Aaron Copland Collection - American Memory - Library of Congress

Aaron Copland CollectionProcessed by the Music Division of theLibrary of CongressMusic Division, Library of CongressWashington, D.C.2005Contact information: http://hdl.loc.gov/loc.music/perform.contactFinding Aid encoded by Library ofCongress Music Division, 2005Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu002006Latest revision: 2011 January

Collection SummaryTitle: Aaron Copland CollectionSpan Dates: 1841-1991Bulk Dates: (bulk 1911-1990)Call No.: ML31.C7Creator: Copland, Aaron, 1900-Extent: around 400,000 items; 564 boxes; 306 linear feetLanguage: Collection material in EnglishRepository: Music Division, Library of Congress, Washington, D.C.Abstract: The Aaron Copland Collection consists of published and unpublished music by Coplandand other composers, correspondence, writings, biographical material, datebooks, journals,professional papers including legal and financial material, photographs, awards, art work, andbooks. Of particular interest is the correspondence with Nadia Boulanger, which extent over 50years, and with his long-time friend, Harold Clurman. Other significant correspondents areLeonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris,Charles Ives, Claire Reis, Arnold Schoenberg, Roger Sessions, and Virgil Thomsom. Thephotographic collection of Copland's friend and confidant Victor Kraft, a professionalphotographer, forms part of the collection.Selected Search TermsThe following terms have been used to index the description of this collection in the Library's onlinecatalog. They are grouped by name of person or organization, by subject or location, and byoccupation and listed alphabetically therein.PeopleBernstein, Leonard, 1918-1990--Correspondence.Boulanger, Nadia--Correspondence.Bowles, Paul, 1910-1999--Correspondence.Britten, Benjamin, 1913-1976--Correspondence.Chávez, Carlos, 1899-1978--Correspondence.Clurman, Harold, 1901- --Correspondence.Copland, Aaron, 1900-1990--Autographs.Copland, Aaron, 1900-1990--Correspondence.Copland, Aaron, 1900-1990--Portraits.Copland, Aaron, 1900-1990.Copland, Aaron, 1900-1990.Diamond, David, 1915-2005--Correspondence.Harris, Roy, 1898-1979--Correspondence.Ives, Charles, 1874-1954--Correspondence.Kraft, Victor, 1915-1976.Reis, Claire R. (Claire Raphael)--Correspondence.Schoenberg, Arnold, 1874-1951--Correspondence.Sessions, Roger, 1896-1985--Correspondence.Thomson, Virgil, 1896-1989--Correspondence.SubjectsMusicians--Correspondence.TitlesCopland collection, 1841-1991Aaron Copland Collection 2

Administrative InformationProvenanceSome manuscripts; Gift; Aaron Copland; circa 1940-1970.Bulk of the collection; Gift; Aaron Copland; 1989.Some manuscripts; Gift; Nadia Boulanger estate; July 18, 1980 and March 6, 1981.Libretto material for The tender land; Gift; Erik Johns.Some manuscripts; Gift; Bennett Lerner.AccrualsNo further accruals are expected.Processing HistoryThe Aaron Copland Collection was processed by Virginia Chang, Carol Lynn Flanigan, Wilda Heiss(Music Specialist), Albert Jones, Jonathan Kulp, Melchor de Medinaceli, Peggy Monastra, LloydPinchback (Music Specialist), Loras Schissel and Deanna Whitsitt, April 1995. The finding aid wasoriginally created using Word Perfect 5.1 software. The final formatting was begun by StefanPatejak in 1995 and completed by Michael A. Ferrando, November 2002. In 2002, Michael A.Ferrando coded and edited the finding aid for EAD format.A special thank you to Daniel Mathers for his invaluable assistance during the editing of the MusicManuscripts and Printed Editions by Aaron Copland.TransfersSound recordings and moving images were transferred to the Library of Congress Motion Picture,Broadcasting and Recorded Sound Division.Books from Copland's library were transferred to the Library of Congress Rare Book and SpecialCollections Division.Other Repositories1154 published scores by North and South American composers (not including Copland) arelocated in the Performing Arts Library at the New York Public Library. Microfilm is available in theLibrary of Congress Performing Arts Reading Room: Microfilm 93/20010.Copyright StatusThe status of copyright on the materials of the Aaron Copland Collection is governed by theCopyright Law of the United States (Title 17, U.S.C.).Access and RestrictionsThe Aaron Copland Collection is open to research. Researchers are advised to contact thePerforming Arts Reading Room prior to visiting. Many collections are stored off-site and advancenotice is needed to retrieve these items for research use. Certain restrictions to use or copying ofmaterials may apply.Alternate Format AvailableDigitized images along with identifying information and a narrative introduction are also availablethrough the Library of Congress Web site under the title: The Aaron Copland Collection, circa1900-1990, at http://memory.loc.gov/ammem/collections/copland/index.html. The site wasproduced for the National Digital Library Program, American Memory collections.Aaron Copland Collection 3

Preferred CitationResearchers wishing to cite this collection should include the following information: containernumber, Aaron Copland Collection, Music Division, Library of Congress, Washington, D.C.Biographical SketchDateEvent1900 Nov 14 Born in Brooklyn, New York to Harris Morris Copland and Sarah MittenthalCopland, the fifth and last child.1914 Started private piano lessons with Leopold Wolfsohn, Brooklyn, NY;subsequently studied piano with Victor Wittgenstein and Clarence Adler.1917-1921 Studied harmony and counterpoint with Rubin Goldmark in New York City.1918 Graduated from Boys' High School in Brooklyn.1921 Summer Studied at newly established American Conservatory at Fontainebleau nearParis.1921 Fall First piano piece, Scherzo Humoristique (The Cat and the Mouse), sold andpublished by Durand.1921 Fall-1924 Studied composition and orchestration with Nadia Boulanger in Paris.1925 Wrote first of many articles for Modern Music.1925 Jan 11 Symphony for Organ and Orchestra (1924) performed by the New YorkPhilharmonic, with Nadia Boulanger as soloist and Walter Damrosch asconductor; later, performed by Serge Koussevitzky, who originallysuggested the composition, and the Boston Symphony Orchestra.1925 Summer First stay at MacDowell Colony to work on Music for the Theatre,commissioned by the League of Composers, with the first performancescheduled in November with Serge Koussevitzky and the Boston SymphonyOrchestra.1925-1926 Recipient of Guggenheim Memorial Fellowship, the first in music, which wasrenewed for the 1926-1927 season.1927 Jan 28 Copland performed his Concerto for Piano and Orchestra (1926) with BostonSymphony, conducted by Serge Koussevitzky.1927-1929 Wrote Symphonic Ode (1927-29) for the 50th anniversary of the BostonSymphony Orchestra in 1930; subsequently, revised the composition for the75th anniversary of the orchestra in 1955.1927 Began lecturing at New School for Social Research, New York City.1928-1954 Joined League of Composers; later, in 1932, began serving on the Board ofDirectors.Aaron Copland Collection 4

1928 Assisted Alma Morgenthau Wertheim in establishing the Cos Cob Press whichlater became Arrow Music Press.1928-1932 Co-founder with Roger Sessions of Copland-Sessions Concerts ofContemporary Music.1929 Awarded $5,000 prize from the RCA Victor Competition for Dance Symphony(1925), based on portions of unperformed ballet Grohg.1930 Wrote first extended piano work, Piano Variations.1932 Organized first Festival of Contemporary Music at Yaddo, Saratoga Springs,NY, and the second one the following year.1935 Taught composition at Harvard University while Walter Piston was on leave ofabsence.1937-1945 Co-founder and president of the American Composers Alliance.1938-1972 Co-founder and treasurer of Arrow Music Press, which incorporated the formerCos Cob Press.1938 Oct 16 First performance of ballet, Billy the Kid, written for Lincoln Kirstein and theBallet Caravan.1939 Published first book, What to Listen for in Music, based on lectures given at theNew School for Social Research.1939 Oct 13 Elected president of American Composers Alliance.1940-1965 At request of Serge Koussevitzky, taught composition during first season ofBerkshire Music Center at Tanglewood; when Tanglewood reopened in 1946after the war, Copland assumed many administrative positions in additionto teaching until his retirement in 1965.1941 Published book, Our New Music, based on lectures at the New School forResearch.1941 Toured Latin America to lecture, perform and conduct on a grant made possibleby the Committee for Inter-American Artistic and Intellectual Relations.1942 Completed Lincoln Portrait, commissioned by Andre Kostelanetz, with textcreated by Copland from speeches and letters of Abraham Lincoln.1942 Composed ballet, Rodeo, commissioned by Agnes de Mille.1942 Completed the Fanfare for the Common Man from a request by EugeneGoossens who conducted the premiere in 1943 with the CincinnatiSymphony Orchestra.1942 May 8 Elected a member in the Department of Music of the National Institute of Artsand Letters.Aaron Copland Collection 5

1945 Awarded Pulitzer Prize and Music Critic's Circle of New York for MarthaGraham ballet, Appalachian Spring (1944), commissioned by the ElizabethSprague Coolidge Music Foundation.1946 Jan 24 Elected a member of the American Society of Composers, Authors andPublishers (ASCAP).1947 Received Music Critic's Circle Award for Third Symphony (1944-46).1947-48 Wrote Clarinet Concerto commissioned by Benny Goodman and laterchoreographed by Jerome Robbins for the ballet Pied Piper (1951).1947 Again, toured Latin America to lecture, perform and conduct under thesponsorship of the State Department.1950 Won Oscar for the music score to the film, The Heiress (1949).1950 Finished composing the Twelve Poems of Emily Dickinson.1951-1952 Appointed Charles Eliot Norton Professor of Poetics at Harvard University anddelivered a series of six lectures, the first time that an American composerwas named as a Poetry Chair.1952 Published new book, Music and Imagination, based on Charles Eliot Nortonlectures at Harvard University.1953 May 26 Appeared before The House Committe on Un-American Activities (HUAC).1954 Apr 2 Premiere of full length opera, The Tender Land, by the New York City OperaCompany.1954 Dec 3 Elected member of the American Academy of Arts and Letters.1956 Received Gold Medal in Music from the National Institute and AmericanAcademy of Arts and Letters.1956 Received first of many honorary Doctor of Music degrees from PrincetonUniversity.1960 Published fourth book, Copland on Music, which included reprints fromprevious publications and new material.1961 Received the MacDowell Colony Medal for distinguished service in the field ofmusic from the Edward MacDowell Association.1961-1968 Served seven years as president of the Edward MacDowell Association.1962 Premiere of Connotations commissioned by the New York Philharmonic for theopening of Philharmonic Hall (later Avery Fisher Hall) at Lincoln Center.Aaron Copland Collection 6

1964 Received Medal of Freedom, the "highest civil honor conferred by the Presidentof the United States for service in peacetime," from President Lyndon B.Johnson.1965-1966 Wrote, conducted and hosted series of 12 television programs, Music in the20s, for National Educational Television.1967 Composed Inscape which was commissioned by the New York Philharmonic tocelebrate their 125th anniversary.1968 Revised and enlarged earlier book, Our New Music, and published it under anew title, The New Music: 1900-1960.1970 Awarded the Howland Memorial Medal from Yale University.1975-1976 Interviews of Copland begun by Vivian Perlis for an oral history project inAmerican Music at Yale University which became the foundation for acollaboration on a two volume autobiography, Copland: 1900 through1942, first published in 1984, and Copland: Since 1943, first published in1989.1979 Bestowed Kennedy Center Honor along with other honorees Martha Graham,Henry Fonda, Ella Fitzgerald, and Tennessee Williams.1986 Medal of the Arts conferred by President Reagan; also, awarded theCongressional Gold Medal by the House of Representatives.1990 Dec 2 Died at North Tarrytown, New York.Scope and Content NoteThe Aaron Copland Collection consists of published and unpublished musical scores by AaronCopland and other composers, correspondence, writings, biographical material, datebooks,journals, professional papers including legal and financial material, photographs, awards, art work,and books. The collection spans 1841 to 1991 and covers six aspects of Copland's life -- composer,performer, teacher, writer, conductor and administrator for various organizations -- from about1911, when he penned his first musical composition I'm On My Way to Mandalay, to 1990, the yearof his death. The collection has been organized into thirteen major categories -- Music, Writings &Oral Presentations, Diaries, Correspondence, Professional Papers, Subject File, Scrapbooks,Biography, Awards, Art, Photographs, Victor Kraft Material and Books.The Music by Aaron Copland represents almost all of the entire musical creation of Coplandbeginning with the early, youthful student works and ending with the short piano pieces in theseventies and eighties. The Music Manuscripts and Printed Editions by Aaron Copland cover theyears from 1920 through 1982 in a numerical order established by Copland, designated as ARCOnumbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffixis assigned that represents the type of material. Holograph manuscripts of Martha Graham'sballet Appalachian Spring, the popular pieces El Salón México and Fanfare for the Common Man(which was used later in his Third Symphony), represent just a fraction of available riches in thiscollection. At the end are three Published Compilations of Music by Copland -- two adaptations byClare Grundman, A Copland Portrait and Sounding Success, and the third work, Piano Album,which is a collection of Copland solo piano pieces. The last category consists of Music ComposedAaron Copland Collection 7

y Copland Not Assigned an ARCO Number which includes music culled from or later developedinto well-known Copland works and which were not assigned a number by Copland or his staff.Among these pieces are sketches for The Ballad of Ozzie Powell, which served for Music forRadio, music composed for a unfulfilled musical, Tragic Ground, and sketches for a string quartet,composed between 1965-1968. At the beginning of the series see the Alphabetical Title Index toAaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation ofCopland's numbering system.The Juvenilia: Works by Copland represent his early compositions and arrangements. Createdbetween 1911 and 1926, the manuscripts encompass Copland's adolescent years studying withRubin Goldmark in New York City through his student years and under the tutelage of NadiaBoulanger at Fontainebleau and Paris. Besides original holograph scores and sketches, these earlyworks include compositional and piano exercises and scores and sketches of transcriptions andarrangements of other composers' works.The Music By Other Composers includes manuscripts, fascimiles, and printed music which werepart of Copland's extensive collection of music. Most contain holograph annotations either inCopland's hand, especially his conducting scores, or signed by the composer or donor. These scoresand the other published works from his collection, which became part of the Performing ArtsLibrary at the New York Public Library, illustrate a broad, composite spectrum of composers in theWestern Hemisphere.The Writings & Oral Presentations series represent over fifty years (c. 1925-1988) of writtenand oral commentary on music and musicians during the lifetime of Copland. The writings by AaronCopland contain the different venues that Copland employed to communicate his thoughts andideas on music -- the growth of American music and commentary on the people or organizationsthat fostered composers and their music through the 1960s -- beginning in 1925 with his secondpublished article, What Europe Means to the Aspiring Composer, after his return from three yearsof musical study in France. The numerous cross references reflect Copland's penchant to borrowfrom himself and indicate the relationship of articles as they were discovered during processing.See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland'snumbering system.In most cases, the evolution of the final printed words for Copland's published books can be traced,though difficult at times because of his revisions, from the handwritten manuscript to the finaltypescript, beginning with the 1939 first edition of What to Listen for in Music and ending withThe New Music, the 1968 revision of Our New Music (1941). Also, the correspondence and notesexist for a sixth book, the first volume of the projected two volume autobiography.Copland's earliest lectures began at the New School for Social Research with Aesthetics of ModernMusic (1927) and ended with What to Listen for in Music. The complexity of Copland's borrowingfrom one medium to the other is demonstrated by the lecture, Music of the 20s, given in 1940,which probably became a source for the 1952 Harvard lectures of the same name which in termwas incorporated in the published book, Music and Imagination, and finally became the source forthe 1965 television special, Music in the 20s. Some of the earlier lectures also became the sourcefor a 1947 series of lectures, Panorama of American Composers, which Copland delivered in Brazil.Two numbering systems by Copland were discovered on some lectures. See the Index for theLectures and Speeches with AC Numbers for more information.Copland quickly embraced the new mediums of radio and television. His radio talks apparentlybegan in the United States in 1936 for the CBS "Modern Music" series and continued until the 1976statements for the BBC at the time of Benjamin Britten's death. He also frequently spoke on radiostations while on tour in various foreign countries. In the United States, he presented a series offifty-two programs on WNCN, Aaron Copland Comments from 1968-1971. Fifteen years oftelevision appearances began in 1965 with a program, Copland on Copland on the BritishBroadcasting Company, and, in the United States, with the production of Music in the 20s. OtherAaron Copland Collection 8

appearances included the Bill Moyer's Journal Aaron Copland and the 1980 birthday tribute, ACopland Celebration!The Writings by Others extends to material written about Aaron Copland and material writtenabout other composers, musicians, and critics or other subjects. The articles reflect the views andopinions of a wide range of notable people. The interviews almost span his entire life from 1928 to1988 and comprise dialogues with substantive and substantial quotes by Copland. The ballet scriptscontain an intriguing scenario, Memorial Day, Dances for Democracy in Crisis, which identifies thecollaborators -- conceived by Lincoln Kirstein, Lew Christensen as the general stage director, musicby Copland, choreography by Lew Christensen, Erick Hawkins, Eugene Loring, and the costumesby Jared French. Evidently, the ballet never developed beyond this scenario which includes fortyeightwatercolor drawings.The Diaries are divided into two sections, Datebooks and Journals. The datebooks range from 1935to 1985, except for the year 1954, and were generally used to briefly record his daily activities. Thedesk size books from 1942 to 1969 also enumerate the commissions offered to him by individualsand/or organizations. The pocket size books were apparently used during domestic or foreign trips.The Journals consist of notebooks which record activities, list items and report on events and trips.The material dates from his 1910 reminiscences and extends to comments about his 1973 Europeantrip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describethe creation of the music scores for two films, The Red Pony and Something Wild. The date spansrepresent the actual span of year dates noted in the journal. Because of the fragile nature of somejournals, the originals and archival photocopies will not be served to researchers. Photocopies ofthe journals, which are placed in binders, will be available to researchers. See the Index for Journalswith AC Numbers for an explanation and list of the journals in numeric order.The Personal Correspondence (1911-1991) contains letters to and from Copland with his family,teachers, fellow composers, literary figures, personal friends and acquaintances. Of particularinterest are the letters with Nadia Boulanger, which extent over 50 years, and the letters with hislong-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, PaulBowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Claire Reis, Roger Sessions,Charles Ives, Arnold Schoenberg, and Virgil Thomsom.The General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, whichCopland reviewed, from individuals and businesses. The letters include requests to lecture andconduct and for permissions, birthday and holiday greeting cards from family, friends and schoolchildren, and fan mail.The Professional Papers are divided into two sections, Business Organizations and Engagements.The Business Organizations include records that pertain to Copland's affiliation with and servicefor various private, public, and governmental agencies, organizations, and councils, at the local,national, and international level and material that relate to numerous publishers, agents andfoundations. Voluminous records exist for the Arrow Music Press (formerly, Cos Cob Press), forwhich Copland served as Treasurer, and for Boosey & Hawkes, his music publisher, which includeletters about score corrections for his music. Other significant material are the Copland-SessionsConcerts of Contemporary Music, the Koussevitzky Music Foundation, the League of Composers,Modern Music, the Edward MacDowell Association, and Tanglewood which includes material onthe Berkshire Music Center and the Boston Symphony Orchestra.The Engagements represent correspondence and other material between organizations for whichCopland performed, spoke or conducted, or from whom he was bestowed an award or honor. Theorganizations include orchestras, universities and colleges, festivals, museums, and societies. Themost notable events are his trips to Latin America in 1941 and 1947 and his frequent appearanceswith the London Symphony, New York Philharmonic, and National Symphony orchestras.Aaron Copland Collection 9

The Subject File is a composite of printed matter and material on special subjects that Coplandkept. The largest and most extensive is the Composition section which consists of publishedclippings, magazine articles, promotional material, annotated programs and other miscellaneousitems relating to performances of his compositions. In May of 1953, Copland was summoned toappear before the House Un-American Activities Committee and respond to a list of alleged"communist" affiliations. The United States Congress section documents Copland'scorrespondence, notes, statements and evidence during this period. Also, an annotated copy of theCongressional Record of January 16, 1953 in which the affiliations were first recorded and atranscript of the hearing are included.Three of the four scrapbooks focus on specific undertakings by Copland -- the Copland-SessionsConcerts from 1924 to 1931, the Yaddo Festivals from 1932-33, and the 1978 Australian tour forwhich he conducted and lectured. The other scrapbook represents the beginnings of Copland'sclipping file from 1924 to 1942. All, but the Australian tour scrapbook, have been preserved onmicrofilm because of their fragile condition (Microfilm 93/20002 Mus); the original of these threevolumes will not be served to the public.The Biography series consists of divergent materials, some of which is biographical and otherspersonal. The biographical material includes autobiographical notes, a notebook and assorted liststhat pertain to Copland's activities and compositions, and two birthday albums. The 70th birthdayalbum comprises "An album of composers' tributes" which contains congratulatory letters, musicalsalutes, poems and ink drawings from 116 composers. The 80th birthday album was presented bythe National Symphony Orchestra from friends and includes congratulatory letters from PresidentJimmy Carter, Vice President Walter Mondale, conductor Mstislav Rostropovich, Roger L. Stevens(chairman of the John F. Kennedy Center for the Performing Arts), and international musicalluminaries.The Awards series contain the artifacts that Copland received from the numerous and myriadhonors and awards bestowed on him during his lifetime. Copland accepted his first honorarydoctorate in music from Princeton University in 1956, and almost every year thereafter he approvedanother one either in humane letters or in music. The last one was a Degree of Fine Arts, HonorisCausa, from the New School for Social Research in 1983. Other tributes conferred on Copland from1947 to 1982 include the Presidential Medal of Freedom, awarded by President Lyndon B. Johnsonin 1964, and the Kennedy Center Honors' medal in 1979. In most cases, programs, invitations, andletters accompany the actual degree, award or medal.The Art Works section is divided into Of Aaron Copland, Other Works, Poetry, and Posters thatinclude drawings, caricatures, and portraits of Aaron Copland and other artistic renderings whichconsist of special editions of illustrated poems by various artists in different mediums. The two mostillustrious artists represented are a numbered print by Pablo Picasso and an engraved color printby Marc Chagell which was part of an invitation from the Prince and Princess of Monaco for a 1967program to honor Nadia Boulanger.The Photographs series contain approximately 12,000 images and date from c. 1889-1985. Thelargest section is the portraits of Copland alone, both formal and informal, professional andamateur. Noteworthy subjects include many rarely-seen early portraits of Aaron Copland and themajority of the photographs reproduced in Copland's two volume autobiography, Copland,1900-1943 (Volume I) and Copland Since 1943 (Volume II). Photographs from these books areidentified with a Roman numeral I or II, designating the volume in which it was reproduced,followed by an Arabic numeral designating the page on which the photograph is found.A large portion of the photo images were taken by Copland's life-long friend, the professionalphotographer, Victor Kraft (1915-76). Among the images produced by Victor Kraft are luminariesof the American music scene from the first half of the twentieth century, including LeonardBernstein, Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, Serge Koussevitzky, WalterPiston and the Tanglewood Music Festival during the 1940s. In fact, a significant amount of itemsAaron Copland Collection 10

correspond or overlap between this series and the Victor Kraft Materials series. Illustriousphotographers represented include Margaret Bourke-White, Irving Penn, Gordon Parks and CarlVan Vechten, among others. If photographic credits are not given, the photographer is, as yet,unidentified. See the Explanation of Code System for Photographs at the end of the series.The Victor Kraft Materials contain approximately 40,000 items and span the years c. 1918-1976.Victor Kraft (1915-76) was a professional photographer and life-long friend of Aaron Copland. Theyfirst became acquainted in the early 1930's and maintained close contact until Kraft's death.Copland was the godfather of Kraft's only child Jeremy, a son from his second wife Rheba. Kraft'sphotographs appeared in such prominent publications as Life Magazine, Harper's Bazaar, JuniorBazaar, and the French art journal L'Oeil, among others.The bulk of the photoprints and negatives document Kraft's travels in Mexico in the 1930s [and/or1950s?] and in Brazil from 1951-53. Notable subjects include formal and informal portraits of AaronCopland, and portraits from the 1940s and 1950s of numerous composers and performers of theAmerican music scene, including Leonard Bernstein, Paul Bowles, Edwin Denby, Lukas Foss, ErikJohns, William Kapell, Dmitri Mitropoulos, and Robert Shaw. The Tanglewood Music Festivalduring the 1940s is also well represented with many historically interesting images to be found inthe photoprints, as well as the contact sheets and negatives. Photoprints by other prominentphotographs are represented -- Cecil Beaton (portraits of Victor Kraft and a self-portraitphotocard), Ronny Jaques (a signed portrait of Carson McCullough), and Carl Van Vechten (1935portraits of Victor Kraft). All other images are assumed to have been created by Victor Kraft unlessotherwise noted. Of other interest are the series of letters to Kraft from Paul Bowles, and a samplingof Kraft's original negative sleeves which reveal insights into his systematization and methodology.See the Explanation of Code System for Photographs in the Victor Kraft Materials at the end of thisseries.The Copland Library series comprises selected books on a wide range of musical and generalsubjects from Copland's personal library. Most are signed, usually by the author, or containannotations or information about Copland. The books reflect Copland's wide and varied interestsand include those books written by Copland and translated into various languages. Many booksconcentrate on Copland's interest in French culture after his years of study in Paris.Wilda Heiss and Lloyd Pinchback, April 1995Wilda Heiss and Lloyd Pinchback, Music Specialists, Revised 2000Processed by: Virginia Chang, Carol Lynn Flanigan, Wilda Heiss, Albert Jones, Jonathan Kulp,Melchor de Medinaceli, Peggy Monastra, Lloyd Pinchback, Loras Schissel and Deanna Whitsitt.Formatted by: Stefan Patejak (1995) and Michael A. Ferrando (1995, 2000)Acknowledgment: A special thank you to Daniel Mathers for his invaluable assistance during theediting of the Music Manuscripts and Printed Editions by Aaron Copland.Organization of the Aaron Copland CollectionThe Aaron Copland Collection is organized in 13 series:• Music• Writings and Oral Presentations• Diaries• Correspondence• Professional Papers• Subject File• Scrapbooks• Biography• AwardsAaron Copland Collection 11

• Art Works• Photographs• Victor Kraft Materials• Copland LibraryAaron Copland Collection 12

Description of SeriesContainerSeriesBOX 1-196 Music, 1841-1988The Music series is divided into two subseries: Music by Aaron Copland andMusic by Others. The Music by Aaron Copland represents almost all ofthe entire musical creation of Copland beginning with the early, youthfulstudent works and ending with the short piano pieces in the seventies andeighties. The Music Manuscripts and Printed Editions by Aaron Coplandcover the years from 1920 through 1982 in a numerical order establishedby Copland, designated as ARCO numbers, which total 100 assignments.After each ARCO number, a numerical or alphabetical suffix is assignedthat represents the type of material. The last category consists of MusicComposed by Copland Not Assigned an ARCO Number which includesmusic culled from or later developed into well-known Copland works andwhich were not assigned a number by Copland or his staff. The Juvenilia:Works by Copland represent his early compositions and arrangements.The Music By Other Composers includes manuscripts, fascimiles, andprinted music which were part of Copland's extensive collection of music.See the Alphabetical Title Index to Aaron Copland Music Compositionsand Key to ARCO Numeric System for a further explanation of Copland'snumbering system.Arrangment is by subseries.BOX 1-117 Music by Aaron Copland, 1911-1985Music Manuscripts and Printed Editions by Aaron Copland, PublishedCompilations of Works by Copland, and Music Composed by CoplandAssigned ARCO Number (1920-1985 and undated). Includesmanuscripts, copies of manuscripts (ozalids, photocopies andphotostats) and printed scores of Copland's original compositions,adaptations and transcriptions, compilations of Copland's works, andadaptations and transcriptions by other composers. Juvenilia: Works byCopland (1911-1926 and undated). Divided into Juvenilia ArrangedChronologically, Juvenilia Arranged Alphabetically by Title, andCopland Transcriptions or Arrangements of Works by Others. Includedmanuscripts and student music notebooks. See the Alphabetical TitleIndex to Aaron Copland Music Compositions and Key to ARCO NumericSystem for a further explanation of Copland's numbering system.Arranged numerically by Copland's numbering system, then by decimalnumbers for manuscripts and copies of manuscripts and by alphabeticsuffix for published editions (except works not numbered arrangedalphabetically by title).BOX 118-196 Music by Others, 1912-1988Music Manuscripts and Facsimiles by Others (1912-1988) includes somemanuscripts, copies of manuscripts, copies of manuscripts (i.e.photocopies and photostats) of scores and some parts. Printed Musicby Others (1841-1986) includes printed scores of original compositionsand transcriptions.Arranged alphabetically by composer, compiler, or editor, then by title.BOX 197-232 Writings and Oral Presentations, 1925-1988Aaron Copland Collection 13

BOX-FOLDER 25/39MAP-CASEMapCaseC-Drw2/1-2The Writings & Oral Presentations series represent over fifty years (c.1925-1988) of written and oral commentary on music and musiciansduring the lifetime of Copland and is divided into to main subseries:Writings by Aaron Copland and Writings by Others. The subseries,Writings by Aaron Copland is divided into 5 subseries: Articles, Books,Lectures & Speeches, Radio and Television. The subseries, Writings byOthers extends to material written about Aaron Copland and materialwritten about other composers, musicians, and critics or other subjects.The articles reflect the views and opinions of a wide range of notablepeople. The interviews almost span his entire life from 1928 to 1988 andcomprise dialogues with substantive and substantial quotes by Copland.See the Index for Articles with AC Numbers for an explanation andnumeric indexes of Copland's numbering system. See the Index for theLectures and Speeches with AC Numbers for more information.Arranged by suberies.BOX 197-230MAP-CASEMapCaseC-Drw2/1-2BOX 219-232BOX-FOLDER 25/39BOX-FOLDER 212/29Writings by Aaron Copland, 1925-1988The writings by Aaron Copland contain the different venues that Coplandemployed to communicate his thoughts and ideas on music -- the growthof American music and commentary on the people or organizations thatfostered composers and their music through the 1960s -- beginning in1925 with his second published article, "What Europe Means to theAspiring Composer", after his return from three years of musical studyin France. This series is divided into Articles, Books, Lectures &Speeches, Radio and Television. Includes unpublished manuscripts,notes and outlines; letters, typescripts, galley and page proofs;published articles clippings, reviews and promotional material. See theIndex for Articles with AC Numbers for an explanation and numericindexes of Copland's numbering system. See the Index for the Lecturesand Speeches with AC Numbers for more information.Arranged by author, title or chronologically.Writings by Others, 1925-1988Writings by Others extends to material written about Aaron Copland andmaterial written about other composers, musicians, and critics or othersubjects. The articles reflect the views and opinions of a wide range ofnotable people. The interviews almost span his entire life from 1928 to1988 and comprise dialogues with substantive and substantial quotesby Copland. This series is divided into About Aaron Copland, Articles,Booklets, Interviews, Libretti, Poetry and Scripts. Includesmanuscripts, typescripts, unpublished and published printed materialand microfilm. Arranged alphabetically by author in each category,then by title.Arranged by author, title or chronologically.Aaron Copland Collection 14

BOX 233-245 Diaries, 1910-1985The Diaries are divided into two sections, Datebooks and Journals. Thedatebooks range from 1935 to 1985, except for the year 1954, and weregenerally used to briefly record his daily activities. The desk size booksfrom 1942 to 1969 also enumerate the commissions offered to him byindividuals and/or organizations. The pocket size books were apparentlyused during domestic or foreign trips. The Journals consist of notebookswhich record activities, list items and report on events and trips. Thematerial dates from his 1910 reminiscences and extends to commentsabout his 1973 European trip. The journal dated from 1941-1973 includesfamily genealogy charts. Two journals describe the creation of the musicscores for two films, "The Red Pony" and "Something Wild". The datespans represent the actual span of year dates noted in the journal. Seethe Index for Journals with AC Numbers for an explanation and list of thejournals in numeric order.Arranged by subseries.Because of the fragile nature of some journals, the originals and archivalphotocopies will not be served to researchers. Photocopies of thejournals, which are placed in binders, will be available to researchers.BOX 233-242 Datebooks, 1935-1985The datebooks range from 1935 to 1985, except for the year 1954, andwere generally used to briefly record his daily activities. The desk sizebooks from 1942 to 1969 also enumerate the commissions offered tohim by individuals and/or organizations. The pocket size books wereapparently used during domestic or foreign trips.Includes pocket and desk daily appointment books; arrangedchronologically by year, then by type.BOX 243-245 Journals, 1910-1973The Journals consist of notebooks which record activities, list items andreport on events and trips. The material dates from his 1910reminiscences and extends to comments about his 1973 European trip.The journal dated from 1941-1973 includes family genealogy charts.Two journals describe the creation of the music scores for two films,"The Red Pony" and "Something Wild". The date spans represent theactual span of year dates noted in the journal. See the Index for Journalswith AC Numbers for an explanation and list of the journals in numericorder.Includes notebooks of varied types; arranged chronologically by yeardates noted in journals.DO NOT SERVE; ONLY SERVE BINDERSBinder 1 = Box 243/Folders 1-16 and Box 244/Folders 1-10Binder 2 = Box 244/Folders 11-18 and Box 245/Folders 1-18BOX 246-314BOX 467ABOX 467BCorrespondence, 1911-1991The Correspondence series is divided into 2 subseries: PersonalCorrespondence and General Correspondence. The subseries, PersonalCorrespondence (1911-1991) contains letters to and from Copland withhis family, teachers, fellow composers, literary figures, personal friendsAaron Copland Collection 15

and acquaintances. Of particular interest are the letters with NadiaBoulanger, which extent over 50 years, and the letters with his long-timefriend, Harold Clurman. Other significant correspondents are LeonardBernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, DavidDiamond, Roy Harris, Claire Reis, Roger Sessions, Charles Ives, ArnoldSchoenberg, and Virgil Thomsom. The subseries, GeneralCorrespondence (1935 to 1991) comprises a variety of day-to-day mail,which Copland reviewed, from individuals and businesses. The lettersinclude requests to lecture and conduct and for permissions, birthday andholiday greeting cards from family, friends and school children, and fanmail.Arranged by subseries.BOX 246-265 Personal Correspondence, 1911-1991The subseries, Personal Correspondence (1911-1991) contains letters toand from Copland with his family, teachers, fellow composers, literaryfigures, personal friends and acquaintances.Includes letters, telegrams and notes to and from Copland. Arrangedalphabetically by name, then chronologically. Correspondents withfewer then five items, filed alphabetically, then chronologically, withina Miscellaneous folder which precedes each letter of the alphabet.BOX 266-314BOX 467ABOX 467BGeneral Correspondence, 1935-1991The subseries, General Correspondence (1935 to 1991) comprises avariety of day-to-day mail, which Copland reviewed, from individualsand businesses. The letters include requests to lecture and conduct andfor permissions, birthday and holiday greeting cards from family,friends and school children, and fan mail.Includes letters, telegrams and greeting cards. Arranged alphabetically bycorrespondent's name, except greeting cards, then chronologically.BOX 315-383 Professional Papers, 1917-1990The Professional Papers are divided into two sections, BusinessOrganizations and Engagements. The Business Organizations includerecords that pertain to Copland's affiliation with and service for variousprivate, public, and governmental agencies, organizations, and councils,at the local, national, and international level and material that relate tonumerous publishers, agents and foundations. Voluminous records existfor the Arrow Music Press (formerly, Cos Cob Press), for which Coplandserved as Treasurer, and for Boosey & Hawkes, his music publisher,which include letters about score corrections for his music. Othersignificant material are the Copland-Sessions Concerts of ContemporaryMusic, the Koussevitzky Music Foundation, the League of Composers,Modern Music, the Edward MacDowell Association, and Tanglewoodwhich includes material on the Berkshire Music Center and the BostonSymphony Orchestra. The Engagements represent correspondence andother material between organizations for which Copland performed,spoke or conducted, or from whom he was bestowed an award or honor.The organizations include orchestras, universities and colleges, festivals,museums, and societies. The most notable events are his trips to LatinAaron Copland Collection 16

America in 1941 and 1947 and his frequent appearances with the LondonSymphony, New York Philharmonic, and National Symphony orchestras.Arranged by subseries.BOX 384-428MAP-CASEMapCaseC-Drw2/3BOX 467CBOX 429-433BOX 453-455MAP-CASEMapCaseC-Drw2/7Subject File, 1923-1990The Subject File is a composite of printed matter and material on specialsubjects that Copland kept. The largest and most extensive is theComposition section which consists of published clippings, magazinearticles, promotional material, annotated programs and othermiscellaneous items relating to performances of his compositions. In Mayof 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged"communist" affiliations. The United States Congress section documentsCopland's correspondence, notes, statements and evidence during thisperiod. Also, an annotated copy of the Congressional Record of January16, 1953 in which the affiliations were first recorded and a transcript ofthe hearing are included.The Subject File series is divided into Brochures, Bulletins, Catalogues,Clippings, Compositions, Newsletters, Notes, Opera Ideas, Programs,Promotional Materials, Recording, Tribute and Multiple Composition,United States Congress, and White House. Includes correspondence,clippings, programs, promotional material and other printed matter.Arranged alphabetically by subject; then Brochures, Bulletins,Catalogues, Compositions, Opera Ideas, Recording, Tribute and MultipleComposition, and United States Congress arranged alphabetically by titleor subject; and Clippings, Newsletters, Notes, Programs and PromotionalMaterials arranged chronologically.ScrapbooksThe series Scrapbooks is represented by four scrapbooks. Three of the fourscrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33,and the 1978 Australian tour for which he conducted and lectured. Theother scrapbook represents the beginnings of Copland's clipping file from1924 to 1942.Four volumes that include articles, clippings, photographs, programs andother memorabilia. Arranged chronologically.Because of their fragile condition, all but the Australian tour scrapbook havebeen preserved on microfilm (Microfilm 93/20002 Mus); the original ofthese three volumes will not be served to the public.Biography, 1921-1988The Biography series consists of divergent materials, some of which isbiographical and others personal. The biographical material includesautobiographical notes, a notebook and assorted lists that pertain toCopland's activities and compositions, and two birthday albums. The 70thAaron Copland Collection 17

irthday album comprises "An album of composers' tributes" whichcontains congratulatory letters, musical salutes, poems and ink drawingsfrom 116 composers. The 80th birthday album was presented by theNational Symphony Orchestra from friends and includes congratulatoryletters from President Jimmy Carter, Vice President Walter Mondale,conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the JohnF. Kennedy Center for the Performing Arts), and international musicalluminaries.Includes correspondence, notebook, lists, two birthday albums containingletters, music manuscripts, poems, photographs and ink drawings, callingcards, clippings, miscellaneous bank, investment, insurance, medical andproperty records and documents, invitations, and passports. Arrangedalphabetically by subject.BOX 435-463MAP-CASEMapCaseC-Drw2/8-9BOX 456BOX 464-466BOX 509BOX 516BOX 519-520MAP-CASEMapCaseC-Drw2/10-16Awards, 1934-1985The Awards series contain the artifacts that Copland received from thenumerous and myriad honors and awards bestowed on him during hislifetime. Copland accepted his first honorary doctorate in music fromPrinceton University in 1956, and almost every year thereafter heapproved another one either in humane letters or in music. The last onewas a Degree of Fine Arts, "Honoris Causa", from the New School forSocial Research in 1983. Other tributes conferred on Copland from 1947to 1982 include the Presidential Medal of Freedom, awarded by PresidentLyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in1979. In most cases, programs, invitations, and letters accompany theactual degree, award or medal.Citations, Medals, etc. include certificates, proclamations, plaques, medals,keys to cities and, some cases, accompanying correspondence, programs,reviews and other printed material. Arranged alphabetically by thepresenter's name.Art Works, 1944-1983The Art Works section is divided into Of Aaron Copland, Other Works,Poetry, and Posters that include drawings, caricatures, and portraits ofAaron Copland and other artistic renderings which consist of specialeditions of illustrated poems by various artists in different mediums. Thetwo most illustrious artists represented are a numbered print by PabloPicasso and an engraved color print by Marc Chagell which was part ofan invitation from the Prince and Princess of Monaco for a 1967 programto honor Nadia Boulanger.Citations, Medals, etc. include certificates, proclamations, plaques, medals,keys to cities and, some cases, accompanying correspondence, programs,Aaron Copland Collection 18

eviews and other printed material. Arranged alphabetically by thepresenter's name.BOX 468-494BOX 496-514MAP-CASEMapCaseC-Drw2/4-6Photographs, 1889-1985The Photographs series contain approximately 12,000 images and date fromc. 1889-1985. The largest section is the portraits of Copland alone, bothformal and informal, professional and amateur. Noteworthy subjectsinclude many rarely-seen early portraits of Aaron Copland and themajority of the photographs reproduced in Copland's two volumeautobiography, "Copland, 1900-1943" (Volume I) and "Copland Since1943" (Volume II). Photographs from these books are identified with aRoman numeral I or II, designating the volume in which it wasreproduced, followed by an Arabic numeral designating the page onwhich the photograph is found.A large portion of the photo images were taken by Copland's life-long friend,the professional photographer, Victor Kraft (1915-76). Among the imagesproduced by Victor Kraft are luminaries of the American music scenefrom the first half of the twentieth century, including Leonard Bernstein,Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, SergeKoussevitzky, Walter Piston and the Tanglewood Music Festival duringthe 1940s. In fact, a significant amount of items correspond or overlapbetween this series and the Victor Kraft Materials series. Illustriousphotographers represented include Margaret Bourke-White, Irving Penn,Gordon Parks and Carl Van Vechten, among others. If photographiccredits are not given, the photographer is, as yet, unidentified. See theExplanation of Code System for Photographs at the end of the series.Includes black and white and color photoprints in several sizes, color slides,black and white contact prints, black and white and color negatives, andcolor transparencies (mostly 35mm, but includes oversize, copy andsquare negatives). Photoprints with and without Aaron Copland arrangedby subject from the most personal and relevant to Copland to lessimportant and significant, then roughly in chronological order; PhotoAlbums arranged in approximate chronological order; Color Slidesarranged by subject; and Negatives arranged according to pre-existingjob codes in alpha-numeric order when available, and according to newlyassignedcodes arranged by subject, then numerically.BOX 521-564 Victor Kraft Materials, 1918-1976The Victor Kraft Materials contain approximately 40,000 items and span theyears c. 1918-1976. Victor Kraft (1915-76) was a professionalphotographer and life-long friend of Aaron Copland. They first becameacquainted in the early 1930's and maintained close contact until Kraft'sdeath. Copland was the godfather of Kraft's only child Jeremy, a son fromhis second wife Rheba. Kraft's photographs appeared in such prominentpublications as "Life Magazine", "Harper's Bazaar", "Junior Bazaar", andthe French art journal "L'Oeil", among others.The bulk of the photoprints and negatives document Kraft's travels inMexico in the 1930s [and/or 1950s?] and in Brazil from 1951-53. Notablesubjects include formal and informal portraits of Aaron Copland, andAaron Copland Collection 19

portraits from the 1940s and 1950s of numerous composers andperformers of the American music scene, including Leonard Bernstein,Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, DmitriMitropoulos, and Robert Shaw. The Tanglewood Music Festival duringthe 1940s is also well represented with many historically interestingimages to be found in the photoprints, as well as the contact sheets andnegatives. Photoprints by other prominent photographs are represented-- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard),Ronny Jaques (a signed portrait of Carson McCullough), and Carl VanVechten (1935 portraits of Victor Kraft). All other images are assumed tohave been created by Victor Kraft unless otherwise noted. Of otherinterest are the series of letters to Kraft from Paul Bowles, and a samplingof Kraft's original negative sleeves which reveal insights into hissystematization and methodology. See the Explanation of Code Systemfor Photographs in the Victor Kraft Materials at the end of this series.Includes letters, telegram, manuscript and typewritten notes, identificationcards and passport, address book, bank checks and statements, receipts,purchase orders, black and white and color prints, black and whitecontact prints, color slides, black and white and color negatives, colortransparencies (mostly 35 mm, but includes oversize, copy and squarenegatives), a watercolor and etching print, post cards, clippings, andmaps. Biographical, Professional Papers, Photoprints, Contact Sheets,Color Slides and Printed Matter arranged by subject (Photoprints followsimilar order as photoprints in Photographs series); Correspondencearranged chronologically; Artwork arranged alphabetically by subject,and Negatives arranged according to pre-existing job codes in alphanumericorder when available, and according to newly-assigned codesarranged by subject, then numerically.Copland Library, 1908-1988The Copland Library series comprises selected books on a wide range ofmusical and general subjects from Copland's personal library. Most aresigned, usually by the author, or contain annotations or information aboutCopland. The books reflect Copland's wide and varied interests andinclude those books written by Copland and translated into variouslanguages. Many books concentrate on Copland's interest in Frenchculture after his years of study in Paris.Includes published hardbacks and softbacks. Arranged in alphabetical orderby author, then by title.Aaron Copland Collection 20

Container ListContainerContentsBOX 1-196 Music, 1841-1988The Music series is divided into two subseries: Music by Aaron Copland andMusic by Others. The Music by Aaron Copland represents almost all ofthe entire musical creation of Copland beginning with the early, youthfulstudent works and ending with the short piano pieces in the seventies andeighties. The Music Manuscripts and Printed Editions by Aaron Coplandcover the years from 1920 through 1982 in a numerical order establishedby Copland, designated as ARCO numbers, which total 100 assignments.After each ARCO number, a numerical or alphabetical suffix is assignedthat represents the type of material. The last category consists of MusicComposed by Copland Not Assigned an ARCO Number which includesmusic culled from or later developed into well-known Copland works andwhich were not assigned a number by Copland or his staff. The Juvenilia:Works by Copland represent his early compositions and arrangements.The Music By Other Composers includes manuscripts, fascimiles, andprinted music which were part of Copland's extensive collection of music.See the Alphabetical Title Index to Aaron Copland Music Compositionsand Key to ARCO Numeric System for a further explanation of Copland'snumbering system.Arrangment is by subseries.BOX 1-117 Music by Aaron Copland, 1911-1985Music Manuscripts and Printed Editions by Aaron Copland, PublishedCompilations of Works by Copland, and Music Composed by CoplandAssigned ARCO Number (1920-1985 and undated). Includesmanuscripts, copies of manuscripts (ozalids, photocopies andphotostats) and printed scores of Copland's original compositions,adaptations and transcriptions, compilations of Copland's works, andadaptations and transcriptions by other composers. Juvenilia: Works byCopland (1911-1926 and undated). Divided into Juvenilia ArrangedChronologically, Juvenilia Arranged Alphabetically by Title, andCopland Transcriptions or Arrangements of Works by Others. Includedmanuscripts and student music notebooks. See the Alphabetical TitleIndex to Aaron Copland Music Compositions and Key to ARCO NumericSystem for a further explanation of Copland's numbering system.Arranged numerically by Copland's numbering system, then by decimalnumbers for manuscripts and copies of manuscripts and by alphabeticsuffix for published editions (except works not numbered arrangedalphabetically by title).BOX 1-116 Music Manuscripts and Printed Editions, 1920-19851) Humoristic scherzo : the cat and the mouse [piano work]BOX-FOLDER 1/1Scherzo humoristique : le chat et la souris.1 Ms. Piano solo; 4 p.; 34.5 cm.Note: Holograph in ink.At end: Completed March 19, 1920.Aaron Copland Collection 21

Music, 1841-1988ContainerContentsOn microfilm: MUSIC 1906, Item 6.BOX-FOLDER 1/1.1 Humoristic scherzo : the cat and the mouse.1.1 Ms. Piano solo (incomplete); 3 p.; 34.5 cm.Note: Holograph in ink and pencil.BOX-FOLDER 1/1.2 Scherzo humoristique : le chat et la souris = The cat and themouse. Paris: Durand & Cie., [1921].1.2 Publisher's proof. Piano solo; 5 leaves.c1921 by Durand & Cie.Plt.: D. & F. 10,107.Note: Marginalia in ink and pencil by Nadia Boulanger.BOX-FOLDER 1/1a Scherzo humoristique : le chat et la souris = The cat and the mouse /pour piano 2 mains. Paris: Durand & Cie., 1948.1a Piano solo; 5 p.c1921 by Durand.Plt.: D. & F. 10,107.At end: Novembre 1948.BOX-FOLDER 1/1b The cat and the mouse. New York: Boosey & Hawkes, 1950.1b Piano solo; 7 p.c1921 by Durand & Cie.; renewed 1949 in U.S.A. by Aaron Copland;assigned 1950 for U.S.A. to Boosey & Hawkes.Plt.: Pa. 82.2) An old poem = Vieux poeme [song]BOX-FOLDER 1/2An old poem (melodie chinoise).2 Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm.Note: Holograph in ink.English text.At end: June 1920.BOX-FOLDER 1/2.1 An old poem (melodie chinoise).2.1 Ms. Score for voice and piano; 3 p.; 34.5 cm.Note: Holograph in ink.English text.At end: June 1920.BOX-FOLDER 1/2.2 Old poem.2.2 Ms. Vocal score; 2 p.; 17.5 x 27 cm.Note: Holograph in ink.French text.BOX-FOLDER 1/2.3 An old poem : song for soprano with piano accompaniment.2.3 Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm.Note: Holograph in ink and pencil.English text.At end: June 1920.Aaron Copland Collection 22

Music, 1841-1988ContainerContentsBOX-FOLDER 1/2.4 Old poem. Paris: Éditions Maurice Senart, [1923].2.4 Publisher's proof. Score for high voice and piano; 3 leavesc1923 by Éditions Maurice Senart.Plt.: E.M.S. 6198.English and French text.Note: Marginalia in ink and pencil by Nadia Boulanger.At end: June 1920.BOX-FOLDER 1/2a Old poem. Paris: Éditions Maurice Senart, [1923].2aScore for high voice and piano; 3 p. (2 copies).c1923 by Éditions Maurice Senart.Plt.: E.M.S. 6198.English and French text.Inscribed on title page of Copy 1: For Mamasha and Papasha (withhope that Larinka won't try to sing it for them!), Paris - Dec. 1923.At end: June 1920.BOX-FOLDER 1/2b Old poem. Paris: Éditions Salabert, [1923].2b Score for high voice and piano; 3 p.c1923 by Éditions Maurice Senart.Plt.: E.M.S. 6198.English and French text.At end: June 1920.BOX-FOLDER 1/2c Old poem. New York: Boosey & Hawkes, 1985.2c Score for high voice and piano; 4 p.c1923 by Éditions Maurice Senart; renewed 1951 by Aaron Copland.Plt.: E.M.S. 6198.English and French text.At end: June 1920.3-A) Pastorale [song]BOX-FOLDER 1/3-A Pastorale.3-A Ms. Score for soprano and piano; 3 p.; 34 cm.Note: Holograph in ink and pencil.English text. Words translated from the Kafiristan by E. PowysMathers.At end: Apr. 4-12, 1921.BOX-FOLDER 1/3-A.13-A.1BOX-FOLDER 1/3-A.23-A.2Pastorale.Ms. (photostat). Score for soprano and piano; 2 p.; 28 cm.English text.At end: April 4-12, 1921.Pastorale.Ms. Score for voice and piano (incomplete); 1 leaf; 34.5 cm.Note: Holograph in ink.English text.Aaron Copland Collection 23

Music, 1841-1988ContainerContentsBOX-FOLDER 1/3-Aa Pastorale. New York: Boosey & Hawkes, 1979.3-Aa Score for high voice and piano; 2 p.c1979 by Aaron Copland.Plt.: S. 2690.English text.At end: April 4-12, 1921.Duration: ca. 3 min.3-B) Alone [song]BOX-FOLDER 1/3-B Alone.3-B Ms. Score for voice and piano; 3 p.; 35 cm.Note: Holograph in pencil.English text.At end: Feb. 25, 1922.BOX-FOLDER 1/3-B.13-B.1BOX-FOLDER 1/3-B.23-B.2BOX-FOLDER 1/3-B.33-B.3Alone.Ms. Score for voice and orchestra; 10 p.; 35.5 cm.Note: Holograph in pencil.English text.Alone : melodie pour chant et piano.Ms. Score for voice and piano; 3 p.; 35 cm.Note: Holograph in ink.English text.On title page: Words translated from the Arabic of John Duncan byE. Powys Mathers.Alone : song for voice, piano, and viola.Ms. Score for voice, viola, and piano; 4 p.; 34.5 cm.Note: Holograph in pencil.At end: Dec. 2, 1921.4) Four motets ; 4 motets = Quatre motets [chorus]BOX-FOLDER 1/4Four motets : for mixed chorus, a cappella.4 Ms. Score for mixed chorus (SATB); 12 p.; 36.5 cm.Note: Holograph in ink.English text.On title Page: (1921-22) student work; words and music by AaronCopland; N.B.- words have been arranged from the Bible;'student' work (not to be published) A.C.; Permission granted forpublication in 1979.At end: Winter of 1921-22.BOX-FOLDER 1/4.1 Four motets.4.1 Ms. Score for mixed chorus; [13] p. (unnumbered); 35 cm.Note: Holograph in pencil and ink.English text.At end of Motet I:12-9-21.Aaron Copland Collection 24

Music, 1841-1988ContainerContentsBOX-FOLDER 1/4.2 "4 motets".4.2 Ms. Score for mixed chorus (SATB); [12] p.; 35 cm.Note: Holograph in ink with annotations in pencil.English text.BOX-FOLDER 1/4.3 "4 motets".4.3 Ms. Score for mixed chorus (SATB); 12 p.; 35 cm.Note: Holograph in ink.English text.Stamped N.B.BOX-FOLDER 1/4.4 "4 motets".4.4 Ms. Score for mixed chorus (SATB); 11 p.; 30.5 cm.Note: Holograph in ink.English text.Stamped N.B.BOX-FOLDER 1/4.5 Four motets.4.5 Ms. Score for mixed chorus (SATB); 12 p.; 36 cm.Note: Holograph in ink.English text.Stamped N.B.BOX-FOLDER 1/4.6 "Quatre motets" / pour un chorus mixte a cappella.4.6 Ms. Score for mixed chorus (SATB); 11 p.; 34 cm.Note: Holograph in ink with annotations in pencil.English text.At end: Dec. 1921.BOX-FOLDER 1/4.7 "4 motets".4.7 Mss. Soprano vocal parts; Nos. I-IV; 33-35.5 cm.Note: Manuscript in ink and pencil.English text.BOX-FOLDER 1/4.8 "4 motets".4.8 Mss. Alto vocal parts; Nos. I-IV; 33-35.5 cm.Note: Manuscript in ink and pencil.English text.BOX-FOLDER 1/4.9 "4 motets".4.9 Mss. Tenor vocal parts; Nos. I-IV; 30.5-33 cm.Note: Manuscript in ink and pencil.English text.BOX-FOLDER 1/4.10 "4 motets".4.10 Mss. Bass vocal parts; Nos. I-IV; 33-36 cm.Note: Manuscript in ink and pencil.English text.Aaron Copland Collection 25

Music, 1841-1988ContainerContentsBOX-FOLDER 1/4.11 "4 motets".4.11 Mss. Instrumental parts; for Nos. I-III; 31.5-35 cm.Note: Manuscript in ink and pencil.BOX-FOLDER 1/4 misc "4 motets".4 misc Mss. (photocopies). Pages from corrected manuscript proofs; 14leaves; various sizes.Pages from ARCO 4.3.BOX-FOLDER 1/4a, No. I "Help us, O Lord". [New York]: Boosey & Hawkes, [1979].4a, No. I Score for mixed chorus (SATB), a cappella; 7 p. (2 copies).c1979 by Aaron Copland.Plt.: Oct. 6018.English text.Duration: 2', 40".BOX-FOLDER 1/4a, No. II "Thou O Jehovah, abideth forever". [New York]: Boosey & Hawkes,[1979].4a, No. II Score for mixed voice (SATB), a cappella; 8 p.c1979 by Aaron Copland.Plt.: Oct. 6019.English text.Duration: 2', 30".BOX-FOLDER 1/4b, No. II "Gud ar min raddning" = "Thou, O Jehovah abidethforever". Stockholm: AB Carl Ghermans Musikforlag, [1987].4b, No. II Choral score (SATB); 8 p.c1979.Plt.: CG 6597.Swedish text.Note: Reprinted by AB Carl Ghermans Musikforlag with permissionfrom Boosey & Hawkes, Inc., [1987].BOX-FOLDER 1/4a, No. III "Have mercy on us, O my Lord". [New York]: Boosey & Hawkes,[1979].4a, No. III Score for mixed voices (SATB), a cappella; 8 p.c1979 by Aaron Copland.Plt.: Oct. 6020.English text.Duration: 3', 40".BOX-FOLDER 1/4a, No. IV "Sing ye praises to our king". [New York]: Boosey & Hawkes, [1979].4a, No. IV Score for mixed voices (SATB), a cappella; 10 p.c1979 by Aaron Copland.Plt.: Oct. 6021.English text.Duration: 2', 30".5) Passacaglia [piano work]Aaron Copland Collection 26

Music, 1841-1988ContainerContentsBOX-FOLDER 44/5Passacaglia.5 Ms. Piano solo; 8 p.; 35 cm.Note: Holograph in ink and pencil.BOX-FOLDER 44/5.1 Passacaglia.5.1 Ms. Piano solo; 4 p. (ms.), 4 p. (photocopy); 35 cm.Note: Holograph in ink and pencil.On microfilm: MUSIC 1906, Item 36.BOX-FOLDER 44/5.2 Passacaglia : pour piano seul.5.2 Ms. Piano solo (score & sketches); 8 p.; 35 cm.Note: Holograph in pencilLaid in: holograph sketches (8 p.).On microfilm: MUSIC 1906, Item 36.BOX-FOLDER 44/5.3 Passacaglia.5.3 Ms. Organ solo; 10 p.; 33.5 cm.Note: Holograph in ink and pencil; contains several emendations oncolor paper paste-overs.Laid in: Correspondence from "Martha", dated March 22, 1971.BOX-FOLDER 44/5.4 Passacaglia : a Mlle. Nadia Boulanger.5.4 Ms. Organ solo; 10 p.; 34 cm.Note: Holograph in pencil and ink; contains several emendations oncolor paper paste-overs.BOX-FOLDER 44/5.5 Passacaglia (orchestral).5.5 Ms. Full score; 11 p.; 40 cm.Note: Holograph in pencil.BOX-FOLDER 44/5a Passacaglia : pour piano. Paris: Éditions Maurice Senart, [1922].5a Piano solo; 7 p.c1922 by Éditions Maurice Senart.Plt.: E.M.S. 4985.Note: Holograph markings in pencil throughout.At head: A Mademoiselle Nadia BOU- LANGER.BOX-FOLDER 44/5b Passacaglia : pour piano. Paris: Éditions Salabert, 1959.5bPiano solo; 8 p. (2 copies).c1922 by Éditions Maurice Senart.Plt.: S. 4985.Note: At top of Copy 1 in pencil: Copy corrected by Aaron Copland.Duration: ca. 6.5 min.BOX-FOLDER 44/5c Passacaglia : for piano. New York: Boosey & Hawkes, 1987.5c Piano solo; 7 p.c1922 by Maurice Senart; renewed 1950 by Aaron Copland.Plt.: PIB 439.Aaron Copland Collection 27

