundane. 

978-0-9833942-1-1 


U.S. $55.00 CDn $55.00 


Luca Campigotto: Gotham City 

dAMIAnI 


Luca Campigotto (born 1962) has been photographing dramatic natural 

settings since the 1980s, from the indian deserts to the white vistas of 

Lapland, and historical sites from angkor to easter Island. gotham City 

presents the photographs Campigotto has taken in and of new York. 

this is a gotham City reconstructed from memory, often infused with a 

glassy light and an atmosphere sometimes glowing with vivid colors, 

other times wrapped in muted hues. It is a sentimental journey in the 

Big apple of our imagination, from the east river bridges to the empire 

State Building, from the guggenheim museum to Canal Street, from 

times Square to the old docks of Brooklyn, each shimmering image 

looking like the backdrop for a movie or comic book. the limited edition 

of Gotham City includes a signed and numbered print. 

978-88-6208-237-2 


U.S. $50.00 CDn $50.00 


Luca Campigotto: Gotham City Limited Edition 

978-88-6208-238-9 

Boxed, Hbk, 14.5 x 18 in. / 120 pgs / illustrated 

throughout / Signed & numbered edition of 40. 

U.S. $750.00 CDn $750.00 SDnr20 

September/Limited edition/photography 


Contemporary American Photography 

Sharon Core: 

Early American 

rAdIus books 

Text by brian sholis. 

In 2007, american photographer Sharon Core 

(born 1965) encountered the work of the early 

nineteenth-century american still-life painter 

raphael peale (1774–1825). peale’s images of fruit, 

cakes and vegetables are famed for their uncanny 

realism, and they inspired Core to undertake a series 

of photographs titled Early American, a brilliant 

exploration of trompe l’oeil’s relationship to 

photography, and of photography’s relationship 

to the past. Core replicates as closely as possible 

the subject matter, lighting and compositional 

characteristics of peale’s paintings. She describes an 

extraordinarily intensive preparation for the project, 

researching and acquiring period porcelain and glass 

and growing, from heirloom seeds, varieties of fruits 

and vegetables that were in existence in the early 

nineteenth century. “through these efforts,” she 

writes, “I hoped to achieve a mirroring of peale’s 

painstaking painting process, and the themes that lie 

under their surfaces.” this volume reproduces the 31 

images comprising this ambitious enterprise. 

978-1-934435-46-5 


U.S. $55.00 CDn $55.00 


86 artBooK | D.a.p. 1.800.338.2665 

Terry Evans: 

Prairie Stories 

rAdIus books 

the small Kansas town of matfield green and the 

surrounding prairie hills are the focus of the latest 

extended project from acclaimed photographer and 

Kansas native terry evans (born 1944). a small town 

in Chase County with a population of just dozens, 

matfield green was once a cattle shipping railhead. 

today, only one commercial establishment—a 

bar/café—remains in business, but people continue 

to call the town home and work the land. evans first 

began visiting matfield green in 1990 and regularly 

photographed the town over the next eight years. She 

returned ten years later, in 2008, and photographed 

the residents and their land through 2010. eloquent 

yet resolutely unsentimental, her images span 

20 years in the life of this town, and capture the 

beauty and endurance of the prairie and its dedicated 

inhabitants. 

978-1-934435-48-9 

Hbk, 9.75 x 9.75 in. / 176 pgs / 69 color / 31 duotone. 

U.S. $50.00 CDn $50.00 


Aaron Huey: 

In the Shadow of 

Wounded Knee 

rAdIus books 

pine ridge Indian reservation is a sprawling area of 

land that encompasses parts of the Lakota Sioux 

tribe’s traditional homeland, the Black Hills of South 

Dakota. Sadly, pine ridge continues to be the setting 

for an ongoing massacre within the tribe. gangs on 

the reservation are out of control, and the violence 

they live by affects even the smallest villages. pine 

ridge is the quintessential example of the failure of 

the reservation system, with staggeringly depressing 

statistics on everything from violent crime (the average 

life expectancy for men is 48) to education. In this 

powerful new book, Seattle-based photographer 

aaron Huey (born 1975) portrays the broken social 

landscape and desperate living situation that permeates 

pine ridge today. Huey, a photographer who has 

covered war and poverty in some of the most far-flung 

places on the planet, stumbled upon pine ridge several 

years ago and has spent the last few years trying 

to unravel its complexities. His color photographs 

stand as chilling testaments to the incredible difficulties 

facing the tribe as a whole, and the reparations 

yet to be made to them. 

978-1-934435-51-9 


U.S. $50.00 CDn $50.00 

november/photography/native american art & 

Culture 

The Sam Abell Library: Life and Still Life 

rAdIus books 

Text by Leah bendavid-val. 

Sam abell (born 1945) is one of america’s most influential documentary photographers, 

celebrated in particular for his in-depth color photo-essays for National Geographic 

magazine. He has also made a considerable impact as a teacher and author. abell’s career is 

now the subject of The Sam Abell Library, a new publication project from radius inaugurated 

with this volume—the first in a series of four multi-volume sets. each of these sets is themed 

around a particular genre: the photography of places; the photography of nature; the photography 

of the past; and the photography of ideas. essays by abell appear in all of the books. 

In Life and Still Life, abell explores three different cultures: newfoundland; Hagi, Japan; 

and northern australia. this first boxed set also includes a fourth book with an illustrated 

essay by writer and curator Leah Bendavid-val examining abell’s evolution as an artist. 

978-1-934435-45-8 

Slip, Hbk, 4 vols, 9.5 x 10 in. / 312 pgs / 140 color. 

U.S. $75.00 CDn $75.00 


Dive Dark Dream Slow 

The ICe PLAnT 


edited by Melissa Catanese. 

photographer and bookseller melissa Catanese has been editing the vast photography collection of 

peter J. Cohen, a celebrated trove of more than 20,000 vernacular and found anonymous photographs 

from the early to mid-twentieth century. gathered from flea markets, dealers and ebay, these prints 

have been acquired, exhibited and included in a range of major museum publications. In organizing 

the archive into a series of thematic catalogues, she has pursued an alternate reading of the collection, 

drifting away from simple typology into something more personal, intuitive and openly poetic. Her 

magical new artist’s book, Dive Dark Dream Slow, is rooted in the mystery and delight of the “found” 

image and the “snapshot” aesthetic, but pushes beyond the nostalgic surface of these pictures and 

reimagines them as luminous transmissions of anxious sensuality. through a series of abandoned 

visual clues, from the sepia-infused shadow of a little girl running along a beach to silhouettes of a 

group of distant figures pausing upon a steep and snowy hill, a dreamlike journey is evoked. Like 

an album of pop songs about a girl (or a civilization) hovering on the verge of transformation, 

the book cycles through overlapping themes and counter-themes—moon and ocean; violence and 

tenderness; innocence and experience; masks and nakedness—that sparkle with deep psychic longing 

and apocalyptic comedy. 

978-0-9823653-7-3 


U.S. $29.95 CDn $29.95 



Portraits of People & Places 

Amy Stein & 

Stacy Arezou 

Mehrfar: Tall 

Poppy Syndrome 

deCode books 

In 2010, american photographers amy 

Stein (born 1970) and Stacy arezou 

mehrfar (born 1977) embarked on a 

monthlong road trip throughout new 

South Wales. they were interested in 

investigating the australian social 

phenomenon of the “tall poppy Syndrome,” 

in which successful people, or 

“tall poppies,” are “cut down to size,” 

resented or ridiculed because their talents 

or achievements distinguish them 

from their peers. Is the syndrome real? 

Can it be documented or observed? 

Stein and mehrfar spent their days 

meeting and photographing everyday 

australians—from schoolchildren in 

their plaid uniforms to young surfers 

playing at the beach to grandmothers 

meeting at their social clubs—all the 

while learning about the relationship 

between the group and the individual 

within australian society. the resulting 

photographs offer a visual portrait 

of quintessential australian life and 

society. 

978-0-9833942-2-8 


U.S. $60.00 CDn $60.00 


Kevin Kunishi: 

Los Restos 

dAYLIGhT 

In Los Restos, documentary photographer 

Kevin Kunishi (born 1975) offers a 

visual account of how the shared horrors 

of war endure beyond all divisive 

political ideology. In 1979, after more 

than a decade of struggle, the socialist 

Sandinista movement in nicaragua 

overthrew the famously corrupt dictator, 

anastasio Somoza, and quickly 

began applying their social and ideological 

values in the hopes of creating 

a better nicaragua. Unfortunately, the 

United States government had other 

plans, and the CIa began financing, 

arming and training a clandestine 

rebel insurgency to destabilize the new 

nicaraguan government. Between 1980 

and 1990, the promise of a bright future 

for nicaragua was lost as the nation 

descended into civil war. this 

series consists of portraits of Sandinistas 

and their opposing Contra veterans, 

interviews as well as artifacts and 

landscapes from that volatile era, accompanied 

by extensive interviews. 

978-0-9832316-2-2 


U.S. $34.95 CDn $34.95 

october/photography/Latin american 

art & Culture 

Dulce Pinzón: 

The Real Story of 

the Superheroes 

rM 

In our thirst for Hollywood action heroes 

and caped crusaders, we sometimes 

overlook the everyday heroes in 

our midst. U.S.–based mexican photographer 

Dulce pinzón (born 1974) pays 

homage to mexican immigrant workers 

in new York, heroes who sacrifice 

extraordinary hours in extreme conditions 

for very low wages, all for the 

sake of families and communities in 

mexico who rely on them to survive. 

the mexican economy has quietly become 

dependent on the money sent 

from workers in the United States, 

while the U.S. economy has quietly become 

dependent on the labor of mexican 

immigrants. these color 

photographs present these immigrants 

in their work environment, but dressed 

in the costumes of popular american 

and mexican superheroes. Short texts 

present the worker’s “secret identity,” 

their hometown and the amount of 

money they send to their families each 

week. 

978-84-15118-24-4 

Hbk, 10.5 x 10.75 in. / 52 pgs / 


U.S. $25.00 CDn $25.00 

august/photography/Latin american 

art & Culture 

Alyse Emdur: 

Prison Landscapes 

four Corners books 

Interview with darrell van Mastrigt. 

In Prison Landscapes artist alyse 

emdur (born 1983) presents over 100 

photographs of prison inmates presenting 

themselves in front of the idealized 

landscapes of painted 

visiting-room backdrops, posing with 

their visitors and pretending, for a moment, 

that they are elsewhere. Prison 

Landscapes explores this little-known 

genre of painting and portraiture seen 

only by inmates, visitors and prison 

employees. Created specifically for escape 

and self-representation, the paintings 

of tropical beaches, waterfalls, 

mountain vistas and cityscapes invite 

sitters to engage in fantasies of freedom. 

Prison Landscapes offers viewers 

a rare opportunity to see america’s incarcerated 

population, not through the 

usual lens of criminality, but through 

the eyes of inmates’ loved ones. the 

book includes correspondence with 

prisoners and an interview with prison 

artist Darrell van mastrigt. 

978-0-9561928-6-8 


U.S. $35.00 CDn $35.00 


Sharon Lee Hart: 

Sanctuary 

Portraits of Rescued Farm 

Animals 



ChArTA 

Text by Jeffrey Moussaieff Masson, 

sharon Lee hart, Gene bauer, karen 

davis, kathy stevens. 

this first monograph by Lexington– 

based photographer Sharon Lee Hart 

is a book of dignified black-and-white 

portraits of rescued farm animals, accompanied 

by handwritten stories by 

sanctuary workers. a lifelong vegetarian, 

Hart considers farm animals 

“some of the most abused, overlooked 

animals on the planet.” For this project, 

she traveled to sanctuaries in virginia, 

Florida, maryland, michigan and new 

York State to document “the lucky few 

who are free to live out their lives in 

peace.” not surprisingly, after spending 

time with the animals she discovered 

that each had its unique 

personality. “Some are quirky or funny, 

while others sensitive, shy, playful, intelligent, 

mischievous, or inquisitive. 

and all seemed to have complex emotional 

lives.” these characteristics 

come through in Hart’s poignant photographs. 

essays are by Karen Davis, 

president of United poultry Concerns; 

Kathy Stevens, founder of the Catskill 

animal Sanctuary; and gene Bauer, 

founder of Farm Sanctuary. 

978-88-8158-845-9 

Hbk, 9.5 x 6.75 in. / 88 pgs / 36 duotone. 

U.S. $29.95 CDn $29.95 


Michael Northrup: 

Babe 

J&L books 

Baltimore photographer michael 

northrup (born 1948) has been making 

gently humorous but decidedly jubilant 

color photographs of his daily life 

since the early 1970s. His 2004 J&L 

publication Beautiful Ecstasy depicted 

young families (northrup’s own and 

those of friends) partying and performing 

for the camera, often in each 

other’s homes, bringing a beautifully 

understated formal elegance to moments 

of tender and chaotic everyday 

living. this sequel to Beautiful Ecstasy 

presents a further selection of previously 

unpublished photographs from 

the 1970s and 80s, all permeated with 

northrup’s characteristic joie de vivre. 

period details in furniture and clothing 

vividly resurrect the textures of these 

bygone moments; here, we also see 

young couples bringing children into 

their chaotic worlds, freighting these 

scenes of small town america with a 

powerful atmosphere of fragility and 

wonder. 

978-0-9829642-6-2 


U.S. $40.00 CDn $40.00 


Bertrand Fleuret: 

The Cliffs 

J&L books 

French photographer Bertrand Fleuret 

(born 1969) has made some of the 

most poetical and beautifully produced 

photobooks of the past ten 

years—among them The Risk of an 

Early Spring and Landmasses and 

Railways, published by J&L Books, 

who brings us Fleuret’s latest volume— 

a continuation of Landmasses and 

Railway’s exploration of the moods 

and imagery of imaginary worlds. Several 

years ago, Fleuret had an unusually 

intense dream that began with him 

standing by a wall of dark cliffs. When 

he awoke, he found that the details of 

the dream remained oddly vivid, and 

he decided to reconstruct it in photographs. 

this volume reproduces the 

sequence of color photographs along 

with Fleuret’s account of the dream. 

978-0-9829642-7-9 


U.S. $30.00 CDn $30.00 


Alessandro 

Cosmelli & 

Gaia Light: 

Brooklyn Buzz 

dAMIAnI 

Text by Gavin keeney, Jamie wellford. 

Italian-born photographers alessandro 

Cosmelli and gaia Light’s Brooklyn 

Buzz uses the framing device of a bus 

window frame, and the attendant 

serendipities of photographing on 

a moving vehicle, to present an 

extended photographic portrait of 

Brooklyn and its inhabitants. Cosmelli 

and Light have been photographing 

Brooklyn, their adopted home since 

2007, capturing the borough at its 

most social and vibrant. “the windows 

work as filters with the outside,” they 

write of this project, “sometimes like 

enlarging lenses, amplifying, revealing 

unpredictable details, capturing life 

as it is in that precise moment, in the 

streets, at the bus stop, through the 

windows of a local deli; other times 

they work more like protective barriers 

that allow you to deeply penetrate 

people’s lives.” analogous to Frank’s 

The Americans as a european eye 

on america, Brooklyn Buzz is full of 

effervescent charm and warmth. 

978-88-6208-241-9 

pbk, 6.75 x 9 in. / 192 pgs / 


U.S. $40.00 CDn $40.00 

September/photography

Gay Interest, Noir & Erotica 

Robert Mapplethorpe: 

Almodóvar’s Gaze 

LA fábrICA/GALeríA eLvIrA GonzáLez 

Text by siri hustvedt. 

taking as its point of departure the meeting of two 

artists at a tumultuous moment in the 1980s, Almodovar’s 

Gaze explores how the photographic and filmmaking 

lens can fruitfully overlap. american 

photographer robert mapplethorpe (1946–1989) and 

Spanish filmmaker pedro almodóvar (born 1949) first 

met in madrid in 1984, when the photographer was 

there on a visit occasioned by his first exhibition in 

the city. mapplethorpe was already an accomplished 

artist, 38 years old and sure of himself and his sensibility. 

pedro almodóvar was a well-known filmmaker 

in the Spanish underground, and the best-known international 

representative of the madrid–based countercultural 

movida movement that arose after 

general Franco’s death in 1975. mapplethorpe and 

almodóvar had gone out partying in madrid, which 

at the time was particularly receptive to young artists 

closer to the underground than to the establishment. 

the later impact that mapplethorpe’s retrospective 

exhibition at the Whitney museum of american art 

had on almodóvar in 1987 was tremendous. this intimate 

arrangement of mapplethorpe’s seductive and 

powerful images was carefully selected by almodóvar 

from over 1,700 of mapplethorpe’s photographs. 

978-84-15303-58-9 

Clth, 9 x 11 in. / 70 pgs / color. 

U.S. $55.00 CDn $55.00 

September/photography/gay & Lesbian 

Alvin Baltrop: 

Dreams Into Glass 

ConTeMPorArY ArTs MuseuM housTon 

edited and with text by valerie Cassel oliver. Introduction 

by douglas Crimp. foreword by bill Arning. 

Dreams into Glass accompanies the first major museum 

exhibition of african-american photographer 

alvin Baltrop (1948–2004), whose career unfolded in 

the late 1960s amid a period of turbulent social and 

political upheaval. Following a stint in the navy, 

Baltrop returned to new York in the 1970s and 

immersed himself in the city’s decaying landscape, 

documenting a post-industrial wasteland of vacant 

manufacturing buildings that included the piers 

located along the Hudson river in lower manhattan. 

It was here that Baltrop captured his most iconic 

images of nocturnal danger and despair alongside 

intimate and voyeuristic portraits of the homeless, 

teenage runaways, prostitutes and clandestine sexual 

encounters. During this period, Baltrop captured 

gordon matta-Clark’s monumental piece “Day’s 

end” and the work of graffiti artist, tava, now lost to 

history. this survey features over three decades of 

vintage and reprinted photographs as well as archival 

material—from Baltrop’s intimate portraits of navy 

friends and other enlisted men to his poetic body 

abstractions and street photography to the documentation 

of an era of gay sexual abandon between the 

Stonewall riots and the aIDS pandemic. 

978-1-933619-39-2 

pbk, 10 x 8.5 in. / 60 pgs / 10 color / 30 b&w. 

U.S. $14.95 CDn $14.95 

august/photography/african american art & 

Culture/gay & Lesbian 


Houston, tx: Contemporary arts museum Houston 

07/20/12–10/21/12 

Mark Morrisroe: 

Mark Dirt 


Introduction by stuart Comer. Text by Lia 

Gangitano, ramsey McPhillips. 

the photographs of mark morrisroe (1959–1989) are 

steeped in fragility, both as material objects scored 

and pockmarked by the vicissitudes of time, and as 

forlorn commemorations of brief moments in all too 

brief lives. In this sense, the photographs are also objects 

of ephemera, of a piece with morrisroe’s equally 

fragile magazines, collages and drawings, which this 

volume compiles for the first time. Containing much 

previously unpublished work, Mark Dirt includes 

spreads from morrisroe’s punk zine Dirt (“he sort of 

invented the Boston punk scene,” Jack pierson later 

recalled of his former lover), as well as correspondence 

and notes by the artist, sketches and even his 

last will and testament. all of these documents have 

been assembled by morrisroe’s longtime partner 

ramsey mcphillips, and represent the most complete 

survey of the artist’s non-photographic works. 

978-0-9852044-1-9 

Flexi, 8 x 11 in. / 40 pgs / 30 color. 

U.S. $24.00 CDn $24.00 

July/photography/gay & Lesbian 


new York: participant Inc., Fall 2012 


Mark Morrisroe 

9783037641217 

flexi, u.s. $65.00 Cdn $65.00 

JrP|ringier 

Nobuyoshi Araki: 

It Was Once a Paradise 

refLex edITIons 

Text by Marcel feil, robbert roos. 

arguably Japan’s greatest living photographer and 

the author of over 425 books to date, nobuyoshi araki 

(born 1940) is internationally known for his erotic images 

of tied-up, beautiful nude women. It Was Once a 

Paradise presents araki’s most recent photographic 

series, 40 diptychs that offer a meditation on sex and 

grief. each diptych couples a new color photograph of 

a semi-nude woman in bondage with a black-andwhite 

still life from his personal diary, a somber 

image taken on his tokyo balcony: the site of his former 

private paradise haunted by his deceased wife 

Yoko and his cat Chiro. nostalgic ruins contrast with 

erotic hope, forming a contrast that is echoed in the 

packaging of the book, which has been designed to 

be read in either direction, and comes with a choice of 

two different dust jackets. 

978-90-71848-12-4 

Hbk, 9.75 x 13.75 in. / 100 pgs / 41 color / 46 tritone / 

Limited edition of 750 copies. 

U.S. $110.00 CDn $110.00 

July/photography/asian art & Culture 


Araki: Love and death 

9788836617371 

Pbk, u.s. $65.00 Cdn $65.00 


Morton Bartlett: 

Secret Universe III 


edited and with foreword by udo kittelmann, 

Claudia dichter. Text by Lee kogan. 

When the freelance photographer and graphic 

designer morton Bartlett (1909–1992) died at the 

age of 83, his relatives found 15 chests among his 

possessions. each chest contained a half-life-size 

doll and its accessories: 12 girls and three boys, 

a wardrobe of hand-sewn clothes, black-and-white 

photographs of each doll as well as countless studies 

and archival materials. Bartlett began designing 

these dolls in the mid-1930s, studying anatomy books 

and histories of costume, and learning to sew and 

mold with clay to make them as true to life as 

possible. each doll entailed a huge amount of labor, 

taking up to a year to complete; Bartlett created 

costumes and wigs for each one and then staged 

them in lifelike scenarios and photographed them, 

documenting a family he had never had and creating 

a body of work that would remain unexhibited during 

his lifetime. the third installment in the Bahnhof 

museum’s series on outsider artists, this volume 

examines Bartlett’s extraordinary lifelong obsession. 

978-3-86335-162-5 


U.S. $39.95 CDn $39.95 

august/art 


Watabe Yukichi: 

A Criminal Investigation 

edITIons xAvIer bArrAL/Le bAL 

Text by Titus boeder. 

on 13 January 1958, the grotesquely disfigured body 

of a man was discovered near Lake Sembako in 

Japan. two investigators from tokyo came to help 

the local police in resolving what at first appeared to 

be a banal case, but which soon proved to be something 

more complicated. For the first time, a photographer 

was authorized to accompany the police to 

document the investigation. press photographer 

Watabe Yukichi (1924–1993) followed the inspectors 

as they questioned witnesses (workers in a tannery 

factory, local police officers) and pounded the streets 

of the most insalubrious neighborhoods in tokyo— 

its bars, bridges, alleyways and hospitals—in search 

of the killer. Like the haunted film stills of a newly 

discovered noir classic, Watabe’s images record 

much more than simply a police investigation, and 

reveal a tokyo of the 1950s in a way that has rarely 

been depicted. 

978-2-9151-7382-6 

Clth, 8.25 x 11.5 in. / 200 pgs / 70 duotone. 

U.S. $85.00 CDn $85.00 

June/photography/asian art & Culture 


Photography & Politics 

Previously Announced—Back in Print! 

Between the Eyes: 

Essays on Photography 

and Politics 

By David Levi Strauss. 

APerTure 

Introduction by John berger. 

In an era of social confusion and visual pandemonium, 

David Levi Strauss tackles issues of photography and 

politics in a way that few critics today are courageous 

enough to attempt. the essays collected in Between 

the Eyes address topics ranging from propaganda and 

the imagery of dreams, to Sebastião Salgado’s epic social 

documents and the deeply personal photographic 

revelations of Francesca Woodman. other issues 

broached here include the legitimacy of photographic 

imagery and the media frenzy surrounding the events 

of September 11, as well as essays on the work of ania 

Bien, miguel rio Branco, alfredo Jaar, Joel-peter 

Witkin and others, plus an interview with painter Leon 

golub (who worked from photographs). reviewing the 

first edition of Between the Eyes, Publisher’s Weekly 

wrote: “‘photography and propaganda,’ a study of the 

work and deaths in ‘80s Central america of photojournalists 

richard Cross and John Hoagland, should be 

required reading in the age of embeddedness, and 

‘photography and Belief’ is a terrific meditation on 

truth in the age of digital manipulation.” 

978-1-59711-214-7 

pbk, 5.5 x 8.25 in. / 208 pgs / 28 b&w. 

U.S. $19.95 CDn $19.95 

may/photography/nonfiction & Criticism 


Photography After frank 

9781597110952 

flexi, u.s. $29.95 Cdn $29.95 

Aperture 

Controversies 

A Legal and Ethical History of 

Photography 

ACTes sud 

edited by daniel Girardin, Christian Pirker. 

Since its invention in 1839, photography has often 

been at the center of important ethical debates and 

sensational trials, and photographers have frequently 

had to undergo censorship or manipulation of their 

work (sometimes with important repercussions for 

their reputations). this volume brings together a 

wide range of images, from the early days of photography 

to the present, that have been the focus of controversy 

or of legal proceedings. Some of these 

pictures are well known; others are published here for 

the first time. Controversies permits us a better understanding 

of how a society or culture perceives itself, 

enabling us to consider contemporary debates with a 

more critical eye. the book features works by michael 

Light, oliviero toscani, gary gross, Frank Fournier, 

andres Serrano, annelies Strba, marc garanger, man 

ray and Lewis Carroll, among others. 

978-2-7427-9700-4 


U.S. $60.00 CDn $60.00 


Core Curriculum: writings on 

Photography by Tod Papageorge 

9781597111720 

flexi, u.s. $29.95 Cdn $29.95 

Aperture 

Human Zoos 

The Invention of the Savage 

ACTes sud 

edited and text by Pascal blanchard, Gilles boëtsch, 

nanette Jacomijn snoep. 

Human Zoos offers a fascinating, sobering and 

macabre tour of man’s exploitation of man—that is, 

Western man’s exploitation of non-Western men and 

women—as recorded throughout the early history of 

photography, from the 1860s to the 1930s and the invention 

of “humane exhibiting” of nonwhite persons. 

Freak shows, the circuses of Buffalo Bill and p.t. Barnum 

and european colonial exhibitions provided the 

occasions for most of these images, several of which 

were incorporated into posters, postcards and other 

ephemera, designed with an improbable jauntiness. 

Human Zoos traces the evolution of such paradigmatic 

conceptions as “specimen,” “savage” and “native” 

for the designation of peoples as various as 

native americans, asians and africans from all corners 

of the continent. as horrific and compelling as it 

is brilliantly researched and compiled, this volume 

unflinchingly surveys the very recent history of the 

West’s arrogant abuse of those deemed to fall outside 

its brutal terms of civilization. 

978-2-330-00261-9 

pbk, 9.5 x 11 in. / 382 pgs / illustrated throughout. 

U.S. $65.00 CDn $65.00 

august/Sociology/photography 

Crisis of the real: writings on Photography 

by Andy Grundberg 

9781597111409 

Pbk, u.s. $19.95 Cdn $19.95 

Aperture 

Real to Real 

Photographs from the Traina Collection 

fIne ArTs MuseuMs of sAn frAnCIsCo 

Introduction and foreword by Julian Cox. Text by 

kevin Moore. 

Drawing upon the dynamic and sophisticated photography 

collection of San Francisco native trevor 

traina, Real to Real juxtaposes rare black-and-white 

vintage prints by Walker evans, robert Frank, Lee 

Friedlander, Diane arbus and garry Winogrand with 

luscious eye-popping color photographs by William 

eggleston, andreas gursky and Stephen Shore. 

Celebrating photography’s fundamental fluidity 

and diversity through roughly 100 works, authors 

Kevin moore (who served as an adviser to trevor 

traina in shaping his collection) and Julian Cox 

(founding curator of photography and chief curator 

at the Fine arts museum of San Francisco) explore 

the collection’s range from early documentary to 

more recent conceptual art. Real to Real examines 

the preoccupation with everyday “reality,” excess, 

spectacle, and loss in pictures by philip-Lorca 

diCorcia, roe ethridge, mike Kelley, Cindy Sherman, 

alec Soth, Jeff Wall and many more. 

978-0-88401-134-7 


U.S. $45.00 CDn $45.00 

June/photography 


San Francisco, Ca: de Young museum 

06/09/12–09/16/12 


Peripheral Visions 

Italian Photography in Context, 

1950s–Present 

ChArTA/hunTer, The CITY unIversITY of 

new York 

edited by Maria Antonella Pelizzari. Text by Louis 

Chan, Christina Clemente, erik dalzen, sara k. 

davidson, david Louis fierman, diana L. fischman, 

Lucy Gallun, Makeda hinds, nara hohensee, Jordan 

hruska, daniel Phelps, Cynthia Pratomo, valentina 

A. spalten, Matthew Trygve Tung, elizabeth Tubergen, 

Claire vancik, Jennifer wilkinson. 

this book presents works by a number of major Italian 

photographers who have explored aspects of their 

native land that are rarely depicted elsewhere. the 

photographs range from social documentary works of 

the 1950s to the conceptual photography of the 1970s, 

more personal explorations and travelogues of the 

1980s and contemporary photographic remappings of 

Italian cities. this thematic interpretation conveys 

the incredibly vital and diverse range of expressions 

that have unfolded in Italian photography over the 

past five decades. published for a 2012 exhibition at 

Hunter College, the City University of new York, 

Peripheral Visions includes works by marina Ballo 

Charmet, olivo Barbieri, gabriele Basilico, gianni 

Berengo gardin, mario Carrieri, vincenzo Castella, 

Cesare Colombo, mario Cresci, paola Di Bello, Luigi 

ghirri, guido guidi, alessandro Imbriaco, Francesco 

Jodice, mimmo Jodice, armin Linke, maurizio montagna, 

paolo monti, Ugo mulas, Walter niedermayr, 

Franco vaccari and massimo vitali. 

978-88-8158-837-4 


U.S. $34.95 CDn $34.95 

may/photography 

New Latin Look 

C Photo Volume 4 

IvorYPress 


edited by elena ochoa foster, Martin Parr. 

foreword by elena ochoa foster. Text by vik Muniz, 

Martin Parr. 

Ivory press’ C Photo series is a five-year project that 

follows on the heels of C Photo magazine, departing 

from its predecessor’s format by structuring each 

issue thematically, with guest editorships from various 

internationally renowned curators. the fourth 

issue of C Photo, New Latin Look, presents a highly 

original selection of young Latin american photographers, 

whose explorations of the photographic 

medium have led to a rebirth of photography in Latin 

america, and will ensure a renewed appreciation of a 

tradition whose power and depth have been ignored 

for too long. the volume includes portfolios by 

alexander apóstol, Julio Bittencourt, Fernando Brito, 

alejandro Chaskielberg, ana Casas Broda, José Castrellón, 

andrés marroquín Winkelmann, Fernando 

Brito, miguel Calderón, Óscar Fernández, Luis 

molina-pantin, rosario montero, guadalupe ruiz, 

geovanny verdezoto and Irina Werning. vik muniz 

and martin parr contribute essays. 

978-84-939498-4-6 

Flexi, 9.5 x 12 in. / 232 pgs / 185 color / 7 b&w. 

U.S. $57.00 CDn $57.00 

July/photography/Latin american art & Culture 


Posed unposed 

9788493834043 

hbk, u.s. $57.00 Cdn $57.00 

Ivorypress 


Prince / Picasso 

fundACIón Museo PICAsso MáLAGA 

Text and interview by José Lebrero stals. 

over the past two years, richard prince (born 1949) has been working on an intensive assimilation of picasso, 

producing a succession of collages and canvases that directly dialogue with the modernist master’s 

oeuvre. For picasso, as for prince, the theme of the female nude is an abiding motif—“he never lets go of 

the body,” as prince observes—and prince’s latest nudes are a typically energetic mixture of appropriation 

and wonderfully crude, irreverent interjection in the fashion of Duchamp, deploying such materials as ink 

jet printing, oil crayon, pastel, acrylic, graphite and charcoal. the black-and-white photographs of female 

nudes are derived from recently published anatomy how-to books, and endow prince’s homages with a 

graceful, rhythmic plasticity. this elegantly produced, linen-bound volume (with a bellyband that doubles 

as a folded poster), published for a 2012 exhibition at the museo picasso in málaga, presents these works 

for the first time. It includes a brief interview with prince and critical commentary by José Lebrero Stals. 

978-84-938427-6-5 


U.S. $55.00 CDn $55.00 

July/art 


Maurizio Cattelan: All 

9780892074167 

hbk, u.s. $45.00 

Cdn $45.00 

Guggenheim Museum 

Publications 


Maurizio Has Left the Building 

Retrospective of Maurizio Cattelan's Last Exhibition at the Guggenheim Museum, New York 

Le dICTATeur Press 

Definitive 

documentation 

of one of the 

most memorable 

exhibitions in 

recent history 

edited by Pierpaolo ferrari, sebastiano Mastroeni. drawings by Matteo nuti. Text by Caroline Corbetta. 

Hailed simultaneously as a provocateur, prankster and tragic poet of our times, maurizio Cattelan (born 1960) has created 

some of the most unforgettable images in recent contemporary art. Upon the occasion of his 2011 guggenheim retrospective, 

All, Cattelan astonished the art world by announcing his retirement from art, declaring that he would instead focus on the production 

of his magazine Toilet Paper. For the exhibition, Cattelan hung his entire oeuvre—128 works—from the middle of the 

guggenheim’s rotunda, in a sensational gesture of both witty irreverence and summary completion. Maurizio Has Left the 

Building is the artist’s documentation of this landmark exhibition. Created by Italian photographer pierpaolo Ferrari, the publication 

is composed of several unbound signatures of installation photographs, with drawings by matteo nuti, text by Caroline 

Corbetta, under the art direction of Sebastiano mastroeni. this oversize volume conveys the multidimensionality of 

Cattelan’s last installation. 

978-2-84066-517-5 

Boxed, pbk, 11.5 x 16 in. / 72 pgs / illustrated throughout. 

U.S. $75.00 CDn $75.00 

available/art 

Jeff Koons: The Painter and the Sculptor 

hATJe CAnTz 

Text by vinzenz brinkmann, Isabelle Graw, Joachim Pissarro, Matthias ulrich, 

scott rothkopf, et al. 

Jeff Koons (born 1955) is probably the most famous artist of the 1980s, and certainly one 

of the most notorious and controversial. In the summer of 2012, the Liebieghaus Skulpturensammlung 

and the Schirn Kunsthalle Frankfurt are collaborating on a bold and 

unprecedented simultaneous overview of Koons’ sculptural and painterly oeuvre. the 

Liebieghaus show, titled Jeff Koons: The Sculptor, creates a dialogue between Koons’ 

sculptures (both world-renowned and recent works) and the nineteenth-century villa 

whose collection spans 5,000 years of sculpture, from ancient egypt to the present. the 

artist fell in love with the Liebieghaus after visiting the city on his way to the german 

company arnold, which produced his oversize works in polished steel, such as the 

Balloon Flower sculptures of the 1990s. the Schirn’s exhibit, Jeff Koons: The Painter, 

focuses on the artist’s monumental paintings, whose motifs draw upon the most varied 

sources of high and popular culture, from manet to popeye. In recent years, following 

the success of his flower and balloon dogs, Koons has revisited his painting practice, 

declaring, “I like the sense of warmth that comes from an actual painting and that’s why I 

returned to making paintings.” this substantial volume includes 270 color reproductions 

of sculptures and paintings from the breadth of Koons’ 30-year career. 

978-3-7757-3371-7 

Hbk, 2 vols, 9.5 x 11.5 in. / 360 pgs / 270 color. 

U.S. $75.00 CDn $75.00 

September/art 


Frankfurt, germany: Liebieghaus Skulpturensammlung, 06/20/12-09/23/12 

Frankfurt, germany: SCHIrn Kunsthalle Frankfurt, 06/20/12-09/23/12 

Jeff Koons 

hATJe CAnTz 

Jeff Koons (born 1955) has remained constantly in the public eye since he first 

showed his Equilibrium works—basketballs floating in tanks of water, framed 

nike ads and a cast bronze lifeboat—at the influential east village gallery International 

with monument in 1985. Since that time, he has continued to scandalize 

the art world with such unforgettable works as “michael Jackson and Bubbles” 

(1988), a series of life-size, gold-plated porcelain sculptures of the pop star and 

his pet chimpanzee; “puppy,” (1992), a 43-foot-tall topiary sculpture of a West 

Highland terrier; and “Balloon Flower (magenta)” (1995–2000), which broke all 

contemporary art auction records when it sold in 2008 for more than $25,000,000. 

this volume, published on the occasion of Koons’ summer 2012 show at the esteemed 

Fondation Beyeler in Switzerland, examines three of Koons’ most influential 

bodies of work in depth: The New (1980–87), featuring the vacuum cleaner 

works in plexiglas cases; Banality (1988), featuring such iconic painted ceramic 

and wooden sculptural works as “michael Jackson and Bubbles,” “Winter Bears” 

and “Woman in tub”; and Celebration (ongoing since 1994), the legendary series 

of sculptures and paintings which includes the stainless steel “Balloon Dog” 

sculptures. taken together, these three series represents the most spectacular 

and significant phases in Koons’ oeuvre to date. 

978-3-7757-3351-9 


U.S. $75.00 CDn $75.00 

august/art 


Basel, Switzerland: Fondation Beyeler, 05/13/12–09/02/12 

ArT hIGhLIGhTs 


978-0-615-59689-1 


U.S. $50.00 CDn $50.00 


Peter Fischli & David Weiss: 

800 Views of Airports 


800 Views of Airports documents a lengthy series of work 

by peter Fischli (born 1952) and David Weiss (born 1946), 

comprising 1,010 photographs to date, all of which appear 

here complete for the first time. For this ongoing documentary 

project, the artistic duo photograph the airports they 

have passed through in their travels around the world over 

nearly 25 years, in a quest for exotic banality throughout 

different cultures. their images of these nondescript 

airports focus on the humdrum aspect of air travel: the fuel 

vehicles, the baggage trucks, the daily routines of airport 

workers, the long antiseptic corridors and sprawling 

tarmacs surrounded by panoramic views of empty vistas. 

Whether presenting a Lufthansa airplane sitting idle in a 

yellowy light, a Swiss air plane waiting in a neon-haunted 

dusk or an air France plane getting its belly filled in the 

dead of night, Fischli and Weiss’s images present the 

evanescence of any national identity when reduced to a 

symbol on a vertical stabilizer. 800 Views of Airports reveal 

the non-places encircling our world, and the non-journeys 

that have come to define our contemporary life in transit, 

while simultaneously offering carefully composed images 

that are strangely placid and restful. 

978-3-86560-932-8 


U.S. $65.00 CDn $65.00 


Laurie Simmons: 

The Love Doll 

sALon 94/ToMIo koYAMA GALLerY 

edited by Lynne Tillman. Introduction by Jeanne 

Greenberg rohatyn. Text by Laurie simmons. 

throughout her career, photographer Laurie Simmons 

(1949) has staged scenes with dolls, dummies and occasionally 

people for her camera. In the fall of 2009, Simmons 

opened a new chapter to her work and ordered a customized, 

high-end “Love Doll” from Japan. the surrogate sex partner 

arrived in a crate, clothed in a transparent slip and accompanied 

by a separate box containing an engagement ring and 

genitalia. Simmons documented her photographic relationship 

with this human scale “girl,” depicting the lifelike, latex 

doll in an ongoing series of “actions”—each shown and titled 

chronologically from the day Simmons received the doll up 

to the present, describing the relationship she developed 

with her model. the first days of somewhat formal and shy 

poses give way to an ever-increasing familiarity and comfort 

level as time passes. a second doll arrived one year later. 

this new character, and the interaction between the two, 

reveal yet another dynamic in composition, both formal 

and psychological. In search of a stage for her Love Doll, 

Simmons turned to her own home, transforming it into an 

artfully staged, color coordinated, oversized dollhouse. a 

tale of disquieting adult fantasy, desire and regret, The Love 

Doll accompanies the complete photographic series with 

the artist’s diary entries and is printed on a special paper to 

evoke the touch of a Love Doll’s skin. 

On Kawara: Date Paintings in New 

York and 136 Other Cities 



LudIon 

edited by edgar d. Mitchell, Lei Yamabe, Lucas zwirner, Tommy 

simoens, Angela Choon. 

the Japanese conceptual artist on Kawara (born 1933) has nurtured a 

fascination with counting and time for more than 40 years now, most 

famously through the ongoing execution of his famous “date paintings” 

of the Today series: a daily ritual to conclude only on the day of his death. 

the first painting in the series was executed in new York on January 4, 

1966; since then, on Kawara has carried out the procedure at regular 

intervals in cities throughout the world, painting each day, month and 

year in a white sans-serif script against a monochrome background in 

the language conventions of the country he is in. When not displayed, 

each painting is stored in a box and accompanied by a local newspaper 

clipping of the day. Despite numerous solo exhibitions worldwide, Date 

Painting(s) in New York and 136 Other Cities is the first retrospective of 

the 45 years of on Kawara’s date paintings. Including over 180 date paintings, 

the book is divided into two parts: one that covers the complete 

series of paintings done in new York, and a second that focuses on the 

series of works done in different locales throughout the world. the result 

offers a unique insight into the role that place and a life of travel has 

played in a body of work that has been defined by time and chronology. 

978-94-6130-015-7 


U.S. $60.00 CDn $60.00 

august/art/asian art & Culture 


Washington, D.C.: Hirshhorn museum and Sculpture garden, 03/22/12–05/13/12 

Doug Aitken: Song 1 

hIrshhorn MuseuM And sCuLPTure GArden 

Text by kerry brougher, barney hoskyns, dean kuipers. 

In a bold effort to redefine the public exhibition space, the Hirshhorn 

museum has commissioned Doug aitken’s most ambitious work to date. 

Song 1 is an unprecedented 360-degree moving-image work, requiring 11 

high-definition projectors, that seamlessly blends imagery to illuminate 

the façade of the museum’s iconic cylindrical building—transforming it 

into “liquid architecture”—and create an urban soundscape. the scope 

of the artwork is large, yet at its core is a basic concept. Based around a 

single song, “I only Have eyes for You,” the piece explores the idea of 

pure communication through the perfect pop song. this distinctive book, 

designed by the artist and shaped to emulate the form of the Hirshhorn 

itself, visually interprets the work and places the work in a broader art 

historical and cultural context. 

978-0-9789063-2-0 

Clth, 13 x 8 in. / 120 pgs / 150 color / 20 b&w. 

U.S. $50.00 CDn $50.00 

July/art 


broken screen: expanding the Image, breaking the narrative 

Pbk, u.s. $40.00 Cdn $40.00 

9781933045269 

d.A.P./distributed Art Publishers, Inc.

Performance Art 

Marco Anelli: Portraits in 

the Presence of Marina 

Abramovic 

dAMIAnI 

Text by Marina Abramovic, klaus biesenbach, 

Chrissie Iles. 

after becoming an internet sensation, marco anelli’s 

powerful portraits of sitters in the historic 2010 marina 

abramovic performance at the museum of modern 

art, new York are now collected and available in 

their entirety in this volume. the centerpiece of the 

landmark retrospective Marina Abramovic: The Artist 

Is Present was abramovic herself, who sat silently in 

the museum’s atrium, inviting visitors to take a seat 

across from her for as long as they chose. She sat 

every day for the run of the show—716 hours and 30 

minutes—and faced more than 1,500 people, whose 

participation completed the work. marco anelli’s 

photographic project captured every interaction, 

taking a portrait of each participant and noting the 

time they spent in the chair. Just as abramovic’s 

piece concerned duration, the photographs give the 

viewer a chance to experience the performance from 

abramovic’s perspective. they reveal both dramatic 

and mundane moments, and speak to the humanity 

of such interactions, just as the performance itself 

did. the resultant photographs are mesmerizing 

and intense, putting a face to the world of art lovers 

while capturing what they shared during their 

contact with the artist. 

978-88-6208-249-5 

pbk, 9 x 9 in. / 192 pgs / illustrated throughout. 

U.S. $40.00 CDn $40.00 



Marina Abramovic: The Artist Is Present 

hbk, u.s. $50.00 Cdn $50.00 

9780870707476 

The Museum of Modern Art, new York 

Marina Abramovic: 

The Kitchen 

LA fábrICA 

Introduction by Mateo feijoo. 

The Kitchen: Homage to Saint Therese is a set of 

portrait photographs and videos of the “grandmother 

of performance art,” marina abramovic (born 1946). 

Shot in the abandoned space of a kitchen where 

Carthusian nuns had once fed more than 8,000 

orphans, abramovic is here seen cooking and 

meditating. referencing renaissance painting and 

the writings of Saint therese of Ávila, in which the 

sixteenth-century nun describes her experiences 

of mystical levitation in church and kitchen, The 

Kitchen is equally an autobiographical work. “In my 

childhood,” abramovic explains, “the kitchen of my 

grandmother was the center of my world [. . .] all my 

best memories come from there.” accompanying 

this book’s images is a series of the artist’s own 

spiritual recipes: a series of haikus, prayers and 

mantras to liberate the mind from the confused flow 

of thinking. 

978-84-15303-37-4 

Clth, 9 x 11 in. / 64 pgs / color. 

U.S. $55.00 CDn $55.00 

September/art 

Marina Abramovic: 

seven easy Pieces 

Pbk, u.s. $59.95 Cdn $59.95 

9788881586264 

Charta 

Jimmy Robert 

MuseuM of ConTeMPorArY ArT ChICAGo 

foreword by Madeleine Grynsztejn. Text by naomi 

beckwith, Marie de brugerolle. Interview by Ian 

white. 

this catalogue accompanies the first large-scale 

solo U.S. exhibition of the work of Brussels–based 

artist Jimmy robert (born 1975). one of europe’s 

most dynamic younger artists, robert works in a 

range of media, including photography, sculptural 

objects, film, video and collaborative performances. 

What unites these different threads is a concern 

for the body and a guiding interest in the poetic 

potential of ephemeral materials such as paper 

and tape. Creating form through gesture, robert 

draws inspiration from such artists as Yvonne rainer 

and Yoko ono. His exploration of folding bodies, 

crumpling paper and filmed repetitive gestures 

has come to define him as an artist of touching: the 

act of tearing tape from skin, a hand stroking hair, 

fingers rubbing a text. Jimmy Robert includes 

multiple paper stocks and sizes, is spiral-bound 

and features the artist’s newest work. 

978-0-933856-95-0 

Spiralbound, 8 x 10 in. / 96 pgs / illustrated 

throughout. 

U.S. $25.00 CDn $25.00 

September/art 


Chicago, IL: museum of Contemporary art Chicago, 

08/25/12–11/25/12 

Jimmie Durham: A Matter of Life 

and Death and Singing 

Works 1964–2012 



JrP|rInGIer 

edited by Anders kreuger. Text by bart de baere, Guy brett, 

Jimmie durham, richard william hill, Anders kreuger. 

Born in arkansas in 1940 and based in europe since 1994, the Cherokee 

Jimmie Durham has spent his life alternating between the world 

of contemporary art and his work as an activist for the american native 

Indian movement and United nations representative of the International 

Indian treaty Council. the politics of Durham’s art also take 

place on the broadest terms: “my work might be considered ‘interventionist’ 

because it works against the two foundations of the european 

tradition: Belief and architecture,” he writes. “my work is against the 

connection of art to architecture, to the ‘statue,’ to monumentality.” 

Durham’s art freely blends writing and performance, sculpture and 

permanence and the personal and political into series of often anthropomorphic 

collage-like installations. With his notion of the artist as 

someone who rearranges the objects of society, Durham has developed 

a practice of “interruption” and estrangement as a tool against belief 

systems and the corrosive influence of colonialist culture, mixing plastic 

tubing with bone, printed words with video, and witty anecdote 

with devastating critique. A Matter of Life and Death and Singing is 

generously illustrated and researched and accompanies a comprehensive 

retrospective at the muHKa, antwerp, covering his full career, 

with newly commissioned essays and Durham’s own writings. 

978-3-03764-289-4 


U.S. $45.00 CDn $45.00 

September/art/native american art & Culture 


antwerp, Belgium: muHKa, 05/24/12–11/18/12 

978-88-6208-240-2 

Clth, 9.5 x 11.5 in. / 192 pgs / color. 

U.S. $50.00 CDn $50.00 

September/art/african american art & Culture 

Gary Simmons: Paradise 

dAMIAnI 

Introduction by okwui enwezor. Text by Gwen Allen, nancy Princenthal, Charles 

wylie. 

gary Simmons’ art represents the most thoughtful, poetic and subtle consideration 

of race and class conceived in the last 25 years. Born in new York in 1964, Simmons 

attended the School of visual arts and in 1990 received an mFa from Calarts in Los 

angeles, where he exhibited his most affecting sculptural work. Simmons’ first studio 

after returning to new York was in an old school building, where he found abandoned 

rolling blackboards that he used as elements in his sculpture. Soon after he began his 

first series of chalk drawings using disturbingly naive racist cartoon imagery, which 

he executed on newly fabricated blackboards. the time spent in the school fortuitously 

focused Simmons’ ongoing reclamation of childhood fantasies and elusive ghostly 

memories. While closely identified over the years with his enormous wall drawings, or 

“erasure” drawings, Simmons has consistently worked across media. His photographs, 

installations, sculpture, drawings, paintings and public projects explore the visual 

language of our social and cultural landscape as they touch on symbols and themes 

that range from poetic longing to the vernacular of the inner city. With approximately 

150 reproductions, an introduction by okwui enwezor, critical texts by gwen allen and 

Charles Wylie and a reprint of an important early essay by nancy princenthal, this is 

the first publication to offer a comprehensive overview of Simmons’ multifarious career.

African-American Art & Performance Art 

Previously Announced 

New Expanded Edition! 

30 Americans 

rubeLL fAMILY CoLLeCTIon 

Text by franklin sirmans, Glenn Ligon, 

robert hobbs, Michele wallace. 

From its inception in the 1960s, the 

rubell Collection has been able to 

boast a particularly fine range of 

african-american art. recent new 

York exhibitions inspired the rubell 

family to mount an exhibition of their 

holdings in this area, reproduced here 

in 30 Americans. With a late addition 

to this exhibition, there are in fact 31 

artists: nina Chanel abney, John 

Bankston, Jean-michel Basquiat, mark 

Bradford, Iona rozeal Brown, nick 

Cave, robert Colescott, noah Davis, 

Leonard Drew, renée green, David 

Hammons, Barkley L. Hendricks, 

rashid Johnson, glenn Ligon, Kalup 

Linzy, Kerry James marshall, rodney 

mcmillian, Wangechi mutu, William 

pope L., gary Simmons, xaviera Simmons, 

Lorna Simpson, Shinque Smith, 

Jeff Sonhouse, Henry taylor, Hank 

Willis thomas, mickalene thomas, 

Kara Walker, Carrie mae Weems, Kehinde 

Wiley and purvis Young. this 

expanded second edition of the catalogue 

features additional color plates 

and an updated design. 

978-0-9821195-5-6 

Hbk, 8.75 x 11.25 in. / 223 pgs / 


U.S. $39.95 CDn $39.95 

available/art/african american art & 

Culture 


norfolk, va: Chrysler museum of art, 

03/16/12–07/15/2012 

Radical Presence 

Black Performance in 

Contemporary Art 

ConTeMPorArY ArTs MuseuM 

housTon 

edited and with introduction by 

valerie Cassel oliver. foreword by bill 

Arning. Text by Yona backer, naomi 

beckwith, valerie Cassel oliver, et al. 

Radical Presence chronicles the emergence 

of black performance practices 

in contemporary art. Where hegemony 

has tended to define black performance 

art as an extension of 

theater, this publication provides a 

critical framework for discussing the 

history of black performance within 

the visual arts over the last 50 years. 

over five decades of performance art 

practices by such artists as Benjamin 

patterson, David Hammons, Senga 

nengudi, Lorraine o’grady, adrian 

piper and Ulysses Jenkins are presented 

along representatives of subsequent 

generations such as Carrie mae 

Weems, William pope.L, terry adkins, 

Sherman Fleming, Danny tisdale, Lyle 

ashton Harris, Clifford owens, Kalup 

Linzy and adam pendleton, among 

others. this publication includes a 

DvD compilation of performance excerpts 

and is an essential tool for any 

understanding of the field. 

978-1-933619-38-5 

Hbk, 9.5 x 11 in. / 165 pgs / 50 color / 

40 b&w. / DvD. 

U.S. $39.95 CDn $39.95 

December/art/african american art 

& Culture 


Houston, tx: Contemporary arts 

museum Houston, 11/16/12–03/10/13 

William Pope.L: 

Black People Are 

Cropped 

Skin Set Drawings 1997–2011 

JrP|rInGIer 

edited by Clément dirié. Text by Iain 

kerr, helen Molesworth, william 

Pope.L. 

“When pope.L shakes his head he 

makes drawings that keep him from 

laugh-crying to death,” writes Helen 

molesworth of Skin Set Drawings, an 

ongoing series by multi-disciplinary 

artist William pope.L (born 1955). 

made with very humble materials, this 

extended corpus deals with the absurdities 

and perversities of intentional language, 

especially racist language and 

language associated with categorizing 

and naming color. “Black people are 

taut,” “Brown people are the green 

ray,” “Blue people are What We Do to 

Homosexuals,” “red people are From 

mars green people are From new Jersey,” 

“purple people are reason Bicarbonate,” 

“red people are the niggers 

of the Canyon” are some examples of 

this highly-charged series by the selfproclaimed 

“friendliest black artist in 

america.” Black People Are Cropped 

offers a selection of drawings from 

1997–2011, sketches, critical texts and 

the artist’s own writing. 

978-3-03764-269-6 


U.S. $15.00 CDn $15.00 

July/art/african american art & 

Culture 

Kara Walker: A 

Negress of Noteworthy 

Talent 

fondAzIone Merz 

Text by olga Gambari, Luca Morena, 

rebecca walker, Melissa harris-Perry. 

Conversation with richard flood. 

A Negress of Noteworthy Talent documents 

a multimedia project developed 

by Kara Walker (born 1969) in turin: her 

2011 solo exhibition at the Fondazione 

merz, a workshop for students from the 

art academy and University of turin, 

an international conference on the politics 

and psychology of race stereotypes. 

the result is a defiantly unresolved exploration 

of the myth and memory of 

the african-american experience, an experience 

not fully collective or personal, 

but something uncomfortably in between, 

unfolding in a sinister and humorous 

shadowland of grotesque 

silhouettes and puppets. Walker’s turin 

project further explores the drama of 

race that is as much a drama of the unconscious 

as it is about skin. 

978-88-7757-251-6 


30 b&w. 

U.S. $45.00 CDn $45.00 

July/art/african american art & 

Culture 


kara walker: My 

Complement, My enemy, 

My oppressor, My Love 

9780935640861 

hbk, u.s. $49.95 

Cdn $49.95 

walker Art Center 

Clifford Owens: 

Anthology 



MoMA Ps1 

Text by huey Copeland, John bowles, Christopher Y. Lew. 

Conversation moderated by kellie Jones. 

Clifford owens (born 1971) has long been aware that the history of 

african-american performance art remains largely unwritten. 

rather than rectifying the oversight in scholarly terms, owens has 

created an unprecedented artistic project, a compendium of 

african-american performance art that is both highly personal and 

thoroughly historical. this volume, owens’ first publication, includes 

written performance scores that owens solicited from fellow 

african-american artists, which he then enacted in various locations 

at moma pS1. Clifford Owens: Anthology brings together the 

final artworks that resulted from the performances, and features essays 

by art historians Huey Copeland and John Bowles, as well as 

moma pS1 assistant curator Christopher Y. Lew. It also includes interviews 

with individuals who attended the live performances and a 

round-table discussion with selected Anthology artists moderated 

by art historian Kellie Jones. 

978-0-9841776-6-0 


U.S. $40.00 CDn $40.00 

September/art/african 

american art & Culture 


Chicago, IL: museum of Contemporary art, 04/14/12–08/05/12 

miami, FL: miami art museum, 09/06/12–11/18/12 

atlanta, ga: High museum of art, Summer 2013 

Rashid Johnson: Message 

to Our Folks 


foreword by Madeleine Grynsztejn. Text by Julie rodrigues 

widholm, Paul beatty, Ian bourland, Touré. 

Message to Our Folks is the most comprehensive documentation 

of new York–based artist rashid Johnson’s 

work to date. Johnson (born 1977) explores the complexities 

and contradictions of black identity in the United 

States, incorporating commonplace objects from his childhood 

in a process he describes as “hijacking the domestic,” 

and transforming materials such as wood, mirrors, tiles, 

rugs, CB radios, shea butter and plants into conceptually 

loaded and visually compelling works that shatter assumptions 

about the homogeneity of black subjecthood. published 

in the new MCA Monographs series, Message to 

Our Folks accompanies the artist’s first major solo museum 

exhibition and features essays by curator Julie rodrigues 

Widholm, novelist and critic touré and art historian Ian 

Bourland and an excerpt from paul Beatty’s trenchant and 

comic coming-of-age novel, The White Boy Shuffle. 

978-0-933856-93-6 


U.S. $25.00 CDn $25.00 

august/art/african american art & Culture

Abstract Painting & Drawing 

Gerhard Richter: 

Beirut 


foreword by Lamia Joreige, sandra 

dagher. Text by Achim borchardthume. 

Beirut presents a large gathering 

of gerhard richter’s overpainted 

photographs from the mid–1980s to 

the present. rarely seen in print, these 

works merge the artist’s longstanding 

fascination with the respective languages 

and textures of photography 

and abstract painting. the imagery 

ranges from domestic and family 

photos to holiday snaps, landscapes, 

mountain ranges and studio shots, all 

drawn from richter’s photographic 

archives. also featured in this volume 

is Museum Visit, a series of 234 overpainted 

photographs, each of which 

was taken during a typical busy day 

at the tate modern. an essay by 

achim Borchardt-Hume considers 

the overpainted photographs within 

richter’s wider oeuvre, from the 

photo paintings of the 1960s to the 

18 October 1977 cycle, from Atlas to 

War Cut. Borchardt-Hume asserts: 

“the photographs allow an insight 

into the private world of richter, 

albeit an insight that is always seen— 

quite literally—through the veil of 

paint and painting.” 

978-3-86335-177-9 


U.S. $49.95 CDn $49.95 

august/art 


Beirut, Lebanon: Beirut art Center, 

04/27/12–06/16/12 

Christopher Wool 

hoLzwArTh PubLICATIons 

Text by John Corbett, fabrice hergott, 

John kelsey. 

Best known for patterned, stamped 

and stenciled paintings that follow 

an austere aesthetic, Christopher 

Wool (born 1955) has expanded his 

vocabulary during the years since 

2000, using his own images, 

silkscreened or digitally treated, as 

source material for subsequent works. 

this handsomely designed volume, 

published in conjunction with a major 

exhibition at the musée d’art moderne 

de la ville de paris, offers three 

renowned authors approaching 

Wool’s recent paintings from different 

angles. John Corbett analyzes 

Wool’s navigation between jazzlike 

improvisation and deliberate 

composition; Fabrice Hergott focuses 

on the artist’s dialogue with the 

surface as a subject of the paintings; 

and John Kelsey digs into the artist’s 

media-savvy black-and-white painted 

images: “gestures go viral, escaping 

one painting and contaminating 

another. a work recurs outside of itself, 

sometimes in a partial or fragmented 

way, always coming back remotely 

as another image—thicker, faster, 

sharper.” 

978-3-935567-59-6 

pbk, 8 x 9.5 in. / 120 pgs / 40 b&w. 

U.S. $50.00 CDn $50.00 FLat40 

July/art 

Sean Scully: 

Light of the South 

Tf edITores/d.A.P. 

the painting of Sean Scully (born 1945) 

has a fascinating relationship to place. 

Born in Dublin, Scully began his career 

as a figurative painter in London, in 

the years when Freud and Bacon still 

dominated Britain’s art climate. a trip 

to morocco converted Scully to abstraction: 

“It was the endless potential in the 

rhythm and structures of the visual 

world there that moved me,” he says, of 

its arabic visual character. as his painting 

slowly gravitated towards abstraction, 

Scully realized that new York was 

the city in which he would most fruitfully 

develop, and moved there in 1975. 

He attributes his first new York series, 

Horizontals, to his apartment’s view of 

the city and the Hudson river. In spring 

2012, Scully’s art is reunited with the 

arabic culture that first inspired his 

embrace of abstraction, at the stupendous 

moorish fort-palace in granada, 

the alhambra. the exhibition and this 

accompanying catalogue are divided 

into three parts: seven large paintings 

from the Wall of Light series; a set of 

40 watercolors; and three photographic 

series, which intriguingly illuminate 

Scully’s image-making process— 

Aran, Santo Domingo for Nene and 

Alhambra, the latter of which is 

published here for the first time. 

978-1-935202-93-6 

Hbk, 9.5 x 11.75 in. / 174 pgs / 


U.S. $65.00 CDn $65.00 

July/art 

Sean Scully 

JovIsArT 

Text by Matthias frehner, stella roig, 

Annick haldemann, brigitte reutner. 

the painting of Sean Scully (born 

1945) is unmistakable in its simplicity, 

and yet generative of endless variation 

and richness. His chunky, heavily 

worked, vertical bands of color abutting 

horizontal bands of color, which 

may be applied to canvas or to metal 

plates, seem to explore and express 

everything that can be said with color, 

from steely sobriety to pulsating 

warmth. In this way, Scully continually 

develops the discoveries of predecessors 

such as albers and rothko. this 

book focuses on his most recent output, 

which the artist himself sums up 

thus: “all my life, I have been driven by 

some guilt or other. It is only in the 

past few years that this has ended . . . 

and I increasingly like myself better 

for it. I only do things that I really want 

to do. this has caused me to attempt 

big things.” 

978-3-86859-183-5 


U.S. $45.00 CDn $45.00 

october/art 


sean scully 

Clth, u.s. $65.00 

Cdn $65.00 

9788415303565 

La fabrica 

Terry Winters: 

Cricket Music, 

Tessellation Figures 

& Notebook 

MATThew MArks GALLerY 

Text by katy siegel. 

Cricket Music, Tessellation Figures & 

Notebook presents a series of new 

works by acclaimed new York painter 

terry Winters (born 1949), in which he 

explores forms inspired by mathematical 

concepts such as tessellations, knot 

theory and similar shapes derived from 

natural and scientific realms. Winters’ 

kaleidoscopic compositions of overlapping 

grids and patterns create complex 

pictorial spaces, and his use of transparent 

pigments allows the viewer to 

see, as the artist has said, “all the 

events that went into the making of the 

painting.” Tessellation Figures refers to 

the process of creating a two-dimensional 

plane through the repetition of a 

geometric shape. the Notebook series 

(2003–2011) consists of collages of 

found images, layered on top of one 

another, which have provided the 

source material for several of Winters’ 

recent paintings, and which affirm the 

enduring tension between abstraction 

and representation throughout his 

work. 

978-1-880146-60-6 


U.S. $45.00 CDn $45.00 

July/art 

Wols: Circus 

Wols, Hommage 


edited by olaf Metzel. Text by öyvind 

fahlström, olaf Metzel, roberto ohrt. 

alfred otto Wolfgang Schulze, known 

as Wols (1913–1951), is one of abstract 

painting’s best-kept secrets, yet one of 

its most influential practitioners. Wols 

helped to pioneer the French style of 

abstraction known as art Informel, or 

tachism, alongside the likes of Jean 

Dubuffet, Jean Fautrier, roberto matta, 

mathieu and Henri michaux. this style 

of painting developed in tandem with 

Surrealism, extending the latter’s Symbolist 

inheritance into strange, nervous 

or dreamlike mark-making and calligraphic 

gestures, eventually producing 

a highly poetic european counterpart 

to abstract expressionism. Wols’ oil 

and watercolor abstractions are both 

the epitome and the forerunner of art 

Informel, but the complexity of his output, 

which also encompassed portrait 

and fashion photography and writing, 

makes him a more elusive and fascinating 

figure. this important volume 

compiles works by artists whom Wols 

has inspired or drawn upon, from mark 

tobey, guy Debord and raymond 

Hains to marlene Dumas and Wolfgang 

tillmans, alongside works by 

Wols himself. 

978-3-86335-161-8 

pbk, 7.5 x 9.5 in. / 256 pgs / 138 color / 

64 b&w. 

U.S. $45.00 CDn $45.00 

July/art 

Ellsworth Kelly: 

Los Angeles 


Text by Michael duncan. 

Los Angeles documents six new 

two-panel paintings by ellsworth Kelly, 

each made from a single shaped 

canvas featuring a dramatic curve 

carefully painted with many coats 

of a bright color (blue, green, yellow, 

orange). these curved panels are attached 

to a rectangular canvas painted 

in a contrasting color. also reproduced 

here are a group of 1952–54 collages 

that Kelly made in paris as a young 

man, including “Study for Black and 

White panels,” as well as the 1966 

painting “Black over White.” all of 

these works provide the inspiration 

for Kelly’s monumental sculpture 

installed on the façade of the matthew 

marks gallery. among his largest 

works, Kelly’s new Los angeles 

sculpture is the first to incorporate 

a building’s architecture into his own 

work: in one succinct gesture, the 

gallery’s entire façade has become 

part of his sculpture. 

978-1-880146-59-0 


U.S. $45.00 CDn $45.00 

July/art 

Anne Truitt: 

Drawings 



Text by brenda richardson. 

this retrospective of anne truitt’s 

works on paper spans the four decades 

of her career, from the early 1960s— 

when truitt first developed the totemic 

sculptures in painted wood for which 

she is best known—to the last years of 

her life. many of the drawings are reproduced 

here for the first time, and 

cover the full range of her drawing 

techniques, from graphite, ink and pastel 

to acrylic on paper. edges are variously 

taped, rolled or sliced; truitt’s 

line is sometimes bold, and at other 

times subtle enough to seem almost 

invisible. In one group of works from 

1976, paint is applied in layers of subtle 

color (a signature of her work in all 

media); a 1966 series of distilled, hardedged 

abstractions evoke the architecture 

of the artist’s childhood home with 

its white clapboard siding and picket 

fence. this volume offers the first 

overview of truitt’s drawings to date. 

978-1-880146-58-3 

Clth, 9.75 x 11.75 in. / 104 pgs / 

66 color. 

U.S. $65.00 CDn $65.00 

July/art 


Anne Truitt: 

Perception and 

reflection 

9781904832614 

hbk, u.s. $55.00 

Cdn $55.00 

Giles 


Pop Art ArT hIGhLIGhTs 

Ménage à Trois 

Warhol, Basquiat, Clemente 

kerber 

Text by dieter buchhart, vincent fremont, 

Jordana Moore saggese, keith 

haring. Interviews by dieter buchhart. 

andy Warhol always made himself 

available and accessible to younger 

emerging artists, and in the vibrant 

new York art scene of the 1980s, 

Jean-michel Basquiat and Francesco 

Clemente forged particularly close 

friendships with Warhol—even becoming 

something of a triumvirate, as this 

new publication on the three artists 

shows. Between 1983 and 1985, 

Basquiat, Clemente and Warhol 

produced a number of collaborative 

paintings whose compositional vitality 

lay in their fusion of contrary energies, 

and the three constantly borrowed 

and adapted motifs from each other, 

also making portraits of one another. 

Ménage à Trois: Warhol, Basquiat, 

Clemente offers a comprehensive 

overview of this generative friendship, 

which is contextualized through 

full-color reproductions, documentary 

photographs, essays and an interview 

with Bruno Bischofberger, the collector 

who initiated Warhol and Basquiat’s 

collaborations. 

978-3-86678-655-4 


51 b&w. 

U.S. $59.95 CDn $59.95 

august/art 


The Autobiography 

and sex Life of Andy warhol 

9780970612618 

hbk, u.s. $45.00 Cdn $45.00 

Trela Media 

104 artBooK | D.a.p. 1.800.338.2665 

Andy Warhol: 

Paintings from 

the 1970s 

skArsTedT GALLerY, LTd. 

Text by Trevor fairbrother. 

after andy Warhol was shot in 1968, 

some critics accused him of softening 

the intensity of his art in favor of pursuing 

a more superficial, jet-setting social 

agenda. and it is true that during 

the 1970s, Warhol focused much of 

his energy on less solitary activities— 

filmmaking, his “superstars” and 

supporting Interview, his adventurous 

underground magazine. However, 

Warhol’s art practice of the 1970s underwent 

huge changes and forged into 

vital realms that have proved as influential 

as his earlier work. During this 

decade he produced such iconic series 

as the abstract Oxidation paintings, 

which combined urine on metallic copper; 

the classic Ladies and Gentlemen 

portraits depicting new York’s drag 

community; his screen prints of the 

actor and native american political 

activist russell means, and of the 

Chinese Communist leader, mao 

Zedong; as well as the Shadow, Skulls 

and Hammer & Sickle series. this 

volume collects works from each of 

these series, alongside an essay by 

curator-scholar trevor Fairbrother. 

978-1-61623-723-3 

Clth, 9 x 10 in. / 60 pgs / 35 color / 

3 b&w. 

U.S. $30.00 CDn $30.00 

July/art 

Jasper Johns: 

In Press 

The Crosshatch Works and the 

Logic of Print 

hATJe CAnTz 

Text by Jennifer quick, Jennifer L. 

roberts. 

Centering on “the Dutch Wives” 

(1975), a double-panel encaustic-andnewsprint 

painting in the artist’s signature 

“crosshatch” motif, this catalogue 

explores the impact of print on the 

work of Jasper Johns (born 1930). the 

two panels of “the Dutch Wives” are 

imperfect duplicates of each other—a 

reminder that the process of the mechanical 

reproduction of words and 

images is never quite perfect. the 

book examines the concepts of “print” 

and “the press” in terms not only of 

printmaking and Johns’ celebrated experiments 

in that medium, but also in 

informational terms, tracing his frequent 

use of newsprint and its material, 

temporal, political, and formal 

implications. the publication also features 

prints and drawings by Johns 

that help demonstrate the aspects of 

printmaking that inform his entire 

oeuvre: repetition, reversal, indexicality, 

layering, sequencing and topology. 

978-3-7757-3291-8 


U.S. $55.00 CDn $55.00 

august/art 


Cambridge, ma: Harvard art 

museums, 05/22/12–08/18/12 

Keiichi Tanaami: 

Drawings and 

Collages 

1967–1975 


Text by stefano stoll. 

Keiichi tanaami (born 1936) is one of 

the most influential artists of Japan’s 

postwar avant-garde. among the country’s 

first video artists, and a member 

of the Japanese neo-Dada movement, 

tanaami visited new York in the late 

1960s and came face to face with the 

paintings of andy Warhol. Having 

worked as a graphic designer, tanaami 

was entranced by Warhol’s amalgam of 

graphic and fine arts, and began to 

make drawings and collages that 

blended psychedelic kitsch with traditional 

Japanese arts, in a style that 

quickly led to album covers for the 

monkees and Jefferson airplane. this 

volume collects tanaami’s erotic, surreal 

and cartoonish drawings and collages 

from these years, when the artist 

was most steeped in american pop 

culture, just before he became art director 

for the Japanese Playboy. the 

dust jacket folds out into a large blackand-white 

poster. 

978-3-86335-116-8 

Hbk, 8.25 x 11 in. / 70 pgs / 

42 color / 8 b&w. 

U.S. $44.95 CDn $44.95 FLat40 


Neo Rauch: The Graphic Work, 1993–2012 

hATJe CAnTz 

foreword by kerstin wahala. Text by rudij bergmann. Interview by wolfgang büscher. 

one of today’s best-known contemporary artists, new Leipzig School painter neo rauch (born 

1960) blends the realistic figuration of Social realism with Surrealism: brightly colored figures 

parade through upended environments, and multiple historical periods overlap in a single work. 

most recognized for his paintings and drawings, rauch has also created an impressive output of 

printed works over the past two decades, which visit the same themes as the rest of his output, 

and in rauch’s own words “are accessories to my painting.” this publication presents the artist’s 

complete oeuvre of prints from 1993 to today, and celebrates rauch’s gift of an edition of each of 

his prints to the town of aschersleben in germany, where he was raised. the collection will form 

the basis of a new art foundation and exhibition space, established in the artist’s name. 

Neo Rauch (born 1960) was born, reared and trained as an artist in Leipzig, where he continues to 

live. In august 2005, rauch was awarded the chair of painting at Leipzig University.. 

978-3-7757-3310-6 


U.S. $45.00 CDn $45.00 

September/art 

Two European master printmakers 

Luc Tuymans: Graphic 

Works 1989–2012 

LudIon 

edited by Tommy simoens. Text by Manfred sellink. 

Graphic Works 1989–2012 offers a retrospective of graphic work by Luc tuymans 

(born 1958), arguably the most celebrated Belgian artist working today, 

whose recreations of historically saturated imagery examine themes of memory 

and trauma. Using unpublished source material and proofs, polaroids and 

watercolors—some from the archives of master printer roger vandaele and 

the artist’s own studio—this book offers in-depth insight into tuymans’ variety 

of graphic techniques and his process of analysis and translation of images, 

color separations and proofs. the volume concludes with an illustrated survey 

of the artist’s complete graphic work from 1989 to 2012, ranging from a photocopied 

portfolio with a selection of tuymans’ early drawings through suites 

such as The Spiritual Exercises to his masterpiece The Rumor, an installation 

combining a series of monotypes and a scale model in a single edition. 

978-94-6130-051-5 


U.S. $60.00 CDn $60.00 

october/art 


Luc Tuymans 

9781933045986 

hbk, u.s. $60.00 Cdn $60.00 

san francisco Museum of 

Modern Art/ wexner Center 

for the Arts/d.A.P. 


Contemporary Figurative Painting 

Marcel Dzama: 

The Never Known 

into the Forgotten 

keTTLer 

marcel Dzama’s 2011 films A Game of 

Chess and Death Disco Dance revealed 

fascinating new developments in 

the artist’s iconography and range of 

media—perhaps most notably in his 

use of puppets and dioramas, which 

added more playful qualities to his 

imagery of conflict and terror, and underscored 

his dialogue with modernist 

artists such as Duchamp, man ray 

and oskar Schlemmer. this volume, 

published for Dzama’s exhibitions at 

Sies + Höke and Kunstverein Braunschweig, 

reproduces a wealth of new 

work, including images, stage sets, 

puppets, dioramas and sculptures 

from the films; a suite of ten drawings 

called Forgotten Terrorists (2008–2011), 

that draw on a photograph of the 

palestinian terrorist and hijacker Leila 

Khaled; and other recent drawings, 

such as “pepper Spray Saturday” 

(2011), an interpretation of the already 

iconic image of policeman John pike 

pepper spraying occupy protesters 

at University of California Davis. 

978-3-86206-101-3 


U.S. $55.00 CDn $55.00 

September/art 


Marcel dzama: behind 

every Curtain 

9781935202622 

Pbk, u.s. $22.00 Cdn $22.00 

david zwirner 

Mamma 

Andersson: 

Dog Days 

kerber 

edited and with preface by Martin 

hentschel. Text by elfriede Jelinek, 

Martin hentschel. 

the widely admired Swedish artist 

mamma andersson (born 1962) draws 

on a long and venerable tradition of 

northern european art for her painting, 

in particular that of romantic landscape 

painting, whose moody horizons 

and ominous weather so acutely characterize 

her modest-seeming scenes. 

of course, andersson is equally apt to 

draw on photographs of forensics investigations 

or scenes from theatre 

programs, shifting fluidly from the 

heavy gravity of outdoor scenes to the 

meticulous detail of equally ominous 

interiors. this volume, published for 

an exhibition at the Kunstmuseen 

Krefeld, contextualizes andersson’s 

painting in relation to the works of 

painters such as Dürer, Dick Bengtsson, 

edvard munch and Caspar David 

Friedrich, showing how she has likewise 

extrapolated larger meditations 

on the human condition from the genres 

of landscape and interior painting. 

978-3-86678-656-1 


6 b&w. 

U.S. $50.00 CDn $50.00 

august/art 

Kent Williams: 

Eklektikos 

ALLen sPIeGeL fIne ArTs 

Text by Peter frank, Alex ross. 

Los angeles–based artist Kent 

Williams (born 1962) has built up a 

formidable reputation as a leading 

contemporary figurative painter, 

alongside his thriving career as a 

creator of graphic novels. Williams’ 

strong, gestural realism, combined 

with areas of arresting detail, exhibits 

abstract and neo-expressionistic sensibilities, 

as well as autobiographical 

elements: favorite models, friends, and 

the artist himself all play a role in the 

human story of his paintings. this new 

monograph presents recent paintings 

completed between 2007 and 2011. 

as critic peter Frank explains in one 

of the catalogue essays, “Williams’ 

unlikely, often dreamlike naturalism, 

faithful to appearances but not at all 

to reality—a kind of supernaturalism— 

relies on an entirely confident and 

convincing kind of figure painting, 

one that acknowledges but does not 

honor the verities of the body.” 

978-1-934298-09-1 


U.S. $49.50 CDn $49.50 

august/art 

Jenny Saville 

norTon MuseuM of ArT 

Text by Cheryl brutvan, nicholas 

Cullinan. 

recognized as an exceptional talent in 

the early 1990s, when she was just in 

her early 20s, British painter Jenny 

Saville (born 1970) has continued 

to renew and subvert the legacy of such 

masters as rembrandt, de Kooning and 

Freud, with sometimes controversial interpretations 

of the human figure—primarily 

the female body—that expertly 

mingle the textures of paint and flesh. 

this volume, accompanying the first 

U.S. survey of the artist, includes already 

classic early paintings such as 

“propped” (1992) alongside studies and 

more recent paintings and drawings on 

the theme of the mother and child. Saville’s 

brushwork reveals an increased 

dynamism and looser gesture. extended 

critical commentary by Cheryl 

Brutvan and nicholas Cullinan discuss 

Saville’s feminism and treatments of 

flesh throughout art history. Despite 

Saville’s fame, there have been few opportunities 

to view her mature work, a 

lacuna this volume happily corrects. 

978-0-943411-42-2 


U.S. $50.00 CDn $50.00 

June/art 


oxford, england: modern art oxford, 

06/22/12–09/16/12 


kent williams: Amalgam 

hbk, u.s. $75.60 Cdn $75.60 

9781934298015 

Allen spiegel fine Arts 

Marlene Dumas: 

Sorte 


edited by Giorgio verzotti. 

marlene Dumas (born 1953) is one of 

the most highly regarded contemporary 

painters working today. Sorte 

attests to the artist’s ongoing interest 

in the dialectic between the physicality 

of the human body and the metaphysical 

themes that attend its demise. this 

book includes paintings from Dumas’ 

recent Forsaken series: her haunted, 

pale portraits of amy Winehouse, her 

pearly and painterly crucifixions and a 

meditation on the relationship between 

father and son. the book’s 15 previously 

unexhibited works, however, are 

concerned instead with the figures 

of the mother and the child, inspired 

by images from the archives of an 

orphanage and portraits of pier paolo 

pasolini and his mother Susanna. 

also included is Dumas’ portrait of 

Italian film star anna magnani, caught 

in a film still from Mamma Roma, 

the bleached sheet of her face transforming 

her features into a femininized 

form of the crucifix. 

978-88-366-2285-6 


U.S. $40.00 CDn $40.00 

September/art 


Marlene dumas: 

Measuring Your 

own Grave 

9781933751085 

hbk, u.s. $55.00 

Cdn $55.00 

d.A.P./Museum of 

Contemporary Art, 

Los Angeles 

Toxic Beauty: 

The Art of Frank 

Moore 

GreY ArT GALLerY, new York 

unIversITY 

foreword by Lynn Gumpert. Text by 

klaus kertess, susan harris, Gregg 

bordowitz, frank Moore. 

Toxic Beauty: The Art of Frank 

Moore is the most comprehensive 

presentation of work by a remarkable 

artist whose life was cut short by 

aIDS. Frank moore (1953–2002) is 

best known for his large, highly 

detailed figurative paintings filled with 

fantastic and symbolic images. this 

catalogue includes a complete bibliography, 

chronology and excerpts from 

moore’s own writings. It also features 

more than 50 color images of moore’s 

paintings and works on paper, as well 

as approximately 40 reproductions 

of previously unpublished archival 

material—such as sketchbooks and 

documents—culled from the vast Frank 

moore papers housed at new York 

University’s Fales Library. an essay 

by Klaus Kertess considers moore’s 

recurrent themes, situating the artist 

within the vibrant downtown scene; 

a contribution by gregg Bordowitz 

relates moore’s works to his passionate 

aIDS activism; and a piece by Susan 

Harris addresses the artist’s working 

methods. 

978-0-934349-17-8 


U.S. $50.00 CDn $50.00 

September/art/gay & Lesbian 


new York: grey art gallery, new York 

University, 09/07/12–12/08/12 

George Tooker: 

Reality Recurs 

as a Dream 

dC Moore GALLerY 

Introduction by bridget Moore. Text 

by ralph sessions, robert Cozzolino, 

Marshall Price, kurt kauper, Paul Cadmus. 

Interview by selden rodman. 

For more than 60 years, george tooker 

(1920–2011) created luminous and 

often enigmatic paintings, addressing 

issues from alienation and the dehumanizing 

aspects of contemporary society 

to personal meditations on the 

human condition. From the Cold War 

urban purgatories and bureaucratic 

paranoia of his early paintings to his 

later warm, glowing images of lovers 

embracing in fields or found in windows, 

tooker’s spiritual vision ultimately 

stands as a quest for the 

endless possibilities of intimacy, compassion 

and tolerance. Widespread 

public recognition first came to tooker 

through his best-known painting, “Subway” 

(1950), a definitive image of anxiety 

and dread. His more utopian 

themes of peace, brotherhood and reconciliation 

would find expression in 

such works as “embrace of peace II” 

(1988). published in conjunction with 

DC moore gallery’s memorial exhibition, 

George Tooker: Reality Recurs as 

a Dream features paintings from every 

period of tooker’s long career. 

978-0-9826316-7-6 


6 b&w. 

U.S. $40.00 CDn $40.00 

July/art 


Alice Neel: 

Late Portraits 

& Still Lifes 


rAdIus books 

Text by Tim Griffin. 

alice neel (1900–1984) is widely considered 

one of the greatest portraitists 

of the twentieth century. published on 

the occasion of a solo exhibition at 

David Zwirner, new York, this beautifully 

designed book presents a selection 

of portraits and still lifes from the 

last two decades of the artist’s life. 

Called “the pre-eminent painter-chronicler 

of new York bohemia” by Deborah 

Solomon of The New York Times, neel 

remains a hero to many of today’s most 

influential figurative painters, including 

eric Fischl, elizabeth peyton and 

marlene Dumas—as much for the emotional 

and psychological intensity of 

her work as for her exemplary fearlessness. 

978-1-934435-55-7 


U.S. $50.00 CDn $50.00 

July/art

Modern & Contemporary Sculpture 

Tony Cragg 


Text by Marco franciolli, Guido 

Comis. 

tony Cragg (born 1949) is one of 

Britain’s leading contemporary sculptors, 

an explorer of metamorphosis and 

the fourth dimension in the otherwise 

static domain of sculpture. this catalogue 

accompanies a retrospective of 

Cragg’s work at the museo d’arte of 

Lugano, and gathers together over 40 

sculptures and assemblages—some 

monumental in scope—and more than 

100 drawings and etchings that reveal 

the creative processes behind his better-known 

pieces. a full presentation 

of Cragg’s career to date is provided 

here, from his early explorations of the 

metaphysics of the mundane in the 

late 1970s, to his more recent three-dimensional 

smears in space. accompanied 

by a never-before-published 

interview with the artist and key insights 

into the logic behind such 

works as “minster” and “Subcommittee,” 

this is a must-have book for anyone 

interested in the work and thought 

of a revolutionary sculptor. 

978-88-366-2249-8 

pbk, 9.75 x 11.25 in. / 160 pgs / 

150 color. 

U.S. $45.00 CDn $45.00 

September/art 

108 artBooK | D.a.p. 1.800.338.2665 

Hans Arp: 

Sculptures 

A Critical Survey 

hATJe CAnTz 

edited and with text by Arie hartog, 

kai fischer. 

Hans arp (1886–1966) can justly be 

called the father of twentieth-century 

abstract sculpture, an artist whose 

impact traversed countless early 

modernist avant-gardes, from Dada 

and Surrealism to Concrete art. arp’s 

sculptures, in all their wondrous 

morphous plasticity, lend themselves 

ideally to such varied assimilation, 

and also—less happily—to forgery. In 

recent years, some controversy has 

arisen as to the authenticity of several 

arp works, as a number of imitations 

have circulated in the art market. this 

substantial publication, undertaken 

by the independent scholars arie 

Hartog and Kai Fischer, decisively 

counters the problem by assembling 

all of the authenticated examples of 

every one of arp’s known sculptures 

and bringing their respective status 

up to date. an introductory essay 

describes the posthumous history 

of Hans arp’s oeuvre. 

978-3-7757-3320-5 


U.S. $120.00 CDn $120.00 SDnr30 

august/art 

Henry Moore 

hAYwArd PubLIshInG 

foreword by Caroline douglas. 

Text by benedict read. 

this beautiful small-format book presents 

a range of key works by the major 

english sculptor, Henry moore (1898– 

1986), and examines his early relationship 

with the arts Council Collection 

(aCC) as advisor to its acquisitions 

committee in the early 1950s. Henry 

moore was a major force in shaping the 

sculpture collection of the aCC, advocating 

the acquisition of a significant 

group of postwar British sculpture by 

such artists as Kenneth armitage, 

Lynn Chadwick and Barbara Hepworth. 

moore himself is strongly represented 

in the Collection (art historian 

Kenneth Clark, a critical figure in the 

history of the aCC, encouraged moore 

to donate his early works), and 26 

works—including sculptures, prints 

and drawings—are reproduced here in 

color, accompanied by critical commentary 

by Benedict read. this is a 

succinct history of Henry moore’s 

practice between 1929 and 1962. 

978-1-85332-302-7 


U.S. $15.00 CDn $15.00 

october/art 

Charles Ross: The 

Substance of Light 

rAdIus books 

Text by Thomas Mcevilley, klaus 

ottmann, virginia dwan, Anna halprin, 

Michael heizer, steve katz, donald 

kuspit, ed ranney, Jean-hubert 

Martin. Interview with Löic Malle. 

Charles ross’ fascination with light, 

time and the space of the stars has produced 

a major earthwork, large-scale 

prism installations, sculpture, and 

painting with dynamite. From Star 

Axis, a vast architectonic earth/star 

work in the new mexico desert, to his 

Solar Burns series made by burning 

wood-panel monochromes with focused 

rays of the sun, ross allows the 

natural patterns and forces of the cosmos 

to inform his work. The Substance 

of Light is a comprehensive volume 

that covers over four decades of work 

and features full-color illustrations of 

his Solar Spectrum artworks, Star Axis, 

his Solar Burns, Star Maps and Explosion 

Paintings and Drawings, along 

with early work and selected architectural 

commissions. major essays by 

thomas mcevilley and Klaus 

ottmann, as well as an extensive interview 

with Loïc malle and a range of 

historical texts are also included. 

978-1-934435-49-6 

Clth, 10 x 12.5 in. / 344 pgs / 146 color / 

66 duotone. 

U.S. $65.00 CDn $65.00 

September/art 

Alina 

Szapocznikow 

kerber 

Preface by harald spengler. Text by Anda rottenberg, 

Philip Topolovac. 

the polish sculptor alina Szapocznikow (1926–1973) 

has been the subject of renewed and intense interest 

over the past few years, with much anticipation of her 

major touring U.S. survey in 2012/2013. Szapocznikow’s 

sculptural interpretations of the human 

body, created from the 1960s onwards in both Communist 

poland and postwar paris, are often associated 

with the artist’s experience as a survivor of the Holocaust, 

but also anticipate more recent preoccupations 

with “the abject” in their often dark intimations of dismemberment, 

decay and mutation. this volume, published 

for an exhibition at the Kunstparterre in 

munich, includes drawings and sculptures from the 

breadth of Szapocznikow’s tragically brief career, as 

well as documentation of the exhibition, statements 

and a letter by the artist, and an extensive timeline of 

her life and work. 

978-3-86678-597-7 


U.S. $55.00 CDn $55.00 

august/art 

Leonardo Drew 

ChArTA 


Alina szapocznikow: sculpture undone 1955–1972 

9780870708244 

flexi, u.s. $45.00 Cdn $45.00 

The Museum of Modern Art, new York 

foreword by xandra eden. Text by valerie Cassel. 

american artist Leonardo Drew (born 1961) creates 

large-scale sculptural installations incorporating both 

manipulated and found materials such as paper, 

wood, tree branches and roots, rust and mud. these 

materials are often stacked on top of one another, 

arranged in gradations of length or shape, endowing 

the sculpture itself with contrasting qualities of rigorous 

organization and organic chaos or proliferation. 

Drew has been making variations on this repetoire of 

humble materials since the 1970s, having had his first 

solo exhibition at the age of 13. With nearly 100 color 

reproductions of these works, this volume provides 

an overview of Drew’s four-decade career, from the 

dramatic sculptures and installations of the 1980s and 

the enormous wall tableaux of the 1990s to the more 

fragile paper casts of the past decade. 

978-88-8158-841-1 


U.S. $47.50 CDn $47.50 

December/art/african american art & Culture 


Kienholz: 

Five Car Stud 

LouIsIAnA MuseuM of Modern ArT 


edited by Michael Juul holm. Introduction by Paul 

erik Tøjner, Anders kold. Text by roberto ohrt, 

Thomas Mcevilley. Interview with Paul McCarthy. 

edward Kienholz’s life-size tableau “Five Car Stud” 

(1969–72) depicts four automobiles and a pickup 

truck, arranged on a dirt floor in a dark room with 

their headlights illuminating a shocking scene: 

a group of white men exacting their gruesome 

“punishment” on an african american man. “Five 

Car Stud” is a harsh reminder of a shameful part 

of our history whose traces still linger. It was seen 

only in germany in 1972 and has since remained in 

storage in Japan for almost 40 years. on the occasion 

of its first public showing in the United States, this 

volume examines an extraordinarily powerful artistic 

statement that has lost none of its potency. the 

catalogue presents essays by roberto ohrt and 

thomas mcevilley, as well as an interview with 

american artist paul mcCarthy. 

978-87-91607-96-7 


U.S. $39.95 CDn $39.95 

June/art 


kienholz: signs of the Time 

hbk, u.s. $65.00 Cdn $65.00 

9783863350871 

walther könig, köln 


Dance & Performance 


toronto, Canada: Sony Centre for the performing arts, 06/08/12–06/10/12 

Brooklyn, nY: Brooklyn academy of music, 09/14/12–09/16/12 

Berkeley, Ca: Zellerbach Hall, 10/26/12–10/28/12 


robert wilson from within 

hbk, u.s. $55.00 Cdn $55.00 

9782953823707 

The Arts Arena 

Yvonne Rainer: Space, Body, Language 

kunsThAus breGenz/MuseuM LudwIG, CoLoGne 

edited by Yilmaz dziewior, barbara engelbach. foreword by Yilmaz dziewior, barbara engelbach, kaspar 

könig. Text by Gabriele brandstetter, douglas Crimp, Yilmaz dziewior, barbara engelbach, Carrie 

Lambert-beatty, volker Pantenburg, Catherine wood. 

Despite her years of work and influence as one of the world’s leading choreographers, dancers and filmmakers, 

Yvonne rainer (born 1934) has until now not received the retrospective exhibition in europe that 

her career deserves. Yvonne Rainer: Space, Body, Language is published for exhibitions at the Kunsthaus 

Bregenz and the museum Ludwig, Cologne, and covers the full spectrum of her work, starting from her 

foundational new York dance works such as The Mind Is a Muscle (1968), which created a new physical 

language out of everyday gestures and humdrum objects such as mattresses, barbells and bubblewrap. 

moving to her political and feminist films between 1976 and 1996, which took the filmic montage features 

of her dance (and her incorporation of filmed actions of hands and volleyballs in her performances) to 

their next level, Space, Body, Language brings us up to the present with rainer’s return to choreography 

in 2000 and such recent compositions as Assisted Living: Good Sports 2 (2011) and Spiraling Down 

(2008). this catalogue presents previously unseen documentation of stage works, notebooks, an astonishing 

number of dance scores, scripts, movie and exhibition posters and a carefully compiled appendix, 

as well as essays by Douglas Crimp, gabriele Brandstetter, Carrie Lambert-Beatty, volker pantenburg, 

Catherine Wood and editors Yilmaz Dziewior and Barbara engelbach. 

978-3-86335-137-3 


U.S. $55.00 CDn $55.00 

august/art/Dance 

Robert Wilson & Philip Glass: 

Einstein on the Beach 

edITIons dILeCTA 

foreword by robert wilson. 

Debuting at the avignon Festival in France in 1976, robert Wilson and 

philip glass’ Einstein on the Beach completely reinvented opera, synthesizing 

the musical and theatrical avant-gardes of its time into one 

spectacular five-hour extravaganza. Colossal in ambition, length and 

scale, it appeared on paper to obey all the conventions of opera—four 

acts, the singers on the stage, duets, choirs, an orchestra pit—but it drastically 

departed from them in all other respects. Einstein on the Beach 

had no plot, the singers did not play characters, the music was minimalist 

and repetitive, and connections between the images and the music 

were also fairly minimal. nonetheless, the opera successfully stormed 

the gates of classical opera and seized the public imagination. Following 

its 1976 premiere, the work was staged twice, in 1984 (at the Brooklyn 

academy of music) and 1992 (at princeton)—and then, for the first 

time in 20 years, it was performed in January 2012 at the University of 

michigan, ann arbor, an event that paved the way for an official tour 

that commences in march 2012, with stops in London, toronto, Brooklyn, 

Berkeley, mexico City and amsterdam. this anniversary volume 

gathers previously unpublished material that includes robert Wilson’s 

original workbook, sketches and storyboards annotated with philip 

glass’ notes, as well as photographs from the opera’s various world 

tours. together these documents illustrate the genesis of a collaboration 

that created a revolution in contemporary opera. 

979-10-90490-04-8 


U.S. $60.00 CDn $60.00 

July/performance/music 

Poems 

By Yvonne Rainer. 

bAdLAnds unLIMITed 

Introduction by Tim Griffin. 

From her work in dance and choreography to her 

films and writings, Yvonne rainer (born 1934) has 

established herself as one of the america’s greatest 

living artists. this first collection of her poems, 

which were written from the late 1990s onwards and 

have never before been published, affirms her ability 

to endow words with corporeality, propulsion and 

swift-moving narrative. Full of wit and candor, 

rainer’s poems evoke the rhythm of an urban 

landscape peopled with old friends and colleagues, 

trying to make art or simply trying to make ends 

meet. memories entangle with news headlines 

and conversations overheard on the subway, making 

the poems feel both intimate yet social. accompanying 

the poems is a selection of black-and-white 

images curated by rainer, varying from news 

clippings to intimate photographs from rainer’s 

personal archive. poet and critic tim griffin 

contributes an introduction. 

978-1-936440-10-8 

pbk, 6 x 9 in. / 80 pgs / 7 b&w. 

U.S. $12.00 CDn $12.00 

July/poetry/Dance 

Moving Together 

Making and Theorizing Contemporary 

Dance 

By Rudi Laermans. 

vALIz/AnTennAe serIes 

published in valiz’s new Antennae series devoted to 

new research in art, photography, architecture and design, 

Moving Together examines contemporary dance 

from both a practical and theoretical perspective. the 

author, professor rudi Laermans, analyzes three tendencies: 

pure dance, dance theater and (self-) reflexive 

dance. He proposes a theoretical framework for 

understanding how artistic cooperation figures into 

the creation of dance. Boasting a great design by the 

maverick Dutch studio metahaven, Moving Together 

includes dialogues with some of the most influential 

names in contemporary dance spanning several generations: 

anne teresa De Keersmaeker, founder of the 

cutting-edge dance company rosas; Jerome Bel, the 

controversial and experimental French choreographer; 

William Forsythe, known internationally for his 

work with Ballett Frankfurt (1984–2004) and the 

Forsythe Company (2005–present); as well as many 

others dance innovators. 

978-90-78088-52-3 

pbk, 5.25 x 8.25 in. / 416 pgs / 6 b&w. 

U.S. $28.95 CDn $28.95 

December/Dance/nonfiction & 

Criticism 

You Killed Me First 

The Cinema of Transgression 



edited by susanne Pfeffer. Text by Carlo McCormick, 

sylvère Lotringer, Jonas Mekas, susanne Pfeffer, 

nick zedd, Jack sargeant. 

emerging from new York’s Lower east Side in the 

city’s early 1980s no Wave scene, the “Cinema of 

transgression” aimed at outright shock, provocation 

and confrontation. Young filmmakers such as richard 

Kern, Lydia Lunch, Kembra pfahler, Casandra Stark 

and nick Zedd produced nihilistic, nightmarish scenarios 

of violence, angst and erotic excess that willfully 

transcended all moral or aesthetic boundaries. 

Sometimes shot with stolen camera equipment, and 

flaunting their lo-fi credentials, the low-budget films 

of the self-proclaimed “Cinema of transgression” presented 

analyses of a Lower east Side defined by criminality, 

brutality, drugs, aIDS, sex and excess. You 

Killed Me First is published on the occasion of the 

first exhibition on the Cinema of transgression. 

978-3-86335-157-1 

pbk, 8.25 x 11.75 in. / 176 pgs / 80 b&w. 

U.S. $25.00 CDn $25.00 

august/Film & video/gay & Lesbian 


Music & DVDs 

A House Full of 

Music 

Strategies in Music and Art 

hATJe CAnTz 

edited by ralf beil, Peter kraut. Text 

by ralf beil, stefan fricke, Peter kraut, 

Thomas schäfer, et al. 

Famously described by Schönberg as 

“not a composer, but an inventor—of 

genius,” John Cage (1912–1992) was 

one of the great strategists and pioneers 

of twentieth-century music and 

art. A House Full of Music celebrates 

Cage’s one-hundredth birthday by examining 

12 fundamental strategies 

through which art and music have informed 

each other: recording, collage, 

silence, destruction, calculation, coincidence, 

feeling, thought, belief, furnishing, 

repetition and playing. Starting 

with such key figures as erik Satie, 

marcel Duchamp, nam June paik and 

Joseph Beuys, this book conjoins essays 

by art and music theorists with 

works by artists, musicians and composers. 

this landmark publication on a 

century-long “music circus” features 

everyone from arnold Schönberg, Karlheinz 

Stockhausen, Iannis xenakis, 

Carsten nicolai and robert Filliou to 

Laurie anderson, anri Sala, einstürzende 

neubauten, Frank Zappa 

and many others. 

978-3-7757-3319-9 


U.S. $75.00 CDn $75.00 

october/art/music 

Arcana VI: Musicians 

on Music 

hIPs roAd/TzAdIk 

edited and with preface by John zorn. 

a major resource for new music theory 

and practice in the twenty-first century, 

the acclaimed Arcana series looks at 

the inner workings of the artistic 

process through manifestoes, scores, 

interviews, notes and critical papers 

written by the practitioners themselves, 

providing insight into the work, 

mind and methodologies of some of 

the most remarkable creative minds of 

our time. Contributors to this volume 

include Duck Baker, eve Beglarian, 

Karl Berger, Chuck Bettis, Claire 

Chase, anna Clyne, John Corigliano, 

Jeremiah Cymerman, David Fulmer, 

Jeff gauthier, alan gilbert, Judd 

greenstein, mary Halvorson, Hillary 

Hahn, Jesse Harris, David Lang, mary 

Jane Leach, Steve Lehman, Steve 

mackey, rudresh mahanthappa, Denman 

maroney, Brad mehldau, Jessica 

pavone, toby picker, gyan riley, Jon 

rose, Steve Schick, Jen Shyu, Dave 

taylor, richard teitelbaum, Julia 

Wolfe, Kenny Wollesen, nate Wooley 

and Charles Wuorinen. 

978-0-9788337-5-6 

pbk, 6.5 x 10 in. / 316 pgs / 73 b&w. 