Music, 1841-1988ContainerContentsBOX-FOLDER 44/5d Passacaglia. New York: Éditions Salabert, n.d.5d Piano solo; 8 p.c1922 by Éditions Maurice Senart.Plt.: S. 4985.6) As it fell upon a day [song]BOX-FOLDER 44/6As it fell upon a day : song for soprano / with accompaniment of flute& clarinet.6 Ms. Score for voice, flute and clarinet; 10 p.; 36 cm.Note: Holograph in ink and pencil.English text. Words from Richard Barnefield.At end: Vienna Summer of 1923.On microfilm: MUSIC 1906, Item 1.BOX-FOLDER 44/6.1 [As it fell upon a day] : melodie pour chant / avec accompaniment deflute et clarinette.6.1 Ms. Score for voice, flute and clarinet; [8] p. (pp. 3-10); 35.5 cm.Note: Holograph in pencil.English text.On microfilm: MUSIC 1906, Item 1.BOX-FOLDER 44/6.2 As it fell upon a day : melodie pour soprano / avec accompaniment deflute et clarinette.6.2 Ms. Score for voice, flute and clarinet; 3 leaves; 35 cm.Note: Holograph in pencil.On cover page: Original pencil manuscript.BOX-FOLDER 44/6.3 As it fell upon a day : song for soprano / with accompaniment of fluteand clarinet.6.3 Ms. Score for voice, flute and clarinet; 7 p.; 34 cm.Note: Holograph in ink and pencil.English text. Words by Richard Barnefield.At end: Wien, Summer of 1923.BOX-FOLDER 44/6.4 As it fell upon a day.6.4 Mss. Parts for flute and clarinet.Note: Copyist's manuscripts in ink and pencil.BOX-FOLDER 44/6a As it fell upon a day : song for soprano / with accompaniment of fluteand clarinet. San Francisco: New Music Society of California, 1929.6a Score for voice with accompaniment of flute and clarinet; 14 p. (2copies).c1929 by Aaron Copland.Ser. ed.: Henry Cowell.Ser. title: New Music: A Quarterly of Modern Compositions, Vol. 2,No. 4.English text.7) Symphony for organ and orchestraAaron Copland Collection 28

Music, 1841-1988ContainerContentsBOX-FOLDER 45/7Symphony for organ and orchestra.7 Ms. Full score; 85 p.; 40-45.5 cm.Note: Holograph in ink and pencil.At head: To Nadia Boulanger -- with admiration, A.C.At end: May-Nov. 1924.On microfilm: MUSIC 1906, Item 93.BOX-FOLDER 45/7.1 Symphony for organ and orchestra.7.1 Ms. Orchestral sketches; 55 p. (12, 20, 23 p.); 34.5 cm.Note: Holograph in ink and pencil.On microfilm: MUSIC 1906, Item 93.BOX-FOLDER 45/7.2 Symphony for organ and orchestra.7.2 Ms. Orchestral sketches; 46 p.; 34.5-36.5 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 93.BOX-FOLDER 45/7.3 Symphony for organ and orchestra.7.3 Ms. Organ part; 54 p.; 34.5 cm.Note: Holograph in ink.At end: May-Sept. 1924 Aaron Copland.On microfilm: MUSIC 1906, Item 93.BOX-FOLDER 45/7.4 Symphony for organ and orchestra.7.4 Ms. (ozalid). Organ part; 27 p.; 36 cm.Note: Copyist's manuscript, unmarked.On microfilm: MUSIC 1906, Item 93.BOX-FOLDER 45/7.5 Symphony for organ and orchestra.7.5 Ms. (ozalid). Full score; 85 p.; 40.5 cm.Note: Title page (or cover page) is manuscript in ink; remainder ofitem is a copy of copyist's manuscript.BOX-FOLDER 45/7.6 Symphony for organ and orchestra.7.6 Ms. (ozalid). Full score; 83 p.; 43.5 cm. (spiral bound).Note: Copyist's manuscript, unmarked.Duration: 25 min.BOX-FOLDER 45/7a7aSymphony for organ and orchestra. London: Boosey & Hawkes,[1963].Full score; 56 p. (3 copies, Copy 3 bound).c1931 by Cos Cob Press, Inc.; renewed in 1958; version for organand orchestra copyright 1963 by Aaron Copland.Plt.: H. & B. 19029.Note: Copies 1 and 2 contain holograph markings in pencilthroughout; Copy 3 unmarked.Duration: 25 min.BOX-FOLDER 45/7b Symphony for organ and orchestra. London: Boosey & Hawkes, 1963.7b Full score (miniature); 56 p.Aaron Copland Collection 29

Music, 1841-1988ContainerContentsc1931 by Cos Cob Press, Inc.; renewed in 1958; version for organand orchestra copyright 1963 by Aaron Copland.Plt.: B. & H. 19029.Ser. title: Hawkes Pocket Scores, No. 745.Duration: 25 min.8) Grohg [ballet]BOX-FOLDER 46/8 Grohg : ballet in one act (revised 1932).8 Ms. Full score; 191 p.; 40 cm. (bound).Note: Holograph in ink; several sections are photocopies of originalmanuscript. Attached to third preliminary page is a typescript,titled "PRE- LIMINARY NOTE", which gives general backgroundinformation about the score and the ballet.BOX-FOLDER 46/8.1 Grohg : ballet in one act (1925).8.1 Ms. Full score sketches; 46 leaves (79, [2] p.); 34-35 cm.Note: Holograph in pencil.Included is letter from Ronald Caltabiano (assistant to AaronCopland) to Sylvia Goldstein regarding differences betweenoriginal manuscript and original pencil sketches. A photocopy ofthe letter contains notes in red by Mr. Caltabiano dated 3/30/88.Each leaf is housed separately in mylar jackets; the jackets areannotated with conductor's markings on small pieces of paper.The letter to Ms. Goldstein refers to these markings.BOX-FOLDER 2/8.2 Grohg : ballet in one act.8.2 Ms. Additional piano sketches; various paginations; 35 cm.Note: Holographs in pencil.On microfilm: MUSIC 1906, Item 23.BOX-FOLDER 2/8.3 Grohg : ballet in one act.8.3 Ms. Piano solo; 43 p.; 34.5 cm.Note: Holograph in ink and pencil.Duration: 30 min.BOX-FOLDER 2/8.4 Grohg : ballet in one act.8.4 Ms. (photocopy). Piano solo; [12] p.; 38.5 x 25 cm. (bound).Note: This item is a miniaturized photocopy of manuscript ARCO 8.3.Duration: 30 min.BOX-FOLDER 2/8.5 "Petites valses" (origin of ballet Grohg).8.5 Ms. Piano sketch; 4 p.; 35 cm.Note: Holograph in pencil.BOX-FOLDER 2/8.6 "Trois dances du ballet Grohg" / en un acte.8.6 Ms. Score for two pianos (draft); 68 p.; 36 cm.Note: Holograph in pencil.CONTENTS:• I) Dance of the adolescent• II) Dance of the opium eater• III) Dance of the street-walkerAaron Copland Collection 30

Music, 1841-1988ContainerContentsBOX-FOLDER 2/8.7 "Three dances from Grohg" : ballet in one act.8.7 Ms. Score for two pianos; pages unnumbered; 35 cm.Note: Holograph in pencil.CONTENTS:• I) Dance of the adolescent• II) Dance of the opium eater• III) Dance of the street-walkerBOX-FOLDER 47/8 misc Grohg (Cortege macabre) : ballet in one act.8 misc Mss. Miscellaneous pages from full scores, two piano arrangements,ballet synopsis, etc.; 40.5 cm.Note: Holographs in ink and pencil.8-A) Cortege macabre: from ballet GrohgBOX-FOLDER 47/8-A Cortege macabre.8-A Ms. Full score sketch; 47 p.; 35 cm.Note: Holograph in pencil.At head: 1923.BOX-FOLDER 47/8-A.18-A.1BOX-FOLDER 47/8-A.28-A.2BOX-FOLDER 47/8-A.38-A.3BOX-FOLDER 47/8-A.48-A.4BOX-FOLDER 47/8-A.58-A.5Cortege macabre : from Grohg / ballet in one act.Ms. Full score; 58 p.; 41 cm.Note: Holograph in ink; item includes photocopies.Cortege macabre.Ms. (photocopy). Full score; 58 p.; 40 cm.Note: Copy of manuscript ARCO 8-A.1.Cortege macabre.Ms. Score for two pianos (draft); 18 p.; 36 cm.Note: Holograph in pencil.Cortege macabre : from Grohg -- ballet in one act.Ms. Full score (incomplete); 7 p.; 40 cm.Note: Holograph in ink.Cortege macabre.Ms. (ozalid). 1st violin part; 6 p.; 34 cm.Note: Photocopied by Arrow Music Press, Inc., New York.BOX-FOLDER 47/8-A.6 Cortege macabre (from an unnamed ballet in one act) : for orchestra /arranged for two pianos by Aaron Copland.8-A.6Ms. Score for two pianos; 41 p.; 35 cm.Note: Copyist's manuscript in ink.8-B) Dance of the adolescent: from ballet GrohgBOX-FOLDER 47/8-B Dance of the adolescent : from Grohg.8-B Ms. Two piano transcription; 13 p.; 33.5 cm.Note: Holograph in pencil.Aaron Copland Collection 31

Music, 1841-1988ContainerContentsBOX-FOLDER 47/8-B.18-B.1BOX-FOLDER 47/8-B.28-B.2Dance of the adolescent : from Grohg.Ms. Two piano transcription; 21 leaves; 30.5 cm.Note: Holograph in ink on transparent paper.Dance of the adolescent : from dance symphony.Ms. (ozalid). Two piano transcription; 21 p.; 30.5 cm.Note: Copy of holograph score ARCO 8-B.1.BOX-FOLDER 47/8-Ba Dance of the adolescent. London: Boosey & Hawkes, [1968].8-BaScore for two pianos; 24 p. (2 parts in one folder).c1931 by Cos Cob Press, Inc.; renewed and assigned to AaronCopland in 1958; two piano version copyright 1968 by AaronCopland.Plt.: B. & H. 19589.See also ARCO 11-Aa.9) Two choruses for women's voices : 9-A) "The house on the hill" ;9-B "An immorality"BOX-FOLDER 48/9-A "House on the hill" : for women's voices.9-A Ms. Score (sketch) for women's voices (SSAA); 10 p.; 41 cm.Note: Holograph in pencil.English text. Words by Edward A. Robinson.On microfilm: MUSIC 1906, Item 79.BOX-FOLDER 48/9-Aa9-Aa"The house on the hill" : four-part chorus for women's voices / acappella ; from "Children of the night" by Edward ArlingtonRobinson. Boston: E. C. Schirmer Music Co., [1926].Score for women's voices (SSAA); 11 p. (2 copies).c1926 by E.C. Schirmer Music Co.Plt.: E.C.S. No. 231.Ser. title: Commonwealth Series, No. 445.English text.BOX-FOLDER 48/9-Ab "House on the hill" : four-part chorus for mixed voices a cappella; from"Children of the Night" by Edward Arlington Robinson. Boston: E. C.Schirmer Music Company, [1954].9-Ab Score for mixed voices (SSAA); 11 p.c1926 by E.C. Schirmer Music Company; renewed 1954 by E.C.Schuirmer Music Co.Plt.: E.C.S. No. 231.Issue No.: 445 (reissue of ARCO 9-Aa).Note: Holograph annotations in ink for SATB.English text.BOX-FOLDER 48/9-Ac9-Ac"The house on the hill" : for SSAA chorus / a cappella. [New York]:Boosey & Hawkes, 1990.Choral score ( SSAA); 9 p. (3 copies).c1926 by E.C. Schirmer Music Company; renewed 1954 by AaronCopland.Plt.: OCTB6590.English text. Words by Edward Arlington Robinson.Aaron Copland Collection 32

Music, 1841-1988ContainerContents9-B) "An immorality": from Two choruses for women's voicesBOX-FOLDER 48/9-B "An immorality" : chorus for women's voices & piano acc.9-B Ms. Score for women's voices (SSA) and piano; 6 p.; 40 cm.Note: Holograph in pencil.English text. Words by Ezra Pound.On microfilm: MUSIC 1906, Item 80.BOX-FOLDER 48/9-Ba9-Ba"An immorality" : from "Lustra" by Ezra Pound. Boston: E. C. SchirmerMusic Co., [1926].Three-part chorus for women's voices (SSA); 15 p. (2 copies).c1926.Plt.: E.C.S. No. 232.Ser. title: Commonwealth Series, No. 444.Note: Holograph annotations in ink for SAB.English text.BOX-FOLDER 48/9-Bb "An immorality" : three-part chorus for women's voices / with sopranosolo. Boston: E. C. Schirmer Music Company, [1954].9-Bb Score for chorus (SSA) and piano; 15 p.c1926 by E.C. Schirmer Music Co.; renewed 1954 by E.C. SchirmerMusic Co.Plt.: E.C.S. No. 232.Issue No.: 444 (reissue of 9-Ba).Note: Holograph annotations in ink for SAB.English text. Words by Ezra Pound from "Lustra".BOX-FOLDER 48/9-Bc9-Bc"An immorality" : for soprano solo, SSA chorus and piano. New York:Boosey & Hawkes, 1990.Score for chorus and piano; 12 p. (6 copies).c1926 by E.C. Schirmer Music Company; renewed 1954 by AaronCopland.Plt.: OCTB6589.English text by Ezra Pound form "Lustra".10) Music for the theatre [suite]BOX-FOLDER 3/10Music for the theatre : suite in 5 parts for chamber orchestra.10 Ms. Full score (for 18 piece orchestra); 126 p.; 34.5 cm.Note: Holograph in ink and pencil.Dedicated to Serge Koussevitsky.At end: May to Sept. 1925.On microfilm: MUSIC 1906, Item 32 A.BOX-FOLDER 3/10.1 Music for the theatre : suite in 5 parts for chamber orchestra.10.1 Ms. Orchestral sketches; 32 p.; 34.5 cm.Note: Holograph in pencil.Dedicated to Serge Koussevitsky.On microfilm: MUSIC 1906, Item 32 B.Aaron Copland Collection 33

Music, 1841-1988ContainerContentsBOX-FOLDER 3/10.2 Music for the theatre : suite in 5 parts for chamber orchestra.10.2 Ms. Score for piano -- 4 hands; 42 p.; 34.5 cm.Note: Holograph in ink and pencil.At end: May-Sept. 1925.On microfilm: MUSIC 1906, Item 32 B.BOX-FOLDER 3/10.3 Music for the theatre : suite in five parts for small orchestra.10.3 Ms. Full score; 122 p.; 34 cm. (bound).Note: Holograph in ink and pencil.On first title page in pencil: Score prepared by a copyist for use byKoussevitsky at 1st performance in 1925.Duration: approximately 20 min.BOX-FOLDER 4/10a10aMusic for the theatre : suite in five parts for small orchestra. Austria:Cos Cob Press, Inc., [1932].Full score; 71 p. (4 copies, Copy 2 bound).c1932 by Cos Cob Press.Note: All copies contain holograph markings in pencil throughout.Laid in Copy 3: top of page 9, re-barred; holograph in ink. Duration:approximately 20 min.BOX-FOLDER 4/10b Music for the theatre : suite in five parts for small orchestra. NewYork: Cos Cob Press, Inc., [1932].10b Full score (miniature); 71 p.c1932 by Cos Cob Press.Duration: approximately 20 min.Note: reissued under the auspices of Arrow Music Press, Inc.,[1932].BOX-FOLDER 4/10c10cMusic for the theatre : suite in five parts for small orchestra. NewYork: Boosey & Hawkes, [1956].Full score; 71 p. (2 copies).c1932 by Cos Cob Press, Inc.; assigned to Boosey & Hawkes in 1956.Plt.: F.S. 206.Note: Copy 1 heavily marked.Duration: approximately 20 min.11) A dance symphony [orchestra]BOX-FOLDER 49/11 A dance symphony.11 Ms. Full score; 100 p.; 39.5 cm.Note: Holograph in ink.Based on the music from the ballet "Grohg".Duration: about 15 min.On microfilm: MUSIC 1906, Item 14.BOX-FOLDER 49/11.1 A dance symphony.11.1 Ms. (photostat). Full score (incomplete); 99 p.; 38.5 cm.BOX-FOLDER 49/11.2 A dance symphony.11.2 Ms. Score for piano, four hands; 48 p.; 36 cm.Aaron Copland Collection 34

Music, 1841-1988ContainerContentsNote: Holograph in ink and pencil.BOX-FOLDER 49/11.3 A dance symphony.11.3 Ms. Full score; 53 leaves (several numbers skipped or pagesmissing); 41 cm.Note: Holograph in ink and pencil.BOX-FOLDER 49/11 misc Dance symphony.11 misc Mss. Miscellaneous pages from full score; various sizes.Note: Holographs in ink and pencil.BOX-FOLDER 49/11a11aDance symphony : for large orchestra. Austria: Cos Cob Press, Inc.,[1931].Full score; 87 p. (2 copies).c1931 by Cos Cob Press.Note: Both copies heavily marked.Laid in Copy 1: One typescript page and two handwritten pages of"corrections".Duration: 16:48.BOX-FOLDER 49/11b Dance symphony : for large orchestra. New York: Cos Cob Press, Inc.,[1931].11b Full score (miniature); 87 p.c1931 by Cos Cob Press.Duration: 20 min.Note: reissued under the auspices of Arrow Music Press, Inc.,[1931].BOX-FOLDER 49/11-Aa11-Aa11-A) Dance of the adolescent: from Dance symphonyDance of the adolescent : from Dance Symphony. [London]: Boosey &Hawkes, [1968].Score for two pianos; 24 p. (2 parts in one folder).c1931 by Cos Cob Press, Inc.; renewed in 1958 and assigned toAaron Copland; two piano version copyright 1968 by AaronCopland.Plt.: B. & H. 19589.Same as ARCO 8-Ba.12) Concerto for piano and orchestraBOX-FOLDER 50/12 Concerto for piano and orchestra.12 Ms. Full score sketch; 55 p.; 40 cm.Note: Holograph in pencil.On first page: Begun Oct. 16, 1926.On microfilm: MUSIC 1906, Item 12.BOX-FOLDER 50/12.1 Concerto (in one movement--two parts) for piano and orchestra.12.1 Ms. Short score for piano and orchestra; 33 p.; 34.5 cm.Note: Holograph in ink and pencil.On title page: Fantasie or concerto (in one movement).At end: Jan.-Nov. 1926.Aaron Copland Collection 35

Music, 1841-1988ContainerContentsOn microfilm: MUSIC 1906, Item 11.BOX-FOLDER 50/12a Concerto for piano and orchestra. Austria: Cos Cob Press, Inc., [1929].12aFull score; 67 p. (3 copies, Copy 3 bound).c1929 by Cos Cob Press.Note: All copies have holograph markings in pencil throughout.Laid in Copy 1: Typed letter to Copland from Harry Kownatsky(Acting Curator at the Free Library of Philadelphia, 4/20/54)regarding three leaves of orchestral changes also included withthis volume.Laid in Copy 2: Two promotional flyers for CONCERTS AT THECAPITOL, featuring Mr. Copland as guest conductor of theNational Symphony Orchestra on Memorial Day, May 26, (yearunknown); and two handwritten leaves regardinginstrumentation for pieces to be performed at the Memorial DayConcert along with the rehearsal and program order.BOX-FOLDER 50/12b Concerto for piano and orchestra. New York: Cos Cob Press, Inc.,[1929].12b Full score (miniature); 67 p.c1929 by Cos Cob Press.Duration: 18 min.Note: reissued under the auspices of Arrow Music Press, Inc.,[1929].BOX-FOLDER 50/12c Concerto for piano and orchestra. New York: Boosey & Hawkes,[1929].12c Full score (miniature); 67 p.c1929 by Cos Cob Press.Ser. title: Hawkes Pocket Scores, No. 696.Note: Holograph markings in pencil throughout.Performance time: 18 min.Also published by Cos Cob Press, Inc.Note: reissued under the auspices of Arrow Music Press, Inc., [1929]BOX-FOLDER 50/12d Concerto for piano and orchestra. New York: Boosey & Hawkes,[1956].12d Full score; 67 p.c1929 by Cos Cob Press, Inc.; renewed in 1956 by Aaron Copland;renewed copyright assigned to Boosey & Hawkes in 1956.Plt.: F.S.207.Note: Holograph markings in pencil throughout.12-A) Concerto for piano and orchestra [two pianos]BOX-FOLDER 50/12-A Concerto for piano and orchestra.12-A Ms. Score for 2 pianos (four hands) and orchestra; 45 p.; 35.5 cm.Note: Holograph sketches in ink.On title page: (Arranged for 2 pianos by the composer).On microfilm: MUSIC 1906, Item 11.Aaron Copland Collection 36

Music, 1841-1988ContainerContentsBOX-FOLDER 50/12-A.112-A.1BOX-FOLDER 50/12-Aa12-AaBOX-FOLDER 50/12-Ab12-AbBOX-FOLDER 50/12-Ac12-AcConcerto (in one movement - two parts) for piano and orchestra.Ms. (ozalid). Score for two pianos; 31 p.; 32.5 cm.On title page: "To Alma Wertheim".At end: Jan.-Nov. 1926.Concerto (in one movement -- two parts) for piano and orchestra. NewYork: Cos Cob Press, Inc., [1929].Score for two pianos, four-hand arrangement; 30 p. (2 copies).c1929 by Cos Cob Press.Note: Both copies have holograph markings in pencil throughout.Concerto (in one movement -- two parts) for piano and orchestra. NewYork: Cos Cob Press, Inc., [1929].Score for two pianos, four- hand arrangement; 30 p. (2 copies).reissued under the auspices of Arrow Music Press, Inc.c1929 by Cos Cob Press.Concerto (in one movement -- two parts) for piano and orchestra. NewYork: Boosey & Hawkes, [1956].Score for two-piano, four- hand arrangement; 30 p. (2 copies in onevolume).c1929 by Cos Cob Press, Inc.; renewed 1956 by Aaron Copland.Plt.: B.Two Pa. 67.Note: Contains some holograph markings in pencil.13) Two pieces for violin and piano = Deux pièces pour violon etpiano : 13-A) "Nocturne" ; 13-B) "Serenade" ; "Ukeleleserenade"BOX-FOLDER 5/13 Two pieces for violin and piano : A) "Nocturne"; B)"Serenade" (original title).13 Ms. Score for violin and piano; 17 p.; 35.5 cm.Note: Holograph in pencil.On title page: First unrevised pencil copy.At end: Paris April 1926.BOX-FOLDER 5/13.1 Two pieces for violin and piano : A) "Nocturne"; B) "Serenade".13.1 Ms. Sketch (score) for violin and piano; 12 p.; 34.5 cm.Note: Holograph in pencil.At top of page 1: First sketches.At bottom of page 8: Paris April 1926.BOX-FOLDER 5/13.2 Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade".13.2 Ms. Score for violin and piano; 18 p.; 36 cm.Note: Holograph in ink and pencil.At end: Paris April.BOX-FOLDER 5/13.3 Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade".13.3 Ms. (negative photostat). Score for violin and piano; 18 p.; 35.5 cm.At end: Paris April 1926.Aaron Copland Collection 37

Music, 1841-1988ContainerContentsBOX-FOLDER 5/13.4 A) "Nocturne" ; B) "Ukelele serenade".13.4 Ms. Violin part; 4 p.; 35 cm.Note: Holograph in ink.BOX-FOLDER 5/13.5 A) "Nocturne" ; B) "Serenade".13.5 Ms. Violin part; 6 p.; 35 cm.Note: Holograph in ink and pencil.BOX-FOLDER 5/13 misc [A) "Nocturne" ; B) "Ukelele serenade"].13 misc Mss. Miscellaneous pages from Nocturne and Ukelele Serenade; 2leaves.Includes ozalid copy of page 2 of Nocturne, and holograph leaf in inkand pencil of page 13 of Ukelele serenade.13-A) "Nocturne": from Two pieces for violin and pianoBOX-FOLDER 5/13-A "Nocturne".13-A Ms. (photostat). Violin part; 2 leaves; 33 cm.BOX-FOLDER 5/13-Aa "Nocturne". Mainz, Germany: B. Schott's Sohne, [1928].13-Aa Score for violin and piano, and violin part; 4 + 1 p.c1928 by B. Schott's Sohne.Plt.: 32086.Ser. title: Edition Schott, No. 1914.BOX-FOLDER 5/13-Ab "Nocturne". Mainz, Germany: B. Schott's Sohne, [1928?].13-Ab Score for violin and piano, and violin part: 4 + 1 p.c1928 by B. Schott's Sohne.Plt.: 32086.Ser. title: Edition Schott, 1914.BOX-FOLDER 5/13-Ac "Nocturne". London: Boosey & Hawkes, [1968].13-Ac Score for violin and piano, and violin part; 4 + 1 p.c1928 by Schott's Sohne; renewed 1956; copyright assigned toAaron Copland in 1968.Plt.: B. & H. 19766.BOX-FOLDER 5/13-Ad "Nocturne". London: Boosey & Hawkes, [1978].13-Ad Piano score and clarinet part; 5 p. (pp. 15-19) + 2 p. (pp. 10-11).c1928 by B. Schott's Sohne; renewed 1956; assigned to AaronCopland 1968; arrangement for clarinet and piano copyright1978 by Aaron Copland.Plt.: B. & H. 20423.Ser. ed.: Peter Wastall.Ser. title: Exploring Music Series: Contemporary Music for Clarinet.Arranged from the original for violin and piano.This volume also includes music by Goldman, Holloway, Reizenstein,Soproni, Cole, and Schwertsik.13-B) "Serenade" ; "Ukelele serenade": from Two pieces for violinand pianoAaron Copland Collection 38

Music, 1841-1988ContainerContentsBOX-FOLDER 5/13-B "Ukelele serenade".13-B Ms. (ozalid). Score for violin and piano; 12 leaves (pp. 7-18); 34 cm.Note: This item is identical to pages 7-18 of photostat copy ARCO13.3.At end: Paris April 1926.BOX-FOLDER 5/13-B.113-B.1"Serenade".Ms. (ozalid and negative photostat). Violin part; 8 leaves; 32.5 cm.(2 copies).BOX-FOLDER 5/13-Ba "Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928].13-Ba Score violin and piano score, and violin part; 10 + 3 p.c1928 by B. Schott's Sohne.Plt.: 32087.Ser. title: Edition Schott, No. 1915.BOX-FOLDER 5/13-Bb "Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928?].13-Bb Score for violin and piano, and violin part: 10 + 3 p.c1928 by B. Schott's Sohne.Plt.: 32087.Ser. title: Edition Schott, 1915.BOX-FOLDER 5/13-Bc "Ukelele serenade". London: Boosey & Hawkes, [1968].13-Bc Score for violin and piano, and violin part; 8 + 3 p.c1928 by B. Schott's Sohne; renewed in 1956; copyright assigned toAaron Copland in 1968.Plt.: B. & H. 19765.14) Sentimental melody ; Five sentimental melodies [piano andchamber work]BOX-FOLDER 5/14Sentimental melody : for piano solo.14 Ms. Piano score; 3 p.; 35 cm.Note: Holograph in ink.At end: July 28, 1926 Guethary -- B.P.BOX-FOLDER 5/14.1 Five sentimental melodies for piano and violin.14.1 Ms. Sketches for piano and violin score; 3 p.; 34.5 cm.Note: Holograph in pencil.At end: July 28, 1926 Guethary -- B.P.BOX-FOLDER 5/14.2 Sentimental melody.14.2 Ms. Piano solo; 1 leaf; 34.5 cm.Note: Holograph in pencil.At head: Hommage à Milhaud.BOX-FOLDER 5/14a Sentimental melody (slow dance). London: Schott & Co., Ltd., [ca.1930].14a Piano solo; 2 p. (pp. 10-11).c1929 by B. Schott's Sohne.Plt.: 32272.Aaron Copland Collection 39

Music, 1841-1988ContainerContentsSer. ed.: Helma Autenrieth-Schleusslner.Ser. title: The New Piano Book, Volume III - (A Collection of PianoPieces by Contemporary Composers) - Edition Schott 1402.15) Song ; Poet's song ; "In spite of everything which breathes andmoves" [song]BOX-FOLDER 5/15Song (E. E. Cummings).15 Ms. Score for voice and piano; 4 p.; 34 cm.Note: Holograph in ink with holograph annotations in pencil.English text. Words by E. E. Cummings.At end: Konigstein Aug. 1927.BOX-FOLDER 5/15.1 Song (E. E. Cummings).15.1 Ms. Sketch for voice and piano score; 1 leaf; 35 cm.Note: Holograph in pencil.English text.BOX-FOLDER 5/15.2 "In spite of everything which breathes and moves" song for voice andpiano.15.2 Ms. Score for voice and piano; 2 p.; 23 x 30.5 cm.Note: Copyist's manuscript in ink.English text. Words by E. E. Cummings.Laid in: Typescript of lyrics to "Song".BOX-FOLDER 5/15a Song (E. E. Cummings). New York: Cos Cob Press, Inc., [1935].15a Score for voice and piano; 3 p. (pp. 20-22).c1935 by Cos Cob Press, Inc.Plt.: Song-3.Ser. title: Cos Cob Song Volume (Ten Songs by AmericanComposers).English text.BOX-FOLDER 5/15b Poet's song / words by E. E. Cummings. [London]: Boosey & Hawkes,[1962].15b Score for high voice and piano; 4 p.c1935 by Cos Cob Press, Inc.; renewed in 1962 and assigned toAaron Copland.Plt.: B. & H. 19454.English text.At end: Konigstein Aug. 1927.BOX-FOLDER 5/15c Song (E. E. Cummings). New York: Boosey & Hawkes, [1964].15c Score for voice and piano; 3 p. (pp. 19-21).c1935 by Cos Cob Press, Inc.; renewed in 1962 (by Boosey &Hawkes) and assigned to Aaron Copland.Plt.: BH. BK. 598.Ser. title: Cos Cob Song Volume.At end: Konigstein Aug. 1927.Aaron Copland Collection 40

Music, 1841-1988ContainerContents16) Two pieces for string orchestra (Hommage à Fauré) : I)"Lento Molto" ; II) "Rondino" [chamber work]BOX-FOLDER 51/16 Two pieces for string orchestra : I) "Lento molto" ; II)"Rondino" (incomplete; one page of "Rondino" only).16 Ms. Score for string orchestra; [9] p.; 42 cm.Note: Holograph in ink and pencil.At end: New York, April 1928.On microfilm: MUSIC 1906, Item 94.BOX-FOLDER 51/16a16aTwo pieces for string orchestra. New York: Arrow Music Press, Inc.,[1940].Score for string orchestra; 13 p. (3 copies).c1940 by Arrow Music Press.Plt.: E-3.Note: Copies 1 and 2 have holograph annotations in pencilthroughout for string quartet version.Duration: 11 min.Note: published by Arrow Music Press, Inc. (incorporating the CosCob Press), [1940].16-A) Two pieces for string quartet (Hommage à Fauré) : I)"Lento Molto" ; II) "Rondino" [chamber work]BOX-FOLDER 51/16-A Two pieces for string quartet : A) Lento molto; B) Rondino.16-A Ms. Score for string quartet; 14 p.; 36 cm.Note: Holograph in ink with holograph markings in pencil.At end of "Rondino" in ink and scratched out in red pencil: Paris,Spring of 1923.On microfilm: MUSIC 1906, Item 95.BOX-FOLDER 51/16-Aa Two pieces for string quartet. New York: Arrow Music Press, Inc.,[1948].16-Aa Score for string quartet (miniature); 13 p.c1940.Plt.: E-3.Duration: 11 min.Note: published by Arrow Music Press, Inc. (incorporating the CosCob Press), [1948].16-B) "I) Lento molto" (slow movement for string quartet): fromTwo pieces for string quartetBOX-FOLDER 51/16-B I) "Lento molto".16-B Ms. Score for string quartet; 6 p.; 34.5 cm.Note: Holograph in ink and pencil.At head: To Roy Harris.At end: April 1928.Stamped N.B.BOX-FOLDER 51/16-B.116-B.1"Slow movement for string quartet".Ms. Sketches for string quartet; 7 + 4 p.; 45 cm.Note: Holograph in ink and pencil.Aaron Copland Collection 41

Music, 1841-1988ContainerContentsOn microfilm: MUSIC 1906, Item 94.16-C) "II) Rondino": from Two pieces for string quartetBOX-FOLDER 51/16-C II) "Rondino" sur le nom du Gabriel Fauré / pour quatuor a cordes :from Two pieces for string quartet.16-C Ms. Score for string quartet; 8 p.; 36 cm.Note: Holograph in ink.At end: April 1923.Stamped N.B.On microfilm: MUSIC 1906, Item 95.BOX-FOLDER 51/16-C.116-C.1BOX-FOLDER 51/16-C.216-C.2BOX-FOLDER 51/16-C.316-C.3II) "Rondino sur le nom du Fauré".Ms. Score for string quartet; 10 p.; 35 cm.Note: Holograph in pencil.At end: Apr. 1923."Rondino".Mss. String parts; 35 cm.Note: Holographs in ink."Hommage á Fauré" : A) Prelude / No. IX from "Preludeo pour piano,Op. 103", by Gabriel Fauré; arranged for string quartet by A.C.Mss. Full score (for string quartet), and Violin I and Violin II parts;3 + 1 + 1 p.; 33-34.5 cm.Note: Holograph manuscripts in ink.This work is the original companion piece to "Rondino".17) Vocalize (Improvisation) [voice & piano]BOX-FOLDER 51/17 Improvisation (Vocalise pour voix et piano).17 Ms. Score for voice and piano; 5 p.; 34.5 cm.Note: Holograph in ink.At end: Peterboro, N.H. Aug. 1928.On microfilm: MUSIC 1906, Item 96.BOX-FOLDER 51/17.1 Vocalize (Improvisation).17.1 Ms. Score for voice and piano; 1 leaf; 40 cm.Note: Holograph in pencil.BOX-FOLDER 51/17.2 Vocalize.17.2 Ms. Sketch for voice and piano; 2 leaves; 32-35 cm.Note: Holograph in ink and pencil.BOX-FOLDER 51/17a Vocalise (Vocalize). [New York]: Boosey & Hawkes, [1957].17aScore for high voice and piano; 6 p. (2 copies).c1929 by Alphonse Leduc; renewed in 1956 by Aaron Copland;assigned to Boosey & Hawkes in 1957.Plt.: 17,474.Note: Copy 1 has holograph markings in pencil throughout.17-A) Vocalize [flute & piano]Aaron Copland Collection 42

Music, 1841-1988ContainerContentsBOX-FOLDER 51/17-A Vocalize : for flute solo with piano accompaniment.17-A Ms. Flute part; 2 p.; 34 cm.Ms. Flute part edited by Doriot Anthony Dwyer.Note: Manuscript by David Walker in pencil with score markings andnotes in ink by Doriot Anthony Dwyer.Originally scored for voice and piano.BOX-FOLDER 51/17-A.117-A.1Vocalize : for flute and piano.Ms. (ozalid). Score for flute and piano; 5 p.; 35 cm. (bound).At head: Flute part edited by Doriot Anthony Dwyer.BOX-FOLDER 51/17-A.2 Vocalize : for flute and piano. [New York]: Boosey & Hawkes, [1957].17-A.2 Score for flute (high voice) and piano; 6 p.c1929 by Alphonse Leduc; renewed in 1956 by Aaron Copland;assigned to Boosey & Hawkes in 1957; [version for flute and pianocopyright 1974 by Aaron Copland].Plt.: 17,474.Note: Holograph revisions in pencil.Although originally scored for high voice and piano, this publishedscore, the same imprint as ARCO 17a, was adapted for flute andpiano by the composer, as suggested by Doriot Anthony Dwyer.BOX-FOLDER 51/17-Aa Vocalise for flute and piano. London: Boosey & Hawkes, [1974].17-Aa Score for flute and piano with flute part; 4 + 2 p.c1929 by Alphonse Leduc; renewed and assigned to Aaron Coplandin 1956; flute and piano arrangement copyright by Aaron Coplandin 1974.Plt.: B. & H. 20144.17-B) Vocalise [oboe & piano]BOX-FOLDER 51/17-Ba Vocalise. London: Boosey & Hawkes, [1978].17-BaScore for oboe and piano with oboe part; 2 p. (pp. 2-3) + 4 p. (pp.2-5).c1929 by Alphonse Leduc; renewed and assigned to Aaron Coplandin 1956; arrangement for oboe and piano copyright 1974 bycomposer.Plt.: B. & H. 20500.Ser. ed.: Peter Wastall.Ser. title: Exploring Music Series (Contemporary Music for Oboe).At head: The revision for oboe and piano was prepared in 1978especially for inclusion in this volume.18) First symphonyBOX-FOLDER 52/18 First symphony : for large orchestra.18 Ms. Full score; 95 p.; 45 cm.Note: Holograph in ink.On [3] p. N.B. - This work was originally written as a Symphony forOrgan and Orchestra(1924). This present version for orchestraalone was made in 1928.On [2] p.: Dedicated to Nadia Boulanger with admiration - A.C.CONTENTS:Aaron Copland Collection 43

Music, 1841-1988ContainerContents• I) Prelude• II) Scherzo• III) FinaleOn microfilm: MUSIC 1906, Item 61.BOX-FOLDER 52/18.1 First symphony.18.1 Ms. Full score (early draft); 49 p.; 45 cm.Note: Holograph in ink and pencil.At head of Scherzo: Arranged from the Symphony for Organ andOrchestra(1924).CONTENTS:• I) Prelude• II) Scherzo• III) FinaleOn microfilm: MUSIC 1906, Item 61 B.BOX-FOLDER 52/18a First symphony : for large orchestra. Austria: Cos Cob Press, [1931].18aFull score; 80 p. (4 copies, Copy 4 bound).c1931 by Cos Cob Press.Note: Copies 1 and 2 contain holograph markings in pencilthroughout.On cover: This copy contains pencil indications for performanceswith reduced [parts?] requirements.On [3] p.: Dedicated to Nadia Boulanger with admiration - A.C. N.B.- This work was originally as a "Symphony for organ andorchestra" (1924). This present version for orchestra alone wasmade in 1928.BOX-FOLDER 6/18b First symphony : for large orchestra. New York: Cos Cob Press, [1931].18b Full score (miniature); 80 p.Note: Holograph markings in ink and pencil.On verso of dedication page: "Indication for small orchestra versionNote: reissued under the auspices of Arrow Music Press, [1931].18-A) "Prelude": from First symphony [chamber orchestra]BOX-FOLDER 6/18-A "Prelude" : from First symphony.18-A Ms. (ozalid). Full score; 14 p.; 35 cm. (bound).Note: Copyist's manuscript with holograph and other markings inink; arranged for chamber orchestra by the composer.Duration: 6 min.BOX-FOLDER 6/18-A.118-A.1"Prelude" : from First symphony.Mss. Instrumental parts (incomplete); 9 leaves; 33 cm.Note: Holographs in ink and pencil.BOX-FOLDER 6/18-A.2 "Prelude" : [from First symphony].18-A.2 Ms. (photocopy). Short score sketch (incomplete); [5] leaves; 36.5cm.Note: Copy of copyist's manuscript.Stamped in red: U of NT [University of Northern Texas] MusicLibrary.Aaron Copland Collection 44

Music, 1841-1988ContainerContentsBOX-FOLDER 6/18-A.318-A.3"Prelude" : for trio (violin, cello, piano) / arranged from 1st movementof Symphony for Organ and Orchestra by the composer.Ms. (photocopy). Full score; 7 p.; 35 cm.BOX-FOLDER 6/18-Aa "Prelude" : from First symphony. London: Boosey & Hawkes, [1968].18-AaFull score for chamber orchestra; 12 p. (2 copies).c1931 by Cos Cob Press, Inc.; renewed 1958 and assigned to AaronCopland; version for chamber orchestra copyright 1968 by AaronCopland.Plt.: B. & H. 19395.Ser. title: Music for Orchestra.Note: Arranged for chamber orchestra by the composer.BOX-FOLDER 6/18-Aaa "Prelude" : from First symphony. London: Boosey & Hawkes, [1968].18-AaaParts for chamber orchestra; 31 cm. (2 sets).c1931 by Cos Cob Press, Inc.; renewed 1958 and assigned to AaronCopland; version for chamber orchestra copyright 1968 byCopland.Plt.: B. & H. 19395.Ser. title: Music for Orchestra.Note: Arranged for chamber orchestra by the composer.19) Symphonic ode [orchestra]BOX-FOLDER 53/19 Symphonic ode : for large orchestra.19 Ms. Full score (draft); 44 + 6 p.; 45 cm.Note: Holograph in pencil.This work was composed in 1929 for the Boston SymphonyOrchestra's 50th anniversary season; it was withdrawn in itsoriginal form and revised in 1955 on the occasion of thisOrchestra's 75th anniversary season.On microfilm: MUSIC 1906, Item 59.BOX-FOLDER 53/19.1 Symphonic ode.19.1 Ms. Condensed score; 33 p.; 45 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 59.BOX-FOLDER 53/19.2 Symphonic ode.19.2 Ms. Full score; 35 p. (incomplete); 45 cm.Note: Holograph in ink with holograph markings in pencil.On title page: Orchestral pages of original barring revised 1929 foreasier performance.See also ARCO 19.6 and 19.7.BOX-FOLDER 53/19.3 Symphonic ode.19.3 Ms. Condensed score sketches; [56] p.; 35-45 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 60.Aaron Copland Collection 45

Music, 1841-1988ContainerContentsBOX-FOLDER 53/19.4 Symphonic ode.19.4 Ms. Condensed score sketches (2nd version); 50 p.; 34-40 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 60.BOX-FOLDER 54/19.5 Symphonic ode.19.5 Ms. Full score; 86 p.; 45 cm. (bound).Note: Holograph in ink.On [3] p: To the Boston Symphony Orchestra, Serge Koussevitsky,conductor, on the occasion of its Fiftieth Anniversary.On [6] p: Markings in blue pencil are those of Serge Koussevitsky,first conductor of this work - A.C.On microfilm: MUSIC 1906, Item 59.BOX-FOLDER 54/19.6 Symphonic ode.19.6 Ms. (photocopy). Full score; 86 leaves (pages missing); 38.5 cm.Note: This is a copy of pages of ARCO 19.2 and 19.5 with holographannotations in regular and color pencil.BOX-FOLDER 54/19.7 Symphonic ode.19.7 Ms. (negative photostat). Full score; 86 leaves; 35 cm.Note: This is a copy of pages of ARCO 19.2 and 19.5 with holographannotations in regular and color pencilBOX-FOLDER 54/19.8 Symphonic ode.19.8 Mss. Orchestral parts; 33.5 cm.Note: Holographs in ink and ozalids with markings in pencil.Box 19 contains string parts: violin 2 through bass.20) Vitebsk (Study on a Jewish melody) : trio for piano, violin, andvioloncello [chamber work]BOX-FOLDER 55/20 Vitebsk (Study on a Jewish melody).20 Ms. (photocopy). Score for violin, cello, and piano; 22 p.; 38.5 cm.Note: Copy of manuscript with holograph markings in ink and pencilthroughout; includes holograph pages in ink and pencil.At end: New York Feb. 1920.On microfilm: MUSIC 1906, Item 70.BOX-FOLDER 55/20.1 Vitebsk (Study on a Jewish melody).20.1 Ms. Rough sketch and draft score for piano, violin, and cello; 26, 20p.; 40 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 70.BOX-FOLDER 55/20a Vitebsk : study on a Jewish theme. New York: Cos Cob Press, Inc.,[1934].20a Score for violin, cello, and piano; 18 p.c1934 by Cos Cob Press.Note: Contains holograph markings in ink and pencil.Laid in: Typescript of "Corrections in VITEBSK".Aaron Copland Collection 46

Music, 1841-1988ContainerContentsBOX-FOLDER 55/20b Vitebsk. New York: Cos Cob Press, Inc., [1934].20bScore for piano, violin, and violoncello -- parts for violin andvioloncello laid in; 18 + 5 + 5 p. (3 copies).c1934 by Cos Cob Press.Note: reissued under the auspices of Arrow Music Press, Inc., [1934]21) Piano variations [piano work]BOX-FOLDER 55/21 Piano variations.21 Ms. Piano solo; 17 p.; 34.5 cm.Note: Holograph in ink with holograph markings in pencil.At end: Bedford Yaddo, New York.On microfilm: MUSIC 1906, Item 68.BOX-FOLDER 55/21.1 Piano variations.21.1 Ms. (photocopy). Piano solo; 17 leaves; 37 cm.Note: Copy of manuscript ARCO 21.At end: Bedford Yaddo, New York.Marked N.B.BOX-FOLDER 55/21.2 Piano variations.21.2 Ms. (photostat). Piano solo; 17 leaves; 34 cm.Note: Copy of manuscript ARCO 21, with holograph markings inpencil.At end: Bedford Yaddo, New York.BOX-FOLDER 55/21.3 Piano variations.21.3 Ms. Rough sketch and piano sketch; 63 p.; various sizes.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 68.BOX-FOLDER 55/21a Piano variations. Austria: Cos Cob Press, Inc., [1932].21a Piano solo; 16 p.c1932 by Cos Cob Press.Plt.: C.C.P.7.Note: Holograph orchestral indications in pencil throughout.22) Miracle at Verdun [incidental music]BOX-FOLDER 55/22 Miracle at Verdun.22 Ms. Orchestral sketches; 27 p.; 33.5-40 cm.Note: Holograph in pencil and ink.At head: Sketch for incidental music for play Miracle at Verdun.On microfilm: MUSIC 1906, Item 85.23) Elegies [chamber work]BOX-FOLDER 55/23 Elegies : for violin and viola.23 Ms. Score for violin and viola; 8 p.; 24 x 33 cm.Note: Holograph in ink and pencil.At head: Part 1 arranged for string orchestra and used in"Statements" (mvt. 4 - "Subjective").Aaron Copland Collection 47

Music, 1841-1988ContainerContentsBOX-FOLDER 55/23.1 "Elegy."23.1 Ms. Sketch for violin and viola score; 6 p.; 38 cm.Note: Holograph in ink and pencil.This piece was withdrawn by the composer and later used as"Subjective", the fourth movement of "Statements for orchestra."24) Short symphony (Second symphony) [orchestra]BOX-FOLDER 56/24 Short symphony.24 Ms. Full score; 74 p.; 42 cm.Note: Holograph in ink and pencil.On microfilm: MUSIC 1906, Item 62.BOX-FOLDER 56/24.1 Short symphony.24.1 Ms. Full score; 66 p.; 42 cm. (bound).Note: Holograph in ink and pencil.Gift of Mrs. Ana Chavez (daughter of Carlos Chavez) on September30, 1993.BOX-FOLDER 56/24.2 Short symphony : partita.24.2 Ms. Rough sketches; 100 p.; 38-40 cm.Note: Holograph in pencil and ink with holograph markings in redand blue pencil.On microfilm: MUSIC 1906, Item 63.BOX-FOLDER 56/24.3 Short symphony.24.3 Ms. Piano sketch; 43 p.; 38 cm.Note: Holograph in pencil and ink with holograph markings in redand blue pencil.On title page: First completed pencil version.On microfilm: MUSIC 1906, Item 63.BOX-FOLDER 56/24.4 Short symphony.24.4 Ms. Rough orchestral score; 98 p.; 40-44.5 cm.Note: Holograph in ink and pencil.On microfilm: MUSIC 1906, Item 63.BOX-FOLDER 56/24.5 Short symphony.24.5 Ms. Short score (piano sketch); 32 p.; 33-34.5 cm.Note: Holograph in ink and pencil, with holograph markings incolored pencil..At end: April 17, 1933.This item also includes photocopies of pages 5-32 of the manuscriptscore, with holograph markings in colored pencil.BOX-FOLDER 56/24.6 Short symphony.24.6 Ms. Full score; 91 leaves; 38 cm.Note: Holograph in ink on transparent paper.Aaron Copland Collection 48

Music, 1841-1988ContainerContentsBOX-FOLDER 56/24.7 Short symphony (No. 2).24.7 Ms. Full score; 91 p.; 38 cm. (spiral bound).Note: Copy of manuscript score ARCO 24.6, with holographrevisions in ink and pencil.At end in pencil: Addition to end suggested by L Bernstein.BOX-FOLDER 56/24a Short symphony (No. 2). London: Boosey & Hawkes, [1955].24a Full score; 67 p.c1955 by Boosey & Hawkes.Plt.: B. & H. 17629.Note: Holograph markings in pencil throughout.Duration: 15 min.BOX-FOLDER 56/24b Short symphony (No. 2). London: Boosey & Hawkes, [1955].24b Full score (miniature); 67 p.c1955 by Boosey & Hawkes.Plt.: B. & H. 17629.Ser. title: Hawkes Pocket Scores, No. 686.Duration: 15 min.25) Statements for orchestraBOX-FOLDER 57/25 Statements for orchestra.25 Ms. Full score (rough draft); 50 p.; 38-45 cm.Note: Holograph in pencil.At end: June 28, '34.Elegies is the origin of part IV of Statements, "Subjective".BOX-FOLDER 57/25.1 Statements for orchestra.25.1 Ms. Short score (piano sketch); 25 p.; 34.5 cm.Note: Holograph in ink.At end: Jan. 1934.BOX-FOLDER 57/25.2 From Statements for orchestra.25.2 Ms. Full score of parts II, IV, and VI; [11] p.; 38 cm.Note: Holograph in ink.CONTENTS:• II) "Cryptic"• IV) "Subjective"• VI) "Prophetic"BOX-FOLDER 57/25.3 Statements.25.3 Ms. Full score; 50 p.; 42 cm.Note: Holograph in ink with markings in pencil.Duration: 18.5 min.At end: Friends' Lake, Bemidji, New York.{Filed with Koussevitsky Collection - ML 30.3c3.C6 Case}BOX-FOLDER 57/25.4 [Statements].25.4 Ms. (photostat). Full score (reduced from actual size); 50 leaves; 28cm.Aaron Copland Collection 49

Music, 1841-1988ContainerContentsNote: Copy of manuscript score ARCO 25.3; without title page.At end: Friends' Lake Bamidji New York, 42:25.BOX-FOLDER 57/25 misc Statements for orchestra.25 misc Mss. Miscellaneous pages from scores; unnumbered; various sizes.Note: Holographs in pencil.BOX-FOLDER 57/25a Statements. New York: Boosey & Hawkes, [1947].25aFull score; 49 p. (bound).c1947 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 9128.Note: Holograph markings in pencil throughout.Duration: 18.5 min.BOX-FOLDER 57/25b Statements. London: Boosey & Hawkes, [1947].25b Full score (miniature); 49 p.c1947 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 9128.Ser. title: Hawkes Pocket Scores, No. 685.Duration: 18.5 min.BOX-FOLDER 57/25c Statements. London: Boosey & Hawkes, [1947].25c Full score; 49 p.c1947 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 9128.Note: Holograph markings in pencil throughout.Duration: 18.5 min.26) Hear ye! Hear ye! [ballet]BOX-FOLDER 58/26 Hear ye! Hear ye! : ballet in one act.26 Ms. Conductor score, in 2 volumes; 228 p.; 41 cm.Note: Holograph in ink.Laid in: Seven page typescript outline of ballet.At end: Sept - Nov. 1934.On microfilm: MUSIC 1906, Item 77.BOX-FOLDER 58/26.1 Hear ye! Hear ye! : ballet in one act.26.1 Ms. (photocopy). Full score; [113] p.; 25 x 38.5 cm. (bound).Note: Copy of 2 volume manuscript score ARCO 26.At end: Sept.- Nov. 1934.BOX-FOLDER 58/26.2 Hear ye! Hear ye!26.2 Ms. Sketches (rough piano version); various paginations; 34 cm.Note: Holographs in pencil.BOX-FOLDER 59/26.3 Hear ye! Hear ye! : ballet in one act / small orchestra score / arrangedfrom the original score for large orchestra (1935).26.3 Ms. Full score; various paginations; 45 cm.Note: Holograph in ink.Aaron Copland Collection 50

Music, 1841-1988ContainerContentsLaid in: Seven page typescript outline of ballet; same as in ARCO 26but enlarged.BOX-FOLDER 59/26.4 Hear ye! Hear ye! : "Girls dance" (as seen by the Negro waiter).26.4 Ms. (photocopy). Short piano score; 11 leaves; 35 cm.BOX-FOLDER 59/26.5 Hear ye! Hear ye! : "Dove dance".26.5 Ms. (photocopy). Short piano score; 4 leaves; 35 cm.BOX-FOLDER 59/26.6 Hear ye! Hear ye! : three cabaret numbers from the ballet.26.6 Ms. Full score (unfinished); [16] p.; 46 cm.Note: Holograph in ink.BOX-FOLDER 59/26.7 Hear ye! Hear ye!26.7 Ms. (photocopy). Score for two pianos; 77 leaves; 35.5 cm.At end: Sept.-Oct., 19]34?]; arranged for 2 pianos Nov. 4-11, [1935].BOX-FOLDER 98/26.8 Hear ye! Hear ye!26.8 Ms. Orchestral parts.Note: Holographs in ink and pencil.BOX-FOLDER 9-12/26.9 Hear ye! Hear ye!26.9 Mss. Orchestral parts.Note: Holographs and copyist's manuscripts in ink and pencil;orchestrated for the Chicago Grand Opera Company (1934-35).27) What do we plant? [chorus]BOX-FOLDER 12/27 What do we plant? : two-part chorus for junior high school.27 Ms. Score for soprano and alto voices, and piano; 6 p.; 33.5-35.5 cm.Note: Holograph in pencil.English text.Affixed to title page verso: Typescript of the poem 'What Do WePlant?' by Henry Abbey (1842-1911).At end: Dec. 24, 1935.On microfilm: MUSIC 1906, Item 97.BOX-FOLDER 12/27.1 What do we plant?27.1 Ms. Score for soprano and alto voices, and piano; 8 p.; 34 cm.Note: Holograph in ink (pp. [1] and 8) and negative photostat (pp.2-7, 6 leaves) with holograph markings throughout in black andblue pencil.On title page in upper left corner in ink: Henry Abbey (1842-1911).At head in pencil: (Mms. first & last pp; the rest is photostat of orig.mms).At bottom in ink and pencil: Oct 1639 - Copyright 1941 by BooseyCo. Ltd. - international Copyright Secured.BOX-FOLDER 12/27.2 What do we plant?27.2 Ms. Sketch for soprano and alto voices and piano (incomplete); 2 p.;27 x 35 cm.Aaron Copland Collection 51

Music, 1841-1988ContainerContentsNote: Holograph in pencil.On title page upper left corner: Henry Abbey.BOX-FOLDER 12/27a What do we plant? : two-part SA / words by Henry Abbey (8942-1911) /music by Aaron Copland. New York: Boosey Hawkes Belwin, Inc.,[1941].27aPiano-vocal score; 8 p. (2 copies).c1941 by Boosey & Co., Ltd.Plt: Oct. No. 1639-7.Ser. title: Boosey Series of Choral Music, Oct. 1639.BOX-FOLDER 12/27b What do we plant? : two-part SA [New York]: Boosey & Hawkes, Inc.,[19--?].27b Piano-vocal score; 8 p.c1941 by Boosey & Co., Ltd.Plt: Oct. No. 1639-7.Note: No publication date given for this reissue.Words by Henry Abbey (1842-1911)28) El salón México [orchestra]BOX-FOLDER 99/28 El salón México.28 Ms. Full score; 56 p.; 46 cm.Note: Holograph in ink and pencil.On [1] p.: To Victor Kraft.On microfilm: MUSIC 1906, Item 47.BOX-FOLDER 99/28.1 El salón México.28.1 Ms. Full score (draft); 58 p.; 38 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 47.BOX-FOLDER 99/28.2 El salón México.28.2 Ms. Two folders of rough sketches in one clamshell box; 26 + 28 p.;various sizes.Note: Holographs in pencil.On microfilm: MUSIC 1906, Item 47.BOX-FOLDER 99/28.3 El salón México.28.3 Ms. Rough orchestral score; 4 p.; 42 cm.Note: Holograph in pencil.At head: Begun Aug. 9, 34.BOX-FOLDER 99/28.4 "Beyond the Rio Grand".28.4 Ms. Full score (incomplete); [4] p.; 45.5 cm.Note: Holograph in ink.The thematic material used in Beyond the Rio Grand is based, inpart, on popular Mexican melodies.Aaron Copland Collection 52

Music, 1841-1988ContainerContentsBOX-FOLDER 13/28a28aEl salón México : popular type dance hall in Mexico City. London:Hawkes & Son, [1939].Full score; 44 p. (2 copies, Copy 1 bound).c1939 in U.S.A. by Hawkes & Son (London).Plt.: H.15038.Note: Copy 1 has holograph markings in pencil throughout; Copy 2marked but not as heavily.On title page and first page of score: To Victor Kraft.Duration: 10 min.BOX-FOLDER 13/28b El salón México : popular type dance hall in Mexico City. London:Boosey & Hawkes, [1939].28b Full score; 44 p.c1939 by Aaron Copland.Plt.: H. 15038.Note: Holograph markings in pencil throughout.Duration: 10 min.28-A) El salón México [piano solo]BOX-FOLDER 99/28-A El salón México : Mexican Dance Hall.28-A Ms. Sketch for piano solo; 21 p.; 33.5 cm.Note: Holograph in ink and pencil.At end: July 1934.On microfilm: MUSIC 1906, Item 47.BOX-FOLDER 99/28-A.128-A.1BOX-FOLDER 13/28-A.228-A.2[El salón México].Ms. (negative photostat). Piano solo; 28 p.; 29 cm.Note: Missing page 1.El salón México.Ms. (photocopy). Piano solo; 17 leaves; 34.5 cm.Note: Photocopy of manuscript by Leonard Bernstein.On title page: To Helen - my first published manuscript; even if onlyhalf-mine - with love, Lenny.c1941 by Hawkes & Son (London) Ltd.BOX-FOLDER 13/28-Aa El salón México. New York: Boosey & Hawkes, [1941].28-Aa Piano solo; 15 p.c1941 by Hawkes & Son (London).Plt.: Pa. 24-14.28-B) El salón México [two pianos]BOX-FOLDER 99/28-B El salón México : arranged for two pianos by Leonard Bernstein.28-B Ms. Score for two pianos; 30 p.; 31.5 cm.Note: Manuscript in ink possibly by Leonard Bernstein.BOX-FOLDER 13/28-Ba28-BaEl salón México : for two pianos. [New York]: Boosey & Hawkes,[1943].Score for two pianos; 30 p. (2 parts in one folder).c1943 by Hawkes & Son (London).Aaron Copland Collection 53

Music, 1841-1988ContainerContentsPlt.: Two Pa. 32-28.Ser. title: Boosey & Hawkes Two Piano Series, B. Two Pa. No. 32.28-C) "Fantacia Mejicana" (Mexican fantasy): from El salónMéxicoBOX-FOLDER 99/28-C "Fantacia Mejicana" (Mexican fantasy) / adapted for piano andorchestra by Johnny Green from "El salón México".28-C Ms. (photocopy). Full score; 44 leaves; 47.5 cm. (spiral bound).Note: Manuscript by Johnny Green.On [2] p.: Dedication to Aaron Copland by J. Green dated Apr. 16,1946.Laid in: 2 letters from Johnny Green to Copland dated April 16 andApril 20, 1946.BOX-FOLDER 99/28-C.128-C.1BOX-FOLDER 99/28-C.228-C.2"Fantacia Mejicana" (Mexican fantasy) / for piano and orchestraadapted by Johnny Green from "El salón México".Ms. (ozalid). Piano-conductor score; 17 p.; 33.5 cm.Note: Copyist's manuscript."Fantacia Mejicana" : for solo piano.Ms. (ozalid). Piano solo; 12 p.; 33 cm. (2 copies).BOX-FOLDER 13/28-Ca "Fantasia Mexicana" / adapted and orchestrated by Johnny Green forthe M-G-M picture FIESTA. London: Boosey & Hawkes, [1952].28-Ca Piano-conductor score; 4 p.c1952 by Hawkes & Son, Ltd.Plt.: B. & H. 17910.BOX-FOLDER 13/28-Cb "Fantasia Mexicana" (Mexican fantasy) / da "El salón México" di AaronCopland; adattamento di Johnny Green per il film M.G.M 'LAMATADORA'. Milano: Edizioni Suvini Zerboni, [1952].28-Cb Piano reduction; 5 p.c1952 by S.A. Edizioni Suvini Zerboni.Plt.: S. 4874Z.28-D) El salón México [concert band]BOX-FOLDER 99/28-D El salón México.28-D Ms. (photocopy) Full score; [59] p. (30 leaves); 35.5 cm.c1939 by Hawkes & Son (London).At end: Mark H. Hindsley, 5-11-66, Chapala, Jalisco, Mexico.Laid in: Typescript of "Suggested revisions on band arrangement ofEl Salón México by Mark Hindsley", initialed A.C.BOX-FOLDER 13/28-Da El salón México. [New York]: Boosey & Hawkes, [1972].28-DaFull score; 56 p. (2 copies).c1939 by Aaron Copland; renewed 1966; concert band arrangementcopyright 1972 by Aaron Copland.Plt.: Q.M.B. 380.Ser. title: Symphonic Band Series.Note: Holograph markings in pencil throughout Copy 1. Transcribedfor concert band by Mark H. Hindsley.Aaron Copland Collection 54