U.S. $34.95 CDn $34.95 

September/music/nonfiction & 

Criticism 


Arcana 

9781887123273 

Pbk, u.s. $34.95 Cdn $34.95 

hips road/Tzadik 

Cosey Complex 


edited by Maria fusco, richard birkett. 

Introduction by Maria fusco. 

a pioneering figure in Industrial/experimental 

music and performance art, 

Cosey Fanni tutti has embodied many 

roles since her early days as one half of 

CoUm transmissions, alongside genesis 

p-orridge. CoUm’s first art exhibition, 

Prostitution, at the ICa London 

in 1976, outraged the public with its inclusion 

of bloodied tampons and photographs 

of Cosey modeling for porn 

magazines, and was closed after four 

days. Cosey and genesis went on to 

cofound throbbing gristle, the band 

that pioneered and named Industrial 

music as a genre; when they split in 

1981 she formed the electronica duo 

Chris & Cosey with tg keyboardist 

Chris Carter. In 2010, Cosey returned 

to the ICa for an all-day celebration of 

her work, arranged by editor and author 

maria Fusco. arising from that occasion, 

this volume is the first major 

publication on Cosey, and features 

contributions by martin Bax, gerard 

Byrne, Cosey Fanni tutti, Daniela Cascella, 

Diedrich Diederichsen, graham 

Duff, John Duncan, Chris Kraus and 

many others. 

978-3-86335-152-6 

pbk, 8.5 x 11 in. / 147 pgs / 24 color / 

31 b&w. 

U.S. $44.95 CDn $44.95 

July/art/music 

Florian Hecker: 

Chimerizations 

PrIMArY InforMATIon 

Introduction by Catherine wood. 

Text by reza negarestani. 

electronic composer and sound artist 

Florian Hecker (born 1975) has made 

inventive use of contrasting and 

conflicting auditory illusions or 

chimeras—perhaps most famously 

on his recent acclaimed mego album 

Acid in the Style of David Tudor, which 

brilliantly and bizarrely merged the 

two soundworlds of acid house and 

avant-garde electronics. auditory 

chimeras have been previously explored 

in electroacoustic music, in 

particular by alvin Lucier, but have 

never been as rigorously researched 

and exploited as by Hecker. this 

volume documents four sound pieces 

that dramatize auditory illusions, 

effectively composing within the 

relationship between our perception 

of pitch and the localization of sound, 

as we process the two in our auditory 

cortices. the pieces are partly transcribed 

using a form of notation 

called “typotranslation,” developed by 

Hecker at mIt. 

978-0-9851364-2-0 

pbk, 6 x 9 in. / 120 pgs / illustrated 

throughout. 

U.S. $30.00 CDn $30.00 

october/art 

Women Art 

Revolution 

A Film by Lynn Hershman 

Leeson 


For more than 40 years, artist and filmmaker 

Lynn Hershman Leeson (Teknolust, 

Strange Culture) has collected a 

plethora of interviews with her contemporaries 

and shaped them into this 

intimate portrayal of their fight to dismantle 

barriers facing women both in 

the art world and society at large. an 

entertaining and revelatory secret history 

of feminist art, Women Art Revolution 

illuminates this movement 

through conversations, observations, 

archival footage and works of artists, 

historians, curators and critics. Starting 

from feminism’s roots in 1960s antiwar 

and civil rights protests, the film 

details developments in women’s art 

through the 1970s and explores the 

tenacity and courage of these pioneering 

artists. With a rousing score by 

Carrie Brownstein of Sleater Kinney, 

the film features miranda July, the 

guerrilla girls, Yvonne rainer, Judy 

Chicago, marina abramovic, Yoko 

ono, Cindy Sherman, Barbara Kruger, 

B. ruby rich, Ingrid Sischy, Carolee 

Schneemann, miriam Schapiro, marcia 

tucker and countless other groundbreaking 

figures. 

978-1-935202-43-1 


U.S. $29.99 CDn $29.99 


Louise Bourgeois: 

The Spider, the 

Mistress and the 

Tangerine 

A Film by Marion Cajori & 

Amei Wallach 


Louise Bourgeois: The Spider, the Mistress 

and the Tangerine is a mesmerizing 

cinematic journey inside the world 

of the modern art legend and feminist 

icon. as an artist, Louise Bourgeois always 

worked on her own vigorously inventive 

and disquieting terms. In 1982, 

at the age of 71, she became the first 

woman honored with a major retrospective 

at the museum of modern 

art. She went on to create her most 

powerful and persuasive work—the 

massive spider sculptures that have 

since been exhibited all over the world. 

as a screen presence, Bourgeois is 

magnetic, mercurial and emotionally 

raw. Filmed with unparalleled access 

between 1993 and 2007, this documentary 

delicately sheds light on the ways 

in which her childhood traumas and 

memories became embodied in objects 

and installations. an intimate and 

human engagement with an artist’s 

world, this documentary is a comprehensive 

and dramatic work of creativity 

and revelation. 

978-1-935-202-41-7 


U.S. $29.99 


Bill Cunningham 

New York 

A Film by Richard Press 


“We all get dressed for Bill,” says 

Vogue editor-in-chief anna Wintour. 

the Bill in question is New York Times 

photographer Bill Cunningham. For 

decades, this Schwinn-riding cultural 

anthropologist has chronicled fashion 

trends he spots emerging from 

manhattan’s sidewalks and high 

society charity soirees, for his popular 

Style section columns “on the Street” 

and “evening Hours.” the range 

of people he snaps includes uptown 

fixtures like Wintour, Brooke astor, 

tom Wolfe and annette de la renta, 

as well as downtown eccentrics and 

everyone in between. rarely has 

anyone embodied contradictions as 

happily and harmoniously as Cunningham, 

who lived a monklike existence 

in the same Carnegie Hall studio for 

50 years, never eats in restaurants 

and gets around solely on his bike. 

Bill Cunningham New York is a 

delicate, funny and often poignant 

portrait of a dedicated artist whose 

only wealth is his own humanity and 

unassuming grace.” 

978-1-935202-40-0 


U.S. $29.99 CDn $29.99 

July/Film & video/photography/ 

Fashion 


Arte Povera 

A Film by Sergio Ariotti & 

Beatrice Merz 

hoPefuLMonsTer edITore 

this DvD reintroduces the essential 

2000 vHS video documentary Arte 

Povera by Sergio ariotti and Beatrice 

merz, a complete, chronological 

overview of the radical—and defiantly 

unglamorous—Italian “poor art” movement 

that arose in the late 1960s to 

contest the separation of art and everyday 

life. It presents ample archival material 

from all the significant group 

exhibitions—from the three-day event 

“arte povera + azioni povere at 

amalfi” of 1968 to the venice Biennale 

of 1997—along with footage of recent 

solo exhibitions and interview clips 

with founding member and art historian 

germano Celant, and a range of 

other artists, critics and gallery directors. 

Arte Povera presents the movement 

in all its complexity, and includes 

such participants as giovanni 

anselmo, alighiero Boetti, pier paolo 

Calzolari, Luciano Fabro, Jannis 

Kounellis, mario merz, marisa merz, 

giulio paolini, giuseppe penone, 

michelangelo pistoletto and gilberto 

Zorio. 

978-88-7757-252-3 

DvD (paL), 5 x 7 in. 

U.S. $35.00 CDn $35.00 



Contemporary Sculpture & Conceptual Art 

Janet Cardiff & 

George Bures 

Miller 

Works from the Goetz 

Collection 

hATJe CAnTz 

Text by okwui enwezor, Ingvild Goetz, 

León krempel, rainald schumacher. 

the immersive soundscape installations 

and intimate environments of the 

Canadian artist duo Janet Cardiff 

(born 1957) and georges Bures miller 

(born 1960) present an ongoing series 

of chapters in the life of the ghost in 

the machine. their works describe 

tales of tag-sale menace and shared 

loneliness through aural means, wholly 

reconceiving the gallery experience. a 

pioneering collector of new media art, 

Ingvild goetz has assembled a significant 

series of works by Cardiff and 

miller over the years, and this publication 

presents this important collection 

for the first time. texts by goetz, 

okwui enwezor, León Krempel and 

rainald Schumacher provide background 

details and references to each 

work that shed light on its place in the 

artists’ oeuvre, with a particular focus 

on the couple’s very personal and theatrical 

use of sound. 

978-3-7757-3286-4 


U.S. $55.00 CDn $55.00 

august/art 

Josiah McElheny: 

Some Pictures of 

the Infinite 

hATJe CAnTz 

foreword by helen Molesworth. Text 

by Maria Gough, Gregg bordowitz, 

Moyra davey, Andrea Geyer, zoe 

Leonard, r. h. quaytman, Amy 

sillman, Taylor walsh. Interview 

with doug Ashford, bill horrigan, 

helen Molesworth. 

Josiah mcelheny (born 1966) explores 

representations of time and space 

through the medium of glass. Some 

Pictures of the Infinite looks at 15 

years of his work and his ongoing 

investigation of twentieth-century 

conceptions of infinity and utopia. 

mcelheny combines the methodologies 

and mathematics of science with the 

craftsmanship of artisan glassmaking, 

and translates the imaginings of Jorge 

Luis Borges, the utopian endeavors of 

Bruno taut and paul Scheerbart, the 

futuristic thinking of r. Buckminster 

Fuller and the sculpturual sensuality 

of Isamu noguchi into a range of 

kaleidoscopic scale models for the 

infinite—most notably in his recent 

collaboration with a cosmologist on 

Island Universe, an accurate scale 

model of the Big Bang. this publication 

includes a range of essays by artists 

and critics, including gregg Bordowitz, 

moyra Davey, Zoe Leonard, amy 

Sillman and others. 

978-3-7757-3331-1 


U.S. $55.00 CDn $55.00 

September/art 


Boston, ma: Institute of Contemporary 

art, 06/22/12–09/23/12 

Simon Denny: 

Full Participation 

AsPen ArT Press 

foreword by heidi zuckerman 

Jacobson. Text by Jacob Proctor, 

Pablo Larios, hanna hölling. Conversation 

with simon denny, daniel 

keller, nik kosmas, Timur si-qin. 

through a variety of media, including 

photographs, sculpture, video and 

printed ephemera, new Zealand artist 

Simon Denny (born 1982) invites us to 

reflect on the evolution of television 

and video as both technology and cultural 

construct. Denny’s recent works 

have included investigations into the 

“architecture” of the tv set itself, the 

genre conventions of documentary 

and the myriad processes by which 

content is translated from one medium 

to another, be it in television program 

stills woven into beach towels or video 

montages derived from outdated trade 

magazines. this catalogue traces the 

arc of the artist’s career, with special 

emphasis on projects realized since 

2009—including his 2012 exhibition at 

the aspen art museum—and features 

essays by curator Jacob proctor, critic 

pablo Larios and conservator Hanna 

Hölling; a conversation between 

Denny and three artistic peers; and 

illustrations throughout. 

978-0-934324-56-4 

Flexi, 7.75 x 10.5 in. / 208 pgs / 


U.S. $39.00 CDn $39.00 

august/art 


aspen, Co: aspen art museum, 

05/18/12–07/15/12 

With Reference 

to Hans Haacke 


edited and with introduction by 

hans dickel, oliver schwarz. 

With Reference to Hans Haacke is a 

homage to internationally renowned 

political conceptual artist Hans 

Haacke (born 1936) on the occasion 

of his 75th birthday. It comprises more 

than 100 contributions dedicated to 

him by three generations of artists— 

from vito acconci to Heimo 

Zobernig—with more than 300 color 

illustrations. the effect of Hans 

Haacke’s work extends far beyond 

the boundaries of the cultural sphere, 

and its influence is demonstrated 

throughout this collection: on the 

colleagues who know him and on a 

younger generation who look to him 

as a pioneer in his contemporary treatments 

of such issues as ecosystems 

and the complexity of our social reality. 

Haacke’s unorthodox work has opened 

up many debates on the general 

political, economic and institutional 

conditions of our conception of art. 

With Reference to Hans Haacke pays 

a visual, equally unorthodox tribute 

to an astounding career. 

978-3-86335-103-8 

Flexi, 8.5 x 11.25 in. / 216 pgs / 

300 color. 

U.S. $59.95 CDn $59.95 

august/art 

Vik Muniz: Le 

Musée Imaginaire 

ACTes sud 

Text by éric Mézil, vik Muniz. 

the Collection Lambert in avignon is 

housed within the Hôtel de Caumont, 

an elegant eighteenth-century building 

whose exterior and interiors are 

regularly transformed by visiting contemporary 

artists. In December 2011, 

the Collection Lambert invited the 

Brazilian-born, new York–based photographer 

vik muniz (born 1961) to respond 

to the collection and construct 

from it his own “imaginary museum,” 

after the example of andré malraux. 

muniz duly took up residence at the 

Collection and his responses to its 

holdings were exhibited there from 

December 2011 to may 2012. In this 

volume accompanying the show, 

110 masterpieces by piranesi, goya, 

monet, van gogh, Cézanne, picasso, 

Warhol and other canonical figures are 

recreated by the artist through incongruous 

materials such as wool, 

ketchup, chocolate sauce, pigments, 

magazines, confetti, dried plants and 

garbage. 

978-2-330-00457-6 

Hbk, 8.75 x 11 in. / 175 pgs / 


U.S. $45.00 CDn $45.00 



vik Muniz: reflex 

9781931788403 

hbk, u.s. $39.95 Cdn $39.95 

Aperture 

Elad Lassry: 

On Onions 


Text by Angie keefer. 

On Onions is a photographic study of 

onions by Israeli-born artist elad 

Lassry (born 1977). Characteristically 

highlighting the spectrum of hues and 

shapes for the vegetable, Lassry’s selected 

taxonomy includes sections on 

red, yellow and white onions, each of 

which possesses its own distinct taste 

and benefits. On Onions is Lassry’s 

first artist’s book, and the work will 

exist only in book form; it is at once 

wry, refreshing and disorienting in its 

biology workbook style, which makes 

fruitful use of “the confusion that results 

when there is something just 

slightly wrong in a photograph” (as 

the artist has described his practice 

in general). Composed by the artist 

and arranged by Stuart Bailey, the 

book includes an essay written by 

angie Keefer about the effects of 

sliced onions on human tear ducts. 

978-0-9851364-1-3 


U.S. $30.00 CDn $30.00 

october/art 

Diane Borsato 

ArT GALLerY of York unIversITY 

edited by stephanie springgay. 

Introduction by Philip Monk. 

Text by diane borsato, emelie 

Chhangur, stephanie springgay, 

darren o’donnell, scott watson. 

Collaborating with a varied cast of 

characters—beekeepers, mycologists, 

astronomers, physicists, bees, cats, 

snowballs, tango dancers, passersby, 

plants, curators, hotel porters— 

Canadian artist Diane Borsato creates 

works that propose eccentric models 

for relating to one another and to the 

world. For her project Italian Lessons, 

she attempted to learn Italian by 

learning salsa, physics, first aid and 

beekeeping by way of Italian instruction. 

In Terrestrial/Celestial, Borsato 

coordinated an unconventional 

exchange of observational practices— 

from opposite ends of the scale— 

between amateur mycologists and 

amateur astronomers. In a new work, 

Walking Studio, Borsato proposes 

a different space for research and 

reflection with her mobile field study 

lab, comprised of a study center and 

fully functional sauna. this overview 

is published to accompany a solo 

exhibition at the art gallery of York 

University in 2012. 

978-0-921972-64-8 

Hbk, 8.25 x 10.75 in. / 112 pgs / 

159 color / 6 b&w. 

U.S. $30.00 CDn $30.00 

July/art 


toronto, ontario: art gallery of York 

University, 04/04/12–10/06/12 


Critical Art 

Ensemble: 

Disturbances 

four Corners books 

foreword by brian holmes. 

Since its formation in 1987, Critical art 

ensemble has set out to explore the intersections 

between art, critical theory, 

technology and political activism. 

Composed of a revolving cast of media 

practitioners, the award-winning group 

has exhibited and performed in a variety 

of venues internationally, from the 

street to the museum to the internet. 

Disturbances is the first book to assess 

the group’s 25-year history, examining 

the environmental, political and biotechnological 

themes of their various 

initiatives. each project is presented by 

the group itself, from Flesh Machine 

(1997–1998), in which they exposed the 

role of eugenics in the fertility market, 

to the multimedia Marching Plague 

(2005–2007), which revealed the farcical 

failures of governmental germ warfare 

programs. Disturbances is a 

landmark handbook for activists in art, 

theory, science and politics. 

978-0-9561928-8-2 

pbk, 8 x 10.75 in. / 272 pgs / 

250 color / 60 b&w. 

U.S. $40.00 CDn $40.00 

october/art 


Contemporary Drawing & Artist’s Books ArT hIGhLIGhTs 

Raymond Pettibon: 

Whuytuyp 

JrP|rInGIer 

edited and with text by Lynn kost. 

Whuytuyp compiles work by raymond 

pettibon (born 1957) done over the 

past five years, from artist’s books and 

prints to animations and installations. 

Since 2001, several changes in pettibon’s 

style have been increasingly evident, 

most notably in his use of 

broader brushes, even more expressive 

brushstrokes and a shift towards 

bolder color. these developments became 

consolidated around 2006, in the 

earliest drawings included in this volume. 

also apparent throughout Whuytuyp 

is a more philosophical tone to 

the language used, and more overt social 

commentary—as well as an expansion 

of the range of references to 

include film, illustration and cartoons. 

What continues to characterize pettibon’s 

art is its ability to break and recombine 

discourses, liberating those 

sidelined, repressed and taboo aspects 

of american culture and creating his 

unique visual-linguistic polyphony. 

978-3-03764-290-0 


U.S. $35.00 CDn $35.00 

September/art 


Luzern, Switzerland: museum of art 

Luzern, 03/24/12–07/22/12 

Laylah Ali: The 

Greenheads Series 

wILLIAMs CoLLeGe MuseuM of ArT 

edited by deborah rothschild. 

Introduction by katy kline. Text by 

Julia bryan-wilson, kevin Young. 

Interview by deborah rothschild. 

this book is the first complete documentation 

of the Greenheads series by 

Laylah ali (born 1968), created between 

1996 and 2005. Consisting of over 80 

works, ali’s exquisitely rendered 

gouache-on-paper paintings chronicle 

the dystopian world of her enigmatic 

green-headed figures. this provocative 

imagery is open-ended, darkly humorous 

and triggers a range of associations 

through their references to the media, 

historical events and racial and gender 

tropes. the catalogue allows viewers to 

examine the evolution of the critically 

acclaimed series, from the early paintings, 

which focus on charged exchanges 

between groups of figures, to 

the later works, where the events and 

figures are radically and starkly pared 

down. The Greenheads Series includes 

texts by art historian and critic Julia 

Bryan-Wilson and poet Kevin Young, 

as well as an interview with the artist by 

curator Deborah rothschild. 

978-0-913697-30-6 

Flexi, 9.25 x 11 in. / 128 pgs / 100 color. 

U.S. $20.00 CDn $20.00 

august/art/african american art & 

Culture 


Williamstown, ma: Williams College 

museum of art, 08/18/12–11/25/12 

minneapolis, mn: Frederick r. 

Weisman art museum, University of 

minnesota, 03/02/13–06/30/13 

Ithaca, nY: Herbert F. Johnson museum, 

Cornell University, 09/07/13–12/22/13 

Thom deVita: de- 

Vita Unauthorized 

hArdY MArks PubLICATIons 

edited by nick bubash. foreword by 

don ed hardy. Text by nick bubash, 

don ed hardy, scott harrison, 

Michael Malone. Afterword by Teddy 

varndell. 

as a youth, thom devita (born 1932) 

mingled with famous new York School 

painters at the Cedar tavern, and exhibited 

his paintings at open-air art 

fairs in Washington Square park. In 

the 1960s he began tattooing, not long 

after it was declared illegal in new 

York (the ban was overturned in 1997). 

Devita’s eccentric style and sophistication 

significantly influenced the emergence 

of tattooing as an art from the 

1970s on, and today he is something of 

a legend in this community. But alongside 

his 40-year underground career in 

tattooing, devita has produced drawings 

and montages using acetate stencils, 

as well as constructions. these 

works, gathered in this volume, combine 

the energy and visual diffusion of 

a Larry rivers painting with the street 

mayhem of tattoo iconography. DeVita 

Unauthorized reproduces a loose-leaf 

portfolio issued in a unique limited 

edition in 2002. 

978-0-945367-80-2 


U.S. $30.00 CDn $30.00 

July/art 

The Art of Team 

Macho: The 

Merlin Years 

nArwhAL ProJeCTs 

Text by Maggie Macdonald, 

Ann Marie Peña, A. James bradley. 

Comprised of nicholas aoki, Stephen 

appleby-Barr, Christopher Buchan, 

Lauchie reid and Jacob Whibley, the 

Canadian collective team macho 

spans the worlds of both fine art and illustration, 

producing work for both audiences. 

team macho’s surreal, colorful 

and cartoonish drawings, paintings 

and installations playfully juxtapose 

styles and motifs with a strongly DIY 

flavor. the group’s idiosyncratic approach 

to collaboration cultivates both 

competitiveness and cooperation, as 

they celebrate, thwart and subvert each 

other’s contributions. needless to say, 

this approach results in often humorous, 

jarring conjunctions: two aliens 

dancing over an otherwise Hopperesque 

scene of houses in twilight; 

nuns mutilating monsters; a painting 

of some unspecified, hairy psychedelic 

lump with the caption “and thus life 

became awesome.” The Art of Team 

Macho: The Merlin Years compiles the 

group’s output of the past five years, 

and includes texts and interviews. 

978-0-9783568-5-9 


U.S. $29.95 CDn $29.95 

July/art 

Sarah Crowner: 

Format 


the paintings of new York artist Sarah 

Crowner (born 1974) have offered a 

new slant on the constructedness of 

the abstract-geometric painting as developed 

by max Bill, ellsworth Kelly, 

agnes martin and elizabeth murray. 

Crowner sews together painted panels 

of canvas, raw linen and monochromatic 

fabrics, introducing a handmade 

touch to modernist aesthetics that 

often espoused the minimizing of the 

artist’s hand. Crowner’s first large-scale 

artist’s book extends this instinct for 

materiality to her vast archive of 

ephemera (magazines, publications, 

posters) from the 1920s through the 

1940s, which she deploys here as a 

source material for the creation of new 

images that are built up through imposition, 

extraction, collaging and printing. 

much like her paintings, the 

resulting works are geometrical and 

optical abstractions that bring fresh 

vigor to the tradition on which 

Crowner draws. 

978-0-9851364-0-6 

pbk, 8 x 10 in. / 64 pgs / 21 color / 

43 b&w. 

U.S. $20.00 CDn $20.00 

September/art 

Ghost Knigi 

By Benjamin Sommerhalder. 

nIeves 

this adorable, limited-edition 

children’s book written and illustrated 

by the editor and publisher of the 

super-cool artist book/zine publisher, 

nieves, follows a young ghost named 

Knigi on his quest to learn to read. 

readers of this ideal gift book will 

not be able to decide which is more 

endearing: the story—of the ghost’s 

frustrations when his first book will 

not reveal its secrets, and later his 

wonder when “a miraculous explosion 

of colors and shapes leapt out from 

the pages!”; or Sommerhalder’s 

spot-on illustrations, which are clear, 

humorous and true in the manner 

of a modern-day Leo Lionni or Bruno 

munari. 

978-3-905999-05-1 

Clth, 7.75 x 10 in. / 20 pgs / 3 color / 

7 b&w. 

U.S. $24.00 CDn $24.00 

July/artists' Books/Children’s 


Jake & Dinos 

Chapman: 

Bedtime Tales for 

Sleepless Nights 


edited by damon Murray, stephen 

sorrell. 

In Bedtime Tales for Sleepless Nights, 

the Chapman Brothers reconceive the 

victorian morality tale for less sanctimonious 

(and more misanthropic) 

times. Bearing on its cover the motto 

“Sticks and stones may break thy 

bones but words will surely maim you,” 

this volume offers fans and younger 

readers alike a darker take on the children’s 

bedtime book, with gruesomely 

illustrated rhymes that stray far from 

the saccharine-coated songs typical of 

the genre: “this hideous armature/ 

that hides and seeks/Will outlast the 

flesh/Its turn to reek/Hung out for 

death/on spiny barb/Your birthday 

suit/now an ill-fitting garb.” the etchings 

and stories have been made by 

the artists specifically for this project 

and are reproduced exclusively in this 

volume. 

978-0-9558620-9-0 


U.S. $34.95 CDn $34.95 

June/art 


Jake Chapman: 

The Marriage of 

reason & squalor 

9780955862007 

Pbk, u.s. $32.95 

Cdn $32.95 


David Shrigley: 

Pass the Spoon 

A Sort-Of Opera About 

Cookery 


foreword by david shrigley, 

david fennessy, nicholas bone. 

Pass the Spoon is the libretto for David 

Shrigley’s wildly popular “sort-of 

opera.” Here, Shrigley applies his mordant 

humor to this tale of a surreal 

cooking show gone awry. Described as 

“daft and instantly lovable” by The 

Guardian, Pass the Spoon features two 

tv chefs (June Spoon and philip 

Fork), a manic-depressive alcoholic 

egg, a Latino banana and a host of 

other bizarre characters. this publication 

accompanies the artist’s first 

major retrospective at Yerba Buena 

Center in San Francisco, and the 

opera’s first performance in London. 

978-1-85332-307-2 

pbk, 4.25 x 7.25 in. / 96 pgs / 10 b&w. 

U.S. $12.50 CDn $12.50 

may/art 


San Francisco, Ca: Yerba Buena 

Center for the arts, 06/22/12–09/22/12 


david shrigley: 

brain Activity 

9781853322976 

hbk, u.s. $40.00 

Cdn $40.00 

hayward Publishing 


Group Exhibitions 


American 

Exuberance 

rubeLL fAMILY CoLLeCTIon 

With this volume and its accompanying 

exhibition, the rubell Family Collection 

set out to generate a portrait of 

what they call “american exuberance.” 

the 64 artists selected, all citizens or 

residents of the United States, are or 

were particularly keen observers of 

american culture, economy and politics, 

regardless of their country of origin. 

out of 190 total works, 40 were 

made in 2011, many specifically for this 

exhibition. participating artists include 

matthew Barney, maurizio Cattelan, 

Felix gonzáles-torres, Wade guyton, 

Keith Haring, mike Kelley, Jeff Koons, 

Barbara Kruger, glenn Ligon, elizabeth 

peyton, richard prince, ryan trecartin, 

andy Warhol and Lisa 

Yuskavage. a number of the participating 

artists were asked to comment on 

the idea of american exuberance for 

the catalogue. their responses took 

many forms, from nate Lowman’s 

handwritten missive about Coca-Cola 

to rashid Johnson’s statement in the 

form of a personal ad. 

978-0-9821195-7-0 

pbk, 8.5 x 11 in. / 244 pgs / 


U.S. $49.95 CDn $49.95 

available/art 


miami, FL: rubell Family Collection, 

11/30/11–07/27/12 


Blind Cut 

MArLborouGh GALLerY, InC. 

edited by Jonah freeman and vera 

neykov. 

Spanning several generations, from 

Dada to the present, Blind Cut explores 

notions surrounding the themes of 

fiction and deception. Questions 

regarding identity, authorship, 

originality and reality are posed in 

a range of methodologies, including 

depictions of fictional places, imagined 

personas, inaccurate histories and 

invented language. this book documents 

marlborough Chelsea’s 2012 

exhibition of the same name and 

expands upon its core themes 

with ancillary texts and ephemera, 

including interviews and other written 

works by alex Waterman, J.g. Ballard, 

richard prince, James Frey, pierre 

Huyge and philippe parreno, the 

John Fare estate, the anabel vale 

archive, J.t. Leroy / Laura albert, 

Kurt Schwitters, François aubart, 

raimundas malasauskas, and mark 

Flood. also featured are works by 

over 50 artists, including marcel 

Broodthaers, guy de Cointet, anne 

Collier, Der Dada, ryan gander, mario 

garcia torres, george grosz, Lothar 

Hempel, elmyr de Hory, asger Jorn, 

mike Kelley,robert Lazzarini, adam 

mcewen, Francis picabia, eileen 

Quinlan, ed ruscha, Cindy Sherman, 

Superstudio and Jeffrey vallance. 

978-0-89797-430-1 

pbk, 7 x 8.75 in. / 144 pgs / 69 color / 

50 b&w. 

U.S. $45.00 CDn $45.00 

available/art 

It Is What It Is. 

Or Is It? 

ConTeMPorArY ArTs MuseuM 

housTon 

edited by Alhena katsof, karen kelly, 

barbara schroeder. foreword by bill 

Arning. Text by dean daderko, Claire 

fontaine, et al. 

In 1914, marcel Duchamp purchased a 

bottle rack, called it a sculpture, put his 

name to it and the “readymade” artwork 

was born. It Is What It Is. Or Is It? 

considers the legacy of the readymade 

in contemporary artistic practice as 

the form approaches its 100th anniversary 

and attempts to recuperate the 

radicality of Duchamp’s foundational 

gesture. taking stock of the readymade’s 

simple materiality and its economy 

of means, this catalogue includes 

work by 18 artists working in a variety 

of media from sculpture to photography, 

painting, video and installationbased 

works. It Is What It Is. Or Is It? 

includes works by ellen altfest, Fayçal 

Baghriche, Bill Bollinger, William Cordova, 

Latifa echakhch, Daphne Fitzpatrick, 

Claire Fontaine, Felix 

gonzalez-torres, rachel Hecker, Jamie 

Isenstein, Luis Jacob, patrick Killoran, 

Jirí Kovanda, Klara Lidén, Catherine 

murphy and pratchaya phinthong. 

978-1-933619-37-8 


10 b&w. 

U.S. $26.95 CDn $26.95 

July/art 


Houston, tx: Contemporary arts 

museum Houston, 05/11/12–07/29/12 

Skyscraper 

Art and Architecture Against 

Gravity 

MuseuM of ConTeMPorArY ArT 

ChICAGo 

foreword by Madeleine Grynsztejn. 

Text by Michael darling, Joanna 

szupinska, owen hatherley. 

gathering a wide range of art from 

around the world, Skyscraper: Art and 

Architecture Against Gravity explores 

the enduring human desire to build 

farther and farther into the sky. examined 

here are themes such as verticality, 

personification, urban critique, 

improvisation and the vulnerability 

of landmark buildings. Skyscraper 

features the work of about 50 artists, 

including Francis alÿs, Ziad antar, 

Fikret atay, erica Bohm, Jennifer 

Bolande, marie Bovo, roe ethridge, 

Hans-peter Feldmann, Cyprien 

gaillard, Jakob Kolding, vera Lutter, 

Claes oldenburg, gabriel orozco, 

thomas ruff, andy Warhol, peter 

Wegner, Wesley Willis, Catherine 

Yass, Yin xiuzhen and Shizuka 

Yokomizo. Skyscraper also features 

documentation of artist monika 

Sosnowska’s process of creating new 

work commissioned for the exhibition 

this catalogue accompanies. 

978-0-933856-94-3 

Hbk, 8.25 x 13.25 in. / 96 pgs / 


U.S. $35.00 CDn $35.00 

august/art 


Chicago, IL: museum of Contemporary 

art Chicago, 06/30/12–09/23/12 

The Fertile Crescent 

Gender, Art, and Society 

ruTGers unIversITY InsTITuTe for woMen And ArT 

edited and with text by Judith k. brodsky, ferris olin. Text by Margot badran, kelly baum, Gilane Tawardros. 

The Fertile Crescent examines the work of 24 women artists of middle east heritage: negar ahkami (Iranian), Shiva ahmadi 

(Iranian), Jananne al-ani (Iraqi), Fatima and monira al Qadiri (Kuwaiti), ghada amer (egyptian), Zeina Barakeh (Lebanese), 

ofri Cnaani (Israeli), nezaket ekici (turkish), Diana el Jeiroudi (Syrian), parastou Forouhar (Iranian), ayana Friedman 

(Israeli), Shadi ghadirian (Iranian), mona Hatoum (palestinian), Hayv Kahraman (Iraqi), efrat Kedem (Israeli), Sigalit Landau 

(Israeli), ariane Littman (Israeli), Shirin neshat (Iranian), ebru Özseçen (turkish), Laila Shawa (palestinian), Shahzia Sikander 

(pakistani), Fatimah tuggar (nigerian) and nil Yalter (turkish). these artists all explore matters of gender, homeland, 

geopolitics, theology and the environment. the authors in this volume address transnationalism and the interaction between 

muslim culture and Jewish, Christian and euro-american cultures, resulting in U.S. and european relationships that are 

sometimes congenial and at other times problematic. the book also addresses the middle east’s cultural diaspora in black 

africa and South asia. The Fertile Crescent is published in conjunction with a fall 2012 multi-venue exhibition at rutgers and 

princeton Universities and the arts Council of princeton/paul robeson Center for the arts. 

978-0-9790497-9-8 


U.S. $45.00 CDn $45.00 

october/art/middle eastern art & Culture 


princeton, nJ: princeton University art museum, 08/18/12–01/13/13 

princeton, nJ: Bernstein gallery, Woodrow Wilson School, 08/27/12–10/11/12 

princeton, nJ: arts Council of princeton/paul robeson gallery, 10/04/12–11/21/12 

new Brunswick, nJ: mason gross galleries, rutgers University, 08/13/12–09/09/12 

new Brunswick, nJ: Dana Women artists Series galleries, rutgers University, 

08/29/12–12/17/12 


Ghada Amer 

9780980024203 

hbk, u.s. $70.00 

Cdn $70.00 

Gregory r. Miller & Co. 



shirin neshat 

9788881583607 

Pbk, u.s. $31.95 

Cdn $31.95 

Charta

Asian Art 

Extreme Behavior 

New Directions from China 


Text by stephanie rosenthal, Gao 

shiming, Pauline Yao, Colin Chinnery, 

Carol Lu, karen smith, katie hill, Phil 

Tinari, zhu zhu. 

Extreme Behavior is the first catalogue 

to trace out a very particular seam of 

performative Chinese art from the late 

1980s to the present, as manifested in 

the work of eight artists: Liang Shaoji, 

Wang Jianwei, xu Zhen/madeInCompany, 

gu Dexin, Sun Yuan and peng 

Yu, Chen Zhen and Yingmei Duan. 

often working on a grand scale, they 

invite the audience to engage with 

overwhelming, theatrical, yet 

ephemeral experiences—works which 

transform over time, like xu Zhen’s 

actions of Consciousness, in which 

concealed assistants make colorful 

sculptures, and toss them into the 

air from inside a sealed white cube. 

published to coincide with a major 

exhibition at London’s Hayward 

gallery, this book explores the 

political, social and cultural 

conditions shaping contemporary 

Chinese sculpture. 

978-1-85332-303-4 


U.S. $35.00 CDn $35.00 



A Pocket history of 20th-Century Chinese Art 

9788881587964 

Pbk, u.s. $59.95 Cdn $59.95 

Charta 


Lee Ufan: Marking 

Infinity 

GuGGenheIM MuseuM PubLICATIons 

Text by Alexandra Munroe, Tatehata 

Akira, Mika Yoshitake, nancy Lim, 

reiko Tomii. 

published for the guggenheim’s 2011 

retrospective on Lee Ufan (born 1936), 

Marking Infinity charts the Korean 

artist and theorist’s creation of a visual 

and conceptual language that has 

greatly expanded the possibilities of 

painting and sculpture in the postwar 

era. Whether placing brush marks on 

canvas or combining discrepant textures 

of steel and stone, Lee has consistently 

elicited the subtlest and most 

spacious effects from the particular 

qualities of his materials. Lee is also a 

key theorist of mono-ha, a movement 

that developed in tokyo in the late 

1960s, and this hardcover volume includes 

a selection of his influential 

writings on aesthetics and philosophy, 

published in english for the first time— 

alongside a wealth of full-color reproductions 

of Lee’s iconic paintings, 

sculptures and works on paper from 

the past 40 years. 

978-0-89207-418-1 

Hbk, 10 x 11.75 in. / 200 pgs / 


U.S. $65.00 CDn $65.00 

available/art/asian art & Culture 

Fang Lijun: 

The Precipice 

Over the Clouds 

ChArTA/PIn GALLerY 

Text by danilo eccher, fan di’an, 

Arianna bona, fang Lijun, he Juxing, 

Guo xiaoyan. 

Fang Lijun (born 1963) is the artist 

most closely associated with the painting 

movement dubbed “Cynical realism,” 

that emerged in China in the 

1990s. Cynical realist painters reacted 

to the recent history and political present 

of their country—from the 1911 revolution 

to the maoist revolution to the 

recent capitalist boom—with a barely 

suppressed irony and often brutal 

humor, depicting the country in a state 

of moral bankruptcy and spiritual atrophy. 

In the case of Fang Lijun, this 

stance produced wildly colorful canvases 

populated with demented faces 

grinning to oppressive excess against 

cheerful blue skies. Lijun’s work has 

met with great acclaim outside of 

China, having been exhibited at the 

museum of modern art in new York 

and the pompidou in paris. With more 

than 200 color reproductions, this volume 

offers the most substantial 

overview of his paintings to date. 

978-88-8158-847-3 


150 b&w. 

U.S. $75.00 CDn $75.00 

September/art/asian art & Culture 

Victoria Lu: 

Viki Lu Meets 

the Future 

A Memoir and Manifesto 

ChArTA 

Text by nate Lord, Phillip bloom, 

ritz wu. 

victoria Lu (born 1951) was China’s 

first female curator and contemporary 

art critic. this autobiography, an account 

of her 30-plus years in the asian 

art world, recounts her early days in 

late–1970s Los angeles, her years in 

taiwan in the early 1990s when the art 

scene there was just beginning to 

bloom, and her subsequent work animating 

China’s art culture with her relentless 

energy. (She writes: “If I could 

use one sentence to describe the last 

six decades of my life it would be: ‘I 

work very hard every day from morning 

till night.’”) the book is divided 

into two sections: the first contains 

Lu’s autobiographical account, and the 

second presents her more speculative 

ideas about the present and future of 

asian art, and Lu’s own vision as a curator. 

978-88-8158-839-8 


U.S. $45.00 CDn $45.00 

September/art/asian art & Culture/ 

nonfiction & Criticism 

Hans Ulrich Obrist: The Future Will Be . . . 

The China Edition 

Thoughts on What’s to Come 

PInACoTeCA AGneLLI/uCCA 

edited by karen Marta, Philip Tinari. Text by Ginevra elkann, hans ulrich obrist, Philip Tinari. 

Internationally celebrated Swiss curator and cultural mastermind Hans Ulrich obrist never looks 

back. Since 2005, he has asked artists, architects, scientists, actors and philosophers the world over to 

fill in the blank for what’s to come. now, he turns to China to further his ongoing speculative narrative. 

In this elfin-size, bilingual (english/Chinese) volume, people active in Chinese culture tell 

obrist what they think the future will be. Co-published with the Ullens Center for Contemporary art, 

this is the first installment of a new series published by pinacoteca giovanni and marella agnelli. 

participants include a Yi, nadim abbas, ai Weiwei, Daniel a. Bell, Cao Fei, Yung Ho Chang, Chen 

Jiaying, Chen xiaoyun, Chen man, Chen Wei, Cheng ran, Cheng Wenhao, Chi Huisheng, Heman 

Chong, Chu Yun, Ding Yi, Duan Jianyu, Fang Lu, gao Lei, gao Weigang, ge Lei, Frank gehry, gu 

Dexin and many others. 

978-988-16223-2-7 

pbk, 6.5 x 5 in. / 250 pgs. 

U.S. $15.00 CDn $15.00 

July/art/asian art & Culture/nonfiction & Criticism 

“Compiling thoughts about the future is 

to take a snapshot of the contemporary 

moment.” —Hans Ulrich Obrist 

Xu Bing: Tianshu 

Passages in the Making of a Book 

bernArd quArITCh LTd. 


edited by katherine spears. Text by John Cayley, xu bing, Lydia h. Liu, huan saussy, wu hung. Preface by John koh. 

Chinese-born, U.S.–based artist xu Bing (born 1955) makes epic, language-based sculptures, books and installations that 

are frequently inspired by China’s rich heritage of print culture and bookmaking. this beautifully designed volume 

records his acclaimed work “tianshu” (or “Book from the Sky”). “tianshu” consists of four volumes of unreadable “Chinese” 

characters printed in a traditional Chinese style from 4,000 hand-carved pieces of wood type. (the number of invented 

characters was based on the actual number of characters in common usage in China.) It took xu Bing four years to 

carve the type and create the characters for this extraordinary work, which he first conceived in 1986 as “a book that no 

one would ever be able to read.” the volume includes xu Bing’s own account of the work’s genesis, as well as extended 

commentary by a range of scholars. 

978-0-9550852-9-1 


U.S. $50.00 CDn $50.00 

July/art/asian art & Culture 

“Once in 1986, while thinking of something else, it occurred to me 

to make a book that no one would ever be able to read. . . .” —Xu Bing 


Indian, Spanish & Latin American Art ArT hIGhLIGhTs 

India: Art Now 

hATJe CAnTz 

Text by homi k. bhabha, Christian 

Gether, stine høholt, ranjit hoskoté, 

et al. 

Contemporary art in India has enjoyed 

a tremendous flourishing since the 

early 1990s, thanks in part to the 

country’s economic growth and the 

increased availability of media technology. 

as Indian artists establish an 

ever-stronger presence on the global 

art scene, India: Art Now shows how 

their negotiations of the global and 

the local are yielding fascinating fruit. 

Included here are works by rina 

Banerjee, Hemali Bhuta, atul Dodiya, 

Sheela gowda, Shilpa gupta, Subodh 

gupta, Jitish Kallat, reena Kallat, 

rashmi Kaleka, Bharti Kher, ravinder 

reddy, vivan Sundaram and thukral 

and tagra, among others—artists who 

have found ways to express the aspirations 

and conflicts of a new generation, 

through media varying from painting, 

sculpture and photography to installation 

and interactive art. Leading Indian 

critics, scholars, writers and artists 

discuss new developments and artistic 

positions in Indian contemporary art, 

and its role on the global art scene. 

978-3-7757-3411-0 


U.S. $55.00 CDn $55.00 

october/art/asian art & Culture 

The Matter Within 

New Contemporary Art of 

India 

YerbA buenA CenTer for The ArTs 

Text by betti-sue hertz, nancy 

Adajania, Parul dave-Mukherji, 

zehra Jumabhoy. 

as contemporary art in India becomes 

more widely recognized within the 

country, there has also been a growing 

awareness of its growth and impact internationally. 

The Matter Within: New 

Contemporary Art of India surveys 

sculpture, photography and video by 

Indian artists living inside the country 

as well as outside it. Inspired by material 

culture, literature, spirituality and 

social and political aspects of the history 

of the South asian region, the volume 

is organized around three 

thematic threads that resonate from 

contemporary India: embodiment, the 

politics of communicative bodies and 

the imaginary. participating artists are 

ayisha abraham, rina Banerjee, 

Camp, nikhil Chopra, anita Dube, 

gauri gill, Shilpa gupta, Sunil gupta, 

Siddhartha Kararwal, Dhruv malhotra, 

the otolith group, Sreshta rit premnath, 

pushpamala n., raqs media Collective, 

tejal Shah, Sudarshan Shetty, 

Bharat Sikka, anup mathew thomas 

and thukral & tagra. 

978-0-9826789-4-7 

Hbk, 9 x 11.75 in. / 144 pgs / 


U.S. $35.00 CDn $35.00 


A Place in the 

Shade 

The New Landscape and 

Other Essays 

By Charles Correa. 

hATJe CAnTz 

Charles Correa’s A Place in the Shade 

explores architectural and urban issues 

in India, from the house as a machine 

for dealing with the country’s often 

hostile climate to the metaphysical role 

of architecture as a “model of the cosmos.” 

this provocative and eminently 

readable collection of essays argues 

that the country’s habitat must respond 

to the overriding parameters of climate, 

culture and financial resources, 

and that our physical environment 

should accommodate both diversity 

and synergy. over the last few decades, 

urban real estate has become the primary 

source of financing for political 

parties and the politicians who run 

them, and as Correa acknowledges, 

“you cannot look at cities without wandering 

into architecture on the one 

hand and politics on the other.” A 

Place in the Shade identifies the defining 

issues of the urbanization trends 

that are so rapidly transforming India. 

978-3-7757-3401-1 


200 b&w. 

U.S. $55.00 CDn $55.00 

September/architecture & Urban 

Studies/asian art & Culture 

Art Situations 

A Prospective Look 

edICIones PoLIGrAfA 

edited by vicente Todolí. 

art Situations is the name of a new private 

initiative in the Iberian peninsula 

that aims to promote younger contemporary 

artists from that region with an 

annual exhibition and publication. the 

project is directed by pilar Forcada; 

each year, ten emerging artists are selected 

by a committee, and the first iteration 

is held at arts Santa mònica. 

the ten Spanish and portugese artists 

selected are mauro Cerqueira, pepe Cifuentes 

(in collaboration with flo6x8), 

patricia Dauder, Carla Filipe, nuria 

Fuster, Santiago giralda, Jaime de la 

Jara, miki Leal, Juan López and 

Francesc ruiz. all of these artists were 

born during the final throes of Franco’s 

dictatorship and studied art during the 

early years of democracy and Spain’s 

and portugal’s integration into europe; 

their work spans a variety of media, 

from painting and sculpture to video 

and performance. 

978-84-343-1310-1 


U.S. $30.00 CDn $30.00 

august/art 


Soto: Paris and 

Beyond, 1950–1970 

GreY ArT GALLerY, new York 

unIversITY 

edited by estrellita b. brodsky. Text by 

estrellita b. brodsky, sarah k. rich. 

Soto: Paris and Beyond, 1950–1970 

accompanies the first large-scale 

exhibition dedicated to Jesús Soto to 

be held at a new York museum in 

more than 35 years. It highlights this 

major venezuelan artist’s early career, 

following his relocation from Caracas 

to paris in 1950, and offers a rare 

opportunity to trace Soto’s visionary 

trajectory and his influence upon, and 

exchanges with, other members of the 

avant-garde. Soto’s achievements in 

the field of interactive art established 

his reputation as both an international 

exponent of kinetic art and one of the 

most influential Latin american artists 

of the twentieth century. this fully 

illustrated catalogue includes essays 

by curator estrellita B. Brodsky and art 

historian Sarah K. rich. 

978-0-934349-16-1 

Hbk, 10.25 x 11.25 in. / 144 pgs / 

74 color / 22 b&w. 

U.S. $45.00 CDn $45.00 

available/art/Latin american art & 

Culture 


Jesús soto in Conversation 

with Ariel Jiménez 

9780982354469 

hbk, u.s. $25.00 

Cdn $25.00 

fundación Cisneros/ 

Colección Patricia 

Phelps de Cisneros 

Gyula Kosice in 

Conversation 

with Gabriel 

Pérez-Barreiro 

fundACIón CIsneros/CoLeCCIón 

PATrICIA PheLPs de CIsneros 

Introduction by Andrea Giunta. 

gyula Kosice (born 1924) is an innovative 

argentine artist and poet. His constructions 

and sculptures were inspired 

as much by local discussions and disputes 

in the cafés of 1940s Buenos aires 

as by the international avant-garde. In 

dialogue with gabriel pérez-Barreiro in 

this latest volume from the Fundación 

Cisneros’ Conversaciones/Conversations 

series, Kosice recalls his contributions 

to an era of hotly debated 

movements and manifestos; the magazine 

Arturo; the formation of arte madí; 

his interactive mobiles; and his groundbreaking 

use of materials like neon and 

water to articulate a futuristic 

vision that includes Hydrospatial 

City, a community suspended in space. 

978-0-9823544-8-3 


3 b&w. 

U.S. $25.00 CDn $25.00 

november/art/Latin american art 

and Culture 


Tomás Maldonado in 

Conversation with 

María Amalia García 

9780982354438 

hbk, u.s. $25.00 

Cdn $25.00 

fundación Cisneros/ 

Colección Patricia 

Phelps de Cisneros 


Barrão: Mashups 

The ALdrICh ConTeMPorArY ArT 

MuseuM 

foreword by Tunga. Text by Mónica 

ramírez Montagut. 

Brazilian artist Barrão (born 1959) is 

best known for his whimsical, somewhat 

bizarre sculptural clusters and 

“mash-ups” assembled from fragments 

of popular vitreous porcelain and ceramic 

objects. the artist acquires these 

fragments, once commonly cherished 

in Brazilian households, by scouting 

the secondhand stores, flea markets 

and dumpsters of rio de Janeiro. 

When a sufficient quantity of materials 

has been accumulated, Barrão sorts 

and classifies the ceramics in his 

studio, separating them by size, color, 

function, vessel or ornament. these 

fragments are then carefully fused 

into a single sculptural entity, each 

of which constitutes a sort of a minicollection—a 

vibrant magma of 

explosive visual and tactile qualities. 

published for Barrão’s 2012 exhibition 

at the aldrich Contemporary art 

museum, and with a foreword by 

tunga, this volume offers a concise 

introduction to Barrão’s free-flowing 

associative sculpture. 

978-1-4507-9711-5 


U.S. $20.00 CDn $20.00 

available/art/Latin american art & 

Culture 


ridgefield, Ct: the aldrich 

Contemporary art museum, 

01/29/12–06/10/12 

Eduardo Terrazas: 

Possibilites of a 

Structure 


Turner 

Text by Jaime repollés, Tomás Maldonado, 

Guillermo fadanelli, Jim 

nikas, rafael Argullol, raquel Tibol, 

nuria Castañeda, Lorena wolffer. 

For more than 40 years, the mexican 

artist, designer and architect eduardo 

terrazas (born 1936) has worked 

across disciplines to imagine new ways 

of adding color and expansiveness to 

the landscape around him. this volume 

compiles his abstract paintings 

for the first time. terrazas’ abstractions 

range from bright, bold and chunkily 

geometric paintings to more delicate, 

evanescent works, but all are suffused 

with a robust and joyous feeling for 

color. Here, these works are organized 

into a visual tour of terrazas’ entire 

oeuvre, arranged in pairs that mix the 

various series comprising his visual 

art, establishing analogies, contrasts 

and affinities. Possibilities of a Structure 

includes an introduction, three essays, 

a conversation and a biographical 

profile, as well as a catalogue presenting 

the oeuvre divided into 15 series, 

each accompanied by an analytical text 

and information. 