Music, 1841-1988ContainerContents29) Two children's pieces : A) "Sunday afternoon music" ; B) "Theyoung pioneers" [piano works]BOX-FOLDER 14/29 Two children's pieces : A) "Sunday afternoon music" ; B) "The youngpioneers".29 Ms. Piano solo; 5 p. (on 2 leaves); 34 cm.Note: Holograph in ink and pencil.At end on page 5: Peterborough, Aug. 1935.On microfilm: MUSIC 1906, Item 73.BOX-FOLDER 14/29.1 Two children's pieces : A) "Sunday afternoon music" ; B) "The youngpioneers".29.1 Ms. Sketches for piano solo; 6 p. (on 2 leaves); 35.5 + 27 x 35 cm.Note: Holographs in pencil.On microfilm: MUSIC 1906, Item 73.BOX-FOLDER 14/29a A) "Sunday afternoon music" ; B) "The young pioneers". New York:Carl Fischer, [1963].29a Piano solo; 2 p. (pp. 34-35) + 3 p. (pp. 39-41).c1936 by Carl Fischer.Plt.: N4102.Ser. ed.: Lazare Saminsky and Isadore Freed.Ser. title: Masters of Our Day: 18 Solos in the Contemporary Idiomfor the Young Pianist, 04361.At end: Peterborough, N.H. August 1935.29-A) "Sunday afternoon music": from Two children's pieces[piano solo]BOX-FOLDER 14/29-Aa "Sunday afternoon music". New York: Carl Fischer, [1936].29-Aa Piano solo; 2 p.c1936 by Carl Fischer.Plt.: 27341-2.Ser. ed.: Lazare Saminsky and Isadore Freed.Ser. title: Masters of Our Day - Educational Series, P 2113.Note: Holograph marginalia in pencil.At end: Peterborough, N.H., August 1935.BOX-FOLDER 14/29-Ab "Sunday afternoon music". New York: Carl Fischer, [1936].29-Ab Piano solo; 2 p.c1936 by Carl Fischer.Plt.: 27341-2.Ser. ed.: Lazare Saminsky and Isadore Freed.Ser. title: Masters of Our Day - Educational Series, P 2113.At end: Peterborough, N.H., August 1935.29-B) "The young pioneers": from Two children's pieces [pianosolo]BOX-FOLDER 14/29-Ba "The young pioneers". New York: Carl Fischer, [1936].29-Ba Piano solo; 3 p.c1936 by Carl Fischer.Aaron Copland Collection 55

Music, 1841-1988ContainerContentsPlt.: 27348-3.Ser. ed.: Lazare Saminsky and Isadore Freed.Ser. title: Masters of Our Day - Educational Series, P 2120.At end: Peterborough, N.H. August 1935.BOX-FOLDER 14/29-Bb "The young pioneers". New York: Carl Fischer, [1936].29-Bb Piano solo; 3 p.c1936 by Carl Fischer.Plt.: 27348-3.Ser. ed.: Lazare Saminsky and Isadore Freed.Ser. title: Masters of Our Day - Educational Series, P 2120.BOX-FOLDER 14/29-Bc "The young pioneers". New York: Carl Fischer, [1936].29-Bc Piano solo; 3 p.c1936 by Carl Fischer.Plt.: 27348-3.30) The second hurricane [play/opera]BOX-FOLDER 60/30 [The second hurricane].30 Ms. Full score; 282 p.; 34-38 cm.Note: Holograph in ink with markings in pencil, without title or date.Composed for performance by boys and girls ranging in age fromeight to eighteen. Performed for the first time at the Henry StreetMusic School in New York, April 21, 1937. (cf. Slonimsky, N.:Music Since 1900).On microfilm: MUSIC 1906, Item 49.BOX-FOLDER 60/30.1 The second hurricane : a play-opera for high school performance /libretto by Edwin Denby.30.1 Ms. Piano-vocal score; [129] p.; 38 cm.Note: Holograph in ink on transparent paper.Laid in: Libretto in typescript and holograph production notes.On microfilm: MUSIC 1906, Item 50.BOX-FOLDER 61/30.2 "No. 1 - Choral overture".30.2 Ms. Choral score with orchestral indications; 12 leaves; 37 cm.Note: Holograph in ink on transparent paper.BOX-FOLDER 61/30.3 [The second hurricane] : excerpts from the opera.30.3 Ms. (ozalid). Piano-vocal score (incomplete); various paginations;38.5-40.5 cm.Laid in: untitled copy of manuscript with markings in ink.BOX-FOLDER 61/30.4 [The second hurricane].30.4 Ms. Sketches; 133 p.; various sizes.Note: Holographs in pencil.On microfilm: MUSIC 1906, Item 48.BOX-FOLDER 61/30 misc [The second hurricane].30 misc Mss. Miscellaneous pages from the opera; unpaged; various sizes.Aaron Copland Collection 56

Music, 1841-1988ContainerContentsNote: Holographs in ink with markings in pencil.BOX-FOLDER 14/30a The second hurricane : a play opera in two acts / libretto by EdwinDenby. Boston: C. C. Birchard & Co., [1939].30a Full score; 216 p.c1939 by C.C. Birchard & Co.BOX-FOLDER 14/30-A "2d hurricane" : [Gyp's song].30-A Ms. Solo vocal part; 1 leaf; 17.5 x 20 cm.Note: Manuscript in ink, hand unknown.BOX-FOLDER 14/30-Aa The second hurricane : a play-opera for high school performance /libretto by Edwin Denby. Boston: C. C. Birchard & Co., [1938].30-Aa Vocal score with piano accompaniment; X, 112 p.c1938 by C.C. Birchard & Co.Note: Contains holograph markings in pencil.On page IV: From the original program world premiere; April 21, 22,24, 1937.BOX-FOLDER 14/30-Ab The second hurricane : a play opera for high school performance /libretto by Edwin Denby. New York: Boosey & Hawkes, [1957].30-Ab Vocal score with piano accompaniment; [8], 112 p.c1938 by C.C. Birchard & Co.; assigned to Boosey & Hawkes in1957.Plt.: B.H.Bk. 396.Note: Contains holograph markings in pencil.BOX-FOLDER 14/30-Ba "That's the idea of freedom" / words by Edwin Denby. Boston: C. C.Birchard & Co., [ca. 1938].30-BaVocal score (SATB) with piano accompaniment; 8 p. (3 copies).c1938 by C.C. Birchard & Co.Plt.: 2034.Ser. ed.: Gardner Read.Ser. title: Birchard-Boston University Contemporary Music Series,No. 751.Note: Copy 1 contains holograph markings in pencil.This piece is from No. 10, "The Finale" of The second hurricane;Copy 2 and 3 are reissues.31) Music for radio (Prairie journal) ; Saga of the prairie[orchestra]BOX-FOLDER 62/31 Music for radio : commissioned by the Columbia Broadcasting System.31 Ms. Full score; 84 leaves; 38 cm.Note: Holograph in ink on transparent paper.At end: May-July 1937; New York, Hollywood, Mexico.Music for radio (also called "Saga of the prairie") was actuallycommissioned in 1936 by CBS (Columbia Broadcasting System).On microfilm: MUSIC 1906, Item 31 A.Aaron Copland Collection 57

Music, 1841-1988ContainerContentsBOX-FOLDER 62/31.1 [Music for radio : commissioned by the Columbia BroadcastingSystem].31.1 Ms. (ozalid). Full score; 84 p.; 38.5 cm.Note: Copy of manuscript ARCO 31, with holograph markings inpencil and ink throughout.BOX-FOLDER 62/31.2 Music for radio.31.2 Ms. Piano sketch; 24 p.; 33.5 cm.Note: Holograph in ink with markings in pencil.On title page: Piano sketch (for study only).Included with this item is an incomplete photostat copy of the pianosketch with holograph markings in pencil.On microfilm: MUSIC 1906, Item 31 A.BOX-FOLDER 62/31.3 Music for radio.31.3 Ms. Full score (rough draft); 13, 44 p.; 33.5-38 cm.Note: Holograph in pencil.On title page: "Not quite complete."On microfilm: MUSIC 1906, Item 31 B.BOX-FOLDER 62/31.4 Music for radio.31.4 Ms. Open score, original pencil sketches; 28 p.; 34 cm.Note: Holograph in pencil.Laid in: One page typescript list of scores and parts titled "Masterson File at Independent Music Publishers"; contains holographmarkings in ink and pencil.BOX-FOLDER 62/31a Music for radio (Saga of the prairie). London: Hawkes & Son, [1940].31aFull score; 52 p. (2 copies, Copy 1 bound; Copy 2 spiral bound).c1940 by Hawkes & Son.Plt.: B. & H. 8309.Duration: 12.5 min.Laid in Copy 1: One page penciled holograph "Note" about thiscommissioned work and a two page typescript of the same notewith holograph additions in pencil (i.e. instrumentation, duration,etc.) throughout.Laid in copy 2: Three pages of holograph orchestral changes inpencil.BOX-FOLDER 62/31b "Prairie journal". London: Boosey & Hawkes, [1967].31bFull score; 59 p. (3 copies).c1940 by Aaron Copland; renewed 1967.Plt.: B. & H. 19642.Ser. title: Youth Orchestra Series.32) Sextet [chamber work]BOX-FOLDER 15/32 Sextet : for string quartet, clarinet and piano.32 Ms. Score for string quartet, clarinet and piano; 59 p.; 34 cm.Note: Holograph in ink.At end: Tlaxcala; Aug. 7-Sept. 25, 1937.Aaron Copland Collection 58

Music, 1841-1988ContainerContentsSextet is Short symphony arranged for chamber orchestra.On microfilm: MUSIC 1906, Item 64.BOX-FOLDER 15/32.1 Sextet : for string quartet, piano and clarinet.32.1 Ms. (photostat). Score for string quartet, piano and clarinet; 9 p.; 35cm.Note: Copy of manuscript score ARCO 32, with holograph markingsin ink and pencil.At end: Tlaxcala; Aug. 7-Sept. 25, 1937.BOX-FOLDER 15/32.2 Sextet.32.2 Ms. Score for string quartet, clarinet and piano (incomplete); 10 p.;33.5 cm.Note: Holograph in ink with holograph markings in pencil.BOX-FOLDER 15/32a Sextet : for string quartet, clarinet and piano. New York: Boosey &Hawkes, [1948].32a Piano score; 45 p.c1948 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. 6235.Note: Holograph markings in pencil throughout.BOX-FOLDER 15/32aa32aaSextet : for string quartet, clarinet and piano. New York: Boosey &Hawkes, [1948].Orchestral parts (2 sets).c1948 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. 16353.Note: Holograph note in pencil at head of one clarinet part.Published with piano score ARCO 32a.BOX-FOLDER 15/32b Sextet : for string quartet, clarinet and piano. London: Boosey &Hawkes, [1948].32b Full score (miniature); 45 p.c1948 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. 16235.33) Billy the kid [ballet]BOX-FOLDER 63/33 Billy the kid.33 Ms. Full score; 169 leaves; 44 cm.Note: Holograph in ink on transparent paper with holographmarkings in pencil.At end: July-Sept. 1938; Paris - New York - Peterboro, N.H.[orchestration finished Dec. 28, '38].Laid in: Typescript of movie continuity, titled "Ballad of Billy theKid."On microfilm: MUSIC 1906, Item 72.BOX-FOLDER 63/33.1 Billy the kid : complete ballet.33.1 Ms. (ozalid). Full score; 169 p.; 43.5 cm. (spiral bound).Note: Copy of manuscript score [ARCO 33], with holographmarkings in pencil.Aaron Copland Collection 59

Music, 1841-1988ContainerContentsAt end: July-Sept. 1938; Paris - New York - Peterboro, N.H.[orchestration finished Dec. 28, '38].Laid in: Three holograph leaves (ink, pencil, and typescript)indicating cuts in the ballet score (in folder).BOX-FOLDER 63/33.2 Billy the kid.33.2 Ms. Piano sketches; 64 p.; 34-36 cm.Note: Holographs in pencil and ink.On microfilm: MUSIC 1906, Item 72.33-A) Billy the kid : ballet suite [orchestra]BOX-FOLDER 16/33-Aa Billy the kid : ballet suite. New York: Boosey & Hawkes, [1941].33-AaFull score; 94 p. (bound).c1941 in U.S.A. by Hawkes & Son (London).Note: Holograph markings in pencil throughout.Duration: about 20 min.BOX-FOLDER 16/33-Ab Billy the kid : ballet suite. London: Hawkes & Son, [1941].33-AbFull score; 94 p. (2 copies).c1941 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 16725.Note: Copy 1 contains holograph markings in pencil throughout;Copy 2 contains holograph and other markings in pencilthroughout.Duration: Approx. 20 min.BOX-FOLDER 16/33-Ac Billy the kid : ballet suite. London: Boosey & Hawkes, [1941].33-AcFull score (miniature); 94 p. (2 copies).c1941 by Hawkes & Son (London).Plt.: B. & H. 16725.Ser. title: Hawkes Pocket Scores, No. 72.Note: Copy 1 has holograph markings in pencil throughout; Copy 2contains holograph markings in pencil and ink and correctionsthroughout.Duration: about 20 min.33-B) Billy the kid [two pianos]BOX-FOLDER 63/33-B Billy the kid.33-B Ms. Score for two pianos; 63 leaves; 38 cm.Note: Holograph in ink on transparent paper with holographmarkings in pencil.At end: Finis July-Sept., 1938; Paris, New York, Peterboro, N.H.BOX-FOLDER 63/33-B.133-B.1Billy the kid.Ms. (ozalid). Score for two pianos; 63 p.; 38.5 cm.Note: Copy of manuscript score for two pianos ARCO 33-B, withholograph changes in pencil.At end: Finis July - Sept., 1938; Paris, New York, Peterboro.Complete score used to produce published excerpts for two pianos.Aaron Copland Collection 60

Music, 1841-1988ContainerContentsBOX-FOLDER 16/33-Ba33-BaBilly the kid : excerpts from the ballet. New York: Boosey & Hawkes,[1946].Score for two pianos -- four hands; 34 p. (2 parts in one folder).c1946 in U.S.A. by Hawkes & Son (London).Plt.: H. 15712.Ser. title: Boosey & Hawkes Two Piano Series.33-C) Billy the kid [piano solo]BOX-FOLDER 16/33-Ca Billy the kid : excerpts from the ballet. New York: Boosey & Hawkes,[1944].33-Ca Piano solo; 20 p.c1944 by Hawkes & Son (London).Plt.: By.Pa.No. 56.33-D) "Waltz": from Billy the kid [band]BOX-FOLDER 16/33-Da "Waltz" : Billy the kid. New York: Boosey & Hawkes, [1944].33-DaConductor score and parts.c1944 by Hawkes & Son (London).Plt.: H.St.Bd.No.32.BOX-FOLDER 16/33-Ea33-Ea33-E) "Celebration": from Billy the kid [band]"Celebration" : from Billy the kid. New York: Boosey & Hawkes,[1945].Conductor score and parts.c1945 by Hawkes & Son (London).Plt.: H.St.Bd.No.33.Note: Contains holograph markings in pencil throughout.33-F) Billy the kid [small orchestra]BOX-FOLDER 63/33-F Billy the kid : small orchestra version.33-F Ms. Score for small orchestra; 124 leaves (pages missing); 43 cm.Note: Part holograph and part copyist's manuscript in ink ontransparent paper with holograph markings in pencil throughout.At head: For ballet performance only.Laid in: Typescript of outline of camera cues; 10 p., titled "The Balladof Billy the Kid."BOX-FOLDER 16/33-Fa "Prairie night" and "Celebration dance" : from Billy the kid. New York:Boosey & Hawkes, [1946].33-Fa Full score; 24 p.c1946 by Boosey & Hawkes.Plt.: O.S.1002 A and O.S.1002 B.BOX-FOLDER 16/33-Faa33-Faa"Prairie night" and "Celebration dance" : from Billy the kid. New York:Boosey & Hawkes, [1946].Orchestral parts.c1946 in U.S.A. by Boosey & Hawkes.Plt.: O.S.1002 A and O.S.1002 B.33-G) Billy the kid [violin & piano]Aaron Copland Collection 61

Music, 1841-1988ContainerContentsBOX-FOLDER 63/33-G "Waltz" and "Celebration" : from Billy the kid.33-G Ms. Score for violin and piano, and violin part; 5 + 13 p.; 35.5 cm.Note: Holograph in ink on transparent paper.At end: Arranged March 13, '49.BOX-FOLDER 63/33-G.133-G.1"Waltz" and "Celebration" : from Billy the kid.Ms. (ozalid). Score for violin and piano; 13 p.; 35.5 cm.Note: Copy of manuscript score and part ARCO 33-G, with holographmarkings in ink throughout.BOX-FOLDER 16/33-Ga "Waltz" and "Celebration" : from Billy the kid. S.l.: Boosey & Hawkes,[1950].33-Ga Score for violin and piano, and violin part; 10 + 4.c1950 by Boosey & Hawkes.Plt.: Waltz 4 and Waltz 10.Note: Holograph markings in pencil throughout score.33-H) Billy the kid [cello & piano]BOX-FOLDER 63/33-H "Waltz" and "Celebration" : from Billy the kid.33-H Ms. Cello part; 5 leaves; 35.5 cm.Note: Holograph in ink on transparent paper.BOX-FOLDER 63/33-H.133-H.1"Waltz" and "Celebration" : from Billy the kid.Ms. (ozalid). Cello part; 5 p.; 36 cm.Note: Copy of holograph cello part ARCO 33-H, with holographmarkings in pencil throughout.BOX-FOLDER 16/33-Ha "Waltz" and "Celebration" : from Billy the kid. London: Boosey &Hawkes, [1952].33-Ha Piano score and cello part; 11 + 5 p.c1952 by Boosey & Hawkes.Plt.: B. & H. 17210.BOX-FOLDER 16/33-Ja33-Ja33-J) Billy the kid [orchestra]Waltz from Billy the kid : [arranged] for youth orchestra (1956). NewYork: Boosey & Hawkes, [1957].Full score, condensed score and parts.c1957 by Boosey & Hawkes.Plt.: D.E. 99.Domestic Edition.34) An outdoor overture [orchestra]BOX-FOLDER 64/34 An outdoor overture : for school performance.34 Ms. Piano sketch; 26 p.; 37 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 35 A.BOX-FOLDER 64/34.1 "Signature for the high-low concerts".34.1 Ms. (photocopy). Full score; 6 p.; 34 cm.Note: Copy of holograph score.Aaron Copland Collection 62

Music, 1841-1988ContainerContentsLaid in: Photocopies of the two High-Low Concerts programs.Prior to this work becoming what is now known as An outdooroverture, it was used as the "Signature" for a planned concertseries (founded by Vernon Duke) known as the High-LowConcerts, which took place in 1938. There were only two concertperformances however. The original manuscript of the"Signature" is filed in the Vernon Duke Collection in the Libraryof Congress Music Division.BOX-FOLDER 64/34a An outdoor overture. London: Hawkes & Son, [1940].34aFull score; 44 p. (bound).c1940 in U.S.A. by Hawkes & Son.Plt.: B. & H. 8394.Note: Holograph markings in pencil throughout.At head: Written specially for and dedicated to the High School ofMusic and Art in New York.Duration: 9.5 min.BOX-FOLDER 64/34b An outdoor overture. London: Boosey & Hawkes, [1940].34b Full score (miniature); 44 p.c1940 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 8394.Ser. title: Hawkes Pocket Scores, No. 676.BOX-FOLDER 64/34c An outdoor overture. New York: Boosey & Hawkes, n.d.34c Full score; 44 p.c1940 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 8394.Note: Holograph markings in pencil throughout.Duration: 9.5 min.34-A) An outdoor overture [band]BOX-FOLDER 64/34-A An outdoor overture.34-A Ms. Band score; 52 p.; 42 cm.Note: Holograph in ink.On microfilm: MUSIC 1906, Item 35 B.BOX-FOLDER 64/34-A.134-A.1An outdoor overture : arranged for band by the composer.Ms. Band score (incomplete); 20 p.; 42 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 35 B.BOX-FOLDER 64/34-Aa An outdoor overture. New York: Boosey & Hawkes, [1948].34-Aa Full score; 35 p.c1948 by Hawkes & Son (London).Plt.: B. & H. 16234.Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 157.Note: Holograph markings in pencil throughout.Duration: Approx. 9.5 min.Aaron Copland Collection 63

Music, 1841-1988ContainerContents35) Lark [chorus]BOX-FOLDER 64/35 Lark.35 Ms. Score for mixed voices (SATB); 8 leaves; 38 cm.Note: Holograph in ink with holograph markings in pencil.English text. Words by Genevieve Taggard.On microfilm: MUSIC 1906, Item 27.BOX-FOLDER 64/35.1 Lark.35.1 Ms. Sketch for mixed voices (SATB); 17 p.; 34 cm.Note: Holograph in pencil and ink.English text.Laid in: Typescript of words by Genevieve Taggard.On microfilm: MUSIC 1906, Item 27.BOX-FOLDER 64/35a35aLark : four-part chorus / for mixed voices (divisi) / with baritone solo(a cappella). [Boston]: E. C. Schirmer Music Co., [1941].Score for mixed voices (SATB); (2 copies).c1941 by E.C. Schirmer Music Co.Plt.: E.C.S. No. 1275.Ser. title: E.C.S. Choral Music, No. 1794.English text. Words by Genevieve Taggard.Both copies contain holograph markings in pencil throughout.36) The quiet city [incidental music]BOX-FOLDER 64/36 The quiet city : for clarinet, saxophone, trumpet, and piano.36 Ms. Full score; 29 p.; 34.5 cm.Note: Holograph in ink and pencil.At end: April 1939.Music composed for Irwin Shaw's play "Quiet City."On microfilm: MUSIC 1906, Item 43.BOX-FOLDER 64/36.1 The quiet city : for clarinet, saxophone, trumpet, and piano.36.1 Ms. (photocopy). Full score; 29 leaves; 36 cm.Note: Copy of manuscript score ARCO 36.At end: April 1939.BOX-FOLDER 64/36.2 The quiet city.36.2 Ms. Rough piano sketch; 20 p.; 34.5 cm.Note: Holograph in pencil.Laid in: 2 page holograph in pencil titled "Music Cues - Quiet City."On microfilm: MUSIC 1906, Item 43.BOX-FOLDER 64/36.3 Quiet city.36.3 Mss. Instrumental parts; 32 cm.Note: Holographs in ink and pencil.On microfilm: MUSIC 1906, Item 43.37) Five kings [incidental music]BOX-FOLDER 64/37 Five kings.37 Ms. Condensed score sketch; 41 p.; 33.5 cm.Aaron Copland Collection 64

Music, 1841-1988ContainerContentsNote: Holograph in pencil.Incidental music for a play based on Shakespeare's plays; this worknot published.On microfilm: MUSIC 1906, Item 76.BOX-FOLDER 64/37.1 Five kings.37.1 Ms. (photocopy). Condensed score sketch; 41 leaves; 36 cm.Note: Copy of manuscript ARCO 37.Laid in: Letter to Professor Perlis from playwright Richard Francedated June 18; an article on Mr. France in the periodicalTwentieth Century American Dramatists (1981); two pages oftypescript from the play Five kings.38) The city [incidental music]BOX-FOLDER 65/38 The city : music for the documentary film.38 Ms. Full score; 166 p.; 34.5 cm.Note: Holograph in pencil.On title page: Orchestration by Aaron Copland; score written out byHenry Brant.BOX-FOLDER 65/38.1 The city : film music.38.1 Ms. Piano-conductor score; 34 leaves; 30-43 cm.Note: Holograph in ink, with additions and corrections in pencil, ontransparent paper.At end: Finis March 1939.On microfilm: MUSIC 1906, Item 7 A.BOX-FOLDER 65/38.2 The city : film music.38.2 Ms. (ozalid). Piano-conductor score; [34] leaves 41 cm. (bound).Note: Copy of manuscript score ARCO 38.1, with holographadditions and corrections in pencil throughout; includesadditional pages.BOX-FOLDER 65/38.3 The city : film music.38.3 Ms. Rough piano sketches; 42 + 1 p.; 34.5 cm.Note: Holographs in pencil.Laid in: Typescript of "Detailed outline of allocation of sound in 'TheCity'."On microfilm: MUSIC 1906, Item 7 B.BOX-FOLDER 17/38.4 The city.38.4 Mss. Instrumental parts.Note: Holographs in ink and pencil; includes reproductions oforiginal manuscripts.39) From sorcery to science [incidental music]BOX-FOLDER 65/39 From sorcery to science : excerpt from the puppet show.39 Ms. Full score; 16 leaves; 38.5-45 cm.Note: Copyist's manuscripts in ink.At head: Not to be published as is - A.C.Aaron Copland Collection 65

Music, 1841-1988ContainerContentsBOX-FOLDER 65/39.1 "The medicine chest" : from Sorcery to science / a puppet play.39.1 Ms. Orchestral sketches; unnumbered; 34.5 cm.Note: Holograph in pencil.On title page: May 4-8, 1939; Not to be used -- A.C.BOX-FOLDER 17/39.2 From sorcery to science : puppet show.39.2 Mss. Instrumental parts.Note: Copyist's manuscripts in ink and pencil, and ozalids.40) Of mice and men [incidental music]BOX-FOLDER 100/40 Of mice and men.40 Ms. Open score; 72 leaves; 48.5 x 30 cm.Note: Holograph in pencil.Incidental music for the film based on the novel by John Steinbeck.BOX-FOLDER 100/40.1 Of mice and men.40.1 Ms. Pencil sketches; 26 + 4 leaves; 48.5 x 30 cm.Note: Holograph in pencil.BOX-FOLDER 100/40.2 Of mice and men.40.2 Ms. (mimeograph). Conductor score; various paginations; 31.5 cm.Note: Mimeograph copy of manuscript score with holographmarkings in pencil throughout.BOX-FOLDER 100/40.3 Of mice and men.40.3 Ms. (mimeograph). Conductor score; various paginations; 31.5 cm.(bound).Note: Mimeograph of manuscript score with holograph markings inpencil throughout.BOX-FOLDER 100/40.4 "Threshing machine sequence".40.4 Ms. Rough sketches; 6 p.; 32 cm.Note: Holograph in pencil.At head: Music for Movies.At end: Dec. 18, '42.BOX-FOLDER 113/40.5 Of mice and men.40.5 Ms. Full score, divided into section (cues); various paginations;various sizes.Note: Manuscript in pencil.Incidental music for the film based on the novel by John Steinbeck.BOX-FOLDER 100/40 misc Of mice and men.40 misc Mss. Miscellaneous pages from the film production: including musiccue sheets (in typescript), timing indications, and penciled notes.Note: Holographs in pencil and typescripts.41) Our town [incidental music]BOX-FOLDER 66/41 Our town : complete film music.41 Ms. Full score; various paginations; 47 cm.Aaron Copland Collection 66

Music, 1841-1988ContainerContentsNote: Holograph in pencil.First performed by Howard Barlow and the Columbia BroadcastingSymphony.BOX-FOLDER 66/41.1 Our town.41.1 Ms. Full score; various paginations; 47 cm.Note: Holograph in pencil.This version extracted from the complete film score.BOX-FOLDER 18/41.2 Our town.41.2 Ms. (mimeograph). Conductor score; various paginations; 32 cm. (3copies, Copy 1 bound).Note: Mimeograph copies with holograph markings in pencilthroughout.Laid in Copy 2: Holograph in ink of "The Crisis", an excerpt from thesuite.BOX-FOLDER 18/41.3 Our town.41.3 Ms. Orchestral sketches: unnumbered; various sizes.Note: Holographs in pencil.BOX-FOLDER 18/41.4 Our town : music from the film score.41.4 Ms. (photocopy). Orchestral sketch; 5 leaves; 36.5 cm.Note: Copy of holograph. Stamped in red: U of NT [University ofNorthern Texas] Music Library.BOX-FOLDER 19/1-20/41.5 Our town.1-20/41.5 Mss. Orchestral parts and conductor scores; various paginations; 32cm.Note: Copyist's manuscripts in ink and pencil and mimeographs;with markings in ink and pencil throughout.BOX-FOLDER 18/41 misc Our town.41 misc Mss. Miscellaneous pages from the film score; 3 p.; 28-32 cm.Note: Holographs in ink and typescript titled "Music Scoring Set-upsfor 'Our Town'."BOX-FOLDER 18/41a Our town : music from the film score. New York: Boosey & Hawkes,[1945].41a Full score; 30 p.c1945 by Boosey & Hawkes.Plt.: O.T.Note: Holograph markings in pencil throughout.Duration: 9 min.BOX-FOLDER 18/41b41bOur town : music from the film score. London: Boosey & Hawkes,[1967].Full score; 24 p. (2 copies).c1940; 1945 by Aaron Copland; renewed 1967 by Aaron Copland.Plt.: B. & H. 19741.Ser. title: Youth Orchestra Series.Aaron Copland Collection 67

Music, 1841-1988ContainerContentsNote: Holograph markings in pencil throughout Copy 1.Duration: approximately 9 min.BOX-FOLDER 18/41-A "Story of our town" (from the film Our Town).41-A Ms. Score for violin and piano; 3 p.; 35.5 cm.Note: Holograph in ink on transparent paper.BOX-FOLDER 18/41-B III) "The resting place on the hill".41-B Ms. Piano solo; 2 p. (pp. 6-7); 34.5 cm.Note: Holograph in ink and pencil on transparent paper.BOX-FOLDER 18/41-Ba Our town : three piano excerpts from the film score. New York: Boosey& Hawkes, [1945].41-Ba Piano solo; 10 p.c1945 by Boosey & Hawkes.Plt.: B. Pa Solo 60-8.CONTENTS:• I) "Story of our town"• II) "Conversation at the soda fountain"• III) "The resting-place on the hill"BOX-FOLDER 18/41-Bb Our town : three piano excerpts from the film score. New York: Boosey& Hawkes, [1945].41-Bb Piano solo; 10 p.c1945 by Boosey & Hawkes.Plt.: B. Pa Solo 60-8.CONTENTS:• I) "Story of our town"• II) "Conversation at the soda fountain"• III) "The resting-place on the hill"BOX-FOLDER 18/41-Ca "Story of our town" / in Two portraits for two guitars. S.l.: s.n., 1984.41-CaScore for two guitars, and parts; 15 + 7 + 7 p. (spiral bound).c[1940]At end: May 31st, 1984.Bound with 'Hoe-down' from Rodeo.Note: Privately published42) John Henry [orchestra]BOX-FOLDER 67/42 John Henry.42 Ms. Full score; 22 p.; 45.5 cm. (bound).Note: Holograph in pencil.On title page: This is original version which later was revised in1952, A.C.At end: Feb. 25, 1940.Timing: about 3:35.On microfilm: MUSIC 1906, Item 81.BOX-FOLDER 67/42.1 John Henry.42.1 Ms. (photostat). Full score; 22 p.; 45 cm.Note: Copy of manuscript ARCO 42.Aaron Copland Collection 68

Music, 1841-1988ContainerContentsAt end: Feb. 25, 1940.Timing: about 3:35.BOX-FOLDER 67/42.2 John Henry.42.2 Ms. Orchestral sketch; [6] leaves; 30.5 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 81.BOX-FOLDER 67/42.3 John Henry.42.3 Ms. (photocopy). Orchestral sketch; [4] leaves; 36 cm.On title page: CBS Commission.At end: Feb. 25, 1940.Stamped in red: U of NT [University of Northern Texas] MusicLibrary.42-A) John Henry [orchestra] (revised)BOX-FOLDER 67/42-A John Henry.42-A Ms. Full score; 20 p.; 34 cm.Note: Holograph in ink and pencil.On title page: 1940, revised 1952.Commissioned by the Columbia Broadcasting Co.Based on the well-known folk-tune.Duration: Approx. 3:30.On microfilm: MUSIC 1906, Item 81.BOX-FOLDER 67/42-A.142-A.1John Henry.Ms. Orchestral sketch; 6 p.; 31.5 cm.Note: Holograph in pencil.On first page: John Henry (1940), revised (1952).On microfilm: MUSIC 1906, Item 81.BOX-FOLDER 67/42-Aa John Henry : based on the folk-tune. London: Boosey & Hawkes,[1953].42-Aa Full score; 16 p.c1953 by Boosey & Hawkes.Plt.: B & H 17292.Note: Holograph markings in pencil throughout.This work was commissioned by the Columbia BroadcastingCompany.Laid in: Holograph note of orchestral changes.Duration: Approx. 3.5 min.BOX-FOLDER 67/42-Ab John Henry. [New York]: Boosey & Hawkes, [1953].42-Ab Full score (miniature); 16 p.c1953 by Boosey & Hawkes.Plt.: B & H 17292.42-B) John Henry [youth orchestra]Aaron Copland Collection 69

Music, 1841-1988ContainerContentsBOX-FOLDER 67/42-Ba42-BaJohn Henry : a railroad ballad for orchestra. London: Boosey &Hawkes, 1982.Full score; 16 p. (2 copies).c1940; revised edition 1953 by Aaron Copland.Plt.: B. & H. 20534.Ser. title: The HSS300 Series (Hawkes School Series), HSS 304.Duration: 3 min.BOX-FOLDER 67/42-Baa42-BaaJohn Henry : a railroad ballad for orchestra. London: Boosey &Hawkes, 1982.Orchestral parts (2 sets).c1940; revised edition 1953 by Aaron Copland.Plt.: B. & H. 20534.Ser. title: The HSS300 Series (Hawkes School Series), HSS 304.Duration: Approx. 3 min.43) Quiet city [chamber work]BOX-FOLDER 68/43 Quiet city : for solo trumpet and string orchestra.43 Ms. Score for solo trumpet and string orchestra; 18 leaves; 37.5 cm.Note: Holograph in ink on transparent paper.On title page in ink: N.B. - The thematic material is derived fromincidental music composed for Irwin Shaw's play Quiet City(1939).At head (and on title page) in pencil: Original version discarded,without English horn.At end: Sept. '40, Lenox, New York City.On microfilm: MUSIC 1906, Item 42.BOX-FOLDER 68/43.1 Quiet city : for solo trumpet and string orchestra.43.1 Ms. Trumpet part; 3 leaves; 33.5 cm.Note: Holograph in ink on transparent paper.On microfilm: MUSIC 1906, Item 42.BOX-FOLDER 68/43.2 Quiet city : for trumpet solo and string orchestra.43.2 Ms. Pencil sketch; 22 p.; 31.5 cm.Note: Holograph in pencil.BOX-FOLDER 68/43.3 The quiet city : for solo trumpet and string orchestra.43.3 Ms. Preliminary sketches; 22 p.; various sizes.Note: Holographs in pencil.On microfilm: MUSIC 1906, Item 42.43) Quiet city [arrangements]BOX-FOLDER 68/43.4 Quiet city New York: Boosey & Hawkes, 1988.43.4 Ms. (photocopy). Score for wind ensemble; 45 leaves; 43.5 cm.c1941 by Hawkes & Son (London); this version copyright 1988.On title page: For Wynton Marsalis.At end: Sept. 1940 Lenox MA; NYC, orch. March, 1988 Roch. NY.Aaron Copland Collection 70

Music, 1841-1988ContainerContentsLaid in: Letter to Ms. Sylvia Goldstein (of Boosey & Hawkes) fromDonald Hunsberger (conductor of Eastman School of Music WindEnsemble) dated June 8, 1988.BOX-FOLDER 68/43.5 Quiet city : arranged for wind ensemble / accompaniment by DonaldHunsberger - 3/88. New York: Boosey & Hawkes, 1988.43.5 Ms. (photocopy). Score for wind ensemble; 45 leaves; 43.5 cm.c1941 by Hawkes & Son (London); this version copyright 1988.Note: Copy of manuscript score ARCO 43.4.On title page: For Wynton Marsalis.At end: Sept. 1940 Lenox MA; NYC, orch. March 1988, Roch. NY.BOX-FOLDER 68/43.6 Quiet city : for strings, trumpet and English horn (or oboe).43.6 Ms. (photocopy). Condensed score and solo part; 8 leaves; 36.5 cm.At head: To Ralph Hawkes.Stamped in red: U of NT [University of Northern Texas] MusicLibrary.Includes row for Piano quartet.BOX-FOLDER 68/43a Quiet city : for strings, trumpet, and English horn (or oboe). New York:Boosey & Hawkes, [1941].43a Score for strings, trumpet, and English horn (or oboe); 15 p. (2copies, Copy 2 bound).c1941 in U.S.A. by Hawkes & Son (London).Plt.: Q.C. 1-14.Note: Holograph markings in pencil throughout both copies.At end: Sept. '40 Lenox, Mass. N.Y.C.BOX-FOLDER 68/43aa Quiet city. London: Boosey & Hawkes, [1941].43aaOrchestral parts.c1941 by Hawkes & Son.Note: Holograph markings in pencil throughout.English horn part missing. English horn part not included.BOX-FOLDER 68/43b43bQuiet city : for strings, trumpet and English horn (or oboe). London:Boosey & Hawkes, [1941].Full score (miniature); 15 p. (2 copies).c1941 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 18805.Ser. title: Hawkes Pocket Scores, No. 726.At end: Sept. '40 Lenox, Mass., N.Y.C.44) Piano sonata [piano work]BOX-FOLDER 68/44 Piano sonata.44 Ms. Piano solo; 32 leaves; 34.5 cm.Note: Holograph in ink on transparent paper.At end: Santiago de Chile, Sept. 25, '41.On microfilm: MUSIC 1906, Item 53.Aaron Copland Collection 71

Music, 1841-1988ContainerContentsBOX-FOLDER 68/44.1 Piano sonata.44.1 Ms. (ozalid). Piano solo; 32 p.; 35 cm.Note: Copy of manuscript ARCO 44, with holograph and othermarkings in pencil.At end: Santiago de Chile, Sept. 25, '41.BOX-FOLDER 68/44.2 Piano sonata.44.2 Ms. Sketch for piano solo; 128 p.; various sizes.Note: Holographs in ink and pencil.On microfilm: MUSIC 1906, Item 53.BOX-FOLDER 68/44.3 Piano sonata. London: Hawkes & Son, [1942].44.3 Publisher's proof. Piano solo; 28 leavesc1942 by Hawkes & Son.Plt.: B. Pa. Solo 27.Note: Publisher's proof with holograph markings in pencilthroughout.BOX-FOLDER 68/44a Piano sonata. New York: Boosey & Hawkes, [1958].44a Piano solo; 27 p.c1942 by Boosey & Hawkes.Plt.: B. Pa. Solo 27.44-A) Piano sonata (for band)BOX-FOLDER 68/44-A Piano sonata (arranged for band).44-A Ms. (ozalid). Full score (1st movement only); 39 p.; 46.5 cm.Note: Copyist's manuscript with holograph note in pencil: PianoSonata - Arranged for band by Barney Childs (c/o WisconsinCollege Conservatory).Laid in: Concert program for Pro Musica Nova presented by WCC atVogel Hall in Milwaukee, WI on Jan. 31, 1977.45) Episode : improvisation for organ [organ solo]BOX-FOLDER 68/45 Episode.45 Ms. Organ solo; 7 p.; 32 cm.Note: Holograph in ink with markings in ink and pencil throughout.On title page: 'Improvisation' for Organ by Aaron Copland, scratchedout.At end: Aug. 20, '40, scratched out.On microfilm: MUSIC 1906, Item 20.BOX-FOLDER 68/45.1 [Episode].45.1 Ms. Organ solo; 6 p. 30.5 cm.Note: Holograph in pencil with pencil markings in unknown hand.On microfilm: MUSIC 1906, Item 19.BOX-FOLDER 68/45.2 Episode : Improvisation for organ.45.2 Ms. Sketch for organ solo; 3 p.; 30.5 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 19.Aaron Copland Collection 72

Music, 1841-1988ContainerContentsBOX-FOLDER 68/45a Episode. New York: H.W. Gray Co., [1941].45a Organ solo; 4 p.c1941 by The H.W. Gray Co.Plt.: C.O.S. No. 7,-(4).Ser. ed.: William Strickland.Ser. title: Contemporary Organ Series, No. 7.At end: August 20, 1940.46) Lincoln portrait [speaker & orchestra]BOX-FOLDER 69/46 Lincoln portrait : for speaker and orchestra.46 Ms. (ozalid). Full score with text; 72 p.; 39 cm. (spiral bound).Note: Copy of manuscript orchestral score with holograph and othermarkings in pencil throughout.English text.At end: New York, Feb.-April, 1942.BOX-FOLDER 69/46.1 Lincoln portrait : for speaker and orchestra.46.1 Ms. (ozalid). Full score with text; 72 p.; 40 cm. (spiral bound).Note: Copied from the same manuscript score as ARCO 46, withholograph markings in ink and pencil.English text.On title page: To Andre Kostelanetz.At end: New York, Feb.-April, 1942.BOX-FOLDER 69/46.2 Lincoln portrait.46.2 Ms. (ozalid). Full score (in part); pp. 22-37; 38.5 cm. (2 copies).Note: Copy of manuscript orchestral score.Note: Copy 1 untitled and has holograph markings in pencilthroughout; Copy 2 has holograph markings in ink.English text.BOX-FOLDER 69/46.3 [Lincoln portrait].46.3 Ms. Piano sketch with text (incomplete); 18 leaves; various sizes.Note: Holograph in ink with markings in pencil on transparentpaper.English and Spanish text.Pages 1 and 10 missing.At end: New York, Feb.-April, 1942.BOX-FOLDER 69/46.4 A Lincoln portrait : for speaker and orchestra.46.4 Ms. (ozalid). Piano sketch with text; 20 p.; 38 cm.Note: Copy of manuscript ARCO 46.3.English and Spanish text.At end: New York, Feb.-April, 1942.BOX-FOLDER 21/46a46aLincoln portrait : for speaker and orchestra. New York: Boosey &Hawkes, [1943].Full score with text; 44 p. (bound).c1943 in U.S.A. by Hawkes & Son (London).Aaron Copland Collection 73

Music, 1841-1988ContainerContentsPlt.: L.P.-44.Note: Holograph pencil and ink markings throughout.English text.Laid in: one page note, partially holographic, in ink and pencil.Performing time: 14 min.BOX-FOLDER 21/46b46bBOX-FOLDER 21/46c46cLincoln portrait : for speaker and orchestra. New York: Boosey &Hawkes, [1943].Full score (miniature) with text; 44 p.; 18.5 cm.c1943 in U.S.A. by Hawkes & Son (London).Plt.: L.P.-44.Ser. title: Hawkes Pocket Scores, No. 61.English text.Performing time: 14 min.Lincoln portrait : for speaker and orchestra. New York: Boosey &Hawkes, [1943?].Full score with text; 44 p.; 30.5 cm.c1943 in U.S.A. by Hawkes & Son (London).Plt.: L.P. -44.Note: Holograph markings in pencil throughout.English text.BOX-FOLDER 21/46d Lincoln portrait : for narrator and orchestra. [New York]: Boosey &Hawkes, [1967?].46d Full score with text; 44 p.c1943 by Aaron Copland.Plt.: L.P.-44.English text.BOX-FOLDER 21/46na Lincoln portrait. New York: Boosey & Hawkes, [1943].46naScore for narrator; 12 p. (4 copies).c1943 by Aaron Copland.Plt.: BH.BK. 499.English text.46-A) Lincoln portrait [speaker & band]BOX-FOLDER 21/46-Aa Lincoln portrait. New York: Boosey & Hawkes, [1951].46-AaBand score (full to symphonic); 40 p. (4 copies).c1951 by Hawkes & Son (London).Plt.: B. & H. 17004.Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.English text.Copies 1 through 3 have holograph markings in pencil throughout.BOX-FOLDER 21/46-Aaa Lincoln portrait. New York: Boosey & Hawkes, [1951].46-AaaParts for band (full to symphonic).c1951 by Hawkes & Son (London).Plt.: B. & H. 17004.Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.Aaron Copland Collection 74

Music, 1841-1988ContainerContentsBOX-FOLDER 21/46-Ab Lincoln portrait. New York: Boosey & Hawkes, [1951].46-Ab Conductor score for band; 16 p.c1943 by Hawkes & Son (London); this arrangement copyright 1951by Hawkes & Son.Plt.: B. & H. 17004.Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.English text.BOX-FOLDER 21/46-Ac Lincoln portrait. New York: Boosey & Hawkes, [1951].46-Ac Conductor score for band (miniature); 16 p.c1951 by Hawkes & Son (London).Plt.: B. & H. 17004.Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.English text.BOX-FOLDER 21/46-C Lincoln portrait [New York]: [Boosey & Hawkes], [1943].46-C Score for narrator; 2 + 9 p. (pp. 4-12).c1943 by Aaron Copland.Plt.: BH.BK. 499.Note: Published score with holograph text in pencil.On front cover: Words arranged for Virgil Thomson's 75th Birthday,Hotel Plaza - Nov. 1971.Includes two pages of text in typescript and pencil.47) Rodeo [ballet]BOX-FOLDER 70/47 Rodeo.47 Ms. Full score; 106 leaves (1-85 and 118-139); 38 cm.Note: Holograph in ink on transparent paper with holographmarking in pencil.Sections missing: "Corral nocturne", "Ranch house party" and "Hoedown".Laid in: Two page list of instrumentation.On microfilm: MUSIC 1906, Item 46 B.BOX-FOLDER 70/47.1 Rodeo.47.1 Ms. Rough sketches; 74 p.; 31.5 cm.Note: Holograph in pencil.At end: June - 1, July -10, '42. Stockbridge, Mass.On microfilm: MUSIC 1906, Item 46 A.BOX-FOLDER 70/47.2 Rodeo.47.2 Ms. Early sketches; 32 p.; 32.5 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 46 A.BOX-FOLDER 70/47.3 Rodeo.47.3 Ms. Orchestral insert; 27 leaves; 38 cm.Note: Copyist's manuscript in ink with holograph markings in inkand pencil on transparent paper.Aaron Copland Collection 75

Music, 1841-1988ContainerContentsLaid in: One page typescript titled "CONCERNING COMPLETEBALLET VERSION OF RODEO."BOX-FOLDER 70/47.4 Rodeo.47.4 Mss. String parts insert; various paginations; various sizes.Note: Copyist's manuscripts in ink.At head: Insert #2.BOX-FOLDER 70/47.5 Rodeo.47.5 Mss. String parts insert; various paginations; 32 cm.Note: Copyist's manuscripts in ink.At head: Insert #5.BOX-FOLDER 70/47.6 Rodeo.47.6 Mss. String parts insert; various paginations; 32 cm.Note: Copyist's manuscripts in ink.At head: Insert #8.BOX-FOLDER 70/47.7 "Saturday night waltz" (Mvt. III).47.7 Ms. Bassoon II part; 1 leaf; 31.5 cm.Note: Holograph in ink.BOX-FOLDER 70/47a "Four dance episodes". New York: Boosey & Hawkes, [1946].47aFull score; 96 p. (2 copies, Copy 1 bound).c1945-46 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 9037, 8895, 9036, 8896.Note: Holograph markings in pencil throughout both copies.Duration: 18 min.BOX-FOLDER 70/47b "Four dance episodes". London: Boosey & Hawkes, [1946].47b Full score (miniature); 96 p.c1945-46 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 9037, 8895, 9036, 8896.Ser. title: Hawkes Pocket Scores, No. 684.BOX-FOLDER 70/47c, No. I "Buckaroo holiday". New York: Boosey & Hawkes, 1960.47c, No. I Full score; 52 p.c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960.[47c, No. 1].Plt.: B. & H. 9037.Note: Holograph markings in pencil throughout.Duration: 7 min.BOX-FOLDER 70/47c, No. II "Corral nocturne". New York: Boosey & Hawkes, 1960.47c, No. II Full score; 10 p.c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960.Plt.: B. & H. 8895.Note: Holograph pencil markings throughout.Duration: 3.5 min.Aaron Copland Collection 76

Music, 1841-1988ContainerContentsBOX-FOLDER 70/47c, No. "Saturday night dance". New York: Boosey & Hawkes, 1960.III47c, No. III Full score; 12 p.c1945 in U.S.A. by Hawkes & Son (London); separate edition 1960.Plt.: B. & H. 9036.Note: Holograph markings in pencil throughout.Duration: 4 min.BOX-FOLDER 70/47c, No. "Hoe-down". New York: Boosey & Hawkes, 1960.IV47c, No. IV Full score; 30 p.c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960.Plt.: B. & H. 8896.Note: Holograph markings in pencil throughout.Duration: 3.5 min.47-A) Rodeo [piano solo]BOX-FOLDER 70/47-A Rodeo : ballet in one act.47-A Ms. Piano solo; [45] leaves; various sizes.Note: Holograph in ink on transparent paper.On title page: Complete ballet arranged for piano by the composer.At bottom of title page: M.B. - Reprint not from orchestral score.At end: Rockbridge, Mass., June-July '42.BOX-FOLDER 70/47-A.147-A.1BOX-FOLDER 70/47-A.247-A.2Rodeo : complete ballet.Ms. (ozalid). Piano sketch; 37 p.; 34 cm.Note: Copy of composer's holograph piano solo arrangement.On title page: "Four Dance Episodes" is scratched out.At end: June-July '42.[Rodeo : complete ballet.]Mss. Fragments from piano solo arrangement; 6 leaves; varioussizes.Note: Holographs in ink.BOX-FOLDER 70/47-Aa Rodeo : four dance episodes / arranged for piano solo by thecomposer. London: Boosey & Hawkes, [1962].47-Aa Piano solo; 36 p.c1946; piano solo arrangement copyright 1962 by the composer.Plt.: B. & H. 18925.47-B) Rodeo [string quartet]BOX-FOLDER 70/47-B "Hoe-down" / arranged for string quartet.47-B Ms. (ozalid). Score for string quartet; 9 p.; 36 cm. (soft bound).47-C) Rodeo [string orchestra]BOX-FOLDER 70/47-Ca "Hoe-down" / arranged for string orchestra by the composer. [NewYork]: Boosey & Hawkes, [1945].47-Ca Score for string orchestra; 19 p.c1945 by Boosey & Hawkes.Aaron Copland Collection 77

Music, 1841-1988ContainerContentsNote: Reproduced from the composer's original manuscript.Holograph markings in pencil throughout.BOX-FOLDER 70/47-Caa47-Caa"Hoe-down" / arranged for string orchestra. [New York]: Boosey &Hawkes, [1945].String and piano parts.c1945 by Boosey & Hawkes.Note: Reproduced from manuscripts.Ser. title: Boosey & Hawkes Pops Series.47-D) Rodeo [violin & piano]BOX-FOLDER 70/47-D "Hoe-down" / arranged for violin and piano by the composer.47-D Ms. Score for violin and piano; 8 leaves; 38 cm.Note: Holograph in ink on transparent paper.In pencil at bottom of first leaf: BSI # 42; copyright 1946 Boosey &Hawkes Inc.BOX-FOLDER 70/47-Da "Hoe-down" / arranged for violin and piano by the composer -1945. [New York]: Boosey & Hawkes, [1946].47-Da Score for violin and piano, and violin part; 8 + 4 p.c1946 by Boosey & Hawkes.Plt.: BSI 42 - 12.BOX-FOLDER 70/47-Ea47-Ea47-E) Rodeo [two pianos]"Hoe-down" and "Saturday night waltz" / arranged for two pianos, fourhands. [New York]: Boosey & Hawkes, [1950].Score for two pianos, four hands; 16 p. (2 parts in one folder).c1949/50 in U.S.A. by Boosey & Hawkes.Plt.: Hoe-down 10, Saturday night 6.48) Las agachadas [chorus]BOX-FOLDER 71/48 Las agachadas.48 Ms. Score for mixed chorus (SSAATTB); 12 leaves; 37.5 cm.Note: Holograph in ink on transparent paper.Spanish text.At end: N.Y.C. Feb. 9, '42.On microfilm: MUSIC 1906, Item 83.BOX-FOLDER 71/48.1 Las agachadas.48.1 Ms. Rough sketch; 8 p.; 32 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 83.BOX-FOLDER 71/48a48aLas agachadas. S.l.: s.n., n.d.Score for mixed chorus (SSAATTB); 14 p. (2 copies).c[1942]Plt.: Las-A.Spanish text.Holograph markings in pencil throughout Copy 1.Aaron Copland Collection 78

Music, 1841-1988ContainerContentsOn title page: Based on melody No. 202 in Kurt Schindler's folk-songcollection of "Folk music and poetry of Spain and Portugal."Note: Privately published mimeographBOX-FOLDER 71/48b48bLas agachadas : the shake-down song / a cappella. [New York]: Boosey& Hawkes, [1942].Score for solo group and eight-part mixed chorus; 24 p. (3 copies).c1942 by Hawkes & Son (London).Plt.: B.H.Bk. 88.Spanish and English text.All copies have holograph markings in pencil throughout.At bottom of page 2: Based on melody No. 202 in Kurt Schindler'scollection: "Folk music and poetry of Spain and Portugal."BOX-FOLDER 71/48c Las agachadas : the shake-down song / a cappella. [New York]: Boosey& Hawkes, [194-?].48c Score for solo group and eight-part mixed chorus; 24 p.c1942 by Hawkes & Son (London).Plt.: B.H.Bk. 88.Spanish and English text.Contains some holograph markings in pencil.Although this item is identical to ARCO 48b, it is an apparent lateredition based on the availability (cost) of the item.49) Music for movies [orchestra]BOX-FOLDER 71/49 Music for movies.49 Ms. (ozalid). Full score; 102 p.; 39.5 cm.Note: Copy of manuscript score with holograph and other markingsin pencil and ink throughout.At bottom of the first page of each section: various copyright notices.Laid in: One leaf of orchestral notes.At end: Dec. 19, '42 Oakland, New Jersey.CONTENTS:• I) "New England countryside" (from The city)• II) "Barley wagons" (from Of mice and men)• III) "Sunday traffic" (from The city)• IV) "Grovers Corners" (from Our town)• V) "Threshing machine" (from Of mice and men)BOX-FOLDER 71/49.1 Music for movies.49.1 Ms. (ozalid). Full score (incomplete); 31 leaves; 36.5 cm.Note: Copy of copyist's manuscript.At end: Dec. 19, '42 Oakland.Stamped in red: University of Northern Texas (U of NT) MusicLibrary.BOX-FOLDER 71/49.2 "The city".49.2 Ms. Short sketch; [5] p.; 31.5 cm.Note: Holograph in pencil.Aaron Copland Collection 79

Music, 1841-1988ContainerContentsBOX-FOLDER 71/49.3 "Sunday traffic".49.3 Ms. (photocopy). Conductor (short) score; 6 p.; 33 cm.BOX-FOLDER 71/49a Music for movies. London: Boosey & Hawkes, [1970].49aFull score; 97 p. (2 copies).c1956, 1970 by Aaron Copland.Plt.: B. & H. 19748.Both copies have Holograph markings in pencil throughout.50) Danzón Cubano [two pianos]BOX-FOLDER 72/50 Danzón Cubano.50 Ms. Score for two pianos -- four hands; 23 lvs; 35 cm.Note: Holograph in ink on transparent paper.At end: Oakland, N.J. Dec. 6, '42.Composed especially for the twentieth anniversary of the League ofComposers.On microfilm: MUSIC 1906, Item 17 B.BOX-FOLDER 72/50.1 Danzón Cubano.50.1 Ms. Original piano sketches; 42 p.; 31.5 cm.Note: Holograph in pencil.Laid in: Unidentified sketch on hotel paper (page 42).On microfilm: MUSIC 1906, Item 17 B.BOX-FOLDER 72/50a50aBOX-FOLDER 72/50b50bBOX-FOLDER 72/50c50cDanzón Cubano : for two pianos -- four hands / composed especiallyfor the twentieth anniversary of the League of Composers. Lynbrook,N.Y.: Boosey & Hawkes, [1943].Score for two pianos -- four hands; 20 p. (2 parts in one folder).c1943 in U.S.A. by Hawkes & Son (london).Plt.: H. 15550.Ser. title: Boosey & Hawkes Two Piano Series, B. Two Pa. 37.Note: Both parts contain holograph markings in pencil.Danzón Cubano : for two pianos -- four hands / composed especiallyfor the twentieth anniversary of the League of Composers. New York:Boosey & Hawkes, [1943].Score for two pianos -- four hands; 20 p. (2 parts in one folder).c1943 by Aaron Copland.Plt.: H. 15550.Note: Contains holograph markings in pencil.Danzón Cubano : composed especially for the twentieth anniversaryof the League of Composers / for two pianos, four hands. London:Hawkes & Son, [1943].Score for two pianos, four hands; 20 p. (2 folders - 2 scores in eachfolder).c1943 by Hawkes & Son (London).Plt.: H. 15550.50-A) Danzón Cubano [orchestra]Aaron Copland Collection 80

Music, 1841-1988ContainerContentsBOX-FOLDER 72/50-A Danzón Cubano.50-A Ms. Full score; 56 leaves; 38.5 cm.Note: Holograph in ink on transparent paper.Originally composed for two pianos, the Danzón Cubano in itsorchestral form was first performed by the Baltimore SymphonyOrchestra, under the conductorship of Reginald Stewart, onFebruary 17, 1946.On microfilm: MUSIC 1906, Item 17 A.BOX-FOLDER 72/50-A.150-A.1BOX-FOLDER 72/50-A.250-A.2Danzón Cubano.Ms. (ozalid). Full score; 56 p.; 40 cm. (spiral bound).Note: Copy of manuscript ARCO 50-A, with holograph markings inpencil throughout.Originally composed for two pianos, the orchestral form of DanzónCubano was first performed by the Baltimore SymphonyOrchestra on February 17, 1946 under the conductorship ofReginald Stewart.Danzón Cubano.Ms. Orchestral parts; 34.5 cm.Note: Copyist's manuscript in ink on transparent paper.BOX-FOLDER 72/50-Aa Danzón Cubano. New York: Boosey & Hawkes, [1947].50-AaFull score; 45 p. (bound).c1947 by Boosey & Hawkes.Plt.: B. & H. 15895.Note: Holograph markings in pencil throughout.BOX-FOLDER 72/50-Ab Danzón Cubano. London: Boosey & Hawkes, [1964].50-Ab Full score; 45 p.c1949 by Aaron Copland.Plt.: B. & H. 15895.Note: Holograph markings in pencil throughout.50-B) Danzón Cubano [piano solo]BOX-FOLDER 72/50-Ba Danzón Cubano [piano solo] (1949). [New York]: Boosey & Hawkes,[1949].50-Ba Piano solo; 19 p.c1949 by Boosey & Hawkes.Plt.: Danzo Cubano 17.51) Fanfare for the common man [brass & percussion]BOX-FOLDER 73/51 Fanfare for the common man.51 Ms. Score for brass and percussion ensemble; 5 leaves; 38 cm.Note: Holograph in ink on transparent paper.At end: Oakland, Nov. 6 '42.On microfilm: MUSIC 1906, Item 21.BOX-FOLDER 73/51.1 Fanfare for the common man.51.1 Ms. (photocopy). Full score; [4] leaves; 36 cm.Aaron Copland Collection 81

Music, 1841-1988ContainerContentsCopy of manuscript score.Includes photocopy of copyist's manuscript of theme to "DanzonCubano".Stamped in red: U of NT [University of Northern Texas] MusicLibraryBOX-FOLDER 73/51.2 Fanfare for the common man. [New York]: Boosey & Hawkes, [1956].51.2 Publisher's proof. Score for brass and percussion ensemble; 3 leavesc1944 by Boosey & Hawkes.Plt.: B. Ens. 97.Note: Photocopy of proof with holograph markings in ink and pencil.BOX-FOLDER 73/51.3 Fanfare for the common man. New York: Boosey & Hawkes, [1956].51.3 Publisher's proofs. Brass and percussion ensemble parts; variouspaginations.c1944 by Boosey & Hawkes.Plt.: B. Ens. 97.Note: Photocopies with holograph markings in pencil.BOX-FOLDER 73/51.4 Fanfare for the common man. New York: Boosey & Hawkes, [1971].51.4 Publisher's proof. Score for brass and percussion ensemble; 4leaves.c1944 by Aaron Copland; renewed 1971.Plt.: B. Ens. 97.Note: Photocopy of proof with holograph markings in ink and pencil.BOX-FOLDER 73/51.5 Fanfare for the common man. New York: Boosey & Hawkes, [1971].51.5 Publisher's proof. Score for brass and percussion ensemble; 4leaves.c1944 by Aaron Copland; renewed 1971.Plt.: B. Ens. 97.At head in blue pencil: Copy of corrected finals.BOX-FOLDER 73/51.6 Fanfare for the common man.51.6 Ms. Original pencil sketches; 4 p.; 32 cm.Note: Holograph in pencil.Included with this item is a brief history of the "Fanfare", with textby Aaron Copland.As can be seen by this sketch, the final title did not come easily.BOX-FOLDER 73/51.7 Fanfare for the common man.51.7 Ms. (photocopy). Original sketches in pencil; 4 leaves; 32 cm.Note: Copy of holograph score ARCO 51.6.BOX-FOLDER 73/51.8 Fanfare for the common man.51.8 Ms. Piano sketch; 4 p.; 34 cm.Note: Holo- graph in pencil.On microfilm: MUSIC 1906, Item 21.Aaron Copland Collection 82

Music, 1841-1988ContainerContentsBOX-FOLDER 73/51a Fanfare for the common man. London: Boosey & Hawkes, [1944].51a Score for brass and percussion ensemble; 3 p.c1944 by Boosey & Hawkes.Plt.: B.Ens. 53.Note: Holograph markings in pencil throughout.BOX-FOLDER 73/51b51bFanfare for the common man : in Ten Fanfares by Ten Composers / forbrass and percussion. New York: Boosey & hawkes, [1944].Score for brass and percussion ensemble; 3 p. (pp. 1-3) (2 copies).c1944 by Boosey & Hawkes.Plt.: B.Ens. 53.Note: Both copies contain holograph markings in pencil.BOX-FOLDER 73/51c Fanfare for the common man : from Ten Fanfares. New York: Boosey& Hawkes, [1956].51c Score for brass and percussion ensemble; 3 p.c1944 by Boosey & Hawkes; separate edition 1956.Plt.: B. Ens. 97.Note: Heavily marked.BOX-FOLDER 73/51cc51ccFanfare for the common man : from Ten Fanfares. New York: Boosey& Hawkes, [1956].Brass and percussion ensemble parts; various paginations.c1944 by Boosey & Hawkes.Plt.: B. Ens. 97.Note: Holograoph markings in pencil on 1 st B-flat trumpet part.51-A) Fanfare for the common man [guitar]BOX-FOLDER 73/51-A Fanfare for the common man : transcribed for guitar by Dave Bogart(1942).51-A Ms. (photocopy). Guitar solo; 2 p.; 31.5 cm.BOX-FOLDER 73/51-A.151-A.1Fanfare for the common man : guitar solo / transcribed by MichaelHendrix.Ms. (ozalid). Guitar solo: 3 p.; 33 cm.Note: No date given for this arrangement.51-B) Fanfare for the common man [trumpet ensemble]BOX-FOLDER 73/51-B Fanfare for the common man : arranged for trumpet ensemble byRonald Small (1988).51-B Ms. (photocopy). Score for trumpet ensemble; 1 + 8 p.; 31.5 cm.Note: Copy of copyist's manuscript.Includes letter from Ronald Small to Ronald Caltabiano (assistant toAaron Copland) dated May 16, 1988.52) Sonata for violin and piano [chamber work]BOX-FOLDER 22/52 Sonata for violin and piano.52 Ms. Score for violin and piano; 37 leaves (page 5-B inserted); 34.5cm.Note: Holograph in ink on transparent paper.Aaron Copland Collection 83

Music, 1841-1988ContainerContentsAt end: Dec. 1943.Laid in: Article titled "AARON COPLAND: His Work andContribution to American Music" by Julia Smith.On microfilm: MUSIC 1906, Item 55.BOX-FOLDER 22/52.1 Sonata for violin and piano.52.1 Ms. Violin part; 13 leaves; 30.5-34.5 cm.Note: Holograph in ink on transparent paper.On microfilm: MUSIC 1906, Item 55.BOX-FOLDER 22/52.2 Sonata for violin and piano.52.2 Ms. (ozalid). Piano score, in part; 16 p. (pp. 21-36); 36 cm.Note: Copy of 3rd movement of manuscript score ARCO 52.At end in ink: Jan. 4, '44.BOX-FOLDER 22/52.3 Sonata for violin and piano.52.3 Ms. (ozalid). Violin part; 13 p.; 31-36 cm.Note: Copy of manuscript violin part ARCO 52.1, with holographmarkings in ink and pencil throughout.BOX-FOLDER 22/52.4 Sonata for violin and piano.52.4 Ms. Complete violin and piano sketches; 85 p.; 32 cm.Note: Holographs in ink and pencil.Includes ink sketch of violin part, and rough sketches.On microfilm: MUSIC 1906, Item 55.BOX-FOLDER 22/52.5 Sonata for violin and piano. [New York]: Boosey & Hawkes, [1944].52.5 Publisher's proof. Violin part; 13 leaves.c1944 in U.S.A. by Hawkes & Son (London).Plt.: B.S.I. 34-46.Note: Publisher's proofs of violin part with holograph markings inpencil throughout.BOX-FOLDER 22/52a Sonata for violin and piano. New York: Boosey & Hawkes, [1944].52a Score for violin and piano (violin part not included); 33 p.c1944 in U.S.A. by Hawkes & Son (London).Plt.: B.S.I. 34 - 46.Note: Contains holograph markings in pencil.BOX-FOLDER 22/52b Sonata for violin and piano. New York: Boosey & Hawkes, [1944].52b Score for violin and piano, and violin part; 33 + 13 p.c1944 in U.S.A. by Hawkes & Son (London).Plt.: B.S.I. 34 - 46.52-A) Sonata for violin and piano [clarinet & piano]BOX-FOLDER 22/52-A [Sonata for violin and piano] : transcribed for clarinet and piano byTimothy Paradise (1980).52-A Ms. Score for clarinet and piano; 46 leaves; 30.5 cm.c1980Note: Manuscript in pencil by Timothy Paradise.Aaron Copland Collection 84

Music, 1841-1988ContainerContentsThis arrangement copyrighted in 1980 by T. Paradise through theauspices of Hawkes & Son.53) The north star [incidental music]BOX-FOLDER 101-102/53 The north star.53 Ms. Full score divided by sequence titles, in 19 folders; variouspaginations; various sizes.Note: Holographs in pencil.CONTENTS:• "Main title"• "Going to school"• "Night scene - Prt. I"• "Night sequence - Prt. II"• "Death of the little boy"• "Internationale"• "Song of the guerrillas"• "Boris' death"• "Scorched earth"• "In the woods"• "The hospital"• "Marina & Damion"• "Claudia & Damian"• "Damian is blind"• "North star battle"• "The childrens' return"• "Guerrillas return" (M-134)• "Guerrillas return" (M-140)• "Leaving the village"BOX-FOLDER 23/53.1 The north star.53.1 Ms. Original sketches; various paginations; 31.5 - 34 cm.Note: Holographs in pencil.Laid in: Annotated typescript of "Wagon song".BOX-FOLDER 23/53.2 The north star.53.2 Mss. Drafts of conductor scores; various paginations; 31.5 - 34 cm.Note: Holographs in pencil.Laid in: Annotated typescripts of "Song of the fatherland" and"Younger generation".Includes mimeograph lead sheet for "Scorched earth".BOX-FOLDER 24/53.3 The north star.53.3 Mss. Conductor's scores; various paginations; various sizes.Note: Copyist's manuscripts with holograph markings in pencilthroughout; mostly mimeograph and ozalid reproductions.Laid in folder for Reel 7: Holograph sequence notes (in pencil) on 4x 6 inch yellow paper.The pieces included with this item are grouped according tosequence (i.e. the film reel on which they appear.) Contents listincluded with each folder.Aaron Copland Collection 85

Music, 1841-1988ContainerContentsBOX-FOLDER 25/53.4 "Song of the fatherland".53.4 Ms. (ozalid). Piano-vocal score; 3 + 1 p.; 32 cm.Note: Copy of manuscript score.Music by I. Dunayevsky; transcribed by Aaron Copland. Text of V.Lebedev-Kumach; adapted by Ira Gershwin.Laid in: Typescript of "Song of the fatherland".Text by V. Lebedev-Kumach. Text adapted by Ira Gershwin.BOX-FOLDER 25/53.5 "From the Baltic to the Pacific (loading song)" / based on traditionalRussian folk tunes - composer unknown.53.5 Ms. (ozalid). Score for mixed voices (SATB); 2 p.; 32 cm. (2 copies).Note: Copy of copyist's manuscript score.English text. Lyrics by Ira Gershwin.BOX-FOLDER 25/53 mixer The north star.53 mixer Mss. A mixer of annotated scores used in the Samuel Goldwynproduction; various paginations; various sizes.Note: All items in this folder are mimeographs or ozalid copies ofcopyist's manuscripts with holograph markings in ink and pencilthroughout.The term "MIXER" is used by the composer to describe this group ofscores.A list of titles is included with the material.BOX-FOLDER 25/53 misc The north star.53 misc Miscellaneous choral scores of Russian folk songs.53-A) "Younger generation" [song]: from The north starBOX-FOLDER 25/53-A "Younger generation" (song version).53-A Ms. Draft of piano-vocal score; [8] p.; 31.5 cm.Note: Holograph in pencil.English text. Lyrics by Ira Gershwin.Based on traditional Russian melody; composer unknown.BOX-FOLDER 25/53-A.153-A.1BOX-FOLDER 25/53-Aa53-Aa"Younger generation".Ms. (ozalid). Piano-vocal score; 5 p.; 33 cm.Note: Copy of copyist's manuscript score.English text. Lyrics by Ira Gershwin."Younger generation" / from Samuel Goldwyn's production. New York:Boosey & Hawkes, [1944].Score for choral arrangement (SATB), with piano accompaniment;10 p.; 26.5 cm.c1944 by Chappel and Co.Plt.: Oct. 1723-10.English text. Words by Ira Gershwin.BOX-FOLDER 25/53-Ab "Younger generation". New York: Boosey & Hawkes, [1964].53-Ab Piano-vocal score (SA); 8 p.Aaron Copland Collection 86

Music, 1841-1988ContainerContentsc1944 by Chappell and Co.; this arrangement copyright 1964 byChappell and Co.Plt.: Oct. 5506.English text. Words by Ira Gershwin.BOX-FOLDER 25/53-Ac "Younger generation". New York: Boosey & Hawkes, [1964?].53-Ac Choral score (SAB); 11 p.c1944 by Chappell & Co.; this arrangement copyright 1964 byChappell & Co.Plt.: Oct. 5507.English text. Words by Ira Gershwin.53-B) "Song of the guerrillas" [chorus]: from The north starBOX-FOLDER 25/53-B "Song of the guerrillas".53-B Ms. (ozalid). Conductor's choral score (TBB), with orchestralaccompaniment; 7 p.; 33 cm. (2 copies).Note: Copy of copyist's manuscript.English text. Words by Ira Gershwin.BOX-FOLDER 25/53-Ba "Song of the guerrillas". New York: Chappell & Co., [1943].53-BaPiano-vocal score; 5 p.; 30.25 cm. (2 copies).c1943 by Chappell & Co.Plt.: C-1273-4.English text. Words by Ira Gershwin.BOX-FOLDER 25/53-Bb "Song of the guerrillas" / for men's voices, with baritone solo and pianoaccompaniment. New York: Boosey & Hawkes, [1944].53-Bb Score for men's voices (TTBB) with piano accompaniment; 12 p.c1944 by Chappell and Co.Plt.: Oct. 1729-12.English text. Words by Ira Gershwin.BOX-FOLDER 25/53-Bc "Song of the guerrillas" / for men's voices, with baritone solo and pianoaccompaniment. New York: Boosey & Hawkes, [1944].53-Bc Score for men's voices (TTBB) with piano accompaniment; 12 p.c1944 by Chappell and Co.Plt.: Oct. 1729-12.English text. Lyrics by Ira Gershwin.53-C) "No village like mine" [song]: from The north starBOX-FOLDER 25/53-C "No village like mine" / based on a traditional Russian tune - composerunknown.53-C Ms. Draft of piano-vocal score; 8 + 1 p.; 31.5 cm.Note: Holograph in pencil.English text. Lyrics by Ira Gershwin.Laid in: Typescript of "No Village Like Mine".BOX-FOLDER 25/53-Ca "No village like mine". New York: Chappell & Co., [1943].53-CaPiano-vocal score; 5 p.; 30 cm. (2 copies).c1943 by Chappell & Co.Aaron Copland Collection 87

Music, 1841-1988ContainerContentsPlt.: C-1271-4.English text. Words by Ira Gershwin.54) Letter from home [orchestra]BOX-FOLDER 74/54 Letter from home.54 Ms. (pos. photostat). Full score; 38 leaves; 44.5 cm.Note: Photostat copy with holograph markings in pencil and ink.Original version for radio orchestra. This work was written oncommission from Paul Whiteman and the American BroadcastingCompany.BOX-FOLDER 74/54.1 Letter from home.54.1 Ms. (neg. photostat). Full score; 38 leaves; 44.5 cm.Note: Copy of manuscript score; identical to ARCO 54.Laid in, holograph note: "Negatives of full score [original] versionfor radio orchestra."BOX-FOLDER 74/54.2 Letter from home.54.2 Ms. Original pencil sketches; various paginations; 32 cm.Note: Holograph in pencil.BOX-FOLDER 74/54.3 Letter from home : piano reduction of the [original] score.54.3 Ms. (ozalid). Piano score; 8 p.; 39 cm.Note: Copy of manuscript with holograph markings in ink andpencil .At end in ink and pencil: Aug. 13-28, '44 Tepoztlan, Mex.BOX-FOLDER 74/54.4 Letter from home.54.4 Ms. (photocopy). Piano score; 6 leaves; 43.5 cm.Note: Copy of copyist's manuscript score.On title page: "Complete piano score by J.S. Original version forradio orchestra. Commissioned by the American BroadcastingCo."Stamped in red: U of NT [University of Northern Texas] MusicLibrary.55-A) Letter from home [symphony orchestra]BOX-FOLDER 74/54-A Letter from home.54-A Ms. Full score; 39 leaves; 40.5 cm.Note: Holograph in ink on transparent paper.On title page: "Arranged for symphony orchestra from the originalversion for radio orchestra."BOX-FOLDER 74/54-A.154-A.1Letter from home.Ms. (ozalid). Full score; [1] + 38 p.; 41.5 cm.Note: Copy of holograph score ARCO 54-A.On title page: "Original version for radio orchestra. Commissionedby the American Broadcasting Co."Aaron Copland Collection 88

Music, 1841-1988ContainerContentsBOX-FOLDER 74/54-A.254-A.2BOX-FOLDER 74/54-A.354-A.3BOX-FOLDER 74/54-A.454-A.4BOX-FOLDER 26/54-A.554-A.5BOX-FOLDER 26/54-A.654-A.6Letter from home.Ms. (ozalid). Full score; [1] + 38 p.; 42.5 cm. (spiral bound).Note: Copy of holograph score ARCO 54-A, with holograph markingsin ink and pencil .On title page: "Version of 1944 now withdrawn. Arranged forsymphony orchestra from the original version for radio orchestra.Later revised and published for school orchestra (1964)."Letter from home.Ms. (ozalid). Full score; [1] + 38 p.; 42 cm.Note: Copy of holograph score ARCO 54-A.On outside cover: Library #3 SET A.Letter from home.Ms. (ozalid). Full score; [1] + 38 p.; 42 cm.Note: Copy of holograph score ARCO 54-A, with holograph markingsin pencil.On outside cover: Library #3 SET B.On verso of title page in orange pencil: "2nd [original] version forsymphony orch. ... (arranged from original version for radio orch.)Now withdrawn."Letter from home.Mss. Orchestral parts; various paginations; 32 cm.Note: Copyist's manuscripts in ink on transparent paper.Letter from home.Mss. (ozalids). Orchestral parts (SET B); various paginations (Viola7 folder empty); 35 cm.Note: Copies of copyist's manuscripts ARCO 54-A.5, with holographmarkings in pencil.BOX-FOLDER 27/54-A.7 Letter from home.54-A.7 Mss. (ozalids). Orchestral parts (SET A); various paginations; 35.5cm.Note: Copies of copyist's manuscripts ARCO 54-A.5, with holographmarkings in pencil.54-B) Letter from home [reduced orchestra]BOX-FOLDER 75/54-B Letter from home.54-B Ms. Full score (revised for reduced orchestra); [2] + 26 leaves; 38cm.Note: Manuscript in pencil by David Walker.Laid in, handwritten note by David Walker and Copland: "Copland -Letter from home masters of full score 1962/3 - new symph.version (reduced orch.) (score in handwriting of D.W.)."BOX-FOLDER 75/54-B.154-B.1Letter from home.Ms. (ozalid). Full score (revised for reduced orchestra); [2] + 26 p.;38.5 cm. (spiral bound).Note: Copy of manuscript score ARCO 54-B in hand of David Walker.Aaron Copland Collection 89

Music, 1841-1988ContainerContentsBOX-FOLDER 75/54-B.254-B.2BOX-FOLDER 75/54-B.354-B.3Letter from home : piano reduction of the score.Ms. Piano score; 7 leaves; 38.5 cm.Note: Holograph in pencil on transparent paper.At end: Aug. 13-28, 1944 - Tepoztlan, Mexico; revised Dec. 1962 -Rock Hill.Duration: 6 min.Letter from home : piano reduction of the score.Ms. (ozalid). Piano score; 8 p.; 38.5 cm.Note: Copy of holograph score ARCO 54-B.2, with holographmarkings in pencil throughout.At end: Aug. 13-28, 1944.BOX-FOLDER 75/54-Ba Letter from home. London: Boosey & Hawkes, [1964].54-BaScore and parts; 22 p. score + 24 parts (4 copies, Copy 3 and 4, scoreonly; Copy 3 bound).c1964 by Aaron Copland.Plt.: B. & H. 19118 (score).Plt.: B. & H. 19171 (parts).Note: Holograph markings in pencil throughout Copy 1.Laid in Copy 1: Holograph pencil note and typescript of "Mistakes inparts of Letter from Home."Laid in Copy 4: Typescript of "Mistakes in parts of Letter fromHome", with holograph markings in ink and pencil.Duration: Approximately 6 min.55) Appalachian spring : ballet for Martha [ballet]BOX-FOLDER 75/55 Appalachian spring.55 Ms. Full score; 101 leaves; 37.5 cm. (bound).Note: Holograph in ink on transparent paper.On title page: To Elizabeth Sprague Coolidge.At end: Hollywood New York Cambridge, Mass. 1943-44.{Filed with Coolidge Collection, ML 29c .C8 case.}BOX-FOLDER 75/55.1 Appalachian spring.55.1 Ms. (ozalid). Full score; 101 leaves; 38 cm. (bound).Note: Copy of manuscript score ARCO 55, with holograph markingsin ink and colored pencil.On title page: To Elizabeth Sprague Coolidge.At end: Hollywood New York Cambridge, Mass. 1943-44.{Filed with Coolidge Collection, ML 29c .C8 case.}BOX-FOLDER 76/55.2 Appalachian spring : original version for 13 instruments.55.2 Ms. (ozalid). Full score; 101 p.; 38 cm. (spiral bound).Note: Copy of manuscript score ARCO 55, with holograph markingsin ink.On title page: To Elizabeth Sprague Coolidge.At bottom of first page of music: Copyright 1958 by Aaron Coplandand Boosey & Hawkes, Inc.Aaron Copland Collection 90

Music, 1841-1988ContainerContentsAt end: Hollywood - New York - Cambridge, Mass. 1943-44.BOX-FOLDER 76/55.3 Appalachian spring (ballet for Martha) : 13 instrument version / asdanced by Martha Graham's Company.55.3 Ms. (ozalid). Full score; 101 p.; 37 cm. (bound).Note: Copy of manuscript score ARCO 55, with holograph markingsin pencil throughout.Typescript attached to title page recto: Note on Various Versions ofAppalachian Spring.At end: Hollywood - New York - Cambridge, Mass. 1943-44.BOX-FOLDER 76/55.4 Appalachian spring.55.4 Ms. (photocopy). Full score; 101 leaves; 37 cm.Note: Copy of manuscript score ARCO 55.At end: Hollywood - New York - Cambridge, Mass. 1943-44.BOX-FOLDER 76/55.5 Appalachian spring.55.5 Ms. Rough sketches (2 folders); various paginations; various sizes.Note: Holographs in pencil.{Filed with Coolidge Collection, ML 29c .C8 case.}BOX-FOLDER 77/55.6 Appalachian spring.55.6 Ms. (photocopy). Rough sketches; 25 leaves; various sizes.Note: Copy of original holograph rough sketches ARCO 55.5.BOX-FOLDER 76/55 misc Appalachian spring.55 misc Mss. (photocopies). Miscellaneous pages from the ballet score; [27]leaves; various sizes.Note: Holograph markings in ink and pencil throughout.Laid in, handwritten note: Pages from complete ballet score -original version - not used in suite from the ballet.55-A) Appalachian spring [suite]BOX-FOLDER 77/55-A Appalachian spring.55-A Ms. (ozalid). Full score; 131 p; 35 cm. (spiral bound).Note: Copy of holograph score with holograph markings in ink andpencil throughout.BOX-FOLDER 77/55-A.155-A.1BOX-FOLDER 77/55-A.255-A.2Appalachian spring.Ms. Full score (insert); 32 leaves; 38 cm.Note: Holograph in ink and pencil on transparent paper.At head: No. 6 Insert for complete ballet suite (orch. version);(Interpolate at page 78 of printed score).Appalachian spring.Ms. (ozalid). Full score (insert); 32 leaves; 38 cm.Note: Copy of manuscript score ARCO 55-A.1.At head: Insert for complete ballet - full orch. version. (Interpolateat page 78 of printed score).Aaron Copland Collection 91

Music, 1841-1988ContainerContentsBOX-FOLDER 28/55-Aa Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes,[1945].55-Aa Full score; 82 p.c1945 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 9054.Note: Holograph markings in pencil throughout.Duration: Approx. 25 min.BOX-FOLDER 28/55-Ab Appalachian spring : Ballet for Martha. London: Boosey & Hawkes,[1945].55-Ab Full score; 82 p.c1945 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 9054.Inscribed on title page: To Mrs. Elizabeth Coolidge whocommissioned this work with deep gratitude - Aaron Copland Jan.1945.Duration: Approx. 20 min.{Filed with Coolidge Collection, ML 29c .C8 case.}BOX-FOLDER 28/55-Ac Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes,[1945].55-Ac Full score (miniature); 82 p.c1945 in U.S.A. by Hawkes & Son (London).Plt.: B. & H. 9054.Ser. title: Hawkes Pocket Scores, No. 82.Note: Holograph markings in pencil throughout.Duration: Approx. 20 min.BOX-FOLDER 28/55-Ad Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes,[1958].55-Ad Full score (miniature); 82 p.c1945 in U.S.A. by hawkes & Son (London).Plt.: B. & H. 9054.Ser. title: Hawkes Pocket Scores, No. 82.Duration: Approx. 20 min.BOX-FOLDER 28/55-Ae55-AeAppalachian spring : Ballet for Martha. New York: Boosey & Hawkes,[1968].Full Score; 82 p. Duration: Approx. 20 min.c1945 by Aaaron Copland.Plt.: B. & H. 9054.BOX-FOLDER 28/55-Af Appalachian spring. Peking, China: People's Music, 1982.55-Af Full score (miniature); 82 p.c[1945]Note: Front cover and title page information in Mandarin Chinese.Holograph translation in pencil of title on front cover and titlepage.Included with item are two concert programs also in MandarinChinese.Aaron Copland Collection 92

Music, 1841-1988ContainerContents55-B) Appalachian spring [piano work]BOX-FOLDER 28/55-B Appalachian spring.55-B Ms. Piano reduction; 50 leaves (in mylar); 38 cm.Note: Holograph in ink on transparent paper.At end: Cambridge, Mass. June 1944.{Filed with Coolidge Collection, ML 29c .C8 case.}BOX-FOLDER 77/55-B.155-B.1BOX-FOLDER 77/55-B.255-B.2BOX-FOLDER 77/55-B.355-B.3Appalachian spring.Ms. (ozalid). Piano reduction; 50 p.; 38 cm.Note: Copy of manuscript score ARCO 55-B, with holographmarkings in pencil throughout.At end: Cambridge, Mass. June 1944.Appalachian spring : excerpts from the ballet.Ms. (ozalid). Piano reduction (incomplete); [27] leaves; 38 cm.Note: Copy of manuscript score ARCO 55-B, with Holographmarkings in pencil throughout.Appalachian spring.Ms. (photocopy). Piano reduction (incomplete); 48 leaves; 41 cm.Note: Copy of manuscript score ARCO 55-B.55-C) Appalachian spring : version for 13 instruments [suite]BOX-FOLDER 77/55-C Appalachian spring.55-C Ms. (ozalid). Full score for 13 instruments; 22 p.; 38.5 cm.Note: Copyist's manuscript with holograph markings in ink andpencil throughout.At head in Copland's hand: insert for complete ballet (interpolate atrehearsal no. 65 of printed score).BOX-FOLDER 28/55-Ca Appalachian spring (ballet for Martha) : version for 13instruments. London: Boosey & Hawkes, [1972].55-CaFull score; 66 p. (2 copies).c1945, 1958 by Aaron Copland; first publication of original versioncopyright 1972 by Aaron Copland.Plt.: B. & H. 19979.Note: Holograph markings in pencil throughout Copy 1.Duration: Approx. 20 min.BOX-FOLDER 28/55-Cb Appalachian spring (ballet for Martha) : version for 13instruments. London: Boosey & Hawkes, [1972].55-CbFull score (miniature); 66 p. (2 copies).c1945, 1958 by Aaron Copland; first publication of original versioncopyright 1972 by Aaron Copland.Plt.: B. & H. 19979.Ser. title: Hawkes Pocket Scores, No. 876.55-D) Appalachian spring [two pianos]Aaron Copland Collection 93

Music, 1841-1988ContainerContentsBOX-FOLDER 28/55-Da55-DaAppalachian spring : ballet for Martha / arranged for two pianos fourhands by Melissa Postnikoff. S.l.: s.n., [1984].Score for two pianos; 49 p. (spiral bound).c1945; this version copyright 1984 by Melissa Postnikoff.Note: Privately published56) Jubilee variation [orchestra]BOX-FOLDER 28/56 Jubilee variation.56 Ms. (photocopy). Full score; 14 leaves; 34 cm.BOX-FOLDER 28/56.1 Jubilee variation.56.1 Ms. Orchestral sketch; [8] p.; 32 cm.Note: Holograph in pencil.On title page: For the Cincinnati Symphony orchestra.57) Cummington story [incidental music]BOX-FOLDER 29/57 Cummington story.57 Ms. Full score; various paginations (129 leaves); 34.5 cm.Note: Holograph in pencil.Laid in: Typescripts of cue sheets for Reel 1 (2 documents) and Reel2; typescript of "Cummington Story Commentary".All documents contain holograph markings in pencil.BOX-FOLDER 29/57.1 Cummington story.57.1 Ms. Piano reduction (draft); [51] p.; 32 cm.Note: Holograph in pencil.BOX-FOLDER 29/57.2 Cummington story.57.2 Ms. Rough sketches; [13] p.;32 cm.Note: Holograph in pencil.58) Third symphony [orchestra]BOX-FOLDER 29/58 Third symphony.58 Ms. Full score; 255 + 3 leaves; 38 cm.Note: Holograph in ink on transparent paper.On title page: To the memory of my dear friend Natalie Koussevitsky.Commissioned by the Koussevitsky Music Foundation.Laid in: Letter from Gertrude Smith to Dr. Harold Spivacke, Chief ofthe Music Division, dated July 14, 1954 regarding definitive cutmade at the end of Third Symphony: the three additional leavesincluded with this item (insert of pp. 251-253) representCopland's new cut version.{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}BOX-FOLDER 29/58.1 Third symphony.58.1 Ms. (ozalid). Full score; 255 p.; 38 cm. (bound in 2 volumes).Note: Copy of holograph score ARCO 58, without definitive cut;holograph markings in pencil throughout.At end: Sept. 29, 1946.{Filed with Koussevitsky Collection, ML 30 .3e2.C6 case.}Aaron Copland Collection 94

Music, 1841-1988ContainerContentsBOX-FOLDER 30/58.2 Third symphony.58.2 Ms. (ozalid). Full score; 253 p.; 38 cm. (3 volumes, spiral bound).Note: Copy of holograph score ARCO 58, with definitive cut overlaid;markings in pencil and ink throughout.Initialed "L.B." (Leonard Bernstein).BOX-FOLDER 78/58.3 Third symphony.58.3 Ms. (ozalid). Full score; 255 p.; 38 cm. (2 volumes, spiral bound).Note: Copy of holograph score ARCO 58, without definitive cut;holograph markings in pencil throughout.At end: Sept. 29, 1946.BOX-FOLDER 78/58.4 [Third symphony].58.4 Ms. (ozalid). Full score (insert); 3 p. + 3 leaves; 38 cm.Note: Definitive cut made in Third Symphony by Aaron Copland.Includes negative photostat of same.Original holograph insert (pp. 251-253) included with manuscriptfull score ARCO 58.BOX-FOLDER 78/58.5 Third symphony.58.5 Mss. Orchestral sketches; various paginations; various sizes.Note: Holographs in pencil.{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}BOX-FOLDER 78/58.6 Third symphony.58.6 Mss. Sketches; [7] p.; various sizes.Note: Holographs in pencil.BOX-FOLDER 78/58 misc Third symphony.58 misc Mss. Miscellaneous pages from full score; 7 leaves; 30.5-38.5 cm.Note: Holographs in ink and pencil on transparent paper.At head of first leaf: Corrections in Third Symphony by AaronCopland.BOX-FOLDER 78/58a Third symphony. [New York]: Boosey & Hawkes, [1947].58a Full score, with original ending (miniature); 155 p.c1947 by Boosey & Hawkes.Plt.: B. & H. 15966.Ser. title: Hawkes Pocket Scores.Note: Contains holograph markings in pencil.Laid in: Typescript of corrections and cuts in Third Symphony.BOX-FOLDER 30/58b Third symphony. London: Boosey & Hawkes, [1947].58bFull score, with revised ending; 153 p. (bound).c1947 by Boosey & Hawkes.Plt.: B. & H. 15966.Note: Holograph markings in pencil throughout.Aaron Copland Collection 95

Music, 1841-1988ContainerContentsBOX-FOLDER 78/58c Third symphony (revised 1966).58c London: Boosey & Hawkes, [1966]Full score; 153 p.c1947 by Aaron Copland.Plt.: B. & H. 15966.Note: Holograph markings in ink and pencil throughout.58-A) Third symphony [piano sketch]BOX-FOLDER 78/58-A Third symphony.58-A Ms. Piano sketch; 71 leaves; 34 cm.Note: Holograph in ink on transparent paper, with holographmarkings in pencil..BOX-FOLDER 78/58-A.158-A.1BOX-FOLDER 78/58-A.258-A.2Third symphony.Ms. (ozalid). Piano sketch; [76] p. + 7 leaves; 36 cm.Note: Copy of original manuscript piano sketch ARCO 58-A, withholograph markings in ink and pencil.Item includes 6 leaves of holograph revisions in pencil.{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}[Third symphony].Ms. (ozalid). Piano sketch; [71] p.; 36 cm.Note: Copy of original manuscript ARCO 58-A, with holographmarkings in pencil.At end: Finished Sept. 29, '46.BOX-FOLDER 78/58-A misc Third symphony.58-A misc Mss. Miscellaneous pages from open score; 4 leaves; 34 cm.Note: Holographs in ink and pencil.59) In the beginning [chorus]BOX-FOLDER 31/59 In the beginning : for mixed chorus / a cappella / with mezzo-sopranosolo.59 Ms. Score for mixed chorus; 46 leaves; 34.5 cm.Note: Holograph in ink on transparent paper.English text from Genesis Chap. I:1-II:7.At end: April 4, 1947.On microfilm: MUSIC 1906, Item 25.BOX-FOLDER 31/59.1 In the beginning : for mixed chorus / a cappella / with mezzo-sopranosolo.59.1 Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm.Note: This score is a miniaturized reproduction of holograph scoreARCO 59; holograph markings in ink and pencil throughout aswell as markings by others.English text from Genesis I:1-II:7.At end: April 4, 1947.Aaron Copland Collection 96

Music, 1841-1988ContainerContentsBOX-FOLDER 31/59.2 In the beginning : for mixed chorus / a cappella / with mezzo-sopranosolo.59.2 Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm.Note: This score is a miniaturized reproduction of holograph scoreARCO 59.Includes holograph dedication to Nadia Boulanger in ink.On title page: "N.B./de/A,C./Mai '47" in hand of Nadia Boulanger.English text from Genesis I:1-II:7.At end: April 4, 1947.BOX-FOLDER 31/59.3 In the beginning : mixed chorus / a cappella / with mezzo-soprano solo.59.3 Ms. Vocal score; 51 p.; various sizes.Note: Holograph in pencil.Item also includes rough sketches.On microfilm: MUSIC 1906, Item 25.BOX-FOLDER 31/59a In the beginning : for mixed chorus / a cappella / with mezzo-sopranosolo. [New York]: Boosey & Hawkes, [1947].59a Score for mixed chorus; 56 p.c1947 by Boosey & Hawkes.Plt.: In the beginning-55.Note: Holograph markings in pencil throughout.English text from Genesis I:1-II:7.BOX-FOLDER 31/59b59bIn the beginning : for mixed chorus / a cappella / with mezzo-sopranosolo. [New York]: Boosey & Hawkes, n.d.Score for mixed chorus; 56 p. (2 copies).c1947 by Boosey & Hawkes.Plt.: In The Beginning-55.Note: Copy 1 contains holograph markings in pencil throughout.English text from Genesis I:1-II:7.Duration: 17 min.60) Four piano blues : piano blues [piano work]BOX-FOLDER 31/60 Four piano blues.60 Ms. Piano solo; 13 leaves; 34.5 cm.Note: Holograph in ink on transparent paper.At end: 1926 New York.Although completion date for Four Piano Blues is 1948, these fourpieces were actually composed between 1926 and 1948.On microfilm: MUSIC 1906, Item 2A.BOX-FOLDER 31/60.1 Four piano blues.60.1 Ms. (ozalid). Piano solo; 13 p.; 34.5 cm.Note: Copy of holograph score ARCO 60, with holograph markingsin ink and pencil.BOX-FOLDER 31/60.2 "Blues 1".60.2 Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.Note: Copy of holograph score ARCO 60.Aaron Copland Collection 97

Music, 1841-1988ContainerContentsAt end: Apr. 9, '47 Boston.BOX-FOLDER 31/60.3 "Blues 1".60.3 Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.Note: Copy of holograph score ARCO 60.At end: Apr. 9, '47 Boston.BOX-FOLDER 31/60.4 Four piano blues.60.4 Ms. Sketch for piano solo; 19 p.; various sizes.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item, 2A.BOX-FOLDER 31/60a Four piano blues. [New York]: Boosey & Hawkes, [1957].60a Piano solo; 15 p.c1949 in U.S.A. by Boosey & Hawkes.Note: Holograph markings in pencil throughout.BOX-FOLDER 31/60b "Three piano blues". [New York]: Boosey & Hawkes, [1949].60b Piano solo; 15 p.c1949 in U.S.A. by Boosey & Hawkes.Note: Contains holograph markings in pencil.On front cover: "Incorrect copy -- withdrawn because of [errors on]cover."BOX-FOLDER 31/60c Four piano blues. [New York]: Boosey & Hawkes, [1957].60c Publisher's proof. Piano solo; 6 p.c1949 in U.S.A. by Boosey & Hawkes.On front cover: "Mixed-up copy."Includes 8 pages from Quiet City score.60-A) Four piano blues [chamber orchestra]BOX-FOLDER 31/60-A Four piano blues.60-A Ms. Score for chamber orchestra (incomplete draft); 37 p.; 36 cm.Note: Holograph in pencil.On page 11: "Orchestrated in 1978."CONTENTS:• "1st blues"• "2nd blues" (near complete)• "3rd blues" (incomplete)"4 th blues" not included.BOX-FOLDER 31/60-A misc Four piano blues.60-A misc Mss. (photocopy). Miscellaneous pages from score for chamberorchestra; 4 leaves.61) The heiress [incidental music]BOX-FOLDER 79/61 The heiress.61 Ms. Condensed score; 207 leaves; 36.5 cm. (bound).Note: Holograph in pencil of the motion picture score.Typescript of scenario precedes each musical setting.Aaron Copland Collection 98

Music, 1841-1988ContainerContentsThis volume presented to the Library of Congress by ParamountPictures Corporation, Hollywood, California on March 15, 1950.BOX-FOLDER 79/61.1 The heiress.61.1 Ms. (photostat). Conductor score; various paginations; 30.5 cm.(bound).Note: Copy of copyist's manuscript; orchestration by Van Cleave.Music composed for the Paramount motion picture, The Heiress.BOX-FOLDER 32/61.2 The heiress.61.2 Ms. (photostat). Conductor score; various paginations; 30 cm. (intwo folders).Note: Copy of copyist's manuscript; orchestration by Van Cleavewith holograph markings in pencil.Composed for the Paramount Corporation motion picture, TheHeiress.BOX-FOLDER 32/61.3 The heiress.61.3 Ms. Sketches; 3 leaves; 34.5 cm.Note: Holograph in pencil.61-A) The heiress [suite]BOX-FOLDER 32/61-A The heiress : suite / reconstructed by Arnold Freed (1990).61-A Ms. (photocopy). Full score; 51 p.; 38 cm. (spiral bound).Note: Copy of copyist's manuscript.On verso of title page: As commissioned by Peter Bay and theRochester Philharmonic Orchestra in commemoration of thecomposer's ninetieth birthday, November 14, 1990.Duration: 9:00.62) Concerto for clarinet [chamber work]BOX-FOLDER 80/62 Concerto for clarinet (for Benny Goodman) : and string orchestra /with harp and piano.62 Ms. Full score; 91 leaves; various sizes.Note: Holograph in ink on transparent paper.At end: Snedens Landing Oct. 21, 1948.On microfilm: MUSIC 1906, Item 9.BOX-FOLDER 80/62.1 Concerto for clarinet (for Benny Goodman) : and string orchestra /with harp and piano.62.1 Ms. (ozalid). Full score; 91 p.; 38 cm. (spiral bound).Note: Copy of holograph score ARCO 62, with markings in coloredink.At end: Snedens Landing Oct. 21, 1948.BOX-FOLDER 80/62.2 Concerto for clarinet.62.2 Ms. Sketches; 59 leaves; various sizes.Note: Holographs in pencil and ink.On microfilm: MUSIC 1906, Item 8.Aaron Copland Collection 99

Music, 1841-1988ContainerContentsBOX-FOLDER 80/62a Concerto for clarinet : and string orchestra / with harp andpiano. London: Boosey & Hawkes, [1952].62a Full score; 42 p.c1952 by Aaron Copland.Plt.: B. & H. 17942.Note: Holograph markings in ink and pencil throughout.Duration: 17 1/2 min.BOX-FOLDER 80/62b62bConcerto for clarinet : and string orchestra / with harp andpiano. London: Boosey & Hawkes, [1952].Full score (miniature); 42 p. (2 copies).c1952 by Aaron Copland.Plt.: B. & H. 17942.Ser. title: Hawkes Pocket Scores, No. 831.Duration: 17 1/2 min.62-A) Concerto for clarinet [clarinet & piano]BOX-FOLDER 80/62-A Concerto for clarinet : and string orchestra / with harp and piano /arranged for clarinet and piano by the composer.62-A Ms. Score for clarinet and piano, and clarinet part; 37 + 13 + 3leaves; 34.5 cm.Note: Holograph in ink with pencil markings on transparent paper.On microfilm: MUSIC 1906, Item 10.BOX-FOLDER 80/62-A.1 Concerto for clarinet : and string orchestra / with harp and piano ;arranged for clarinet and piano by the composer.62-A.1 Ms. (ozalid). Score for clarinet and piano, and clarinet part; 36 + 13p.; 34.5 cm.Note: Copy of holograph score ARCO 62-A, with markings in pencil.BOX-FOLDER 80/62-A.2 Concerto for clarinet : and string orchestra / with harp and piano /arranged for clarinet and piano.62-A.2Ms. (ozalid). Score for clarinet and piano; 36 p.; 34.5 cm.Note: Copy of holograph score ARCO 62-A, with holograph markingsin pencil.BOX-FOLDER 80/62-Aa Concerto for clarinet : and string orchestra / with harp and piano /reduction for clarinet and piano. [New York]: Boosey & Hawkes,[1950].62-Aa Score for clarinet and piano, and clarinet part; 27 + 11 p.c1950 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. 16656.BOX-FOLDER 80/62-Ab Concerto for clarinet : and string orchestra / with harp and piano /reduction for clarinet and piano. [New York]: Boosey & Hawkes,[1970].62-Ab Score for clarinet and piano, and 2 clarinet parts; 27 + 11 p.c1950 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. 16656.63) The red pony [incidental music]Aaron Copland Collection 100

Music, 1841-1988ContainerContentsBOX-FOLDER 114-115/63 The red pony.63 Ms. Full score (in 11 folders); various paginations; various sizes.Note: Manuscript in pencil orchestrated by Nathan G. Scott and DaleButts.Includes folder of holograph miscellaneous notes in pencil, and apamphlet binder containing typescript (with holograph markingsin pencil) of the Shooting Script for the film.BOX-FOLDER 33/63.1 The red pony : original manuscript.63.1 Ms. Open score; 171 p.; 33 cm.Note: Holograph in pencil.On accompanying folder: Original manuscript - January 29-March26, 1948.On microfilm: MUSIC 1906, Item 44.BOX-FOLDER 81/63.2 The red pony.63.2 Ms. (ozalid). Conductor score; various paginations; 31.5 cm.(bound).Note: Copyist's manuscript with holograph markings in pencilthroughout.BOX-FOLDER 81/63.3 The red pony.63.3 Mss. (ozalid). Conductor scores; various paginations; 30.5 cm. (2sets).Note: Copyist's manuscripts, both sets contain holograph markingsin pencil throughout.These sets are identical to ARCO 63.1, except for differing holographmarkings.BOX-FOLDER 82/63.4 The red pony.63.4 Mss. (ozalids). Conductor scores (extra copies); various paginations;30.5 cm.Note: Copyist's manuscripts with holograph markings in pencil.Identical to ARCO 63.1, except for differing holograph markings.BOX-FOLDER 82/63.5 The red pony.63.5 Ms. Sketches; 4 leaves; 34.5 cm.Note: Holograph in pencil.63-A) The red pony [suite]BOX-FOLDER 83/63-A The red pony.63-A Ms. Full score; 161 leaves; 34.5 cm.Note: Holograph in ink on transparent paper.Missing leaves: 147-151, 153-155.Includes folder of holograph miscellaneous notes in pencil.On microfilm: MUSIC 1906, Item 45.BOX-FOLDER 83/63-A.163-A.1The red pony.Ms. (ozalid). Full score; 161 p.; 39 cm. (spiral bound).Note: Copy of holograph orchestral score ARCO 63-A, withholograph markings in pencil.Aaron Copland Collection 101

Music, 1841-1988ContainerContentsBOX-FOLDER 115/63-A.263-A.2BOX-FOLDER 83/63-A.363-A.3BOX-FOLDER 34/63-Aa63-AaThe red pony.Ms. Full score; 85 leaves; 50 cm.Note: Manuscript in pencil by David Walker.The red pony : children's suite.Ms. (photocopy). Full score; 71 leaves; 35.5 cm.The red pony : film suite for orchestra. New York: Boosey & Hawkes,[1951].Full score; 119 p. (3 copies).c1951 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. 16898.Note: All copies contain holograph markings in pencil throughout.Copy 1 bound.On front cover of Copy 2: With band indications.On front cover of Copy 3: Copy with incorrect binding.Duration: Approx. 21 min.BOX-FOLDER 34/63-Ab The red pony : film suite for orchestra. London: Boosey & Hawkes,[1954].63-Ab Full score (miniature); 119 p.c1951 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. 16898.Ser. title: Hawkes Pocket Scores, No. 670.Duration: Approx. 21 min.BOX-FOLDER 34/63-Ac The red pony : film suite for orchestra. London: Boosey & Hawkes,[1964].63-Ac Full score; 119 p.c1951 by Aaron Copland.Plt.: B. & H. 16898.Note: Holograph markings in pencil throughout.Duration: Approx. 21 min.BOX-FOLDER 34/63-Ca63-CaThe red pony : film suite for band. New York: Boosey & Hawkes,[1969].Full score; 88 p. (2 copies).c1951; this arrangement copyright 1969 by Aaron Copland.Plt.: Q.M.B. 357.Ser. title: Symphonic Band Series, No. 357.Note: Holograph markings in pencil throughout Copy 1.64) Preamble (for a solemn occasion) ; Hymn for the UnitedNations (original title) [orchestra]BOX-FOLDER 103/64 [Preamble (for a solemn occasion)].64 Ms. Full score; 22 leaves; 38.5 cm.Note: Holograph in ink on transparent paper.At end: Aug. 16-Sept. 5, '49, Snedens Landing.On microfilm: MUSIC 1906, Item 91.Aaron Copland Collection 102

Music, 1841-1988ContainerContentsBOX-FOLDER 103/64.1 Preamble : for a solemn occasion / for orchestra with speaking voice.64.1 Ms. (ozalid). Full score; 22 p.; 38.5 cm. (spiral bound).Note: Copy of holograph score ARCO 64, with holograph markingsin pencil.Text from the Preamble to the United Nations Charter.Commissioned by the National Broadcasting Company for theUnited Nations.At end: Aug. 16-Sept. 5,'49 Snedens Landing.BOX-FOLDER 103/64.2 Preamble / for orchestra and speaking voice.64.2 Ms. Piano reduction; 6 leaves; 34.5 cm.Note: Holograph in ink on transparent paper.Piano reduction by the composer.Duration: 5:42.At end: Aug. 16-Sept. 5, '49.BOX-FOLDER 103/64.3 Preamble (for a solemn occasion).64.3 Ms. Sketches; 20 p.; various sizes.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 91.BOX-FOLDER 103/64.4 "Preamble to the United Nations".64.4 Mss. String parts; 34 cm.Note: Copyist's manuscripts in ink on transparent paper.BOX-FOLDER 103/64.5 "Preamble (for the United Nations)" / for orchestra and speaking voice.64.5 Ms. (photocopy). Full score; [21] leaves; 36 cm.Note: Text from the Preamble to the United Nations Charter;Commissioned by the National Broadcasting Co.Item includes five measures of transcriptions of Copland's Sextetand The Heiress.Stamped in red: U of NT [University of Northern Texas] MusicLibrary.BOX-FOLDER 103/64a Preamble : for a solemn occasion. London: Boosey & Hawkes, [1953].64aFull score; 15 p. (2 copies).c1953 by Boosey & Hawkes.Plt.: B. & H. 17289.Note: Both copies contain holograph markings in pencil throughout.Duration: Approx. 6 min.64-A) Preamble (for a solemn occasion) ; Hymn for the UnitedNations (original title) [organ]BOX-FOLDER 103/64-A Preamble (for a solemn occasion).64-A Ms. Score for organ; 7 leaves; 33.5 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 91.Aaron Copland Collection 103

Music, 1841-1988ContainerContentsBOX-FOLDER 103/64-Aa Preamble (for a solemn occasion) / for pipe or Hammond organ. NewYork: Boosey & Hawkes, [1955].64-Aa Organ score; 6 p.c1955 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. 18033.Duration: Approx. 6 min.64-B) Preamble (for a solemn occasion) ; Hymn for the UnitedNations (original title) [symphonic band]BOX-FOLDER 103/64-B Preamble : for a solemn occasion / arranged for symphonic band bythe composer.64-B Ms. Full score; 15 leaves; 50 cm.Note: Holograph in pencil.BOX-FOLDER 103/64-Ba64-BaPreamble : for a solemn occasion. New York: Boosey & Hawkes,[1974].Full score; 16 p. (3 copies).c1953; arrangement for symphonic band 1974.Plt.: Q.M.B. 387.Duration: Approx. 6 min.65) Old American songs, first set : arranged by Aaron CoplandBOX-FOLDER 103/65 Old American songs, first set : arranged by Aaron Copland.65 Ms. Piano-vocal score; 21 leaves; 35.5 cm.Note: Holograph in ink on transparent paper with holographmarkings in pencil.English text.At end: 1945.CONTENTS:• 1) "The boatman's song"• 2) "The dodger"• 3) "Long time ago"• 4) "Simple gifts"• 5) "I bought me a cat"On microfilm: MUSIC 1906, Item 89.BOX-FOLDER 103/65.1 Old American songs, first set : adapted by Aaron Copland.65.1 Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm.Note: Contains holograph and other markings in pencil .English text.CONTENTS:• 1) "The boatman's song"• 2) "The dodger"• 3) "Long time ago"• 4) "Simple gifts"• 5) "I bought me a cat"BOX-FOLDER 103/65.2 Old American songs, first set : for voice and orchestra / adapted byAaron Copland.65.2 Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm. (spiralbound).Aaron Copland Collection 104

Music, 1841-1988ContainerContentsNote: Contains some holograph markings in ink and pencilthroughout.BOX-FOLDER 103/65.3 Old American songs, first set : arranged by Aaron Copland.65.3 Ms. Piano-vocal sketch (incomplete); 22 p.; 32 cm.Note: Holograph in pencil.English text.Laid in: List of 50 Old American Songs, original versions of "Deboatman's dance" and "On the lake where drooped the willow"with historical notes about each piece.On microfilm: MUSIC 1906, Item 89.BOX-FOLDER 103/65.4 No. 4, "Simple gifts" : No. 5, "I bought me a cat" / arranged by AaronCopland / transcribed for voice and guitar by Gregg Nestor (1950;this arr. 1984). S.l.: Boosey & Hawkes, [1984].65.4 Publisher's proofs (photocopies). Score for voice and guitar; 3 p. (pp.33-35) + 6 p. (pp. 24-29).c1950 by Aaron Copland; this arrangement copyright 1984 byCopland.BOX-FOLDER 103/65a Old American songs (newly arranged) : first set / by AaronCopland. New York: Boosey & Hawkes, [1950].65a Piano-vocal score; 24 p.c1950 in U.S.A. by Boosey & Hawkes.Plt.: U.S. Bk. 229.English text.CONTENTS:• 1) "The boatman's dance"• 2) "The dodger"• 3) "Long time ago"• 4) "Simple gifts" (Shaker song)• 5) "I bought me a cat"BOX-FOLDER 103/65d65dBOX-FOLDER 103/65e65eOld American songs : first and second sets / adapted and arranged byAaron Copland (1950-52) [selections]. London: Boosey & Hawkes,[1962].Full orchestral score (miniature); 81 p. Ser. title: Hawkes PocketScores, No. 830.c1950-54 by Aaron Copland; orchestral version copyright 1962 byAaron Copland.Plt.: B. & H. 18857.English text.Total duration of First and Second Sets: Approx. 25 min.Twelve folk song arrangements by Benjamin Britten, Matyas Seiber,Aaron Copland / transcribed for voice and guitar by Gregg Nestro[selections]. London: Boosey & Hawkes, [1984].Score for voice and guitar; 41 p. (2 copies).c1950-54 by Aaron Copland; this arrangement copyright 1984 byAaron Copland.English text.Aaron Copland Collection 105

Music, 1841-1988ContainerContentsWorks attributed to Aaron Copland include:• "I bought me a cat"• "At the river"• "Simple gifts"• "Ching-a-ring chaw"65-A) No. 1, "The boatman's dance": from Old American songs,first setBOX-FOLDER 103/65-A "The boatman's dance" [treble instrument & piano].65-A Ms. Score for violin and piano; [4] p. (pp. 4-7); 30 cm.Note: Manuscript in ink, hand unknown.BOX-FOLDER 103/65-Aa "The boatman's dance" / adapted by Aaron Copland / transcribed forbaritone solo and four part men's chorus by Irving Fine[chorus]. New York: Boosey & Hawkes, [1952].65-Aa Choral score (TTBB) with piano accompaniment; 8 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1952 byBoosey & Hawkes.Plt.: B. & H. 17111.English text.Adapted from the minstrel song, "The boatman's dance", by DavidD. Emmett (1843).BOX-FOLDER 103/65-Ab "The boatman's dance" / adapted by Aaron Copland ; transcribed forbaritone solo and mixed chorus by Irving Fine [chorus]. New York:Boosey & Hawkes, [1952].65-Ab Choral score (SATB) with piano accompaniment; 8 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1952 byBoosey & Hawkes.Plt.: B. & H. 17112.Note: Holograph markings in ink, pencil and crayon throughout.English text.Adapted from the minstrel song, "The boatman's dance", by DavidD. Emmett (1843).BOX-FOLDER 103/65-Ac "The boatman's dance" / arranged by Aaron Copland ; transcribed forbaritone solo and mixed chorus by Irving Fine [chorus]. London:Boosey & Hawkes, [1952].65-Ac Choral score (SATB) with piano accompaniment; 8 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1952 byAaron Copland.Plt.: B. & H. 17112.Ser. title: Boosey's Modern Festival Series, No. 493.Note: Contains holograph markings in pencil.English text.Adapted from the minstrel song, "The boatman's dance", by DavidD. Emmett (1943).65-B) No. 2, "The dodger": from Old American songs, first setAaron Copland Collection 106

Music, 1841-1988ContainerContentsBOX-FOLDER 103/65-Ba Old American songs : No. 2, "The dodger" / adapted by Aaron Copland /transcribed for baritone solo and four part men's chorus by IrvingFine [chorus]. New York: Boosey & Hawkes, [1952].65-Ba Choral score (TTBB) with piano accompaniment; 8 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1952 byBoosey & Hawkes.Plt.: B. & H. 17113.Note: Holograph markings in ink, pencil, and crayon throughout.English text.65-C) No. 3, "Long time ago": from Old American songs, first setBOX-FOLDER 103/65-Ca "Long time ago" / adapted by Aaron Copland / transcribed for chorusby Irving Fine [chorus]. New York: Boosey & Hawkes, [1952].65-Ca Choral score (SATB) with piano accompaniment; 7 p.c1950 by Boosey & Hawkes; choral adaptation 1952 by Boosey &Hawkes.Plt.: B. & H. 17114.Note: Holograph markings in ink, pencil, and crayon throughout.English text.BOX-FOLDER 103/65-Cb "Long time ago" / arranged by Aaron Copland [song]. New York:Boosey & Hawkes, [1958].65-Cb Piano-vocal score; 4 p.c1950 in U.S.A. by Boosey & Hawkes; separate edition, 1958.Plt.: S. 2585.English text.BOX-FOLDER 103/65-Cc "Long time ago" / arranged by Aaron Copland / choral adaptation byKen Straker [chorus]. London: Boosey & Hawkes, [1960].65-Cc Choral score (SSA) with piano accompaniment; 7 p.c1950 by Boosey & Hawkes; this arrangement copyright 1960 byBoosey & Hawkes.Plt.: B. & H. 18751.Ser. title: Boosey & Hawkes and Winthrop Rogers Editions, M.F.S.No. 704.English text.65-D) No. 4, "Simple gifts" (Shaker song): from Old Americansongs, first setBOX-FOLDER 103/65-Da "Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribedfor chorus by Irving Fine [chorus]. New York: Boosey & Hawkes,[1952].65-Da Choral score (SA or TB) with piano accompaniment; 4 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1952 byBoosey & Hawkes.Plt.: B. & H. 17115.Note: Holograph markings in ink, pencil, and crayon throughout.English text.Aaron Copland Collection 107

Music, 1841-1988ContainerContentsBOX-FOLDER 103/65-Db "Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribedfor chorus by Irving Fine [chorus]. New York: Boosey & Hawkes,[1952].65-Db Choral score (SA or TB) with piano accompaniment; 4 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1952 byBoosey & Hawkes.Plt.: B. & H. 17115.English text.BOX-FOLDER 103/65-Dc "Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribedfor chorus by Irving Fine [chorus]. London: Boosey & Hawkes,[1952].65-Dc Choral score (SA or TB) with piano accompaniment; 4 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1952 byAaron Copland.Plt.: B. & H. 17115.Ser. title: Boosey's Modern Festival Series, No. 165.English text.BOX-FOLDER 103/65-Dd "Simple gifts" (Shaker song) / arranged by Aaron Copland [song]. NewYork: Boosey & Hawkes, [1958].65-Dd Piano-vocal score; 3 p.c1950 in U.S.A. by Boosey & Hawkes; separate edition, 1958.Plt.: S. 2584.English text.65-E) No. 5, "I bought me a cat" (children's song): from OldAmerican songs, first setBOX-FOLDER 103/65-Ea No. 5, "I bought me a cat" (children's song) / adapted by AaronCopland / transcribed for tenor and soprano solo and mixed chorusby Irving Fine [chorus]. New York: Boosey & Hawkes, [1952].65-Ea Choral score (SATB) with piano accompaniment; 14 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1952 byBoosey & Hawkes.Plt.: B. & H. 17117.Note: Holograph markings in ink, pencil, and crayon throughout.BOX-FOLDER 103/65-Eb No. 5, "I bought me a cat" (children's song) / adapted by AaronCopland / transcribed for three part men's chorus and solos by IrvingFine [chorus]. New York: Boosey & Hawkes, [1952].65-Eb Choral score (TBB) with piano accompaniment; 16 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1952 byBoosey & Hawkes.Plt.: B. & H. 17116.English text.BOX-FOLDER 103/65-Ec No. 5, "I bought me a cat" (children's song) / arranged by AaronCopland [song]. New York: Boosey & Hawkes, [1958].65-Ec Piano-vocal score; 8 p.c1950 in U.S.A. by Boosey & Hawkes; separate edition, 1958.Plt.: S. 2583.Aaron Copland Collection 108

Music, 1841-1988ContainerContentsEnglish text.BOX-FOLDER 103/65-Ed No. 5, "I bought me a cat" (children's song) / arranged by AaronCopland / choral adaptation by Ken Straker [chorus]. London: Boosey& Hawkes, [1959].65-Ed Choral score (SSA); 10 p.c1950 by Boosey & Hawkes; choral adaptation copyright 1959 byBoosey & Hawkes.Plt.: B. & H. 18545.Ser. title: Winthrop Rogers Festival Series.English text.66) Twelve poems of Emily Dickinson [songs]BOX-FOLDER 84/66 Twelve poems of Emily Dickinson : set to music by Aaron Copland.66 Ms. Piano-vocal score; 51 leaves; 34.5 cm.Note: Holograph in ink on transparent paper.English text.At end: April 10, 1949.CONTENTS:• 1) "Nature, the gentlest mother"• 2) "There came a wind like a bugle"• 3) "Why do they shut me out of heaven?"• 4) "The world feels dusty"• 5) "Heart, we will forget him"• 6) "Dear March, come in!"• 7) "Sleep is supposed to be"• 8) "When they come back"• 9) "I felt a funeral in my brain"• 10) "I've heard an organ talk sometimes"• 11) "Going to heaven!"• 12) "The chariot"On microfilm: MUSIC 1906, Item 38.BOX-FOLDER 84/66.1 Twelve poems of Emily Dickinson : set to music by Aaron Copland.66.1 Ms. (ozalid). Piano-vocal score; 51 p.; 35 cm. (spiral bound).Note: Copy of holograph score ARCO 66, with holograph markingsin ink and pencil.English text.At end: April 10, 1949.BOX-FOLDER 84/66.2 Twelve poems of Emily Dickinson : set to music by Aaron Copland.66.2 Ms. (ozalid). Piano-vocal scores; 51 p.; 36.5 cm.Note: Copy of holograph score ARCO 66 (nos. 1-12), with holographand other markings in ink and pencil throughout.English text.At end: April 10, 1949.BOX-FOLDER 84/66.3 Twelve poems of Emily Dickinson : set to music by Aaron Copland.66.3 Ms. Piano-vocal sketches; 144 p.; various sizes.Note: Holograph in pencil.English text.Aaron Copland Collection 109