978-84-939478-1-1 

Hbk, 10.5 x 9.5 in. / 344 pgs / 


U.S. $49.95 CDn $49.95 

September/art/Latin american art & 

Culture

Historical Collections 

In the Eye of the 

Muses 

Selections from the Clark 

Atlanta University Art 

Collection 

CLArk ATLAnTA unIversITY 

Introduction by richard A. Long. 

Text by Jerry Cullum, Tina dunkley, 

Cynthia oliver-ham, brenda Thompson, 

freddie styles. 

Clark atlanta University art galleries 

in atlanta, georgia celebrates the seventieth 

anniversary of the founding of 

its permanent collection and the sixtieth 

anniversary of the unveiling of the 

Art of the Negro murals with this commemorative 

volume. Initially conceived 

with works selected from 

annual exhibitions, the collection 

today constitutes a rare and remarkable 

assemblage of african-american 

art. In the Eye of the Muses tells the 

story of the atlanta University art annuals 

held between 1942 and 1970, 

from which the collection stemmed, 

cataloging the 887 artists who participated 

and crucially enhancing our understanding 

of art by african 

americans. In an accompanying essay, 

Hale Woodruff’s Art of the Negro 

mural suite is eloquently explicated by 

art critic Jerry Cullum. In the Eye of the 

Muses presents a monumental catalogue 

of a unique collection. 

978-0-615-59005-9 


U.S. $55.00 CDn $55.00 

June/art/african american art & 

Culture 

Behold, America! 

Art of the United States from 

Three San Diego Museums 

sAn dIeGo MuseuM of ArT 

Introduction by Amy Galpin. Text by 

Patrick McCaughey, Alexander nemerov, 

frances k. Pohl, Michael hatt, 

Amy Galpin, Patricia kelly. 

Behold, America! is an ambitious 

collaboration between three prominent 

San Diego art museums. Bringing 

together the best works from the 

american art collections of the 

museum of Contemporary art San 

Diego, the San Diego museum of art 

and the timken museum of art, this 

publication and its accompanying 

exhibition takes a dynamic look at 

three centuries of visual art created 

in the United States. Behold, America! 

(a title borrowed from Walt Whitman’s 

Leaves of Grass) conveys how artists 

have addressed colonialism, environmentalism 

and racial inequality 

over the years, and evokes the 

natural landscape of the United States, 

imperialism and some of the more 

infamous aspects of american culture. 

Whether emerging from colonialism 

or civil war, visual artists working 

in the U.S. have contributed to a 

national identity that continues to 

be renegotiated to this day. 

978-0-937108-49-9 


U.S. $60.00 CDn $60.00 

november/art 


San Diego, Ca: museum of Contemporary 

art San Diego, the San Diego 

museum of art, timken museum of 

art, Fall 2012 

Fast Forward: 

Modern Moments, 

1913–2013 

The MuseuM of Modern ArT, 

new York 

edited by Jodi hauptman. Text by 

Jodi hauptman, samantha friedman, 

Michael rooks. 

published in conjunction with an 

exhibition of masterworks from the 

museum of modern art at the High 

museum, atlanta, this catalogue 

features artwork produced during 

six key years between 1913 and 2013. 

Concentrating on groundbreaking moments 

when major modern movements 

and radical new strategies emerged, 

the book provides an overview of the 

innovations and achievements of the 

last century, including the new visual 

languages of Cubism and Futurism 

(1913), the convergence of Surrealism 

and new vision photography between 

the wars (1929), the large-scale abstract 

painting of midcentury (1950), the 

merging of art and life in the early 

1960s (1961) and the embrace of 

identity politics and appropriation by 

artists in the late 1980s (1988). a series 

of new commissions by three contemporary 

artists represents the art of the 

present moment. each of the six richly 

illustrated sections features a close 

reading of one major work from the 

period, complemented by an exploration 

of that year’s aesthetic zeitgeist. 

978-0-87070-836-7 


U.S. $50.00 CDn $50.00 

october/art 


atlanta, ga: High museum of art, 

10/13/12–01/20/13 

The William S. 

Paley Collection 

A Taste for Modernism 

The MuseuM of Modern ArT, 

new York 

Text by william rubin, Matthew 

Armstrong. 

William S. paley, founder of CBS, Inc., 

and a towering figure in the modern 

entertainment, communication and 

news industries, was also an enthusiastic 

collector of twentieth-century art 

and a committed supporter of the museum 

of modern art. this volume presents 

his extraordinary collection of 84 

paintings, sculptures, prints and drawings 

by some of the most important figures 

of modern art, including paul 

Cézanne, andré Derain, paul gauguin, 

Henri matisse and pablo picasso, bequeathed 

to the museum in one of the 

most significant transfers of a private 

collection to a public institution at the 

time. aside from loans made to moma 

exhibitions, his collection was seldom 

seen by the public until it was left to 

the William S. paley Foundation for donation 

to the museum. originally published 

in 1992 for a series of traveling 

exhibitions organized by moma, this 

volume has been completely redesigned 

for this new edition. 

978-0-87070-840-4 


U.S. $50.00 CDn $50.00 

September/art 


San Francisco, Ca: Fine arts museums 

of San Francisco, 09/15/12–01/15/13 

portland, me: portland museum of art, 

05/13–09/13 

Quebec, Canada: musee national des 

beaux-arts du Quebec: 10/13–01/14 

Bentonville, ar: Crystal Bridges museum 

of american art, 02/14–04/14 

Japanese Dream 

Arts of Korea: MFA Highlights 



Text by Jane Portal, suhyung kim. 

Arts of Korea celebrates historical Korean art through 100 works from the collection of the museum of Fine arts, Boston. 

the mFa has one of the finest collections of Korean art outside of east asia, with particularly superb holdings of high-quality 

stoneware and lacquerware of the Koryo and Yi dynasties, Bronze age funerary objects and Buddhist paintings and sculptures. 

many of the objects in this book were originally intended for everyday use and tell a story not only about the people who 

used or collected these boxes, mirrors, jars, tiles and trays, but also about the people who made them. Set to coincide with 

the mFa’s long-awaited Korean gallery renovation, this is an affordable yet unique addition to any asian art library, with 

essays that offer an ideal introduction to the history of Korean art. 

978-0-87846-788-4 


U.S. $22.50 CDn $22.50 



hATJe CAnTz 

Text by Monica Maffioli. 

In July 1863, the photographer Felice Beato 

arrived at the port city of Yokohama in Japan. 

He was only 31 years old, but had already established 

himself as a pioneering figure in 

the then-nascent field of photography as the 

first ever war correspondent, and as one of 

the earliest chroniclers of east asia, having 

already documented the Indian rebellion of 

1857 and the Second opium War in China. If 

these latter works had seemed to celebrate 

imperial power, Beato’s Japan photographs 

marked a venture into another realm entirely. 

Beato’s portraits of geishas in magnificent kimonos, 

samurai, sumo wrestlers, and scenes 

of everyday life and landscapes portrayed the 

country and its people entirely without condescension. 

the dignity and grace of his photographic 

style, as well as his hand-tinting of 

his images, made an enormous impact on 

edo-era Japanese photographers, who found 

analogies to traditional Japanese woodblock 

prints in the composition of his images, and 

Beato established a whole school and style at 

the close of the nineteenth century. this marvelous 

and magnificently oversize volume 

presents an overview of this style, known as 

the Yokohama school, with beautifully reproduced 

images by Beato and many others. 

Japanese Dream also records the last embers 

of a waning culture just prior to modernity. 

978-3-7757-3437-0 


U.S. $150.00 CDn $150.00 

September/photography/asian art & Culture 

Beautiful hand-tinted photographs 

of late-nineteenth-century Japan 


Arts of Japan: MfA highlights 

9780878467143 

Pbk, u.s. $24.95 Cdn $24.95 

MfA Publications 

American Painting: 

MfA highlights 

Pbk, u.s. $19.95 Cdn $19.95 

9780878466603 

MfA Publications

JRP|Ringier’s Documents Series is dedicated to writings by critics 

and curators who question and explore the current state of artistic 

and curatorial practices. We announce the two latest titles below. 

Parachute: The Anthology 

Volume I 

JrP|rInGIer 

Booktrek 

Selected Essays on Artists’ Books since 1972 

By Clive Phillpot. 

JrP|rInGIer 

edited by Alexander Alberro, Chantal Pontbriand. 

In 1975, a small group of enterprising, discontented members of Quebec’s art community posed the question: 

“What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary 

art exists in montreal? How does information about art circulate?” By way of an answer, the artistically 

unconventional and theoretically cutting-edge magazine Parachute was launched, founded by Chantal pontbriand 

and France morin. artists such as Jeff Wall, Bill viola, Stan Douglas, eija-Liisa ahtila and many others 

had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, 

thomas Crow, thierry de Duve, georges Didi-Huberman, Hal Foster, reesa greenberg, Serge guilbaut and 

Laura mulvey published highly pertinent essays in the journal early on in their careers. the essays collected in 

this volume have been selected from the first 25 years of Parachute’s publication history, from 1975 to 2000. 

978-3-03764-196-5 

pbk, 6 x 8.25 in. / 180 pgs / 15 b&w. 

U.S. $29.95 CDn $29.95 

December/art/nonfiction & Criticism 


A brief history of Curating 

9783905829556 

Pbk, u.s. $24.95 Cdn $24.95 

JrP|ringier 

edited by Lionel bovier. Introduction by Lionel bovier, Christophe Cherix. 

Clive phillpot has been a tireless advocate for the artist’s book for more than 40 years—both as a critic, curator 

and editor, and in his tenure as director at the library of the museum of modern art in the late 1970s, where he 

built the library’s collection of artist’s books and mapped out the field with influential essays that traced its ancestry 

and distinguished it from seemingly similar genres such as the livre d’artiste. as he has delineated the genre: 

“artists’ books are understood to be books or booklets produced by the artist using mass-production methods, 

and in (theoretically) unlimited numbers, in which the artist documents or realizes art ideas or artworks.” also 

collaborating with printed matter and Franklin Furnace, among other places dedicated to the medium of the 

book, phillpot helped raise awareness of artists’ books, endowing them with the critical credentials to enter the 

collections of museums. Booktrek gathers for the first time phillpot’s essays on the definition and development of 

artists’ books from 1972 to the present—historical texts, manifestos, catalogue entries and essays on works by ed 

ruscha, Sol LeWitt, Dieter roth and richard Long. Booktrek will prove an invaluable reference for all those interested 

in the evolution of the artist’s book, and offers a crucial account of the genre’s ascent. 

978-3-03764-207-8 

pbk, 6 x 8.25 in. / 160 pgs / 15 b&w. 

U.S. $29.95 CDn $29.95 

December/artists’ Books/nonfiction & Criticism 

Time Action vision 

9783037641248 

Pbk, u.s. $29.95 Cdn $29.95 

JrP|ringier 

Sculpture Now 

A Collection of Contemporary Artists’ 

Writings and Interviews 

Thinking Contemporary 

Curating 

By Terry Smith. 

IndePendenT CurATors InTernATIonAL (ICI) 

Introduction by kate fowle. 

What is contemporary curatorial thought? Current 

discourse on the topic is heating up with a new cocktail 

of bold ideas and ethical imperatives. these include: 

cooperative curating, especially with artists; 

the reimagination of museums; curating as knowledge 

production; the historicization of exhibitionmaking; 

and commitment to extra-artworld 

participatory activism. Less obvious, but increasingly 

of concern, are issues such as rethinking spectatorship, 

engaging viewers as co-curators and the challenge 

of curating contemporaneity itself. In these five 

essays, art historian and theorist terry Smith surveys 

the international landscape of current thinking by curators; 

explores a number of exhibitions that show 

contemporaneity in recent, present and past art; describes 

the enormous growth world wide of exhibition 

infrastructure and the instability that haunts it; re-examines 

the contribution of artist-curators and questions 

the rise of curators utilizing artistic strategies; 

and, finally, assesses a number of key tendencies in 

curating as responses to contemporary conditions. 

Thinking Contemporary Curating is the first book to 

comprehensively chart the variety of practices of curating 

undertaken today, and to think through, systematically, 

what is distinctive about contemporary 

curatorial thought. 

978-0-916365-86-8 

pbk, 6.25 x 8.5 in. / 256 pgs / 25 b&w. 

U.S. $19.95 CDn $19.95 


also forthcoming as an eBook edition 

wrITInGs hIGhLIGhTs 


hATJe CAnTz 

edited by Julia kelly, Jon wood. 

Sculpture Now assembles essays, statements, interviews, 

letters, poems and other texts by artists from 

all over the world on sculpture as it has been developed 

and practiced from 1990 to the present. Illustrated 

with works by the contributing artists, this 

publication covers every facet of sculpture today: the 

processes used to create it, its various means of figuration 

and the growing number of exhibition venues 

now devoted to the medium. edited by Julia Kelly and 

Jon Wood, and intended for a broad audience of 

artists, curators, art historians, students and art 

lovers, this volume will serve both as an important 

reference book as well as a source of inspiration. 

artists represented include edward allington, Francis 

alÿs, John Bock, mel Brimfield, anthony Caro, Jan de 

Cock, tony Cragg, matthew Crawley, richard Deacon, 

michael Dean, mark Dion, elmgreen and Dragset, 

Chris evans, Katharina Fritsch, ryan gander, 

Francesco gennari, thomas Hirschhorn, Ilya 

Kabakov, mike Kelley, Hew Locke, Sarah Lucas, paul 

mcCarthy, Jonathan monk, ron mueck, mike nelson, 

patricia piccinini, Falke pisano, Bettina pousttchi, 

marc Quinn, gregor Schneider, thomas Schütte, 

roman Signer, Florian Slotawa, Kiki Smith, Bob and 

roberta Smith, Didier vermeiren, Franz West, Keith 

Wilson, erwin Wurm and Carey Young. 

978-3-7757-3347-2 


U.S. $55.00 CDn $55.00 

october/art/nonfiction & Criticism 

Vital Beauty 

Reclaiming Aesthetics in the Tangle of 

Technology and Nature 

nAI PubLIshers/v2 

Text by Thierry bardini, Caroline van eck, Lars 

spuybrock, Gustav fechner, Mark frost, George 

Gessert, Tim Ingold, et al. 

as defined by the great art writer John ruskin more 

than 150 years ago, “vital beauty” denotes an aesthetic 

of “sympathies”—that is, a beauty that embodies 

and demonstrates affinity with sentience in all its 

forms. ruskin effectively liberated beauty from classical 

perfectionism by envisaging a world of currents 

and forces, rather than immobile ideals, and by celebrating 

nature’s abundant diversity. today, this wonderful 

conception requires some rethinking, since 

sentience now encompasses technological as well as 

organic entities—raising the question of how we 

should design our environments, our objects and 

even our lives. In Vital Beauty, leading philosophers, 

anthropologists, theorists and artists thierry Bardini, 

Caroline van eck, gustav Fechner, mark Frost, 

george gessert, tim Ingold, arjen mulder, Steven 

Shaviro, Lars Spuybroek, Wendy Steiner, Daniel n. 

Stern and ruskin himself examine what this idea of 

beauty might mean for their respective disciplines. 

978-90-5662-856-7 

pbk, 6.25 x 9 in. / 256 pgs. 

U.S. $35.00 CDn $35.00 



The sympathy of Things 

Pbk, u.s. $45.00 Cdn $45.00 

9789056628277 

nAi Publishers

Minimalism 

in Germany 

The Sixties 

hATJe CAnTz 

edited by renate wiehager. Text by 

sandra brechtelt, nadine brüggebors, 

susannah Cremer-bermbach, norbert 

Grob, dorothée henschel, Paul kaiser, 

Miriam schoofs, Gregor stemmrich, 

renate wiehager. 

Minimalism in Germany offers a 

definitive overview of constructivist 

and concrete abstraction and the 

avant-garde in 1960s germany. With 

a wealth of color illustrations, this 

massive and ambitious compendium 

features approximately 100 works— 

from serial sculptures to action-oriented 

works, mostly drawn from the 

Daimler art Collection—by around 40 

artists. opening with an examination 

of predecessors such as Josef albers, 

norbert Kricke, Herbert Zangs and 

Siegfried Cremer, it looks at developments 

in abstract art in the cities of 

Frankfurt, Düsseldorf, Stuttgart, Berlin 

and munich, also acknowledging 

relevant developments in neighboring 

Switzerland. among the artists 

included here are Hartmut Böhm, 

Imi giese, Hanne Darboven, Hermann 

glöckner, Heinz mack, peter roehr, 

Charlotte posenenske, Ulrich rückriem 

and Franz erhard Walther. essays 

on minimalist tendencies in german 

architecture, literature, film and 

design of the period in germany 

expand the context for their activities. 

978-3-7757-3366-3 


U.S. $75.00 CDn $75.00 

September/art 

Arte Povera 

hATJe CAnTz 

Text by Mendes bürgi, Luca Cerizza, 

Ingvild Goetz, Christiane Meyer-stoll, 

Angela vetesse. 

the term “arte povera” was introduced 

by the influential critic and curator 

germano Celant in 1967, to describe a 

new art that expressed the economic 

and cultural turbulence of the late 

1960s in Italy. this art became identified 

with the use of “poor” materials 

such as soil, glass, wood and wax, but 

in fact its products ranged from paintings 

and sculptures to photographs 

and performances. artists such as giovanni 

anselmo, alighiero Boetti, Jannis 

Kounellis, mario merz, pino 

pascali, and michelangelo pistoletti 

were the stars of this new movement, 

and their innovations have made for a 

lasting legacy among subsequent generations 

exploring raw materials, the 

possibilities of the gallery space and 

everyday detritus. the Sammlung 

goetz possesses one of the most comprehensive 

collections of arte povera, 

presented in this publication for the 

first time alongside archival photographs 

and documents. 

978-3-7757-3357-1 

Hbk, 9.5 x 11.75 in. / 272 pgs / 

130 color / 95 duotone. 

U.S. $75.00 CDn $75.00 

December/art 

Intellectual 

Birdhouse 

Artistic Practice as Research 


edited and foreword by florian 

dumbois, ute Meta bauer, Claudia 

Mareis, Michael schwab. 

In recent years, the idea of art as an 

act of research has gained increasing 

currency, greatly enlarging the parameters 

of art itself. Intellectual Birdhouse 

gathers a broad range of interpretations 

of this paradigm shift through 

writings by authors from a range 

of disciplines. tom Holert offers 

“Scattered thoughts on ‘artistic 

research’ and ‘Social responsibility’”; 

Hito Steyerl assesses research as an 

“aesthetic of resistance”; Hannes 

rickli discusses art and biology; 

michael Schwab interviews Henk 

Borgdorff; Sabine Flach looks at 

Kandinsky’s merging of art and 

science; penelope Haralambidou 

writes on “allegory, architecture and 

Figural theory”; Florian Hecker and 

Sonia matos discuss psychoactive 

acoustic experiences; and renee green 

writes on “paradoxes experienced by 

artist-thinkers.” other contributors include 

Jan Svenungsson, Henk Slager, 

Sarat maharaj and Francisco varela, 

Hans-Jorg rheinberger, raqs media 

Collective, marcus Steinweg, Bracha L. 

ettinger, Jonathan miles, paul Carter, 

gina Badger and alise Upitis. 

978-3-86335-118-2 

Flexi, 6 x 8.5 in. / 304 pgs / 36 b&w. 

U.S. $29.95 CDn $29.95 FLat40 

July/art/nonfiction & Criticism 

The Secession 

Talks 

Exhibitions in Conversation 

1998–2010 


edited by sylvia Liska. 

The Secession Talks is a compilation 

of 50 artists’ talks that accompanied 

exhibitions at the vienna Secession 

between 1998 and 2010. the talks take 

place between artists and well-known 

critics, art historians, curators and 

fellow artists, and aim to combine 

insight into artistic production with 

practical educational use. among the 

contributing artists to this volume 

are Doug aitken, anna artaker, Julie 

ault and martin Beck, Dave Hullfish 

Bailey, Daniel Baumann, Herbert 

Brandl, roger m. Buergel and ruth 

noack, angela Bulloch, merlin 

Carpenter, marc Camille Chaimowicz, 

Stan Douglas, thomas Hirschhorn, 

mike Kelley and paul mcCarthy, 

David lamelas, Sharon Lockhart, 

anna meyer, trinh t. minh-ha, alois 

mosbacher, michel onfray, Jeroen de 

rijke and Willem de rooij, eva 

Schlegel, roman Signer, Simon 

Starling, robert Storr, rirkrit 

tiravanija, mark Wallinger, Klaus 

Weber and Christopher Williams. 

an installation photo of the relevant 

exhibition accompanies each talk. 

978-3-86335-092-5 

Flexi, 6.5 x 9.5 in. / 628 pgs / 103 b&w. 

U.S. $55.00 CDn $55.00 FLat40 

august/art/nonfiction & Criticism 

Archetypes and 

Historicity 

Paintings and Other Radical 

Forms 1995–2007 

By Mario Diacono. 


gallerist and art writer mario Diacono 

(born 1930) has been among postwar 

painting’s liveliest advocates, espousing, 

exhibiting and writing about the 

work of alex Katz, Julian Schnabel, 

Francesco Clemente, mimmo paladino, 

Sigmar polke, georg Baselitz and hundreds 

of others, through his eponymous 

galleries in Bologna, rome, 

Boston and new York. this enormous 

compendium gathers Diacono’s essays 

written for exhibitions held in the 

mario Diacono gallery between 1994 

and 2007, complementing Iconography 

and Archetypes as a critical survey of 

american and european painting at 

the turn of the millennium. as the title 

implies, a preoccupation throughout 

these writings is the creative tension 

between historical determinacy and recurrent 

motif (archetype). among the 

artists discussed are matthew ritchie, 

Jacqueline Humphries, Doug and 

mike Starn, Kevin Zucker, Daniel rich, 

James Siena, Dana Schutz and Kelley 

Walker. 

978-88-366-2325-9 

Flexi, 6.75 x 9.5 in. / 416 pgs / 90 color. 

U.S. $45.00 CDn $45.00 


Intangible 

Economies 

fILLIP edITIons 

edited by Antonia hirsch. Text by 

Juan A. Gaitán, Melanie Gilligan, , Antonia 

hirsch, Candice hopkins, olaf 

nicolai, Patricia reed, Monika szewczyk, 

Jan verwoert. 

treating the idea of an economy as a 

general system of exchange, Intangible 

Economies advances the idea that personal 

relationships are produced by 

economic activity, and that desire generates 

economic transactions. Intangible 

Economies, speculatively 

investigates the role that these “affective 

transactions” play in modes of representation 

and cultural production. 

the abstract and abstracting function 

of value itself becomes particularly significant 

in this constellation, in its relation 

to both capitalist economy and to 

ethics. First developed for a 2011 conference 

in vancouver, the essays included 

in this anthology seek to tackle 

the difficult task of tracing the role of 

affect in economic exchanges relative 

to artistic production, while also enacting 

the unruly force of such transactions. 

the contributing essayists are 

melanie gilligan, Juan a. gaitàn, 

Hadley + maxwell, Candice Hopkins, 

olaf nicolai, patricia reed, monika 

Szewczyk and Jan verwoert. 

978-1-927354-03-2 

pbk, 4.5 x 7.5 in. / 176 pgs / 


U.S. $20.00 CDn $20.00 


Institutions 

by Artists 

Volume One 


edited by Jeff khonsary, kristina Lee 

Podesva. Introduction by Lorna 

brown. Text by AA bronson, vincent 

bonin, Luis Camnitzer, barnaby drabble, 

Michele faguet, Makiko hara, ola 

khalidi, diala khasawnih, et al. 

artist-run initiatives in north america 

provided a space for the presentation 

and legitimization of experimental 

work and for the assertion of socially 

progressive and politically radical 

ideas and questions. In making such 

spaces available, artist-run initiatives 

have operated alternately as flash 

points for heated debates and controversies, 

as well as platforms for social 

understanding and remaining for their 

audiences. Institutions by Artists: Volume 

One presents a collection of texts 

addressing the performance and promise 

of contemporary global artist-run 

centers and initiatives within the historical 

contexts that saw their emergence. 

texts address centers in 

amman (Jordan), Brisbane (australia), 

vancouver (Canada), Zurich (Switzerland) 

and tokyo (Japan), Barcelona 

(Spain), among others. the book is 

published as part of Fillip’s ongoing 

Folio Series which presents anthologies 

of new and previously published 

questions on international contemporary 

art. 

978-1-927354-02-5 

pbk, 4.75 x 7.5 in. / 224 pgs / 


U.S. $20.00 CDn $20.00 


wrITInGs hIGhLIGhTs 

Demonstrations 

Making Normative Orders 


Text by sabine witt, britta Peters, 

fanti baum, et al. 

Between the “arab Spring” and the occupy 

movement, 2011 will certainly be 

remembered as the year of insurrection, 

and this volume could not come 

at a more timely moment. Demonstrations 

offers an interdisciplinary discussion 

of the possibilities of public 

demonstration through an analysis of 

historical and contemporary paintings, 

graphics, photographs, installations, 

video and sound works and performances. 

Contributors include Bani 

abidi, Jost amman, Claudia Bosse, 

Irina Botea, Wilhelm Bülow, anetta 

mona Chişa and Lucia tkáčová, Discoteca 

Flaming Star, Ludwig von elliot, 

Johann georg Funck and michael 

rössler, François georgin, James gillray, 

Jana gunstheimer, nicoline van 

Harskamp, Johann peter Hasenclever, 

Sharon Hayes, alexander Hoepfner, 

Johann Jakob Kirchhoff, noël Lemire, 

Les trucs, Lovefuckers, peter Lynen, 

marcello maloberti, anna 

mendelssohn, rabih mroué, F.g. nordmann, 

Christodoulos panayiotou, alfred 

rethel, Henry ritter, Julian röder, 

Yorgos Sapountzis, Sandra Schäfer, 

georg Schlicht, eske Schlüters and 

others. 

978-3-86984-288-2 

Clth, 7.25 x 9.5 in. / 480 pgs / 135 color / 

33 b&w. 

U.S. $75.00 CDn $75.00 

august/art/nonfiction & Criticism 


Writings on Architecture 

The first anthology of McCoy’s influential writings on 

midcentury Californian architecture 


Piecing Together Los Angeles: 

An Esther McCoy Reader 

By Esther McCoy. 

eAsT of borneo books 

edited and with text by susan Morgan. 

esther mcCoy (1904–1989) is one of the twentieth century’s foremost architecture historians, and one of the 

greatest chroniclers of the architecture of midcentury southern California. Her 1960 book Five California Architects 

has long been acknowledged as an indispensable classic, and as reyner Banham famously observed of her, 

“no one can write about architecture in California without acknowledging her as the mother of us all.” Piecing 

Together Los Angeles: An Esther McCoy Reader is the first anthology of mcCoy’s writing. It features a selection 

of some 70 pieces—ranging from her 1945 article “Schindler, Space architect” to “arts & architecture: Case 

Study Houses,” a 1989 essay commissioned by the museum of Contemporary art, Los angeles. From fiction for 

The New Yorker to seminal essays on new architectural forms, mcCoy charts the progressive edge of american 

idealism, from the collective utopian spirit of Jazz age greenwich village, through the Depression and the war 

years, to the optimism of the 1950s and 1960s. In preparing this volume, writer and editor Susan morgan extensively 

researched the mcCoy papers at the archives of american art. Her editorial decisions were based, in part, 

on mcCoy’s original selections for an unrealized anthology solicited by W. W. norton in 1968. expanding on that 

project, morgan has included essays, articles, lectures, correspondence, memoirs and short stories that illuminate 

the breadth and complexity of mcCoy’s writing and the southern California region that inspired her 

groundbreaking work. 

978-0-615-52823-6 


pbk, 6 x 8.25 in. / 392 pgs / 6 b&w. 

sympathetic seeing: esther McCoy and the heart of American Modernist 

U.S. $34.95 CDn $34.95 

Architecture and design 

available/architecture & Urban Studies 

9783869842653 

Pbk, u.s. $40.00 Cdn $40.00 

Moderne kunst nürnberg 

130 artBooK | D.a.p. 1.800.338.2665 

Metropolisarchitecture 

and Selected Essays 

By Ludwig Hilberseimer. 

GsAPP books 

edited by richard Anderson. Afterword by Pier 

vittorio Aureli. 

In the 1920s, the urban theory of Ludwig Hilberseimer 

(1885–1967) redefined architecture’s relationship 

to the city. His proposal for a high-rise city, 

where leisure, labor and circulation would be vertically 

integrated, both frightened his contemporaries 

and offered a trenchant critique of the dynamics of 

the capitalist metropolis. Hilberseimer’s Groszstadtarchitektur 

(Metropolisarchitecture) is presented here 

for the first time in english translation. two additional 

essays frame this international cross-section of 

metropolitan architecture: “Der Wille zur architektur” 

(the Will to architecture) and “vorschlag zur 

City-Bebauung” (proposal for City-Building). the 

propositions assembled here encourage us to 

reconsider mobility, concentration and the scale of 

architectural intervention in our own era of urban 

expansion. this is the second title in the GSAPP 

Sourcebooks series, devoted to recovering and translating 

overlooked texts on architecture and the city. 

978-1-883584-75-7 


U.S. $19.95 CDn $19.95 

october/architecture & Urban Studies/nonfiction & 

Criticism 


The expendable reader 

Pbk, u.s. $19.95 Cdn $19.95 

Isbn 9781883584702 

GsAPP books 

SIAL: Liberec Association 

of Engineers and 

Architects, 1958–1990 

Czech Architecture Against the Stream 

Arbor vITAe 

edited by rostislav Švácha, Miroslav Masák, 

Pavel zatloukal, Jakub Potůček. 

this monograph documents, for the first time, the 

work of the Liberec association of engineers and 

architects—known as SIaL—founded in 1968 by the 

Czech architects Karel Hubaček, miroslav masák and 

otakar Binar. Joined by other prominent modernist 

architects in prague, the group was active into the 

1980s. Despite difficult political circumstances, SIaL 

gained recognition both at home and among Western 

architects. this book looks at the work of the Liberec 

collective in its full scope. the first three chapters, 

presenting SIaL’s production from the 60s, 70s and 

80s, are followed by an analysis of 25 of their most 

important projects and buildings, as well as profiles 

of the most prominent SIaL architects, with a 

supplement comprising almost 500 reproductions. 

978-80-87164-87-7 


U.S. $65.00 CDn $65.00 


ArChITeCTure & desIGn hIGhLIGhTs 

Modernism In-Between 

The Syncretic Architectures of Socialist 

Yugoslavia 

By Wolfgang Thaler, Maroje Mrduljaš, 

Vladimir Kulić. 

JovIs 

Socialist Yugoslavia was a country suspended between 

cultures, political systems and Cold War blocs, 

and as a result, in the early postwar years it produced 

a body of modernist architecture that defies easy 

classification and which has fascinated architecture 

historians since the dismantling of the Soviet bloc. 

Modernism In-Between explores the historical “inbetweenness” 

of Yugoslavian modernism and the 

strategies architects used to mediate different— 

sometimes directly opposed—concepts of culture and 

architecture. Surveyed here is the work of Ljubljana 

architect edvard ravnikar, who seamlessly blended 

the influences of otto Wagner, Jože plečnik and 

Le Corbusier; proto-postmodern war memorials by 

Bogdan Bogdanović; Juraj neidhardt’s efforts to forge 

a modern identity for Bosnia; and the exhibition 

pavilions of the Zagreb architect vjenceslav richter, 

who resurrected the spirit of the russian avant-garde 

for Yugoslavian socialism. the book is illustrated 

with photos by Wolfgang thaler. 

978-3-86859-147-7 


U.S. $39.80 CDn $39.80 

october/architecture & Urban Studies 


The Post socialist City 

9783868590180 

Pbk, u.s. $45.00 Cdn $45.00 

Jovis 


Architecture Monographs 

Clyfford Still Museum: Allied Works 

Architecture 

hATJe CAnTz 

Qualities of Duration: The Architecture of 

Phillip Smith & Douglas Thompson 

dAMIAnI/Gordon de vrIes sTudIo 

Text by brad Cloepfil, robert McCarter, dean sobel, et al. 

the Clyfford Still museum in Denver was created as a home for the artistic vision of american 

painter Clyfford Still (1904–1980), who helped spearhead the abstract expressionist movement. 

though acknowledged as one of the country’s most significant twentieth-century artists, his work 

has long been difficult to access, and much of it has never been publicly exhibited. opening its 

doors to the public in november 2011, the two-story museum—one of the most comprehensive single-artist 

museums in the world—houses the vast majority of Still’s creative output: 2,400 paintings, 

drawings, prints and sculptures spanning over 60 years. Designed by the leading architectural practice 

allied Works and its founder, Brad Cloepfil, the museum draws inspiration from the work of 

Still and from its monumental surroundings: an intersection of prairie and mountains within an 

urban district of major cultural buildings, vacant lots, historic housing and new development. the 

building looks to the earth as a source of silence and evocation of the elemental forces that the 

artist explored in his painting. this publication presents the initial conception of the museum to its 

ultimate realization as what The New Republic has declared to be “everything a museum goer could 

hope for.” a rich collection of stories, artifacts, documents and conversations trace the evolution 

of the building and allied Works’ unique creative process, with new essays and photographs that 

examine its particular significance within contemporary architectural discourse. 

978-3-7757-3332-8 


U.S. $45.00 CDn $45.00 


Text by Alastair Gordon. 

the branch of a sycamore grows through the opening of a wall in a manhattan studio. a poolhouse 

on Long Island becomes a sod-roofed teahouse. an eighteenth-century farmhouse in 

pennsylvania expands to echo the path of a meandering stream. Such are the inventive and inspired 

designs of phillip Smith and Douglas thompson, whose work stands out as an oasis of 

calm in an age of hyperspeed and information smog. Since they met in 1966, Smith and thompson 

have sought out a “softer” alternative to the legacy of “heroic modernism,” a quest for 

spatial quietude guided more by instinct and gradual accretion than enforced concept and ideology. 

taking Bernard rudofsky’s emphasis on forgotten vernacular buildings and “architecture 

without architects” as the underlying theme in their work, Smith and thompson’s sources of 

inspiration have varied widely over the years, from early european modernism to the barns 

and fishermen’s cottages of nantucket, to the monasteries of tibet, the hill towns of Italy and 

the stilted kampongs of malaysia. Qualities of Duration is the first book to chronicle their firm’s 

complete body of work, detailing its numerous residential, commercial, corporate and institutional 

projects through 350 illustrations and a text by architectural historian alastair gordon. 

978-88-6208-231-0 


U.S. $50.00 CDn $50.00 



brad Cloepfil: Allied works 

Architecture 

9780980024258 

hbk, u.s. $85.00 Cdn $85.00 

Gregory r. Miller & Co. 

Refract House 

CALIfornIA CoLLeGe of The ArTs 

ArChITeCTure sTudIo serIes 

edited by Ila berman, nataly Gattegno. 

Introduction by Ila berman. 

Refract House explores the evolution 

of California College of the arts’ solarpowered 

house that competed in the 

2009 U.S. Department of energy Solar 

Decathlon. the competition brief was 

to design, build and operate a maximally 

energy-efficient, attractive and 

comfortable solar-powered house. 

every detail was considered by the 

CCa faculty and student team, from 

the landscaping, water recycling system 

and solar collection arrays to the 

furniture and plateware. CCa’s house 

was awarded first place in architecture 

and communications, second in engineering, 

and third overall. this book 

reframes the team’s efforts within contemporary 

architectural practice. It is 

divided into four parts, addressing: the 

conceptual trajectories underlying the 

project, the different design strategies 

that were explored, the integration of 

technological systems and the question 

of carbon-neutral design, and the 

issues surrounding material prefabrication. 

It also discusses the implications 

of the project in terms of 

architectural education today. 

978-0-9825033-2-4 

Hbk, 5.75 x 8 in. / 141 pgs / 


U.S. $18.95 CDn $18.95 

october/architecture & Urban Studies/ 

Sustainability 

MASS Design 

Group: 

Empowering 

Architecture 

The Butaro Hospital, Rwanda 

MAss 

edited by Michael Murphy, Alan 

ricks, et al. Introduction by dr. Paul 

farmer. Text by Michael Murphy, Alan 

ricks. Photographs by Iwan baan. 

Empowering Architecture is the maSS 

Design group’s first publication. 

maSS partners with governments and 

various organizations to apply design 

and architectural thinking to social justice 

goals and produce equitable infrastructure 

that assists its partners in 

breaking the cycles of structural violence 

and poverty. this volume is a 

case study on the recently completed 

Butaro Hospital in rwanda, which 

sought to employ a community and reduce 

the in-hospital-transmission of 

disease. the book highlights strategies 

to improve health and strengthen communities 

through design. Featuring an 

introduction by Dr. paul Farmer, the 

founder of partners in Health and a 

leader in global health delivery, and a 

sprawl of breathtaking images by 

renowned architectural photographer 

Iwan Baan, Empowering Architecture is 

a great example of how the intersection 

between health and design can 

create dignified spaces that heal. 

978-0-615-53415-2 


U.S. $35.00 CDn $35.00 

July/architecture & Urban 

Studies/african art & Culture 

Josep Lluís Mateo: 

On Building 

Matter and Form 


Text by Philip ursprung, Agustí obiol, 

dominique boudet. Interview by 

fredy Massad, Alicia Guerrero. 

Josep Lluís mateo (born 1949) is one 

of Spain’s—and europe’s—most prolific 

and visible architects, as energetic as a 

teacher and lecturer as he is an architect. 

mateo has designed corporate 

headquarters, housing units, office 

blocks and hotels throughout Western 

europe, and has also renovated urban 

centers in gerona (Spain) and Castelo 

Branco (portugal). this volume looks 

back at nearly 30 years of mateo’s built 

structures, as portrayed by the architectural 

photographer adrià goula. as 

well as buildings from the 80s and 90s, 

it also looks at his most important projects 

of the past few years, from the 

Banc Sabadell Headquarters renovation 

(2004) and the Factory office 

building in Boulogne-Billancourt, 

France (2010) to the pggm Headquarters 

in Zeist, Holland (2011) and the 

Catalonian Film theater in Barcelona 

(2011). Interspersed among goula’s 

photographs are mateo’s observations 

and musings on architecture. 

978-84-343-1312-5 


U.S. $60.00 CDn $60.00 

august/architecture & Urban 

Studies 


Harpa 

Henning Larsen Architects & 

Batteriid Architects in Collaboration 

with Olafur Eliasson 

hATJe CAnTz 

Conceived by the Danish architectural 

offices of Henning Larsen, Harpa is a 

new concert hall located at the old 

harbor of reykjavik. the concert hall 

and conference center are home to the 

national symphony orchestra and the 

opera, and stand as a symbol of hope, 

having been successfully completed 

in spite of the country’s debilitating 

financial crisis. the spectacular entry 

façade, made of more than 1,000 

polygonal glass units modeled after 

the island’s basalt pillars, was created 

in collaboration with the artist olafur 

eliasson. the glass breaks up the light 

like a kaleidoscope, so that the broad 

waters of the harbor, the open sky 

and the hilly environs are reflected in 

splendid colors. this publication presents 

the building from its initial design 

in 2005 to its completion in may 2011, 

and demonstrates how nature can help 

inspire architecture to dematerialize. 

978-3-7757-3341-0 


U.S. $60.00 CDn $60.00 



Architecture Monographs & Urbanism 

Sweet & Salt 

Water and the Dutch 


edited by Tracy Metz, Maartje van den 

heuvel. 

Water management runs in the blood 

of the Dutch: draining the netherlands 

and keeping it dry is a process they 

started centuries ago and continue to 

this day. In Sweet & Salt: Water and 

the Dutch, author tracy metz and art 

historian maartje van den Heuvel 

demonstrate, in text and images, how 

the netherlands negotiates its evolving 

relationship with water—and what the 

rest of the world can learn from them 

as our sea levels rise, our rivers swell 

and storms and droughts multiply. 

From new orleans and Hamburg to 

vietnam and China, the world is facing 

landscapes in drastic metamorphosis. 

and from the dikes and dams of the 

past to the new solutions of Dutch 

design practice for the future, the 

netherlands’ history with water offers 

a much-needed perspective on life in 

our new waterworld. 

978-90-5662-848-2 

pbk, 9 x 11 in. / 296 pgs / 

280 color. 

U.S. $44.95 CDn $44.95 


Luc Deleu: 

Orban Space 

The Work and Practice of 

Luc Deleu, T.O.P. Office 

vALIz 

edited by wouter davidts, Guy 

Châtel, stefaan vervoort. Text by Guy 

Châtel, wouter davidts, Maarten delbeke, 

John MacArthur, felicity scott, 

Teresa stoppani, stefaan vervoort. 

Since founding the t.o.p. (“turn on 

planning”) office in the 1970s, Belgian 

architect and artist Luc Deleu (born 

1944) has been working on a critical, 

sociological and ecological approach 

to urbanism that he has named “orbanism”: 

an eco-centric global urbanism 

that has anticipated such contemporary 

concerns as environmental pollution, 

overpopulation, food production 

and the conflict between the individual 

and the community. Orban Space 

traces Deleu’s work and practice 

through a conceptual topography defined 

by seven terms: architecture, syncretism, 

depiction, sculpture, scale, 

mobility and manifesto. this book 

presents a biographical portrait of Luc 

Deleu and t.o.p. office and situates 

them within a broader historical and 

theoretical framework, where they 

emerge from the lineage defined by 

such idiosyncratic utopian visionaries 

as the metabolists, Buckminster Fuller, 

Superstudio, Yona Friedman and Constant 

nieuwenhuis. 

978-90-78088-60-8 

Flexi, 6.75 x 9.5 in. / 432 pgs / 

200 color / 220 b&w. 

U.S. $39.95 CDn $39.95 


Studies 

John Pawson: 

Katalog 


edited and with foreword by winfried 

nerdinger. Text by Alison Morris. 

British architect John pawson (born 

1949) is a master of minimalism. His 

buildings and objects are defined by 

his devotion to simplicity and the art 

of “leaving out,” and by their purity of 

space, proportion, light and material. 

Influenced by Japanese culture and 

minimalist sculpture, pawson defines 

his idea of the minimum as a perfection 

and quality that arises when every 

detail and connection is reduced to 

only that which is essential. With models, 

large-format photographs, material 

studies and objects, this publication 

provides an overview of pawson’s work 

and demonstrates the phenomenon of 

“emptiness.” among the projects presented 

are the Cistercian monastery 

novy Dvur in Czech republic (2004), 

the footbridge Sackler Crossing in 

London (2006), the Stone House for La 

triennale di milano (2010) and the St. 

moritz church in augsburg, currently 

in its planning stages. 

978-3-86335-149-6 


U.S. $49.95 CDn $49.95 


Terunobu Fujimori: 

Architect 

hATJe CAnTz 

edited by Michael buhrs, hannes 

rössler. Text by Michael buhrs, dana 

buntrock, Thomas daniell, Terunobu 

fujimori, Toyo Ito, hannes rössler. 

the sophisticated buildings of 

Japanese architect terunobu Fujimori 

(born 1946) combine the archaic, 

eccentric, poetic and the ecological— 

almost all of them are made of simple, 

traditional materials such as earth, 

stone, wood, coal, bark and mortar. 

often referred to as a “surrealist” 

architect, Fujimori designs buildings 

that stand on stilts, rest in trees, 

support plant ecosystems and rise 

from the ground at vertiginous angles. 

this unique approach perhaps stems 

from Fujimori’s early career as a 

successful architectural historian; he 

accepted his first commission at the 

age of 44. Buildings completed since 

then include teahouses, museums and 

private homes, known by names such 

as the “Dandelion House,” “Charred 

Cedar House” and “too-tall tea 

House.” this publication explores 

Fujimori’s career with models, 

drawings, architectural plans and 

photographs. also documented is 

the construction of a teahouse 

designed for the garden at the villa 

Stuck in munich. 

978-3-7757-3323-6 


U.S. $55.00 CDn $55.00 


Studies/asian art & Culture 

Landscape Vision Motion 


Smart City in Practice 

Innovation Lab Between Vision and Reality 


JovIs 

edited by Christophe Girot, fred Truniger. 

the first volume in a new series from Jovis on landscape 

architecture today, Landscape Vision Motion 

asks the question: what objectives can be achieved in 

the theoretical exchange between visual studies, digital 

media, film, space and motion in the field of landscape 

architecture? professionals from various fields 

contribute. 

978-3-86859-210-8 


U.S. $39.95 CDn $39.95 


Criticism 

Reduce Reuse Recycle: 

Rethink Architecture 

German Pavilion 2012 

hATJe CAnTz 

edited by Muck Petzet. 

the creative conversion and repurposing of existing 

structures is a defining feature of contemporary german 

architecture. published for germany’s pavilion at 

the 2012 venice Biennale’s architecture exhibition, 

Reduce, Reuse, Recycle looks at this trend through 

case studies, proposals, statements, reproductions 

and interviews with architects. 

978-3-7757-3425-7 


U.S. $60.00 CDn $60.00 

november/architecture & Urban Studies/ 

Sustainability 

Filmic Mapping 

Documentary Film and the Visual Culture 

of Landscape Architecture 

JovIs 

Text by fred Truniger. 

Filmic Mapping, the second volume in Jovis’ new 

LandScript series, examines forms of land measurement, 

primarily in documentary and essay films of 

the past ten years. Contributors from a variety of disciplines 

weigh in on the state of contemporary landscape 

architecture and its visual representation. 

978-3-86859-211-5 


U.S. $39.95 CDn $39.95 


Criticism 

Second Hand Spaces 

Recycling Sites Undergoing Urban 

Transformation 

JovIs 

edited by Michael ziehl, sarah osswald, oliver 

hasemann, daniel schnier. 

In this volume, 27 urban planning experts highlight 

the backgrounds, users and effects of so-called “second 

hand spaces”—vacant sites which have been repurposed 

in areas undergoing urban change. the 

new functions of these spaces range from activities as 

simple as sunbathing in a defunct swimming pool to 

the installation of an open-air boxing ring. 

978-3-86859-155-2 


U.S. $40.00 CDn $40.00 


Bright City: Ma Yansong 

Interviewed by Jérôme Sans 

bLue kInGfIsher LIMITed 

this volume is the second in a series of pocket-book 

interviews with key cultural figures by internationally 

renowned curator, cultural agitator and pioneer 

Jérôme Sans. Here, Sans interviews ma Yansong 

(born 1975), the founder of maD architects and 

architect of “Floating Island” and absolute World.” 

978-988-15064-0-5 

pbk, 4.5 x 7.25 in. / 96 pgs / 30 b&w. 

U.S. $14.95 CDn $14.95 

october/architecture & Urban Studies/asian art & 

Culture/nonfiction & Criticism 

JovIs 

edited by Lena hatzelhoffer, kathrin humboldt, 

Michael Lobeck, Claus-Christian wiegandt. 

are “smart cities” the future of urban living? this 

book examines a five-year public-private partnership 

between the german telecommunications company 

Deutsche telekom and the city of Friedrichshafen in 

southern germany. the project aimed to extend 

Friedrichshafen’s social communications, to make the 

city more effective for businesses and in particular to 

tangibly improve the quality of life for its residents. 

978-3-86859-151-4 


U.S. $55.00 CDn $55.00 

october/architecture & Urban Studies

Architecture Monographs 

Atelier Kempe Thill 

hATJe CAnTz 

Fulfilling the contemporary demand for versatile, 

neutral design while still retaining a recognizable 

identity in their work, the german architecture firm 

atelier Kempe thill has since 2000 created buildings 

that recall the legacy of european architecture in a 

powerful, natural and innovative way. this publication 

gives an overview of their accomplishments of 

the past 12 years. 

978-3-7757-3302-1 


U.S. $105.00 CDn $105.00 


Jörg Friedrich PFP 

Architekten: Works 

JovIs 

over the past 25 years, Jörg Friedrich and his prominent 

Hamburg architecture firm pFp architekten 

have completed a wide range of public and private 

architectural projects such as theaters, schools and 

gymnasiums, all inspired by the ideals of classical 

modernism. this book provides an overview of the 

firm’s philosophy and working processes, illustrated 

with many examples. 

978-3-86859-140-8 


U.S. $68.00 CDn $68.00 


136 artBooK | D.a.p. 1.800.338.2665 

Christoph Mäckler 

Architekten: Tower 185 

Frankfurt am Main 

JovIs 

edited by Christoph Mäckler Architekten, CA 

Immobielien AG. Text by bernhard h. hansen, uwe 

frerichs, hans-Joachim Müller, Christian Thomas. 

Photographs by klaus helbig. 

as the fourth highest office tower building in germany, 

the skyscraper tower 185, designed by german 

architect Christoph mäckler, adds a new landmark to 

the Frankfurt skyline. this publication documents the 

building in photographs, sketches, plans and essays. 

978-3-86859-152-1 


U.S. $30.00 CDn $30.00 


Reiulf Ramstad 

hATJe CAnTz 

Text by boris brorman Jensen, et al. 

one of norway’s most promising architects, reiulf 

ramstad has helped to revitalize and renew the 

nordic architectural tradition known as Critical regionalism. 

also influenced by the likes of aldo rossi, 

Carlo Scarpa and Sverre Fehn, ramstad has received 

several international prizes and competitions. this 

monograph surveys his projects to date. 

978-3-7757-3397-7 


U.S. $85.00 CDn $85.00 


Next 3 Stadia: Warsaw 

Bucharest Kiev 

JovIs 

edited by falk Jaeger. 

a sequel to 3 Stadia 2010, Next 3 Stadia highlights 

new projects by german architectural firm von 

gerkan, marg und partner, and engineers Schlaich 

Bergermann und partner, famed worldwide for their 

stadium construction. these new three stadia, located 

in Warsaw, Kiev and Bucharest, are examples of stateof-the-art 

sports venues. 