Music, 1841-1988ContainerContentsOn microfilm: MUSIC 1906, Item 38.BOX-FOLDER 84/66.4 No. 3, "Why do they shut me out of heaven?" / set to music by AaronCopland.66.4 Ms. (ozalid). Piano-vocal score; 3 leaves; 35.5 cm.Note: Copy of holograph score ARCO 66, No. 3.English text.At end: Sept. 27, '49.BOX-FOLDER 84/66.5 No. 3, "Why do they shut me out of heaven?" / set to music by AaronCopland.66.5 Ms. (ozalid). Piano-vocal score; 3 p.; 36 cm.English text.At end: Sept. 27, '49.BOX-FOLDER 84/66.6 No. 4, "The world feels dusty" / set to music by Aaron Copland.66.6 Ms. Piano-vocal score; 2 leaves; 34 cm.Note: Holograph in ink on transparent paper.English text.At end: March 28, '49.BOX-FOLDER 84/66.7 No. 4, "The world feels dusty" / set to music by Aaron Copland.66.7 Ms. Piano-vocal score; 2 p.; 38 cm.Note: Holograph in ink, text in typescript.English text.Duration: 1 min. 45 secs.BOX-FOLDER 84/66.8 No. 7, "Sleep is supposed to be" / set to music by Aaron Copland.66.8 Ms. Piano-vocal score; 4 p.; 31.5 cm.Note: Holograph in ink.English text.BOX-FOLDER 84/66.9 No. 10, "I've heard an organ talk sometimes" / set to music by AaronCopland.66.9 Ms. Piano-vocal score; 3 leaves; 35.5 cm.Note: Holograph in ink on transparent paper.English text.At end: Oct. 11, 1949.BOX-FOLDER 84/66.10 No. 10, ["I've heard an organ talk sometimes"].66.10 Ms. Organ score; 4 p.; 34.5 cm.Note: Holograph in pencil.At head: Piece for viola and organ (based on material from Dickinsonsong X - A.C. 1959).At bottom of page 1: (Possible arr. For viola & piano.)BOX-FOLDER 84/66.11 No. 10, "I've heard an organ talk sometimes" / set to music by AaronCopland.66.11 Ms. (ozalid). Piano-vocal score; [2] p. (pp. 38-39); 35 cm.Aaron Copland Collection 110

Music, 1841-1988ContainerContentsNote: Copy of holograph score ARCO 66, No. 10, with holograph andother markings in regular and red pencil.English text.At head: Alberto Ginastera.At end: Oct. 11, 1949.BOX-FOLDER 84/66.12 [No. 10, "I've heard an organ talk sometimes"].66.12 Ms. Score (sketch) for violin and organ (or piano); 16 p.; 34.5 cm.Note: Holograph in ink and pencil.At head: I've heard an organ talk sometimes in a cathedral aisle.Sketch in pencil of violin part in hand of David Walker.BOX-FOLDER 84/66.13 No. 11, "Going to heaven!" / set to music by Aaron Copland.66.13 Ms. (ozalid). Piano-vocal score; [7] p. (pp. 40-46); 35.5 cm.Note: Copy of holograph score ARCO 66, No. 11, with holographmarkings in ink and pencil and other markings in pencil.English text.At head: To Lukas Foss.At end: Jan. 13, '50.BOX-FOLDER 84/66.14 No. 12, "The chariot" / set to music by Aaron Copland.66.14 Ms. Piano-vocal score; 3 p.; 38 cm.Note: Holograph in ink, text in typescript.English text.BOX-FOLDER 84/66.15 "(Nine) poems of Emily Dickinson : set to music by A.C."66.15 Ms. Sketches, 145 p.; 32 cm.Note: Holograph in pencil.Laid in: Typescript of "Nature, the gentlest mother" and "I felt afuneral in my brain", with holographic annotations in pencil;stamped page 137..On microfilm: MUSIC 1906, Item 39.BOX-FOLDER 84/66 misc Twelve poems of Emily Dickinson.66 misc Miscellaneous typescripts and holograph sketch notes relating tothe work; 7 leavesBOX-FOLDER 84/66a Twelve poems of Emily Dickinson : set to music by AaronCopland. London: Boosey & Hawkes, [1951].66a Piano-vocal score; 45 p.c1951 by Boosey & Hawkes.Plt.: B. & H. 17865.Note: Holograph markings in pencil throughout.English text.Duration: Approx. 27 min. 33 sec.CONTENTS:• 1) "Nature, the gentlest mother"• 2) "There came a wind like a bugle"• 3) "Why do they shut me out of heaven?"• 4) "The world feels dusty"• 5) "Heart, we will forget him"Aaron Copland Collection 111

Music, 1841-1988ContainerContents• 6) "Dear March, come in!"• 7) "Sleep is supposed to be"• 8) "When they come back"• 9) "I felt a funeral in my brain"• 10) "I've heard an organ talk sometimes"• 11) "Going to heaven!"• 12) "The chariot"BOX-FOLDER 84/66b [No. 5], "Heart, we will forget him" / set to music by AaronCopland. London: Boosey & Hawkes, [1952].66b Piano-vocal score; 3 p.c1951 by Boosey & Hawkes.Plt.: B. & H. 17865.English text.Duration: 2 min., 10 sec.BOX-FOLDER 84/66b [No. 6], "Dear March, come in!" / set to music by AaronCopland. London: Boosey & Hawkes, [1952].66b Piano-vocal score; 7 p.c1951 by Boosey & Hawkes.Plt.: B. & H. 17865.English text.Duration: 2 min., 15 sec.BOX-FOLDER 84/66b [No. 10], "I've heard an organ talk sometimes" / set to music by AaronCopland. London: Boosey & Hawkes, [1952].66b Piano-vocal score; 3 p.c1951 by Boosey & Hawkes.Plt.: B. & H. 17865.English text.Duration: 1 min., 50 sec.BOX-FOLDER 84/66b [No. 11], "Going to heaven!" / set to music by Aaron Copland. London:Boosey & Hawkes, [1952].66b Piano-vocal score; 7 p.c1951 by Boosey & Hawkes.Plt.: B. & H. 17865.English text.Duration: 2 min., 40 sec.BOX-FOLDER 84/66c Twelve poems of Emily Dickinson : set to music by AaronCopland. New York: Boosey & Hawkes, [1960].66c Piano-vocal score; 45 p.c1951 by Aaron Copland.Plt.: B. & H. 17865.Note: Contains some holograph markings in pencil.English text.Duration: Approx. 27 min., 33 sec.The actual publication date of this edition is unknown.66-A) Twelve poems of Emily Dickinson [voice & orchestra]Aaron Copland Collection 112

Music, 1841-1988ContainerContentsBOX-FOLDER 84/66-A Twelve poems of Emily Dickinson : set to music by Aaron Copland[voice & orchestra] (1950; orchestrated 1965).66-A Ms. Full score (incomplete); 16 leaves; 38.5 cm.Note: Copy of holograph in ink.English text.67) Quartet for piano and strings [chamber work]BOX-FOLDER 84/67 Quartet for piano and strings.67 Ms. Score for piano and strings; 43 leaves; 34 cm.Note: Holograph in ink on transparent paper.At end: Oct. 20, 1950 Snedens Landing, N.Y.{Filed with Coolidge Collection, ML 29c .C8 case.}BOX-FOLDER 35/67.1 Quartet for piano and strings.67.1 Ms. (ozalid). Score for piano and strings, and string parts (violin,viola, violoncello); 43 + 10 + 10 + 10 p; 35 cm. (4 bound volumes).Note: Piano score is copy of holograph score ARCO 67; each volumecontains holograph markings in pencil.At end: Oct. 20, 1950 Snedens Landings, N.Y.See ARCO 43.6 for row.BOX-FOLDER 35/67.2 Quartet for piano and strings.67.2 Ms. Piano sketches (rough sketches and first draft); variouspaginations; various sizes.Note: Holograph in pencil.{Filed with Coolidge Collection, ML 29c .C8 case.}BOX-FOLDER 35/67.3 Quartet for piano and strings.67.3 Ms. (photocopy). Score for piano and strings; 26 leaves; 36 cm.Stamped in red: U of NT [University of Northern Texas] MusicLibrary.BOX-FOLDER 35/67 misc Quartet for piano and strings.67 misc Ms. Miscellaneous pages from piano score; 4 leaves; 34.5 cm.Note: Holograph in ink with markings in pencil.BOX-FOLDER 35/67a Quartet for piano and strings. London: Boosey & Hawkes, [1952].67aScore for piano and strings; 6 p. (2 copies, Copy 1 bound andincludes string parts).c1952 by Boosey & Hawkes.Plt.: B. & H. 17983.At end: Oct. 20, 1950 Sneden's Landing.Duration: 21 min.BOX-FOLDER 35/67b Quartet for piano and strings. New York: Boosey & Hawkes, [1957].67b Score for piano and strings; 36 p.c1952 by Boosey & Hawkes.Plt.: B. & H. 17983.At end: Oct 20, 1950 Sneden's Landing.Duration: 21 min.Aaron Copland Collection 113

Music, 1841-1988ContainerContentsBOX-FOLDER 35/67c Quartet for piano and strings. London: Boosey & Hawkes, [1961].67c Score for piano and strings (miniature); 36 p.c1952 by Boosey & Hawkes.Plt.: B. & H. 17983.Ser. title: Hawkes Pocket Scores, No. 671.Note: Volume has incorrect title page.68) Old American songs, second set : newly adapted by AaronCoplandBOX-FOLDER 36/68 Old American songs, second set : newly adapted by Aaron Copland.68 Ms. Piano-vocal score; 27 leaves; 34.5 cm.Note: Holograph in ink on transparent paper.English text.CONTENTS:• 1) "The little horses"• 2) "Zion's walls"• 3) "The golden willow tree"• 4) "At the river"• 5) "Ching-a-ring chaw"On microfilm: MUSIC 1906, Item 89.BOX-FOLDER 36/68.1 Old American songs, second set : adapted for voice and orchestra byAaron Copland.68.1 Ms. (ozalid). Full score; 74 p.; 38.5 cm.Note: Contains holograph and other markings in ink and pencil.English text.CONTENTS:• 1) "The little horses"• 2) "Zion's walls"• 3) "The golden willow tree"• 4) "At the river"• 5) "Ching-a-ring chaw"BOX-FOLDER 36/68.2 Old American songs, second set : adapted by Aaron Copland [voice &orchestra].68.2 Ms. (ozalid). Full score; 74 p.; 38.5 cm. (spiral bound).Note: Same ozalid reproduction as ARCO 68.1 with holographmarkings in pencil throughout.English text.BOX-FOLDER 36/68.3 Old American songs, second set : adapted by Aaron Copland [songs].68.3 Ms. Piano-vocal sketches; various paginations; various sizes.Note: Holographs in pencil and ink.On microfilm: MUSIC 1906, Item 89.BOX-FOLDER 36/68.4 No. 4, "At the river" : No. 5 "Ching-a-ring chaw" / arranged by AaronCopland / transcribed for voice and guitar by Gregg Nestor (1952;this arr. 1984). S.l.: Boosey & Hawkes, [1984].68.4 Publisher's proofs (photocopies). Score for voice and guitar; [3] p.(pp. 30-32) + [6] p. (pp. 36-41).Aaron Copland Collection 114

Music, 1841-1988ContainerContentsc1950 by Aaron Copland; this arrangement copyright 1984 byCopland.Note: Contains holograph markings in ink.BOX-FOLDER 36/68 misc Old American songs : Second Set / adapted by Aaron Copland.68 misc Miscellaneous items related to Old American songs; includespublished piano-vocal score for the original version of "Ching-aringchaw".BOX-FOLDER 37/68a Old American songs, second set : adapted by Aaron Copland. London:Boosey & Hawkes, [1954].68a Piano-vocal score; 28 p.c1954 by Boosey & Hawkes.Plt.: B. & H. 17485.Note: Holograph markings in pencil throughout.English text.CONTENTS:• 1) "The little horses"• 2) "Zion's walls"• 3) "The golden willow tree"• 4) "At the river"• 5) "Ching-a-ring chaw"BOX-FOLDER 37/68b Old American songs, second set : adapted by Aaron Copland. NewYork: Boosey & Hawkes, [1965].68b Piano-vocal score; 32 p.c1954 by Boosey & Hawkes.Plt.: B. & H. 17485.English text.BOX-FOLDER 37/68c68cBOX-FOLDER 37/68d68dOld American songs : first and second sets / adapted by Aaron Copland[voice & orchestra]. London: Boosey & Hawkes, [1962].Full score; 81 p. (3 copies).c1950-54 by Boosey & Hawkes; orchestral version copyright 1962by Boosey & Hawkes.Plt.: B. & H. 18857.English text.Holograph markings in pencil and crayon throughout Copy 1 andCopy 2; Copy 1 is bound.Laid in Copy 1: Two holograph notes in pencil.Copy 2 has five selections indexed.Duration of Second Set: Approx. 12 min.Twelve folk song arrangements by Benjamin Britten, Matyas Seiber,Aaron Copland / transcribed for voice and guitar by Gregg Nestro[selections]. London: Boosey & Hawkes, [1984].Score for voice and guitar; 41 p. (2 copies; one copy filed with FirstSet (ARCO 65); the other copy filed with Second Set (ARCO 68).c1950-54 by Aaron Copland; this arrangement copyright 1984 byAaron Copland.English text.Aaron Copland Collection 115

Music, 1841-1988ContainerContentsWorks attributed to Aaron Copland include:• "I bought me a cat"• "At the river"• "Simple gifts"• "Ching-a-ring chaw"68-A) No. 1, "The little horses": from Old American songs, secondsetBOX-FOLDER 37/68-Aa "The little horses" / adapted by Aaron Copland [song]. New York:Boosey & Hawkes, [1962].68-Aa Piano-vocal score; 4 p.c1954 by Boosey & Hawkes; separate edition 1962.Plt.: 2631.English text.BOX-FOLDER 37/68-Ab68-Ab"The little horses" / adapted by Aaron Copland / choral arrangementby R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965].Choral score (SA) with piano accompaniment; 7 p. (2 copies).c1954 by Aaron Copland; this arrangement copyright 1965 by AaronCopland.Plt.: Oct. 5508.English text.BOX-FOLDER 37/68-Ac "The little horses" / adapted by Aaron Copland / choral arrangementby R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965].68-Ac Choral score (SSA) with piano accompaniment; 8 p.c1954 by Aaron Copland; this arrangement copyright 1965 by AaronCopland.Plt.: Oct. 5509.Note: Holograph markings in pencil and crayon throughout.English text.BOX-FOLDER 37/68-Ad "The little horses" / adapted by Aaron Copland / choral arrangementby R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965].68-Ad Choral score (TTBB) with piano accompaniment; 8 p.c1954 by Aaron Copland; this arrangement copyright 1965 by AaronCopland.Plt.: Oct. 5510.English text.BOX-FOLDER 37/68-Ba68-Ba68-B) No. 2, "Zion's walls": from Old American songs, second set"Zion's walls" / adapted by Aaron Copland / choral arrangement byGlenn Koponen. New York: Boosey & Hawkes, [1982].Choral score (SATB) with piano accompaniment; 11 p. (3 copies).c1954 by Aaron Copland; renewed 1982; this arrangement copyright1982 by Aaron Copland.Plt.: OC4B6070.English text.68-D) No. 4, "At the river": from Old American songs, second setAaron Copland Collection 116

Music, 1841-1988ContainerContentsBOX-FOLDER 37/68-Da "At the river" / adapted by Aaron Copland [song]. New York: Boosey &Hawkes, [1962].68-Da Piano-vocal score; 4 p.c1954 by Boosey & Hawkes.Plt.: 2630.English text.BOX-FOLDER 37/68-Db "At the river" / adapted by Aaron Copland / choral arrangement by R.Wilding White. New York: Boosey & Hawkes, [1964].68-Db Choral score (SA) with piano accompaniment; 6 p.c1954 by Aaron Copland; this arrangement copyright 1964 by AaronCopland.Plt.: Oct. 5511.English text.BOX-FOLDER 37/68-Dc "At the river" / adapted by Aaron Copland / choral arrangement by R.Wilding White. New York: Boosey & Hawkes, [1964].68-DcChoral score (SSA) with piano accompaniment; 8 p. (3 copies).c1954 by Aaron Copland; this arrangement copyright 1964 by AaronCopland.Plt.: Oct. 5512.Note: Copy 1 contains holograph markings in pencil.English text.BOX-FOLDER 37/68-Dd No. 4, "At the river" / adapted by Aaron Copland / choral arrangementby R. Wilding White. New York: Boosey & Hawkes, [1964].68-Dd Choral score (SATB) with piano accompaniment; 8 p.c1954 by Aaron Copland; this arrangement copyright 1964 by AaronCopland.Plt.: Oct. 5513.Note: Contains some holograph markings in pencil.English text.BOX-FOLDER 37/68-De No. 4, "At the river" / adapted by Aaron Copland / choral arrangementby R. Wilding White. New York: Boosey & Hawkes, [1965].68-De Choral score (TTBB) with piano accompaniment; 8 p.c1954 by Aaron Copland; this arrangement copyright 1964 by AaronCopland.Plt.: Oct. 5514.English text.68-E) No. 5, "Ching-a-ring chaw": from Old American songs,second setBOX-FOLDER 37/68-Ea No. 5, "Ching-a-ring chaw" / arranged by Aaron Copland[song]. London: Boosey & Hawkes, [1954].68-Ea Score for unison voices with piano accompaniment; 7 p.c1954 by Boosey & Hawkes.Plt.: B. & H. 18742.Ser. title: Winthrop Rogers Festival Series.English text.Aaron Copland Collection 117

Music, 1841-1988ContainerContentsBOX-FOLDER 37/68-Eb No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland / arranged forchorus by Irving Fine. London: Boosey & Hawkes, [1955].68-Eb Choral score (SATB) with piano accompaniment; 15 p.c1954 by Aaron Copland; this arrangement copyright 1955 by AaronCopland.Plt.: B. & H. 19216.Note: Holograph markings in ink, pencil, and crayon throughout.English text.BOX-FOLDER 37/68-Ec No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged forchorus by Irving Fine. London: Boosey & Hawkes, [1955].68-Ec Choral score (SSAA) with piano accompaniment; 10 p.c1954 by Aaron Copland; choral arrangement copyright 1955 byAaron Copland.Plt.: B. & H. 19217.English text.BOX-FOLDER 37/68-Ed No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged forchorus by Irving Fine. New York: Boosey & Hawkes, [1955].68-Ed Choral score (SATB) with piano accompaniment; 15 p.c1954 by Boosey & Hawkes; choral arrangement copyright 1955 byBoosey & Hawkes.Plt.: B.H. Oct. 5024.English text.BOX-FOLDER 37/68-Ee68-EeNo. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged forchorus by Irving Fine. New York: Boosey & Hawkes, [1955].Choral score (SSAA) with piano accompaniment; 10 p. (2 copies).c1954 by Boosey & Hawkes; choral arrangement copyright 1955 byBoosey & Hawkes.Plt.: B.H. Oct. 5025.English text.BOX-FOLDER 37/68-Ef No. 5, "Ching-a-ring chaw" / adapted and arranged by AaronCopland. New York: Boosey & Hawkes, [1965].68-Ef Choral score (TTBB) with piano accompaniment; 10 p.c1954 by Aaron Copland; this arrangement copyright 1965 by AaronCopland.Plt.: Oct. 5518.English text.69) The tender land [opera]BOX-FOLDER 85/69 The tender land.69 Ms. Full score; 428 leaves; 38.5 cm. (3 folders).Note: Holograph in ink on transparent paper.English text.At end: March 12, 1954 (orchestration; 27, 1954).Duration: 1 hour, 42 min.BOX-FOLDER 85A/69.1 The tender land.69.1 Ms. (ozalid). Full score; 428 p.; 38.5 cm. (3 bound volumes).Aaron Copland Collection 118

Music, 1841-1988ContainerContentsNote: Holograph ink, pencil, and crayon markings throughout.English text.At end: March 12, 1954 (orchestration; 27, 1954).Duration: 1 hour, 42 min.BOX-FOLDER 85A/69.2 The tender land.69.2 Ms. Full score; 17 leaves (pp. 310-326); 38 cm.Note: Holograph in ink.English text.On attached note: "Original duet - Act II, Scene II of Tender Land."BOX-FOLDER 85A/69.3 The tender land.69.3 Ms. (ozalid). Full score; 16 p. (pp. 311-326); 38.5 cm.Note: Copy of holograph score ARCO 69.2, with holograph markingsin pencil and crayon throughout.English text.At head: "Original duet in Act II, Scene II before revision."BOX-FOLDER 85A/69.4 The tender land.69.4 Ms. (ozalid). Full score insert; pp. 75 A through 75 T; 38.5 cm.English text.At head: "Extra copy of insert Act I - Tender Land orch. score."BOX-FOLDER 86A/69.5 The tender land.69.5 Ms. Orchestral sketches; 180 p. + 6 p.; various sizes.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 65.BOX-FOLDER 86A/69.6 The tender land.69.6 Ms. Rough sketches; various paginations; various sizes. Note:Holograph in pencil.On microfilm: MUSIC 1906, Item 66.BOX-FOLDER 86A/69.7 "The promise of living" / excerpt from the opera score [song].69.7 Ms. Full score; 20 p. (pp. 141-160); 38 cm. (spiral bound).Note: Holograph in ink and pencil; not entirely in Copland's hand.English text.BOX-FOLDER 86A/69.8 "Stomp your foot" / excerpt from the opera score [song].69.8 Ms. Full score; 31 p. (pp. 192-222); 38 cm. (bound).Note: Holograph in ink and pencil.English text.BOX-FOLDER 86A/69 misc- The tender land.A & misc-B69 misc-A & misc-B Miscellaneous leaves from orchestral score.Libretto in typescript, published libretto (2 copies, 1 annotated),handwritten script notes, etc.Note: Holograph markings in ink and pencil throughout.Aaron Copland Collection 119

Music, 1841-1988ContainerContentsIncludes gift of Erik Johns [pseud. Horace Everett] : manuscriptlibretto in hand of Erik Johns; annotated typescript entitled"Graduatis Harvest" changed to title "The Picket Fence Horizon"with manuscript notes; annotated typescript entitled "The PicketFence Horizon."English text.69-A) The tender land [piano-vocal]BOX-FOLDER 87/69-A The tender land : opera in three acts / libretto by Horace Everett[pseud. Horace Everett] ; music by Aaron Copland.69-A Ms. Piano-vocal score; 177 leaves + 5 leaf insert (pp. 133-137); 38cm.Note: Holograph in ink and pencil on transparent paper.English text.At bottom of page 177: March 12, 1954.On microfilm: MUSIC 1906, Item 67.BOX-FOLDER 87/69-A.169-A.1BOX-FOLDER 87/69-A.269-A.2The tender land : opera in two acts / libretto by Horace Everett [pseud.Erik Johns] ; music by Aaron Copland.Ms. (ozalid). Piano-vocal score; 127 p.; 38.5 cm. (in 2 spiral boundvolumes).Note: Copy of Acts I and II from ograph score ARCO 69-A, withHolograph markings in pencil throughout.English text.The tender land : Act III.Ms. (ozalid). Piano-vocal score; 44 p. (pp. 128-170); 38.5 cm.Note: Copy of Act III from holograph score ARCO 69-A, withHolograph markings in pencil throughout.English text.At bottom of page 170: March 12, 1954.BOX-FOLDER 87/69-A.3 The tender land.69-A.3 Ms. (ozalid). Piano-vocal insert for Act III; 12 leaves (pp. 133-144);39.5 cm.Note: Holograph markings in pencil throughout.English text.BOX-FOLDER 87/69-A.469-A.4The tender land.Ms. (ozalid). Piano-vocal insert for Act III; 10 p. (Z1-Z10); 38.5 cm.(2 copies).Note: Copies of a portion of Act III from holograph score ARCO 69-A.English text.BOX-FOLDER 87/69-A misc The tender land.69-A misc Mss. (holographs and ozalids). Miscellaneous pages and fragmentsfrom piano-vocal scores.Note: Holographs in ink on transparent paper and ozalidreproductions with pencil markings throughout.Aaron Copland Collection 120

Music, 1841-1988ContainerContentsBOX-FOLDER 38/69-Aa69-AaBOX-FOLDER 38/69-Ba69-BaBOX-FOLDER 38/69-Bb69-BbThe tender land : opera in three acts / libretto by Horace Everett[pseud. of Erik Johns] ; vocal score by the composer. New York:Boosey & Hawkes, [1956].Piano-vocal score; 203 p. (2 copies).c1956 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. 17711.Note: Holograph markings in pencil throughout both copies.English text.Duration: 1 hr. 40 min.69-B) "Stomp your foot" [song]: from The tender land"Stomp your foot" / arranged for mixed voices with piano duetaccompaniment ; words by Horace Everett [pseud. of Erik Johns] ;music by Aaron Copland. New York: Boosey & Hawkes, [1954].Score for mixed voices (SATB) with piano duet; 19 p. (4 copies).c1954 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. Oct. 5019.Note: Holograph markings in pencil in Copy 1 through Copy 3.English text."Stomp your foot" / arranged for male voices with piano duetaccompaniment ; words by Horace Everett [pseud. of Erik Johns] ;music by Aaron Copland (1954) [song]. New York: Boosey & Hawkes,[1954].Score for male voices (TTBB) with piano duet; 19 p. (2 copies).c1954 in U.S.A. by Boosey & Hawkes.Plt.: B. & H. Oct. 5136.English text.69-C) "The promise of living": from The tender landBOX-FOLDER 38/69-Ca The tender land : "The promise of living" / quintet arranged for mixedchorus with piano duet accompaniment [song]. New York: Boosey &Hawkes, [1954].69-Ca Score for mixed chorus (SATBB) with piano duet accompaniment; 19p. (3 copies).c1954 in U.S.A. by Boosey & Hawkes.Plt.: B.H. Oct. 5020.Note: Holograph markings in pencil in Copy 1.English text.69-D) "Laurie's song" [song]: from The tender landBOX-FOLDER 38/69-D "Laurie's song" [song]. New York: Boosey & Hawkes, [1956].69-D Publisher's proofs First and second proofs, 2 page holographfragment of piano-vocal score, and pages 25-30 of publishededition of The tender land vocal score; 7 + 6 + 2 + 6 p. (2 copies;page 7 of second proof not included).c1956 by Boosey & Hawkes; this version copyright 1958 by Boosey& Hawkes.Plt.: S. 2582.Note: Holograph ink and pencil markings throughout.English text.Aaron Copland Collection 121

Music, 1841-1988ContainerContentsFirst proof reveals original title as "Once I Thought".BOX-FOLDER 38/69-Da "Laurie's song" / text by Horace Everett [pseud. of Erik Johns]. NewYork: Boosey & Hawkes, [1958].69-Da Piano-vocal score; 7 p.c1956 by Boosey & Hawkes; this version copyright 1958 by Boosey& Hawkes.Plt.: S. 2582.English text.70) Dirge in woods [song]BOX-FOLDER 39/70 Dirge in woods : words by George Meredith.70 Ms. Piano-vocal score; 5 leaves; 35.5 cm.Note: Holograph in ink on transparent paper.English text.On title page: Written especially in honor of Nadia Boulanger'sfiftieth year of teaching.At end: June 5, '54.BOX-FOLDER 39/70.1 Dirge in woods : words by George Meredith.70.1 Ms. (ozalid). Piano-vocal score; 5 p.; 36 cm.English text.On title page: Written especially in honor of Nadia Boulanger'sfiftieth year of teaching; "NB/de AC/1954."At end: June 5, '54.On microfilm: MUSIC 1906, Item 74.BOX-FOLDER 39/70.2 Dirge in woods : words by G. Meredith.70.2 Ms. Piano-vocal rough pencil sketch; 9 p.; 32 cm.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 74.BOX-FOLDER 39/70.3 Dirge in woods.70.3 Ms. Pages from piano-vocal score; 3 leaves; 35.5 cm.Note: Holograph in ink with holograph markings in pencil ontransparent paper.English text.BOX-FOLDER 39/70.4 Dirge in woods. New York: Boosey & Hawkes, [1957].70.4 Publisher's proof. Piano-vocal score; 5 leavesc1957 in U.S.A. by Boosey & Hawkes.Plt.: S. 2574.Note: Holograph markings in pencil throughout.English text. Words by George Meredith.BOX-FOLDER 39/70a Dirge in woods : words by George Meredith. New York: Boosey &Hawkes, [1957].70a Piano-vocal score; 5 p.c1957 in U.S.A. by Boosey & Hawkes.Plt.: S. 2574.Aaron Copland Collection 122

Music, 1841-1988ContainerContentsEnglish text.On title page recto: Written especially in honor of Nadia Boulanger'sfiftieth year teaching.71) Canticle of freedom [chorus & orchestra]BOX-FOLDER 88/71 Canticle of freedom.71 Ms. Score for chorus (SATB) and orchestra; 77 leaves; 38.5 cm.Note: Holograph in ink on transparent paper, with some markingsin pencil.English text by John Barbour.On title page: "Pp. 1-32 of original (1955) version (NOT TO BEUSED!) A.C. (revised 1966)."At end: March 27, 1955.Laid in: One holograph leaf in pencil titled "Revision of Canticle ofFreedom".BOX-FOLDER 88/71.1 Canticle of freedom.71.1 Ms. (ozalid). Score for chorus (SATB) and orchestra; 77 p.; 39.5 cm.(spiral bound).Note: Copy of holograph score ARCO 71, with holograph and othermarkings in pencil throughout.English text by John Barbour.On cover: Original version of 1955 (not to be played in this version).At end: March 27, 1955.BOX-FOLDER 88/71.2 Canticle of freedom.71.2 Ms. (ozalid). Full score (incomplete); 32 p.; 38.5 cm.Note: Holograph markings in pencil throughout.At head: Original version of 1955 (to p. 32) (not to be played).BOX-FOLDER 88/71.3 Canticle of freedom.71.3 Ms. Condensed score; original pencil sketch (32 + 2 p.) accompaniedby rough sketches in pencil (various paginations); 34.5 cm.Note: Holographs in pencil.On microfilm: MUSIC 1906, Item 3.BOX-FOLDER 88/71.4 "Let us now praise famous men".71.4 Ms. Sketches for choral work (unfinished); various paginations;various sizes.Note: Holographs in pencil and typescript.English text.On title page: "Let us now praise famous men" sketches for choralwork (1949) (unfinished) (on which is based later Canticle offreedom)."BOX-FOLDER 88/71.5 Canticle of freedom.71.5 Ms. (positive photostat). Condensed score for mixed chorus andorchestra (miniature); 11 leaves; 28 cm.Note: Holograph markings in pencil.English text.Aaron Copland Collection 123

Music, 1841-1988ContainerContentsAt head: Choral coda from Canticle of freedom (text by John Barbour- 1320 (?)-1395).At end: March 13, 1955 N.Y.71-A) Canticle of freedom [chorus & piano]BOX-FOLDER 88/71-Aa Canticle of freedom : text by John Barbour. New York: Boosey &Hawkes, [1955].71-Aa Score for mixed chorus (SATB) and piano; 16 p.c1955 in U.S.A. by Boosey & Hawkes.Plt.: B.H. Oct. 5059.Note: Holograph markings in pencil throughout.English text.Commissioned by the Massachusetts Institute of Technology.Duration: Approx. 16 min.BOX-FOLDER 88/71-Ab71-AbCanticle of freedom : text by John Barbour. New York: Boosey &Hawkes, [1955].Score for mixed chorus (SATB) and piano; 16 p. (2 copies).c1955 in U.S.A. by Boosey & Hawkes.Plt.: B.H. Oct. 5059.Note: Holograph markings in pencil throughout Copy 1.English textCommissioned by the Massa- chusetts Institute of Technology.Duration: Approx. 16 min.71-B) Canticle of freedom [chorus & orchestra]BOX-FOLDER 88/71-B Canticle of freedom : for mixed chorus and orchestra / text by JohnBarbour.71-B Ms. Full score (revised version); 22 leaves; 38.5 cm.Note: Manuscript in pencil by David Walker; holograph title pageand page of preliminary notes.On title page: Original version completed 1955, pages 1-77 complete(withdrawn - not to be played) A.C.Revised version, completed 1966; New pages 1-20; then pages 33-77of original version.BOX-FOLDER 88/71-B.171-B.1Canticle of freedom : for mixed chorus and orchestra / text by JohnBarbour.Ms. (ozalid). Full score (revised version); 20 p.; 38 cm.Note: Copy of original manuscript score ARCO 71-B; manuscript inthe hand of David Walker.English text.BOX-FOLDER 88/71-B misc Canticle of freedom.71-B misc Mss. Miscellaneous original (1955) pages from revised (1965)version; 16 p.; various sizes.Note: Holographs in ink and pencil, with typescript and manuscripttext in ink and pencil.English text.Aaron Copland Collection 124

Music, 1841-1988ContainerContentsBOX-FOLDER 88/71-Ba Canticle of freedom. New York: Boosey & Hawkes, [1968].71-BaFull score; 52 p. (3 copies, Copy 2 bound).c1955; full score copyright 1968 by Aaron Copland.Plt.: F.S. 332.Note: Holograph markings in pencil throughout Copy 1.English text by John Barbour.Commissioned by the Massachusetts Institute of Technology.Duration: Approx. 13 min.72) Symphonic ode [orchestra]BOX-FOLDER 88/72 Symphonic ode.72 Ms. Full score; 81 leaves; 44.5 cm.Note: Holograph in ink on transparent paper.On title page: Commissioned in celebration of the 75th season of theBoston Symphony Orchestra, Charles Munch, Music Director.Dedicated to the memory of Serge and Natalie Koussevitsky.{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}BOX-FOLDER 89/72.1 Symphonic ode.72.1 Ms. (ozalid). Full score; 81 p.; 44.5 cm. (bound).Note: Copy of holograph score ARCO 72.On title page: Commissioned in celebration of the 75th season of theBoston Symphony Orchestra, Charles Munch, Music Director.Dedicated to the memory of Serge and Natalie Koussevitsky.BOX-FOLDER 89/72.2 Symphonic ode.72.2 Ms. (ozalid). Full score; 81 p.; 44.5 cm.Note: Copy of holograph score ARCO 72.BOX-FOLDER 89/72.3 Symphonic ode.72.3 Ms. Orchestral sketches; 4 leaves (5 p.); various sizes.Note: Holograph in pencil.BOX-FOLDER 89/72a Symphonic ode. London: Boosey & Hawkes, [1957].72aFull score; 69 p. (4 copies, Copy 1 (bound).c1957 by Boosey & Hawkes.Plt.: B. & H. 18266.Note: Holograph markings in pencil and crayon throughout copies 1through 3.On third preliminary page: Commissioned in celebration of the 75thseason of the Boston Symphony Orchestra, Charles Munch, MusicDirector.The original version of this work (now withdrawn) was composed in1928-29, in celebration of the Boston Symphony Orchestra's 50thseason.BOX-FOLDER 89/72b Symphonic ode. New York: Boosey & Hawkes, [1957].72b Full score (miniature); 69 p.c1957 by Boosey & Hawkes.Plt.: B. & H. 18266.Aaron Copland Collection 125

Music, 1841-1988ContainerContentsSer. title: Hawkes Pocket Scores, No. 706.BOX-FOLDER 40/73a73aBOX-FOLDER 40/73aa73aa73) "Variations on a Shaker melody": from Appalachian spring[band]Variations on a Shaker melody : from Appalachian spring. New York:Boosey & Hawkes, [1960].Full score and conductor score; 18 p. (2 copies).c1960 by Boosey & Hawkes.Plt.: Q.M.B. 236.Ser. title: Q.M.B. Edition, No. 236.Note: Holograph markings in pencil throughout Copy 1.Variations on a Shaker melody : from Appalachian spring. New York:Boosey & Hawkes, [1960].Band parts.c1960 by Boosey & Hawkes.Plt.: Q.M.B. 236.Ser. title: Q.M.B. Edition, No. 236.74) Piano fantasy [piano work]BOX-FOLDER 90/74 Piano fantasy.74 Ms. Piano solo; 56 leaves; 35.5 cm.Note: Holograph in ink on transparent paper.On second preliminary page: Commissioned by the Juilliard Schoolof Music, William Schumann, President, on the occasion of itsfiftieth anniversary celebration, and dedicated to the memory ofWilliam Kapell.At end: Finished Jan. 19, '57.Duration: 30 min.On microfilm: MUSIC 1906, Item 75.BOX-FOLDER 90/74.1 Piano fantasy.74.1 Ms. (ozalid). Piano solo; 56 p.; 34.5 cm. (spiral bound).Note: Copy of holograph score ARCO 74, with holograph markingsin ink and pencil.On verso of title page: Commissioned by the Juilliard School ofMusic, William Schumann, President, on the occasion of itsfiftieth anniversary celebration, and dedicated to the memory ofWilliam Kapell.At end: Finished Jan. 19, '57.Duration: 30 min.BOX-FOLDER 90/74.2 Piano fantasy.74.2 Ms. Piano solo; (draft); 75 p.; various sizes.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 75.BOX-FOLDER 90/74.3 Piano fantasy.74.3 Ms. Rough piano sketches; 133 p.; various sizes.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 75.Aaron Copland Collection 126

Music, 1841-1988ContainerContentsBOX-FOLDER 90/74.4 Piano fantasy. New York: Boosey & Hawkes, [1957].74.4 Publisher's proof. Piano solo; 45 leaves.c1957 by Boosey & Hawkes.Plt.: B. Pa. 173.Note: Holograph and other markings in ink and pencil throughout.BOX-FOLDER 90/74 misc Piano fantasy.74 misc Ms. Miscellaneous leaves from the piano score; 16 leaves; varioussizes.Note: Holographs in ink on transparent paper, and photocopies ofpages from published score; includes holograph two page tonerow and composition structure outline for Piano fantasy in ink andpencil.BOX-FOLDER 90/74a Piano fantasy. New York: Boosey & Hawkes, [1957].74aPiano solo; 45 p. (2 copies, Copy 1 bound).c1957 by Boosey & Hawkes.Plt.: B. Pa. 173.On title page: Commissioned by the Juilliard School of Music,William Schuman, President, on the occasion of its fiftiethanniversary celebration, and dedicated to the memory of WilliamKapell.75) The world of Nick Adams [incidental music]BOX-FOLDER 91/75 The world of Nick Adams.75 Ms. (ozalid). Full score; 85 p.; 41 cm.BOX-FOLDER 91/75.1 The world of Nick Adams.75.1 Ms. (photocopy). Full score; 83 leaves; 43.5 cm.At bottom of first leaf: From CBS series 7 Lively Arts (TV drama).BOX-FOLDER 91/75.2 The world of Nick Adams.75.2 Ms. Original pencil sketches (piano version); 51 p.; 39-43.5 cm.Note: Holograph in pencil.On accompanying folder: World of Nick Adams, original music forTV show - Nov. 10, '57.BOX-FOLDER 91/75 miscThe world of Nick Adams.75 miscTypescript of The World of Nick Adams, a CBS-TV production fromthe drama series, 7 Lively Arts.; 77 leaves.Note: Heavily marked.76) Orchestral variations: from Piano variations [arranged]BOX-FOLDER 92/76 Orchestral variations : based on Piano variations (of 1930).76 Ms. Full score; 73 leaves; 38 cm.Note: Holograph in ink on transparent paper.On second preliminary leaf: Commissioned by the LouisvilleOrchestra, Robert Whitney, Musical Director.At end: Dec. 31, 1957.Aaron Copland Collection 127

Music, 1841-1988ContainerContentsIncludes one page holograph first sketch score in pencil.Duration: circa 12 min.BOX-FOLDER 92/76.1 Orchestral variations : based on Piano variations (of 1930).76.1 Ms. (ozalid). Full score; 73 p.; 39 cm.Note: Copy of holograph score ARCO 76, with holograph and othermarkings in ink and pencil throughout; some markings may be byDavid Walker.At end: Dec. 31, 1957.On microfilm: MUSIC 1906, Item 69.BOX-FOLDER 92/76.2 Orchestral variations : based on Piano variations.76.2 Ms. (ozalid). Full score; 73 p.; 38 cm. (spiral bound).Note: Copy of holograph score ARCO 76.On second preliminary page: Commissioned by the LouisvilleOrchestra, Robert Whitney, Musical Director.At end: Dec. 31, 1957.Duration: circa 12 min.BOX-FOLDER 92/76.3 Orchestral variations : based on Piano variations.76.3 Ms. (ozalid). Full score; 73 p.; 43.5 cm.Note: Copy of holograph score ARCO 76, with holograph markingsin pencil and/or crayon throughout.On second preliminary page: Commissioned by the LouisvilleOrchestra, Robert Whitney, Musical Director.At end: Dec. 31, 1957.Duration: circa 12 min.BOX-FOLDER 92/76a Orchestral variations. London: Boosey & Hawkes, [1960].76aFull score; 62 p. (3 copies, Copy 1 bound).c1932 (Piano Variations); orchestral version copyright 1960 byBoosey & Hawkes.Plt.: F.S. 226.Note: Holograph markings in pencil throughout Copy 1 and Copy 2.On verso of title page: Commissioned by the Louisville Orchestra,Robert Whitney, Musical Director.Duration: Approx. 12 min.Based on Piano Variations - 1930.BOX-FOLDER 92/76b Orchestral variations. London: Boosey & Hawkes, [1960].76b Full score (miniature); 62 p.c1932 (Piano Variations); orchestral version copyright 1960 byBoosey & Hawkes.Plt.: F.S. 226.On verso of title page: Commissioned by the Louisville Orchestra,Robert Whitney, Musical Director.Duration: Approx. 12 min.Based on Piano Variations - 1930.77) The tender land [suite]Aaron Copland Collection 128

Music, 1841-1988ContainerContentsBOX-FOLDER 93/77 The tender land : orchestral suite from the opera.77 Ms. Full score; 100 leaves; 38 cm.Note: Holograph in ink and pencil.BOX-FOLDER 93/77.1 The tender land : orchestral suite from the opera.77.1 Ms. (black line print). Full score; 100 leaves (30 + 70 p.); 43 cm.Note: Copy of holograph score ARCO 77, with holograph markingsin ink and pencil throughout.BOX-FOLDER 93/77.2 The tender land : orchestral suite from the opera.77.2 Ms. Full score (incomplete); 17 leaves; 38.5 cm.Note: Holograph in ink.BOX-FOLDER 93/77 misc The tender land : orchestral suite from the opera.77 misc Miscellaneous performance notes for orchestral suite; 5 leavesNote: Holographs in ink and pencil.BOX-FOLDER 93/77a77aThe tender land : orchestral suite from the opera. London: Boosey &Hawkes, [1960].Full score; 92 p. (3 copies, Copy 1 bound).c1956 by Boosey & Hawkes; orchestral suite copyright 1960 byBoosey & Hawkes.Plt.: F.S. 227.Note: Holograph pencil markings throughout Copy 1 and Copy 2.Laid in Copy 2: One leaf holograph performance note in ink and oneleaf typescript with holograph markings in ink and pencil.Duration: 19 min.BOX-FOLDER 93/77b The tender land : suite from opera. London: Boosey & Hawkes, [1960].77b Full score (miniature); 92 p.c1956 by Boosey & Hawkes; orchestral suite copyright 1960.Plt.: F.S. 227.Ser. title: Hawkes Pocket Scores, No. 717.Duration: 19 min.BOX-FOLDER 93/77-Aa77-A) The tender land : orchestral suite from the opera [orchestra& mixed chorus]The tender land : orchestral suite from the opera. London: Boosey &Hawkes, [1960].77-Aac1956 by Boosey & Hawkes; orchestral suite copyright 1960 byBoosey & Hawkes.Plt.: F.S. 227.Insert to orchestral suite, includes score for mixed chorus; 45 p. (pp.47-92) (2 copies).English text.Attached to inside front cover of Copy 1: One leaf typescript:"Adjustments for the orchestral score and parts of the Tenderland suite when performed with mixed chorus."78) Three Latin-American sketches [small orchestra]Aaron Copland Collection 129

Music, 1841-1988ContainerContentsBOX-FOLDER 94/78 Three Latin-American sketches : for small orchestra.78 Ms. Full score; 73 leaves (28, 45 p.); 38.5 cm.Note: Holograph in ink on transparent paper.Duration: 10 min.CONTENTS:• 1) Estribillo (1971)• 2) Paisaje Mexicano (1959)• 3) Danza de Jalisco (1959)BOX-FOLDER 94/78.1 Three Latin-American sketches : for small orchestra.78.1 Ms. (ozalid). Full score; 28, 45 p.; 38.5 cm.Note: Copy of holograph score ARCO 78, with holograph markingsin pencil throughout.CONTENTS:• 1) Estribillo (1971)• 2) Paisaje Mexicano (1959)• 3) Danza de Jalisco (1959)Duration: Approx. 10 min.BOX-FOLDER 94/78.2 No. 1, "Estribillo" / for small orchestra.78.2 Ms. (ozalid). Full score; 28 p.; 38.5 cm.Note: Copy of holograph score ARCO 78, with holograph markingsin ink and pencil throughout.At end: Aug. 31, 1971.Duration: 3:25.BOX-FOLDER 94/78.3 No. 2, "Paisaje Mexicano" ; No. 3, "Danza de Jalisco" / for smallorchestra.78.3 Ms. (ozalid). Full score; 45 p.; 38.5 cm. (spiral bound).Note: Holograph markings in ink and pencil throughout.Duration: Approx. 6:20.BOX-FOLDER 94/78.4 No. 3, "Danza de Jalisco".78.4 Ms. (ozalid). Full score; [32] p.; 39 cm. (spiral bound).Note: Manuscript in David Walker's hand in ink and pencil, withholograph annotations in ink and pencil.Laid in: Ten leaf insert in ink and pencil, in David Walker's hand, ontransparent paper; hand-written and typescript of "Correctionsfor DANZA DE JALISCO".BOX-FOLDER 94/78.5 Three Latin-American sketches.78.5 Ms. Rough sketches; various paginations; various sizes.Note: Holographs in ink and pencil.BOX-FOLDER 94/78a Three Latin-American sketches. London: Boosey & Hawkes, [1975].78aFull score; 61 p. (3 copies).c1975 by Aaron Copland; Danza de Jalisco copyright 1968 by AaronCopland.Plt.: B. & H. 20262.Note: Holograph markings in pencil throughout Copy 1 and Copy 2.Duration: Approx. 10 min.Aaron Copland Collection 130

Music, 1841-1988ContainerContentsCONTENTS:• 1) Estribillo• 2) Paisaje Mexicano• 3) Danza de JaliscoBOX-FOLDER 94/78b Three Latin-American sketches. New York: Boosey & Hawkes, [1976].78b Full score (miniature); 61 p.c1975 by Aaron Copland; Danza de Jalisco copyright 1968 by AaronCopland; Miniature Score edition 1976.Plt.: B. & H. 20262.Ser. title: Hawkes Pocket Scores, No. 814.Duration: Approx. 10 min.78-A) No. 3, "Danza de Jalisco" [piano solo]: from Three Latin-American sketchesBOX-FOLDER 94/78-A No. 3, "Danza de Jalisco" (1st version).78-A Ms. Piano solo; 6 leaves, 35.5 cm.Note: Manuscript in ink and pencil in hand of David Walker ontransparent paper.BOX-FOLDER 94/78-A.178-A.1BOX-FOLDER 94/78-A.278-A.2No. 3, "Danza de Jalisco".Ms. (ozalid). Piano solo; 6 p.; 36.5 cm.Note: Copy of manuscript score ARCO 78-A, with holographmarkings in pencil throughout.At head: Two Mexican pieces.No. 3, "Danza de Jalisco".Ms. (ozalid). Piano solo; 6 p.; 36.5 cm.At head: Two Mexican pieces.78-B) No. 3, "Danza de Jalisco": from Three Latin-Americansketches [two pianos]BOX-FOLDER 94/78-B No. 3, "Danza de Jalisco" / for two pianos.78-B Ms. Score for two pianos; 17 leaves; 38 cm.Note: Copyist's manuscript in pencil on transparent paper; in thehand of David Walker.At end: Arranged for two pianos Mar. 5, 1963.BOX-FOLDER 94/78-B.178-B.1BOX-FOLDER 94/78-B.278-B.2No. 3, "Danza de Jalisco" / for two pianos.Ms. (ozalid). Score for two pianos; 17 p.; 38 cm.Note: Copy of manuscript score ARCO 78-B, with markings in pencilthroughout.Manuscript in the hand of Davis Walker.At end: Arranged for two pianos Mar. 5, 1963.No. 3, "Danza de Jalisco" / for two pianos.Ms. (ozalid). Score for two pianos; 17 p.; 38 cm.Note: Copy of manuscript score ARCO 78-B.Manuscript in the hand of David Walker.At end: Arranged for two pianos Mar. 5, 1963.Aaron Copland Collection 131

Music, 1841-1988ContainerContentsBOX-FOLDER 94/78-B.378-B.3BOX-FOLDER 94/78-Ba78-BaNo. 3, "Danza de Jalisco" / for two pianos.Ms. Sketches for two pianos; 8 p.; 43.5 cm.Note: Holograph in pencil.Also includes holograph sketches in pencil arranged for two pianoMexican Landscape and Noche Mexicana; 6 p.No. 3, "Danza de Jalisco" / for two pianos. London: Boosey & Hawkes,[1968].Score for two pianos; 20 p. (2 parts in one folder).c1968 by Aaron Copland.Plt.: B. & H. 19627.Note: Commissioned by the Festival Foundation for the Festival ofTwo Worlds in Spoleto, Italy.This arrangement for two pianos was prepared by the composer in1963.79) Dance panels [ballet]BOX-FOLDER 95/79 Dance panels : in seven sections.79 Ms. Full score; 142 leaves; 38 cm.Note: Holograph in ink on transparent paper.At end: Feb.- June '59. Orchestration Sept. '59.BOX-FOLDER 95/79.1 Dance panels.79.1 Ms. (ozalid). Full score; 142 p.; 38 cm.Note: Copy of holograph score ARCO 79, with holograph markingsin ink and pencil.At end: Feb.- June '59. Orchestration Sept. '59.BOX-FOLDER 95/79.2 Ballet for J.R.79.2 Ms. (black line print). Full score (incomplete); 132 lvs; various sizes.Note: Copy of holograph score ARCO 79, with holograph markingsin pencil throughout.At head: Commissioned by Jerome Robbins.At end: Feb.-June '59. Orchestration Sept. '59.BOX-FOLDER 95/79.3 Ballet for J.R.79.3 Ms. Orchestral sketches; unpaged; various sizes.Note: Holographs in ink and pencil.BOX-FOLDER 95/79 misc [Dance panels].79 misc Mss. (holographs and ozalids). Miscellaneous pages from orchestralscores; various paginations; various sizes.Note: Holographs in ink and pencil, and reproductions.BOX-FOLDER 41/79a79aDance panels : ballet in seven sections. London: Boosey & Hawkes,[1965].Full score; 83 p. (3 copies; Copy 2 bound).c1965 by Aaron Copland.Plt.: B. & H. 19151, 19159.Aaron Copland Collection 132

Music, 1841-1988ContainerContentsNote: Holograph markings in pencil throughout Copy 1; Copy 2 hasholograph markings in pencil, but not marked as heavily as Copy1.Commissioned by Jerome Robbins.Duration: Approx. 26.5 min.BOX-FOLDER 41/79b Dance panels : ballet in seven sections. London: Boosey & Hawkes,[1965].79b Full score (miniature); 83 p.c1965 by Aaron Copland.Plt.: B. & H. 19151, 19159.Ser. title: Hawkes Pocket Scores, No. 765.Duration: Approx. 26 min.79-A) Dance panels [piano solo]BOX-FOLDER 41/79-A Dance panels : ballet.79-A Ms. (ozalid). Piano reduction; 46 p.; 36 cm. (spiral bound).At end: Feb. - June 18, 1959.Commissioned by Jerome Robbins.BOX-FOLDER 41/79-A.179-A.1[Dance panels] : ballet.Ms. (ozalid). Piano reduction; 46 p.; 36 cm.At head: "First version - 1959."Corrected copy.At end: Feb. - June 18, 1959.BOX-FOLDER 41/79-A misc [Dance panels].79-A misc Mss. (holographs and ozalids). Miscellaneous pages and fragmentsfrom piano scores; various paginations; various sizes.Note: Holographs in ink and pencil on transparent paper, and ozalidreproductions.BOX-FOLDER 41/79-Aa Dance panels : ballet in seven sections (1959; revised 1962). London:Boosey & Hawkes, [1965].79-Aa Piano reduction; 83 p.c1965 by Aaron Copland.Plt.: B. & H. 19201.Duration: Approx. 26 min.80) Nonet [string orchestra]BOX-FOLDER 96/80 Nonet : for solo strings.80 Ms. (ozalid). Score for string orchestra; 36 leaves; 6 cm.Note: Contains holograph markings in ink and pencil.On second preliminary page: Commissioned by the Dumbarton OaksResearch Library and dedicated to Nadia Boulanger after fortyyears of friendship.At end: Rock Hill, Dec. 28, 1960.BOX-FOLDER 96/80.1 Nonet : for solo strings.80.1 Ms. (ozalid). Score for string orchestra; 36 p.; 46 cm. (spiral bound).Aaron Copland Collection 133

Music, 1841-1988ContainerContentsNote: Contains holograph markings in pencil.On verso of title page: Commissioned by the Dumbarton OaksResearch Library and dedicated to Nadia Boulanger after fortyyears of friendship.At end: Rock Hill, Dec. 28, 1960.BOX-FOLDER 96/80.2 Nonet : for solo strings.80.2 Ms. (ozalid). Score for string orchestra; 36 leaves; 46 cm.Note: Contains holograph markings in ink and pencil.At end: Dec. 28, 1960.BOX-FOLDER 96/80.3 Nonet (in one movement) : for solo strings.80.3 Ms. Score for string orchestra (incomplete, draft); [20] p. (pp. 1-11,AA-II); 38 cm.Note: Holograph in pencil.BOX-FOLDER 96/80.4 Nonet.80.4 Ms. Rough sketches; various paginations; various sizes.Note: Holograph in pencil.BOX-FOLDER 96/80.5 Nonet : for solo string (in one movement).80.5 Ms. Piano reduction; 21 p.; various sizes.Note: Holograph in pencil.Duration: 16.5 min.BOX-FOLDER 96/80.6 Nonet. London: Boosey & Hawkes, [1962].80.6 Publisher's proof. Full score for string orchestra; 34 p.c1962 by Doosey & Hawkes.Plt.: B. & H. 18894.Note: holograph markings in ink and pencil throughout.Laid in: One leaf holograph note in pencil.BOX-FOLDER 96/80 misc [Nonet : for solo strings].80 misc Mss. Discarded pages from score for string orchestra; 9 leaves; 46cm.Note: Holograph in ink with holograph markings pencil ontransparent paper.BOX-FOLDER 96/80a Nonet for strings. London: Boosey & Hawkes, [1962].80aFull score; 24 p. (2 copies, Copy 1 bound).c1962 by Boosey & Hawkes.Plt.: B. & H. 18894.Note: Holograph markings in ink and pencil throughout Copy 1.Laid in Copy 1: Affixed inside back cover, one leaf holograph note inink regarding the work.BOX-FOLDER 96/80aa Nonet for strings. London: Boosey & Hawkes, [1962].80aaString parts.c1962 by Boosey & Hawkes.Plt.: B. & H. 18895.Aaron Copland Collection 134

Music, 1841-1988ContainerContentsBOX-FOLDER 96/80b Nonet for strings. London: Boosey & Hawkes, [1962].80b Full score (miniature); 34 p.c1962 by Boosey & Hawkes.Plt.: B. & H. 18894.Ser. title: Hawkes Pocket Scores, No. 737.On verso of title page: Commissioned by the Dumbarton OaksResearch Library in honor of the fiftieth wedding anniversary ofMr. and Mrs. Robert W. Bliss and dedicated to Nadia Boulangerafter forty years of friendship.Duration: 15 min.81) Something wild [incidental music]BOX-FOLDER 116/81 Something wild.81 Ms. Full score divided by cue numbers; various paginations; 47.5cm.Note: Copyist's manuscript in pencil and ink by David Walker andJohn B. Kennedy.BOX-FOLDER 116/81.1 Something wild.81.1 Ms. Conductor score; 88 p.; 31.5 cm.Note: Copyist's manuscript in pencil on transparent paper by DavidWalker.BOX-FOLDER 116/81.2 Something wild.81.2 Ms. (ozalid). Conductor score; 81 p.; 33.5 cm.Note: Copy of manuscript score ARCO 81.1 by David Walker withextensive additions and corrections in pencil.On microfilm: MUSIC 1906, Item 52.BOX-FOLDER 116/81.3 Something wild.81.3 Ms. (ozalid). Conductor score; various paginations; 33.5 cm.(bound).Note: Copy of manuscript score ARCO 81.1 by David Walker, withadditions and corrections in pencil.BOX-FOLDER 116/81.4 Cue 4, "The subway".81.4 Ms. (ozalid). Conductor score; 7 p.; 32 cm. (2 copies).Note: Copyist's manuscript by David Walker.BOX-FOLDER 116/81.5 Something wild.81.5 Ms. Original pencil score (draft, short version); 82 p.; 38.5 cm.Note: Holograph in pencil.At end: Apr. to Sept. 10, '61.On microfilm: MUSIC 1906, Item 52.107BOX-FOLDER 116/81.6 Something wild.81.6 Mss. Orchestral parts divided by cue numbers.Note: Copyist's manuscripts in ink and pencil.Aaron Copland Collection 135

Music, 1841-1988ContainerContentsBOX-FOLDER 116/81.7 Something wild.81.7 Ms. Sketches; [2] leaves; 32 cm.Note: Holograph in pencil.BOX-FOLDER 116/81 misc Something wild.81 misc Mss. Miscellaneous items relating to the film production: includestypescript of Something Wild - The City with annotations in pencil(128 leaves); shooting cues in typescript with annotations inpencil and ink which describe, in short phrases, film sequences,gives measurements of frames (in feet), and durations ([22]leaves, pp. 3-4 missing); typed letter form Sylvia Goldstein (ofBoosey & Hawkes) to Mr. Copland dated May 23, 1962; andhandwritten notes in ink and pencil.Note: Manuscripts with markings in ink and pencil.82) Down a country lane [piano solo]BOX-FOLDER 97/82 Down a country lane.82 Ms. (photocopy). Piano solo; 2 p.; 37 cm.Note: Contains holograph markings in pencil.BOX-FOLDER 97/82.1 Down a country lane.82.1 Ms. Piano solo; 2 p.; 31 cm.Note: Holograph in pencil.BOX-FOLDER 97/82.2 Down a country lane.82.2 Ms. Sketches; [10] p.; various sizes.Note: Holographs in ink and pencil.BOX-FOLDER 97/82.3 Down a country lane. New York: Boosey & Hawkes, [1962].82.3 Publisher's proof. Piano solo; 2 leaves; 26.5 x 28 cm.c1962 by Aaron Copland.BOX-FOLDER 97/82a Down a country lane. New York: Boosey & Hawkes, [1962].82aPiano solo; 2 p. (2 copies).c1962 by Aaron Copland.Plt.: B. & H. 19030.Note: Copy 1 contains holograph orchestral indications in pencil.82-A) Down a country lane [school orchestra]BOX-FOLDER 97/82-A Down a country lane.82-A Ms. Full score; 12 leaves; 46 cm.Note: Holograph in pencil.BOX-FOLDER 97/82-Aa Down a country lane. London: Boosey & Hawkes, [1965].82-AaFull score; 8 p. (3 copies).c1962; school orchestra arrangement copyright 1965 by AaronCopland.Plt.: B. & H. 19091.Ser. title: Youth Orchestra Series.Note: Holograph markings in pencil throughout Copy 1.Aaron Copland Collection 136