978-3-86859-154-5 


U.S. $59.95 CDn $59.95 


Zvi Hecker: Sketches 

hATJe CAnTz 

edited Andres Lepik. Text by zvi hecker, Andres 

Lepik. 

“I am an artist whose profession is architecture,” 

writes the renowned Berlin–based Israeli architect 

Zvi Hecker (born 1931). Sketches is a compilation of 

Hecker’s architectural drawings that stand alone as 

works of art while illuminating master works such as 

the Spiral apartment Complex, the Heinz-galinski- 

Schule Berlin and the mountains Housing project. 

978-3-7757-3383-0 


U.S. $55.00 CDn $55.00 


Redesigning 

Wounded 

Landscapes 

The IBA Workshop in Lausatia 

JovIs 

our global thirst for energy and raw 

materials is increasing all the time. 

Year after year, humanity exhausts 

large quantities of mineral resources; 

the areas of the world in which we drill 

and dig for oil, gas, coal, gravel, clay 

and ore are becoming more and more 

remote, and the range of resources demanded 

is expanding constantly. Lusitania 

is a prime example of this kind of 

resource depletion. Unrestrained openpit 

mining during the nineteenth and 

twentieth centuries has devastated the 

region, and ten years ago this 

“wounded landscape” became the subject 

of an International Building exhibition 

dedicated to providing creative 

designs for a post-mining landscape. 

What are the possibilities of such landscapes? 

What methods and processes 

may be applied in regions beyond 

Lusatia? In Redesigning Wounded 

Landscapes, ten authors explore these 

questions, looking at the region and 

the project from a wide range of perspectives. 

978-3-86859-142-2 


U.S. $29.95 CDn $29.95 


Maximilian 

Meisse: 

Museumsinsel 

Berlin 

wAsMuTh 

Introduction by hans kollhoff. 

one of Berlin’s best-known attractions, 

the museumsinsel (or museum Island) 

is a complex of five historic art museums 

located on an island in the Bree 

river, within the city’s mitte district. 

the museums are the altes museum, 

built in 1830; the neues museum, built 

in 1859, and recently reconstructed by 

David Chipperfield; the alte nationalgalerie, 

completed in 1876; the Bode 

museum, which opened in 1904; and 

the pergamon museum, built in 1930. 

the collective holdings of these five 

museums are among the world’s finest, 

but the museums themselves are all 

breathtaking architectural specimens, 

as UneSCo recently recognized by 

designating the museumsinsel a 

World Cultural heritage site. Until now, 

this unique ensemble of museums has 

never been thoroughly documented. In 

this volume, architectural photographer 

maximilian meisse celebrates the 

rich variety of the museumsinsel. as 

architect Hans Kollhoff writes in his 

preface, meisse’s photographs “create 

an urban crown for Berlin.” 

978-3-8030-0748-3 


U.S. $45.00 CDn $45.00 FLat40 


Megastructure 

Schiphol 

Design in Spectacular 

Simplicity 


edited with text by koos bosma. 

Text by Marieke berkers, Iris burgers, 

Abdel el Makhloufi, et al. 

the amsterdam airport Schipol can 

genuinely be called a megastructure. 

originally opened in 1916, Schipol 

has been added to in fits and starts 

over the years, maintaining throughout 

its construction an extraordinary 

consistency and simplicity of design, 

and expanding to become a city in 

its own right. now one of the world’s 

busiest airports, Schipol enjoys an 

iconic status in Holland, and not 

only because of its sheer scale—its 

signage, for example, developed by the 

information design firm mijksenaar, 

has been adopted by airports all 

around the world and is admired today 

as a classic motif of Dutch Design. 

Megastructure Schipol looks at the 

history of Schipol: its metamorphoses 

over the years; its function as a 

model for other airports; and its 

unique accommodation of the 

surrounding metropolis, in terms 

of economics, infrastructure, design 

and image-making. 

978-90-5662-852-9 

Hbk, 11.75 x 9.5 in. / 256 pgs / 

140 color / 40 b&w. 

U.S. $80.00 CDn $80.00 

november/architecture & Urban 

Studies 


Christ & Gantenbein: 

Around the Corner 

hATJe CAnTz 

Text by Markus breitschmid, victoria 

easton. Interview by victoria easton. 

emmanuel Christ (born 1970) and 

Christoph gantenbein (born 1971) 

are prominent international representatives 

of the youngest generation of 

Swiss architects. after completing 

their degrees at the etH Zurich, 

they opened their offices in 1998. 

Completed projects to date include the 

ancient tree pavilion in China (2007); 

the renovation and extension to the 

national museum in Zurich (2002); 

and the conversion of the Swiss 

Church in London (2010). In 2010, the 

office won the competition to build 

the extension to the Kunstmuseum 

in Basel, which is scheduled for 

completion in 2015. this volume 

provides a general overview of Christ 

& gantenbein’s work to date, including 

their most recent proposals, but it 

particularly focuses on two very 

different projects: the volta mitte 

Housing and Commercial Building 

in Basel and the London Swiss 

Church. an extended interview and 

an illustrated essay elucidate the duo’s 

design ethos. 

978-3-7757-3381-6 


20 duotone. 

U.S. $45.00 CDn $45.00 

December/architecture & Urban 

Studies 


Graphic Design & Fashion 

Women in Graphic Design 1890–2012 

JovIs 

Out of the Ordinary: Polish Designers of the 20th 

Century 

AdAM MICkIewICz InsTITuTe 

edited by Gerda breuer, Julia Meer. Text by sabine bartelsheim, Gerda breuer, ute brüning, Jochen 

eisenbrand, ellen Lupton, Julia Meer, Ada raev, bettina richter, Patrick rössler, Martha scotford, 

Judith siegmund. 

Why do so few women feature in the history of design? Why is it still the case that so few women speak at conferences? 

How have previously celebrated female designers come to be “forgotten”? are women judged today 

solely on the basis of their quality of work? In recent decades, female graphic designers have been working actively 

and successfully, but the longstanding identification of creative genius with masculinity has—with a few 

exceptions—prevented women from receiving recognition in the official annals of design history; even today, 

only a tiny percentage of active female designers enjoy public acclaim. this opulently illustrated volume sets 

out to repair this omission. Women in Graphic Design 1890–2012 presents the most significant female designers 

and traces their paths to professionalization and acclaim, through short biographies, essays and conversations 

with well-known contemporary female designers such as Irma Boom, paula Scher, Sheila Levrant de Bretteville, 

Julia Hoffmann, “Swiss miss” tina roth eisenberg, Katja m. Becker, anna Berkenbusch, Heike grebin, gisela 

grosse, miriam and nina Lambert, Iris Utikal and Judith grieshaber. also included are key writings by contemporary 

and historical designers such as paula Scher, Sheila Levrant de Bretteville, natalia goncharova, ellen 

Lupton, martha Scotford, véronique vienne, astrid Stavro and alissa Walker. 

978-3-86859-153-8 

Flexi, 7.25 x 9.25 in. / 608 pgs / illustrated throughout. 

U.S. $55.00 CDn $55.00 


edited by Czesława frejlich. Text by david Crowley, et al. 

Out of the Ordinary is the first substantial overview of polish design. It examines the work of 36 key figures, from 

Stanisław Wyspiański, the early modernist furniture and interior designer, to Wojciech Wybieralski, one of the first 

designers to emerge from poland’s turbulent transition from a Communist to a capitalist economy in the 1990s. the book 

is composed of chronological sections, each introduced by a short essay discussing the works in relation to the relevant 

phase in polish history. examples of furniture design, graphic design (including posters), textiles, clothing, ceramics and 

vehicle design are all included here, reproduced in more than 350 color photographs: among them, the batik textiles of 

antoni Buszek; the glassware of michał titkow; the hand-forged metal works of Julia Keilowa; Kazimierz Zembrzuski’s 

pm36 steam engine; marian Sigmund’s Bent Furniture chairs; the elegant animal ceramics of mieczyław naruszewicz; 

and the women’s fashionwear of Jerzy antkowiak. 

978-83-60263-27-3 


U.S. $65.00 CDn $65.00 

august/Design & Decorative arts 

138 artBooK | D.a.p. 1.800.338.2665 

Prague Fashion 

Houses 

1900–1948 

Arbor vITAe 

Text by eva uchalová, zora damová, 

viktor Šlajchrt. 

Prague Fashion Houses 1900–1948 

presents a thoroughly researched 

overview of the history of prague’s 

leading fashion houses from the latenineteenth 

to the mid-twentieth centuries. 

It follows the development of 

the craft of tailoring in Czechoslovakia, 

as tailors transformed themselves from 

craftsmen into artists and businessmen, 

looking at the influence of the 

Society of tailors in prague during 

the first half of the twentieth century. 

above all, it tells the extraordinary 

stories of the owners of the fashion 

houses themselves, such as František 

Bárta, Karel Dědic, theresa Fleischmannova, 

František matějovský, 

anna masáková, marie Hofhanslová, 

Julius mertens, Hugo orlik, Hana 

podolská, oldřich rosenbaum, 

arnoštka roubíčková and many 

others, providing color reproductions 

of key works of couture for each 

designer. archival photographs and 

ephemera further establish this 

volume as an unprecedented survey 

of this rich and under-documented 

vein in twentieth-century fashion. 

978-80-87164-82-2 


U.S. $95.00 CDn $95.00 

august/Fashion 

An ABC of 

Hermès Crafts 

By Olivier Saillard. 

ACTes sud 

For the better part of the last two centuries, 

the name Hermès has been synonymous 

with the world’s highest 

quality luxury goods—from the paris 

company’s original saddlery items of 

the 1800s to its famous silk scarves of 

the 1930s, to today’s celebrity-endorsed 

Birkin bags. at present, the company 

operates workshops specializing in 16 

distinct crafts—each employing experts 

of the highest order, from saddlers 

to tailors, perfumers, jewelers, 

hatmakers, cobblers, watchmakers and 

designers of printed silk or home 

decor. Within each craft, specific skills 

are broken into meticulously precise 

gestures, measurements and actions 

known by name only to the insiders. In 

this volume, authored by olivier Saillard, 

director of the galliera museum 

of fashion in paris, Hermès for the first 

time in its history reveals 100 “previously 

unspoken” terms essential to its 

handcrafted ethos. With wit and poetry, 

Saillard explicates these terms, 

providing a glimpse into “a territory 

dedicated to the hands, its range and 

variety of activity often unsuspected, 

a never ending ballet of agile fingers 

steadily handling tools over tamed 

materials.” 

978-2-330-00275-6 

pbk, 4 x 7.5 in. / 155 pgs. 

U.S. $25.00 CDn $25.00 

august/Fashion 

Francesco Musati 

& Valentina 

Aimone: Rocking 

Fornarina 

dAMIAnI 

Rocking Fornarina celebrates the past 

ten years of Fornarina’s “street couture” 

shoewear and apparel through 

the photographs of Francesco musati 

and valentina aimone, who together 

have developed the brand’s identity 

into a sexy, sassy and artful visual 

style. Founded in 1947 by gianfranco 

Fornari, and now led by his son Lino, 

Fornarina has galvanized the women’s 

shoe and apparel industry with its 

fresh take on urban style, emphasizing 

strong color, bold contours, humor and 

mischievous, tongue-in-cheek glamour, 

in styles ranging from sandals and 

sabots to boots and pumps. Rocking 

Fornarina includes a selection of previously 

unpublished photos by musati 

and aimone (who have been photographing 

for the company for more 

than 20 years), and a style gallery with 

portraits of Fornarina’s celebrity fans, 

such as Lindsay Lohan and martina 

Stella. 

978-88-6208-208-2 

Hbk, 9.5 x 13.5 in. / 204 pgs / 


U.S. $50.00 CDn $50.00 

September/Fashion/photography 


Ideas from 

Massimo Osti 

dAMIAnI 

Ideas from Massimo Osti tells the story 

of the creator of the clothing brands C.p. 

Company and Stone Island. Crowned 

the most important man of 1990s 

menswear by Arena Homme +, massimo 

osti (1944–2005) was one of the most respected 

and imitated designers of his 

generation, whose innovations confounded 

the rules of the industry and 

created the fabrics of today. this is the 

story of a fashion engineer who 

throughout the 1970s and 1980s created 

an entirely new category of clothing— 

today known as “urban sportswear”— 

that was inspired as much by the 

cultural ferment of those years as by 

osti’s enormous archive of vintage military 

uniforms and work wear. the book 

tells its story through images of osti’s 

most important designs: his innovations 

in garment dyeing, his development of 

new fabrics inspired by the tarps truck 

drivers use to batten down loads, and 

other materials such as rubber flax, the 

“Ice Jacket” that changes colors with the 

temperature, or “technowool,” a wool 

and nylon wear-resistant “urban armor.” 

Ideas from Massimo Osti assembles 

sketches, photocopies, scraps of fabric, 

buttons, accessories and images of the 

celebrities that promoted his creations, 

from Bono and madonna to Kevin Costner 

and Dennis Hopper. 

978-88-6208-235-8 

Clth, 9.75 x 13.25 in. / 432 pgs / 


U.S. $80.00 CDn $80.00 

September/Fashion 


Product Design 

Daniel Brush 

MuseuM of ArTs & desIGn 

edited by Amy wilkins. Introduction 

by dr. oliver sacks. Text by david revere 

Mcfadden, brett Littman, daniel 

brush, olivia brush, saskia hamilton, 

Paul keegan. 

the work of Daniel Brush (born 1947) 

does not fit neatly into the categories 

commonly used to describe contemporary 

art or craft. While he uses traditional 

art media such as pen and ink 

and paper or canvas, he also uses materials 

such as blocks of billet steel, 

pure aluminum, pure gold and precious 

gems; he also makes exquisite 

jewelry. the seemingly simple objects—drawings, 

paintings, small sculptures, 

jewelry and other objects hard to 

classify—are belied, upon close inspection, 

by details that are astonishing in 

their precision and technical facility. 

most of Brush’s work is in private collections 

around the world, and it is 

rarely seen in public. Containing more 

than 450 photographs (all of which 

represent the artworks at their actual 

size), this book shows much of the 

artist’s work of the last decade and 

affords a rare opportunity to contemplate 

these objects. 

978-1-890385-24-8 


U.S. $85.00 CDn $85.00 

november/Design & Decorative arts 


new York: museum of arts and 

Design, 10/16/12–02/17/13 

Furniture by 

Architects 

From Aalto to Zumthor 


edited by Petra hesse, Gabrielle 

Lueg. foreword by Petra hesse. 

Text by Gabrielle Ammann, romana 

breuer, Gabrielle Lueg, rené spitz, 

sofia wagner. 

Furniture by Architects surveys the 

twentieth-century tradition of innovative 

furniture design by architects, 

which stems into the present as architects 

continue to design movable furnishings 

for their buildings, creating 

aesthetically unified environments. 

the book poses such questions as: do 

architects design differently to product 

designers? Do they exhibit any consistent 

aesthetic preferences? Is there 

something typically architectural in 

their designs? Furniture by Architects 

features works by alvar aalto, ron 

arad, gae aulenti, Karl Bertsch, emil 

Beutinger, marcel Breuer, pierre 

Chareau, egon eiermann, el Lissitsky, 

norman Foster, Frank gehry, Walter 

gropius, Zaha Hadid, marc Held, 

Josef Hoffmann, arne Jacobsen, 

Le Corbusier, Daniel Libeskind, gio 

ponti, richard riemerschmid, gerrit 

rietveld, eero Saarinen, mackay Hugh 

Baillie Scott, o.m. Ungers, mies van der 

rohe, otto Wagner, Frank Lloyd Wright 

and peter Zumthor, among others. 

978-3-86335-127-4 


10 b&w. 

U.S. $49.95 CDn $49.95 

august/Design & Decorative arts/ 

architecture 

Gino Sarfatti: 

Complete Works 

1938–1973 


Text by Marco romanelli, sandra 

severi. 

the Senate may have tried legislating 

the lightbulb, but only one person 

has ever truly loved it, and that was 

Italian designer gino Sarfatti (1912– 

1985). after abandoning his studies in 

aeronautical engineering for financial 

reasons, Sarfatti founded the internationally 

renowned interior design firm 

arteluce. In his 30-year career, Sarfatti 

designed and produced more than 600 

lighting fixtures—from the globular 

and mobile to the mushroomed, coiled 

and woven—continuously exploring 

innovative new ways of manufacturing 

and shaping the bulbs, cords and 

stands that light our interior worlds, 

even making pioneering use of 

halogen bulbs in fixtures as early as 

1971. His preference for the status of 

“technician” over “artist” may have 

contributed to his lack of recognition 

in the art world, but this publication 

amply makes up for the oversight and 

illuminates his many achievements 

in more than 1,000 images. 

978-88-366-2174-3 


400 duotone. 

U.S. $70.00 CDn $70.00 


Sgrafo vs. Fat Lava 

JrP|rInGIer 

edited by nicolas Trembley. Text 

by ronan bouroullec, horst Makus, 

nicolas Trembley. 

From raymond Loewy’s austere “Form 

2000” teapot set of the mid-1950s to 

the Sgrafo vases of the 1960s and the 

improbable “Fat Lava” glacis of the 

1970s, postwar german ceramics exhibited 

a tremendous stylistic diversity, 

mixing references to op art, 

geometric abstraction, the funky, angular 

designs of Werner panton and the 

biomorphism of hippie aesthetics. 

Both famed and anonymous designers 

translated the various aspirations of a 

postwar germany under reconstruction 

into exaggerated, semi-futuristic 

shapes, as well as pursuing cooler, 

more stripped down effects. Sgrafo vs. 

Fat Lava explores this fertile tension in 

german ceramics, with reproductions 

of relevant works, an essay by the ceramics 

specialist Horst markus and an 

interview with designer ronan 

Bouroullec. 

978-3-03764-277-1 


U.S. $15.00 CDn $15.00 

July/Design & Decorative arts 


Gio Ponti: fascination 

for Ceramics 

9788836620647 

Pbk, u.s. $40.00 

Cdn $40.00 


Low Cost Design 

Volume 2 


Text by daniele Pario Perra, Lucia 

babina, Pier francesco frillici, emiliano 

Gandolfi, Christrina kreps, 

francesco Morace, renzo di renzo, 

Luca villa. 

Low Cost Design is based on the principle 

that the most innovative design 

ideas are not necessarily the ones passing 

through the patent offices, architectural 

and design studios or the 

computers of multinational companies; 

on the contrary, they are often 

born from some simple everyday solutions 

and the brilliant flash of a practical 

mind. Functioning as a visual 

dictionary of everyday ingenuity and 

self-sufficiency, and spanning northern 

europe and the southern mediterranean, 

this second volume of Low 

Cost Design catalogues further inspiring 

examples of the creative repurposing 

of detritus, and of overlooked land, 

by ordinary people—whether for reasons 

of subsistence, politics or sheer 

artistry. as in the first volume, the various 

innovations are classified as either 

“objects” or “actions.” together they 

form a fascinating sociological, urban 

and ethnographical panorama of contemporary 

knowhow. 

978-88-366-2051-7 


U.S. $50.00 CDn $50.00 


Now 

Perception of Time and 

Contemporary Design 


My Toy Airplanes 

1910–1960 

hATJe CAnTz 

edited Patrick despature. foreword 

by Lucien baggieri, Paul Lang. 

In 1927, Charles Lindbergh became the 

first aviator to fly solo across the atlantic, 

turning him and his plane—the 

Spirit of St. Louis—into instant international 

celebrities and launching the 

aviation industry. that same year the 

manufacturer J.m.L. produced a toy 

version of Lindbergh’s plane, and with 

it, the toy airplane industry also took 

off. toy biplanes, propeller planes, hydroplanes, 

military planes and autogiros 

were produced by such early 

twentieth-century german toy manufacturers 

as märklin, tipp & Co., Distler, 

günthermann, rossignol, Joustra, 

Ingap, paya and rico. made of tinplate 

or sheet-iron, and based on blurry 

black-and-white newspaper photographs, 

these multicolored toys took 

great artistic license and lacked technical 

accuracy. this catalogue presents 

these naive masterpieces alongside 

the actual aircraft they were intended 

to model, and tells a story of product 

design in which enthusiasm fruitfully 

soared beyond technology. 

978-3-7757-3016-7 

Clth, 11.75 x 11.75 in. / 480 pgs / 

800 color / DvD (paL). 

U.S. $75.00 CDn $75.00 



kerber 

Text by friederike fast, rainer funke, 

Jörg hundertpfund, Michael kröger, 

Tido von oppeln, wolfang Pauser, 

wolfgang ullrich. 

Now: Perception of Time and Contemporary 

Design addresses the presence 

and incorporation of temporality in 

contemporary design. essays by leading 

design curators and scholars examine 

objects designed to measure time, 

or reverse it (in the case of beauty 

products); objects that are designed to 

mimic times past, and objects addressing 

of-the-moment issues such as sustainability 

and the green movement. 

among the designers and design companies 

whose works are surveyed here 

are Yves Behar, pieke Bergmanns, max 

Bill, natalia Brilli, nacho Carbonell, 

michel Charlot, oscar Diaz, Delphine 

Frey, Front Design, martí guixé, Studio 

gorm, Susanna Hertrich, Wassily 

Kandinsky, Joris Laarmann, via 

Lewandowski, t.g. Libertiny, alexa 

Lixfeld, thomas Lommée, martin 

margiela, Jo meesters, Sander mulder, 

Shinichiro ogata, verner panton, 

Studio Job, Wieki Somers, philippe 

Starck, mattheo tunn, Bas van der 

veer, anders Wilhelmson, Samuel 

Wilkinson and Bethan L. Wood. 

978-3-86678-592-2 

pbk, 4.75 x 7.75 in. / 200 pgs / 

115 color / 7 b&w. 

U.S. $25.00 CDn $25.00 

august/Design & Decorative arts 

Poster No. 524 

The Deconstruction of the 

Contemporary Poster 

vALIz 

edited by rianne Petter, rene Put. 

Text by Jeroen boomgaard, Jouke 

kleerebezem. 

taking 523 posters found in the streets, 

graphic designers rené put (1962) and 

rianne petter (1975) carefully studied 

and deconstructed their composition, 

investigating and isolating certain elements 

and reassembling them into a 

brand new poster. Poster No. 524 presents 

their researches, revealing how a 

creative process unfolds, how art operates 

in public spaces and how one 

goes about creating a visual identity. 

offering a history of poster design 

since 1900, Poster No. 524 is a how-to 

manual that will allow even novices to 

make their way into the world of poster 

design, giving step-by-step insight 

into how one makes a poster effectively 

communicate. this book will be 

an engaging tool for both students and 

professionals seeking to analyze and 

construct the framework and creative 

space of a poster. 

978-90-78088-59-2 

Flexi, 9 x 12.5 in. / 176 pgs / 120 color / 

20 b&w. 

U.S. $33.95 CDn $33.95 

December/Design & Decorative arts

Photography Journals 

Blind Spot: Issue 45 

bLInd sPoT 


Aperture 207: summer 2012 

9781597112055 

Pbk, u.s. $14.95 Cdn $14.95 

Aperture 

Guest edited by dana faconti. 

Blind Spot is a semi-annual art journal that publishes new work by living photographers. 

Images are given primacy and published collaboratively rather than curatorially, unaccompanied 

by introductory, biographical or explanatory text. Blind Spot magazine has been in publication 

since 1993; there are 44 issues to date. Blind Spot has published some of today’s most renowned 

artists as they built their careers: adam Fuss, vik muniz, Doug & mike Starn, and James Welling 

appeared in its first issue, and it has since featured over 400 living artists including robert 

adams, Francis alÿs, John Baldessari, moyra Davey, tacita Dean, Liz Deschenes, William 

eggleston, rachel Harrison and ed ruscha. It has also published work by younger artists 

including Walead Beshty, peter Coffin, anne Collier, michael Queenland, amanda ross-Ho, 

and Seth price. this issue features ellen auerbach, matthew Brandt, Josef Breitenbach, gerard 

Byrne, phil Chang, Kate Costello, tacita Dean, Stan Douglas, margarete Jakschik, John Houck, 

Joachim Koester, Davida nemeroff, Boru o’Brien o’Connell, taiyo onorato & nico Krebs, 

Sigmar polke, eliot porter, torbjørn rødland, Shirhana Shahbazi, erin Shirreff, Collier Schorr 

and annika von Hausswolff. 

blind spot: Issue 45 

978-0-9839989-1-4 


30 duotone. 

U.S. $22.00 CDn $22.00 

July/Journals/photography 

blind spot: Issue 46 

978-0-9839989-2-1 


30 duotone. 

U.S. $22.00 CDn $22.00 

november/Journals/photography 

Aperture 209: Winter 2012 

978-1-59711-207-9 

pbk, 9.5 x 11.25 in. / 80 pgs / 


U.S. $14.95 CDn $14.95 

october/Journals/photography 

Aperture 208: Fall 2012 

APerTure 

edited by Melissa harris. 

Aperture magazine was founded in 1952 by the 

photographers ansel adams, minor White, Barbara 

morgan and Dorothea Lange, and the photography 

historians Beaumont and nancy 

newhall. these individuals wished to foster the 

development and appreciation of the photographic 

medium. today the magazine maintains 

the founders’ spirit, presenting a diversity of historical 

work, photojournalism and portfolios by 

emerging photographers, thematic articles, as 

well as interviews with important figures at work 

today. Aperture has published the work of many 

iconic and emerging artists from Diane arbus, 

William eggleston, nan goldin, and James 

Welling to Walead Beshty, Sara vanDerBeek and 

JH engström. the magazine has also showcased 

the writings of leading writers and curators in the 

field including vince aletti, geoffrey Batchen, 

Charlotte Cotton, greil marcus and Luc Sante, 

among many others. 

Aperture 208: Fall 2012 

978-1-59711-206-2 

pbk, 9.5 x 11.25 in. / 80 pgs / 


U.S. $14.95 CDn $14.95 

august/Journals/photography 


Fantom No. 9 

Photographic Quarterly 

boILer CorPorATIon 

edited by Cay sophie rabinowitz, selva barni. 

Founded in milan and new York in 2009, and edited by Selva Barni and Cay 

Sophie rabinowitz, Fantom Photographic Quarterly is a premium international 

magazine nourishing contemporary perspectives in photography 

and the visual arts, delivering a unique view on the art of photography and 

contemporary creativity. this ninth issue includes a cover by Hisaji Hara; 

portfolios by matthew monteith and Lubri; alex gartenfeld writing on 

Josh Klein; gallerist François Sage on mochizuchi; adrian gaut on 

Francesco vezzoli; emma reeves interviews K8 Hardy; and ginevra elkan 

discusses her visual references. With a radical blend of arresting images, 

print quality and distinctive design, Fantom is the only magazine in the 

market fostering photography as the medium crossing all creative industries 

and ractices—advertising, art, design, fashion, media—aiming at the core of 

our imagination. 

Fantom No. 9 

978-88-96677-15-5 

U.S. $20.00 CDn $20.00 


June/Journals/photography 

Fantom No. 10 

978-88-96677-17-9 

U.S. $20.00 CDn $20.00 


Date/Journals/photography 


Toilet Paper: Issue 5 

Le dICTATeur Press 

JournALs & AnnuALs hIGhLIGhTs 

edited by Maurizio Cattelan, Pierpaolo ferrari. 

made by maurizio Cattelan in collaboration with fellow countryman pierpaolo Ferrari, Toilet Paper 5 is a 

brilliant new creation from the aberrant, animated mind of the Italian-born provocateur, mischief-maker 

and macabre witness to our times. published by Le Dictateur, this part artist’s book, part magazine 

contains no text; only full spreads of color photographs with imagery that often appropriates the slick 

production values of commercial photography to deliver dreamlike (or nightmarish) images that are as 

appropriate for the coffee table as they are for the WC. In an interview with Vogue Italia, Ferrari said 

that “the magazine is born of a passion/obsession that maurizio and I have in common. each picture 

springs from an idea, often a simple one, and through a complex orchestration of people becomes the 

materialization of the artists’ mental outburst.” 

978-2-84066-531-1 


U.S. $14.00 CDn $14.00 

available/art 


Toilet Paper: Issue 4 

9781935202783 

Pbk, u.s. $12.00 Cdn $12.00 

deste foundation for Contemporary Art 


Literary, Cultural & Architectural Journals 

Cabinet 46: 

Punishment 

CAbIneT 

edited by sina najafi. 

From the rule of “an eye for an eye” in 

the Code of Hammurabi and the old 

testament to the rise of the reforming 

“penitentiary” in the nineteenth century, 

from Kant’s notion of the right of 

retaliation to historical-philosophical 

explorations by michel Foucault 

and John rawls, the question of 

punishment has long been central to 

religious, political and philosophical 

discourse. Cabinet issue 46, with a special 

section on punishment, features 

gregory Whitehead on the legacy of 

philip Zimbardo’s controversial “prison 

experiments” at Stanford University; 

Justin e.H. Smith on punishment and 

sacrifice; Johan Lindqvist on music 

and torture; and a multi-generational 

conversation about corporal punishment 

in the home. elsewhere in the 

issue: an interview with robert n. 

proctor on how diamonds were made 

into the most precious of gems; 

george prochnik on the history of 

tattoos; and marius Kwint on the 

Cornell Brain Club. 

978-1-932698-45-9 


30 b&w. 

U.S. $12.00 CDn $12.00 

august/Journals 


Cabinet 45: Games 

9781932698442 

Pbk, u.s. $12.00 Cdn $12.00 

Cabinet 

Cabinet 47: 

Logistics 

CAbIneT 

edited by sina najafi. 

every time you put a letter in the mail, 

every time you stop at a traffic light, a 

complex—and usually invisible—network 

of logistics is at work. Cabinet 

issue 47, with a special section on Logistics, 

features James Whittington on 

the diaries of Dmitri pavlov, the Soviet 

official who determined who would eat 

and who would starve during the siege 

of Leningrad; Jacqueline Bochner on 

the harmonization of international 

postal systems; Daniella Stone on the 

logistics of the hospital kitchen; and a 

travelogue from the Cabinet “Hand- 

Delivered Issue road trip.” elsewhere 

in the issue: rasha Salti on intrigue 

and celebrity in the bar of Beirut’s 

phoenicia Hotel; Jeffrey Kastner on 

saintly “incorruptibles”; and Will Wiles 

on Bill phillips’ “monIaC,” a device 

that models the national economy 

using the flow of liquids. 

978-1-932698-46-6 


30 b&w. 

U.S. $12.00 CDn $12.00 

november/Journals 

Conjunctions: 59, 

Colloquy 

bArd CoLLeGe 

edited by bradford Morrow. 

Colloquy offers a major portfolio of 

never-before-published correspondence 

by William gaddis (1922–1998), 

a towering figure in twentieth-century 

literature and author of such novels as 

The Recognitions and JR. readers will 

encounter gaddis as a Harvard undergraduate 

making his first forays into 

fiction; struggling with his first book 

while scraping by in rented rooms in 

panama, Spain and paris; and grappling 

with his evolving status as an 

american writer and public figure. the 

selection includes his fan mail to other 

authors, passionate missives to his 

wives and lovers, tender and intimate 

notes to his children, frank and funny 

messages to friends such as David 

markson and Saul Steinberg, and revelatory 

exchanges with scholars of his 

work. this issue of Conjunctions also 

includes fiction, poetry and creative 

nonfiction from edie meidav, Cole 

Swensen, robert olen Butler, Samuel r. 

Delany, eliot Weinberger and others. 

978-0-941964-75-3 

pbk, 6 x 9 in. / 380 pgs. 

U.S. $15.00 CDn $15.00 

December/Journals 


Conjunctions: 58 riveted 

9780941964746 

Pbk, u.s. $15.00 Cdn $15.00 

bard College 

Upon Paper No. 1: 

Los Angeles 

hATJe CAnTz 

published twice-yearly, and housed 

in a paper box, Upon Paper is a new 

large-format periodical offering a platform 

for works on paper and general 

cultural debate. each issue is devoted 

to a single theme; the theme for this 

inaugural issue is Los angeles. artists 

including robert mcnally and rinus 

van de velde have created exclusive 

artworks for the issue; collector and 

publisher, Christian Boros and Julia 

Zange enthuse about “real” bookmaking 

in the era of the ipad; Californian 

artist Doug aitken discusses his work; 

Beach Boys expert Jon Stebbins writes 

about the creation of perhaps the most 

long awaited album in the history of 

pop music, SMiLE; and we encounter 

the new, intelligent Hollywood in 

Sofia and roman Coppola’s “Directors’ 

Bureau.” 

978-3-7757-3420-2 


U.S. $75.00 CDn $75.00 

august/art/Journals 

Upon Paper No. 2: Color 

978-3-7757-3421-9 


U.S. $75.00 CDn $75.00 

December/art/Journals 

DASH: The Eco-House 


Text by Jacques vink, Piet vollaard, dirk van den 

heuvel, dick van Gameren. 

this issue of DASH examines the history and the future 

of the sustainable home, with particular attention 

to technical issues such as solar energy and ventilation 

and material-use concepts. essays and planning 

documentation provide a critical analysis of the current 

state of affairs as well as an exploration of possibilities 

for the future. 

978-90-5662-853-6 

pbk, 9 x 11 in. / 160 pgs / 125 color / 80 b&w. 

U.S. $45.00 CDn $45.00 

September/architecture & Urban Studies/Journals 

Open 23: Autonomy 


edited by Jorinde seijdel, Liesbeth Melis, sven 

Lütticken. 

In a world that has become sharply polarized between 

political viewpoints, artists and other cultural creators 

have a choice between engaging with the political 

climate or remaining aloof. Issue 23 of Open investigates 

a third way, a form of autonomy incorporating 

the ideas of privacy, self-determination and independence 

in connection with social engagement. 

978-90-5662-858-1 


U.S. $30.00 CDn $30.00 


Architecture in the 

Netherlands 

Yearbook 2011–12 


edited by samir bantal, Jaap Jan berg, kees van der 

hoeven, Anne Luijten. 

For 25 years Architecture in the Netherlands has been 

an indispensable annual guide to the best in Dutch 

architecture. this anniversary issue reviews the 30 

most remarkable projects of 2011 and looks back at the 

past 25 years, highlighting milestone designs as well 

as the developments and trends that influenced them. 

978-90-5662-849-9 


U.S. $60.00 CDn $60.00 


OASE 87: Alan Colquhoun 


oaSe 87 is dedicated to the thinking and career 

of renowned British architectural theorist alan 

Colquhoun (born 1921), author of such canonical 

books as The Oxford History of Modern Architecture. 

variously an architectural scholar, critic and 

practitioner, Colquhoun has always managed to 

link his practical experience with his constructive 

contributions to the discourse and the theorization 

of architecture. 

978-90-5662-855-0 

pbk, 6.75 x 9.5 in. / 128 pgs. 

U.S. $35.00 CDn $35.00 


JournALs & AnnuALs hIGhLIGhTs 

Candide No. 6: Journal for 

Architectural Knowledge 

hATJe CAnTz 

edited by Andres Lepik, susanne schindler, Axel 

sowa. 

published twice a year, Candide is dedicated to exploring 

the culture of knowledge specific to architecture. 

Like voltaire’s fictional character Candide, who 

traveled the eighteenth-century world on an eager if 

often thwarted search for knowledge, the journal’s 

editors have embarked on a twenty-first-century 

quest for architectural knowledge. How is architectural 

knowledge generated, collected, presented and 

passed on? Which forms of architectural knowledge 

can be observed? How can knowledge generated in 

reference to a specific task be applied to other contexts? 

Which techniques, tools, and methods are instrumental? 

to do justice to the many ways of 

approaching research, each edition of Candide is 

divided into five sections. “analysis” investigates 

building types, looking for the knowledge invested in 

them; “essay” offers space for a personal exploration 

of one of the grand themes of architecture; “project” 

serves as a forum for practicing architects and their 

works; “encounter” highlights famous or unjustly 

forgotten architects; and “Fiction” draws on 

architecture’s imaginative dimension, inviting more 

speculative writing. 

978-3-7757-3422-6 


U.S. $29.95 CDn $29.95 

December/architecture & Urban Studies/Journals 


SPECIALTY BOOKS 

susan hiller, Homage to Marcel Duchamp, 2008. 

from Susan Hiller: From Here to Eternity, published 

by Moderne kunst nürnberg. see page 156.

Contemporary Sculpture 

Jason Rhoades: 

The Big Picture 

JrP|rInGIer 

Text by Paul McCarthy, eva Meyer-hermann, 

ralph rugoff. 

The Big Picture documents Perfect World, a 1999 installation 

that Jason rhoades (1965–2006) created for 

the Deichtorhallen in Hamburg—an installation regarded 

by many as his most important project. this 

publication examines the work through photographs 

of Perfect World’s 1999 and 2000 iterations and its 

posthumous exhibition at Hauser & Wirth in 2010, 

when it was shown complete for the first time. 

978-3-03764-226-9 


U.S. $65.00 CDn $65.00 

november/art 

Urs Fischer & Georg Herold: 

Necrophonia 

kIITo-sAn 

Necrophonia documents a 2011 collaborative exhibition 

by Urs Fischer and georg Herold at the modern 

Institute in glasgow. transforming the gallery into a 

studio, the artists created sculptures based on models 

from a nearby art school. For the exhibition’s duration, 

the resulting sculptures—made of unfired clay, 

so that they started to disintegrate over time—were 

exhibited alongside the live nude models from which 

they were derived. 

978-0-9847210-1-6 

Hbk, 5 x 7.25 in. / 82 pgs / 14 color / 42 duotone. 

U.S. $30.00 CDn $30.00 

July/art 

Tom Sachs: Work 

sPerone wesTwATer, new York 

edited by Alex Chohlas-wood. Interview by Glenn 

o’brien. 

this volume presents tom Sachs’ most recent 

bricolage sculptures, some of which play off works 

by Lichtenstein and richter, as well as singer James 

Brown, african sculpture and Sèvres porcelain. 

Several of these paintings incorporate Sachs’ 

pyrography technique, whereby “paint strokes” 

are burned and etched into the wood surface. 

978-0-9828372-6-9 

Hbk, 8.5 x 11 in. / 120 pgs / 59 color / illustrated 

throughout 

U.S. $45.00 CDn $45.00 

July/art 

Urs Fischer: Madame Fisscher 

kIITo-sAn 

Introduction by Caroline bourgeois. Text by Patricia 

falguières, Michele robecchi. 

Bringing together more than 30 works from numerous 

international collections spanning almost two 

decades of genre-defying production, this volume 

presents an overview of the artist’s striking and often 

humorous work from the late 1990s to the present. It 

centers on an eponymously titled installation reconstituting 

the artist’s former studio within the exhibition 

space. 

978-0-9847210-3-0 


U.S. $35.00 CDn $35.00 

July/art 

Marianne Vitale: What I 

Need to Do Is Lighten The 

Fuck Up About a Lot of Shit 

zACh feuer GALLerY/IbId ProJeCT/uks 

Text by Todd Colby, Mark beasley, Linus elmes. 

moving between sculpture, video, theater and 

drawing, new York–based artist marianne vitale 

(born 1973) cultivates an aesthetic of absurdity. this 

first monograph highlights reclaimed lumber sculptures 

that recall tombstones, outhouses and burned 

bridges, evoking the early american frontier days. 

978-0-9768533-9-8 


U.S. $25.00 CDn $25.00 

July/art 

Urs Fischer: Skinny Sunrise 

kIITo-sAn 

Interview by Gerald Matt. 

Documenting Urs Fischer’s solo exhibition of the 

same title at the Kunsthalle Wien in 2012, Skinny 

Sunrise presents a survey of the artist’s oeuvre. 

among the new sculptures produced for the 

exhibition is Fischer’s first candle self-portrait, 

which is set alight and slowly burns down before 

our eyes, in the fashion of his acclaimed installation 

at the arsenale di venezia, which was described 

by the Financial Times as “the single most stunning 

new piece anywhere” in the 2011 Biennale. 

978-0-9847210-2-3 


U.S. $30.00 CDn $30.00 

July/art 

Sturtevant: Image Over 

Image 

JrP|rInGIer 

edited by fredrik Liew. Text by daniel birnbaum, 

bruce hainley, fredrik Liew, Paul McCarthy, 

stéphanie Moisdon, beatrix ruf, elaine sturtevant. 

this new catalogue on legendary appropriation artist 

elaine Sturtevant (born 1930) features 30 works, ranging 

from her repetitions of works by artists such as 

andy Warhol, marcel Duchamp, Jasper Johns and 

Felix gonzález-torres, to four of her most recent large 

video installations. 

978-3-03764-282-5 


U.S. $24.95 CDn $24.95 

July/art 

Luigi Ontani: 

CoacerVolubilEllittico 

JrP|rInGIer 

edited by Marianna vecellio. Text by Jean-Christophe 

Ammann, Andrea bellini, Andrea Cortellessa. 

Since the early 1970s, Luigi ontani (born 1943) has 

been building a corpus of works exploring ideas of 

the sacred and the profane, occidental and oriental, 

kitsch and high art. this volume provides an overview 

of his diverse activities, including his photographic 

portraits in which he impersonates Leonardo, Dante, 

pinocchio or San Sebastian, ceramic and papiermâché 

sculptures, paintings and video works. 

978-3-03764-286-3 

Hbk, 8 x 10.25 in. / 312 pgs / 237 color/ 66 b&w. 

U.S. $49.95 CDn $49.95 

July/art 

Hans Haacke 1967 

MIT LIsT vIsuAL ArTs CenTer 

edited by Caroline A. Jones. Text by edward f. fry, 

Caroline A. Jones, hans haacke. 

Hans Haacke 1967 documents the recreation in 2011 

at the mIt List visual arts Center of a Haacke solo 

show held at mIt in 1967. archival photographs from 

the original installations are included in the catalogue, 

as is the introductory essay to Haacke’s famously 

cancelled solo exhibition planned for the 

guggenheim in 1971. 

978-0-938437-77-2 


U.S. $20.00 CDn $20.00 

July/art 

Shinji Turner-Yamamoto: 

Global Tree Project 

dAMIAnI 

Text by Patricia J. Graham, Justine Ludwig, 

shinji Turner-Yamamoto. 

the Global Tree Project is an initiative by Japanese 

artist Shinji turner-Yamamoto (born 1965), whose 

site-specific installations, sculpture and paintings 

incorporate plants, in order to emphasize the bonds 

and similarities between the plant world and humanity. 

projects documented in this catalogue took place 

in venues from new Delhi to the american midwest. 

978-88-6208-228-0 


U.S. $40.00 CDn $40.00 


ArT sPeCIALTY 

Otto Piene: Lichtballett 

MIT LIsT vIsuAL ArTs CenTer 

edited by João ribas. Text by otto Piene, Michelle Y. 

kuo. Interview by João ribas. 

a leading figure in multimedia and technology-based 

art, otto piene (born 1928) was a founder of the influential 

Düsseldorf–based group Zero in the late 1950s. 

this publication highlights the artist’s ongoing exploration 

of light as an artistic and communicative 

medium, from his original Lichtballett (light ballet) 

performances through their development into mechanized 

kinetic sculptural environments. 

978-0-938437-78-9 

Flexi, 7 x 10 in. / 96 pgs / 32 b&w. illust. throughout. 

U.S. $20.00 CDn $20.00 

July/art 

Nalini Malani: In Search of 

Vanished Blood 


hATJe CAnTz 

Text by Carolyn Christov-bakargiev, Andreas 

huyssen, Livia Monnet. 

one of India’s most influential contemporary artists, 

nalini malani (born 1946) creates paintings, wall 

drawings, theatrical works, video and shadow plays. 

Inherited iconographies and cherished cultural 

stereotypes are challenged from a contemporary 

urban, internationalist point of view. this catalogue 

accompanies her show at Documenta 13. 

978-3-7757-3226-0 

Hbk, 7.5 x 9.5 in. / 96 pgs / 100 color / DvD (paL). 

U.S. $55.00 CDn $55.00 

September/art/asian art & Culture


Angela Bulloch: Source 

Book 10 

wITTe de wITh PubLIshers 

edited by Amira Gad, nicolaus schafhausen, 

Monika szewczyk. Introduction by Amira Gad, 

nicolaus schafhausen. Text by nav haq, John Miller, 

Christine Lang, Christoph dreher. 

this Source Book combines critical essays and visual 

notes compiled by the Canadian-born, Berlin–based 

sculptor, installation and sound artist, over the course 

of a collaboration with composer and musician 

george van Dam and a tv script written by Christine 

Lang and Christoph Dreher. 

978-94-91435-00-3 


U.S. $15.00 CDn $15.00 

august/art 

Markus Lüpertz: Hercules 

Bozzetti for a Monument in the Ruhr region 

kerber 

Text by raimund stecker, eric darragon. 

In 2010, the controversial sculptor markus Lüpertz 

completed a public artwork for the german town of 

gelsenkirchen. the 60-foot-tall aluminum sculpture 

is an unorthodox representation of the mythological 

hero Hercules as a lumpy character with stumpy legs 

and one arm. this catalogue focuses on 43 bronze maquettes 

that Lüpertz used to develop the final work. 

978-3-86678-642-4 


U.S. $55.00 CDn $55.00 

august/art 

Elisabeth Wagner: 

The Stowed Space 

kerber 

edited by Martin schick. Text by beate ermacora. 

The Stowed Space reproduces a series of sculptures 

that german artist elizabeth Wagner (born 1954) has 

been working on since 2000. Using materials like 

cardboard, plaster, bubble wrap and wire, she creates 

portrait works based on famous paintings. the finely 

nuanced modeling of these pieces belies the crudeness 

of the media that composes them. 

978-3-86678-562-5 


U.S. $37.50 CDn $37.50 

august/art 

Helge Leiberg: Poesie & 

Pose–Bronzen 

JovIsArT 

Text by Christiane bühling, Jürgen schilling. 

Helge Leiberg’s dancing bronze figures are frozen at 

a moment of high energy, dancing solo or in pairs, 

their limbs flung out with abandon. Inspired by 

Impressionist masters such as renoir and Degas, 

the artist forms his figures spontaneously, without 

preparatory drawings. His complete sculptures are 

published here for the first time. 

978-3-86859-184-2 


U.S. $40.00 CDn $40.00 

october/art 

Rebecca Warren 


edited by rebecca warren, damon Murray, stephen 

sorrell. Text by bice Curiger. 

British artist rebecca Warren (born 1965) is known 

for her exuberant, roughly-worked clay sculptures, 

bronzes and vitrines, which manage to invoke and 

skewer the work of familiar male artists like de Kooning, 

Fontana, giacometti and r. Crumb. this first 

major monograph spans her career to date, including 

key pieces and installation shots. 

978-0-9568962-0-9 


U.S. $60.00 CDn $60.00 

october/art 

Robert Metzkes: Terracottas 

Works on Paper & Bronzes 

kerber 

edited by Jörg Makarinus. Text by robert Metzkes. 

german sculptor robert metzkes’ lifesize terracotta 

sculptures and bronzes seem to hail from a different 

era: the serene expressions and carefully modeled 

coiffures of his models recall ancient greek and 

roman marbles or eighteenth-century neoclassical 

French busts. this elegant monograph reproduces 

works from the past 20 years. 

978-3-86678-612-7 


U.S. $37.50 CDn $37.50 

august/art 

Richard Hughes 

JrP|rInGIer 

edited by Lionel bovier. Text by Martin Clark, 

Tom o’sullivan, Joanne Tatham. 

the sculptural installations of British artist richard 

Hughes (born 1974) appear to be composed of banal 

everyday objects—old mattresses, tennis shoes, 

planters—but in fact these objects are carefully fabricated 

in fiberglass, resin and silicon, setting in motion 

a bizarre play between grungy reality and crafted 

artifice. this volume considers his work to date. 

978-3-03764-239-9 


U.S. $35.00 CDn $35.00 

September/art 

Piero Gilardi 

JrP|rInGIer 

edited by Lionel bovier. Text by Andrea bellini, 

benoît Porcher, Piero Gilardi, diana frassen. 

piero gilardi (born 1942) looms large in the annals 

of the european postwar avant-garde. a pioneer of 

arte povera and a promoter of richard Long and 

Jan Dibbets, who also introduced american artists 

such as Bruce nauman or eva Hesse to a european 

audience, gilardi is also a political activist. this 

retrospective monograph surveys his many activities. 

978-3-03764-242-9 


U.S. $55.00 CDn $55.00 

December/art 

Veronika Kellndorfer: 

Case Studies 

Layers of Light and Reflection 

hATJe CAnTz 

Text by Marta braun, helga Lutz, bernhart schwenk, 

bernhard siegert. Interview by Marc Lee. 

veronika Kellndorfer’s Case Studies is an artist’s book 

that alludes to 1960s architectural publications such 

as esther mcCoy’s Case Study Houses. Kellndorfer’s 

work is a unique amalgam of photography and architecture: 

she prints her photographs of various cities 

as silkscreen on glass. 

978-3-7757-3405-9 


U.S. $70.00 CDn $70.00 

october/art 

Stefan Wissel: Latent 

Resources 

hATJe CAnTz 

edited by oliver zybok. Text by hans-Jürgen 

hafner, Magdalena kröner, oliver zybok. 

german sculptor Stefan Wissel’s (born 1960) minimalist 

sculptures are alterations and manipulations of 

familiar, often banal, objects and spaces. Based on his 

most recent works, this publication investigates the 

artist’s creative process and demonstrates how Wissel 

works out the aesthetic potential of simple objects, 

revealing their inherent beauty. 

978-3-7757-3307-6 


U.S. $30.00 CDn $30.00 

august/art 

Josiah McElheny: 

The Past Was a Mirage 

I’d Left Far Behind 

whITeChAPeL GALLerY 

Roger Hiorns: Untitled 

(Alliance) 


ArT sPeCIALTY 

edited by daniel f. herrmann. 

this catalogue documents Josiah mcelheny’s recent 

site-specific installation at the Whitechapel gallery. 

a sculptor, performance artist, writer and filmmaker, 

mcelheny is best known for his use of glass in combination 

with other materials. the installation presented 

here incorporated seven large-scale, mirrored 

sculptures upon which abstract films were projected. 

978–0–85488–201-4 


U.S. $39.95 CDn $39.95 

June/art 

foreword by Caroline douglas. Text by Tom Morton. 

In 2010, British artist roger Hiorns (born 1975) 

created a dramatic new work for the art Institute 

of Chicago. the sculpture consists of two decommissioned 

aircraft engines, incorporating crushed 

anti-depressant medication. this pocket-size 

monograph is the first in a series of books highlighting 

single contemporary works in the collection of 

the British arts Council. 

978-1-85332-308-9 


U.S. $14.00 CDn $14.00 

october/art 




Oscar Tuazon: Die 

The Power sTATIon 

Text by kim west, Ariana reines, oscar Tuazon. 

Seattle-born, paris-based artist oscar tuazon (born 

1975) works in the overlap between architecture 

and sculpture. His succinct structures evoke the 

raw armature of buildings, using the conventional 

construction materials of concrete, steel and wooden 

beams to outline areas that viewers are invited to 

move through. In this way, tuazon’s works—at once 

forceful and subtle, monumental and discreet— 

allow his audience to experience everyday space 

as extraordinarily arbitrary in its divisions and 

enclosures. Die documents the production of 

tuazon’s 2011 site-specific installation for the 

inaugural exhibition at the power Station, a new 

venue for contemporary art in Dallas, texas. For 

this installation, tuazon produced two works, “Die” 

and “Dead Wrong.” these works are recorded in 

black-and-white and color photographs, as well as 

through sketches and plans. an essay by Kim West, 

a poem by ariana reines and a text by tuazon meditate 

on the broader implications of tuazon’s work. 

978-0-9840230-0-4 


U.S. $30.00 CDn $30.00 

available/art 

Thomas Houseago 


edited by Chiara Parisi, susanne Titz. Text by Georg 

herold. 

Los angeles–based thomas Houseago (born 1972) 

draws reference to a multitude of styles such as Classicism, 

Cubism and Futurism for his intentionally 

clumsy forms, which are made out of plaster and 

found materials instead of the traditional bronze or 

marble. the large-scale structures included in this 

monograph thus appear incongruously flimsy for 

their size. 

978-3-86335-123-6 


U.S. $49.95 CDn $49.95 

august/art 

Werner Pokorny 

kerber 

edited by Christof Trepesch. Text by Thomas elsen, 

sabine heilig, Andreas kühne, ulrike Lorenz, werner 

Meyer, Christof Trepesch, kirsten Claudia voigt. 

For the last three decades, german sculptor Werner 

pokorny (born 1949) has employed the motif of the 

house in his wooden and steel sculptures. the smallest 

works resemble children’s blocks, while larger 

pieces consist of tilted, inverted and intertwined 

house shapes. this retrospective catalogue shows 

completed works as well as preparatory maquettes 

and sketches. 

978-3-86678-610-3 


U.S. $55.00 CDn $55.00 

august/art 

Christian Eisenberger: 

Reserve 

Help Me Kill Me 

kerber 

Text by Christian eisenberger, Markus Gugatschka. 

Celebrated austrian artist Christian eisenberger 

(born 1978) does not wait for exhibitions. Instead, he 

presents his provocative objects and drawings for immediate 

public display, on the street or in other public 

venues, often intervening in some performative capacity. 

this is his first monograph. 

978-3-86678-660-8 


U.S. $35.00 CDn $35.00 

august/art 

Auke de Vries: Sculptures, 

Drawings and Works in 

Public Space 


Text by rudi fuchs, Antoon Melissen, renate 

weihager. 

Dutch sculptor auke de vries (born 1937) is well 

known for the elegant, whimsical sculptures he 

has produced for urban spaces. His monumental 

creations stand in such cities as amsterdam, the 

Hague, Berlin, Bangkok and Johannesberg. this 

book, the author’s first major monograph, provides 

a thorough catalogue of his 50-year career. 

978-90-5662-860-4 


U.S. $70.00 CDn $70.00 

September/art 

Dani Marti 

hATJe CAnTz 

edited by Matt Price. Text by Morgan falconer, 

kirsten Lloyd, Colin Perry. Interview by octavio zaya. 

Spanish-australian artist Dani marti (born 1963) 

challenges the conventions of portraiture with his 

handwoven “canvases,” intricate networks of ropes and 

objects that, like Felix gonzález-torres’ candy spills, 

create a psychological representation of their subject. 

this first major monograph overviews his career, 

including his woven pieces and documentary-style— 

and sometimes sexually explicit—video portraits. 

978-3-7757-3365-6 


U.S. $55.00 CDn $55.00 

august/art 

Margaret Evangeline: 

Sabachthani 

ChArTA 

Text by Margaret evangeline, dominique nahas, 

Julie fontenot Landry, Jonathan Goodman. 

american painter margaret evangeline (born 1943) 

is best known for her steel paintings, which she marks 

by shooting them with guns. the series depicted 

in her latest monograph Sabachthani were created 

in collaboration with american troops stationed in 

Iraq in 2011. evangeline sent white metal bars to the 

soldiers, who shot and then returned them. 

978-88-8158-848-0 

Hbk, 9.5 x 6.75 in. / 64 pgs / 24 b&w. 

U.S. $24.95 CDn $24.95 

September/art 

Costantino Nivola: 

100 Years of Creativity 

ChArTA/ITALIAn CuLTurAL InsTITuTe In 

wAshInGTon 

edited by renato Miracco. Text by ugo Collu, diane 

Lewis, Claire nivola, richard Ingersoll, Carl stein, 

frederick Licht. 

100 Years of Creativity charts the life and work of Italian-american 

graphic artist and sculptor Constantino 

nivola (1911–1988). nivola came to the United States in 

1939 where he befriended artists such as de Kooning, 

Calder, pollock and, especially, Le Corbusier, who became 

a mentor, encouraging nivola in the development 

of his bold geometric sculptures and sandcast murals. 

978-88-8158-836-7 

Hbk, 8.5 x 11.25 in. / 96 pgs / 27 color /39 b&w. 

U.S. $39.95 CDn $39.95 

July/art 

Heide Hatry: Not a Rose 

ChArTA 

Text by Giovanni Aloi, stephen T. Asma, Chiara 

barzini, John baxter, Claudia benthien, dave 

bergman, erica bernstein, Judith bernstein, Mei-mei 

berssenbrugge, et al. 

posing as a coffee-table book of flowers, Heidi 

Hatry’s Not a Rose turns the genre inside out with 

her realistic “flowers” created from the offal and 

genitalia of animals. text contributions by 80 

prominent intellectuals, writers and artists such 

as Lucy Lippard, Steven pinker, Siri Hustvedt and 

george Quashaexamine “the question of the flower” 

from a multiplicity of perspectives. 

978-88-8158-843-5 


U.S. $49.95 CDn $49.95 

December/art/Literature 

Annette Schröter: Nun 

Paper Cuts 2008–2011 


ArT sPeCIALTY 

Text by kai uwe schierz. 

around 2000, Leipzig School painter annette 

Schröter (born 1956) switched from painting to the 

delicate art of paper cut-out. gathered here are works 

from the past four years, some of them wall-sized, 

which showcase her mastery of the medium. 

Schröter’s marvelously intricate works incorporate 

fragments of old industrial architecture, graffiti, tags 

and logos. 

978-3-86984-291-2 


U.S. $55.00 CDn $55.00 

august/art 

Fernando Sinaga: Ideas K 


edited by Gloria Moure. 

Spanish sculptor Fernando Sinaga (born 1951) 

makes large-scale freestanding or wall-mounted 

monochromatic sculptures that draw heavily on the 

industrial patina of american minimalism. published 

for Sinaga’s June 2011 retrospective at the mUSaC 

museo de arte Contemporáneo de Castilla y León, 

this volume surveys the sculptor’s output of the past 

30 years, also including his prints and drawings. 

978-84-343-1223-4 


U.S. $45.00 CDn $45.00 

august/art 


Installation & Multimedia 

Christian Keinstar: 

Left Hand Path 

kerber 

edited and with introduction by viola weigel. 

Text by stephan berg, renate Puvogel. 

polish artist Christian Keinstar’s unsettling installations 

and video pieces suggest a kind of nihilistic 

anarchy. explosions and their aftermath are everywhere, 

shown in video pieces and implied in 

sculptures of smashed-up reinforced concrete 

within which red neon tubes glow. this catalogue 

is published for his first solo museum show, and 

includes works made between 2001 and 2011. 

978-3-86678-598-4 


U.S. $45.00 CDn $45.00 

august/art 

Medley Tour by Andy Hope 

1930 


edited by veit Görner, Antonia Lotz. foreword by veit 

Görner. Text by John C. welchman, Antonia Lotz. 

this collection of recent paintings, installations and 

works on paper by the german artist andy Hope 1930 

includes a new series he has called Medleys for the 

way in which he recombines images and themes from 

earlier works. these new pieces exhibit his characteristic 

themes of playful temporality and pop culture 

imagery. 

978-3-86335-150-2 


U.S. $45.00 CDn $45.00 

august/art 

Gerard Byrne: Gestalt Forms 

of Loch Ness 

Grid Site Sequence 

JrP|rInGIer 

edited by Anthony spira, Andrea vilani. Text by 

brian dillon, Anthony spira, Andrea viliani. 

Gestalt Forms of Loch Ness gathers ten years of 

research into the Loch ness monster by Irish artist 

gerard Byrne (born 1969). Using both the populist 

literature spawned by the Loch ness myth and his own 

photographic material, Byrne has developed a project 

both humorous and melancholic, that ultimately 

reflects a crisis of belief in the photographic image. 

978-3-03764-271-9 

Hbk, 11.75 x 11.5 in. / 62 pgs / 75 b&w. 

U.S. $39.95 CDn $39.95 

July/art 

Michaela Meise: Ding und 

Körper 


Text by Anja Casser, Manfred hermes, Annette 

Maechtel. 

german multimedia artist michaela meiser’s first 

monograph, Ding und Körper focuses on two groups 

of work which address respectively the inanimate object 

and the human body. minimalist-style sculptures 

investigate the purpose and meaning of objects and 

tools, and in a series of self-portrait photographs 

meise pays homage to artist valie export. 

978-3-86560-775-1 


U.S. $59.95 CDn $59.95 FLat40 

august/art 

Katerina Seda 

JrP|rInGIer 

edited by fanni fetzer. Text by fanni fetzer, 

Michal hladík, vladimír kokolia, Ales Palán, 

Adam szymczyk. 

to develop her projects, which are usually made 

in collaboration with a community, Czech artist 

Katerina Seda (born 1977) uses media such as 

video, drawing and installation. Her art objects and 

idiosyncratic artist’s books document what would 

otherwise be ephemeral performance pieces. this 

catalogue is the first overview of her output to date. 

978-3-03764-273-3 


U.S. $55.00 CDn $55.00 

September/art 

Thomas Zipp: The World´s 

Most Complete Congress of 

Ritatin Treatments 

kerber 

Preface by veit Lörs. 

this catalogue documents a recent installation piece 

by german artist thomas Zipp (born 1966) for which 

he transformed the Kunstraum Innsbruck into a psychedelic 

laboratory: an environment filled with sculptures, 

drawings, portraits, Hammond organs and other 

objects arranged into a type of chapel and brought to 

life through music and stage performances. 

978-3-86678-633-2 


U.S. $25.00 CDn $25.00 

august/art 

Bustamante: Crystallisations 

ACTes sud 

Text by Jacinto Lageira. 

this beautifully designed volume comprises an 

overview of French artist, sculptor and photographer 

Jean-marc Bustamante (born 1952), who since the 

early 1980s has frequently incorporated ornamental 

and architectural qualities into his installations and 

sculptures. also included here are his recent plexiglas 

abstractions of the past decade. 

978-2-330-00156-8 


U.S. $65.00 CDn $65.00 

august/art 

Vera Frenkel 

hATJe CAnTz 

edited by sigrid schade. Text by Anne bénichou, 

elizabeth Legge, Griselda Pollock, sigrid schade, 

frank wagner. 

exhibiting internationally since the 1970s, the Czechborn 

Canadian artist vera Frenkel (born 1938) receives 

her first survey with this monograph. Her 

installations, videos, writings and websites explore 

the politics of the archive, the impact of media on 

the shaping of cultural memory and forgetting 

and the interplay of institutional and individual 

narratives. among the works included are “String 

games,” “no Solution” and “Body missing.” 

978-3-7757-3247-5 


U.S. $60.00 CDn $60.00 

December/art 

Bettina Khano 

hATJe CAnTz 

Text by Marc Glöde, helga Lutz, Annika reich. 

the installations, photographs and videos of Bettina 

Khano (born 1972) utilize fog, mirrors, dust and light 

to explore the mysteries of the body’s experience of 

space: dizziness, gravity, anti-gravity and qualities 

of light. this first publication on Khano’s repertoire 

of images includes essays by Ulrich Loock, annika 

reich, Helga Lutz and marc glöde. 

978-3-7757-3391-5 


U.S. $70.00 CDn $70.00 

September/art 

Nezaket Ekici: Personal Map 

To Be Continued . . . 

kerber 

edited by Marta herford.Text by friederike fast, 

Andrea Jahn, beral Madra, roland nachtigäller. 

this publication accompanies the first major museum 

retrospective of the performance artist nezaket ekici 

(born 1970), held at the marta Herford art museum 

in germany. a former student of marina abramovic, 

ekici challenges gender roles and the muslim traditions 

of her native turkey in performance pieces that 

range in tone from playful to disturbing. 

978-3-86678-591-5 


U.S. $55.00 CDn $55.00 

august/art/middle eastern art & Culture 

Jennifer Wen Ma 

ChArTA 

ArT sPeCIALTY 

Andrei Roiter: Runaway 


edited and with text by roswitha schild. 

andrei roiter, born in 1960 in moscow and now 

living between amsterdam and new York, maintains 

a distinctive playfulness and Shrigleyesque sense 

of humor throughout his paintings, drawings, mockshabby 

sculptures and photography. this catalogue 

looks at his recent Runaway/Kolobok project, which 

summates his philosophical preoccupations of the 

past 20 years. 

978-3-86984-257-8 


U.S. $55.00 CDn $55.00 

august/art 

foreword by Thomas krens. Text by Jennifer wen 

Ma, david elliott 

this first major monograph on Chinese-american 

artist Jennifer Wen ma (born 1973) gives a thorough 

overview of ma’s accomplishments across media 

as varied as media as varied as installation, video, 

drawing, fashion design and performance art. Her 

recent work investigates the material properties of 

Chinese ink. 

978-88-8158-842-8 


U.S. $37.50 CDn $37.50 

December/art/asian art & Culture 


Installation & Multimedia 

Susan Hiller: From Here 

to Eternity 


Text by richard Grayson, Jörg heiser. Preface by 

ellen seifermann. 

one of the U.K.’s most influential artists, Susan Hiller 

(born 1940) has used a broad spectrum of media, 

such as film and photography, print, found objects 

and audio and video installations, to represent 

collective experiences, such as states of trauma, 

memory, UFo encounters and near-death experiences. 

this volume surveys works from 1987 to 2011. 

978-3-86984-282-0 


U.S. $45.00 CDn $45.00 

august/art 

Roman Ondák 

hATJe CAnTz 

Text by elena filipovic, friedhelm hütte, Catrin 

Lorch, Christian rattemeyer. 

In 2012 Slovakian artist roman ondák was honored 

as the Deutsche Bank’s “artist of the Year,” an 

achievement celebrated in this catalogue. one of 

the world’s most distinguished contemporary 

conceptual artists, ondák creates (often participatory) 

works that elaborate philosophical and political 

dimensions from everyday experience. 

978-3-7757-3343-4 


U.S. $75.00 CDn $75.00 

august/art 

Florian Germann 

The Poltergeist Experimental Group 

PEG Applied Spirituality and Physical 

Spirit Manifestation 

JrP|rInGIer 

edited by raphael Gygax, heike Munder. Text by 

Alexandra blaettler, raphael Gygax. 

Swiss artist Florian germann (born 1978) deploys 

sculptures, objects and scientific apparatus for his 

elaborate grand narratives, many of which deal with 

occult themes such as poltergeists and werewolves. 

978-3-03764-270-2 


U.S. $45.00 CDn $45.00 

July/art 

Roman Ondák: Guide 


edited by eric Mangion, hemma schmutz, Andrea 

viliani. Text by Luca Cerizza, Max delany, silvia eibmayr, 

Luigi fassi, ryan Gander, francesco Garutti, 

Patricia Grzonka, Jens hoffmann, Adam kleinman, 

simone Menegoi, vivian rehberg, elodie royer, 

Chris sharp, Andrea viliani. 

this attractive artist’s book presents a “guide” to works 

produced by Slovakian Conceptual artist roman 

ondák (born 1966) from 2007 to 2011. organized 

by the city in which it was presented, each work is 

represented by photographic documentation and a 

brief description by a curator, journalist or fellow artist. 

978-3-86335-131-1 


U.S. $49.95 CDn $49.95 

august/art 

Pierre Joseph 

JrP|rInGIer 

edited by Clément dirié. Text by nicolas bourriaud, 

Liam Gillick, stéphanie Moisdon. 

alongside philippe parreno, Dominique gonzalez- 

Foerster and Bernard Joisten, French artist pierre 

Joseph was a crucial protagonist in the 1990s turn 

towards collaborative artmaking, exhibitions as social 

encounters and digital manipulation of reality. this 

selective overview includes a long conversation with 

British artist Liam gillick, and a focus on Joseph’s 

Characters to Be Reactivated series by the art critic 

and theoretician nicolas Bourriaud. 

978-3-03764-285-6 


U.S. $35.00 CDn $35.00 

november/art 

Paul Mpagi Sepuya: 

Studio Work 

fAMILIAr 

edited by felix burrichter. Text by wayne koestenbaum. 

paul mpagi Sepuya’s Studio Work collects formal 

portraits, snapshots, still-lifes and documentation of 

the studio space, created during his residency at the 

Studio museum in Harlem from 2010–2011. the artist 

writes: “I am exploring how the studio environment, 

as the site of creation, editing, and accumulation 

affects and frames portraiture, and the performance 

of portraiture.” 

978-0-9851271-0-7 


U.S. $39.95 CDn $39.95 

September/photography/african american art & 

Culture 

Miguel Angel Ríos: Walkabout 

des MoInes ArT CenTer 

edited and with introduction by Gilbert vicario. 

Text by ruth estévez, Julieta González, raphael 

rubinstein, osvaldo sánchez. 

Walkabout presents a selection of five video and multimedia 

installations by new York– and mexico City– 

based artist miguel angel ríos (born 1943), along 

with his paintings and works on paper from the past 

decade. ríos relocated to new York City from argentina 

in the mid–1970s to escape his native country’s 

dire political situation, an experience that has 

determined much of his subject matter. 

978-1-879003-62-0 


U.S. $35.00 CDn $35.00 

July/art/Latin american art & Culture 

Takehito Koganezawa: 

Luftlinien 


edited by katja blomberg. Text by katja blomberg, 

Alexander hoffmann. 

takehito Koganezawa’s understated video animations, 

based on his drawings of figures and abstract 

shapes, often tackle the largest of themes with the 

humblest of means. His works in all media express a 

chasm between dailiness and an ever-lurking void. 

this volume is published for his 2012 exhibition at 

the Haus am Waldsee in Berlin. 

978-3-86335-172-4 


U.S. $27.50 CDn $27.50 FLat40 


Dennis McNulty: Obscure 

Flows Boil Underneath 

2004–2011 

IrIsh MuseuM of Modern ArT 

Text by Chris fite-wassilak, Matt Packer, Jeff derksen. 

this artist’s book serves as a retrospective monograph 

on the Dublin–based multimedia artist Dennis 

mcnulty (born 1970), documenting selected pieces 

starting with the artist’s submission to the 2004 

São paulo Biennial and continuing through to the 

present. an electronic musician, mcnulty employs 

audio as a sculptural material in his videos, sculptures, 

installations and performances. 

978-1-907020-82-7 


U.S. $30.00 CDn $30.00 

July/art 

Oliver Husain: Spoiler Alert 

ArT GALLerY of York unIversITY 

Text by oliver husain, emelie Chhangur, Ian white, 

Chi-hui Yang. 

a filmmaker and installation artist based in toronto, 

oliver Husain has called his pieces “attractive traps,” 

for the way in which they offer up an initial interpretation 

to the viewer which is eventually revealed to 

have been misleading. In a similar vein, Husain has 

inserted visual interruptions that interfere with the 

essays in this, his first monograph. 

978-0-921972-63-1 


U.S. $40.00 CDn $40.00 

July/art 

Aya Ben Ron: Hanging 

hATJe CAnTz 

ArT sPeCIALTY 

edited by suhail Malik. Text by Yechiel Michael 

barilan, Michal ben-naftali, suhail Malik, et al. 

the first major monograph on Israeli artist aya Ben 

ron (born 1967), this book features selected works 

from every series the artist has produced in the past 

ten years. In sculpture, video, drawing and installation, 

Ben ron explores the perception of death and its 

relation to morality, and the unconscious collective 

memory of pain. 

978-3-7757-3213-0 


U.S. $60.00 CDn $60.00 

September/art/middle eastern art & Culture 

Aziz & Cucher: Some People 


hATJe CAnTz 

edited by Lisa d. freiman. Text by Lisa d. freiman, 

Tami katz-freiman. 

Some People features a new body of work by the new 

York–based collaborative of anthony aziz (born 1961) 

and Sammy Cucher (born 1958). Working together 

since 1992, aziz + Cucher are widely recognized as 

pioneers in the field of digital imaging. 

978-3-7757-3386-1 


U.S. $55.00 CDn $55.00 

november/art/gay & Lesbian 


Indianapolis, In: Indianapolis museum of art, 

04/13/12–10/21/12

Video Art 

Eija-Liisa Ahtila: 

The Annunciation 

Marian Ilmestys 

CrYsTAL eYe 

edited by Ilppo Pohjola. Introduction by eija-Liisa 

Ahtila. Text by Mieke bal. 

Finnish video artist and photographer eija-Liisa 

ahtila (born 1959) tells the stories of ordinary human 

beings undergoing what seem to be bouts of insanity 

or supernatural occurrence. this volume records her 

three-channel installation and film The Annunciation, 

reproducing its script and 100 stills from the work. 

978-952-5368-18-5 


U.S. $45.00 CDn $45.00 

august/art 

Laura Horelli: n.b.k. 

Ausstellungen Band 12 


edited and with foreword by Marius babias, kathrin 

becker, sophie Goltz. Preface by klaus wowereit. 

Text by Maeve Connolly, dieter roelstraete. 

In her video works, Berlin–based Laura Horelli (born 

1976) uses the documentary idiom to explore communication 

and miscommunication in the globalized 

world, as well as memory and personal history, emphasizing 

reality as a subjective and malleable concept. 

this comprehensive catalogue documents her 

body of work to date. 

978-3-86335-113-7 

Flexi, 6.25 x 9 in. / 184 pgs / 180 color / 18 b&w. 

U.S. $29.95 CDn $29.95 FLat40 

august/art 

Anna Jermolaewa: 

Step Aside 


Text by Iara boubnova, Christian egger, hedwig 

saxenhuber. 

exploring issues such as migration, integration and 

globalization, anna Jermolewa employs photography 

and video work to make a critical study of the balance 

of power between the individual and society and the 

manipulations of the media and consumer industry. 

Step Aside documents her most important works of 

the past ten years. 

978-3-86984-272-1 


U.S. $55.00 CDn $55.00 

august/art 

Zbigniew Rybczyński & 

Gábor Bódy: State of Images 

Media Pioneers 


edited by siegfried zielinski, Peter weibel. Preface 

by klaus staeck. Text by siegfried zielinski, Peter 

weibel, Piotr krajewski, zbigniew rybczyński, et al. 

this publication introduces two pioneers of new 

media: Zbigniew rybczyński, from poland, and gábor 

Bódy, from Hungary. rybczyński (born 1949) is a creator 

of experimental animations and a multimedia 

artist. Bódy (1946–1985) was considered one of the 

most important Hungarian filmmakers. 

978-3-86984-275-2 


U.S. $40.00 CDn $40.00 

august/art 

Joana Hadjithomas 

& Khalil Joreige 

JrP|rInGIer 

edited by Clément dirié, Michèle Thériault. 

Text by suzanne Cotter, Jean-Michel frodon, 

Michèle Thériault. 

the Lebanese video artists, documentarians and photographers 

Joana Hadjithomas and Khalil Joreige 

have been a duo since the 1990s, making works that 

address the turbulent history of their homeland. this 

monograph surveys the duo’s projects, including their 

most recent series of installations and research on the 

now defunct Lebanese space exploration program. 

978-3-03764-240-5 


U.S. $55.00 CDn $55.00 

november/art/middle easern art & Culture 

Pilvi Takala 

hATJe CAnTz 

edited by silke opitz. 

pilvi takala (born 1981) deals with the constitutions 

and limits of social groups and communities. Her 

videos, books and installations are based on interventions 

in semi-public spaces and this first monograph 

documents most of her work since 2005. the design 

of this publication reflects takala’s artistic strategies 

and the narrative nature of her work. 

978-3-7757-3352-6 

pbk, 8.25 x 9.5 in. / 208 pgs. / 292 color. 

U.S. $55.00 CDn $55.00 

august/art 

Douglas Gordon 

kerber 

edited by susanne Gaensheimer, klaus Görner. 

Preface by susanne Gaensheimer. Text by Michael 

fried, klaus Görner, Caoimhin Mac Giolla Léith. 

Interview by James franco. 

Famed for his 24-Hour Psycho, Scottish-born, new 

York–based artist Douglas gordon (born 1966) is one 

of the most influential video and film artists of his 

generation. produced in close collaboration with the 

artist, this catalogue looks at his latest works in the 

context of his earlier oeuvre. 

978-3-86678-628-8 


U.S. $65.00 CDn $65.00 

august/art 

Nina Fischer & Maroan el 

Sani: Spelling Dystopia 

JrP|rInGIer 

edited by nina fischer, Maroan el sani. Text by 

Mami kataoka. 

this publication documents the making of the film 

Spelling Dystopia, which tells the story of the Japanese 

island Hashima. a site of rich coal deposits, 

Hashima was the center of a bustling mining operation 

from the late 1800s until it was completely abandoned 

in 1974, and today it is a notorious wasteland. 

978-3-03764-275-7 


U.S. $39.95 CDn $39.95 



Frances Stark: My Best Thing 


edited by Jenifer Papararo, kitty scott. foreword 

by nigel Prince, kitty scott. Text by Mark Godfrey. 

Afterword by Jenifer Papararo. 

this intimate publication focuses on Frances Stark’s 

feature-length video “my Best thing,” a digital video 

animation that traces the development of two sexual 

encounters into conversations about film, literature, 

art, collaboration and subjectivity. mark godfrey’s 

essay explores the artist’s use of online sex-chat rooms 

to generate material for the video. 

978-3-86335-142-7 


U.S. $19.95 CDn $19.95 

available/art 

Nasan Tur: Breaking Records 

Premiere 2 

kerber 

Preface by ulrike Lorenz. Text by stefanie Müller, 

Änne söll. 

Breaking Records is an installation by german multimedia 

artist nasan tur (born 1974). projections on 

multiple screens show the artist repeatedly attempting 

and failing to break records for simple activities 

such as jumping rope and dribbling a basketball. Documented 

here are this installation and other pieces by 

tur, whose work plays on our perceptions of everyday 

life. 

978-3-86678-574-8 


U.S. $35.00 CDn $35.00 


Chantal Akerman: 

Too Far, Too Close 

LudIon 

ArT sPeCIALTY 

edited by Anders kreuger. Introduction by dieter 

roelstraete. Text by Giuliana bruno, Tim Griffin, 

et al. Interview by elisabeth Lebovici. 

this retrospective monograph documents the career 

of director Chantal akerman (born 1950), who made 

her breakthrough in 1975 with Jeanne Dielman, 23 

Quai du Commerce, 1080 Bruxelles, a film about the 

everyday activities of a housewife. Her work since 

then has continued to investigate ideas of biography, 

gender, identity and memory. 

978-94-6130-044-7 


U.S. $40.00 CDn $40.00 

august/art/Film & video 

Daria Martin: 

Sensorium Tests 

JrP|rInGIer 

edited by Anthony spira, Cleo walker. Text by 

Melissa Gronlund, daria Martin, Anthony spira. 

this monograph revolves around Daria martin’s new 

film Sensorium Tests (2011), which uses the recently 

diagnosed condition of mirror-touch synesthesia to 

explore how sensations are transmitted, shared and 

created in film—raising the question, can a spectator 

experience a bodily reaction to film? the publication 

includes related texts selected by martin, by writers and 

thinkers from mary Shelley to maurice merleau-ponty. 

978-3-03764-272-6 


U.S. $30.00 CDn $30.00 

July/art/Film & video 


Multimedia & Conceptual 

Yvette Brackman: 

Systems And Scenarios 

JrP|rInGIer 

edited by sabine russ. Text by helene Lundbye 

Petersen, heike Munder. 

Systems and Scenarios is the first monograph on the 

projects of the american-born, Denmark-based artist, 

writer and curator Yvette Brackman (born 1967). 

Brackman’s paintings, sculptures and performances 

of the early- to mid-1990s investigated aspects of 

bodily experience, from the medical and the abject 

to the sensual and the sexual, producing serial works 

such as Cast-Off, Dis-Ease and Auto-Erotic Lingerie. 

Subsequently Brackman began to combine crafted 

elements and time-based media to create narratives 

and engage audiences performatively in issues of 

common responsibility, social relations, the legacies 

of wars and broader themes of memory and identity. 

Conceptualized by the artist, Systems and Scenarios 

spans 20 years of work and is organized around five 

interviews conducted by Helene Lundbye petersen 

in new York in the fall of 2011. 

978-3-03764-280-1 


U.S. $45.00 CDn $45.00 

november/art 

Brigitte Kowanz: 

In Light of Light 


edited by beate ermacora, brigitte kowanz. Text by 

beate ermacora, Gregor Jansen. 

the installations of austrian artist Brigitte Kowanz 

(born 1957) use neon signs and mirrors to create luminous 

semiotic environments. this artist’s book 

records works from the late 1990s to the present, in a 

novel layout that expands on the sign-based character 

of her work. 

978-3-86984-283-7 


U.S. $45.00 CDn $45.00 

august/art 

Ruth May & Susanne M. 

Winterling: Prototype 2 

(New Hangout) 

kerber 

edited by Meike behm. Text by Meike behm, kerstin 

stakemeier. 

the history of the former railway works in Lingen, germany, 

whose buildings now house facilities for the art, 

media and business communities, inspired artists ruth 

may and Susanne m. Winterling to create an installation 

for the Kunsthalle Lingen. ruth may’s fabric and 

paper collages, ink drawings and costumes, and Susanne 

m. Winterling’s films, objects and photographs 

explore the theme of motion implied by the location. 

978-3-86678-641-7 


U.S. $30.00 CDn $30.00 

august/art 

Esther Shalev-Gerz 

JrP|rInGIer 

edited by nicole schweizer. Text by nora M. Alter, 

Georges didi-huberman, nicole schweizer, Annika 

wik, James e. Young. 

For the past 20 years, Lithuanian-born artist esther 

Shalev-gerz (born 1948) has undertaken research 

into the construction of public memory through films, 

video installations, photographs and site-specific 

works that disrupt the discourses of such historiographic 

disciplines as anthropology, ethnology and 

museology. this volume surveys her work. 

978-3-03764-276-4 


U.S. $55.00 CDn $55.00 

november/art 

Franz Wanner: 

The Presumption 

kerber 

edited by franz wanner. Text by babylonia Constantinides, 

Michael hirsch, Tobias hülswitt, res Ingold, 

Johannes vogt. 

this artist’s book serves as a retrospective monograph 

for german photographer and video and performance 

artist Franz Wanner (born 1975). 

Descriptions and documentation are given for the 

projects and installations he has created since 1996. 

Wanner makes frequent use of the security camera 

and open doors to make works about voyeurism and 

security in society. 

978-3-86678-583-0 


U.S. $49.95 CDn $49.95 

august/art 

Gunter Frentzel 


Text by ulrike Lorenz, dorothea strauss, konrad 

Tobler, Christoph vögele. 

this catalogue provides an overview of the career of 

german-born sculptor gunter Frentzel (born 1935), 

whose elegant minimal sculptures made of metal, 

concrete, wood and beams of light make simple geometric 

assemblages. His trademark works are formed 

of unconnected metal rods that are stacked and balanced 

on each other to create waves, rings and 

columns. 

978-3-86984-249-3 


U.S. $60.00 CDn $60.00 

august/art 

Silvia Bächli: Far Apart Close 

Together 


edited by konrad bitterli. Text by konrad bitterli, 

Jürg halter, eva kuhn, roman kurzmeyer, Maja 

naef, et al. 

this comprehensive reader examines the career 

of Swiss illustrator Silvia Bächli (born 1956), who 

translates objects into a loose, abstract graphic form. 

Far Apart Close Together looks at her room-filling 

table installations, multi-part drawing ensembles 

hung on walls, large-scale paper pieces and recent 

photographic work. 

978-3-86984-297-4 


U.S. $55.00 CDn $55.00 

august/art 

Phung Võ: 2009–2012 

kunsThAus breGenz 

Introduction by danh võ. 

this book accompanying Danh võ’s solo exhibition 

at the Kunsthaus Bregenz pays homage to the artist’s 

father, phung võ, and his contributions to his son’s 

projects. together with Dahn Võ: 2004–2012, this 

volume constitutes a Danh võ catalogue raisonné. 

978-3-86335-166-3 


U.S. $55.00 CDn $55.00 



Bregenz, austria: Kunsthaus Bregenz, 

04/21/12–06/24/12 

Solo for Lia Perjovschi: 

Knowledge Museum Kit 


Preface by barbara barsch, ev fischer. Text by 

Angelika nollert. Interview by barbara barsch. 

romanian artist Lia perjovschi (born 1961) refers to 

her installations of text-image collages, which often 

continue through several rooms, as visual representations 

of her knowledge, her experiences and memories. 

Her Knowledge Museum is an ongoing, 

imaginary constellation of knowledge fulfilling the 

classic requirements of a museum: the archiving, organizing 

and presentation of social, political and 

artistic knowledge. this volume surveys her work. 

978-3-86984-285-1 


U.S. $45.00 CDn $45.00 

august/art 

Danh Võ: 2004–2012 

kunsThAus breGenz 

ArT sPeCIALTY 

edited and with introduction by Yilmaz dziewior. 

Text by Julie Ault, doryun Chong, oscar faria. 

the installations of Danh võ, born in 1975 in vietnam 

and now based in Berlin, are composed of arrangements 

of objects, photographs, documents and souvenirs in 

which his own biography meets political history. 

this catalogue accompanies a solo exhibition at 

the Kunsthaus Bregenz in austria, and will include 

installation views. 

978-3-86335-165-6 


U.S. $55.00 CDn $55.00 


Solo for Dan Perjovschi: 

Daily Weekly Monthly 


Preface by barbara barsch, ev fischer. Interview by 

barbara barsch. 

Dan perjovschi’s black felt-tip drawings, done directly 

onto the walls of the venues in which they are exhibited, 

satirize current affairs, both globally and in 

his native romania. perjovschi is a member of the 

group of Social Dialogue collective, which publishes 

the Revista 22 newspaper, one of romania’s most 

prestigious intellectual journals. 

978-3-86984-284-4 


U.S. $45.00 CDn $45.00 

august/art 


Artist’s Books 

Brigitte Cornand: 

Grabigouji, to My Friend 

Louise Bourgeois 


Text by brigitte Cornand. 

Filmmaker Brigitte Cornand first met Louise Bourgeois 

in 1994 while working on her first of three documentaries 

about the artist, and the two formed a close 

friendship lasting until Bourgeois’ death in 2010. this 

intimate book collects Cornand’s memories of Bourgeois 

in anecdotes and conversations, illustrated with 

photographs of the artist in her home and studio. 

978-2-916275-99-4 


U.S. $35.00 CDn $35.00 

august/art 

Iñaki Bonillas: 

J. R. Plaza Archive 

JrP|rInGIer 

edited by ekaterina Alvarez, Maria Minera. Text by 

Luigi Amara, Michel blancsubé, sarah demeuse, 

rubén Gallo, veronica Gerber, Claudio Isaac, Lorena 

Marron, Tom Mcdonough, dieter roelstraete, et al. 

In 2003, mexican artist Iñaki Bonillas (born 1981) 

began to incorporate his grandfather’s photographic 

archive into his own work. this volume assembles various 

theoretical and literary digressions by writers, 

philosophers and poets, on 20 of the works that Bonillas 

has generated through the archive. 

978-3-03764-247-4 

Hbk, 4.5 x 7 in. / 126 pgs / 20 b&w. 

U.S. $29.95 CDn $29.95 

July/artists’ Book/Latin american art & Culture 

Carsten Höller: 

The Double Club 

ProGeTTo PrAdA ArTe srL 

Text by hans ulrich obrist. 

Carsten Höller’s chunky artist’s book The Double 

Club documents the London nightclub of the same 

name, which operated in 2008–09. each room in the 

space was divided into Congolese and Western areas, 

creating an environment where guests enjoyed the 

fruitful coexistence of two different cultures. 

978-88-87029-52-9 


U.S. $100.00 CDn $100.00 

august/art 

Darren Bader: 

Life As a Readymade 

kIITo-sAn 

Text by darren bader. 

Darren Bader’s Life As a Readymade is a four-part 

disquisition on contemporary art culture and his 

doubts about its terms of engagement. addressing 

inanities, profanities and vanities in the contemporary 

world of art, the first section is an “open letter to 

the art world”; the second a meditation on the art fair 

phenomenon; the third is about “naming things in the 

face of no names”; the final section addresses what 

the artist regards as “a paucity of poetics.” 

978-0-9847210-0-9 


U.S. $25.00 CDn $25.00 

July/art 

Come On In My Kitchen: 

The Robert Johnson Book 

JrP|rInGIer 

edited by Christoph keller, Ata Macias. Text by Tobias 

rehberger, ricardo villalobos, dJ harvey, Theo Parrish. 

Located in offenbach am main, near Frankfurt, and 

founded more than a decade ago, robert Johnson is 

an internationally renowned club, where art, design, 

fashion and culture meet in a whirlwind of hedonism. 

this volume records the club’s history through photographs 

of, and anecdotal testimony by, musicians, 

artists, photographers, designers, fashion groupies 

and nightclubbers. 

978-3-03764-274-0 


U.S. $55.00 CDn $55.00 

July/music/photography 

Timm Ulrichs 


Text by Gottfried Jäger. 

Sculptor, poet and performance artist timm Ulrichs 

(born 1940) is considered one of the most influential 

german conceptual and action artists. this funny and 

charming artist’s book tackles an ongoing project of 

his: taking photographs in places where that activity 

is expressly prohibited. a delight in flaunting authority 

is immediately palpable in these furtive snapshots. 

978-3-86984-287-5 


U.S. $35.00 CDn $35.00 

august/artist’s Books 

Rainer Ganahl: I Wanna 

Be Alfred Jarry 


Text by Martha schwendender. Interview by heike 

eipeldauer. 

this volume gathers rainer ganahl’s numerous 

works devoted to alfred Jarry, the playwright, novelist, 

avid cyclist and chief theorist of pataphysics. 

ganahl, in whose art bicycles are a recurrent motif, 

here presents a series of staged photographs of himself 

with a bike, costumed as Jarry, as well as Jarry-related 

sculptures and drawings, weaving a 

semi-fictitious portrait of the great man. 

978-3-86984-318-6 


U.S. $50.00 CDn $50.00 

october/art 

Karl Haendel: Shame 

kLTb 

Karl Haendel’s Shame is a compilation of anonymous 

shameful episodes and confessions culled from various 

websites, message boards and online community 

support groups. the artist brings together a broad 

range of experiences, mistakes, regrets, lies, misdeeds, 

dishonors, shortcomings,and embarrassments, and 

unites them through their communal shame. Shame 

comes with a Bible-style plastic slipcover to keep the 

book clean on the outside (if not on the inside). 

978-0-9831578-8-5 

pbk, 6.75 x 8.75 in. / 168 pgs. 

U.S. $39.95 CDn $39.95 

July/art 

Volker März: Kafka in Search 

of Pina Bausch 


With Kafka in Search of Pina Bausch, german artist 

volker märz (born 1957) continues his fictional biography 

of Franz Kafka, realized in clay figurines and 

paintings. In this latest installment, Kafka, recently 

fallen from heaven to the West Bank, falls in love with 

choreographer pina Bausch, whom he pursues to 

South africa. 

978-3-86984-271-4 


U.S. $40.00 CDn $40.00 

august/art 


I Am Sitting in a Room 

By Brian Dillon. 

CAbIneT books 

edited by Jeffrey kastner, sina najafi. 

the inaugural volume in Cabinet’s new 24-Hour Book 

series, I Am Sitting in a Room—written and designed 

in one day—explores the scenography and architecture 

of writing itself. Brian Dillon’s text is both a 

personal reflection on the theatrics of the study, the 

library and the office, and a historical consideration 

of such writerly paraphernalia as proust’s bed, 

nabokov’s index cards and philip roth’s moustache. 

978-1-932698-54-1 


U.S. $12.00 CDn $12.00 

available/Literature 

ArT sPeCIALTY 

Thomas Hirschhorn: 

Kurt-Schwitters-Plattform 

Untere Kontrolle 


foreword and text by Carina Plath. Text by Michael 

diers. 

In 2011, the Swiss artist thomas Hirschhorn (born 1957) 

was awarded the Kurt Schwitters prize, given annually 

to an artist whose work references that of Schwitters. 

the award enabled Hirschhorn to make two new installations 

in homage to Schwitters, the notes, plans and 

sketches for which are documented here. 

978-3-86335-112-0 


U.S. $35.00 CDn $35.00 FLat40 

august/art 

Thomas Evans: Furniture 

without Rest 

Introduction to a Pedestrian Thought 

Theatre 

PTT edITIons 

Furniture without Rest is an illustrated board book 

introducing British-born artist thomas evans’ 

pedestrian thought theatre: a theatre composed of 

linked stages, upon which thoughts are arranged 

as walks. these thoughts are realized as objects 

of “mental furniture”—emblems, walking sticks, 

prosthetics, ladders and traps—which are combined 

in sequences to form the walk. 

978-1-935202-88-2 


U.S. $15.00 CDn $15.00 

october/art 


Writings & Abstract Painting 

New Relations in Art and 

Society 

JrP|rInGIer 

edited by friederike wappler. Text by Claire 

bishop, franz erhardt walther, Thomas hirschhorn, 

Lawrence weiner, Jacques rancière, Astrid wege, 

et al. 

theodor W. adorno described artworks as “windowless 

monads”: closed, autonomous worlds that both 

contain society and turn away from it. this essential 

contradiction is at the core of any discussion of art 

that aspires to shake off the exhibition space and extend 

itself into the social sphere. In 2011, in conjunction 

with the unveiling of a new documentary artwork 

by mischa Kuball, a conference was held in germany 

on socially engaged art. New Relations in Art and Society 

is the result, gathering together a range of writers 

reflecting on the role of participation in art: the 

theoretical frameworks that have redefined the relationship 

between artwork and viewer; art projects that 

have employed participation effectively; the political 

and institutional challenges in promoting participatory 

art; and the transformation in curatorial practices 

that has resulted. essayists include Claire Bishop, 

Beatrice gibson, thomas Hirschhorn, Sandra Höptner, 

Kristin marek, nina möntmann, eva Schmidt, 

gerald Schröder, Beate Söntgen and apolonia Sustersic. 

978-3-03764-189-7 


U.S. $47.50 CDn $47.50 

July/art/nonfiction Criticism 

Conversations in Cáceres 

with Hans Ulrich Obrist 

ThIs sIde uP/fundACIón heLGA de ALveAr 

Interviews by hans ulrich obrist. 

on the occasion of the inauguration of the Centro 

de artes visuales Fundación Helga de alvear, Hans 

Ulrich obrist interviewed a range of architects and 

artists associated with the venue. His interviewees include 

emilio tuñón and Luis moreno mansilla, Doug 

aitken, Helena almeida, Fernando Bryce, angela 

Bulloch, James Casebere, thomas Demand, Cristina 

Iglesias, Isaac Julien, ernesto neto and others. 

978-84-934916-3-5 

pbk, 5.5 x 8.5 in. / 240 pgs / 28 b&w. 

U.S. $19.95 CDn $19.95 


Bruce Nauman: Going Solo 

CoMPAnIon edITIons, douGLAs f. CooLeY 

MeMorIAL ArT GALLerY, reed CoLLeGe 

edited and introduction by stephanie snyder. 

Text by robert slifkin. 

Bruce Nauman: Going Solo is the first volume in 

Companion editions’ series of pocketbook readers. 

robert Slifkin’s meditation on nauman’s early films 

and conceptual sculptures explore the significance 

of the studio environment and nauman’s relationship 

to privacy, identity, subjectivity and intimacy. 

978-0-9824240-8-7 

pbk, 5 x 7.5 in. / 48 pgs / 2 duotone. 

U.S. $12.95 CDn $12.95 


Smoke Shadows: Jannis 

Kounellis Interviewed by 

Jérôme Sans 


Jannis Kounellis: Smoke Shadows is the first in a 

series of pocket-book interviews with key cultural 

figures by internationally renowned curator, cultural 

agitator and pioneer Jérôme Sans. Here, Sans looks 

back with Kounellis over the artist’s 40-year career 

and the early days of the arte povera movement. 

978-988-15064-9-8 


U.S. $14.95 CDn $14.95 


The Wit of the Staircase 

By Raul Ruiz. 

dIs voIr 

this novel is the final publication of the Chilean 

filmmaker and author raul ruiz (1941–2011), who 

died last year, and who put the finishing touches 

to this book a few days before his death. Here, 

ruiz narrates his life not as himself, but as a ghost. 

The Wit of the Staircase follows his novel In Pursuit 

of Treasure Island and the two Poetics of Cinema 

volumes, also published with Dis voir. 

978-2-914563-72-7 

pbk, 6.5 x 8.5 in. / 250 pgs / color. 

U.S. $27.50 CDn $27.50 

november/Literature 

Johanna Calle: Abecé 

Wulf Kirschner: Drawings 

1978–2011 

kerber 

edited by Alexander sairally. Preface by Andreas 

stolzenburg. Text by Jonas beyer. 

Wulf Kirschner (born 1947) is well known as a sculptor 

of abstract metal bodies, but like most sculptors, 

he has also maintained a drawing practice, which he 

has further developed in prints. Kirschner’s graphic 

oeuvre is unveiled in this volume for the first time. 

978-3-86678-590-8 


U.S. $39.95 CDn $39.95 

august/art 

Bertrand Lavier 


Text by Lóránd hegyi, Catherine Millet. 

made up of 225 square meters of carpet, French 

artist Bertrand Lavier’s recent installation “Composition 

en Quatre Couleurs, Détail” breaks up and 

reconceives a familiar pattern: the lines that make 

up a basketball court. this new monograph features 

this and related pieces by Lavier, whose works thwart 

the viewer’s optical expectations. 

978-88-366-2192-7 


U.S. $25.00 CDn $25.00 

September/art 

Max Gimblett 

ChArTA 

Text by Alexandra Munroe, Lewis hyde. 

this latest monograph on new Zealand–born and 

new York–based painter max gimblett (born 1935) 

includes paintings and works on paper completed 

between 2002 and 2012. these recent works continue 

his focus on the shapes of the quatrefoil, the square 

and the circle, often covered in gold leaf and showing 

the influence of asian art and calligraphy. 

978-88-8158-846-6 


U.S. $47.50 CDn $47.50 

December/art 

ArT sPeCIALTY 


s/w edICIones 

Abecé is a facsimile reproduction of a suite of drawings 

by Columbian artist Johanna Calle. on antique 

paper, Calle made a drawing for each letter of the 

alphabet, repeating each letter across the page while 

making small variations in size and orientation— 

demonstrating how a sign can be manipulated without 

altering its linguistic meaning. 

978-0-9844504-1-1 


U.S. $65.00 CDn $65.00 

august/art/Latin american art & Culture 

Imi Knoebel: Kartoffelbilder 

kerber 

Text by Martin schulz. 

Imi Knoebel (born 1940) is a leading figure of 1960s 

abstraction, and one of its most popular contemporary 

exponents. Working in between painting and 

sculpture, Knoebel layers individual elements which 

are repeatedly juxtaposed in ever-changing variations. 

over the course of his nearly five-decade-long 

career, he has consistently found new ways to work 

between intuition and calculation, and to reconceive 

the building blocks of geometric form and color. 

this catalogue presents three new cycles of work: the 

Anima Mundi series, begun in 2010, which consists 

of brightly hued variations on a single structure, 

in which the four side of the frame are taken as a geometric 

component; the Kartoffelbilder (potato paintings) 

(2011), which feature oval shapes irregularly 

positioned atop one another, as well as triangles and 

squares; and the Cut-Up cycle (2011), in which color is 

reduced to black, white and silvery greys, in dynamically 

layered strips or ribbons of color that pay homage 

to William S. Burroughs’ technique of the same 

name, as well as to the Suprematism of malevich. 

978-3-86678-646-2 


U.S. $29.95 CDn $29.95 

august/art

Abstract & Figurative Painting 

Georg Baselitz & Arnulf 

Rainer: Comedy 

kerber 

Text by rudi fuchs. 

this catalogue juxtaposes recent works by two 

towering figures of contemporary german painting: 

georg Baselitz (born 1938) and arnulf ranier (born 

1929). although ranier’s overpainted reproductions 

of landscapes and classical portraits differ in style 

from Baselitz’s abstract gesturalism, the work of 

both artists share a vivid palette and an infectious 

joie de vivre. published for an exhibition at the arnulf 

rainer museum in Baden, this volume celebrates 

their mutual qualities of comedic vitality. the works 

reproduced here date from around 2008 to the present, 

and range in character from warm, messy, de 

Kooningesque abstraction (Baselitz) to luminous, 

bold overpaintings of art historical reproductions 

and old photographs (rainer)—all exhibiting an 

insistent freshness and freedom. 