Music, 1841-1988ContainerContentsBOX-FOLDER 97/82-Aaa Down a country lane. London: Boosey & Hawkes, [1965].82-AaaOrchestral parts (2 sets).c1962; school orchestra arrangement copyright 1965 by AaronCopland.Plt.: B. & H. 19091.Ser. title: Youth Orchestra Series.83) Connotations [orchestra]BOX-FOLDER 106/83 Connotations : for orchestra.83 Ms. Full score; 93 leaves; 48 cm.Note: Holograph of original version before revisions in pencil ontransparent paper, with markings in David Walker's hand in inkand pencil.On second preliminary page: Commissioned by the New YorkPhilharmonic in celebration of its opening season in the LincolnCenter for the Performing Arts and dedicated to the members ofthe orchestra and its Music Director, Leonard Bernstein, 1962.At end: Rock Hill Sept. 11, 1962.Duration: Approx. 20 min.See ARCO 83.2 for original holograph pages (now withdrawn), andARCO 83.3 for replacement pages in David Walker's hand.On microfilm: MUSIC 1906, Item 13.BOX-FOLDER 106/83.1 Connotations : for orchestra.83.1 Ms. (ozalid). Full score; 93 p.; 48 cm. (spiral bound).Note: Photocopy of holograph original version ARCO 83, withholograph markings in pencil throughout.Duration: Approx. 19.5 min.See ARCO 83.2 for original holograph pages (now withdrawn), andARCO 83.3 for replacement pages in David Walker's hand.BOX-FOLDER 106/83.2 [Connotations for orchestra].83.2 Ms. Various pages from full score original, now withdrawn; 15leaves; 48 cm.Note: Holograph in pencil on transparent paper.Laid in: Holograph note in ink and pencil.On microfilm: MUSIC 1906, Item 13.BOX-FOLDER 106/83.3 [Connotations for orchestra].83.3 Ms. Pages from full score, used in final version; 27 leaves; 48 cm.Note: Manuscript in pencil on transparent paper by Aaron Coplandand David Walker.BOX-FOLDER 106/83.4 Connotations : for orchestra.83.4 Ms. Rough sketches; 41 p.; various sizes.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 13.BOX-FOLDER 106/83.5 Connotations : for orchestra.83.5 Ms. Open score sketch; 27 p.; various sizes.Aaron Copland Collection 137

Music, 1841-1988ContainerContentsNote: Holograph in pencil.At end: Sept. 11, '62.On microfilm: MUSIC 1906, Item 13.BOX-FOLDER 106/83.6 [Connotations for orchestra].83.6 Ms. Tone row used in Connotations; 5 p.; 43.5 cm.Note: Holograph in pencil.BOX-FOLDER 106/83.7 Connotations : for orchestra.83.7 Ms. Condensed score (incomplete); [11] leaves; 38.5 cm.Note: Manuscript in pencil on transparent paper by David Walker.Laid in: 5 leaves of holograph orchestral notes in pencil.BOX-FOLDER 106/83.8 Connotations : for orchestra.83.8 Ms. (black line print). Condensed score (incomplete); [11] leaves; 38cm.Note: Copy of manuscript score in pencil ARCO 83.7, with holographmarkings in pencil throughout.BOX-FOLDER 106/83.9 Connotations : for orchestra.83.9 Ms. (black line print). Condensed score (incomplete); [11] p.; 35.5cm.Note: Copy of manuscript score by David Walker ARCO 83.7, withholograph markings in pencil throughout.BOX-FOLDER 106/83 misc [Connotations for orchestra].83 misc Mss. (reproductions). Miscellaneous pages from full score (27leaves) and photocopy of copyist's manuscript of an arrangementfor piano solo (incomplete); 16 leaves..BOX-FOLDER 106/83a Connotations : for orchestra. London: Boosey & Hawkes, [1963].83aFull score; 82 p. (2 copies, Copy 1 bound).c1962, 1963 by Aaron Copland.Plt.: B. & H. 19063.Note: Holograph markings in pencil throughout both copies.Laid in Copy 1: 5 leaves of orchestral notes in ink and pencil.Laid in Copy 2: One leaf of orchestral notes in ink.Duration: 19.5 min.BOX-FOLDER 106/83b Connotations : for orchestra. London: Boosey & Hawkes, [1963].83b Full score (miniature); 82 p.c1962, 1963 by Aaron Copland.Plt.: B. & H. 19063.Duration: 19.5 min.84) Music for a great city [orchestral suite]BOX-FOLDER 107/84 Music for a great city.84 Ms. (ozalid). Full score; 114 p.; 48 cm. (spiral bound).Note: Holograph markings in pencil throughout.At end: Apr. 13, 1964.Aaron Copland Collection 138

Music, 1841-1988ContainerContentsConcert suite developed from film score Something wild.CONTENTS:• 1) The skyline• 2) Night thoughts• 3) Subway jam• 4) Toward the bridgeBOX-FOLDER 107/84.1 [No. I, "The skyline"].84.1 Ms. (black line print). Full score; 51 leaves; 48 cm.At head in red pencil: uncorrected copy.Concert suite developed from film score "Something Wild".BOX-FOLDER 107/84.2 [No. II, "Night thoughts"].84.2 Ms. (ozalid). Full score; [20] p. (pp. 52-71); 38 cm. (spiral bound).Note: Holograph markings in pencil throughout.At head in red pencil: uncorrected copy.BOX-FOLDER 107/84.3 No. III, "Subway jam".84.3 Ms. Condensed score sketch; 8 p.; 34.5 cm.Note: Holograph in pencil.BOX-FOLDER 107/84.4 "III Movement".84.4 Ms. (ozalid). Full score; [13] p. (pp. 72-84); 36.5 cm.Note: Holograph markings in pencil throughout.BOX-FOLDER 107/84.5 [No. IV, "Toward the bridge"].84.5 Ms. (ozalid). Full score; [30] p. (pp. 85-114); 48 cm. (spiral bound).At head in red pencil: uncorrected copy.BOX-FOLDER 107/84.6 Music for a great city : concert suite from "Something wild".84.6 Ms. Rough sketches; [30] p.; various sizes.Note: Holograph in pencil and ink.Includes 11 leaves of orchestral notes in ink and pencil.BOX-FOLDER 107/84a Music for a great city. London: Boosey & Hawkes, [1965].84aFull score; 100 p. (2 copies).c1965 by Aaron Copland.Plt.: B. & H. 19318.Note: Holograph markings in pencil throughout Copy 1.On second preliminary page: Commissioned by the LondonSymphony Orchestra in celebration of its sixtieth anniversaryseason and dedicated to the members of the orchestra.Duration: Approx. 24 min.CONTENTS:• 1) Skyline• 2) Night thoughts• 3) Subway jam• 4) Toward the bridgeConcert suite developed from film score "Something wild".Aaron Copland Collection 139

Music, 1841-1988ContainerContentsBOX-FOLDER 107/84b Music for a great city. London: Boosey & Hawkes, [1965].84b Full score (miniature); 100 p.c1965 by Aaron Copland.Plt.: B. & H. 19318.On second preliminary page: Commissioned by the LondonSymphony Orchestra on its sixtieth anniversary season anddedicated to the members of the orchestra.Duration: Approx. 24 min.85) Emblems [band]BOX-FOLDER 108/85 Emblems : for symphonic band.85 Ms. Full score; 66 leaves; 50 cm.Note: Manuscript in pencil by Aaron Copland and David Walker.On title page: Commissioned by the College Band Directors NationalAssociation (1964).At end: Nov. 10, 1964.Duration: circa 12 min.BOX-FOLDER 108/85.1 Emblems : for symphonic band.85.1 Ms. (ozalid). Full score; 65 p.; 51 cm. (spiral bound).Note: Copy of manuscript score ARCO 85, with holograph bandindications in pencil.On title page: Uncorrected copy.Commissioned by the College Band Directors National Association(1964).At end: Nov. 10, 1964.This version does not include page 66 of original score.BOX-FOLDER 108/85.2 Emblems : for symphonic band.85.2 Ms. (ozalid). Full score (incomplete); 24 leaves; 51 cm.Note: Copy of manuscript score ARCO 85.On title page: Uncorrected copy.Commissioned by the College Band Directors National Association(1964).BOX-FOLDER 108/85.3 Emblems : for symphonic band.85.3 Ms. Condensed score; 24 leaves; 38 cm.Note: Manuscript in pencil on transparent paper by David Walker.At end: Nov. 3, 1964.BOX-FOLDER 108/85.4 Emblems : for symphonic band.85.4 Ms. (ozalid). Condensed score; 24 p.; various sizes.Note: Copy of original manuscript score ARCO 85.3, with holographband indications in pencil by Aaron Copland.BOX-FOLDER 108/85.5 Emblems : for band.85.5 Ms. Condensed score (draft); 42 p.; 34 cm.Note: Holograph in pencil.At end: Nov. '64 Approx.On microfilm: MUSIC 1906, Item 18.Aaron Copland Collection 140

Music, 1841-1988ContainerContentsBOX-FOLDER 108/85.6 Emblems : for band.85.6 Ms. Rough sketches; 43 p.; various sizes.Note: Holograph in pencil.On microfilm: MUSIC 1906, Item 18.BOX-FOLDER 108/85a Emblems.85a New York: Boosey & Hawkes, [1965]Full score and conductor score (2 volumes); 58 + 30 p. (2 copies).c1965 by Aaron Copland.Plt.: Q.M.B. 339.Note: Holograph markings in pencil throughout both copies.At head: Commissioned by the College Band Directors NationalAssociation.BOX-FOLDER 108/85aa Emblems. New York: Boosey & Hawkes, [1965].85aaBand parts.c1965 by Aaron Copland.Plt.: Q.M.B. 339.86) Signature : CBS Playhouse [incidental music]BOX-FOLDER 42/86 Signature : CBS Playhouse.86 Ms. Full score; [11] leaves; 38 cm.Note: Holograph in pencil.On second preliminary page: Commissioned by the ColumbiaBroadcasting System.BOX-FOLDER 42/86.1 Signature : CBS Playhouse.86.1 Ms. (ozalid). Full score; 8 p.; 37.5 cm.Note: Copied from holograph score ARCO 86.On title page verso: Commissioned by the Columbia BroadcastingSystem.BOX-FOLDER 42/86.2 Signature : CBS Playhouse.86.2 Ms. (ozalid). Full score; 8 p.; 38.5 cm.Note: Copied from holograph score ARCO 86.BOX-FOLDER 42/86.3 Signature : CBS Playhouse.86.3 Ms. (black line print). Full score; 8 p.; 38.5 cm.Note: Copied from holograph score ARCO 86.At head in red pencil: 1A.BOX-FOLDER 42/86.4 Signature : CBS Playhouse.86.4 Ms. (black line print). Full score; 8 p.; 38.5 cm.Note: Copied from holograph score ARCO 86.At head in red pencil: 1B.BOX-FOLDER 42/86.5 Signature : CBS Playhouse.86.5 Ms. (black line print). Full score; 8 p.; 38.5 cm.Note: Copied from holograph score ARCO 86.Aaron Copland Collection 141

Music, 1841-1988ContainerContentsAt head in red pencil: 1C.BOX-FOLDER 42/86.6 Signature : CBS Playhouse.86.6 Ms. (black line print). Full score; 8 p.; 38.5 cm.Note: Copied from holograph score ARCO 86.At head in red pencil: 1D.BOX-FOLDER 42/86.7 Signature : CBS Playhouse.86.7 Ms. Sketches; [12] p.; various sizes.Note: Holograph in pencil.Includes one leaf handwritten note titled "Instructions for Copyist".BOX-FOLDER 42/86.8 Signature : CBS Playhouse.86.8 Ms. (ozalid). Full score (incomplete); 7 p.; 38.5 cm.Note: Copied from holograph score ARCO 86.At head in pencil: #1.BOX-FOLDER 42/86.9 Signature : CBS Playhouse.86.9 Ms. (ozalid). Full score (incomplete); [6] p.; 38.5 cm.Note: Copied from holograph score ARCO 86.At head in pencil: #2.BOX-FOLDER 42/86.10 Signature : CBS Playhouse.86.10 Ms. (black line print). Full score (incomplete); [2] p.; 38.5 cm.Note: Copied from holograph score [ARCO 86], with Holographmarkings in pencil throughout.At head in pencil: #3.BOX-FOLDER 42/86.11 Signature : CBS Playhouse.86.11 Ms. (ozalid). Full score (incomplete); [2] p.; 38.5 cm.Note: Copied from holograph score ARCO 86, with holographmarkings in pencilAt head in pencil: #3.BOX-FOLDER 42/86.12 [Signature : CBS Playhouse].86.12 Ms. (black line print). Full score (incomplete); [1] p. (page V); 38.5cm.Note: Copied from holograph score ARCO 86, with holographmarkings in pencil throughout.At head in red pencil: #4.BOX-FOLDER 42/86.13 Signature : CBS Playhouse.86.13 Ms. (ozalid). Full score (incomplete); [1] p. (page V); 38.5 cm.Note: Copied from holograph score ARCO 86, with holographmarkings in pencil.At head in pencil: #4.BOX-FOLDER 42/86.14 [Signature : CBS Playhouse].86.14 Ms. (ozalid). Full score (incomplete); [1] p. (page VI); 38.5 cm.Aaron Copland Collection 142

Music, 1841-1988ContainerContentsNote: Copied from holograph score ARCO 86, with holographmarkings in pencil.At head in pencil: #5.87) In evening air [piano work]BOX-FOLDER 42/87 In evening air.87 Ms. Piano solo; 3 p.; 34.5 cm.Note: Manuscript in ink by David Walker.Duration: 2:40.BOX-FOLDER 42/87.1 In evening air.87.1 Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.Note: Copy of manuscript score ARCO 87.BOX-FOLDER 42/87.2 In evening air.87.2 Ms. Piano solo (draft); 4 p.; 38.5 cm.Note: Holograph in ink and pencil.BOX-FOLDER 42/87.3 In evening air.87.3 Ms. Piano solo; (rough draft); 3 p.; 38.5 cm.Note: Holograph in pencil.BOX-FOLDER 42/87.4 In evening air.87.4 Ms. (ozalid). Piano solo; 3 p.; 35 cm.Note: Copy of manuscript score ARCO 87 by David Walker.BOX-FOLDER 42/87a In evening air. London: Boosey & Hawkes, [1974].87a Piano solo; 3 p.c1972 by Aaron Copland; copyright under U.C.C. 1974 by AaronCopland.Plt.: B. & H. 20246.This item is not usable due to water damage. The 3 leaf photocopyincluded was reproduced from Aaron Copland Piano Album(1981).88) Eight poems of Emily Dickinson [voice & chamber orchestra]BOX-FOLDER 42/88 Eight poems of Emily Dickinson.88 Ms. (ozalid). Full score; 109 p.; 38.5 cm. (spiral bound).Note: Holograph markings in ink and pencil throughout.Laid in: 3 leaves of handwritten and typescript notes regardingcorrections to be made in orchestral parts.BOX-FOLDER 42/88a Eight poems of Emily Dickinson. New York: Boosey & Hawkes, [1981].88a Full score (miniature); 101 p.c1951 by Aaron Copland; renewed 1979; orchestration copyright1978 by Aaron Copland.Plt.: H.P.S. 934.Duration: ca. 20 min.Aaron Copland Collection 143

Music, 1841-1988ContainerContentsBOX-FOLDER 42/89a89aBOX-FOLDER 42/89aa89aa89) "Variations on a Shaker melody": from Appalachian spring[school orchestra]"Variations on a Shaker melody" : from Appalachian spring. London:Boosey & Hawkes, [1967].Full score; 16 p. (3 copies).c1960 by Aaron Copland; this arrangement copyright 1967 by AaronCopland.Plt.: B. & H. 19462.Note: Holograph markings in pencil throughout Copy 1.Ser. title: Youth Orchestra Series."Variations on a Shaker melody" : from Appalachian spring. London:Boosey & Hawkes, [1967].Orchestral parts.c1960 by Aaron Copland; this arrangement copyright 1967 by AaronCopland.Plt.: B. & H. 19510.Ser. title: Youth Orchestra Series.89-A) "Variations on a Shaker melody": from Appalachian spring[two pianos]BOX-FOLDER 42/89-A Variations on a Shaker melody : from Appalachian spring. New York:Boosey & Hawkes, [1984].89-A Publisher's proof. Score for two pianos; 12 p.c1984 by Boosey & Hawkes, Inc.Plt.: PDB59.Note: Photocopy of publisher's proof.BOX-FOLDER 42/89-Aa "Variations on a Shaker melody" : from Appalachian spring/arranged for piano four hands by Bennett Lerner. New York: Boosey& Hawkes, [1985].89-Aa Score for two pianos; 12 p.c1945 by Aaron Copland; renewed 1972; this arrangement copyright1985 by Copland.Plt.: PDB-59.Autograph on title page by Bennett Lerner: For Aaron, withaffection. Bennett, 1985.Duration: ca. 6 min.90) Inscape [orchestra]BOX-FOLDER 109/90 Inscape : for orchestra.90 Ms. (black line print). Full score; 48 p.; 50 cm. (spiral bound).Note: Holograph markings in ink and pencil throughout.At end: Aug. 1, 1967.BOX-FOLDER 109/90.1 Inscape : for orchestra.90.1 Ms. (black line print). Full score; 48 leaves; 50 cm.On title page: Uncorrected score.At end: Aug. 1, 1967.Aaron Copland Collection 144

Music, 1841-1988ContainerContentsBOX-FOLDER 109/90.2 Inscape : for orchestra.90.2 Ms. Condensed score; 16 leaves; 38.5 cm.Note: Copyist's manuscript in pencil on transparent paper by DavidWalker.BOX-FOLDER 109/90.3 Inscape : for orchestra.90.3 Ms. (ozalid). Condensed score; 16 p.; 38.5 cm.Note: Copy of manuscript score ARCO 90.2, with holographorchestral indications in pencil throughout.BOX-FOLDER 109/90.4 Inscape : for orchestra.90.4 Ms. (ozalid). Condensed score (incomplete); 16 p.; 38.5 cm.Note: Contains holograph markings in pencil.BOX-FOLDER 109/90.5 Inscape : for orchestra.90.5 Ms. (ozalid). Condensed score (incomplete); 5 p.; 38.5 cm.Note: Contains holograph markings in pencil.BOX-FOLDER 109/90.6 Inscape : for orchestra.90.6 Ms. Rough sketches; unnumbered; various sizes.Note: Holograph in pencil.BOX-FOLDER 109/90.7 Inscape : for orchestra.90.7 Ms. Condensed score (draft); various paginations; 34.5 cm.Note: Holograph in pencil.On title page: Commissioned by the N.Y. Philharmonic Orchestra incelebration of its 125th anniversary season.BOX-FOLDER 109/90 misc Inscape : for orchestra.90 misc Mss. Miscellaneous handwritten and typescript notes regardingcorrections in Inscape score; 5 leaves; various sizes.BOX-FOLDER 109/90a Inscape. London: Boosey & Hawkes, [1968].90aFull score; 47 p. (3 copies, Copy 2 bound).c1968 by Aaron Copland.Plt.: B. & H. 19722.Note: Holograph markings in pencil throughout Copy 1.Duration: 12.5 min.91) Inaugural fanfare [wind ensemble]BOX-FOLDER 110/91 Inaugural fanfare : for woodwinds, brass, and percussion.91 Ms. (ozalid). Full score; 18 p.; 41 cm.Note: Holograph and other markings in ink and pencil throughout.On title page verso: Commissioned by the City of Grand Rapids,Michigan for its new City-County Plaza in Vandenberg Center,and the unveiling of Alexander Calder's stabile, La GrandeVitesse, First performed by the Grand Rapids Symphony GregoryMiller, Conductor, on June 14, 1969.At end: May 1, 1969 (revised 1975).Aaron Copland Collection 145

Music, 1841-1988ContainerContentsBOX-FOLDER 110/91.1 Inaugural fanfare.91.1 Ms. (ozalid). Full score: 18 p.; 38 cm. (spiral bound).On cover: Unrevised - do not use.At end: May 1, 1969.BOX-FOLDER 110/91.2 Inaugural fanfare.91.2 Ms. Rough sketch in pencil and condensed score draft; variouspaginations; various sizes.Note: Holograph in pencil.Composed for the City of Grand Rapids, Michigan (Inauguration ofCalder Statue).BOX-FOLDER 110/91a91aBOX-FOLDER 110/91aa91aaInaugural fanfare : wind ensemble. New York: Boosey & Hawkes,[1976].Full score; 19 p. (2 copies).c1976 by Aaron Copland.Plt.: B. Ens. 214.Inaugural fanfare : wind ensemble. New York: Boosey & Hawkes,[1976].Wind ensemble parts (2 sets).c1976 by Aaron Copland.Plt.: B. Ens. 214.92) Happy anniversary [orchestra]BOX-FOLDER 110/92 Happy anniversary : a well-known tune arranged for symphonyorchestra.92 Ms. Full score; 7 leaves; 47.5 cm.Note: Holograph in pencil on transparent paper.On page 1: For Eugene Ormandy's seventieth birthday.BOX-FOLDER 110/92.1 Happy anniversary.92.1 Ms. Sketches; [6] p.; various sizes.Note: Holograph in pencil.For Eugene Ormandy's 70th birthday.BOX-FOLDER 110/92.2 "For Eugene Ormandy's 70th birthday" (ca. 1969).92.2 Piano solo; 1 leaf; 30.5 cm.Note: Contains holograph markings in pencil.BOX-FOLDER 110/92a92aHappy anniversary : a well-known tune arranged for symphonyorchestra. London: Boosey & Hawkes, [1971].Full score; 5 p. (2 copies).c1971 by Aaron Copland.Plt.: B. & H. 19952.At head: For Eugene Ormandy's seventieth birthday.Duration: Approx. 1 min.93) Ceremonial fanfare [brass ensemble]Aaron Copland Collection 146

Music, 1841-1988ContainerContentsBOX-FOLDER 110/93 Ceremonial fanfare : for brass ensemble.93 Ms. (ozalid). Full score; 8 p. 37.5 cm.On title page: Unedited copy.At head: Commissioned by the Metropolitan Museum of Art.At end: Dec. 28, 1969.BOX-FOLDER 110/93.1 Ceremonial fanfare : for brass ensemble.93.1 Ms. (ozalid). Full score; 8 p.; 37.5 cm.Note: Same ozalid reproduction as ARCO 93, with holographmarkings in ink and pencil.BOX-FOLDER 110/93.2 Ceremonial fanfare.93.2 Ms. Condensed score (draft); 7 p.; 34.5 cm.Note: Holograph in pencil.On title page: Commissioned by the Metropolitan Museum of Art forits centennial year.BOX-FOLDER 110/93.3 Ceremonial fanfare.93.3 Ms. Sketches; [12] p.; various sizes.Note: Holograph in pencil.BOX-FOLDER 110/93a93aBOX-FOLDER 110/93aa93aaCeremonial fanfare : for brass ensemble. London: Boosey & Hawkes,[1974].Full score; 6 p. (3 copies).c1974 by Aaron Copland.Plt.: B. & H. 20187.Note: Holograph markings in ink and pencil throughout Copy 1 andCopy 2.On title page verso: Commissioned by the New York CityMetropolitan Museum of Art in celebration of its Centennial Year- 1969.Ceremonial fanfare : for brass ensemble. London: Boosey & Hawkes,[1974].Ensemble parts.c1974 by Aaron Copland.Plt.: B. & H. 20187.94) Duo for flute and piano [chamber work]BOX-FOLDER 110/94 Duo for flute and piano.94 Ms. Score for flute and piano; 24 leaves; 38 cm.Note: Manuscript in pencil on transparent paper by David Walker.At end: March 9, 1971.BOX-FOLDER 110/94.1 Duo for flute and piano.94.1 Ms. Flute part; 10 leaves; 38 cm.Note: Manuscript in ink on transparent paper by David Walker.BOX-FOLDER 110/94.2 Duo for flute and piano.94.2 Ms. (ozalid). Flute part (incomplete); [4] p. (pp. 7-10); 38.5 cm.Aaron Copland Collection 147

Music, 1841-1988ContainerContentsNote: Copy in part of manuscript flute part ARCO 94.1, withholograph markings in ink and pencil.At head: uncorrected - don't use.BOX-FOLDER 110/94.3 Duo for flute and piano.94.3 Ms. Score for flute and piano (draft); 27 p.; various sizes.Note: Holograph in pencil.BOX-FOLDER 110/94.4 Duo for flute and piano.94.4 Ms. Rough sketches; unnumbered; various sizes.Note: Holograph in pencil.BOX-FOLDER 110/94.5 Duo for flute and piano.94.5 Ms. Score for flute and piano (incomplete); 4 leaves; 38 cm.Note: Manuscript in pencil on transparent paper by David Walker.BOX-FOLDER 110/94 misc Duo for flute and piano.94 misc Mss. Miscellaneous pages from scores (2 leaves), and handwrittencorrection notes (3 leaves).Note: Holographs in ink and pencil.BOX-FOLDER 110/94a Duo for flute and piano. London: Boosey & Hawkes, [1971].94a Score for flute and piano; 21 p.c1971 by Aaron Copland.Plt.: B. & H. 20009.Note: Holograph markings in pencil throughout.This edition now withdrawn.BOX-FOLDER 110/94b "Poem" : from Duo for flute and piano. London: Boosey & Hawkes,[1971].94b Piano score and flute part; 5 p. (pp. 2-6) + 2 p. (pp. 2-3).c1971 by Aaron Copland.Plt.: B. & H. 20359.Ser. ed.: Peter Wastall.Ser. title: Exploring Music Series: Temporary Music for Flute.This volume also contains music by Butterworth, Hyde, Ferguson,Maxwell Davies, Lamb, and Lees.94-A) "Poem": from Duo for flute and piano [flute solo]BOX-FOLDER 110/94-Aa No. II, "Poem" : from Duo for flute and piano [solo flute](1971). London: Boosey & Hawkes, [1971].94-Aa Flute solo; [2] p. (pp. 2-3).c1971 by Aaron Copland.Plt.: B. & H. 20359.Ser. ed.: Peter Wastall.Ser. title: Exploring Music Series: Contemporary Music for Flute.94-B) "Duo for violin and piano" [chamber work]BOX-FOLDER 110/94-B Duo for violin and piano.94-B Ms. Violin part; 7 leaves; 38 cm.Aaron Copland Collection 148

Music, 1841-1988ContainerContentsNote: Manuscript in pencil on transparent paper by David Walkerwith holograph markings in pencil.BOX-FOLDER 110/94-B.194-B.1BOX-FOLDER 110/94-B.294-B.2Duo for violin and piano.Ms. (photocopy). Violin part; 7 leaves; various sizes.Note: Copy of manuscript violin part by Robert Mann ARCO 94-A,with holograph markings in pencil and ink throughout.At head: Do not use.Duo for violin and piano.Ms. (photocopy). Violin part; 7 leaves; various sizes.Note: Copy of manuscript violin part by Robert Mann ARCO 94-A,with markings in pencil throughout.95) Threnody I : Igor Stravinsky, in memoriam [flute & stringtrio]BOX-FOLDER 43/95 Threnody I : Igor Stravinsky, in memoriam / three-part canon for fluteand string trio.95 Ms. Full score; 3 p.; 37 cm.Note: Holograph in ink with holograph markings in pencil.At end: Sept. 19, 1971.BOX-FOLDER 43/95.1 Threnody I : Igor Stravinsky, in memoriam / three-part canon for fluteand string trio.95.1 Ms. Sketches; [10] p.; various sizes.Note: Holograph in ink and pencil.At end: Multiple dates, including Sept. 19, 1971.BOX-FOLDER 43/95a95aThrenodies I and II : for flute/alto flute and string trio(1971-73). London: Boosey & Hawkes, [1977].Full score and parts.c1972 (Threnody I) and 1977 (Threnody II) by Aaron Copland.Plt.: B. & H. 20279.96) Night thoughts : homage to Ives [piano work]BOX-FOLDER 43/96 Night thoughts : homage to Ives.96 Ms. Piano solo; 8 leaves; 34.5 cm.Note: Manuscript in ink and pencil on transparent paper by AaronCopland and David Walker.Commissioned by the Van Cliburn International QuadrennialCompetition - 1973.BOX-FOLDER 43/96.1 Night thoughts : homage to Ives.96.1 Ms. (ozalid). Piano solo; 8 p.; 34.5 cm. (spiral bound).Note: Copy of original manuscript ARCO 96.Commissioned by the Van Cliburn International QuadrennialCompetition - 1973.BOX-FOLDER 43/96.2 Night thoughts : homage to Ives.96.2 Ms. Piano solo (draft); 8 p.; 35.5 cm.Note: Holograph in pencil.Aaron Copland Collection 149

Music, 1841-1988ContainerContentsAt end: Sept. 10, 1972.Duration: Approx. 6 min.BOX-FOLDER 43/96.3 Night thoughts : Homage to Ives.96.3 Ms. Rough sketches; various paginations; various sizes.Note: Holograph in pencil.BOX-FOLDER 43/96a Night thoughts : homage to Ives. London: Boosey & Hawkes, [1973].96a Piano solo; 6 p.c1973 by Aaron Copland.Plt.: B. & H. 20126.At head: Commissioned by the Van Cliburn InternationalQuadrennial Competition - 1973.97) Threnody II : in memoriam, Beatrice Cunningham [chamberwork]BOX-FOLDER 43/97 Threnody II : in memoriam, Beatrice Cunningham.97 Ms. (ozalid). Full score (for flute in G and string trio); 6 p.; 38.5 cm.Note: Copy of munuscript in the hand of David Walker.At end: May 7, 1973.Duration: Circa 5 min.BOX-FOLDER 43/97.1 Threnody II : in memoriam, Beatrice Cunningham / for flute in G andstring trio.97.1 Ms. Full score (draft); 6 p.; 34.5 cm.Note: Holograph in pencil.At end: circa 5 min. May 7, 1973.BOX-FOLDER 43/97.2 Threnody II : in memoriam, Beatrice Cunningham.97.2 Ms. Sketch; 3 p.; 34.5 cm.Note: Holograph in pencil.For flute in G and string trio.For published edition of Threnody II, see Threnodies I and II, ARCO95a.98) Midsummer nocturne [piano work]BOX-FOLDER 43/98 Midsummer nocturne : piano solo.98 Ms. Piano solo; 2 p.; 34.5 cm.Note: Manuscript in ink by David Walker.BOX-FOLDER 43/98.1 Midsummer nocturne : piano solo.98.1 Ms. (photocopy). Piano solo; 2 leaves; 35 cm. (3 copies).Note: Copies of original manuscript ARCO 98; manuscript by DavidWalker.BOX-FOLDER 43/98.2 Midsummer nocturne. London: Boosey & Hawkes, [1977].98.2 Publisher's proof (photocopy). Piano solo; 2 p.c1977 by Aaron Copland.Plt.: B. Pa. 263.Note: Contains holograph markings in ink and pencil.Aaron Copland Collection 150

Music, 1841-1988ContainerContents99) Mid-day thoughts [piano solo]BOX-FOLDER 43/99 Mid-day thoughts : for piano.99 Ms. Piano solo; 3 p.; 30 cm.Note: Holograph in pencil.At end: Sketched in 1944, completed 1982.BOX-FOLDER 43/99.1 Mid-day thoughts : for piano.99.1 Ms. (photocopy). Piano solo; 3 p.; 29 cm.Note: Copy of original manuscript ARCO 99.At end: Sketched in 1944, completed 1982.BOX-FOLDER 43/99a Midday thoughts. New York: Boosey & Hawkes, [1984].99aPiano solo; 3 p. (2 copies).c1984 by Aaron Copland.Plt.: PIB-438.Note: Copy 1 bound with Proclamation for piano in "Two Pieces forPiano." Copy 2 is a photocopy of Midday thoughts only.100) Proclamation for piano [piano work]BOX-FOLDER 43/100 Proclamation for piano.100 Ms. (photocopy). Piano solo: 3 p.; 28 cm.At end: Sketched in 1973; completed 1982.Origin of Proclamation for orchestra.BOX-FOLDER 43/100a Proclamation for piano. New York: Boosey & Hawkes, [1984].100a Piano solo; 3 p.c1984 by Aaron Copland.Plt.: PIB-438.Note: Contains some holograph orchestra indications in pencil.Bound in Two Pieces for Piano; includes and is filed with Middaythoughts.100-A) Proclamation for orchestra: from Proclamation for piano[arranged]BOX-FOLDER 43/100-Aa Proclamation for orchestra : orchestrated by Phillip Ramey (1984;orchestrated 1985). [New York]: Boosey & Hawkes, [1985].100-AaFull score; 10 p. (2 copies).c1984 by Aaron Copland; orchestration copyright 1985.At end: 1973-82 (Orchestration: March, 1985).Transcribed from Proclamation for piano.BOX-FOLDER 111/100-A Proclamation for orchestra.misc100-A misc Mss. Miscellaneous pages of holograph sketches from scores andparts in ink and pencil; photocopies.BOX 112 Published Compilations of Works by Copland, 1982-1986Aaron Copland Collection 151

Music, 1841-1988ContainerContentsBOX-FOLDER 112/1A Copland portrait : adapted by Clare Grundman (1985). New York:Boosey & Hawkes, [1986].Full score; 47 p. (2 copies).Plt.: Q.M.B. 503.Duration: ca. 8 min.BOX-FOLDER 112/2 Album (1982). New York: Boosey & Hawkes, [1982].Piano solos; 31 p.CONTENTS:• 1) Petit portrait• 2) Down a country lane• 3) Midsummer nocturne• 4) In evening air• 5) Piano blues No. 1• 6) Piano blues No. 4• 7) Saturday night waltz (from Rodeo)• 8) Sentimental melody• 9) The resting-place on the hill (from Our town)• 10) The young pioneers• 11) Sunday afternoon musicBOX-FOLDER 112/3BOX 111BOX 112BOX 117ASounding success : a Copland tribute / adapted by Clare Grundman(1985). New York: Boosey & Hawkes, [1986].Full score; 24 p. (2 copies).Plt.: Q.M.B. 493.Duration: ca. 6 min.Music Composed by Copland Not Assigned ARCO Numbers,1911-1985BOX-FOLDER 111/1 "Ballade ?"See also: "Two ballads for violin and piano" BOX: xxxMs. Condensed score draft for violin and orchestra; [1] p.; 38 cm.Note: Holograph in pencil.At top of page: Violin concerto (the latter work crossed out).Dated 3/3/57 by the composer.BOX-FOLDER 111/2BOX-FOLDER 111/3"Ballade for vl. & orch."See also: "Two ballads for violin and piano" BOX: xxxMs. Condensed score; 6 p. 38 cm.Note: Holograph in pencil.Dated 3/4/57 by the composer.[Ballade].See also: "Two ballads for violin and piano" BOX: xxxMs. Condensed score; [7] p., pages of music marked A-F; 43.5 cm.Note: Holograph in pencil.Holograph note in pencil on page [1], pointing to top of page markedA: See p. 9 as idea for preceding this.At end: 5 min.Aaron Copland Collection 152

Music, 1841-1988ContainerContentsBOX-FOLDER 111/6 "Two ballads for violin and piano" (1957).Piano score and violin part; 8 + 4 leaves; 28 cm.Note: Computer printout.Laid in: Letter from Benjamin Folkman to Library of Congress MusicDivision Chief, Jon Newsom, dated May 19, 2000.BOX-FOLDER 112/4"Ballade of Ozzie Powell" : words on poem of Langston Hughes(1936-37).Choral score and sketches; 3 + 2 p.; 33.5 cm.Note: Holograph in ink and pencil.On title page: Later used as sketches for Music for Radio.Includes photocopy of manuscript title page.BOX-FOLDER 112/5 "Corrigenda" : Copland-Shackelford organ variations (1973).Organ solo; [13] p. 28 cm.Note: Contains holograph markings in red pencil.BOX-FOLDER 112/6 "Internationale" (1942).Piano sketch; [3] p.; 31.5 cm.Note: Holograph in pencil.At head: Arranged by A. C. for Koussevitsky, 5'42.BOX-FOLDER 112/7 "Into the streets May first" (ca. 1934).Piano-vocal score and sketches; [4] p.; 34 cm.Note: Holographs in pencil.English text by Alfred Hayes; the poem "Into the Streets May First"was published first in the New masses, May 1, 1934 and later inthe Workers' song book no. 2 in 1935.BOX-FOLDER 111/4BOX-FOLDER 112/8BOX-FOLDER 112/9[Miscellaneous holograph and copyist's manuscript pages in ink andpencil and photocopies of unidentified fragment from sketches, scores,and parts remaining in the collection file.]"Motet : Psalm 28-6" (n.d.).Vocal score (SATB); [4] p.; 35 cm.Note: Holograph in pencil."Movement" : for string quartet (1921-24). New York: Boosey & Hawkes,[1988].Score for string quartet; 13 p. (2 copies).At head: To Vivian Perlis.Included with this published score is a photocopy (2 leaves) of themanuscript violin part.Written at head of the part: Dedicated to V. P. (Vivian Perlis) inventorof this work! - A. C.BOX-FOLDER 112/10 "Music Library Association 1931-1971" (1971).Melody principal and schedule of MLA seminar sessions; 2 leaves +[4] p. program.Note: Holograph in ink, photocopy and printed program.Aaron Copland Collection 153

Music, 1841-1988ContainerContentsAt end: For the M. L. A's 40th Anniversary with a salute from AaronCopland - Rock Hill, 1971.BOX-FOLDER 112/11 "String quartet" (1965-68).Sketches for string quartet; [24] p.; 34.5 cm.Note: Holograph in pencil.BOX-FOLDER 117A/1-6 "Tragic ground" : a musical play / text by Lynn Riggs (1945).Sketches, piano-vocal scores and libretto typescripts; unnumbered;various sizes.Note: Holographs in ink and pencil.This work was never produced.BOX-FOLDER 111/5 "Two ballads for violin and piano" (1957).Ms. (photocopy). Piano score; 6 p.; 43 cm.Note: Photocopy of copyist's manuscript.Arranged, by Bennett Lerner and Phillip Ramey for violin and pianofrom the music in Ballade for violin and orchestra (see Box 12/5-6),BOX 117B-117E Juvenilia, 1911-1926for the occasion of Copland's 88 th birthday; performed there byRoger Zehab, violin, and Bennett Lerner, piano.BOX 117B-117D Juvenilia (arranged chronologically), 1911-1926BOX-FOLDER 117B/1-14 Juvenilia (1911-1921).17 volumes of Copland "Juvenilia"; includes exercises, compositions,sketches, instrumental and vocal parts, and ideas for operas.Note: Holographs in pencil and ink.BOX-FOLDER 117C/1-7 Juvenilia: Schirmer manuscript music books (1917-1921).7 volumes of A. Copland student works while studying under RobinGoldmark; includes exercises and early compositions.Note: Holographs in pencil.BOX-FOLDER 117D/1-2 Juvenilia A: Capriccio, for violin and piano (1916?).Score for violin and piano; 1 leaf; 30.5 cm.Note: Holograph in pencil.At end: Around 1916?Photocopy included.BOX-FOLDER 117D/3-4 Juvenilia B: Moment musicale - a tone poem, piano solo (1917).Piano solo; 3 lvs; 34 cm.Note: Holograph in pencil and ink.Photocopy included.BOX-FOLDER 117D/5-6 Juvenilia C: Melancholy, a song à la Debussy (1917).Piano-vocal score (2 versions); 2 lvs.; 34 cm.Note: Holograph in pencil.Photocopy included.Aaron Copland Collection 154

Music, 1841-1988ContainerContentsBOX-FOLDER 117D/7 Juvenilia D: Spurned love (1917).Piano-vocal score; [5] p. (pp. 21-25); 21 x 25 cm.Note: Holograph in pencil.At head: Composed Nov. 2, 1917.BOX-FOLDER 117D/7 Juvenilia E: After Antwerp (1915).Piano-vocal score; [3] p. (pp. 18-20); 21 x 25 cm.Note: Holograph in pencil.At head: Composed Dec. 10, 1917.BOX-FOLDER 117D/8-9 Juvenilia F: Waltz caprice (1918).Sketch for piano solo; 2 lvs; 34 cm.Note: Holograph in pencil.Photocopy included.BOX-FOLDER 117D/8-9 Juvenilia G: Waltz caprice (1918).Piano solo; [6] p.; 34 cm.Note: Holograph in pencil.Photocopy included.BOX-FOLDER 117D/10-11 Juvenilia H1: Danse characteristique, for piano duet (1917-18).Score for piano duet; 4 p.; 34.5 cm.Note: Holograph in pencil.Photocopy included.BOX-FOLDER 117D/12-13 Juvenilia H2: Danse characteristique for orchestra (1919).Full score; 4 p.; 34.5 cm.Note: Holograph in pencil.Photocopy included.BOX-FOLDER 117D/7, 14 Juvenilia I: A summer vacation (1918).Piano-vocal score; [5] p. (pp. 13-17); 21 x 25 cm.Note: Holograph in pencil.At head: April-May 1918.Photocopy included.BOX-FOLDER 117D/7, 15 Juvenilia J: My heart is in the east (1918).Piano-vocal score; [4] p. (pp. 29-32); 21 x 25 cm.Note: Holograph in pencil.At end: Composed May 1918.Photocopy included.BOX-FOLDER 117D/16-17 Juvenilia K: Night, song with piano accompaniment (1918).Piano-vocal score; 3 p.; 34 cm.Note: Holograph in ink.At end: Begun July 1, 1918 Marlboro, N.Y., Finished Dec. 16, 1918Brooklyn, N.Y.Photocopy included.Aaron Copland Collection 155

Music, 1841-1988ContainerContentsBOX-FOLDER 117D/18-19 Juvenilia L: Poème for cello with piano accompaniment (1918).Piano score and cello part; [4] + [1] p.; 34 cm.Note: Holograph in ink.At end: Completed Dec. 29, 1918, Brooklyn, N.Y.Photocopy included.BOX-FOLDER 117D/20-21 Juvenilia M1: Lament, for cello and piano (1918-19).Piano score and cello part; 3 + 1 p.; 34 cm.Note: Holograph in ink.At end: Begun May 1918, Finished Apr. 20, 1919.Photocopy included.BOX-FOLDER 117D/20-21 Juvenilia M2: Lament, for violin and piano (1918-19).Score for violin and piano; 2 p.; 20 x 23 cm.Note: Holograph in pencil.Photocopy included.BOX-FOLDER 117D/22-23 Juvenilia N: Three sonnets for piano (1920).Piano solo; [6] p.; 34 cm.Note: Holograph in ink.Photocopy included.BOX-FOLDER 117D/24-25 Juvenilia O: Simone, song for soprano and piano (1919).Piano-vocal score; [3] p.; 34 cm.Note: Holograph in ink.At end: Begun June 22, 1919, Completed Sept. 16, 1919 Brooklyn,N.Y.Photocopy included.BOX-FOLDER 117D/26-27 Juvenilia P: Prelude for violin and piano (1919).Piano score and violin part; [4] + [1] p.; 34 cm.Note: Holograph in ink.At end: Begun Fleischmanns, N.Y. - Aug. 1919, completed Brooklyn,N.Y. - Nov. 28, 1919.Photocopy included.BOX-FOLDER 117D/28-29Juvenilia Q: Music I heard, song for soprano with pianoaccompaniment (1920).Piano-vocal score; 2 p.; 34 cm.Note: Holograph in ink.At end: Apr. 7, 1920.Photocopy included.BOX-FOLDER 117D/30-31 Juvenilia R: Sonata for piano (1920-21).Piano solo; 26 p. 34.5 cm.Note: Holograph in ink.At end: 1920 - June 1921.Photocopy included.Aaron Copland Collection 156

Music, 1841-1988ContainerContentsBOX-FOLDER 117D/32-33 Juvenilia S: Prelude (Second) for violin and piano (1921).Piano score and violin part; [3] + [1] p.; 34.5 cm.Note: Holograph in ink.At end: February 1921.Photocopy included.BOX-FOLDER 117D/34 Juvenilia T: Moods for piano solo (1920-21).Piano solo; 6 p.; 34.5 cm.Holograph in ink.BOX-FOLDER 117D/35-36Juvenilia U: Fragment for trio for violin, cello and piano (n.d.).Piano score (unfinished), and violin and cello parts; 5 + 1 + 1 p.; 34.5cm.Note: Holograph in ink.Photocopy included.BOX-FOLDER 117D/37 Juvenilia V: String quartet (1921?).String parts (unfinished); [15] p.; 35.5 cm.Note: Holograph in ink.BOX-FOLDER 117D/38 Juvenilia V: String quartet (ca. 1921).Full score (rough sketch, unfinished); [25] p.; 35.5 cm.Note: Holograph in pencil.At head: About 1921.BOX 117E Juvenilia (arranged alphabetically by title), 1911-1926BOX-FOLDER 117E/1 Choral 24 (1921).Piano solo; 1 leaf; 20.5 x 23.5 cm.Note: Holograph in ink and pencil.At head: May 12, 1921.BOX-FOLDER 117E/2BOX-FOLDER 117E/3Double canon etc., etc. (n.d.)This item contains several unrelated items, including "Double Canonon Broad Theme" for piano solo, a sketch for a piano-vocal work,and a part for trombone; [25] p.; 35 cm.Note: Holograph in pencil.Fugue (n.d.).Score for four unidentified instruments; [4] p.; 35 cm.Note: Holograph in pencil.BOX-FOLDER 117E/4 Jazzy song (1924?).Piano and vocalize score; [4] p.; 35 cm.Note: Holograph in pencil.At head: not used.BOX-FOLDER 117E/5Longchamps : ballet in one act (n.d.).Piano sketches; 6 lvs.; 35 cm.Note: Holograph in pencil.Aaron Copland Collection 157

Music, 1841-1988ContainerContentsBOX-FOLDER 117E/6BOX-FOLDER 117E/7BOX-FOLDER 117E/8BOX-FOLDER 117E/9BOX-FOLDER 117E/10BOX-FOLDER 117E/11BOX-FOLDER 117E/12BOX-FOLDER 117E/13BOX-FOLDER 117E/14BOX-FOLDER 117E/15Material for introduction and dance (n.d.).Piano sketches; [16] p.; various sizes.Note: Holographs in pencil.Motet (n.d.).Score for four voices; 4 p.; 35 cm.Note: Holograph in pencil.Piece for bassoon and piano (n.d.).Piano score and bassoon part; [8] + [4] p.; 35 cm.Note: Holograph in ink and pencil.Piece for clarinette and piano (n.d.).Piano score and clarinet part; [4] + [3] p.; 35.5 cm.Note: Holograph in ink and pencil.Piece for flute and piano (n.d.).Piano score and flute part; [3] + [2] p.; 34 cm.Note: Holograph in ink and pencil.[Piece for flute, clarinet and voice] (n.d.).Piano score; [3] p.; 34.5 cm.Note: Holograph in pencil.Written title at head of piece is indistinguishable.Piece for horn and piano (n.d.).Horn part; [2] p.; 34.5 cm.Note: Holograph in ink and pencil.Item also contains sketches in pencil.Piece for oboe and piano (n.d.).Piano score and oboe part; [4] + [2] p.; 34.5 cm.Note: Holograph in ink and pencil.Piece for trombone and piano (n.d.).Piano score and trombone part; [4] + [1] p.; 35 cm.Note: Holograph in ink and pencil.Piece for trumpet and piano (n.d.).Piano score and trumpet part; [4] + [1] p.; 35 cm.Note: Holograph in ink and pencil.BOX-FOLDER 117E/17 Renaissance : practice song set to French words (1921).Piano-vocal score; [3] p.; 34.5 cm.Note: Holograph in pencil.At end: Fontainebleau Aug. 1921.BOX-FOLDER 117E/18 Schumanniana : for cello and piano (1919).Cello part; [2] p.; 31.5 cm.Aaron Copland Collection 158

Music, 1841-1988ContainerContentsNote: Holograph in ink.At end: Sept. 10, 1919 Brooklyn, N.Y.Item also includes Chopin Etude - op. 25, no. 12, transcribed for celloby A. Copland.At end: Sept. 13, 1919.BOX-FOLDER 117E/19Sea-fairies : tone poem for piano after Tennyson's poem of the samename (n.d.).Fragment of piano score; 1 leaf; 12.5 x 27.5 cm.Note: Holograph in ink.BOX-FOLDER 117E/20 Une chanson : practice song set to French words (1921).Piano-vocal score; [3] p.; 34.5 cm.Note: Holograph in pencil.At end: Fontainebleau Jul. 1921.BOX 117FCopland Transcriptions or Arrangements of Works by Others,1841-1988Beethoven, Ludwig vanBOX-FOLDER 117F/1 Quartet, op. 131 : for piano - 2 hands / transcribed for piano solo by A.Copland (n.d.).Piano solo; [1] p.; 34 cm.Note: Manuscript in pencil by Copland.Brahms, JohannesBOX-FOLDER 117F/24 [Intermezzo in E major, op. 116, no. 6] : piano solo / copied by A.Copland (1919).Piano solo; 2 p.; 34 cm.Note: Manuscript in ink by A. Copland.At end: June 25, 1919.BOX-FOLDER 117F/3BOX-FOLDER 117F/4BOX-FOLDER 117F/5Second symphony - D major : arranged for violin, cello and piano byAaron Copland (n.d.).Full score; 8 p.; 34.5 cm.Note: Manuscript in pencil by Copland.Chopin, FrederichEtude, op. 10, no. 9 : transcribed for cello and piano by Aaron Copland(1919).Cello part; 1 leaf; 32 cm.Note: Manuscript in ink by Copland.At end: June 27, 1919.Etude, op. 25, no. 7 : transcribed for cello and piano by Aaron Copland(1919).Piano score and cello part; [3] + [2] p.; 35 cm.Note: Manuscript in ink and pencil by Copland.At end: Sept. 9, 1919.Aaron Copland Collection 159

Music, 1841-1988ContainerContentsThis item also contains unfinished transcription for piano ofTchaikowsky's Nutcracker Suite .BOX-FOLDER 117F/6BOX-FOLDER 117F/7BOX-FOLDER 117F/7BOX-FOLDER 117F/8Two preludes - op. 28, nos. 4 and 6 : transcribed for cello and piano byAaron Copland (1919).Piano score and cello part; [2] + [1] p.; 34.5 cm.Note: Manuscript in ink by Copland.Järnefelt, ArmasBerceuse.Melody principal; [1] p.Note: Manuscript in ink by Copland (1920).At end: June 17, 1920.This piece (as well as two others) was found with a published scoretitled "Finnish Composers' Album" (Boston Music Company).Copland copied this melody from that work.Madetoja, LeeviLittle melody.Melody principal; [1] p.Note: Manuscript in ink by A. Copland (1920).At end: June 21, 1920.This piece (as well as two others) was found with a published scoretitled "Finnish Composers' Album" (Boston Music Company).Copland copied this melody from that work.Mendelssohn, FelixLa chasse (Rondo capriccioso) : transcribed for orchestra by AaronCopland (n.d.).Full score (sketch); [14] p.; 34.5 cm.Note: Manuscript in pencil by Copland.Ruggles, Carl (Charles Sprague)BOX-FOLDER 117F/9 Portals : originally for string orchestra (1926) / piano reduction by A.Copland [ca. 1926].Piano solo; 7 p.; 32 cm.Note: Manuscript in pencil by A. Copland.BOX-FOLDER 117F/7Sibelius, JeanRomance.Melody principal; [1] p.Note: Manuscript in ink by A. Copland (1920).At end: June 17, 1920.This piece (as well as two others) was found with a published scoretitled "Finnish Composers' Album" (Boston Music Company).Copland copied this melody from that work.Stcherbatcheff, NicolasBOX-FOLDER 117F/6 First snow : transcribed for cello and piano by Aaron Copland (1919).Piano score and cello part; [3] + [1] p.; 34.5 cm.Aaron Copland Collection 160

Music, 1841-1988ContainerContentsNote: Manuscript in ink by Copland.At end: Oct. 13, 1919.This item housed with Chopin's Two preludes, op. 28, nos. 4 and 6 .Takemitsu, ToruBOX-FOLDER 117F/10 The Dorian horizon .Condensed score (sketch); [16] lvs.; 34 cm.Note: Manuscript in pencil by A. Copland (n.d.).BOX-FOLDER 117F/1Tchaikovsky, Piotr Ilyich5me symphonie : transcribed for piano - two hands by A. Copland(n.d.).Piano solo; [3] p.; 34 cm.Note: Manuscript in pencil by Copland.[Various composers]BOX-FOLDER 117F/11 Practice orchestrations .The folder contains untitled orchestrations in several formats,instrumental parts, practice exercises, and instrumental rangecharts; various paginations; 34.5 cm.Fragments of works by other composers including Claude Debussy,Igor Stravinsky, and Ernest Giraud.Note: Manuscript in pencil by Copland (n.d.).BOX 118-196 Music by Others, 1912-1988Music Manuscripts and Facsimiles by Others (1912-1988) includes somemanuscripts, copies of manuscripts, copies of manuscripts (i.e.photocopies and photostats) of scores and some parts. Printed Musicby Others (1841-1986) includes printed scores of original compositionsand transcriptions.Arranged alphabetically by composer, compiler, or editor, then by title.BOX 118-156 Music Manuscripts and Facsimiles by Others, 1912-1988Abell, JeffBOX-FOLDER 118/1 Piano fantasy, op. 1 (1970), 15 p.BOX-FOLDER 118/2Adler, SamuelThy song expands my spirit : a tribute to "Aaron Copland" on hisbirthday : piano solo (1980), 8 p.Albright, WilliamBOX-FOLDER 118/3 Five chromatic dances (1976), 38 p.Allanbrook, DouglasBOX-FOLDER 118/4 Third quartet (1958-59), 25 p.Ames, WilliamBOX-FOLDER 147/1 Declamation for orchestra and soprano (1972), 84 p.Aaron Copland Collection 161

Music, 1841-1988ContainerContentsBOX-FOLDER 118/5Amiran-Pogatsov, EmanuelNahamu ami (1950), 30 p..Ardévol, JoséBOX-FOLDER 118/7 Seis piezas : for piano (n.d.), 12 p.BOX-FOLDER 118/8 Sonata a tres : para dos flautas y viola (n.d.), 16 + 3 + 3 + 3 p.BOX-FOLDER 147/2 Suite cubano no. 1 : para orquesta (1947), 68 p.BOX-FOLDER 118/9 Suite cubano no. 2 : para orquesta (n.d.), 38 p.BOX-FOLDER 118/10 Tres peguenos preludios : para piano (1945), 5 p.Ashworth, WilliamBOX-FOLDER 118/11 Three dances : for piano solo (n.d.), [6] p.Avshalomov, JacobBOX-FOLDER 118/12 The taking of Tung Kuan : orchestral score (1953), 47 p.Ayala, DanielBOX-FOLDER 118/13 Mensaje telegráfico : para piano solo (1931), [3] p.Babcock, DavidBOX-FOLDER 118/14 Piano sonata : in one movement (1973), 10 p.BOX-FOLDER 118/15 Quintet [woodwinds] (1972), 23 p.BOX-FOLDER 118/16 String quartet (1973), 26 p.BOX-FOLDER 118/16Suite for piano (1973), 9 p. [includes correspondence referring to both"Suite for piano" and "String quartet"].Ballou, Esther W.BOX-FOLDER 119/1 Capriccio : for violin and piano (1963), 13 + 4 p.BOX-FOLDER 119/2Barber, SamuelHappy birthday to Mary (1951), 1 leaf.Barnes, EdwardBOX-FOLDER 147/3 The ballad of Bill Doolin (1980), 53 p.BOX-FOLDER 147/4 In the garden (1978), 70 p.BOX-FOLDER 147/5 Variations for brass quintet (1980), 43 p.Bartók, BélaAaron Copland Collection 162

Music, 1841-1988ContainerContentsBOX-FOLDER 119/3Medea : ballet (1953/54), 1 leaf (incomplete reverse image photostat).Transcribed by Herbert SandbergBeale, JamesBOX-FOLDER 119/4 Seventh piano sonata, op. 20 (1956), 20 p.BOX-FOLDER 119/5 Sonata for violin & piano (1956), 36 p.Becker, John J.BOX-FOLDER 119/6 Concerto arabesque : for piano & orchestra (n.d.), 41 p.Beethoven, Ludwig vanBOX-FOLDER 119/7 Klaviersonate in C-Moll, op. 111 (1922 reproduction of autograph), 40p.Ben-Yohanan, AsherBOX-FOLDER 119/8 Fantasia : piano solo (1956), 12 p.BOX-FOLDER 119/9 Festive overture (1957), 37 p.BOX-FOLDER 147/6Berenholtz, Jim.Orchestrated excerpts from "Winter" : an epic song of nativeAmericans (1975), 42 p.Berger, ArthurBOX-FOLDER 119/10 Three pieces for string quartet (1945), 17 p.BOX-FOLDER 119/11Three poems from "Words for music, perhaps" (Yeats) : voice & piano(1945), 9 p.Berio, LucianoBOX-FOLDER 147/7 Opus number zoo : children's play for wind quintet (1951; rev. 1970),12 p.Bermachea, Moises O.BOX-FOLDER 119/12 Philippine airs no. 1 (Filipino composition) : piano solo (n.d.), 13 p.Bernstein, LeonardBOX-FOLDER 119/13 Aaron's canon (for AC's 70th birthday) : piano solo (ca. 1970), 11 p.Beversdorf, S. Thomas, Jr.BOX-FOLDER 147/8 Portrait of Carlos Chávez (1947), 38 p.Birtwistle, HarrisonBOX-FOLDER 119/14 Monody for Corpus Christi : for flute, violin, and horn (1959), 18 p.Bizet, GeorgesBOX-FOLDER 148/1 Farandole : from L'arlésienne (n.d.), 21 p.Aaron Copland Collection 163

Music, 1841-1988ContainerContentsBlake, DavidBOX-FOLDER 119/15 Three choruses (1964) : for SATB to poems by R. Frost (ca. 1964), 18p.Blitzstein, MarcBOX-FOLDER 119/16 After all white horses are in bed : for voice & piano (1929), 6 p.BOX-FOLDER 119/17 Mister Youse : for voice & piano (1929), [4] p. (pp. 7-10).BOX-FOLDER 119/18 Song : for voice & piano (1929), [2] p. (pp. 11-12).BOX-FOLDER 119/19 You are like the snow : for voice & piano (1929), 7 p.BOX-FOLDER 119/20You are like the snow : for voice & piano (1929), 7 p. (differentversion).Blondel, Jorge UrrutiaBOX-FOLDER 120/1 Opa-Opa : coro a cuatro voces mixtas "a capella" (1958), 4 p.Boone, CharlesBOX-FOLDER 148/3 Chinese texts (1970), 6 p.BOX-FOLDER 148/2 The edge of the land (1970), 13 p.BOX-FOLDER 120/2 Oblique formation : for flute and piano (1965), [10] p.BOX-FOLDER 120/3 Starfish (1966), 27 p.BOX-FOLDER 120/4 Vermilion : for solo oboe (1970), 4 p.Bornstein, CharlesBOX-FOLDER 120/5 Aaron Copland gewidmet : for piano solo (1977), 1 p.BOX-FOLDER 120/6 Piano piece for Aaron Copland : piano solo (1968), 1 p.Bourque, RichardBOX-FOLDER 120/7 Five Robert Frost poems, op. 9 : voice & piano (n.d.), 7 p.BOX-FOLDER 120/8Bowles, PaulLa despedida : piano solo (1982), 1 leaf.BOX-FOLDER 120/9 Five songs : voice & piano (n.d.), 7 p.Brozen, MichaelBOX-FOLDER 120/10 The ways of water : cycle for voice and piano (1965), 19 p.Buenaventura, OscarBOX-FOLDER 120/11 Concerto para dos pianos (n.d.), 16 p.Aaron Copland Collection 164

Music, 1841-1988ContainerContentsBOX-FOLDER 120/12Butterworth, NeilLetter to the world song cycle : for voice & piano (n.d.), 15 p. [includescorrespondence from Mr. Butterworth to AC].Cabezón, [?]BOX-FOLDER 120/13 Two religious songs : for mixed chorus, SATB (n.d.), [6] p.Carter, ElliotBOX-FOLDER 148/4 Holiday overture (ca. 1960), 68 p.BOX-FOLDER 148/5Holiday overture (ca. 1960), 68 p. [same version, fewer annotations].BOX-FOLDER 120/14 Sonata for cello and piano (1948), 41 + 14 p.BOX-FOLDER 120/15 String quartet (1951), 101 p.BOX-FOLDER 120/16Cascarino, RomeoFugue : piano solo (n.d.), 1 leaf.BOX-FOLDER 120/17 Minuet : piano solo (n.d.), 2 p.BOX-FOLDER 120/18 Rag-time : piano solo (1940), 4 p.BOX-FOLDER 120/19 Sarabande : piano solo (n.d.), 2 p.BOX-FOLDER 120/20 She walks in beauty : voice & piano (n.d.), 4 p.Castro, José MariaBOX-FOLDER 121/1 10 improvisaciones breves : versión orquestal (1957), 78 p.BOX-FOLDER 121/2 Conciertio para piano y orquesta (1955 revision), 97 p.BOX-FOLDER 121/4 Cuarteto en sol : para cuerdas (1947), 14 + 7 + 7 + 7 + 6 p.BOX-FOLDER 121/3 Cuarteto no. 3 (1956), 45 + 9 + 9 + 9 + 8 p.BOX-FOLDER 121/5 [Preludio & toccata] (1952), 34 p.BOX-FOLDER 121/6 Sonata : para 2 violoncellos (1938), 30 p.Castro, Sergio deBOX-FOLDER 122/1 Misterios : para orquesta (1947), 12 p.Catunda, EuniceBOX-FOLDER 122/2 Salmo 82 (1947), 7 p.BOX-FOLDER 122/3 Sonatina : para piano (1946), 11 p.Cazden, NormanAaron Copland Collection 165

Music, 1841-1988ContainerContentsBOX-FOLDER 122/5 Sonatina : piano solo (1935), 8 p.Chávez, CarlosBOX-FOLDER 122/7 Soli (1933), 12 p.BOX-FOLDER 122/8 Soli (1933), 12 p.Childs, BarneyBOX-FOLDER 122/9 Sonata for solo viola (1955/56), 14 p.Ciry, MichelBOX-FOLDER 122/10 Trio, op. 20 : pour hautbois, basson et piano (1946), 36 + 11 + 22 p.Citkowitz, IsraelBOX-FOLDER 122/11 Ah's de man : for mixed chorus (SATB), 2 p.BOX-FOLDER 122/12 Five songs : from "Chamber music" by James Joyce (1929), [45] p.Cogan, RobertBOX-FOLDER 122/13 Composition for string trio (1956), 8 p.BOX-FOLDER 122/14 Sounds, and variations : for piano (1959-61), 16 p.Crane, RobertBOX-FOLDER 122/15 Voluntary for trombone and two pianos (n.d.), 27 p.BOX-FOLDER 156/10ADahl, IngolfCarmen canonicum for November 14, 1960. For chorus (SATTB)(1960), 1 leaf.BOX-FOLDER 123/1 Trio for piano, violin and cello (1962), 56 p.Dallapiccola, LuigiBOX-FOLDER 123/2 Aria : in tre strofe 1944-47), 4 p.Daus, AvrahamBOX-FOLDER 123/3 A group of "Zabres" in a trip (1957), 38 p.BOX-FOLDER 123/4 A trip of Israeli Youth Group (1951), 38 p.BOX-FOLDER 123/5 Suite for string orchestra (1952), 31 p.BOX-FOLDER 123/6 Suite of songs by Rachel (1947), 15 p.BOX-FOLDER 123/4 A trip of Israeli Youth Group (1951), 38 p.Davidovsky, MarioBOX-FOLDER 148/6 Serie sinfonica (1959), 44 p.Aaron Copland Collection 166

Music, 1841-1988ContainerContentsDavies, Peter MaxwellBOX-FOLDER 123/7 Fantasia : on an In nomine of J. Taverner (1962), 22 p.BOX-FOLDER 123/8 Leopardi fragments : for orchestra (1961), 30 p.BOX-FOLDER 123/9 O magnum mysterium (1960), 14 p.BOX-FOLDER 148/7Debussy, ClaudeGolliwogg's cake walk (n.d.), 17 p. (includes 14 page typescript).Del Tredici, DavidBOX-FOLDER 123/10 Fantasy pieces : for piano (1960), 26 p.BOX-FOLDER 123/11 I hear an army : from "Chamber music" (1964), 51 p.BOX-FOLDER 149/1The last gospel : for amplified soprano solo, amplified solo group,chorus (SATB) and orchestra (1967), 47 p.BOX-FOLDER 149/2 The lobster - quadrille. For chorus (SATB) & orchestra (n.d.), 113 p.BOX-FOLDER 149/3 Night conjure - verse I : a cycle of songs ... (1965), 113 p.BOX-FOLDER 149/4 Night conjure - verse II : a cycle of songs ... (1965), 142 p.BOX-FOLDER 149/5 Pop - Pourri. For chorus (SATB) & orchestra (1968), 79 p.BOX-FOLDER 123/12 Songs from James Joyce (1958), 42 p.Des Marais, PaulBOX-FOLDER 123/13 Capriccio : for two pianos, percussion and celesta (1962), 62 p.BOX-FOLDER 124/1Diamond, DavidAndante : voice & piano (n.d.), 1 leaf.BOX-FOLDER 150/1 A buoyant music : overture no. 2 : for orchestra (1970), 60 p.BOX-FOLDER 124/2 Chatterton : voice & piano (1946), [7] p.BOX-FOLDER 124/3 Christmas tree : voice & piano (1970), 5 p.BOX-FOLDER 150/2 The fall : a cycle of nine songs : for voice and piano (1970/71), 40 p.BOX-FOLDER 124/4 For Aaron's birthday : 2 pianos (1988), 3 p.BOX-FOLDER 124/5 Ma Tovu : for chorus (SATB) & organ (n.d.), 5 p.BOX-FOLDER 124/6 Mizmor L'David : sacred service for the sabbath eve (1951), 125 p.BOX-FOLDER 150/3 Music for chamber orchestra (1969), 87 p.Aaron Copland Collection 167

Music, 1841-1988ContainerContentsBOX-FOLDER 124/7 Six preludes : for piano (1935), 13 p.BOX-FOLDER 150/4 Symphony no. 8 (1960), 108 p.BOX-FOLDER 124/8 This world is not my home : voice & piano (1946), 2 p.BOX-FOLDER 124/9 We two : a song cycle for voice and piano (1964), 39 p.Diemente, EdwardBOX-FOLDER 150/5 Celebration : for wind ensemble (1969), 47 p.Dinterstein, NormanBOX-FOLDER 151/1 Contrasto. For orchestra (1968), 37 p.BOX-FOLDER 124/10 Poema ultrasonico : for mixed chorus a cappella (1974), 32 p.BOX-FOLDER 151/2 Pound : a cycle for soprano and piano (1969), 27 p.BOX-FOLDER 151/3 Refrains. For orchestra (1970/71), 146 p.BOX-FOLDER 124/11Dolin, SamuelMarchbankantata : a chamber cantata for baritone chorus (SATB),piano and synth A or Putney (with anplifier and two speakers andkeyboard) (1971), 19 p.Druckman, JacobBOX-FOLDER 124/12 Concerto for violin and small orchestra (1956), 106 p.BOX-FOLDER 124/13 Incenters : for trumpet, horn, trombone and orchestra (n.d.), 43 p.BOX-FOLDER 124/14 Laude : piece with medieval text (1952), 16 p.BOX-FOLDER 124/15 Laude : piece with medieval text / piano reduction by Paul Aron (1952),13 p.Dukelsky, VladimirBOX-FOLDER 124/16 Tempo [?] (n.d.), 4 p.BOX-FOLDER 125/1BOX-FOLDER 125/2Edel, YtzhakSonatine for oboe and piano (1951), 22 + 5 p. (includes oboe part andcorrespondence).Engel, A. LehmanIntroduction and allegretto, op. 13 : for woodwinds, brass and timpani(1933), 22 p.Epstein, Alvin LBOX-FOLDER 125/3 Duo for violin & piano (1958), 22 + 11 p.Farrand, NoelAaron Copland Collection 168

Music, 1841-1988ContainerContentsBOX-FOLDER 125/4 String trio : for violin, viola and violincello (n.d.), 35 p.Fauberman, HaroldBOX-FOLDER 125/5 Quartet : for flute, oboe, viola, and cello (1956), 47 p.BOX-FOLDER 125/6Feldman, MortonOut of "Last pieces" : orchestra graph (1961), 12 p. (includes notes).Ferrari, LucBOX-FOLDER 126/1 Suite pour piano (1952), 15 p.Feuchwanger, PeterBOX-FOLDER 126/2 Variations on an eastern folk tune, book I & II : for piano (1957), 25,26 p.Fine, IrvingBOX-FOLDER 126/3 Music for piano (1947), 20 p.BOX-FOLDER 151/4 Serious song : for string orchestra (1955), 14 p.Fine, VivianBOX-FOLDER 126/4 Four polyphonic piano pieces (n.d.), 20 p.Fitelberg, JerzyBOX-FOLDER 151/5 Concertino da camera : for violin and piano (1950/51), 30 + 15 p.BOX-FOLDER 126/5BOX-FOLDER 126/6Fitzer, JackNoel 1949 (1949), 1 leaf.Flanagan, WilliamTime's long ago : a cycle of songs to "Poeme 87" (Herman Melville)(1951), 19 p.Foresythe, ReginaldBOX-FOLDER 126/7 Study in steel : for piano (n.d.), 7 p.Foss, LukasBOX-FOLDER 126/8 Folk song : for orchestra (1975/76), 35 p.BOX-FOLDER 126/9 Quartet : for 2 violins, viola and cello (n.d.), 35 p.BOX-FOLDER 127/1Franchetti, ArnoldThe blind Geronimo and his brother : a musical tale for children(1978), 18 p.BOX-FOLDER 152/2 Concertino : for flute, alto flute, piccolo, cello and percussion (1965),21 p.Aaron Copland Collection 169

Music, 1841-1988ContainerContentsBOX-FOLDER 152/3 Concerto in DO for orchestra (1961/62), 59 p.BOX-FOLDER 127/2 Dialoghi : to Marvin Salzberg (1960), 24 p.BOX-FOLDER 152/4 In memory of John Fitzgerald Kennedy. For orchestra (1964), 65 p.(includes 3 page typescript).BOX-FOLDER 127/3 Largo : piano reduction (n.d.), 20 p.BOX-FOLDER 152/5 Largo for strings (1956), 8 p.BOX-FOLDER 152/6Prelude and fugue : a concert opera ... : for voices, piano and orchestra(1959), 114 p.BOX-FOLDER 152/7 Sinfonia in LA (1967), 83 p.BOX-FOLDER 152/1 3rd wind quintet (1963), 15 p.BOX-FOLDER 127/4 Three ricercori : for winds, percussion, piano & strings (1958), 61 p.BOX-FOLDER 152/8Whate'er the theme the maiden sang ... : for soprano and orchestra(1962), 49 p.Franco, JohanBOX-FOLDER 127/5 Intermezzo I : for piano (1936), 2 p.Gianneo, LuisBOX-FOLDER 127/6 Sonatina : para flauta y piano (1937), 17 p.Ginastera, AlbertoBOX-FOLDER 127/7 Ier cuarteto de cuerdas : score and parts for strings (n.d.), 30 + 12 +12 + 8 + 8 p.BOX-FOLDER 127/8 Variaciones concertantes : para orquestra de camara (1953), 69 p.Giuffre, JimmyBOX-FOLDER 127/9 Clarinet quintet no. I (1963), 58 p.Gottlieb, JackBOX-FOLDER 128/1 Sonata for piano (1960), 38 p.BOX-FOLDER 128/2Graves, RobertHenry and Mary : song for soprano and tenor (n.d.), 1 leaf.Gross, RobertBOX-FOLDER 128/3 String quartet no. 4 (n.d.), 39 p.BOX-FOLDER 128/4Haieff, AlexeiAllegro : for piano (n.d.), 1 leaf.Aaron Copland Collection 170

Music, 1841-1988ContainerContentsBOX-FOLDER 128/5 Saints' wheel : variations on a circle of fifths (1960), 6 p.Harris, RoyBOX-FOLDER 128/6 [Piano reduction of unknown symphonic work] (1929), 31 p.BOX-FOLDER 128/7 Piano sonata (n.d.), 19 p.BOX-FOLDER 128/8 Theme from clarinet concerto (n.d.), 2 p.BOX-FOLDER 128/9 Third symphony : in one movement (1939), 104 p.Hatzidakis, ManosBOX-FOLDER 128/10 Matinades and dances for piano (1947), 6 p.Heilner, IrwinBOX-FOLDER 128/11 Poem : words by Emily Dickinson (1928), 2 p.Horne, HenriBOX-FOLDER 128/12 Rhapsodie nocturne : for piano (n.d.), 36 p.Ichiyanagi, TossiBOX-FOLDER 128/13 Toccata : for piano (n.d.) 14 p.Imbrie, AndrewBOX-FOLDER 153/1 Concerto : for violin and orchestra (1954), 139 p.Ives, Charles E.BOX-FOLDER 129/1 Decoration day : for orchestra (1912), 29 p.BOX-FOLDER 129/2 General Booths' entrance into heaven : for voice & piano (1914), 7 p.Jones, CharlesBOX-FOLDER 129/3 Three pieces for piano (1943), 10 p.BOX-FOLDER 129/4BOX-FOLDER 129/5Karg-Elert, SiegfridCorale (n.d.), 1 leaf.Katz, DavidSonata for two pianos (1980), 38 p. (includes correspondence).Kennedy, John BrodbinBOX-FOLDER 153/4 Inscription : symphonic movement for orchestra (1955), 18 p.BOX-FOLDER 153/2 Lyric ode : for string orchestra (1959), 13 p.BOX-FOLDER 129/6 Piano sonata : in one movement (1954), 15 p.BOX-FOLDER 153/3 Songs of innocence : for voice and piano (1960), 21 p.Aaron Copland Collection 171

Music, 1841-1988ContainerContentsBOX-FOLDER 129/7BOX-FOLDER 129/8Kinarthy, RanderFaustus : piano solo (1972), 9 lvs.Kohn, KarlBefore night : for four part chorus of mixed voices (SATB) and piano(n.d.), 12 p.BOX-FOLDER 129/9 Capriccios : for harp, violoncello, flute, clarinet, and piano (1962), 26p.BOX-FOLDER 129/10 Divertimento : for flute, oboe, clarinet, and bassoon (1959), 24 p.BOX-FOLDER 129/11 Encounters : for flute, piccolo and piano (1966), 3 p.BOX-FOLDER 153/5 Interludes : for orchestra (1964), 41 p.BOX-FOLDER 130/1Leisure and other songs : cantata for baritone and chamber ensemble(1965), 36 p.BOX-FOLDER 130/2 Romanza : for baritone & piano (1965), 5 p.BOX-FOLDER 130/3 Sonata da camera : for alto flute, clarinet and piano (1965), 15 p.BOX-FOLDER 130/4 Three pieces : for flute and piano (1958), 10 p.BOX-FOLDER 130/5 Two short pieces : for clarinet and piano (1959), 8 p.BOX-FOLDER 130/6 Two songs : for soprano and piano (1964), 5 p.BOX-FOLDER 130/7 When to her lute : for voice and piano (1963), 5 p.Kolar, HenryBOX-FOLDER 130/8 Aphorisms for string orchestra (1963), 8 p.BOX-FOLDER 130/9 Music for brasses (1968, 9 p.Kolb, BarbaraBOX-FOLDER 130/10 Appello (1976), 15 p.BOX-FOLDER 130/11Looking for Claudio (1975), 19 p. (includes notes).BOX-FOLDER 153/6 Songs before an adieu : for soprano, flute/alto flute, guitar (1977-79),23 p.BOX-FOLDER 130/12Koprowski, Piotr P.Concerto grosso for string ochestra (1971), 17 lvs.Korte, KarlBOX-FOLDER 153/7 Symphony no. 3 (1969), 151 p.Aaron Copland Collection 172

Music, 1841-1988ContainerContentsKrieger, EdinaBOX-FOLDER 130/13 Movimento misto : para pequena orquesta (1947), 48 p.BOX-FOLDER 130/14 Music da camera : para flauta, trumpete, violino e percussao (1948),8 p.BOX-FOLDER 130/15 Pecalenta : para flauta, violino, viola e celo (1946), 6 p.BOX-FOLDER 130/16 Sonatina : para flauta e piano (1947), 14 p.Kubik, GailBOX-FOLDER 153/8 Divertimento II. For small orchestra (1958), 43 p.BOX-FOLDER 130/17Service of intercession for the war : a war-time litany : for men'schorus, brass and percussion (1943), 35 p.Laeser, BrianBOX-FOLDER 131/1 Piece for two pianos (1973), 2 p.BOX-FOLDER 131/2 Variations : on a theme by Aaron Copland (1973), 1 p.Lambro, PhillipBOX-FOLDER 154/1 Miraflores : for string orchestra (1956), 3 p.Lanza, AlcidesBOX-FOLDER 131/3 Modulos (1965-III) : para guitarra (1966), 12 p.BOX-FOLDER 131/3 Plectros II (1966-I) : para piano an electronic sounds (1965), 2 p.Layton, BillyBOX-FOLDER 154/2 An American portrait : symphonic overture : for orchestra (1953), 52p.BOX-FOLDER 131/4 Five studies for violin and piano (1952), 32 p.BOX-FOLDER 131/5 In my craft or sullen art : for mixed chorus and brass sextet 1956, 5 p.BOX-FOLDER 131/6 O make me a mask : for mixed chorus and brass sextet (1954), 20 p.BOX-FOLDER 131/7 Septet : for violin, clarinet...and percussion (1958), 47 p.BOX-FOLDER 131/8 String quartet : in two movements (1956), 56 p.BOX-FOLDER 131/9 Twenty-four years : for mixed chorus and brass sextet (1955), 15 p.Le Baron, AnneBOX-FOLDER 131/10 Concerto for active frogs (1975), 12 p.Lee, NoëlAaron Copland Collection 173

Music, 1841-1988ContainerContentsBOX-FOLDER 131/11Commentaries on a theme from A. Copland : for trumpet, clarinet andpiano (1966), 19 p.BOX-FOLDER 131/12 Double concert : for piano, violin, and orchestra (1964), 76 p.BOX-FOLDER 131/13 Double concert : for piano, violin, and orchestra (reduction) (1964), 47p.BOX-FOLDER 132/1 Errances : for concert band (1972), 36 p.BOX-FOLDER 132/2 Fantasy for orchestra : in four movements (1953; rev. 1955), 76 p.BOX-FOLDER 132/3 Four etudes : for piano (second set) (1967), 24 p.BOX-FOLDER 132/4 Four rhapsodies : for chorus, mezzo-soprano, and orchestra (1952;rev. 1953), 79 p.BOX-FOLDER 132/5 Four rhapsodies : reduction for 2 pianos (1952), 40 p.BOX-FOLDER 132/6 Paraboles : oratorio en six mouvements (1954), 66 p.BOX-FOLDER 132/7 Profile : for orchestra (1959), 12 p.BOX-FOLDER 132/8 Quatre chants sur Baudelaire : pour voix et piano (1971), 26 p.BOX-FOLDER 132/9Seis canciones Amarillas : cycle of songs set to poems ... for lyricsoprano and piano (1959), 20 p. (2 copies).BOX-FOLDER 132/10 The song of songs : cycle of songs for dramatic soprano and piano ...(1949), 21 p.BOX-FOLDER 132/11Variations : for orchestra (1959/60), 58 p. (2 copies).Lewis, KenBOX-FOLDER 133/1 Dance variations : for chamber wind ensemble (1975), 40 p.Lewis, PeterBOX-FOLDER 154/3 Images (In memoriam James Agee) : for reader & orchestra (1967), 34p.BOX-FOLDER 133/2 Sweets for piano : for M.S. (1965), 19 p.Lilburn, DouglasBOX-FOLDER 133/3 Duo : for 2 violins (1954), 18 p.BOX-FOLDER 133/4Elegy : songs set to poems (1947), [16] lvs.Lombardo, RobertBOX-FOLDER 133/5 12 contemporary piano pieces for children (1962), 12 p.Aaron Copland Collection 174

Music, 1841-1988ContainerContentsBOX-FOLDER 133/5 A war ballad : for narrator and cello (1966), 4 p.BOX-FOLDER 133/6 Cinque piccoli pezzi : per violino e pianoforte (1965), 6 p.BOX-FOLDER 133/7BOX-FOLDER 133/8Climbing for tree frogs : four love songs for soprano and harpsichord(1969), 12 p.Dialogue of lovers : for soprano, baritone and chamber ensemble(1966), 58 p.BOX-FOLDER 133/9 Fantasy for piano (1960), 10 p.BOX-FOLDER 133/10 For my daughter, Rosalia : a madrigal for 24 voices SATB (1968), 13p.BOX-FOLDER 133/11 Fourplay : for violin, percussion, bassoon & harpsichord (1970), 26 p.BOX-FOLDER 133/12BOX-FOLDER 133/13Frosted window : variations on white : for soprano, bassoon, viola,percussion (1975), 7 p.In memoriam, Michele Lombardo, 1888-1967 : for bassoon, violin,viola, violoncello (1967), 5 p.BOX-FOLDER 133/14 Largo : for string quartet (1969), 9 p.BOX-FOLDER 134/1 Music for spring : three short pieces for horn and piano (1961), 12 +3 p.BOX-FOLDER 154/4 Orchestral aphorisms (1960), 26 p.BOX-FOLDER 134/2BOX-FOLDER 134/3Orchestral fantasy (1962), 45 p. (includes concert program).Program notes : for flute, bass clarinet, vibraphone, soprano andcontrabass (1969), 15 p.BOX-FOLDER 134/4 Second string quartet (1974), 23 p.BOX-FOLDER 134/5 Three cinquains : for alto voice and chamber ensemble (1966), 6 p.BOX-FOLDER 154/5 Three haiku for band (1961), 36 p.BOX-FOLDER 134/6 Three madrigals : for three part women's chorus (1960), 9 p.BOX-FOLDER 134/7 Three poems : for flute, oboe and mixed chorus (1961), 19 p.BOX-FOLDER 134/8 Threnody : for strings (1964), 10 p.BOX-FOLDER 154/6 Trio for brass (1959), 7 p.Lynch, DavidAaron Copland Collection 175

Music, 1841-1988ContainerContentsBOX-FOLDER 135/1Hymn to pan (n.d.), 52 lvs. (includes text).Martin, FrankBOX-FOLDER 135/2 Der Cornet - No. 9 der Brief (1942/43), 4 p.Marty, Jean-PierreBOX-FOLDER 135/3 3 etudes : pour piano (1955), 13 p.Marzialy, Marcelle deBOX-FOLDER 154/7 Quatuor. For strings (1943), 21 p.BOX-FOLDER 154/8 [Unidentified orchestral score] (1945), pp. 7-35.BOX-FOLDER 135/4BOX-FOLDER 135/5Mattila, EdwardThirteen ways of looking at a blackbird : for reciter, chorus andchamber ensemble (1971), 22 p.Michalsky, D[onal]Birthday greetings - 1973 : from composition class of D. Michalsky ofCalifornia State University, Fullerton, Cal. 92634 ( 1973), [25] p.Milhaud, DariusBOX-FOLDER 135/6 Trois chansons de Ronsard : voice & piano (1943), 8 p.Miller, CarlBOX-FOLDER 135/7 April : for soprano & piano (1942), 2 p.Miller, EdwardBOX-FOLDER 154/9 6 canons : for alto recorder, harpsichord, and viola da gamba (1964),6 lvs.BOX-FOLDER 154/10 Anti-heroic amalgam : for orchestra (1969), 49 p.BOX-FOLDER 154/11 Burlesque : 4 pianos (1965), 22 p.BOX-FOLDER 135/8BOX-FOLDER 135/9BOX-FOLDER 135/10Conquest : voice & piano (n.d.), 1 leaf.Oh! the grand old Duke of York (n.d.), 1 leaf (found with compositionsby Miller under the name Mother Goose).On the death of friends in childhood : voice & piano (n.d.), 2 lvs.BOX-FOLDER 154/12 Orchestral changes (1966), 33 p.BOX-FOLDER 154/13 Orchestral fantasies (1968), 54 p.BOX-FOLDER 154/14 Reflections : at the Bronx zoo. For orchestra (1965), 34 p.Aaron Copland Collection 176

Music, 1841-1988ContainerContentsBOX-FOLDER 135/11The seven last days : for chorus, percussion, tape and silent film(1970), 11 p. [includes 1970 concert program, 5 p.]BOX-FOLDER 135/12 Sinfonietta : for string orchestra (1966), 14 p.BOX-FOLDER 135/13 A study for winds & strings (1959), 24 p.BOX-FOLDER 135/14 Three pieces for band (1964), 24 p.BOX-FOLDER 135/15Untitled poem : voice & piano (n.d.), 1 leaf.BOX-FOLDER 135/16 The young god : a vaudeville : for voice & small jazz ensemble (1968),64 p.Miller, JeanBOX-FOLDER 136/1 Beguine no. 1 (1944), 2 p.BOX-FOLDER 136/2 Beguine no. 2 (1946), 2 p.BOX-FOLDER 136/3 Canción Afrocubana : voice & piano (1945), 3 p.BOX-FOLDER 136/4 Conga (1945), 3 p.BOX-FOLDER 136/5Danzón : piano solo (1943), 1 leaf.BOX-FOLDER 136/6 Tropic serenade (Afrocubana) : voice & piano (1946), 2 p.Mills, CharlesBOX-FOLDER 154/15 Crazy Horse symphony (1957), 76 p.Moevs, R[obert]BOX-FOLDER 136/7 Cantata sacra (1952), 22 p.BOX-FOLDER 136/8BOX-FOLDER 136/9Moss, [Lawrence] LarryFar down the steel-gray water stretches : voice (baritone) & piano(n.d.), 3 lvs.March : for piano (n.d.), 5 lvs.BOX-FOLDER 136/10 String quartet (1957), 42 p.Nabokoff, NicolasBOX-FOLDER 136/11 Serenata estiva : string quartet (1937), 14 p.Nigg, SergeBOX-FOLDER 136/12 Trois melodies, op. 9 : voice & piano (n.d.), 8 p.BOX-FOLDER 136/13Oberheide, KenFull fathom down rhapsody (n.d.), 4 lvs.Aaron Copland Collection 177

Music, 1841-1988ContainerContentsO'Brien, EugeneBOX-FOLDER 155/1 Dédales : for soprano and chamber orchestra (1975), 83 p.BOX-FOLDER 136/14O'Connell, GlenComments for piano 1965 (1965), 15 p. (2 copies).BOX-FOLDER 136/15 Music for string quartet 1967 (1967), 32 p.BOX-FOLDER 136/16Onderdonk, HenrySonata for two pianos (1965), 47 lvs.Onofrey, Rev. Robert E.BOX-FOLDER 136/17 Labyrinth, op, 46 : for clarinet alone (1973), [7] p.Orgad, Ben-ZionBOX-FOLDER 137/1 Biblical cantata : "The story of the spies" (1951), 58 p.BOX-FOLDER 137/2Out of the dust : quintet for mezzo-soprano (soprano), flute, bassoon,viola & violoncello (1955), [45] p.Paddack, ChristopherBOX-FOLDER 137/3 Alborada 1964 : for piano (1964), 3 p.Palester, RomanBOX-FOLDER 137/4 Study 58 : full score (n.d.), 35 p.BOX-FOLDER 137/5 Variations pour orchestre : partition d'orchestre (n.d.), 73 p.Parris, RobertBOX-FOLDER 137/6 Sonata : for violin and harpsichord (piano) (1956), 29 p.Paxton, GlennBOX-FOLDER 155/2 Ballet : in nine sections (n.d.), 100 p.Peck, RussellBOX-FOLDER 155/3 My capricorn : for orchestra (1968), 57 p.BOX-FOLDER 155/4Peterson, WayneChansons innocentes : II hist whist. For mixed chorus (SATB) & piano(1964), 11 p.BOX-FOLDER 155/5 Metamorphoses for wind quintet (1966), 22 p.Peixe, GuerraBOX-FOLDER 155/6 2me divertissement : pour orchestre á cordes (1947), 31 p.BOX-FOLDER 137/7 Duo para flauta e violino (1947), 15 p.Aaron Copland Collection 178

Music, 1841-1988ContainerContentsBOX-FOLDER 137/8 Música : para piano (1945), 9 p.BOX-FOLDER 137/9 Peça p'ra dois minutos : para piano (1947), 4 p.BOX-FOLDER 155/7 Sinfonia no. 1 (1945/46), 46 p.BOX-FOLDER 137/10Perrin, Hal and FleuretteIntroduction to harmonizing, embellishing, and improvising : for piano(n.d.), various paginations [includes correspondence].Pfautsch, LloydBOX-FOLDER 137/11 Dancetudes : for piano (n.d.), [7] p.Pinkham, DanielBOX-FOLDER 138/1 Duo for violin and violoncello (n.d.), [8] p.Pompeu, MarioBOX-FOLDER 138/2 Pureza : for piano (n.d.), [3] p. [includes drawing of AC by A.Rodriguez].BOX-FOLDER 138/3The Brazil-United States anthem : for piano (1947), [3] p. + 2 leavesof text.Porter, QuincyBOX-FOLDER 138/4 Suite for viola alone (1930), 5 p.Powell, MelBOX-FOLDER 138/5 Quintet : for two violins, viola, cello and piano (n.d.), 49 p.Prokofiev, SergeBOX-FOLDER 155/8 Quintet : for oboe, clarinet, violin, viola and bass (n.d.), [14] p.Putsché, ThomasBOX-FOLDER 138/6 Hexachord fantasies : nineteen pieces for piano (1967), 45 p.BOX-FOLDER 138/7 Six preludes for piano (1961), 16 p.BOX-FOLDER 155/9 Three bugs : for orchestra (1965), 30 p.Ramey, PhillipBOX-FOLDER 138/8 Autumn pastorale : for piano (1980), 3 p.BOX-FOLDER 138/9 Commentaries : for flute and piano (1968), 8 p.BOX-FOLDER 138/10 Diversions : for piano (1965/66), 11 p.BOX-FOLDER 138/11 Pen sketches : five pieces for the young pianist (1967), 7 p.Aaron Copland Collection 179

Music, 1841-1988ContainerContentsBOX-FOLDER 138/12 Phantasm : for flute and violin (or two violins) (1984), 27 p.BOX-FOLDER 138/13Threnody : for the Victims of Israeli Agression : for piano (1974), 2 lvs.BOX-FOLDER 138/14 Toccata giocosa : for piano (1966), 3 p.BOX-FOLDER 138/15 Two short pieces : for piano (1967), 4 p.Ranieri, SalvadorBOX-FOLDER 138/16 A tus ojos : voce e piano (n.d.), 4 p.BOX-FOLDER 138/17 Danza arcaica : para piano (n.d.), 5 p.BOX-FOLDER 138/18 Dos corales : para piano (n.d.), 2 p.BOX-FOLDER 138/19 Niña y muñeca : para piano (n.d.), 2 p.BOX-FOLDER 138/20Ninna-Nanna 1964 : per una voce e pianoforte (1964), 3 p. [includescorrespondence].BOX-FOLDER 138/21 Tres invenciones para piano (n.d.), 6 p.Reid, ClementBOX-FOLDER 138/22 Sons of the desert : for piano four hands (1976), 24 p.BOX-FOLDER 139/1Revueltes, Silvestre2o cuarteto (Magueyes) = Quartet no. 2 : for 2 violins, viola and cello(1931), 13 + 5 + 5 + 5 + 5 p.BOX-FOLDER 139/2 Cuarteto : for 2 violins, viola and cello (1930), 13 p.BOX-FOLDER 139/3 Música de féria : parts for 2 violins, viola and cello (1932), 5 + 5 + 5+ 5 p.BOX-FOLDER 139/4Robinson, EarlSong of the free men : for 2 voices and piano (n.d.), 8 lvs.Rorem, NedBOX-FOLDER 139/5 A burnt ship : voice & piano (1945), 2 p.BOX-FOLDER 139/6 Psalm 100 (A psalm of praise) : voice & piano (1945), 3 p.BOX-FOLDER 139/7 Psalm 120 (A song of degrees) : voice & piano (1945), 2 p.Rouse, ChristopherBOX-FOLDER 139/8 The phoenix : flute/piccolo, percussion and piano (1973), 9 p. (2copies).BOX-FOLDER 139/9 Third stratum of empyrean (1979), 44 p.Aaron Copland Collection 180

Music, 1841-1988ContainerContentsBOX-FOLDER 139/10BOX-FOLDER 139/11Roy, Klaus G.St. Francis' "Canticle of the sun", op. 17 : for chorus of 4 mixed voices(SATB) a cappella and solo viola (1950), 26 p. [includes additionalliterature].There is a garden in her face, op. 10 : four-part chorus of mixed voices(SATB) a cappella (1940), 4 p.Sadovnikoff, Mary B.BOX-FOLDER 139/12 Carol : lead sheet (1964), 2 p.BOX-FOLDER 139/12 Christ, the fleur-de-lis : lead sheet (1964), 1 p.BOX-FOLDER 139/13 Dover beach (Matthew Arnold) : set to music by Mary B. Sadovnikoff :for mixed chorus, brass quartet, violoncello and piano (1965), 32 p.BOX-FOLDER 139/14 Five songs on Chinese texts : for medium voice & piano (1950-53), 21p.BOX-FOLDER 139/15Love song : voice & piano (n.d.) [14] lvs.Salzberg, MarvinBOX-FOLDER 140/1 String quartet I (1958), 31 p.BOX-FOLDER 140/2 Theme, four short variations & fantasy (1959), 5 p.Samuel, GerhardBOX-FOLDER 156/1 Cold when the drum sounds for dawn. For orchestra (1975), 24 p.Santorsola, GuidoBOX-FOLDER 140/5 Aspirar : para canto y piano (1930), 3 p.BOX-FOLDER 140/3 Canção triste : para piano (1934), 6 p.BOX-FOLDER 140/4 Dos invenciones : para piano (1938), 6 p.BOX-FOLDER 140/6 Passos perdidos na sombra : para canto y piano (1939/40), 3 p. (2copies).Sapp, AllenBOX-FOLDER 140/7 First viola sonata 1948 : for viola and piano (1948), 23 p.BOX-FOLDER 140/8 Four hand sonata 1944 (1944), 29 p.BOX-FOLDER 140/9 The little lost boy (1953), 58 p.BOX-FOLDER 140/10 Second violin sonata 1948 : for violin and piano (1948), 30 p.BOX-FOLDER 140/11 Sonatina for piano 1945 (1945), 10 p.Aaron Copland Collection 181

Music, 1841-1988ContainerContentsBOX-FOLDER 140/12 Suite for piano 1949 (1949), 12 p.Schlein, IrvingBOX-FOLDER 141/1 Preludes : for piano (n.d.), 15 p.BOX-FOLDER 141/2Schuman, WilliamChoral fanfare : for women's voices (1941), 1 leaf.BOX-FOLDER 156/2 New England triptych : three pieces for orchestra (1957), 70 p.Schumann, R.BOX-FOLDER 156/3 Träumerei. For orchestra (n.d.), 8 p.BOX-FOLDER 141/3BOX-FOLDER 156/4Schwartz, LawrenceTheme & variations, op. 13 : in G major : for orchestra (n.d.), 7 lvs.Scott, KevinFanfare G.A.F. : an American overture : for symphony orchestra(1984), 51 p.Sebastiani, PiaBOX-FOLDER 141/4 Preludio no. 2 : para piano (1946), 6 p.BOX-FOLDER 141/5Sessions, Roger H.Choral prelude. For organ (1924/25), 2 p. (3 copies).BOX-FOLDER 141/6 Choral prelude no. 2. For organ (1926/27), 3 p.BOX-FOLDER 141/7 Largo : from symphony in E minor (#1) . Condensed score (1928), 9 p.BOX-FOLDER 141/8BOX-FOLDER 141/11Sonata. For organ (1928-30), 48 p. [includes 3 single page inserts].Shackleford, Rudy9 aphorisms : for organ (1972), 20 lvs.BOX-FOLDER 141/9 I sat down under his shadow. For mixed chorus (SATB) (1972), 3 p.BOX-FOLDER 141/10BOX-FOLDER 141/12BOX-FOLDER 141/13Im Nebel / Im Spiegel. For strings & piano (keyboard) (1971), 12 lvs.String 4-tet no. 1. (1972), 26 lvs.Shanet, HowardPerpetual praise. For 2 voices (1960), 2 p. (tribute to Copland's 60thbirthday).Shapero, HaroldBOX-FOLDER 141/14 Two psalms : for mixed voices a cappella (1952), 13 p.Aaron Copland Collection 182

Music, 1841-1988ContainerContentsBOX-FOLDER 141/15 Variations in C minor : for piano (1947), 17 p.BOX-FOLDER 156/5Shifrin, SeymourLament for Oedipus : for women's voices, string quartet, and piano(1957), 82 p.BOX-FOLDER 142/1 The odes of Shang : for percussion, small mixed chorus & piano (1962),41 p.Siegmeister, ElieBOX-FOLDER 142/2 Four songs (Robert Frost). For voice & piano (n.d.), 14 p.Silva, Jesus BermudezBOX-FOLDER 142/3 Sonata Abril 12 : piano (1965), 13 p.Sims, EzraBOX-FOLDER 142/4 Celebration of dead ladies. For voice & chamber ensemble (1976), 77p.Smit, LeoBOX-FOLDER 142/5 Academic graffiti . For voice & chamber ensemble (1962/63), 14 p. (2copies).BOX-FOLDER 142/6 Canzone: L'addio : per tenore e pianoforte (1951), 4 p.BOX-FOLDER 142/7 Capriccio : for string orchestra (1958-74), 45 p.BOX-FOLDER 142/8 Carol. For soprano, alto & tenor (1944), 2 p.BOX-FOLDER 142/9 Channel firing : for baritone & piano (1970), 12 p.BOX-FOLDER 156/6 Four kookaburra marches : for orchestra (1972), 36 p.BOX-FOLDER 142/10 In a dark time : for high voice & piano (1959), 9 p.BOX-FOLDER 142/11 Suite of piano pieces (1944), 28 p.BOX-FOLDER 142/12 A transient view : 5 choruses for unaccompanied voices (1967), 13 p.BOX-FOLDER 143/1Smith, LelandAdvice to young ladies : set for women's chorus with clarinet, violin,and violoncello (or with piano) (1963), 14 p.BOX-FOLDER 143/2 Three Spanish songs : for voice & guitar (1959), 10 p.Smith, RussellBOX-FOLDER 143/3 Avowal (Geständnis). For voice & piano (1974), 2 p.BOX-FOLDER 143/4 Duo : for flute or oboe and bassoon or cello (1948), 3 p.Aaron Copland Collection 183

Music, 1841-1988ContainerContentsBOX-FOLDER 143/5 Magnificat : for soprano solo, chorus & orchestra (1969), 177 p.BOX-FOLDER 143/6Palatine songs : for high voice, vibaphone, cymbal, clarinet horn andcello (n.d.), 39 p.BOX-FOLDER 143/7 River of darkness. For voice & piano (1973), 15 p.BOX-FOLDER 143/8 Symphony : for alto [voice] & orchestra (1976/77), 72 p. [includes 1page note "TO THE PERFORMERS" and 3 leaf music insert].BOX-FOLDER 143/9 [Three Preludes]. For piano (1973), 13 + 3 + 6 p.BOX-FOLDER 143/10 Three songs : for high voice with piano accompaniment (1974), 14 p.BOX-FOLDER 143/11Trio : for violin, violincello & piano (1974), 55 lvs.BOX-FOLDER 143/12 Variations in D : for cello & piano (1947), 12 p.Smith-Masters, Anthony B.BOX-FOLDER 143/13 Piano concerto no. 2. Full score (1983), 47 p.BOX-FOLDER 143/14Snavely, Chester PKlee. For mixed chorus (SATB) (n.d.), 1 leaf.Spelman, Timothy MatherBOX-FOLDER 156/7 Homesick Yankee in North Africa : rhapsody for orchestra (1945), 32p.Starer, RobertBOX-FOLDER 143/15 Ballade : for violin & orchestra (1955), 59 p.Steger, WernerBOX-FOLDER 144/1 Serenade : für streichorchester (1961), 12 p.Stevens, HalseyBOX-FOLDER 144/2 She's somewhere in the sunlight strong. For voice & piano (1942), 1leaf.BOX-FOLDER 144/3Striko, AnthonyLast puppet : a one set opera : for mixed chorus (SATB) and piano(1956-59), 148 p.Svane, RandyBOX-FOLDER 144/4 Fantasy : for violin & piano (1973), 15 p.BOX-FOLDER 144/5BOX-FOLDER 144/6Psalm 63. For voice & piano (1974), 5 lvs.Psalm 98. For voice & piano (1974), 6 lvs.Sydeman, William J.Aaron Copland Collection 184

Music, 1841-1988ContainerContentsBOX-FOLDER 144/7 Homage to L'histoire du soldat. For small orchestra (1962), 44 p.Takemitsu, ToruBOX-FOLDER 156/8 Eucalypts (1970), 20 p.Talma, LouiseBOX-FOLDER 144/8 All the days of my life : cantata for voice & chamber ensemble (1963),45 p.Thompson, T.BOX-FOLDER 144/9 Dance portraits. Piano solo (1963-65), 10 p.BOX-FOLDER 144/10BOX-FOLDER 145/1BOX-FOLDER 145/2Piece in slow motion : psalm for trumpet, piano, bass, cello, percussion(1965), 16 p.Thomson, VirgilFive pieces from the Song of Solomon : for solo voice and percussion(n.d.), [11] p.Pastorale (Portrait of Aaron Copland). For chamber ensemble (n.d.),11 p.BOX-FOLDER 145/3 Ten easy pieces and a coda. Piano solo (1926), 6 p.BOX-FOLDER 145/4 Violin sonata I : violin & piano (1930), 21 p.BOX-FOLDER 145/5 Violin sonata I : violin part (1930), 9 p.Thorne, FrancisBOX-FOLDER 145/6 Rhapsodic variations for piano and orchestra (1965), 60 p.BOX-FOLDER 156/9 Symphonic variations on a Duke Ellington theme (1959), 46 p.BOX-FOLDER 145/7BOX-FOLDER 145/8BOX-FOLDER 145/9BOX-FOLDER 156/10BTosar, H. A."Aves errantes" de Rabindranath Tagore (Stray birds) : triptico paravoz masculina y 11 instrumentistas (n.d.), 81 p.Tsamitt, CárlosFriso araucano : para sopraná y baritonò y orquesta (1963), unpaged.[Unidentified composer][Preludes I, II & III]. Piano solo (1970), 15 lvs.[No title]. Full score for chorus and orchestra (1971), incomplete.Urquhart, R. CraigBOX-FOLDER 156/11 Mix : for orchestra (1975/76), [22] p.BOX-FOLDER 145/10 String quartet in five movements (n.d.), 8 p.Aaron Copland Collection 185

Music, 1841-1988ContainerContentsVan Wyk, CarlBOX-FOLDER 145/11 Op my Ou Ramkietjie. For voice & piano (n.d.), 6 p.BOX-FOLDER 145/12Wandellied (n.d.), 7 lvs.[Various composers]BOX-FOLDER 145/13 Variations on happy birthday in tribute to Eugene Ormandy (1970),30p.BOX-FOLDER 145/14Vazzana, AnthonyBirthday greeting to Copland. For chamber ensemble (ca. 1974), 5 lvs.Vianna, FructuofoBOX-FOLDER 145/15 Sabiá : canção. For voice & piano (1938), 4 p.Villa-Lobos, HeitorBOX-FOLDER 145/16 Bachianas brasileiras - no. 9 : para orquestra de vozes (1945), 18 p.BOX-FOLDER 145/17BOX-FOLDER 146/1BOX-FOLDER 146/2BOX-FOLDER 146/3Waters, EmoryThree short pieces for orchestra (1976), 52 lvs.Webster, DanielDo you remember? For voice & piano (n.d.), 6 lvs.Wessel, MarkString-quartette (n.d.), 29 p. (includes parts)Wilding-White, R[aymond]Paraphernalia : a regalia of madrigalia from Chou and the South : forvoice, winds, violin & piano (1960), 55 lvs.Wilson, RichardBOX-FOLDER 146/4 August 22 : for chorus of voices, percussion and piano (ca. 1974), 28p.BOX-FOLDER 146/5 Ballad of Longwood Glen : for tenor & harp (1975), 30 p.BOX-FOLDER 146/6In Schrafft's : a setting of W. H. Auden's poem : for mixed chorus,clarinet, harpsichord and mirimba (1979), 18 p.BOX-FOLDER 146/7 Music for solo flute (1972), 11 p.BOX-FOLDER 146/8Serenade : variations on a simple march : for clarinet, viola and stringbass (1978), 30 p.BOX-FOLDER 146/9 Sour flowers : eight piano pieces (1979), 22 p.Witkin, BeatriceAaron Copland Collection 186

Music, 1841-1988ContainerContentsBOX-FOLDER 146/10 Parameters for eight instruments (1964), 18 p.Woodard, JamesBOX-FOLDER 146/11 Git along little dogie : for violin, voice & piano (1960), 15 p.Yannatos, JamesBOX-FOLDER 146/12 Symphony no. 1 : full score (1958), 118 p.BOX-FOLDER 146/13 Three songs : voice & string quartet (1959), 8 p.Zupko, RamonBOX-FOLDER 156/12 Fixations : piano, violin, cello & tape (1974), 30 p.BOX 157-196 Printed Music by Others, 1841-1986Albeniz, IsaacBOX-FOLDER 157/1 Iberia, 1er cahier. Madrid: Union Musical Espanola, [1906].BOX-FOLDER 157/2 Iberia, 4e cahier. Madrid: Union Musical Espanola, [1907].BOX-FOLDER 157/3Astaburuaga, René AmengualCaricia. Santiago: Facultad de Bellas Artes de la Universidad de Chile,[1935].Voice & piano.Bach, Johann SebastianBOX-FOLDER 157/4 An introduction to Bach. Cincinnati: Willis Music Co., [1946].Piano solo.BOX-FOLDER 157/5BOX-FOLDER 157/6BOX-FOLDER 157/7"Bleib' bei uns, denn es will Abend werden" : Cantate. Leipzig:Breitkopf & Härtel, n.d.Klavierauszug mit Text.Brandenburg concerto no.3 -G major . New York: Broude Bros., n.d.Choralgesange, band II. Leipzig: Edition Peters, n.d.BOX-FOLDER 157/8 Clavecin bien tempere, volume I. Paris: Durand & Cie., [1915].BOX-FOLDER 157/9 Concerto in A minor : for violin. New York: G. Schirmer, Inc., [1920].BOX-FOLDER 157/10Concerto in E major : for violin and piano. New York: G. Schirmer,Inc., [1919].BOX-FOLDER 158/1 English suites, vol 1. New York: G. Schirmer, Inc., [1896].BOX-FOLDER 158/2 French suites. New York: G. Schirmer, Inc., [1896].Aaron Copland Collection 187

Music, 1841-1988ContainerContentsBOX-FOLDER 158/3BOX-FOLDER 158/4BOX-FOLDER 158/5BOX-FOLDER 158/6BOX-FOLDER 158/7BOX-FOLDER 158/8BOX-FOLDER 158/9BOX-FOLDER 158/10Fuga no. 8 do 1 o volume do clavecin bem temperado : arranjado paracôro mixto a 4 vozes desiguaces por H. Villa-Lobos. Rio de Janeiro:Casa Arthur Napoleão, n.d.Kantate Nr. 12 : "Weinen, Klagen, Sorgen, Zagen". Leipzig: Breitkopf& Härtel, [1890].Kantaten Nr. 20. "O Ewigke, du Donnerwort!" Leipzig: Breitkopf &Härtel, [1890].Kantaten Nr. 182. "Himmelskönig sei willkommen." Leipzig: Breitkopf& Härtel, [1895].Konzert C Moll : für Violine und Oboe oder für zwei Violinen mitKlavierbegleitung. Leipzig: Edition Peters, n.d.Kunst der Fuge. Leipzig: C. F. Peters, n.d.Magnificat : Klavier-Auszug. Leipzig: C. F. Peters, n.d.Orgel-Toccata C Dur : transcr. for piano solo by F. Busoni. Leipzig:Breitkopf & Härtel, [1900].BOX-FOLDER 158/11 Orgelchoral-Vorspiele, Heft I : transcr. for piano solo by F.Busoni. Leipzig: Breitkopf & Härtel, [1898].BOX-FOLDER 158/12Orgelwerke, Band 3. Leipzig: Steingräber-Verlag, n.d.BOX-FOLDER 159/1 Präludium, Fuge, Allegro, Es Dur : transcr. for piano solo by F.Busoni. Leipzig: Breitkopf & Härtel, [1915].BOX-FOLDER 159/2BOX-FOLDER 159/3BOX-FOLDER 159/4Präludium und Fuge D Dur : for piano solo. Leipzig: Breitkopf &Härtel, [1902].[Sonatas : for unaccompanied violin]. Berlin: Ed. Bote & G. Bock,[1908].Wohltemperiertes Klavier, Band II. Leipzig: C. F. Peters, n.d.Bacon, ErnstBOX-FOLDER 159/5 Tributaries. Berkeley: Musical Offering, [1978].Songs for voice & piano.BOX-FOLDER 159/6Coal scuttle blues : for two pianos. New York: Associated MusicPublishers, [1944].Co-authored by Otto Luening.Barber, SamuelAaron Copland Collection 188

Music, 1841-1988ContainerContentsBOX-FOLDER 159/7BOX-FOLDER 159/8BOX-FOLDER 196D/1BOX-FOLDER 196D/2Adagio for strings : arranged for organ.... New York: G. Schirmer, Inc.,[1939].Capricorn concerto : score for flute, oboe, trumpet and strings. NewYork: G. Schirmer, Inc., [1945].Essay for orchestra : for orchestra. New York: G. Schirmer, Inc.,[1941].Medea's meditation and dance of vengeance : op. 23A, fororchestra. New York: G. Schirmer, Inc., [1944].BOX-FOLDER 196D/3 Die Natali : choral preludes for Christmas, op. 37. New York: G.Schirmer Inc., [1961].BOX-FOLDER 196D/4 Piano concerto : op. 38, full score. New York: G. Schirmer Inc., [1962].BOX-FOLDER 159/9 Overture to "The school for scandal" : for orchestra. New York: G.Schirmer, Inc., [1941].Barth, Hans (compiler)BOX-FOLDER 196A/1 Piano music of today. Vienna: Universal Edition, [ca. 1936].Bartók, BélaBOX-FOLDER 159/10 Divertimento for string orchestra. London: Boosey & Hawkes, [1940].BOX-FOLDER 159/11 Etudes, op. 18. Vienna: Universal Edition, [1920].Piano solo.BOX-FOLDER 159/12Fünf Lieder, op. 16. : Gesang und Klavier. Vienna: Universal Editions,[1923].BOX-FOLDER 159/13 Improvisations : pour piano. Wien: Universal Editions, [1922].BOX-FOLDER 159/14 Piano-concerto no. 3. London: Boosey & Hawkes, [1947].BOX-FOLDER 159/15 Sonate : piano solo. Vienna: Universal Editions, [1927].BOX-FOLDER 159/16 Suite, op. 14 : piano solo. Vienna: Universal Editions, [1918].BOX-FOLDER 160/1BOX-FOLDER 160/2BOX-FOLDER 160/3Beethoven, Ludwig vanKonzert G-Dur für Klavier und Orchester, op 58. Leipzig: Breitkopf &Härtel, n.d.Piano concerto no. 1 : in C major, op. 15. New York: Edwin F. Kalmus,n.d.Quartette, op. 18 [Band I] : partitur. Leipzig: C. F. Peters, n.d.Aaron Copland Collection 189

Music, 1841-1988ContainerContentsBOX-FOLDER 160/4Quartette, op. 59 und op. 74 [Band II] : partitur. Leipzig: C. F. Peters,n.d.BOX-FOLDER 160/5 Quartette, op. 95, op. 127, op. 130 [Band III] : partitur. Leipzig: C. F.Peters, n.d.BOX-FOLDER 160/6 Quartette, op. 131, op. 132, op. 133, op. 135 [Band IV] :partitur. Leipzig: C. F. Peters, n.d.BOX-FOLDER 161/1 Sonate per pianoforte, volume II. Milano: G. Ricordi & Co., [1919].BOX-FOLDER 161/2 Sonate per pianoforte, volume III. Milano: G. Ricordi & Co., [1919].BOX-FOLDER 161/3Symphonien no. 6-9 : piano solo. Leipzig: C. F. Peters, n.d.Ben-Haim, PaulBOX-FOLDER 162/1 Sonatina, op. 38 : piano. Tel-Aviv: Israeli Music Publications, [1950].Berger, ArthurBOX-FOLDER 162/2 Duo for oboe and clarinet. New York: C. F. Peters, [1955].BOX-FOLDER 196D/5 Ideas of order : full score. New York: C. F. Peters, [1956].BOX-FOLDER 162/3BOX-FOLDER 162/4BOX-FOLDER 162/5Three poems of Yeats from "Words for music, perhaps". New York:New Music Edition, [1950].Berio, LucianoAllelujah II : per cinque gruppi di strumenti. Milano: Edizioni SuvinoZerboni, [1960].Berlioz, HectorAbsence : [from] "Les nuits d'été", op. 7, no. IV. Paris: Costallat & Cie.,n.d.BOX-FOLDER 162/6 Auf dem Friedhofe. Leipzig: Breitkopf & Härtel, [1841].(3 copies)BOX-FOLDER 162/7BOX-FOLDER 162/8BOX-FOLDER 162/9BOX-FOLDER 162/10Die Gefangene (Erste Fassung). Leipzig: Breitkopf & Härtel, n.d.Roman carnival overture, op. 9. New York: Associated MusicPublishers, n.d.Symphonie descriptive [Royal hunt and storm from "Thetrojans"]. [France]: s.n., n.d.Villanelle : [from] "Les nuits d'été", op. 7, no. I. Paris: Costallat & Cie.,n.d.Bernstein, LeonardAaron Copland Collection 190

Music, 1841-1988ContainerContentsBOX-FOLDER 162/11BOX-FOLDER 196D/6BOX-FOLDER 196D/7Overture to "Candide" : [for] orchestra. New York: G. Schirmer, Inc.,[1957].Kaddish (Symphony no. 3) : vocal score. New York: AmbersonEnterprises, Inc., [1965].Trouble in Tahiti : piano-vocal score. New York: G. Schirmer, Inc.,[1953].BOX-FOLDER 162/12 Seven anniversaries : for piano. New York: M. Witmark & Sons, [1944].BOX-FOLDER 162/13BOX-FOLDER 196D/8Binet, JeanSix mélodies : pour chant et piano. Paris: Éditions Maurice Senart, n.d.Blitzstein, MarcThis is the garden : a cantata of New York for mixed chorus andorchestra . New York: Chappell & Co., [1957].Bloch, ErnestBOX-FOLDER 163/1 L'abri = The shelter : [from] Poèmes d'automne. New York: G.Schirmer, Inc., [1918].BOX-FOLDER 163/2La vagabonde = The vagabond : [from] Poèmes d'automne. New York:G. Schirmer, Inc., [1918].BOX-FOLDER 163/3 Psaume 22. New York: G. Schirmer, Inc., [1919].BOX-FOLDER 163/4 Psaume 114. New York: G. Schirmer, Inc., [1919].BOX-FOLDER 163/5 Psaume 137. New York: G. Schirmer, Inc., [1919].BOX-FOLDER 163/6 Schelomo : violoncello & piano. Vienna: Universal Edition, [1918].BOX-FOLDER 163/7 Sonate pour violon et piano. New York: G. Schirmer, Inc., [1922].BOX-FOLDER 163/8BOX-FOLDER 163/9Blondel, Jorge UrrutiaMusica folklorica ritual de La Tirana. Partitura. Santiago: Escuela yConjuntos Nacionales, [1962].Tres coros infantiles de caracter Chileno. Santiago: Revista de Arte,Universidad de Chile, [1939].Boulez, PierreBOX-FOLDER 163/10 2ème sonate : pour piano. Paris: Heugel et Cie., [1950].BOX-FOLDER 196C/1Troisième sonate pour piano - formant 2 - trope. London: UniversalEdition, [1961].Brahms, JohannesAaron Copland Collection 191

Music, 1841-1988ContainerContentsBOX-FOLDER 163/11 Clavierstücke, op. 119. Berlin: N. Simrock, [1893].BOX-FOLDER 163/12 Selected piano compositions. Boston: Oliver Ditson Company, [1910].BOX-FOLDER 163/13BOX-FOLDER 163/14BOX-FOLDER 163/15BOX-FOLDER 164/1BOX-FOLDER 164/2Six pieces for pianoforte, op. 118. Los Angeles: R. W. Heffelfinger, n.d.Variationen über ein Thema von Josef Haydn, Op 56a : fürOrchester. Leipzig: Breitkoff & Härtel, n.d.Variations on a theme by Paganini, op. 35. London: Augener Ltd., n.d.Piano.Britten, BenjaminAn American overture (1941) : for orchestra. London: Faber MusicLtd., [1985].Billy Budd : an opera in four acts : vocal score. London: Boosey &Hawkes, [1951].Includes published libretto.BOX-FOLDER 164/3 The burning fiery furnace, op. 77. London: Faber Music Ltd., [1966].Vocal score.BOX-FOLDER 164/4BOX-FOLDER 165/1Our hunting fathers, op. 8 : symphonic cycle for soprano solo &orchestra. London: Winthrop Rogers Editions, [1936].The poet's echo, op. 76 : high voice and piano. London: Faber MusicLtd., [1967].BOX-FOLDER 196D/9 Quartet no. 1 : score. London: Boosey and Hawkes, [1942].BOX-FOLDER 165/2 Sinfonia da requiem, op. 20. London: Hawkes & Son, [1942].Full score.BOX-FOLDER 165/3BOX-FOLDER 165/4BOX-FOLDER 165/5BOX-FOLDER 165/6Symphony, op. 68 : for cello and orchestra. London: Boosey & Hawkes,[1963].Symphony, op. 68 : for cello and orchestra : reduction for cello andpiano. London: Boosey & Hawkes, [1963].Note: rev. 1964The young person's guide to the orchestra, op. 34. London: Hawkes& Son, [1947].Full score.Bruch, MaxViolin concerto in G minor, op. 26 : orchestra score. New York: EdwinF. Kalmus, n.d.Bush, AlanAaron Copland Collection 192

Music, 1841-1988ContainerContentsBOX-FOLDER 165/7 Relinquishment : for piano. London: Oxford University Press, [1929].BOX-FOLDER 165/8BOX-FOLDER 165/9BOX-FOLDER 165/10BOX-FOLDER 166A/1Busoni, FerruccioHarlekins Reigen : Rondo Arlecchinesco. Leipzig: Breitkopf & Härtel,[1917].Partitur.Indianisches Tagebuch, Erstes Buch. Leipzig: Breitkopf & Härtel,[1916].Piano.Buxtehude, DietrichOeuvres pour orgue : passacaille, chacones, préludes et fugues,toccatas, canzonette. Paris: Éditions Maurice Senart, [1923].Carlos, WalterPompous circumstances : on a theme by Sir Edward Elgar for moogsynthesizer. New York: Tempi Music Inc., [1975].Carpenter, John AldenBOX-FOLDER 166A/2 Sea drift : symphonic poem. New York: G. Schirmer, Inc., [1936].BOX-FOLDER 166A/3BOX-FOLDER 166A/4BOX-FOLDER 196D/10BOX-FOLDER 166B/1BOX-FOLDER 166A/5BOX-FOLDER 166A/6Carter, ElliottConcerto for orchestra. New York: Associated Music Publishers,[1972].A symphony of three orchestras. New York: Associated MusicPublishers, [1978].Variations for orchestra : full score . New York: Associated MusicPublishers, Inc., [1957].Caturla, Alejandro G.Dos poemas Afro-Cubanos : voz e piano. Paris: Éditions MauriceSenart, [1930].Cazden, Norman6 preludes and fugues for piano, op. 106. Bangor: Andrews MusicHouse, [1974].Chabrier, EmmanuelDix pièces pittoresques : pour piano. Paris: Enoch & Cie., n.d.Chagrin, FrancisBOX-FOLDER 166A/7 Symphony. London: Novello & Co., [1967].Score.Chávez, CarlosAaron Copland Collection 193