978-3-86678-550-2 


U.S. $49.95 CDn $49.95 

august/art 

Günther Förg: 1987–2011 

hoLzwArTh PubLICATIons 

Text by bernd reiss. 

günther Förg (born 1952) has been a leading voice 

in european painting for more than 30 years. His abstract 

canvases reference and subvert the modernist 

repertoire, while his architectural photographs 

feel like an approximation of the geometry and 

color palette of the paintings. this catalogue 

documents a retrospective overview of work groups 

from all periods. 

978-3-935567-57-2 


U.S. $50.00 CDn $50.00 FLat40 

July/art 

Pat Rosenmeier: Paintings 

001–057 

kerber 

Text by Christian Malycha. Interview with henrick 

Lakeberg. 

german painter pat rosenmeier (born 1979) works 

in pure abstraction, using very wet acrylic paints to 

model waves and filigrees of color. this catalogue 

reproduces the 57 major paintings she has completed 

to date, from an early series of o’Keefe-like flower 

paintings through works that play with gradients of 

shadow and fields of ocean blue. 

978-3-86678-668-4 

Clth, 4.5 x 6.25 in. / 160 pgs / 57 color / 1 b&w. 

U.S. $25.00 CDn $25.00 

august/art 

Özcan Kaplan 

kerber 

edited by özcan kaplan. Text by hubert beck, 

Martin engler, Angelica horn. 

this catalogue collects recent works in painting and 

sculpture by turkish artist Özcan Kaplan (born 1964). 

purely abstract, Kaplan’s large canvases are explorations 

in color and gesture, and his sculptural works 

are three-dimensional continuations of his paintings, 

such as his stacked towers of dried oil paints, 

and monochrome gray cement casts of canvases. 

978-3-86678-645-5 


U.S. $50.00 CDn $50.00 


Roger Wardin: Strangeness 

kerber 

edited by Gallery börgmann. Text by Peter funken, 

Jana sperling. 

the diaphanous layering and dappled effects in the 

works of german painter roger Wardin (born 1971) 

are created by pouring first water and then diluted 

oil paints on the canvas. Later, Wardin adds outlines 

of trees and houses, which float on the fantastic 

landscapes. this catalogue collects new works dating 

from 2008 to 2011. 

978-3-86678-649-3 


U.S. $35.00 CDn $35.00 

august/art 

Eddie Martinez: Drawings 


Text by Glenn o'brien. 

this monograph on Brooklyn–based painter and 

draughtsman eddie martinez (born 1977) presents a 

collection of 40 ink drawings made between 2010 and 

2012. Best known for his paintings and mixed-media 

works, martinez’s expressionistic works show the 

influence of picasso, de Kooning, guston and 

Hockney, to which he adds the edge of contemporary 

graffiti art. 

978-0-9852044-0-2 


U.S. $19.00 CDn $19.00 

July/art 

Raptuz: Mother Road 

dAMIAnI 

Text by Lorenzo bonini, raptuz. 

Mother Road tells the story of Luigi “raptuz” 

muratore. Born in the suburbs of milan, raptuz 

entered the illicit world of graffiti art after graduating 

from the Scuola del Fumetto (the “School of Comics”) 

in milan. Collected here are images and stories 

from a 25-year career spent evading the police and 

finding acceptance in the art world. 

978-88-6208-229-7 


U.S. $35.00 CDn $35.00 

September/art 

Jonathan Meese: 

Totalzelbstportrait 


edited by doede hardemann, doris Mampe. 

foreword by benno Temple. Text by Lynne van rhijn. 

“to express yourself in art is horrible,” german 

artist Jonathan meese (born 1970) once said. In this 

volume, he proves his point with a body of work that 

consists exclusively of self-portraits ranging from 

graffitied photos to collages, and paintings both 

realistic and abstracted, until their subject, himself, 

loses its personal significance. 

978-3-86335-097-0 


U.S. $49.95 CDn $49.95 FLat40 

august/art 

Cheyney Thompson: 

Metric, Pedestal, Landlord, 

Cabengo, Recit 


Introduction by Paul C. ha. Text by simon baier, Yve- 

Alain bois, Ann Lauterbach. Interview by Joao ribas. 

Cheyney thompson has made the technology, production 

and distribution of painting the subject of his 

work. His Chronochromes (2009–2011) are composed 

using the color system devised by albert H. munsell 

in the early 1900s. thompson grafts this system onto 

a calendar: each day is assigned a complementary hue 

pair, with every hour changing the value, and every 

month changing the saturation, of each brushstroke. 

978-3-86335-154-0 


U.S. $59.95 CDn $59.95 

July/art 

ArT sPeCIALTY 

Jonathan Meese: Totalste 

Graphik 

Catalogue Raisonné 2003–2011 


edited by björn egging. Text by björn egging, 

friederike fast. 

over the last 15 years, german artist Jonathan meese 

(born 1970) has created around 100 printed works, 

which are presented here in their entirety along with a 

formal catalogue raisonné of his print production. the 

large-format lithographs, etchings and woodcuts generally 

depict effigies, which serve both as metaphors 

of cultural history and the alter ego of the artist. 

978-3-86335-083-3 


U.S. $59.95 CDn $59.95 FLat40 

august/art 

Julio González: Complete 

Works Vol. III 

1919–1929 


edited by Tomás Llorens. 

this is the third volume in poligrafa’s multivolume 

Julio González: Complete Works project. Credited with 

introducing picasso to welded sculpture, gonzález 

was also an important influence on the american abstract 

expressionist sculptor David Smith. this monumental 

project is published in collaboration with the 

Instituto valenciano de arte moderno in Spain, which 

possesses the largest collection of gonzález’s work. 

978-84-343-1224-1 


U.S. $395.00 CDn $395.00 SDnr30 

november/art 


Figurative Painting 

Dan Reeder: Art Pussies Fear 

this Book 


Text by Thomas heyden, karl bruckmaier. 

over the past 25 years, the american-born, nuremberg-based 

painter and musician Dan reeder (born 

1954) has amassed some 1,000 paintings, watercolors, 

posters, drawings and prints humorously (and sometimes 

satirically) depicting the follies of twenty-firstcentury 

humankind. operating on the motto “I paint 

what I am thinking,” reeder pokes gentle fun at all 

walks of life, and all the foibles of mankind—from a 

portrait of an academic being led into an arid landscape 

by a walking cerebellum (title: “mister Brain 

leads another Doktor professor into the desert 

where nothing can live”) to numerous images 

satirizing art, the art world and art history. as many 

of these works attest, reeder is also not afraid to 

laugh at himself (see his “Self portrait as a Shaved 

goat on a Short rope”). reeder’s deliberately 

awkward paintings, which occupy a deliberately 

awkward place in the art world, are both modest and 

scornful, melancholic and euphoric. this volume 

offers a first overview of his work, which fans of 

David Shrigley will particularly enjoy. 

978-3-86984-280-6 


U.S. $55.00 CDn $55.00 

august/art 

Corinne Wasmuht: Collagen 

1986–2001 


Text by Georg fröhner, klaus Gallwitz, edith 

schreiner. 

this volume gathers 15 years of collage work by german 

artist Corinne Wasmuht (born 1964). Wasmuht’s 

collages are made from materials she collects on a daily 

basis—newspapers, magazines, labels and packaging. 

In one work, Wasmuht discovers rhyming shapes 

between a soldier and a roman statue; others place 

actual events beside their counterparts in the movies. 

978-3-86984-262-2 


U.S. $60.00 CDn $60.00 

august/art 

Max Neumann 

kerber 

edited by Thomas Levy. Text by herwig Guratzsch. 

german painter max neumann (born 1949) turns the 

human figure into a symbol, abstracting his subjects 

into outlines and silhouettes. Splashes of color suggest 

the preoccupations of these somber characters: a 

red bird, a yellow dot, a green wash of pooling water. 

this monograph collects works from 2009 to 2011. 

978-3-86678-632-5 


U.S. $29.95 CDn $29.95 

august/art 

Ariella Azoulay: Different 

Ways Not to Say Deportation 


this volume is a collection of drawings and captions 

for “unshowable” photographs taken in palestine in 

1947–50, gathered from the International Committee 

of the red Cross archives in geneva by the wellknown 

author and cultural critic ariella azoulay, 

author of The Political Ontology of Photography and 

The Civil Contract of Photography. 

978-0-9868326-8-0 

pbk, 5.5 x 8.5 in. / 32 pgs / 25 b&w. 

U.S. $8.00 CDn $8.00 

September/art/middle eastern art & Culture 

Tomak: 1 Introspective 


Text by heike Curtze, wolfgang haas, Martin 

nussbaum, florian rist, Tomak. Interviews by emilie 

Mayer, Gerald A. Matt. 

this opulent volume offers the first comprehensive 

overview on austrian artist tomak (born 1970). 

examples of tomak’s work in drawing, painting, 

sculpture and performance are all included, but the 

main focus is on his series of works on paper, which 

combine handwritten text with images painstakingly 

reproduced in pencil from various printed sources. 

978-3-86984-305-6 


U.S. $75.00 CDn $75.00 

august/art 

Helen Verhoeven: 

Part Pretty 

sChunCk 

edited by helen verhoeven, vera rammelmeyer. 

Text by Tom Morton. Interview by Maria barnas. 

With her monumental, epic paintings—including the 

cycles Event (2008), Half After (2009), The Thingly 

Character (2010) and Stage Disasters (2012)—Helen 

verhoeven’s work appears to examine the collective 

memory of ceremonial gatherings. She paints a 

burlesque world, reminiscent of the Weimar period, 

without social norms and in which taboos are 

explored. this is the first monograph on her work. 

978-94-90624-22-4 


U.S. $29.95 CDn $29.95 

august/art 

Veron Urdarianu 


Text by Jhim Lamoree, Milco onrust, Ludwig seyfarth. 

romanian-born, amsterdam–based artist veron 

Urdarianu (born 1951) paints pale, melancholy 

landscapes, with silhouettes of houses and figures 

hovering vulnerably on an indeterminate or unstable 

pictorial plane. this volume offers a concise survey 

of his works. 

978-3-86984-279-0 


U.S. $50.00 CDn $50.00 

august/art 

Ali Banisadr: We Haven’t 

Landed on Earth Yet 

GALerIe ThAddAeus roPAC 

edited by Alessandra bellavita, Anna Maria koppenwallner. 

Text by Maryam ekhtiar, Greg Lindquist. 

Born in tehran but raised in the U.S., ali Banisadr 

(born 1976) once remarked that his childhood memories, 

particularly of the Islamic revolution, were a mix of 

recognizable and abstract images. the recent works 

in this catalogue, inspired by the art of the persian 

miniature, similarly swarm with characters that 

oscillate between abstract and figurative. 

978-3-901935-46-6 

Flexi, 9 x 11 in. / 60 pgs /21 color. 

U.S. $25.00 CDn $25.00 


Sergej Jensen: Dogs 

Pork sALAd Press 

this volume introduces a new body of work by 

Danish artist Sergej Jensen (born 1973). Known for 

his minimalist textile works and paintings, over a 

five-year period Jensen produced nearly 200 witty, 

surreal and cartoonish drawings of dogs, which 

have never before been published and are collected 

for the first time. 

978-87-91409-63-9 


U.S. $35.00 CDn $35.00 

october/art 

ArT sPeCIALTY 

Ilya Kabakov: A Return to 

Painting 

Raqib Shaw: Of Beasts and 

Super-Beasts 

GALerIe ThAddAeus roPAC, PArIs/sALzburG 

edited by Alessandra bellavita. Text by norman 

rosenthal. 

Calcutta-born, London–based painter raqib Shaw 

(born 1974) builds his mythic universe from earlynineteenth-century 

French colonial art. His mananimal 

characters and fantastic landscapes starts 

as line drawings that are filled in with ink and paint 

and then further enhanced with enamel, lead glass 

and gilding. this volume is published for his first solo 

show in paris. 

978-2-910055-48-6 


U.S. $50.00 CDn $50.00 



kerber 

edited by ulrich krempel. Text by karin hellandsjø, 

Ilya kabakov, ulrich krempel. 

Since about 2000, Ilya Kabakov has been slowly turning 

away from the installation pieces for which he is 

best known to return to his first medium, painting, 

with which he addresses personal experiences from 

the recent past as well as his childhood in Stalin’s Soviet 

Union. this catalogue presents 60 paintings and 

three models for unfinished installations. 

978-3-86678-652-3 


U.S. $69.95 CDn $69.95 

august/art

Figurative Painting 

David Noonan 

JrP|rInGIer 

edited by Lionel bovier. Text by Michael bracewell, 

Jennifer higgie, dominic Molon. 

australian artist David noonan (born 1969) uses 

found imagery as the basis for his screenprinted 

canvases and sculptures. enigmatic figures, printed 

in grainy black and white or sepia, pose in these 

elaborate artworks, invoking covert and futuristic rituals. 

this monograph will be the first comprehensive 

overview of noonan’s work. 

978-3-03764-205-4 


U.S. $55.00 CDn $55.00 

november/art 

Maja Vukoje 


edited by hemma schmutz, Maja vukoje. Text by 

Christian kravagna. 

maja vukoje (born 1969) uses acrylics, oils and 

spray paint in her large-scale paintings, to which 

she applies objects such as hair, glitter, mirrors and 

straw. Her subject matter is influenced by a study 

of the religious practices of afro-american cultures. 

this monograph presents a large selection of recent 

paintings and drawings. 

978-3-86984-301-8 


U.S. $49.00 CDn $49.00 

august/art 

Paulina Olowska 

JrP|rInGIer 

edited by Lionel bovier. Text by Adam szymczyk, 

Jan verwoert. 

paulina olowska’s paintings, collages, and knitted 

works explore Communist poland’s fascination with 

Western consumerism and celebrates the spirit of 

what polish writer Leopold tyrmand called the 

“applied Fantastic,” or the vernacular recreations of 

Western styles—while also paying tribute to american 

pattern and Decoration art of the 1970s. this first 

overview includes an interview with adam Szymczyk 

and an essay by Jan verwoert. 

978-3-03764-287-0 


U.S. $55.00 CDn $55.00 

november/art 

Jochen Plogsties: Art Prize 

Leipziger Volkszeitung 2011 

kerber 

edited by hans-werner schmidt. Preface by bernd 

radestock, hans-werner schmidt. Text by veit 

Görner, britt schlehahn. 

Familiar paintings by such masters as rembrandt, 

vermeer, Ingres and picasso are craftily reinterpreted 

by Leipzig painter Jochen plogsties (born 1974) in this 

introductory monograph. He “copies” in oils not the 

original works, but reproductions of those works as he 

finds them in books, magazines and on the internet. 

978-3-86678-636-3 


U.S. $30.00 CDn $30.00 

august/art 

Uwe Wittwer: Paintings 

hATJe CAnTz 

edited Juerg Judin, etienne Lullin, ben Tufnell. 

the Swiss painter Uwe Wittwer (born 1954) finds the 

source material for his still lifes, interiors, landscapes 

and portraits on the Internet, digitally manipulating 

the images before finally endowing them with texture 

by realizing them through paint on canvas and paper. 

this is the first comprehensive survey of his work. 

978-3-7757-3316-8 


U.S. $75.00 CDn $75.00 

September/art 

Justine Otto: Helter Skelter 

kerber 

Text by Jean-Christophe Ammann, verena Titze. 

polish artist Justine otto (born 1974) depicts in oils 

a simultaneously seductive and disturbing world of 

girls and women. Her characters, wearing knowing 

expressions, engage in mysterious activities, 

operating machinery or lounging in interiors 

upon which the natural world of plants and animals 

seems to encroach. this catalogue collects works 

from the past four years. 

978-3-86678-587-8 


U.S. $45.00 CDn $45.00 

august/art 

Kim Reuter 

JovIsArT 

Text by eckhard hollmann, Christoph Tannert. 

Cologne–based artist Kim reuter (born 1971) paints 

radiant and serene portraits, landscapes, interiors 

and still lifes, infusing them with a delicate and 

obsessively detailed naturalism, and carefully 

capturing the play of light across a mountain-ringed 

lake or the face of a child. this first monograph 

collects her entire oeuvre to date. 

978-3-86859-182-8 


U.S. $40.00 CDn $40.00 

october/art 

Sven Drühl: Strategies 

Against Architectures 

kerber 

edited by Thomas Levy. Text by belinda Grace 

Gardner. 

Strategies Against Architectures collects recent works 

by german painter Sven Drühl (born 1968). there is 

more to his meticulous and reductive landscapes and 

architectural scenes than initially meets the eye; they 

are drawn not from life but are interpretations of works 

by artists from Caspar David Friedrich to ed ruscha. 

978-3-86678-639-4 


U.S. $40.00 CDn $40.00 

august/art 

John Fincher 

rAdIus books 

Text by James Moore, william Peterson, Mira Pajes 

Merriman. 

John Fincher’s paintings of towering poplars, pine 

limbs set against crystalline skies, richly hued desert 

hillsides and cropped prickly pears unravel the 

manifold cultural meanings inscribed within 

representations of the mythic american West. this 

is the first comprehensive volume dedicated to 

Fincher’s 40-year career. 

978-1-934435-53-3 


U.S. $60.00 CDn $60.00 

november/art 

Maik Wolf: Frontier Spirit 

kerber 

Text by Martin engler. Interview by Christoph 

Tannert. 

the buildings that german artist maik Wolf (born 

1964) paints could almost exist in the real world, but 

they are set against backgrounds that are always 

either a little too fantastic or too featureless. Bereft 

of human figures, they nonetheless beckon the viewer 

into a world of precise detail and brilliant color. 

978-3-86678-582-3 


U.S. $50.00 CDn $50.00 

august/art 

ArT sPeCIALTY 

Anja Ganster: Passageways 

kerber 

edited and text by Martin stather, roland scotti. 

anja ganster’s (born 1968) Passageways show halls, 

foyers and passages—“in-between” places that are not 

quite inside or outside. Highly detailed but infused 

with a sense of unreality, these fascinatingly lucid 

paintings are a blend of fact and fiction, dream and 

reality. this volume gathers the series. 

978-3-86678-640-0 


U.S. $40.00 CDn $40.00 

august/art 

Koen Vermeule: Dreamer 

JovIsArT 

Text by eckhard hollmann, Christoph Tannert, 

heike endter. 

Dutch painter Koen vermeule (born 1965) has said 

that the title of one of his paintings, “out and about,” 

would be “a good title for the rest of my work,” as 

his subject material is found from his travels around 

the world. Brightly lit figures in the street and on the 

beach dominate this collection of his paintings. 

978-3-86859-180-4 


U.S. $40.00 CDn $40.00 

october/art 


Figurative Painting & Asian Art 

Cornelia Schleime: 

The Colour, the Body, 

the Face, the Eyes 

kerber 

edited and with text by Jean-Christophe Ammann, 

Anna wesle. 

german artist Cornelia Schleime’s (born 1953) 

most frequent subject is the female form, merging 

or coexisting with the kinds of animals one might 

expect to find in the european countryside—rabbits, 

deer, turtles and fish. Infused with a subtle eroticism, 

her paintings, drawings and watercolors exert a fascination 

that is amply conveyed in this monograph. 

978-3-86678-666-0 


U.S. $49.95 CDn $49.95 

august/art 

Daniel Lezama: Travelers 

JovIsArT 

edited by Juergen krieger. Text by eric Castillo, 

hilario Galguera, Mauricio Galguera, harald kunde, 

francesco Pellizzi. 

Following in the footsteps of the great muralists, 

mexican painter Daniel Lezama’s large-format, epic 

pictorial stories reflect the long, often dark history 

of mexico, as well as its present. His figures appear 

violent and animated, but simultaneously full of hope 

and tender affection. this expansive first monograph 

gathers his best known works. 

978-3-86859-187-3 


U.S. $75.00 CDn $75.00 

october/art 

Cornelia Schleime: 

Zungenschlaf 

Works on Paper 

JovIsArT 

edited by eckhard hoffmann, Juergen krieger. 

Text by wolfgang buescher, Christiane buehling, 

Cornelia schleime. 

Cornelia Schleime’s (born 1953) works on paper depict 

a world in which women morph into antlered 

creatures and rabbits wear hunting coats. Immigrating 

from east germany to the West in 1984, Schleime 

left her early works behind; this catalogue collects her 

work from that year to the present. 

978-3-86859-179-8 


U.S. $55.00 CDn $55.00 

october/art 

Michael Wutz 

kerber 

Preface by Jutta Moster-hoos, friedrich scheele. 

Text by Andreas schalhorn, Alban von stockhausen, 

henriette huldisch. 

michael Wutz’s etchings, sepia drawings and watercolors 

of strange, gloomy scenes crawl with intricate 

details. Hidden among the skulls, gallows trees and 

silhouettes of skylines are references to the cults of 

the dead and burial rituals of other cultures, which are 

extended in the interdisciplinary texts accompanying 

his works. 

978-3-86678-594-6 


U.S. $45.00 CDn $45.00 

august/art 

Yüksel Arslan: Artures 

hATJe CAnTz 

edited by oliver zybok. Text by elodie evers, 

beatrix ruf, oliver zybok, et al. 

Born in Istanbul in 1933, artist Yüksel arslan migrated 

to paris in the early 1960s with the assistance 

of andré Breton, Jean Dubuffet and Jean-paul Sartre, 

where he continues to produce delicate and surreal 

works on paper using pigments he mixes himself 

from plant extracts, oil, charcoal and stone. 

978-3-7757-3306-9 


U.S. $60.00 CDn $60.00 



vienna, austria: Kunsthalle, Spring 2013 

Johannes Steidl: 

Nero d’inferno 

ChArTA 

Text by doris von drathen, Peter Truschner. 

the abstracted, expressionistic animals in Johannes 

Steidl’s (born 1958) ink paintings on canvas, cardboard 

and polyethylene emerge dimly out of the shadows. 

Leaping rabbits, splayed turtles and hunched ravens 

dominate these murky scenes. Nero d’inferno gathers 

Steidl’s work from 2003 to the present. 

978-88-8158-838-1 


U.S. $49.95 CDn $49.95 

September/art 

Zhan Wang: My Personal 

Universe 


edited by Paula Tsai, Cindy Carter, Michelle woo, 

Guo xiaoxia. foreword by Yves Carcelle, Jérôme 

sans. Text by zhan wang, Jérôme sans, Paula Tsai. 

Interviews by Jérôme sans. 

this volume records the making of Chinese artist Zhan 

Wang’s work “my personal Universe.” to create this 

installation, a massive boulder was exploded in mid-air, 

while being filmed from multiple angles. these films 

were projected on the walls of a room in which were 

suspended stainless steel replicas of rock fragments. 

978-988-15064-4-3 


U.S. $24.95 CDn $24.95 


Hong Kong Artists 

20 Portraits 


edited by Cordelia noe, Christoph noe. Text by 

Connie Lam, Anthony Yung, Pauline J. Yao, 

Philip Tinari, kito nedo. 

Hong Kong Artists is the first international publication 

dedicated to a new generation born between 

the late 70s and early 80s, currently emerging in the 

Hong Kong art scene. this catalogue introduces 

20 artists working in a variety of media, including 

nadim abbas, Ho Sin tung, Lam tung-pang, tsang 

Kin-Wah, Wong Wai Yin and adrian Wong. 

978-3-86984-322-3 


U.S. $60.00 CDn $60.00 


Lin Jingjing: The Method of 

Paradox 


Text by Gu zhengqing. Interview by Mi zhuang. 

Lin Jingjing (born 1970) is one of only a few women 

artists visibly active in the contemporary Chinese art 

scene, and her work accordingly addresses the complexities 

of female identity in contemporary China. 

Her paintings, photos, sculptures and installations 

incorporate “women’s work” such as sewing. this 

volume records her two-decade-plus career to date. 

978-988-15063-9-9 


U.S. $60.00 CDn $60.00 


Focus Asia 

Insights into the Wemhöner Collection 

ArT sPeCIALTY 

172 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com 1.800.338.2665 artBooK.Com 173 

kerber 

edited by Philipp bollmann. Text by ulrike Münter. 

Focus Asia is the first publication in a series on 

works from the Wemhöner Collection, specializing 

in works in all media by asian artists and asian-influenced 

Western art. this volume includes artists such 

as nobuyoshi araki, Hai Bo, island6, Isaac Julien, 

richard Serra, Wei guangqing, Yang Fudong, Yue 

minjun and Zuoxiao Zuzhou. 

978-3-86678-588-5 


U.S. $55.00 CDn $55.00 


Beijing Commune 2006–2011 


Introduction by Leng Lin. 

Founded by independent curator and writer, Leng 

Lin, the Beijing Commune art space has hosted over 

30 exhibitions over the past five years, by major 

Chinese artists such as Yin xiuzhen, Song Dong, 

Zhang xiaogang, Yue minjun and Zhao Bandi. Shows 

at the space have frequently served as springboards 

for Chinese artists to enter the international art world. 

978-988-15063-2-0 


U.S. $60.00 CDn $60.00 


Visual Anxiety 

LA fábrICA/fundACIón TeLefónICA 

this volume looks at the relationship between image 

production and conditions of anxiety across the 

booming economies of asia, from Korea to China to 

Japan. Contributing artists include Wang guofeng, 

Lee Yongbaek, matteo Basile, Chen Wei, Liu Bo, miao 

xiaochun, Jitish Kallat, nobiyoshi araki, marcos 

Chaves and Wu Daxin. 

978-84-15303-71-8 


U.S. $50.00 CDn $50.00 

September/art/asian art & Culture

Group Exhibitions 

Closer than Fiction 

American Visual Worlds Around 1970 


edited and with introduction by brigitte franzen, Anna 

sophia schultz. foreword by Isabel Pfeiffer-Poensgen, 

hortensia völckers. Text by kathrin barutzki, et al. 

Closer than Fiction serves as the reading companion 

to the 2011 Hyper Real exhibition of photorealist 

art held at the Ludwig Forum für Internationale 

Kunst in germany. Scholarly essays place american 

hyperrealism and photorealism in a comprehensive 

art historical context. Installation photos of the 

exhibition illustrate the text. 

978-3-86335-119-9 


U.S. $40.00 CDn $40.00 

august/art/nonfiction Criticism 

The Circus as a Parallel 

Universe 


Preface by Gerald A. Matt. Text by birgit Peter, 

Matthias Christen, verena konrad. Interview by 

Gerald A. Matt, verena konrad. 

The Circus as a Parallel Universe takes the circus as a 

metaphor for the art world—a platform for transgression 

against the existing world order. artists brought 

forward to exemplify this perspective include Diane 

arbus, matthew Barney, alexander Calder, roni 

Horn, Bruce nauman, Ulrike ottinger, marion peck, 

Ugo rondinone, Joe Scanlan and Cindy Sherman. 

978-3-86984-317-9 


U.S. $65.00 CDn $65.00 

august/art 

Creative Ireland 

The Visual Arts 


edited by noel kelly, seán kissane. 

Creative Ireland provides a rigorous appraisal of 

Irish contemporary visual arts practice across all 

forms of media. It profiles 100 leading Irish visual 

artists active between 2000–2011, including gerard 

Byrne, Dorothy Cross, Blaise Drummond, mcDermott 

& mcgough, tom molloy, richard mosse, Clive 

murphy, Seamus nolan, alan phelan, Hannah 

Starkey and Donovan Wylie. 

978-1-907683-11-4 


U.S. $20.00 CDn $20.00 

July/art 

Stroll 

JrP|rInGIer 

edited by balthazar Lovay. Text by daniel baumann, 

balthazar Lovay. 

Invited to curate an exhibition at the museum Le 

manoir de matigny in Switzerland, artist Balthazar 

Lovay displayed the work of 60 artists, photographers 

and press cartoonists among a collection of artifacts, 

mixing works of different genres and time periods. 

thus a piece by artist duo guyton/Walker is seen 

alongside fourteenth-century religious sculpture, 

among other combinations. 

978-3-03764-284-9 


U.S. $15.00 CDn $15.00 

July/art 

Thinking Europe: 

The Scenario Book 

JovIsArT 

edited by barbara steiner. 

Thinking Europe: The Scenario Book is a curatorial 

project that aims to construct a representation of 

the european community from the perspective of the 

arts. ten curators from europe and asia were asked 

to participate by contributing three scenarios each— 

proposals for projects to be implemented in various 

cities across europe. 

978-3-86859-188-0 


U.S. $40.00 CDn $40.00 

october/art 

Ironic 

The Subtle Irony of Art 

kerber 

edited by Claudia emmert. Text by Claudia emmert, 

susanne witzgall, Jens kulenkampff. 

this volume explores the many applications of irony 

in art, from matters of gender to depictions of nature 

and self-reflexivity. the contributing artists are 

John Bock, Shannon Bool, thorsten Brinkmann, 

mark Dion, anton Henning, Brigitte Kowanz, ragnar 

Kjartansson, peter Land, patrick mimran, ahmet 

Öğüt, Şener Özmen and Claude Wall. 

978-3-86678-433-8 

Hbk, 8 x 10.5 in. / 128 pgs / 88 color / 1 b&w. 

U.S. $45.00 CDn $45.00 

august/art 

Audience as Subject 

YerbA buenA CenTer for The ArTs 

Text by betti-sue hertz, nick kaye, Gabriella Giannachi, 

Andrew weiner, stephen wright. 

Audience as Subject is the catalogue to a two-part 

exhibition that considers the audience broadly as a 

living organism of participating viewers of live events. 

the two parts, “part 1: medium” and “part 2: extra 

Large” examine audiences at gatherings of corresponding 

sizes. participating artists include andreas 

gursky, ryan mcginley, paul pfeiffer and melanie 

Smith. 

978-0-9826789-5-4 


U.S. $27.00 CDn $27.00 

July/art 

Expanded Territory 

kerber 

Text by zdenek felix, Julia höner, Julia schleis, 

Monika schnetkamp, Thomas wulffen. 

the four artists in Expanded Territory—agnieszka 

Brzezanska, giulio Frigo, eva Kotátková and aïda 

ruilov—hail from poland, Italy, the Czech republic 

and the United States, respectively, but were all 

born between the 70s and early 80s, placing them 

within a generation united by its experience of 

radical change in social political systems, an 

influence this volume examines. 

978-3-86678-554-0 


U.S. $29.95 CDn $29.95 

august/art 

Body as Protest 

hATJe CAnTz 

edited by klaus Albrecht schröder, walter Moser. 

Text by walter Moser, Christina natlacen. 

Body as Protest highlights the photographic representation 

of the human body as a radical expression 

of protest against social, political and aesthetic 

norms. Centering on a series by John Coplans, it 

also includes works by Hannah Wilke, Ketty La 

rocca, Hannah villiger, Bruce nauman, robert 

mapplethorpe and tatiana Lecomte. 

978-3-7757-3423-3 


U.S. $45.00 CDn $45.00 

December/art/photography 


vienna, austria: albertina, 09/05/12–12/02/12 

Past Desire 

kerber 

edited by beate ermacora, Jürgen Tabor. Preface by 

beate ermacora. Text by Julia brennacher, Lotte 

dinse, beate ermacora, Christina nägele, Jürgen 

Tabor, Moshe zuckermann. 

Investigating the fickleness of personal memory 

and the influence of the unconscious upon memory, 

Past Desire brings together ten international artists 

who work with the themes of history and memory: 

Yael Bartana, Ulla von Brandenberg, Chen Chieh-Jen, 

martin gostner, Franz Kapfer, anne-mie van Kerckhoven, 

David makjkovic, rosell meseguer, Lorraine 

o’grady and margaret Salmon. 

978-3-86678-608-0 


U.S. $35.00 CDn $35.00 

august/art 

Coming After 

The Power PLAnT 

Text by Jon davies, sharon hayes, zoe Leonard. 

Coming After looks at the work of artists who “came 

after” the queer politics and aIDS activism of the 

mid-1980s to early 1990s: Ulrike müller, Jimmy 

robert, pauline Boudry/renate Lorenz, aleesa Cohene, 

glen Fogel, onya Hogan-Finlay, Christian Holstad, 

Danny Jauregui, adam garnet Jones, Jean-paul 

Kelly, tim Leyendekker, Benny nemerofsky ramsay, 

James richards, emily roysdon, Dean Sameshima, 

Jonathan vanDyke and Susanne m. Winterling. 

978-1-894212-35-9 


U.S. $26.00 CDn $26.00 

July/art/gay & Lesbian 

Utopia Gesamtkunstwerk 


ArT sPeCIALTY 

edited by Agnes husslein-Arco, harald krejci, 

bettina steinbrügge. 

Utopia Gesamkunstwerk presents a contemporary 

perspective on the historical idea of the Gesamkunstwerk, 

or total work of art, first defined by Wagner as 

an art that unites all art forms. Works by 50 artists 

from the 1950s to today are included, from marcel 

Broodthaers, Daniel Buren and martin Kippenberger 

to valie export and gelitin. 

978-3-86335-140-3 


U.S. $49.95 CDn $49.95 

august/art 


Group Exhibitions & Collections 

Object Atlas 

Fieldwork in the Museum 

kerber 

edited by Clémentine deliss. Text by Lothar baumgarten, 

Clémentine deliss, Mathis esterhazy, hubert 

fichte, vanessa von Gliszczynski, et al. 

Object Atlas presents objects from the Weltkulturen 

museum’s ethnographic collection alongside new 

works produced by eight artists who lived and worked 

in the museum’s laboratory during 2011: alf Bayrle, 

Helke Bayrle, thomas Bayrle, marc Camille 

Chaimowicz, Sunah Choi, antje majewski, otobong 

nkanga, Simon popper and Hans-Jürgen Heinrichs. 

978-3-86678-651-6 


U.S. $47.50 CDn $47.50 

august/art 

Town-Gown Conflict 

JrP|rInGIer 

edited by beatrix ruf. Text by Constance barrère dangleterre, 

Catriona duffy, kris krimpe, Lucy Mceachan, 

Lucy Mckenzie, Anne Pontegnie, Isabella Anna-Maria 

ritter, Philipp Traun, beatrix ruf, Peter York. 

Town-Gown Conflict records an exhibition held at 

Zürich’s museum Bärengasse of textiles by women 

artists and designers who explore the social ramifications 

of couture and industrial/manual fabric production. 

participating artists include Lucy mcKenzie, 

verena Dengler, Lucile Desamory, Caitlin Keogh, Beca 

Lipscombe, pelican avenue and elizabeth radcliffe. 

978-3-03764-288-7 


U.S. $35.00 CDn $35.00 

September/art/Fashion 

Frauenzimmer 

kerber 

edited by stefanie kreuzer. Preface by Markus 

heinzelmann. Text by Lilian haberer, stefanie 

kreuzer. 

this volume present works by seven women who 

work in the field of conceptual sculpture: Sara Barker, 

Carol Bove, Karla Black, thea Djordjadze, Isa 

genzken, Kitty Kraus and tatiana trouvé. varying in 

approach from installation to processual works and 

found objects, each of these artists has significantly 

expanded the terms of contemporary sculpture. 

978-3-86678-586-1 


U.S. $45.00 CDn $45.00 

august/art 

The Great Subtraction 

By Gabriele Guercio. 

AsA PubLIshers 

Since at least the 1960s, Italian artists have resisted 

creating art that expresses a national identity, 

making “Italian art” elusive to define. this quality 

of “subtraction” is examined here in the work of 

giovanni anselmo, elisabetta Benassi, gino De 

Dominicis, Francesco matarrese, marisa merz, Luigi 

ontani, Cesare pietroiusti, michelangelo pistoletto 

and emilio prini. 

978-94-6117-016-3 


U.S. $32.00 CDn $32.00 


Cass Sculpture Foundation 

20 Years of Commissioning Large Scale 

Sculpture 

hATJe CAnTz 

Since its inception in 1992, the Cass Sculpture Foundation 

has commissioned and exhibited over 400 

works from important contemporary artists including 

anthony Caro, tony Cragg, andy goldsworthy, marc 

Quinn, Kiki Smith, gavin turk, marianne vitale and 

rachel Whiteread. these have been displayed across 

the Foundation’s 26 acres of woodland in West Sussex, 

in the U.K. this volume surveys the collection. 

978-3-7757-3427-1 


U.S. $85.00 CDn $85.00 

September/art 

Resonance and Silence 

Goetz Collection in the Haus der Kunst 

hATJe CAnTz 

Text by okwui enwezor, Ingvild Goetz, León krempel, 

et al. 

Resonance and Silence is the third volume in a series 

produced in collaboration between the goetz Collection 

and munich’s Haus der Kunst. the theme of 

this latest installment is the role of sound, music and 

accompaniment in the context of moving pictures. 

participating artists include Yael Bartana, David 

Claerbout, Christian marclay and Wolfgang tillmans. 

978-3-7757-3288-8 

Hbk, 7 x 8.75 in. / 112 pgs / 101 color / 13 b&w. 

U.S. $40.00 CDn $40.00 SDnr30 

august/art 

Valeria Napoleone’s Catalogue 

of Exquisite Recipes 


Text by valeria napoleone, barry schwabsky. 

the collector valeria napoleone has made a name for 

herself by exclusively collecting the work of living 

women artists, but she has no other limitations—just 

that the work be something she wants to “live with.” 

With this book, she combines her two chief passions, 

pairing her favorite artworks with recipes from her 

homeland, Italy. 

978-3-86335-124-3 


U.S. $59.95 CDn $59.95 

august/art 

The Hubert Looser 

Collection 

hATJe CAnTz 

edited by Ingrid brugger, florian steininger. Text by 

evelyn benesch, heike eipeldauer, Lisa kreil, et al. 

With its emphasis on abstract expressionism, 

minimalism and arte povera, the Fondation 

Hubert Looser is one of the most outstanding private 

collections of modern and contemporary art in 

Switzerland. this publication gathers works by 

Willem de Kooning, John Chamberlain, Cy twombly, 

David Smith, agnes martin, giuseppe penone, 

arshile gorky, alberto giacometti, pablo picasso, 

anselm Kiefer and many others. 

978-3-7757-3235-2 


U.S. $55.00 CDn $55.00 

September/art 

Ca’ Corner della Regina, 

Fondazione Prada 

ProGeTTo PrAdA ArTe srL 

edited by Germano Celant. 

the Fondazione prada vigorously supports the contemporary 

arts through exhibitions, installations and 

publications. this volume documents the breadth of 

its activities, from its preservation work on the eighteenth-century 

building housing its venice exhibition 

space, to collaborations with artists such as thomas 

Demand, to its special collection, including works by 

Louise Bourgeois, Donald Judd, Jeff Koons, Frank 

Stella, Damien Hirst and many more. 

978-88-87029-53-6 

Flexi, 8.5 x 11 in. / 400 pgs / illustrated throughout. 

U.S. $80.00 CDn $80.00 

august/art 

Rectangle and Square 

Rupf Collection 2 

kerber 

edited by hermann rupf, Margrit rupf. Text by 

Matthias frehner, susanne friedli, et al. 

Rectangle and Square provides a comprehensive view 

of the holdings of Hermann and margrit rupf—one of 

the most important european collections of modern 

art, not least because many of the works were acquired 

in the year of their creation. pieces by Hans arp, 

Joseph Beuys, george Braque, andré Derain, Lyonel 

Feininger, Lucio Fontana, Donald Judd, Ilya Kabakov, 

Wassily Kandinsky and many others are included. 

978-3-86678-581-6 


U.S. $59.95 CDn $59.95 

august/art 

Julia Stoschek Collection, 

Number Five 

Cities of Gold and Mirrors 

hATJe CAnTz 

this publication documents new works acquired for 

the Julia Stoschek Collection, as well as site-specific 

interventions in its exhibition space. Featured artists 

include Francis alÿs, olafur eliasson, Cyprien gaillard, 

andreas gursky, nancy Holt, mark manders, gordon 

matta-Clark, robin rhode, Christoph Schlingensief, 

Wolfgang tillmans, andro Wekua, Christoph Westermeier, 

tobias Zielony and many others. 

978-3-7757-3308-3 


U.S. $60.00 CDn $60.00 SDnr30 

august/art 

The Language of Less 

(Then and Now) 

ArT sPeCIALTY 


foreword by Madeleine Grynsztejn. Text by Michael 

darling, david raskin. 

The Language of Less (Then and Now) accompanies 

an exhibition at mCa Chicago inspired by the 

museum’s rich holdings of minimalist and postminimalist 

art of the 60s and 70s. these are 

complemented by works from a younger generation 

of artists, such as Leonor antunes, Carole Bove, 

Jason Dodge, gedi Sibony and oscar tuazon. 

978-0-933856-91-2 


U.S. $29.95 CDn $29.95 

august/art 


Group Exhibitions, Fairs & Biennales 

Color in Flux 

kerber 

edited by Peter friese. Preface by bernd neumann, 

Jens böhrnsen. Text by Guido boulboullé, et al. 

Color in Flux examines how artists have deployed 

free-flowing color. the works of leading abstract 

expressionist and color-field painters are combined 

with more contemporary works: among those included 

are ai Weiwei, John Baldessari, Willi Baumeister, 

Lynda Benglis, Katharina grosse, Kitty Kraus, Joseph 

marioni, Bernhard martin, paul mcCarthy, Sigmar 

polke, Jackson pollock, gerhard richter, Dieter roth, 

thomas ruff and oskar Schlemmer. 

978-3-86678-595-3 


U.S. $59.95 CDn $59.95 

august/art 

Public Art Vienna 

Departures, Works, Interventions 


edited by roland schöny. Text by Christian höller, 

Gaby Gappmayr, Annelie Pohlen, roland schöny. 

vienna has hosted a number of ambitious collaborative 

public art projects in recent years, started by the 

public art vienna program. this volume gives an 

overview of the initiative, documenting installations 

by artists such as peter Fattinger, Heinz gappmayr, 

Liam gillick, maria Hahnenkamp, oliver Hangl, Ken 

Lum, Inés Lombardi, veronika orso, michael rieper 

and Franziska and Lois Weinberger. 

978-3-86984-188-5 


U.S. $55.00 CDn $55.00 

august/art 

Fresh Paint 

ChArTA 

edited by selene wendt. Text by Paco barragán, 

Tommy olsson, Michele robecchi, Trevor 

schoonmaker, selene wendt. 

Fresh Paint brings together an international group 

of contemporary painters whose use of that most 

traditional of media is as fresh and challenging as 

any work being done in photography, video or 

installation. participating artists include Katharina 

grosse, Barkley Hendricks, Brad Kahlhamer, Kerry 

James marshall, Julie mehretu, Wangechi mutu, 

elizabeth peyton and Kehinde Wiley. 

978-88-8158-844-2 


U.S. $47.50 CDn $47.50 

September/art 

CyberArts 2012 

hATJe CAnTz 

edited by hannes Leopoldseder, Christine schöpf, 

Gerfried stocker. Text by hannes Leopoldseder, 

Christine schöpf. 

Since its inception in 1987, the prix ars electronica, 

the world’s most highly remunerated digital arts 

award, has been an annual barometer of trends in 

digital creativity, and continues to be a trailblazer 

in discovering technologically innovative art. 

this book documents outstanding works from the 

prix ars electronica 2012, and includes a DvD, 

plus reproductions of works and texts by artists. 

978-3-7757-3435-6 


U.S. $75.00 CDn $75.00 

november/art 

BMW Art Guide by 

Independent Collectors 

hATJe CAnTz 

Text by silvia Anna barrilà, nicole büsing, heiko 

klaas, Christiane Meixner, Andreas schmid. 

published with the internationally esteemed initiative 

Independent Collectors, this volume compiles more 

than 150 private contemporary art collections all over 

the world that are open to the public. more than 4,000 

collectors from over 85 countries have registered 

with Independent Collectors, and the BMW Art Guide 

includes more than 17,200 artworks in over 1,600 

private online exhibitions. 

978-3-7757-3259-8 


U.S. $30.00 CDn $30.00 

September/art 

Ars Electronica 2012 

The Big Picture 

hATJe CAnTz 

edited by hannes Leopoldseder, Christine schöpf, 

Gerfried stocker. Text by Gerfried stocker, et al. 

Since 1987, the prix ars electronica has served as an 

interdisciplinary platform for everyone who uses the 

computer as a universal medium for implementing 

and designing their creative projects at the interface 

of art, technology and society. this volume records 

the proceedings and prizes of prix ars electronica 

2012, for which the festival is collaborating with the 

prestigious Cern institute. 

978-3-7757-3434-9 


U.S. $45.00 CDn $45.00 

november/art 

The 18th Biennale of Sydney 

All Our Relations 

The 18Th bIennALe of sYdneY 

edited by Catherine de zegher, Gerald McMaster. 

Text by Catherine de zegher, Gerald McMaster, 

Jean fisher, bruno Latour, Michael hardt, everlyn 

nicodemus, erin Manning, brian Massumi, et al. 

this full-color catalogue provides a thorough record 

of the 18th Biennale of Sydney, its artists and the ideas 

that inform it. the publication features a number of 

commissioned essays by leading international writers, 

as well as information on the participating artists and 

exhibition venues. 

978-0-646-57199-7 


U.S. $50.00 CDn $50.00 

august/art 

Frieze Art Fair 

London Catalogue 

frIeze 

published for the annual Frieze art Fair in London, 

this volume is an indispensable publication for anyone 

interested in contemporary art, and features critical 

texts and biographical notes on over 170 emerging 

and established artists written by acclaimed art critics 

and curators. these artist profiles are accompanied 

by multiple color reproductions of the artists’ work. 

978-0-9553201-9-4 

Flexi, 9 x 11 in. / 500 pgs / illustrated throughout. 

U.S. $39.95 CDn $39.95 

october/art 

7th Berlin Biennale for 

Contemporary Art 

Forget Fear 


edited by Artur Żmijewski, Joanna warsza. 

this reader accompanies the seventh Berlin Biennale 

for Contemporary art, with text and interviews that 

address the premise of this year’s iteration: How can 

art transform politics and bring about real change in 

our society? Contributors include paweł althamer, 

Yael Bartana, Christian Boltanski, Jón gnarr, teresa 

margolles, Srđa popović, Fernando vallejo and voina. 

978-3-86335-129-8 

Flexi, 6 x 8.5 in. / 416 pgs / 19 color / 32 b&w / 

audio CD 

U.S. $45.00 CDn $45.00 

august/art 

Manifesta 9 

The Deep of the Modern 


Text by Cuauhtémoc Medina, dawn Ades, 

katerina Gregos. 

the 2012 manifesta—the nomadic european Biennial 

of Contemporary art—explores the impact that industrial 

practices such as the production of coal have had 

on some of the most innovative artists of the twentieth 

and twenty-first centuries. this catalogue to the biennial 

is loosely based on the format of an encyclopedia. 

978-88-366-2326-6 


U.S. $50.00 CDn $50.00 

September/art 

ArT sPeCIALTY 

Art Basel Miami Beach 2012 

6-9 Dec 2012 

hATJe CAnTz 

art Basel miami Beach is the american sister-event 

of art Basel in Switzerland, the most important 

annual art fair in the world. at art Basel miami 

Beach, an exclusive selection of 260 leading art 

galleries from north america, Latin america, europe, 

South africa and asia will exhibit art of the twentieth 

and twenty-first centuries by over 2,000 artists. art 

Basel miami Beach has established itself as a new 

kind of cultural event, combining the vibrancy of an 

international art show with an exciting program of 

special exhibitions, parties and crossover events 

reaching into the realms of music, film, architecture 

and design. this accompanying catalogue, with 

around 330 color illustrations, is a valuable tool for 

understanding current art trends and the prevailing 

international art market. It is an essential reference 

book for all art professionals and collectors, with 

a special focus on the art world of the americas. 

978-3-7757-3388-5 


U.S. $70.00 CDn $70.00 

December/art 




Roger Ballen: 

Animal Abstraction 

refLex edITIons 

Introduction by wim Pijbes. 

Animal Abstraction collects one body of work by 

photographer roger Ballen (born 1950). enigmatic, 

beautiful and often disturbing, these black-and-white 

photographs are staged in desolate interiors where 

humans interact with animals to create mysterious 

tableaux that reflect Ballen’s fascination with the 

animal kingdom. 

978-90-71848-00-1 

Hbk, 12 x 12.25 in. / 100 pgs / 49 tritone. 

U.S. $79.95 CDn $79.95 

available/photography 

Nora Bibel: Que Huong 

kerber 

edited by nora bibel. Text by Ingo schöningh, 

kristina stang. 

over the course of numerous trips to vietnam, 

nora Bibel (born 1971) photographed and interviewed 

various people who had lived in germany for several 

years but had since returned to vietnam. Que Hong 

offers a portrait of the human negotiation of displacement 

and home. 

978-3-86678-625-7 


U.S. $45.00 CDn $45.00 

august/photography/asian art & Culture 

Andrea Stappert: 

Under the Radar 

Photographs 1985–2011 

kerber 

edited by Andrea stappert. Text by Jonathan dronsfield, 

Marc Glöde, veith Loeers, Julie sylvester. 

german artist andrea Stappert (born 1958) has made a 

life’s work of documenting the art world’s most interesting 

personalities. originally trained as a painter, her 

first photographs were of fellow artist and friend martin 

Kippenberger. those portraits appear here alongside 

those of peter Doig, Lawrence Wiener, pipilotti rist, 

rikrit tirvanija, Jonathan meese and many others. 

978-3-86678-568-7 


U.S. $85.00 CDn $85.00 


Claudia Rogge: EverAfter 

hATJe CAnTz 

Text by Carl Aigner, david Galloway, ralph Gueth. 

the large tableaux in Claudia rogge’s new series 

EverAfter correspond to passages in Dante’s Divine 

Comedy. recalling classic religious art with their 

complex but cohesive compositions, the scenes take 

one from hell to purgatory and into heaven, acted out 

by masses of nude bodies stitched together digitally 

into elaborate collages. 

978-3-7757-3303-8 


U.S. $55.00 CDn $55.00 

august/art 

Carina Linge 

kerber 

Preface by ulla seeger, Monique förster, Cornelia 

nowak. Text by klaus honnef, silke feldhoff. 

the luminous photographs of Carina Linge (born 

1976) reference the classic still life and memento 

mori: glass bottles overflow with flowers just beginning 

to droop, and the light plays off the contrasting 

textures of a cut lemon and a dish of sardines. 

Her solemn portraits, although clearly of modern-day 

women, express the quietude of a vermeer. 

978-3-86678-542-7 


U.S. $49.95 CDn $49.95 


Wilma Hurskainen: Heiress 

kerber 

edited by wilma hurskainen. Text by Ann-Christin 

bertrand. 

this monograph on young Helsinki School photographer 

Wilma Hurskainen (born 1979) includes her 

No Name series, which explores themes of childhood 

and memory. Hauntingly beautiful and enigmatic 

portraits in interiors and the natural world are 

linked with short texts that situate them as childhood 

memories, both real and fabricated. 

978-3-86678-604-2 


U.S. $40.00 CDn $40.00 


Ziad Antar: Portrait of a 

Territory 

ACTes sud 

Text by Christine Macel. 

this volume presents a seven-year project by 

Lebanese photographer Ziad antar (born 1978), for 

which he recorded the coastline of the United arabic 

emirates between 2004 and 2011. Portrait of a 

Territory tells the story of an economic boom and its 

shortcomings through images of both monumental 

architectural structures and the abandoned work sites 

of unfinished construction projects. 

978-2-330-00527-6 


U.S. $49.95 CDn $49.95 

august/photography/middle eastern art & Culture 

Robert Knoth & Antoinette 

de Jong: Poppy 

Trails of Afghan Heroin 

hATJe CAnTz 

edited by Iris sikking. Text by Antoinette de Jong, 

robert knoth. 

roberth Knoth and antoinette de Jong spent two 

decades documenting the historic Silk road that once 

linked east asia and the West, covering the rise of the 

taliban, the american intervention after September 11, 

2001, and the recent surge in opium production. Beginning 

in afghanistan and ending in London, the photographs 

reveal yet another dark side of globalization. 

978-3-7757-3337-3 


U.S. $60.00 CDn $60.00 


Martin Roemers: 

The Eyes of War 

hATJe CAnTz 

Text by Cees nooteboom, Martin roemers, et al. 

Having made a portrait of a blind war victim, martin 

roemers (born 1962) realized there was a tremendous 

potency in the image, and began to make photographs 

of thousands of people who had lost their eyesight 

as children or young soldiers during the Second 

World War. The Eyes of War features around 40 

portraits of war victims from germany, great Britain, 

the netherlands, Belgium, the Ukraine and russia. 

978-3-7757-3400-4 

Hbk, 9.75 x 11 in. / 128 pgs / 38 duotone. 

U.S. $55.00 CDn $55.00 


Nicolas Henry: The Playhouses 

of Our Grandparents 

ACTes sud 

nicolas Henry’s The Playhouses of Our Grandparents 

is a portrait of the older generation across the world, 

from France to vanuatu via India, Brazil, morocco, 

new Zealand and Sweden. For each portrait, some 

sort of shack or temporary shelter was constructed 

using the subject’s familiar possessions. this volume 

reproduces a selection of these portraits, taken over 

the past five years. 

978-2-330-00084-4 


U.S. $55.00 CDn $55.00 


Mathias Braschler & Monika 

Fischer: China 

hATJe CAnTz 

PhoToGrAPhY sPeCIALTY 

foreword by Jonathan watts. Text by Mathias 

braschler, Monika fischer. 

For their 19,000-mile journey across China, Swiss 

photographers monika Fischer and mathias 

Braschler made one portrait every day. the resulting 

series of documentary photos depicts both the 

winners and losers of the country’s economic 

transformations, from the small farmer who still 

plows his fields with water buffaloes to the wealthy 

yacht club owner posing with his Lamborghini. 

978-3-7757-3336-6 


U.S. $60.00 CDn $60.00 


Lekha Singh: Pop Up Pianos 


dAMIAnI 

pop-Up pianos was a 2011 initiative of the nonprofit 

arts group Sing for Hope, originated by the artist 

Luke Jerram, for which 88 grand and upright pianos— 

one for each key on the keyboard—were decorated by 

artists ranging from Isaac mizrahi and Diane von 

Furstenberg to olek to public school children. these 

pianos were then placed outdoors in all five of new 

York’s boroughs for a period of two weeks. photographer 

Lekha Singh’s documentation of this event— 

the world’s largest street piano installation to date— 

capture the revels and the euphoria of the project. 

978-88-6208-233-4 


U.S. $50.00 CDn $50.00 

September/photography

Photography from Spain & Northern Europe 

Francesc Català-Roca: 

PHotoBolsillo 

LA fábrICA 

Text by Luis revenga. 

the career of Spanish photographer Francesc 

Català-roca (1922–1998) receives a concise overview 

in this PHotoBolsillo pocket monograph. the first 

half of his adult life was spent under the Franco 

dictatorship, and he is best known for his photographs 

from the 1950s and 60s, capturing the spirit 

of postwar Spain in its city streets. 

978-84-15303-63-3 


U.S. $20.00 CDn $20.00 


Ricardo Cases: 

PHotoBolsillo 

LA fábrICA 

Text by Luis López navarro. 

this volume in the pHotoBolsillo series features the 

work of contemporary Spanish photojournalist 

ricardo Cases (born 1971). His work is distinguished 

by a use of intense colors, whether he is documenting 

traditional activities in rural Spain or gently poking 

fun at the peculiarities of city living. 

978-84-15303-64-0 


U.S. $20.00 CDn $20.00 


Chema Madoz: 

PHotoBolsillo 

LA fábrICA 

foreword by fernando Castro flórez. 

this new volume in the pHotoBolsillo series features 

the work of Spanish photographer Chema madoz 

(born 1958), best known for precise and luminous 

surreal still lifes in black and white. With wry humor, 

he creates visual jokes and puns: a spoon casts 

the shadow of a fork or a burnt match becomes a 

thermometer bulb. 

978-84-15303-62-6 


U.S. $20.00 CDn $20.00 


Isabel Muñoz: 

PHotoBolsillo 

LA fábrICA 

one of the most renowned female contemporary 

photographers in Spain, Isabel muñoz (born 1951) 

makes color and black-and-white photographs that 

offer an exploration of the body in motion—particularly 

bodies of dancers, as in her series on the traditional 

forms of tango and flamenco. Her work is 

surveyed in this PHotoBolsillo pocket monograph. 

978-84-15303-65-7 


U.S. $20.00 CDn $20.00 


Rosa Muñoz: 

Constructed Memories 

LA fábrICA 

Text by francisco Carpio. 

With her new photographic series and video 

installation, together called Constructed Memories, 

Spanish photographer rosa muñoz (born 1963) honors 

the modest charm of the urban shop in contrast to 

the alienation of the superstores and shopping malls 

that are increasingly prevalent across the world. this 

volume documents the project. 

978-84-15303-77-0 

Flexi, 10.75 x 12.5 in. / 96 pgs /illustrated throughout. 

U.S. $50.00 CDn $50.00 


Lluís Bussé: Barcelona’s 

Multiverse 

dAMIAnI 

Lluis Bussé’s black-and-white photographs of iconic 

sights around the city of Barcelona come with a 

twist: this is the Barcelona of a parallel universe. each 

image is a collage creating surprising conjunctions. 

the book also contains texts from scientists around 

the world, as well as Bussé’s own story. 

978-88-6208-220-4 


U.S. $40.00 CDn $40.00 


Dag Alveng: Racing 

forLAGeT Press 

norwegian photographer Dag alveng’s new project, 

Racing, has allowed him to combine his vocation 

of photography with his passion for car racing 

(specifically 1980s Italian motorcars). alveng’s 

lustrous black-and-white images of these classic 

cars and their finely sculpted components reveal 

them as works of art in themselves. 

978-82-7547-534-1 


U.S. $75.00 CDn $75.00 


Marcus Schwier: Intérieurs 

kerber 

edited by stefan feucht. Preface by eduard v. 

habsburg-Lothringen. 

In Interiors, photographer marcus Schwier takes the 

viewer inside baroque palaces in germany, austria 

and Switzerland. after grand depictions of magnificent 

reception halls, Schwier portrays more private scenes, 

rooms in the midst of restoration projects and living 

spaces with the humble signs of actual habitation, 

like jumbled childrens’ toys or half-completed ironing. 

978-3-86678-601-1 


U.S. $55.00 CDn $55.00 


Corinne L. Rusch: 

Transient Confessions 

kerber 

edited by Corinne L. rusch. Text by virgina 

dellenbaugh. 

Transient Confessions explores the fascinating and 

surreal world of the major grand hotels in Switzerland 

and northern Italy, where the rich and beautiful have 

gathered since the middle of the nineteenth century. 

rusch’s staged photographs of glamorous women in 

states of ennui or drunken collapse recall the heyday 

of these fin-de-siècle settings. 

978-3-86678-644-8 


U.S. $37.50 CDn $37.50 


Karen Knorr 

LA fábrICA/unIversIdAd de CórdobA 

Text by quentin bajac, kathy kubicki, Alfonso 

de la Torre. 

this catalogue accompanies the first retrospective 

of Karen Knorr (born 1954), winner of the Fifth pilar 

Citoler International Contemporary photography 

award. the full range of her 35 years of work is 

presented here, from Punks (1976–1977), Gentlemen 

(1981–1983) and Connoisseurs (1986–1990), to 

Academies (1994–2005), Fables (2003–2008) and 

India Song (2008–2011). 

978-84-15303-66-4 


U.S. $45.00 CDn $45.00 



Wilhelm Schürmann: 

Road Map to Happiness 

Pictures of a Street, 1979–1981 

hATJe CAnTz 

Text by Gabriele Conrath-scholl. 

Wilhelm Schürmann (born 1946) took the photographs 

in Road Map to Happiness between 1979 and 

1981, on the street on which he grew up in the city of 

Dortmund, germany. published here for the first time, 

Schürmann’s black-and-white images of storefront 

displays and living rooms present a funny and 

moving portrait of postwar germany. 

978-3-7757-3309-0 


U.S. $75.00 CDn $75.00 


Joaquim Gomis: 

The Oblique Gaze 

LA fábrICA/fundACIó JoAn MIró 

edited by Juan naranjo. 

The Oblique Gaze charts the career of Spanish 

photographer Joaquim gomis (1902–1991), placing 

particular emphasis on his “photoscopes,” albums in 

which he developed a language somewhere between 

that of the cinema and of reportage to document 

the work of contemporaries such as Joan miró, 

antoni tàpies and antoni gaudí. 

978-84-15303-70-1 


U.S. $50.00 CDn $50.00 




Yann Mingard: Repaires 

hATJe CAnTz 

Text by nathalie herschdorfer, Phillip Prodger. 

trained as a horticulturalist, Swiss photographer 

Yann mingard (born 1973) offers a wonderfully 

intimate view of nature with his close-up views of 

undisturbed forest underbrush. mingard takes all his 

photographs at dusk with a long exposure, revealing 

fragments of withered grass and dark earth. 

978-3-7757-3315-1 


U.S. $55.00 CDn $55.00 

august/photography/garden & Landscape 

Caleb Cain Marcus: 

A Portrait of Ice 

dAMIAnI 

Text by Marvin heiferman, robin bell, Caleb Cain 

Marcus. 

photographer Caleb Cain marcus’ second monograph, 

A Portrait of Ice finds breathtaking worlds of 

color in the glaciers of patagonia, Iceland, norway, 

new Zealand and alaska. Devastatingly lonely, yet 

beautiful, these landscapes where ice meets sky seem 

to belong to a world where man has never set foot. 

978-88-6208-234-1 

pbk, 12 x 14.5 in. / 72 pgs / illustrated throughout. 

U.S. $45.00 CDn $45.00 


Michael Lange: Wald 

hATJe CAnTz 

Text by wolfgang denkel, Christoph schaden. 

this large-format monograph follows the tracks of 

german photographer michael Lange (born 1953) as 

he wanders in the pathless underbrush of germany’s 

vast deciduous and coniferous forests. taken at dusk 

or twilight, his finely nuanced and atmospheric compositions 

convey an experience best characterized 

by the german romantic term Waldeinsamkeit, or 

“woodland solitude.” 

978-3-7757-3355-7 


U.S. $75.00 CDn $75.00 

august/photography/garden & Landscape 

Michael Najjar: High 

Altitude 

kerber 

edited by Michael najjar. Text by Michael najjar, 

kevin slavin, Paul wombell. 

In 2009, together with a six-person expedition group, 

the photographer and artist michael najjar climbed 

to the summit of mount aconcagua. najjar’s photographic 

material from the three-week expedition 

forms the basis for his High Altitude cycle, recorded 

here, which portrays the stock-market performance of 

the world’s most important key indices over the last 

20 to 30 years as mountain ranges. 

978-3-86678-654-7 


U.S. $45.00 CDn $45.00 

august/photography/Latin american art & Culture 

Pedro Cabrita Reis: 

Tree of Light 

IvorYPress 

edited by elena ochoa foster. 

this pocket-sized monograph records a recent body 

of work from the much-admired portuguese artist 

pedro Cabrita reis (born 1956). the black-and-white 

photographs in Tree of Light are intimate portraits of 

thousand-year-old olive trees that the artist maintains 

in a grove near his home in the algarve. 

978-84-939498-0-8 

pbk, 4.25 x 6 in. / 120 pgs / 109 b&w. 

U.S. $25.00 CDn $25.00 

July/photography/garden & Landscape 

Christian Helmle: 

Waterpower 

JovIs 

a wide variety of twentieth-century architectural 

trends can be found in the power stations, dam walls 

and reservoirs that Swiss photographer Christian 

Helmle has documented in Waterpower. the deeply 

impressive and powerful shapes of these massive 

structures are put in perspective by the landscape 

around them: the high-altitude alpine region of 

europe. 

978-3-86859-173-6 


U.S. $45.00 CDn $45.00 


Dan Martensen: Photographs 

from the American Southwest 

dAMIAnI 

new York native Dan martensen began taking road 

trips to the american Southwest in 2001, drawn to the 

beautiful decay of the desert environment. this first 

monograph collects his photographs from 2001 to 

2011, depicting a world of Jesus Christ billboards, 

foreclosure signs and big-box stores, pitched against 

the backdrop of the lonely desert landscape. 

978-88-6208-232-7 


U.S. $50.00 CDn $50.00 


Roads of Arabia 

The Archeological Treasures of Saudi 

Arabia 

Andrea Garuti: Notebook 

dAMIAnI 

Italian photographer andrea garuti (born 1965) has a 

passion for cityscapes, traveling around the world to 

capture the spirit of different cities in his lightstreaked, 

impressionistic works. this new monograph 

departs from his earlier books in its inclusion of notes 

and drawings, which, along with his photographs, create 

a scrapbook travelogue. 

978-88-6208-245-7 


U.S. $40.00 CDn $40.00 


Perception and Image of 

China in Early Photographs 

. . . and the Chinese Cliffs Emerged Out of 

the Mist 


Lidwien van de Ven: 

Rotterdam 

Sensitive Times 

wITTe de wITh PubLIshers 

edited by Amira Gad. Interview by Monika szewczyk. 

the latest photographer commissioned by the Witte 

de With Center for Contemporary art to document 

rotterdam is Lidwien van de ven (born 1963). rather 

than presenting a photojournalist depiction, van de 

ven travelled to cities around the world tracing the 

repercussions of the murder of pim Fortuy. 

978-90-73362-99-4 


U.S. $32.00 CDn $32.00 


Hiroshi Masaki: Uwajima 

Private Landscape 

rM/ToLuCA edITIons 

foreword by daido Moriyama. Text by hiroshi 

Masaki. 

Uwajima is the first photobook by Japanese photographer 

and rare book dealer Hiroshi masaki (born 

1949). the black-and-white photographs in this 

collection were all taken between 2008 and 2010 

in the artist’s hometown of Uwajima. reminiscent of 

the new topographics idiom, they show the streets 

and buildings of the city devoid of people. 

978-84-15118-03-9 


U.S. $45.00 CDn $45.00 

august/photography/asian art & Culture 


wAsMuTh 

edited by ute franke, Joachim Gierlichs. 

Roads of Arabia provides a unique cultural historical 

panorama of the arabian peninsula: the first hand 

axes, 6,000 year-old anthropomorphic stele, monumental 

egyptian giant statues, roman glass and 

metal works, early Islamic ceramics and other spectacular 

objects from such cities as mecca and Kaaba. 

978-3-8030-3356-7 


U.S. $65.00 CDn $65.00 FLat40 


Arbor vITAe 

Text by filip suchomel, Marcela suchomelová, 

hana dvořáková. 

through archival albumen prints and illustrations 

from magazines and books, this publication looks at 

nineteenth-century depictions of the life and customs 

of the people of China. the practice of photography, 

introduced by visiting foreigners, was quickly taken 

up by local photographers who established their own 

thriving studios. 

978-80-87164-47-1 

Hbk, 12 x 9.5 in. / 296 pgs / illustrated throughout. 

U.S. $68.00 CDn $68.00 

august/photography/asian art & Culture

Stan Douglas: Entertainment 

The Power PLAnT 

Introduction by Melanie o’brian. Text by Louis 

kaplan, Maria Muhle. 

Entertainment is a critical reader accompanying the 

vancouver artist’s recent exhibition of photographs 

at the power plant in toronto. this body of work 

is a meticulous studio project for which Douglas 

assumed the identity of a character working as 

a Weegee-esque photojournalist and commercial 

photographer in midcentury vancouver. 

978-1-894212-34-2 


U.S. $15.00 CDn $15.00 

June/photography 

Floris Michael Neusüss 

hATJe CAnTz 

Text by sophia Greiff, fabian knierim, Michael 

krüger, ulrich Pohlmann, floris Michael neusüss. 

Since the 1950s, Floris neusüss (born 1937) has devoutly 

extended the tradition, practice and teaching 

of the photogram. this first comprehensive overview 

of his oeuvre includes his early “dream pictures,” later 

conceptual works and historical projects, as well as 

his portraits of artists at Documenta 5 (1972). 

978-3-7757-3358-8 

Hbk, 9 x 11.5 in. / 192 pgs / 20 color / 180 duotone. 

U.S. $55.00 CDn $55.00 


Conversations 

Photography from the Bank of America 

Collection 


edited by Mary Cremin. Introduction by enrique 

Juncosa. foreword by rena de sisto. Text by 

Matthew s. witkovsky, Anne havinga, et al. 

Conversations comprises a selection of more than 

100 photographs drawn from the Bank of america 

Collection. the publication traces the history of photography 

through the eyes and imagination of iconic 

photographers such as Harry Callahan, robert Frank, 

Dorothea Lange, paul Strand and Hiroshi Sugimoto. 

978-1-907020-81-0 


U.S. $30.00 CDn $30.00 


Walter Niedermayr: MOSE 


edited by william Guerrieri, Tiziana serena. 

Text by Tiziana serena. 

tidal flooding has long threatened the venetian 

lagoon, a danger that the high-tech moSe (modulo 

Sperimentale elettromeccanico) project was founded 

to address. this volume collects photographs taken 

by Walter niedermayr in 2008 of the lagoons and 

islands affected by the new system, captured with his 

characteristic use of dazzling light. 

978-3-86560-395-1 


U.S. $55.00 CDn $55.00 


Kill Your Darlings 

Emerging Photography 

kerber 

edited and with text by ute noll. 

the Kill Your Darlings group is composed of 19 

photographers whose work addresses social and 

political themes, and who subject each other’s work 

to constant rigorous evaluation (hence the name). 

all were students of peter Bialobrzeski; among them 

are Johanna ahlert, Jörg Brüggemann, Sebastian 

Burger, tine Casper, Franziska von den Driesch, 

Sonja eicke, anja engelke and Cosima Hanebeck. 

978-3-86678-585-4 


U.S. $55.00 CDn $55.00 


Sabine Hornig 


Text by hans belting, Inka Graeve Ingelmann. 

Interview by sophie Tottie. 

this volume focuses on the photography of multimedia 

artist Sabine Hornig (born 1964), in particular 

the Windows series, begun in 2001, which now 

comprises some 50 large-scale photographs. Hornig 

presents the windows as pictures that unite several 

perspectives at once: the view into an interior, the 

reflection of the world outside on the window pane 

and the window pane itself. 

978-3-86984-276-9 


U.S. $65.00 CDn $65.00 


ArChITeCTure & desIGn bACkLIsT hIGhLIGhTs 

Alison & Peter Smithson: 

A Critical Anthology 

Hbk, U.S. $45.00 CDn $45.00 

9788434312548 

ediciones poligrafa 

Century of the Child 

Hbk, U.S. $60.00 CDn $60.00 

9780870708268 

the museum of modern art, 

new York 

Draw Me a House 

pbk, U.S. $20.00 CDn $20.00 

9780956205377 

Cicada 

Luis Barragán: His House 

Hbk, U.S. $65.00 CDn $65.00 

9788415118138 

rm 

Apple Design 

Hbk, U.S. $60.00 CDn $60.00 

9783775730112 

Hatje Cantz 

Design for the Other 90% 

pbk, U.S. $24.95 CDn $24.95 

9780910503976 

Cooper-Hewitt, national 

Design museum, Smithsonian 

Institution 

Graphic Design: Now in 

Production 

pbk, U.S. $40.00 CDn $40.00 

9780935640984 

Walker art Center 

Robert Venturi: Complexity 

and Contradiction in 

Architecture 

pbk, U.S. $19.95 CDn $19.95 

9780870702822 


new York 

Architects’ Sketchbooks 

Hbk, U.S. $49.95 CDn $49.95 

9781935202462 

metropolis Books 

Design With the Other 90%: 

Cities 

pbk, U.S. $29.95 CDn $29.95 

9780910503839 



Institution 

Graphic USA 

Flexi, U.S. $30.00 CDn $30.00 

9780956205322 

Cicada Books 

Set in Style: The Jewelry of 

Van Cleef & Arpels 

Clth, U.S. $55.00 CDn $55.00 

9780910503853 



Institution 

Beauty Is in the Street 

Hbk, U.S. $40.00 CDn $40.00 

9780956192837 

Four Corners Books 

Design Like You Give a Damn: 

Architectural Responses to 

Humanitarian Crises 

pbk, U.S. $35.00 CDn $35.00 

9781933045252 


Green Patriot Posters 

pbk, U.S. $30.00 CDn $30.00 

9781935202240 


Soy Cuba: Cuban Cinema 

Posters from After the 

Revolution 

pbk, U.S. $32.00 CDn $32.00 

9786077663188 

trilce ediciones 

Beyond Shelter 

pbk, U.S. $35.00 CDn $35.00 

9781935202479 


Design Revolution: 100 

Products That Empower 

People 

pbk, U.S. $34.95 CDn $34.95 

9781933045955 


Home-Made Europe 

Hbk, U.S. $34.95 CDn $34.95 

9780956896230 

Fuel publishing 

Spirit: Garden Inspiration 

pbk, U.S. $34.95 CDn $34.95 

9780956356291 

Fuel publishing 


ArT bACkLIsT hIGhLIGhTs 

Abstract Expressionism at 

The Museum of Modern Art 

Hbk, U.S. $29.95 CDn $29.95 

9780870707933 


new York 

Color Moves: Art & Fashion 

by Sonia Delaunay 

pbk, U.S. $35.00 CDn $35.00 

9780910503846 



Institution 

Leonardo da Vinci: Painter 

Hbk, U.S. $60.00 CDn $60.00 

9788836621446 

Silvana editoriale 

Painting People 

pbk, U.S. $29.95 CDn $29.95 

9781933045832 

D.a.p./Distributed art 

publishers 

Antonio López García: 

Drawings 

Hbk, U.S. $75.00 CDn $75.00 

9781935202257 


publishers, Inc. 

De Kooning: A Retrospective 

Hbk, U.S. $75.00 CDn $75.00 

9780870707971 


new York 

Louise Bourgeois: The 

Return of the Repressed 

Slip Hbk, 2 vols., 

U.S. $75.00 CDn $75.00 

9781900828376 

violette editions 

Surrealism in Paris 

Hbk, U.S. $75.00 CDn $75.00 

9783775731614 

Hatje Cantz 

Antonio López García: 

Paintings and Sculpture 

Hbk, U.S. $75.00 CDn $75.00 

9781935202653 


publishers, Inc. 

Degas and the Nude 

Clth, U.S. $65.00 CDn $65.00 

9780878467730 

mFa publications 

Lucian Freud Drawings 

Clth, U.S. $55.00 CDn $55.00 

9780956990426 

Blain|Southern and acquavella 

galleries 

Tantra Song 

Hbk, U.S. $39.95 CDn $39.95 

9780979956270 

Siglio 

Bauhaus 1919–1933 

Clth, U.S. $75.00 CDn $75.00 

9780870707582 


new York 

Gerhard Richter: Atlas 

Hbk, U.S. $60.00 CDn $60.00 

9781933045474 


publishers 

Mark Ryden: The Tree Show 

Hbk, U.S. $40.00 CDn $40.00 

9781931955089 

porterhouse Fine art editions 

What is a Print? 

Hbk, U.S. $35.00 CDn $35.00 

9780870708183 


new York 

Chihuly: Through the 

Looking Glass 

Clth, U.S. $50.00 CDn $50.00 

9780878467648 


John Chamberlain: Choices 

9780892074259 

Hbk, U.S. $75.00 CDn $75.00 

guggenheim museum 

Odd Nerdrum: Self Portraits 

Hbk, U.S. $49.95 CDn $49.95 

9789173535212 

atlantis 

Yayoi Kusama 

Hbk, U.S. $49.95 CDn $49.95 

9781935202813 

D.a.p./tate 

PhoToGrAPhY bACkLIsT hIGhLIGhTs 

Alex Webb: The Suffering of 

Light 

Clth, U.S. $65.00 CDn $65.00 

9781597111737 

aperture 

The Family of Man 

pbk, U.S. $19.95 CDn $19.95 

9780870703416 


new York 

Jock Sturges: Notes 

Hbk, U.S. $39.95 CDn $39.95 

9781931788472 

aperture 

Rineke Dijkstra: 

A Retrospective 

Hbk, U.S. $55.00 CDn $55.00 

9780892074242 

guggenheim museum 

publications 

Alexey Brodovitch: Ballet 

Clth, U.S. $39.95 CDn $39.95 

9781935004226 


Francesca Woodman 

Clth, U.S. $49.95 CDn $49.95 

9781935202660 

D.a.p./San Francisco museum 

of modern art 

Julia Reyes Taubman: Detroit 

Clth, U.S. $65.00 CDn $65.00 

9780982389607 

museum of Contemporary art, 

Detroit 

Shelby Lee Adams: Salt & 

Truth 

Hbk, U.S. $60.00 CDn $60.00 

9780984573912 

Candela Books 

Bruce Davidson: Subway 

Hbk, U.S. $65.00 CDn $65.00 

9781597111942 

aperture 

Gregory Crewdson 

Hbk, U.S. $65.00 CDn $65.00 

9783775716222 

Hatje Cantz publishers 

Lewis Hine 

Clth, U.S. $65.00 CDn $65.00 

9781935202769 

D.a.p./Distributed art publishers, 

Inc. 

Stephen Shore: Uncommon 

Places 

Hbk, U.S. $55.00 CDn $55.00 

9781931788342 

aperture 

Cindy Sherman 

Clth, U.S. $60.00 CDn $60.00 

9780870708121 


new York 

Henri Cartier-Bresson: 

The Modern Century 

Clth, U.S. $75.00 CDn $75.00 

9780870707780 


new York 

The Photographer’s Eye 

pbk, U.S. $24.95 CDn $24.95 

9780870705274 


new York 

Tim Hetherington: Infidel 

Flexi, U.S. $35.00 CDn $35.00 

9781905712182 

Chris Boot 

Cindy Sherman: The Complete 

Untitled Film Stills 

Hbk, U.S. $45.00 CDn $45.00 

9780870705076 


new York 

James Mollison: 

Where Children Sleep 

Hbk, U.S. $30.00 CDn $30.00 

9781905712168 

Chris Boot 

Phyllis Galembo: Maske 

Hbk, U.S. $45.00 CDn $45.00 

9781905712175 

Chris Boot 

William Eggleston’s Guide 

Hbk, U.S. $39.95 CDn $39.95 

9780870703782 


new York 


fILM, MusIC & PoPuLAr CuLTure bACkLIsT hIGhLIGhTs 

5 Year Diary: Black Cover 

Hbk, U.S. $24.95 CDn $24.95 

9780977648139 

the Ice plant 

David Bowie: Any Day Now 

pbk, U.S. $45.00 CDn $45.00 

9780955201776 

adelita 

Guy Bourdin: Polaroids 

Hbk, U.S. $49.95 CDn $49.95 

9782915173567 

editions xavier Barral 

Sock Monkeys 

Flexi, U.S. $24.95 CDn $24.95 

9780972211123 

Ideal World Books 

190 artBooK | D.a.p. 1.800.338.2665 

Anna Bauer: Backstage 

Hbk, U.S. $125.00 CDn $125.00 

9783943287004 

angelika Books 

Electrical Banana: Masters of 

Psychedelic Art 

pbk, U.S. $39.95 CDn $39.95 

9788862082044 

Damiani 

High Heels 

Hbk, U.S. $49.95 CDn $49.95 

9781935202691 

goliga 

Surfing Photographs from 

the Seventies Taken by Jeff 

Divine 

Hbk, U.S. $40.00 CDn $40.00 

9781890481230 

t. adler Books 

Bob Recine: Alchemy Of Beauty 

Hbk, U.S. $65.00 CDn $65.00 

9788862082129 

Freedman|Damiani 

For the Love of Vinyl: The 

Album Art of Hipgnosis: Storm 

Thorgerson & Aubrey Powell 

Hbk, U.S. $45.00 CDn $45.00 

9780981562216 

pictureBox 

James Mollison: The Disciples 

Hbk, U.S. $29.95 CDn $29.95 

9781905712212 

Chris Boot 

Tim Burton 

pbk, U.S. $19.95 CDn $19.95 

9780870707605 


new York 

The Bike Owner’s Handbook 

Flexi, U.S. $14.95 CDn $14.95 

9780956205384 

Cicada 

Greg Gorman: Framed 

Hbk, U.S. $50.00 CDn $50.00 

9788862082037 

Damiani 

Lourdes Grobet: Lucha Libre 

pbk, U.S. $29.95 CDn $29.95 

9781933045054 

D.a.p./trilce 

Tom Waits: Bad As Me 

Hbk, U.S. $24.98 CDn $24.98 

9780982880869 

anti- 

Chewed 

pbk, U.S. $24.95 CDn $24.95 

9780972211178 

Ideal World Books 

Grey Gardens 

Hbk, U.S. $45.00 CDn $45.00 

9780977652365 

Free news projects 

Odd Future: Golf Wang 

pbk, U.S. $29.95 CDn $29.95 

9780983719915 

pictureBox 

Voguing and the House Ballroom 

Scene of New York City 

1989–92 

Flexi, U.S. $39.99 CDn $39.99 

9780955481765 

Soul Jazz Books 

wrITInGs bACkLIsT hIGhLIGhTs 

Air Guitar 

pbk, U.S. $19.95 CDn $19.95 

9780963726452 

art Issues press 

The Art Life: On Creativity 

and Career 

pbk, U.S. $25.00 CDn $25.00 

9781450790659 

atlanta Contemporary art 

Center 

Henri Cartier-Bresson: 

The Mind’s Eye 

Hbk, U.S. $19.95 CDn $19.95 

9780893818753 

aperture 

Photographs Not Taken 

pbk, U.S. $14.95 CDn $14.95 

9780983231615 

Daylight 

An Attempt at Exhausting 

a Place in Paris 

pbk, U.S. $12.95 CDn $12.95 

9780984115525 

Wakefield press 

Gainsbourg: The Biography 

pbk, U.S. $24.95 CDn $24.95 

9780966234671 

tamtam Books 

Joe Brainard: I Remember 

pbk, U.S. $14.95 CDn $14.95 

9781887123488 

granary Books 

Sargent’s Daughters 

Clth, U.S. $29.95 CDn $29.95 

9780878467426 


Index 

18th Biennale of Sydney, the 179 

30 americans 100 

7th Berlin Biennale 179 

aBC of Hermès Crafts, an 139 

abell, Sam 87 

abramovic, marina 98 

ahtila, eija-Liisa 158 

aimone, valentina 139 

aitken, Doug 97 

akerman, Chantal 159 

ali, Laylah 116 

allied Works architecture 132 

alveng, Dag 183 

american exuberance 118 

andersson, mamma 106 

anelli, marco 98 

antar, Ziad 181 

antonelli, paola 42 

aperture 208: Fall 2012 142 

aperture 209: Winter 2012 142 

aperture magazine anthology 20 

araki, nobuyoshi 59, 91 

arbus, Diane 8 

arcana vI 112 

archetypes and Historicity 129 

architecture in the netherlands 145 

arp, Jean 108 

ars electronica 2012 178 

arslan, Yüksel 172 

art Basel miami Beach 2012 179 

art of another Kind 74 

art of team macho, the 116 

art Situations 122 

arte povera 113, 128 

arts of Korea 125 

atelier Kempe thill 136 

audience as Subject 175 

aziz & Cucher 157 

azoulay, ariella 168 

Bächli, Silvia 161 

Bader, Darren 162 

Baggage 29 

Ballen, roger 180 

Baltrop, alvlin 90 

Banisadr, ali 169 

Barrão 123 

Barth, Uta 77 

Bartlett, morton 91 

Baselitz, georg 166 

Bauhaus 75 

Bean Spasms 55 

Beckmann, max 74 

Behold, america! 124 

Beijing Commune 2006–2011 173 

Ben ron, aya 157 

Berrigan, ted 55 

Between the eyes 92 

Bibel, nora 180 

Biesenbach, Klaus 98 

Bing, xu 121 

Bio Design 42 

Bishop, elizabeth 63 

Bitter Years, the 5 

Blind Cut 118 

Blind Spot: Issue 45 142 

Blind Spot: Issue 46 142 

Blow Your Head: a Diplo Zine 48 

BmW art guide 178 

Body as protest 175 

Bois, Yve-alain 16 

Bonillas, Iñaki 162 

Book of monelle, the 62 

Booktrek 126 

Borsato, Diane 115 

Bourgeois, Louise 113 

Brackman, Yvette 160 

Brainard, Joe 55 

Braschler, mathias 181 

Brett, guy 99 

Bright City: ma Yansong 135 

Brush, Daniel 140 

Bufka, vladimir 80 

Bulloch, angela 150 

Bunnell, peter C. 20 

Burroughs, William 56 

Bussé, Lluis 182 

Bustamante, Jean-marc 155 

Byrne, gerard 154 

C.F. 46 

Ca’ Corner della regina 177 

Cabinet 46: punishment 144 

Cabinet 47: Logistics 144 

Cabrita reis, pedro 184 

Cage, John 63 

Calle, Johanna 165 

Calle, Sophie 60 

Campbell, thomas 12 

Campigotto, Luca 85 

Candide no. 6 145 

Capa, robert 78 

Cardinal, roger 37 

Carrington, Leonora 63 

Cases, ricardo 182 

Cass Sculpture Foundation 176 

Castle, Wendell 41 

Català-roca, Francesc 182 

Cattelan, maurizio 94, 143 

Cézanne, paul 73 

Chagall, marc 31 

Chan, paul 57 

Chanse, Samantha 64 

Chapman, Jake & Dinos 117 

Chippendale, Brian 46 

Chipperfield, David 40 

Christ & gantenbein 137 

Church, ron 66 

Circus as a parallel Universe, the 174 

Clement, Krass 59 

Closer than Fiction 174 

Clyfford Still museum 132 

Color in Flux 178 

Come on In my Kitchen 162 

Coming after 175 

Composition in retrospect 63 

Conjunctions: 59 144 

Controversies 92 

Conversations 186 

Conversations in Cáceres 164 

Core, Sharon 86 

Cornand, Brigitte 162 

Correa, Charles 122 

Cosmelli, alessandro 89 

Cragg, tony 108 

Creative Ireland 174 

Critical art ensemble 115 

Crowner, Sarah 117 

Cunningham, Bill 113 

Curiosity and method 65 

Cyberarts 2012 178 

DaSH 145 

de Jong, antoinette 181 

de Kooning, Willem 74 

de vries, auke 152 

Deitch, Jeffrey 25 

Deleu, Luc 134 

Dellschau, Charles 37 

Demonstrations 129 

Denny, Simon 114 

devita, thom 116 

Diacono, mario 129 

Dickerman, Leah 16 

Diller Scofidio & renfro 39 

Dillon, Brian 163 

Dive Dark Dream Slow 87 

Doomsdate: 2013 Calendar 67 

Douglas, Stan 186 

Drew, Leonardo 109 

Drühl, Sven 171 

Dumas, marlene 107 

Durham, Jimmie 99 

Dutch photobook, the 58 

Dzama, marcel 106 

eBooks 69 

eisenberger, Christian 152 

ekici, nezaket 155 

el greco 72 

el Sani, maroan 159 

ellis, Bret easton 24 

emdur, alyse 88 

enwezor, okwui 99, 114, 176 

erwitt, elliot 81 

european poster 1881–1940, the 30 

evangeline, margaret 153 

evans, terry 86 

evans, thomas 163 

evans, Walker 3, 66 

expanded territory 175 

extreme Behavior 120 

Factory, the 50 

Fantom 143 

Fast Forward 124 

Fertile Crescent, the 119 

Filmic mapping 135 

Fincher, John 171 

Finke, Brian 85 

Fischer, monika 181 

Fischer, nina 159 

Fischer, Urs 148 

Fischli & Weiss 96 

Fleuret, Bertrand 89 

Focus asia 173 

Food for the City 43 

Förg, günther 166 

Foster, Hal 16 

Frauenzimmer 176 

Frenkel, vera 155 

Frentzel, gunter 161 

Fresh paint 178 

Fresh Widow 75 

Friedlander, Lee 22 

Frieze art Fair London Catalogue 179 

Fujimori, terunobu 134 

Furniture by architects 140 

ganahl, rainer 163 

ganster, anja 171 

garuti, andrea 185 

germann, Florian 156 

gersht, ori 82 

ghost Knigi 117 

gibson, ralph 81 

gilardi, piero 151 

gimblett, max 165 

goldin, nan 9 

gomis, Joachim 183 

gonzales, Julio 167 

gordon, alastair 41, 132 

gordon, Douglas 159 

great Subtraction, the 176 

grigorescu, nicolae 73 

grundberg, andy 6 

grynsztejn, 

madeleine 98, 101, 118, 177 

Haacke, Hans 114, 149 

Hadjithomas, Joana 158 

Haendel, Karl 163 

Hagen, mark 67 

Hanging on Union Square, the 64 

Harbutt, Charles 79 

Haring, Keith 51 

Harkham, Sammy 47 

Harpa 133 

Harper, Sharon 83

Index 

Hart, Sharon Lee 89 

Hatry, Heide 153 

Hauptman, Jodi 16 

Haymes, nick 76 

Hearing trumpet, the 63 

Hecker, Florian 112 

Hecker, Zvi 136 

Heiferman, marvin 9, 184 

Helmer-petersen, Keld 59 

Helmle, Christian 184 

Henry, nicolas 181 

Herold, georg 148 

Hiller, Susan 156 

Hiorns, roger 151 

Hirschhorn, thomas 163 

Hodler, Ferdinand 34 

Höller, Carsten 162 

Hong Kong artists 173 

Hope, andy 154 

Hopper, edward 4 

Horelli, Laura 158 

Hornig, Sabine 186 

House Full of music, a 112 

Houseago, thomas 152 

How to make a Japanese House 43 

Hubert Looser Collection, the 177 

Huey, aaron 86 

Hughes, richard 151 

Human Zoos 92 

Hurskainen, Wilma 180 

Husain, oliver 157 

Hussein, Saddam 57 

Hustvedt, Siri 36, 74, 90, 153 

I am Sitting in a room 163 

Iles, Chrissie 98 

In the eye of the muses 124 

India: art now 122 

Institutions by artists 129 

Intangible economies 129 

Intellectual Birdhouse 128 

Invented Symbols 63 

Inventing abstraction, 1910–1925 16 

Ironic 174 

It Is What It Is 118 

Iturbide, graciela 81 

James, todd 46 

Japanese Dream 125 

Jensen, Sergej 169 

Jermolaewa, anna 158 

Jess 55 

Jingjing, Lin 173 

Joerg Friedrich pFp architekten 136 

Johns, Jasper 104 

Johnson, rashid 101 

Joreige, Khalil 158 

Joseph, pierre 156 

Jr 11 

Julia Stoschek Collection 177 

Kabakov, Ilya 169 

Kaplan, Özcan 166 

Katz, alex 63 

Kawara, on 97 

Keinstar, Christian 154 

Kellndorfer, veronika 151 

Kelly, ellsworth 103 

Kereszi, Lisa 84 

Khano, Bettina 155 

Kienholz, edward 109 

Kill Your Darlings 186 

Kimball, Justin 84 

Kirschner, Wulf 165 

Klein, Jacky 44 

Klein, Suzy 44 

Klimt, gustav 32, 33 

Knoebel, Imi 165 

Knorr, Karen 183 

Knoth, robert 181 

Koganezawa, takehito 157 

Koo, Sung Soo 83 

Koons, Jeff 95 

Kosice, gyula 123 

Kounellis, Jannis 164 

Kowanz, Brigitte 160 

Krasilcic, marcelo 26 

Kunishi, Kevin 88 

LaChappelle, David 51 

Landscape vision motion 135 

Lange, michael 184 

Lassry, elad 115 

Lauder, Leonard a. 28 

Lavier, Bertrand 165 

Lebedev, vladimir 29 

Leiberg, Helge 150 

Lesabéndio 62 

Lezama, Daniel 172 

Lijun, Fang 120 

Linge, Carina 180 

Low Cost Design volume 2 141 

Lu, victoria 120 

Luoma, niko 83 

Lüpertz, markus 150 

Lutter, vera 83 

Lydia’s Funeral video 64 

ma, Jennifer 155 

mäckler, Christoph 136 

madoz, Chema 182 

magnetic refrain 64 

malani, nalini 149 

manifesta 9 179 

mapplethorpe, robert 90 

marco, Jindrich 80 

marcus, Caleb Cain 184 

marilyn monroe: nYC, 1955 23 

markov-grinberg, mark 79 

marshak, Samuil 29 

martensen, Dan 185 

marti, Dani 153 

martin, Daria 159 

martinez, eddie 167 

märz, volker 163 

masaki, Hiroshi 185 

maSS Design group 133 

mateo, Josep LluÌs 133 

mati & the music 48 

matt, gerald a. 51, 168, 174 

may, ruth 160 

mcCaw, Chris 82 

mcCoy, esther 130 

mcelheny, Josiah 114, 151 

mcevilley, thomas 37, 108, 109 

mcgee, Barry 13 

mcnulty, Dennis 157 

meese, Jonathan 167 

megastructure Schiphol 137 

meise, michaela 154 

meisse, maximillian 137 

ménage à trois 104 

metinides, enrique 52 

metropolisarchitecture 131 

metzkes, robert 150 

meyerowitz, Joel 20 

mingard, Yann 184 

minimalism in germany 128 

modernism In-Between 131 

moiré effect, the 64 

molesworth, Helen 100, 114 

moore, andrew 10 

moore, Frank 107 

moore, Henry 108 

morandi, giorgio 35 

moriyama, Daido 19 

morrisroe, mark 90 

moving together 111 

muniz, vik 115 

muñoz, Isabel 182 

muñoz, rosa 182 

musati, Francesco 139 

my toy airplanes 141 

najjar, michael 184 

napoleone, valeria 177 

nauman, Bruce 164 

neel, alice 107 

negron, Jonny 46 

neumann, max 168 

neusüss, Floris 186 

new Latin Look 93 

new relations in art 164 

next 3 Stadia 136 

niedermayr, Walter 186 

nivola, Constantino 153 

noonan, David 170 

northrup, michael 89 

now 141 

oaSe 87 145 

object atlas 176 

obrist, Hans Ulrich 121, 162, 164 

olowska, paulina 170 

on Democracy 57 

ondák, roman 156 

ontani, Luigi 149 

open 23 145 

osti, massimo 139 

otero, roberto 81 

otto, Justine 170 

out of the ordinary 138 

owens, Clifford 101 

padgett, ron 55 

parachute: the anthology 126 

parlá, José 11 

parr, martin 76 

past Desire 175 

pawson, John 134 

perception and Image of 

China in early photographs 185 

peripheral visions 93 

perjovschi, Dan 161 

perjovschi, Lia 161 

pettibon, raymond 116 

phantom museums 54 

phillpot, Clive 126 

picasso, pablo 74, 94 

piecing together Los angeles 130 

piene, Chloe 149 

ping pong 45 

pinzón, Dulce 88 

place in the Shade, a 122 

plogsties, Jochen 170 

pokorny, Werner 152 

pope.L, William 100 

postcard age, the 28 

poster no. 524 141 

posters 30 

prague Fashion Houses 139 

prince / picasso 94 

prince, richard 94 

princenthal, nancy 99 

public art vienna 178 

Qualities of Duration 132 

Quay, the Brothers 54 

rabinowitz, Cay Sophie 143 

radical presence 100 

rainer, Yvonne 110, 111 

ramstad, reiulf 136 

raptuz 167 

rauch, neo 105 

real to real 93 

rectangle and Square 177 

redesigning Wounded 

Landscapes 137 

redon, odilon 73 

reduce reuse recycle 135 

reeder, Dan 168 

refract House 133 

reggae Soundsystem 45! 49 

reggae Soundsystem! 49 

renoir, auguste 32 

resonance and Silence 176 

reuter, Kim 171 

rhoades, Jason 148 

riboud, marc 79 

richardson, terry 25 

richter, gerhard 15, 57, 102 

rickard, Doug 7 

rinder, Lawrence 13 

ríos, miguel angel 157 

roads of arabia 185 

robert, Jimmy 98 

roemers, martin 181 

rogge, Claudia 180 

roiter, andrei 155 

rosenmeier, pat 166 

ross, Charles 108 

ruiz, raul 164 

rusch, Corinne 183 

russian avant-garde 75 

russian Criminal tattoo 67 

rybczynski, Zbigniew 158 

Sachs, tom 148 

Salgado, Sebastião 66 

Sans, Jérôme 135, 164 

Sarfatti, gino 140 

Saville, Jenny 106 

Scheerbart, paul 62 

Schildkraut, nicky Sa-eun 64 

Schleime, Cornelia 172 

Schröter, annette 153 

Schurmann, Wilhelm 183 

Schweir, marcus 183 

Schwob, marcel 62 

Scully, Sean 102 

Sculpture now 127 

Secession talks, the 128 

Second Hand Spaces 135 

Seda, Katerina 154 

Sepuya, paul 156 

Sgrafo vs Fat Lava 140 

Shalev-gerz, esther 160 

Shaw, Lytle 64 

Shaw, raqib 169 

Shore, Stephen 77 

Shrigley, David 117 

SIaL 131 

Simmons, gary 99 

Simmons, Laurie 96 

Sinaga, Fernando 153 

Singh, Lekha 181 

Skyscraper 118 

Smart City in practice 135 

Smith, terry 127 

Smoke Shadows: Jannis Kounellis Interviewed 

by Jérôme Sans 164 

Soto, Jesús 123 

Stappert, andrea 180 

Stark, Frances 159 

Steichen, edward 55 

Steidl, Johannes 172 

Stein, amy 88 

Stella, Frank 14 

Sternfeld, Joel 6 

Strand, paul 21 

Strauss, David 92 

Stroll 174 

Sturtevant, elaine 149 

Sudek, Josef 80 

Svoboda, Jan 80 

Sweet & Salt 134 

Symbol gives rise to thought 61 

Szapocznikow, alina 109 

Szarkowski, John 20 

takala, pilvi 158 

tanaami, Keiichi 104 

tatlin, vladimir 17 

templeton, ed 12 

terrazas, eduardo 123 

thanks for the view, mr. mies 38 

the Future Will Be... 121 

the Language of Less 177 

the matter Within 122 

thinking Contemporary 

Curating 127 

thinking europe 174 

thompson, Cheyney 167 

tillman, Lynne 96 

toilet paper 143 

tokyo 1955-1970 18 

tomak 168 

tooker, george 107 

town-gown Conflict 176 

toxic Beauty 107 

truitt, anne 103 

tsiang, H.t. 64 

tuazon, oscar 152 

tur, nasan 159 

turner-Yamamoto, Shinji 149 

tutti, Cosey Fanni 112 

tuymans, Luc 105 

Uchitel, Diego 27 

Ufan, Lee 120 

Ulrichs, timm 162 

Upon paper no. 1: Los angeles 144 

Upon paper no. 2: Color 144 

Urban, otto m. 51, 53 

Urdarianu, veron 169 

Utopia gesamtkunstwerk 175 

van de ven, Lidwien 185 

van der elsken, ed 59 

van Dyck, anthonie 72 

varo, remedios 36 

verhoeven, Helen 169 

vermeule, Koen 171 

visual anxiety 173 

vital Beauty 127 

vitale, marianne 148 

võ, Danh 161 

võ, phung 161 

vukoje, maja 170 

Wagner, elisabeth 150 

Walker, Kara 100 

Wang, Zhan 173 

Wanner, Franz 160 

Wardin, roger 166 

Warhol, andy 50, 104 

Warner, marina 61 

Warren, rebecca 150 

Wasmuht, Corinne 168 

Weismann, Jork 24 

What Is Contemporary art? 44 

William S. paley Collection, the 124 

Williams, Kent 106 

Wilson, robert 110 

Winters, terry 103 

Wissel, Stefan 151 

Wit of the Staircase, the 164 

Witkin, Joel-peter 53 

Wittwer, Urs 170 

Wolf, maik 171 

Wols 103 

Women 74 

Women art revolution 113 

Women in graphic Design 138 

Women of the avant-garde 75 

Wool, Christopher 102 

Wutz, michael 172 

Yansong, ma 135 

You are awesome 45 

You Killed me First 111 

Yukichi, Watabe 91 

Zipp, thomas 154

ARTBOOK | D.A.P.

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