Music, 1841-1988ContainerContentsBOX-FOLDER 166A/8BOX-FOLDER 196/DConcerto for violin and orchestra : violin & piano version. New York:Mills Music, Inc., [1964].Concerto for violin and orchestra : violin & orchestra version. NewYork: Mills Music, Inc., [1964].BOX-FOLDER 166A/9 Initium : for orchestra. Melville: Belwin-Mills Publishing Corp., [1975].BOX-FOLDER 166B/2 Sinfonia India : for large orchestra (1935/36), 80 p.BOX-FOLDER 166A/10Sinfonia no. 5 : for string orchestra. Los Angeles: Affiliated Musicians,Inc., [1954].BOX-FOLDER 166A/11 Soli no. 2 : for wind quintet. New York: Mills Music, Inc., [1963].BOX-FOLDER 167/1BOX-FOLDER 167/2BOX-FOLDER 167/3BOX-FOLDER 167/4BOX-FOLDER 167/5BOX-FOLDER 167/6Chopin, FredericBallades and impromptus, vol. 31 : [from] Chopin's complete works forthe piano. New York: G. Schirmer, Inc., [1894].Etudes, vol. 33 : [from] Chopin's complete works for the piano, bookeight. New York: G. Schirmer, Inc., [1916].Mazurkas, vol. 28 : [from] Chopin's complete works for the piano, booktwo. New York: G. Schirmer, Inc., [1915].Scherzi and fantasy, vol. 32 : [from] Chopin's complete works for thepiano, book seven. New York: G. Schirmer, Inc., [1915].Sonatas, vol. 35 : [from] Chopin's complete works for the piano, bookeleven. New York: G. Schirmer, Inc., [1895].Waltzes, vol. 27 : [from] Chopin's complete works for the piano, bookI. New York: G. Schirmer, Inc., [1915].Colgrass, MichaelBOX-FOLDER 196D/12 As quiet as : for orchestra. New York: MCA Music, [1969].BOX-FOLDER 196D/13BOX-FOLDER 196D/14BOX-FOLDER 167/7The earth's a baked apple : piano-vocal score. New York: MCA Music,[1970].New people : for mezzo-soprano, viola, and piano. New York: MCAMusic, [1970].Converse, Frderick S.American sketches : symphonic suite for orchestra. New York: EdwinF. Kalmus, [1937].Score.Cordero, RoqueAaron Copland Collection 194

Music, 1841-1988ContainerContentsBOX-FOLDER 168/1BOX-FOLDER 168/2BOX-FOLDER 168/3BOX-FOLDER 168/4Sonatina ritmica : para piano. Washington, D.C.: Pan American Union,[1954].Corelli, ArcangeloSonata in D, vol. 8 : for violin and piano. New York: G. Schirmer, Inc.,[1908].Cósme, LuisMãi d'agua canta : para violino e piano. Rio: Irmãos Vitale & C., n.d.Oração á Teiniaguá. Rio: [Irmãos Vitale & C.], n.d.Para violino e piano.BOX-FOLDER 168/5 Salamanca do Jaráu. Porto Alegre: Luiz Cósme, [1945].For orchestra.BOX-FOLDER 168/6BOX-FOLDER 168/7BOX-FOLDER 168/8BOX-FOLDER 196C/1Tres Manchas : para piano. [Rio]: [Irmãos Vitale & C.], n.d.Dallapiccola, LuigiCanti di liberazione : per coro misto e grande orchestra. Milano:Edizioni Suvini Zerboni, [1955].Job : una sacra rappresentazione : riduzione per canto epianoforte. Milano: Edizioni Suvini Zerboni, [1952].Damon, S. Foster (compiler)Series of old American songs. Providence: Brown University Library,1936.Piano-vocal score (review copy; facsimile reproductions with briefannotations).Danenberg, V. (compiler)BOX-FOLDER 196A/2 Latviešu kora dziesma. Riga: Latvijas Valsts Izdevnieciba, [1955].Vocal score.BOX-FOLDER 196E/1Daus, AbrahamSongs of Rahel : for low voice, flute, and viola. New York: Leeds MusicPublications, [1952].Davies, Peter MaxwellBOX-FOLDER 196C/2 String quartet. London: Schott & Co. Ltd., [1962].Debussy, ClaudeBOX-FOLDER 168/9 Berceuse héroïque : piano à 2 mains. Paris: A. Durand & Fils, [1915].BOX-FOLDER 168/10Pelléas et Mélisande : partition pour chant et piano. Paris: Fromont,[1902].copyright by A. Durand [1907].Aaron Copland Collection 195

Music, 1841-1988ContainerContentsBOX-FOLDER 169/1 Preludes, 1er livre : pour piano. Paris: A. Durand & Fils, [1910].BOX-FOLDER 169/2 Preludes, 2me livre : pour piano. Paris: A. Durand & Fils, [1913].BOX-FOLDER 169/3 Twelve songs : for high voice. Boston: Oliver Ditson Company, [1913].BOX-FOLDER 169/4BOX-FOLDER 196E/2BOX-FOLDER 196E/3Del Tredici, DavidFour songs : on poems of James Joyce : for voice and piano. New York:Boosey & Hawkes, [1974].I hear an army : for soprano and string quartet. London: Boosey &Hawkes, [1974].Pop-pourri : for soprano, rock group, chorus, and orchestra. London:Boosey & Hawkes, [1974].BOX-FOLDER 169/5 Scherzo : for piano, four hands. New York: Boosey & Hawkes, [1975].BOX-FOLDER 169/6 Soliloquy : for piano. New York: Boosey & Hawkes, [1975].BOX-FOLDER 196E/4Syzygy : for soprano, horn and chamber orchestra. London: Boosey &Hawkes, [1974].BOX-FOLDER 169/7 Trio : for violin, viola and violoncello. Boston: Ione Press, [1974].Also published E. C. Schirmer Music Co., [1974].Demets, Paris E. (editor)BOX-FOLDER 196A/3 Album des 6 : pour piano. Paris: E. Demets, [1920].BOX-FOLDER 169/8BOX-FOLDER 169/9Diamond, DavidA myriologue : for piano. New York: Southern Music Publishing Co.Inc., [1971].Alone at the piano : pieces for beginners. New York: Southern MusicPublishers Co. Inc., [1968].(2 copies)BOX-FOLDER 169/10 Chorale. New York: Southern Music Publishing Co. Inc., [1951].For mixed chorus (SATB).BOX-FOLDER 169/11BOX-FOLDER 169/12Concertino : for piano and small orchestra. New York: Southern MusicPublishing Co. Inc., [1969].Reduction for two pianos.Concerto : for piano and orchestra. New York: Southern MusicPublishing Co. Inc., [1966].Reduction for two pianos.Aaron Copland Collection 196

Music, 1841-1988ContainerContentsBOX-FOLDER 196E/5BOX-FOLDER 169/13BOX-FOLDER 169/14BOX-FOLDER 169/15BOX-FOLDER 170/1BOX-FOLDER 170/2BOX-FOLDER 170/3BOX-FOLDER 170/4BOX-FOLDER 170/5BOX-FOLDER 170/6BOX-FOLDER 196E/6BOX-FOLDER 170/7BOX-FOLDER 196E/7BOX-FOLDER 196E/8BOX-FOLDER 196E/9BOX-FOLDER 196E/10Concerto : for small orchestra : full score. New York: Southern MusicPublishing Co. Inc., [1970].Don't cry : song for high voice and piano. New York: G. Schirmer, Inc.,[1983].The fall : a cycle of nine songs for voice and piano. New York:Columbia University Press, [1983].Homage to Paul Klee : voice & piano. Bryn Mawr, PA: Elkan-Vogel,Inc., [1973].Music for Shakespeare's Romeo and Juliet (1947). London: Boosey &Hawkes, [1948].Full score.Music, when soft voices die. New York: Associated Music Publishers,Inc., [1944].For voice & piano.Quintet : for flute, string trio and piano. New York: Southern MusicPublishing Co. Inc., [1942].Rounds : for string orchestra. Philadelphia: Elkan-Vogel Co. Inc.,[1946].Score.Sonata no. 2 : for violin and piano. New York: G. Schirmer, Inc.,[1982].String quartet no. 2 : for 2 violins, viola and cello. New York: SouthernMusic Publishing Co. Inc., [1958].String quartet no. 5 : for 2 violins, viola and cello. New York: SouthernMusic Publishing Co. Inc., [1967].String quartet no. 7 : for 2 violins, viola and cello. New York: SouthernMusic Publishing Co. Inc., [1968].Symphony no. 1 : full score. New York: Southern Music Publishing Co.Inc., [1969].Symphony no. 4 : full score. New York: Southern Music Publishing Co.Inc., [1949].Symphony no. 5 : full score. New York: Southern Music Publishing Co.Inc., [1968].Timon of Athens : for orchestra. New York: Leeds Music Corporation,[1950].Aaron Copland Collection 197

Music, 1841-1988ContainerContentsBOX-FOLDER 170/8BOX-FOLDER 170/9The tomb of Melville : for piano. New York: Leeds Music Corporation,[1950].Two anthems : for mixed chorus (SATB). New York: Southern MusicPublishing Co. Inc., [1969].BOX-FOLDER 170/10 Warning. Bryn Mawr, PA: Elkan-Vogel, Inc., [1973].For mixed chorus (SATB) and tubular bells.Diercks, JohnBOX-FOLDER 70/11 Alleluia : SSAA a cappella. New York: Dow Music Publishers, [1958].BOX-FOLDER 170/12How long, O Lord : SATB, organ. New York: Dow Music Publishers,Inc., [1960].BOX-FOLDER 170/13 Two psalms. New York: Dow Publishers, Inc., [1960].For mixed chorus (SATB).Doolittle, EliakimBOX-FOLDER 170/14 Exhortation. Philadelphia: Elkan-Vogel, Inc., [1954].For mixed chorus (SATB).BOX-FOLDER 170/15BOX-FOLDER 171/1BOX-FOLDER 196A/4BOX-FOLDER 171/2Dukas, PaulAriane et Barbe-bleue : partition pour piano seul. Paris: A. Durand &Fils, [1906].The sorcerer's apprentice. New York: Edwin F. Kalmus, n.d.For orchestra.Duran, Gustav (editor/compiler)14 traditional Spanish songs from Texas. Washington, DC: MusicDivision, Pan American Union, [1942].Dvŏrák, AntonConcerto in A minor, op. 53 : for violin and piano. New York:International, n.d.Egk, WernerBOX-FOLDER 171/3 Der Revisor : komische Oper in fünf Akten. Klavierauszug. [Berlin]: B.Schott's Söhne, [1957].BOX-FOLDER 171/4Einem, GottfriedDanton's Tod : einer Oper in zwei Teilen ... . Klavierauszug mit Text.Wien: Universal-Edition, [1947].Éloy, Jean-ClaudeBOX-FOLDER 171/5 Equivalences : pour 18 instrumentistes. Paris: Heugel & Cie, [1965].BOX-FOLDER 171/6 Etude III : partition d'orchestre. Paris: Heugel & Cie, [1965].(2 copies)Aaron Copland Collection 198

Music, 1841-1988ContainerContentsBOX-FOLDER 172/1BOX-FOLDER 172/2Fauré, Gabriel2e quintette, op. 115 : partition et parties. Paris: A. Durand & Fils,[1921].2me sonate pour violon & piano, op. 108. Paris: A. Durand & Fils,[1917].BOX-FOLDER 172/3 6me nocturne : pour piano, op. 63. Paris: J. Hamelle, [1918].BOX-FOLDER 172/4 12me barcarolle : pour piano, op. 106. Paris: A. Durand & Fils, [1916].BOX-FOLDER 172/5 13e barcarolle : pour piano, op. 116. Paris: A. Durand & Fils, [1921].BOX-FOLDER 172/6 13e nocturne : pour piano, op. 119. Paris: A. Durand & Fils, [1922].BOX-FOLDER 172/7Pelléas et Mélisande, op. 80. Paris: J. Hamelle, n.d.For orchestra.BOX-FOLDER 172/8 Préludes, op. 103 : pour piano. Paris: Heugel & Cie, [1910].BOX-FOLDER 172/9 Trio : pour piano, violon et violoncello. Paris: A. Durand & Fils, [1923].BOX-FOLDER 173/1BOX-FOLDER 196E/11Fennimore, JosephBits and pieces : piano suite. New York: Edward B. Marks Corporation,[1970].Fine, IrvingSerious song for orchestra : full score. New York: Broude Brothers,[1959].Franck, CésarBOX-FOLDER 173/2 Prélude, fugue et variation, op. 18 : pour piano à 2 mains. Paris: A.Durand & Fils, [1910].BOX-FOLDER 173/3Freed, ArnoldAcquainted with the night : for medium voice and piano. New York:Boosey & Hawkes, Inc., [1965].Freer, Eleanor EverestBOX-FOLDER 173/4 Bird song. Chicago: Music Library of Chicago, [1936].For high voice & piano.Galan, NatalioBOX-FOLDER 173/5 Intermedio variado : para dos pianos. La Habana: José Marti, [1960].BOX-FOLDER 173/6Gershwin, GeorgeConcerto in F : for piano and orchestra. New York: New World Music,[1927].Aaron Copland Collection 199

Music, 1841-1988ContainerContentsGesualdo, Don CarloBOX-FOLDER 196E/12 Illumina nos : vocal score. London: Boosey & Hawkes, [1957].Ghedini, Giorgio FedericoBOX-FOLDER 173/7 Concerto dell'albatro (da "Moby Dick" di Hermann Melville) :partitura. Milano: Edizioni Suvini Zerboni, [1949].BOX-FOLDER 173/9BOX-FOLDER 173/10BOX-FOLDER 173/11BOX-FOLDER 173/12Gluck, Christoph Willibald vonIphigenia in Aulis : overture. New York: Associated Music Publishers,n.d.Score.Orpheus : Klavierauszug. Leipzig: C. F. Peters, n.d.Vocal score.Goldmark, RubinFrom the old mission : from "Prairie idylls" : a suite of four pieces forthe piano. New York: G. Schirmer, [1915].The meadow lark : from "Prairie idylls" : a suite of four pieces for thepiano. New York: G. Schirmer, [1915].Goloubew, EugeneBOX-FOLDER 173/13 Poème : pour violon et piano. Moscow: Staatsmusikverlag, [1935].Gounod, CharlesBOX-FOLDER 173/14 Romeo and Juliet. New York: G. Schirmer, Inc., [1897].Vocal score.BOX-FOLDER 174/1Grenet, Emilio (editor)Música popular Cubana : 80 composiciones revisadas y corregidas. LaHabana: Southern Music Publishing Co., [1939].For voice & piano.Grieg, EdvardBOX-FOLDER 174/2 Holberg suite, op. 40. Copenhagen: Wilhelm Hansen, [1951].For string orchestra.Also published by Peters Edition, [1951].BOX-FOLDER 174/3 Sonata for pianoforte, op. 7. New York: G. Schirmer, [1906].BOX-FOLDER 196E/13Guarnieri, CamargoToada triste : for piano solo. S.l.: s.n., n.d.Haubenstock-Ramati, RomanBOX-FOLDER 196C/3 Credentials. Vienna: Universal Edition, [1963].Score.Aaron Copland Collection 200

Music, 1841-1988ContainerContentsBOX-FOLDER 196E/14Petite musique de nuit : mobile pour orchestre. Vienna: UniversalEdition, [1959].BOX-FOLDER 196F/1 Symphonies de timbres. Vienna: Universal Edition, [1958].Full score.BOX-FOLDER 174/4BOX-FOLDER 196A/5Händel, Georg FriedrichConcerto grosso, op. 6, no. 4 (A minor). New York: Broude Bros., n.d.Score.Hart, Jane (compiler)Singing bee! : a collection of favorite children's songs. New York:Lothrop, Lee & Shepard Books, , [1982].Haydn, JosephBOX-FOLDER 174/5 Andante con variazioni in Fm. New York: G. Schirmer, [1899].Piano solo.BOX-FOLDER 196F/2Koncerto C Dur: pro violoncello a orchestr : partitur. Prague: Statnihudebni vydavatelstvi, [1962].BOX-FOLDER 174/6 Sonatas, vol. I (nos. 1-10). New York: G. Schirmer, [1894].Piano solo.BOX-FOLDER 174/7 Symphony no. 88 in G major : orchestra score. New York: Edwin F.Kalmus, n.d.BOX-FOLDER 174/8BOX-FOLDER 174/9SymphonieNr. 95. New York: Edwin F. Kalmus, n.d.Score.Symphonie Nr. 102, B Dur. Leipzig: Breitkopf & Härtel, n.d.Score.Helfer, WalterBOX-FOLDER 174/10 Appassionata : for violin and piano. Vienna: Universal-Edition, [1932].BOX-FOLDER 196F/3BOX-FOLDER 174/11BOX-FOLDER 174/12Henze, Hans WernerBeing beauteous : Kantate auf das gleichnamige Gedicht aus "Lesilluminations" (1872/73) von Arthur Rimbaud für Koloatur-sopran,Harfe und vier Violoncelli. Mainz: Edition Schott, [1963].Hindemith, PaulDas Marienleben : für Sopran und Klavier. London: Schott & Co. Ltd.,[1948].Das Marienleben, op. 27 : für Sopran und Klavier. Mainz: B. Schott'sSöhne, [1924].Aaron Copland Collection 201

Music, 1841-1988ContainerContentsBOX-FOLDER 174/13BOX-FOLDER 175/1BOX-FOLDER 175/2BOX-FOLDER 175/3Reihe kleiner Stücke, op. 37 : Klavier. Mainz: B. Schott's Söhne,[1927].Honegger, ArthurConcertino pour piano et orchestre : réduction pour 2 pianos. Paris:Éditions Maurice Senart, [1925].Pacific 231 : réduction pour piano 4 mains. Paris: Éditions MauriceSenart, [1924].Le roi David : partition pour chant et piano. Lausanne: Fœtisch Frères,[1924].BOX-FOLDER 175/4 Sept pièces brèves : pour piano. Paris: Éditions de La Sirène, [1920].Husa, KarelBOX-FOLDER 175/5 Sonatina : piano 2ms. Prague: Fr. A. Urbánek A. Synové, [1947].BOX-FOLDER 196C/3BOX-FOLDER 175/6Instituto de Investigaciónes MusicalesAntología del folklore musical Chileno. Santiago: Instituto deInvestigaciónes Musicales, Universidad de Chile, , 1963.part 1, 1960; part 2, 1961; part 2, 1961; part 3, Danzas de Chile,1963.Lead sheet with text.Directed by Vicente Salas ViuIvanov, JānisSimfoniia no. 7 : full score. Moscow: Gosudarstvennoe VoennoeIzdatel'stvo, [1955].Ives, CharlesBOX-FOLDER 196F/4 50 songs : piano-vocal score. S.l.: s.n., [1922].Note: Published privatelyBOX-FOLDER 175/7The unanswered question : for chamber orchestra. New York:Southern Music Publishing Co., Inc., [1953].Score and parts.Kliuzner, BorisBOX-FOLDER 176/1 Symphony. Leningrad: Soviet Composer, [1959].Score.Konjović, PetarBOX-FOLDER 176/2 Koštana. Belgrade: Državni Izdavački Zavod Jugoslavije, [1946].Vocal score.Korngold, Erich WolfangBOX-FOLDER 176/3 The fairy tale recites and epilogue, op. 3, no. 7. New York: G.Schirmer, [1911].Piano solo.Aaron Copland Collection 202

Music, 1841-1988ContainerContentsKřenek, ErnstBOX-FOLDER 177/1 Fünf Klavierstücke, op. 39. Vienna: Universal-Edition, [1926].BOX-FOLDER 177/2BOX-FOLDER 177/3BOX-FOLDER 177/4BOX-FOLDER 177/5Piano sonata no. 4. Long Island City: Bomart Music Publications,[1950].Violinkonzert, op. 29 : violino e piano. Vienna: Universal-Edition,[1925].Kurtz, EugeneConversations : pour 12 instrumentistes : partition d'orchestre. Paris:Société des Éditions Jobert, [1966].Le marcheur solitaire : monologue pour orchestre. Paris: Société desÉditions Jobert, [1965].BOX-FOLDER 177/6 Motivations : pour piano. Paris: Société des Éditions Jobert, [1964].BOX-FOLDER 196F/5BOX-FOLDER 177/7BOX-FOLDER 178/1Symphonie pour orchestre à cordes : full score. Paris: Éditions JeanJobert, [1962].Three songs from Medea : partition chant et piano. Paris: Société desÉditions Jobert, [1961].Lee, Dai-KeongIntroduction and allegro : for string orchestra. New York: Sprague-Coleman, Inc., [1942].Score.Lee, NoëlBOX-FOLDER 178/2 Concergences : pour flûte et clavecin. Paris: Gérard Billaudot, [1974].BOX-FOLDER 178/3BOX-FOLDER 178/4BOX-FOLDER 178/5BOX-FOLDER 178/6Levinson, GeraldTrio for clarinet, violoncello, and piano. Bryn Mawr, PA: MerionMusic, Inc., [1985].Liszt, FranzEtude in D-flat major (Un sospiro). New York: G. Schirmer, n.d.For piano.Hark, the lark : transcription from the song by F. Schubert. New York:Century Music Publishing Co., [1908].Rhapsodie hongroise no. 6 : "Au Comte Antoine D'Appony". New York:G. Schirmer, [1902].For piano.Aaron Copland Collection 203

Music, 1841-1988ContainerContentsBOX-FOLDER 178/7Rhapsodie hongroise no. 11 : "Au Baron Fery Orczy" : pourpiano. Berlin: Schlesinger'sche, n.d.Lloyd, CarolineBOX-FOLDER 178/8 Paisajes : suite para piano. Bogota: Hernan Diaz, [1972].BOX-FOLDER 178/9BOX-FOLDER 178/10BOX-FOLDER 196F/6BOX-FOLDER 178/11BOX-FOLDER 178/12BOX-FOLDER 178/13BOX-FOLDER 178/14BOX-FOLDER 178/15BOX-FOLDER 179/1BOX-FOLDER 196A/6BOX-FOLDER 179/2Lopatnikoff, NikolaiFantasia concertante, op. 42 : for violin and piano. New York: MCAMusic, [1967].Intervals, op. 37 : 7 studies for piano. New York: Leeds MusicCorporation, [1957].Symphony no. 3 : full score. New York: Leeds Music Corporation,[1951].Lutoslawski, WitoldMuzyka żalobna : na orkiestre smyczkowa = Musique funèbre : pourorchestre à cordes. Warsaw: Polskie Wydawnictwo Muzyczne,[1958].Partytura.Mahler, GustavAdagietto from Fifth symphony. Detroit: Luck's Music Library, n.d.For string orchestra.Das Lied von der Erde : eine Symphonie ... : Klavierauszug mitText. Vienna: Universal-Edition, [1911].Kindertotenlieder : songs on the death of infants : für eine Singstimmemit Klavier oder Orchester. Leipzig: C. F. Kahnt, [1905].Symphony no. 4 in G major. New York: Edwin F. Kalmus, n.d.Score.Marquiset, ArmandIz Guete. Paris: Simon, n.d.Piano-vocal score.Medley, Bill and Pat Medley (arrangers)Standard literature, volume 3. Winona: Hal Leonard PublishingCorporation, 1983.For piano.Menasce, Jacques deOutrenuit : Cinq mélodies sur des textes de Georges Cattaui. Paris:Durand & Cie, [1953].BOX-FOLDER 179/3 Sonatina no. 2 : piano solo. New York: Mercury Music Corp., [1945].Aaron Copland Collection 204

Music, 1841-1988ContainerContentsBOX-FOLDER 179/4BOX-FOLDER 179/5BOX-FOLDER 179/6BOX-FOLDER 196C/2BOX-FOLDER 179/7BOX-FOLDER 179/8BOX-FOLDER 180/1Sonate pour alto and piano : en un mouvement. Paris: Durand & Cie,[1956].Mendelssohn, FelixLieder ohne Wörte : für Pianoforte solo. Leipzig: C. F. Peters, n.d.Trio, op. 49 : for piano, violin, violoncello. London: Augener Ltd., n.d.Mexico. Secretaría de Educación Pública. (compilation)10 cantos para escuelas primarias y secundarias. Mexico: Ediciónesde la Sria, 1944.Piano-vocal score.Meyerbeer, GiacomoDie Afrikanerin : Oper in 3 Akten : Klavierauszug. Berlin: Ed. Bote &G. Bock, n.d.Mihály, AndrásMonodia (per orchestra) : partitura. Budapest: Editio MusicaBudapest, [1972].Milford, RobinMiniature string quartet in G, op. 35. London: Oxford UniversityPress, [1938].Milhaud, DariusBOX-FOLDER 196F/7 Les choéphores : partition d'orchestre. Paris: Heugel Editeur, [1916].BOX-FOLDER 180/2 La création du monde : ballet de blaise Cendrars : pour piano à 4mains. Paris: Max Eschig & Cie, [1923].BOX-FOLDER 196F/8 Douzième quatuor à cordes : score. Paris: Éditions Salabert, [1948].BOX-FOLDER 196H/1 Octuor à cordes : score. Paris: Heugel Editeur, [1949].BOX-FOLDER 180/3BOX-FOLDER 180/4BOX-FOLDER 180/5BOX-FOLDER 180/6Saudades do Brazil : suite de danses : pour piano. Paris: E. Demets,[1922].Mjaskovsky, NicolaiBizarreries : six esquisses, op. 25. Berlin: Édition Russe de Musique,[1923].Moncayo, José PabloHuapango : partitura de orquesta. Mexico City: Ediciones Mexicanasde Música, [1950].Monteverdi, ClaudioIl combattimento di Tancredi e Clorinda : per canto epianoforte. Milano: Societa Anonima Notari, [1919].Aaron Copland Collection 205

Music, 1841-1988ContainerContentsBOX-FOLDER 180/7BOX-FOLDER 180/8BOX-FOLDER 180/9BOX-FOLDER 180/10BOX-FOLDER 180/11BOX-FOLDER 180/12BOX-FOLDER 180/13BOX-FOLDER 180/14Mortet, Luis CluzeauMar de Luna : canto y piano. Montevideo: Editorial CooperativaInteramericana de Compositores, [1941].Mozart, Wolfgang AmadeusKlavier-Konzert Nr. 23, A Dur, K.V. 488. Wiesbaden: Breitkopf &Härtel, n.d.Konzert B-Dur : für Klavier und Orchester, KV 595. Leipzig: Breitkopf& Härtel, n.d.Piano concerto no. 17 in G major, K. 453. New York: Edwin F. Kalmus,n.d.Score.Piano concerto no. 20 in D minor, K. 466. New York: Associated MusicPublishers, n.d.Score.Sonaten : für Pianoforte 2 Händig. Wien: Universal-Edition, n.d.Symphonie Nr. 40 G Moll, K.V. 550. Wiesbaden: Breitkopf & Härtel,n.d.Violin concerto no. 4 in D major, K. 218. New York: Edwin F. Kalmus,n.d.Mussorgsky, ModesteBOX-FOLDER 181/1 Chants et danses de la mort. St. Petersburg: W. Bessel & Co., [1911].Piano-vocal score.BOX-FOLDER 181/2 Tableaux d'une exposition : pour piano. London: Augener Ltd., [1914].BOX-FOLDER 181/3BOX-FOLDER 181/4Nabokoff, NicolasContrastes et développements : pour piano. Berlin: Édition Russe deMusique, n.d.Nystedt, KnutSpenningens land : symfonisk fantasi, op 19. Drammen: Harald Lyche& Co's Musikforlag, [1949].Score.BOX-FOLDER 181/5 Troens triumf : suite for blandet kor a cappella. Oslo: Musikk-Huset A/S, [1954].BOX-FOLDER 181/6Orgad, Ben-ZionBallade for violin (unaccompanied). New York: Mercury Music Corp.,[1950].Ornstein, LeoAaron Copland Collection 206

Music, 1841-1988ContainerContentsBOX-FOLDER 181/7BOX-FOLDER 181/8BOX-FOLDER 181/9Danse sauvage (Wild man's dance), op. 13, no. 2. London: Schott &Co., [1915].Piano solo.Pál, KadosaSerenade, op. 65 : für Kammerorchester. Budapest: Editio Musica,Budapest, [1970].Palestrina, Giovanni daStabat mater : prose à 2 chœurs. Paris: Chanteurs de St. Gervais,[1911].For mixed chorus (SATB).Peixe, GuerraBOX-FOLDER 181/10 3 canções. São Paulo: Ricordi Brasileira, [1955].Canto y piano.Penderecki, KrzysztofBOX-FOLDER 196C/4 Ofiarom Hiroszimy TREN = To the Victims of Hiroshima THRENODY :pour 52 instruments a cordes. Warsaw: P. W. P. Przedstawicielstwo,[1961].Score.BOX-FOLDER 196C/5BOX-FOLDER 196B/1BOX-FOLDER 181/11BOX-FOLDER 181/12BOX-FOLDER 181/13BOX-FOLDER 181/14Polymorphia : für 48 Streichinstrumente. Germany: Hermann Moeck,[1963].Partitur.Philipp, Isidor (editor)Anthology of French piano music : volume I, early composers. Boston:Oliver Ditson Company, [1906].For piano.Pisk, PaulVier Klavierstücke, op. 3 : piano solo. Vienna: Universal-Edition,[1922].Popov, GavriilSeptet, op. 2. Moscow: Muzsektor Gosizdata Universal'noe Izdat.,[1929].Instrumental parts.Prokofiev, SergeiContes de la vieille grand'mère, op. 31 : pour piano. Leipzig: Breitkopf& Härtel, [1922].Le pas d'acier : réduction pour piano à 2 mains.... Berlin: Édition Russede Musique, [1928].Includes handwritten story description.Aaron Copland Collection 207

Music, 1841-1988ContainerContentsBOX-FOLDER 181/15BOX-FOLDER 182/1[Visions fugitive, op. 22]. [Germany]: A. & G., n.d.For piano [missing cover pages and op. 22, no.1].Purcell, HenryThree, four and five part fantasias for strings. London: J. Curwen &Sons Ltd., [1927].Includes correspondence re: AC's use of score.Score and parts.Rachmaninoff, SergeiBOX-FOLDER 182/2 Piano concerto no. 1, op. 1 : orchestral score. New York: Edwin F.Kalmus, n.d.Ramey, PhillipBOX-FOLDER 182/3 Arabesque : for solo flute. New York: G. Schirmer, [1986].BOX-FOLDER 182/4 Canzona : for piano. New York: G. Schirmer, [1985].BOX-FOLDER 182/5 Epigrams : piano solo. London: Boosey & Hawkes, [1968].BOX-FOLDER 182/6Leningrad rag : for piano. New York: Piedmont Music Company, Inc.,[1974].BOX-FOLDER 182/7 Memorial : piano solo. New York: Henmar Press Inc., [1981].BOX-FOLDER 182/8Ravel, MauriceDaphnis et Chloé : partition pour le piano réduite.... Paris: A. Durand& Fils, [1910].BOX-FOLDER 182/9 Sonatine : pour le piano. Paris: A. Durand & Fils, [1905].BOX-FOLDER 182/10Le tombeau de Couperin : 6 pieces pour piano. Paris: A. Durand & Fils,[1918].BOX-FOLDER 182/11 Trio pour piano, violon et violoncelle. Paris: A. Durand & Fils, [1915].BOX-FOLDER 183/1BOX-FOLDER 183/2Ristić, MilanII. Simfonija : partitura. Belgrade: Edicija Udruženja Kompozitora,[1959].Roldán, AmadeoMotivos de son III mulata : transcripción para canto y piano. LaHabana: Musicalia, [1932].Roussel, AlbertBOX-FOLDER 183/3 Suite en fa : pour orchestre. Paris: A. Durand & Cie, [1927].Ruggles, CarlAaron Copland Collection 208

Music, 1841-1988ContainerContentsBOX-FOLDER 196H/2BOX 196H3Portals : for string orchestra. New York: American Music Edition,[1930].Salazar, AdolfoCuatro letrillas : para cors a cappella. Mexico City: EdicionesMexicanas de Música, [1948].Salmanov, V.BOX-FOLDER 184/1 Dvenadtsat' : piano-vocal score. Leningrad: Soviet Composer, [1958].BOX-FOLDER 184/2 Symphony. Moscow: Soviet Composer, [1959].Score.Santa Cruz, DomingoBOX-FOLDER 184/3 5 poemas trágicos : para piano solo. Santiago: s.n., [1929].BOX-FOLDER 184/4Cantos de Soledad. Santiago: Revista de Arte, Universidad de Chile,[1936].Piano-vocal score.BOX-FOLDER 184/4 Quartet no. 1. New York: Peer International Corporation, [1956].BOX-FOLDER 184/5BOX-FOLDER 184/6Santorsola, GuidoAgonia : canto y piano. Montevideo: Editorial CooperativaInteramericana de Compositores, [1942].Imágenes musicales : para piano y canto. Montevideo: A. Monteverdey Cia, [1936].Satie, ErikBOX-FOLDER 184/7 Gymnopedies : orchestrated by Claude Debussy. New York: Edwin F.Kalmus, n.d.Score.BOX-FOLDER 184/8Sauguet, HenriLes forains : ballet : réduction pour piano. Paris: Rouart, Lerolle & Cie,[1946].BOX-FOLDER 184/9 La rencontre : Œdipe et la Sphinx. Paris: Heugel et Cie., [1949].Reduction for piano.Scarlatti, DomenicoBOX-FOLDER 184/10 25 Sonaten. Leipzig: C. F. Peters, [1909].For piano.BOX-FOLDER 184/11Klavierwerke, Band I : piano solo. Vienna: Universal-Edition, n.d.BOX-FOLDER 184/12Opere complete per clavicembalo, volume 6. o : Suites 251 a300. Milano: G. Ricordi & C., n.d.For piano.Aaron Copland Collection 209

Music, 1841-1988ContainerContentsSchäffer, BogusławBOX-FOLDER 196C/6 Collage + form : for eight jazzmen and orchestra. Warsaw: P. W. P.Przedstawicielstwo, [1965].Score.BOX-FOLDER 185/1Schmitt, FlorentSonate libre en deux parties enchainées : (Ad modum clementisaquae) : pour violon et piano. Paris: A. Durand & Fils, [1920].Schoenberg, ArnoldBOX-FOLDER 185/2 Drei Klavier-Stücke, op. 11. Vienna: Universal-Edition, [1910].BOX-FOLDER 185/3Fünf Klavierstücke = Five piano pieces, op. 23. Copenhagen: WilhelmHansen, [1923].BOX-FOLDER 185/4 Fünf Orchesterstücke, op. 16. Leipzig: C. F. Peters, [1912].BOX-FOLDER 185/5 Sechs kleine Klavierstücke, op. 19. Vienna: Universal-Edition, [1913].BOX-FOLDER 185/6 Suite fur Klavier, op. 25. Vienna: Universal-Edition, [1925].Schubert, FranzBOX-FOLDER 185/7 Compositions for the pianoforte. New York: G. Schirmer, [1897].BOX-FOLDER 185/8BOX-FOLDER 185/9BOX-FOLDER 186/1Danses pour piano. Braunschweig: Henry Litolff, n.d.Symphony no. 5 in B-flat major. New York: Associated MusicPublishers, Inc., n.d.Score.Schuman, WilliamNew England triptych : three pieces for orchestra after WilliamBillings. Bryn Mawr, PA: Merion Music, Inc., [1957].Includes notes of AC in music manuscript.Schumann, RobertBOX-FOLDER 186/2 Album no. 1 : piano solo. Boston: B. F. Wood Music Co., [1908].BOX-FOLDER 186/3BOX-FOLDER 186/4BOX-FOLDER 186/5BOX-FOLDER 186/6Cello concerto in A minor, op. 129. New York: Edwin F. Kalmus, n.d.Davidbündler, op. 6 : Klavierwerke. Leipzig: Breitkopf & Härtel, n.d.Fantasiestücke, op. 12 : for the pianoforte. New York: G. Schirmer,[1893].Faschingsschwank, op. 26 : for the pianoforte. New York: G. Schirmer,[1897].Aaron Copland Collection 210

Music, 1841-1988ContainerContentsBOX-FOLDER 186/7Konzert A Moll, op. 54 : Klavier zu 2 Händen. Leipzig: C. F. Peters, n.d.BOX-FOLDER 186/8 Phantasie, op. 17 : for the pianoforte. New York: G. Schirmer, [1914].BOX-FOLDER 186/9Piano concerto - A minor, op. 54. New York: Broude Bros., n.d.Score.BOX-FOLDER 186/10 Scenes from childhood, op. 15 : for the pianoforte. New York: G.Schirmer, [1893].BOX-FOLDER 186/11Schumann-album, vol. 1 : songs with pianoforteaccompaniment. Vienna: Universal-Edition, n.d.BOX-FOLDER 186/12 Sonata for piano in G minor, op. 22. New York: G. Schirmer, [1902].BOX-FOLDER 186/13Variations on the name "ABEGG", op. 1 and Papillons, op. 2. New York:G. Schirmer, [1914].Scott, CyrilBOX-FOLDER 187/1 Sphinx, op. 63 : for the pianoforte. London: Elkin & Co. Ltd., [1908].BOX-FOLDER 187/2Scriabin, AlexanderFünfte Sonate für Klavier, op. 53. Berlin: Édition Russe de Musique,n.d.BOX-FOLDER 187/3 Poème no. 1, op. 32 (from Deux poèmes pour piano ). Leipzig: M. P.Belaïeff, [1904].BOX-FOLDER 187/4 Quatre préludes pour piano, op. 48. Leipzig: M. P. Belaïeff, [1906].BOX-FOLDER 187/5BOX-FOLDER 187/6Satanische Dichtung für Pianoforte, op. 36. Leipzig: M. P. Belaïeff,[1904].Siebente Sonate für Klavier, op. 64. Berlin: Édition Russe de Musique,[1909].BOX-FOLDER 187/7 Sonate (fa mineur) pour piano, op. 6. Leipzig: M. P. Belaïeff, [1895].BOX-FOLDER 187/8 Sonate no. 3, en fa dièse mineur pour piano, op. 23. Leipzig: M. P.Belaïeff, [1898].BOX-FOLDER 187/9BOX-FOLDER 187/10BOX-FOLDER 187/11Sonate no. 10 pour piano, op. 70. Moscow: P. Jurgenson, n.d.Trois études pour piano, op. 65, no. II. Moscow: P. Jurgenson, n.d.Zwei Klavierstücke = Deux morceau pour piano, op 59. Berlin: ÉditionRusse de Musique, n.d.Seelig, Carl (compiler)Aaron Copland Collection 211

Music, 1841-1988ContainerContentsBOX-FOLDER 196B/2 Grotesken-Album. Vienna: Universal-Edition, [1922].For piano.BOX-FOLDER 196H/5BOX-FOLDER 187/12Seiber, MátyásUlysses : cantata for tenor solo, chorus, and orchestra : vocalscore. London: Schott & Co., [1948].Sessions, RogerOrchestral suite from The black maskers : for orchestra. New York:Cos Cob Press, [1932].BOX-FOLDER 187/12 Quartet no. 2. New York: Edward Marks Music Corporation, [1954].Sgambati, GiovanniBOX-FOLDER 187/13 Toccata, op. 18, no. 4. New York: G. Schirmer, [1915].For piano.Sahnow, Will (compiler)BOX-FOLDER 196C/4 Sing as we grow. London: Workers' Music Association, 1946.Piano-vocal score.BOX-FOLDER 187/14BOX-FOLDER 188/1BOX-FOLDER 188/2BOX-FOLDER 188/3BOX-FOLDER 188/4Sibelius, JeanFrom the land of thousand lakes : ten sketches for thepianoforte. Boston: Boston Music Co., [1911].Smetana, FriedrichThe bartered bride overture : orchestral score. New York: Hawkes &Son, [1937].Smit, LeoA transient view : five choral settings for mixed voices. New York: CarlFischer, [1976].Stravinsky, IgorApollon musagète : réduction pour piano à 2 mains par l'auteur. Berlin:Édition Russe de Musique, [1928].Agon : ballet for twelve dancers : piano score. London: Boosey &Hawkes, [1957].BOX-FOLDER 188/5 Le baiser de la fée. Berlin: Édition Russe de Musique, [1928].For piano.BOX-FOLDER 188/6BOX-FOLDER 188/7Capriccio pour piano et orchestre : réduction pour 2 pianos.... Berlin:Édition Russe de Musique, n.d.Concerto en ré pour violon et orchestre : partition violon &piano. Mainz: B. Schott's Söhne, [1931].Aaron Copland Collection 212

Music, 1841-1988ContainerContentsBOX-FOLDER 188/8 Concerto per due pianoforti soli. Mainz: B. Schott's Söhne, [1936].BOX-FOLDER 188/9BOX-FOLDER 188/10BOX-FOLDER 189/1BOX-FOLDER 196G/7Grande suite de histoire du soldat : arrangement pourpiano.... London: J. & W. Chester, [1922].J. S. Bach Choral-Variationen über das Weihnachtslied "Vom Himmelhoch da komm'ich her" : for mixed chorus and orchestra : fullscore. London: Boosey & Hawkes, [1956].Includes 2 pages of notes.Mavre : opera bouffe en 1 acte : réduction pour chant et piano. London:Édition Russe de Musique, [1947].Also published by Boosey & Hawkes, [1947].Ode : elegiacal chant in three parts. New York: Associated MusicPublishers, [1946].Score.BOX-FOLDER 196H/7 Pulcinella suite : for orchestra. London: Boosey & Hawkes, [1924].BOX-FOLDER 189/2BOX-FOLDER 189/3BOX-FOLDER 189/4BOX-FOLDER 189/5Œdipus Rex : opéra oratorio en deux actes : réduction pour chant etpiano. Berlin: Édition Russe de Musique, [1927].Includes 1 page of choral notes in typescript.Ragtime : pour onze instruments : transcription pour piano.... Paris:Éditions de La Sirène, [1919].Suite de Pulcinella pour petit orchestre : partition d'orchestre (revised1949 version). London: Boosey & Hawkes, [1949].Symphonie en ut pour orchestre : partitur. London: Schott & Co., Ltd.,[1948].Sullivan, Arthur, SirBOX-FOLDER 173/8 The Mikado : or, the town of Titipu : vocal score. New York: Wm. A.Pond & Co., [1885?].BOX-FOLDER 189/6BOX-FOLDER 189/7Szeligowski, TadeuszPieśni zielone = Chansons vertes. Warsaw: Towazystwo WydawniczeMuzyki Polskiej, [1931].Piano-vocal score.Szőllősy, AndrásMusica per orchestra : partitura. Budapest: Editio Musica, Budapest,[1973].(2 copies)Szymanowski, KarolBOX-FOLDER 189/8 IIIme sonate, op. 36 : piano solo. Vienna: Universal-Edition, [1919].Aaron Copland Collection 213

Music, 1841-1988ContainerContentsBOX-FOLDER 189/9 Des Hafis Liebeslieder, op. 24. Vienna: Universal-Edition, [1913].BOX-FOLDER 189/10Masques : trois morceaux de piano, op. 34. Vienna: Universal-Edition,[1919].BOX-FOLDER 189/11 Métopes, op. 29 : piano solo. Vienna: Universal-Edition, [1922].BOX-FOLDER 189/12BOX-FOLDER 189/13BOX-FOLDER 189/14Mythes : trois poèmes, op. 30 : [for] violon et piano. Vienna: Universal-Edition, [1921].Pieśni muezzina szalonego = Le muézin passionné = Lieder desverliebten Muezzins, op. 42. Vienna: Universal-Edition, [1922].Piano-vocal score.Vier Gesänge = Cztery pieśni, op. 41. Vienna: Universal-Edition,[1920].Piano-vocal score.Takemitsu, ToruBOX-FOLDER 190/1 Masque pour deux flûtes. Tokyo: Ongaku No Tomo Sha, [1960].(2 copies)Tanifuji, HidekoBOX-FOLDER 190/2 Piano album, band 1. Tokyo: Ongaku No Tomo Ed. Co., [1954].BOX-FOLDER 190/3Tansman, AlexandreConcerto pour piano : avec accompagnement d'orchestre / réductionpour 2 pianos. Paris: Max Eschig & Cie., [1926].BOX-FOLDER 190/4 Troisième sonatine pour piano. Paris: Éditions Max Eschig, [1933].BOX-FOLDER 190/5Tartini, GiuseppeSonata in G minor : for violin and piano. New York: Carl Fischer,[1919].Tcherepnin, AlexanderBOX-FOLDER 196H/8 Divertimento : op. 90 : full score. London: Boosey & Hawkes, [1966].BOX-FOLDER 196H/9 Symphonic prayer : full score. Bonn: Édition M. P. Belaieff, [1960].BOX-FOLDER 196H/10 Symphony no. 4 : op. 91 : full score. London: Boosey & Hawkes, [1959].BOX-FOLDER 196B/3BOX-FOLDER 190/6Teen-agers at the Shaker Village Work Camp (compilers)Songs of the Shakers. Pittsfield, MA: Shaker Village Work Camp, [ca.1956].Thorne, FrancisEight introspections : for piano. New York: Edward B. Marks MusicCorporation, [1965].Aaron Copland Collection 214

Music, 1841-1988ContainerContentsBOX-FOLDER 190/7BOX-FOLDER 196B/4Tippett, MichaelConcerto for double string orchestra. London: Schott & Co., Ltd.,[1946].Score.Toor, Frances (editor)Cancionero Mexicano : para piano o guitarra. Mexico: Frances Toor,[1931].Tschaikowsky, PeterBOX-FOLDER 190/8 Concerto no. 1 in B-flat minor, op 23. New York: G. Schirmer, [1905].BOX-FOLDER 190/9BOX-FOLDER 190/10BOX-FOLDER 190/11Romeo and Juliet : orchestra score. New York: Edwin F. Kalmus, n.d.Symphonie Nr. 5 [in] E minor, op. 64 : partitur. Wiesbaden: Breitkopf& Härtel, n.d.Tsukatani, AkihirôSuite for strings and percussions. Tokyo: Ongaku No Tomo Sha,[1962].Score.Turchi, GuidoBOX-FOLDER 190/12 Invettiva (dai "Carmina Burana"). Vienna: Universal-Edition, [1949].(concert program for premiere of this work enclosed)BOX-FOLDER 191/1BOX-FOLDER 191/2BOX-FOLDER 191/3BOX-FOLDER 191/4BOX-FOLDER 196C/5[Unknown]Russkie narodnye pesni : sbornik vtoroi. Moscow: GosudarstvennoeVoennoe Izdatel'stvo SSR, [1936].Vitali, TommasoCiaccona (in G minor) for violin and piano. New York: Carl Fischer,[1921].Vivaldi, AntonioConcerto [in] la mineur : violon et piano. Mayence/Leipzig: B. Schott'sSöhne, [1912].Vlasov, V. and V. FereThe spring in Ala-Too : fragments from the ballet. Moscow: StateMusic Publishers, [1958].Score.Wade, J. (editor)Christy's minstrels': 145 new songs and choruses in vocalscore. London: C. Sheard, n.d.Piano-vocal score.(complete edition, 3 volumes in 1)Wagner, RichardAaron Copland Collection 215

Music, 1841-1988ContainerContentsBOX-FOLDER 191/5Lohengrin : a romantic opera in three acts. New York: G. Schirmer,n.d.Piano-vocal score.BOX-FOLDER 192/1 The mastersingers of Nuremberg : complete vocal score. Mainz: B.Schott's Söhne, [1903].BOX-FOLDER 192/1BOX-FOLDER 192/2The mastersingers of Nuremberg : complete vocal score. New York:G. Schirmer, [1904].Parsifal : vocal score with piano accompaniment.... Cincinnati: TheJohn Church Company, [1904].BOX-FOLDER 193/1 Das Rheingold : piano selection. New York: G. Schirmer, [1904].BOX-FOLDER 193/2BOX-FOLDER 193/3Siegfried Idyll. New York: Associated Music Publishers, n.d.Score.Tristan and Isolda : drama in three acts. New York: G. Schirmer,[1906].BOX-FOLDER 193/4 Wagner-Liszt album : for pianoforte. New York: G. Schirmer, [1896].BOX-FOLDER 196B/5BOX-FOLDER 193/5BOX-FOLDER 193/6Walker, William (compiler)The southern harmony, and musical companion : containing a choicecollection of.... Philadelphia: E. W. Miller, [ca. 1854].Walton, WilliamPortsmouth point : an overture : full score. London: Oxford UniversityPress, [1928].Weber, Carl Maria vonConcertino für Klarinette und Orchester, op. 26. Wiesbaden:Breitkopf & Härtel, n.d.BOX-FOLDER 193/7 Der Freischüz : romantische Oper in drei Aufzügen. Wolfenbüttel: L.Holle, n.d.Piano-vocal score.BOX-FOLDER 193/8BOX-FOLDER 193/9Webern, Anton11. Kantate, op. 31 : Klavierauszug mit Singstimmen. Vienna:Universal, [1951].Vocal score.Drei Gesänge, op. 23 : Gesang und Klavier. [Austria]: UniversalEdition, [1936].BOX-FOLDER 193/10 Quartett für Geige, Klarinette, Tenorsaxophon und Klavier, op. 22 :partitur. Vienna: Universal Edition, [1932].(2 copies)Aaron Copland Collection 216

Music, 1841-1988ContainerContentsBOX-FOLDER 193/11 Variationen für Klavier, op. 27. Vienna: Universal Edition, [1937].BOX-FOLDER 193/12BOX-FOLDER 194/1BOX-FOLDER 194/2BOX-FOLDER 194/3BOX-FOLDER 194/4BOX-FOLDER 196B/6BOX-FOLDER 194/5Vier Stücke, op. 7 : Geige und Klavier. Vienna: Universal Edition,[1922].Weill, KurtAufstieg und Fall der Stadt Mahagonny : Klavierauszug. Vienna:Universal Edition, [1929].Includes note in AC's hand re: characters.Weisgall, HugoSix characters in search of an author : opera in three acts. Bryn Mawr,PA: Merion Music, Inc., [1957].Piano-vocal score.The stronger : opera in one act. Bryn Mawr, PA: Merion Music, Inc.,[1957].Piano-vocal score.The tenor : opera in one act. Bryn Mawr, PA: Merion Music, Inc.,[1957].Piano-vocal score.White, John and George Shackley (arrangers)The lonesome cowboy : songs of the plains and hills. New York: Geo.T. Worth & Co., [1930].For voice and piano.Wilson, Domingo Santa CruzViñetas : cuatro piezas para piano solo. S. Diego, Chile: Casa Amarillo,[1932].Wilson, RichardBOX-FOLDER 195/1 Eclogue : for piano. New York: Boosey & Hawkes, [1980].Wolfe, StanleyBOX-FOLDER 195/2 Symphony no. 3 : full score. New York: Boosey & Hawkes, [1964].BOX-FOLDER 195/3Wolpe, StefanDance : in form of a chaconne. New York: Arrow Music Press, Inc.,[1941].BOX-FOLDER 195/4 Passacaglia : for piano solo. New York: New Music Edition, [1947].BOX-FOLDER 195/5 Sonata for violin and piano. New York: McGinnis and Marx, [1955].Score & part.Workers' Music Association (compiler)BOX-FOLDER 196C/6 Pocket song book. London: Workers' Music Association, 1948.Lead sheet with text.Aaron Copland Collection 217

Music, 1841-1988ContainerContentsBOX-FOLDER 196C/7BOX-FOLDER 195/6, 7Sing and learn: a song book for children with tonic & staffnotation. London: Workers' Music Association, 1940.Piano-vocal score.(second edition)Yashirō, AkioSymphonie pour grand orchestre. Tokyo: Ongaku No Tomo Sha,[1959].BOX 197-232BOX-FOLDER 25/39MAP-CASEMapCaseC-Drw2/1-2BOX 197-230MAP-CASEMapCaseC-Drw2/1-2Writings and Oral Presentations, 1925-1988The Writings & Oral Presentations series represent over fifty years (c.1925-1988) of written and oral commentary on music and musiciansduring the lifetime of Copland and is divided into to main subseries:Writings by Aaron Copland and Writings by Others. The subseries,Writings by Aaron Copland is divided into 5 subseries: Articles, Books,Lectures & Speeches, Radio and Television. The subseries, Writings byOthers extends to material written about Aaron Copland and materialwritten about other composers, musicians, and critics or other subjects.The articles reflect the views and opinions of a wide range of notablepeople. The interviews almost span his entire life from 1928 to 1988 andcomprise dialogues with substantive and substantial quotes by Copland.See the Index for Articles with AC Numbers for an explanation andnumeric indexes of Copland's numbering system. See the Index for theLectures and Speeches with AC Numbers for more information.Arranged by suberies.Writings by Aaron Copland, 1925-1988The writings by Aaron Copland contain the different venues that Coplandemployed to communicate his thoughts and ideas on music -- the growthof American music and commentary on the people or organizations thatfostered composers and their music through the 1960s -- beginning in1925 with his second published article, "What Europe Means to theAspiring Composer", after his return from three years of musical studyin France. This series is divided into Articles, Books, Lectures &Speeches, Radio and Television. Includes unpublished manuscripts,notes and outlines; letters, typescripts, galley and page proofs;published articles clippings, reviews and promotional material. See theIndex for Articles with AC Numbers for an explanation and numericindexes of Copland's numbering system. See the Index for the Lecturesand Speeches with AC Numbers for more information.Arranged by author, title or chronologically.Aaron Copland Collection 218

Writings and Oral Presentations, 1925-1988ContainerContentsBOX 197-202BOX 229BOX 230ArticlesBOX-FOLDER 197/1BOX-FOLDER 197/2A.C. (A composer) looks at LP, n.d.A.C.: Foreword to Modern Music reprints of articles about Igor Strav[insky], n.d.Aaron Copland. Arthur Berger [Book review]See: Writings by Others, About AC, Articles: Clurman, Harold. AaronCopland BOX: xxxBOX-FOLDER 197/3 Aaron Copland: A visit to Israel, 1969113Aaron Copland remembers NadiaSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxBOX-FOLDER 197/4 Aaron Copland talks about American music to-day, 1958BOX-FOLDER 197/5 Aaron Copland writes from South America, 194746ABOX-FOLDER 197/6About Billy the Kid, n.d.BOX-FOLDER 197/7 Active market in new music records, 193623BOX-FOLDER 197/8 Always in my thoughts, 195364AAmerica's cultural explosion - its scope and challengeSee: Writings by Others, About AC, Interviews: The Playboy Panel.America's cultural explosion - its scope and challenge BOX: xxx99ABOX-FOLDER 197/9 L'america ha la sua música, 1951BOX-FOLDER 197/10 America's young men of promise, 1926BOX-FOLDER 197/11 The American composer gets a break, 193522BOX-FOLDER 197/12The American composer today, n.d.42BOX-FOLDER 197/13 American composers on records, 1959BOX-FOLDER 197/14 American culture I: Music, 1956Aaron Copland Collection 219

Writings and Oral Presentations, 1925-1988ContainerContentsSee also: Writings by AC, Articles: Report on American music, 1956BOX: xxxBOX-FOLDER 197/15 American music since 1930, 1945BOX-FOLDER 229/1 The American musical scene, 195059BOX-FOLDER 197/16 Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955See also: Writings by AC, Articles: Modern music: 'Fresh anddifferent' BOX: xxx64BOX-FOLDER 197/17 The art of Darius Milhaud, 1948See also: Writings by AC, Articles: Sobre la música en el cine BOX:xxx50BOX-FOLDER 197/18As a musician: Women's University Glee Club, n.d.BOX-FOLDER 197/19 ASCAP and the symphonic composer, 1964BOX-FOLDER 229/2 ASCAP and the symphonic composer, 196498BOX-FOLDER 197/20 At the thought of Mozart, 195673BOX-FOLDER 197/21 Baden-Baden, 19278BOX-FOLDER 197/22BOX-FOLDER 197/23The battle of jazz and the classics, n.d.Benjamin Britten: The Rape of Lucretia, an opera in two acts [Musicreview], 194745BOX-FOLDER 197/24 Carlos Chávez - Mexican composer, 1928BOX-FOLDER 197/25 Charles Ives, 1964BOX-FOLDER 197/26 Claire Reis (1889-1978), 1978See also: Writings by AC, Lectures & Speeches: Claire Reis BOX: xxx118BOX-FOLDER 197/27Claire Raphael Reis, n.d.BOX-FOLDER 198/1 The composer and his critic, 193218Aaron Copland Collection 220

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 198/2BOX-FOLDER 198/3The composer and the audience, n.d.The composer as conductor, n.d.BOX-FOLDER 198/4 The composer as critic, 1961See also: Writings by AC, Lectures & Speeches: The composer ascritic BOX: xxx91BOX-FOLDER 198/5 Composer from Brooklyn: An autobiographical sketch, 1941BOX-FOLDER 198/6 The composer in America, 1923-1933, 193319BOX-FOLDER 198/7BOX-FOLDER 198/8The composer in the United States, n.d.The composer speaks out! Meet the composer!, n.d.BOX-FOLDER 198/9 A composer's praise, 196292BOX-FOLDER 198/10 Composer's report on music in South America, 1947See also: Writings by AC, Articles: South American journey BOX: xxxSee also: Writings by AC, Lectures & Speeches: [La música de lasamericas] BOX: xxx48BOX-FOLDER 198/11 Composers and composing, 196086BOX-FOLDER 198/12 The composers get wise, 194032BOX-FOLDER 198/13 Composers in Russia, 196083BOX-FOLDER 198/14 Composers in the university, 1970116BOX-FOLDER 198/15 The composers of South America, 1941BOX-FOLDER 198/16 The composers of South America, 194237BOX-FOLDER 198/17 Composers' letters, 1963Composers without a haloSee: Writings by AC, Articles: Komponisten ohne Glorienschen BOX:xxxAaron Copland Collection 221

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 198/18 Composing for Something wild, 1961BOX-FOLDER 229/3 El compositor en los Estados Unidos, 195975BOX-FOLDER 198/19 Contemporaries at Oxford, 193116BOX-FOLDER 198/20Contemporary music -- Is it peculiar?, n.d.BOX-FOLDER 198/21 The contemporary scene, 1966104BOX-FOLDER 198/22 Copland on Carter, 1978BOX-FOLDER 198/23 Copland salutes Boulanger, 1977117BOX-FOLDER 198/24 Cousin Michael, 1964BOX-FOLDER 198/25 Creativity in America, 195265BOX-FOLDER 198/26 Current chronicle: United States, New York, 195161BOX-FOLDER 198/27The danger of writing concert music, n.d.BOX-FOLDER 198/28 Defends the music of Mahler [Letter to the editor], 19254BOX-FOLDER 198/29 The dilemma of our symphony orchestra, 1956See also: Writings by AC, Lectures & Speeches: The dilemma of oursymphony orchestra BOX: xxx76BOX-FOLDER 198/30 Discoveries of a music critic, by Paul Rosenfeld [Book review], 193624BOX-FOLDER 198/31 [Dmitri Shostakovich - 60th birthday], 1966BOX-FOLDER 229/4The essence remained. The life and music of Béla Bartók . HalseyStevens [Book review], 1953See also: Writings by AC, Articles: The life and music of Béla BartókBOX: xxx67BOX-FOLDER 198/32 European festivals and premiers: A glance backward, 1960Famous pupil recalls famous teacherAaron Copland Collection 222

Writings and Oral Presentations, 1925-1988ContainerContentsSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxBOX-FOLDER 198/33 Faure [sic] festival at Harvard, 194540Also: Faure [sic] centennial in AmericaBOX-FOLDER 198/34Festival in Caracas: Recent Venezuelan event was devoted to composersof Latin America, 195469BOX-FOLDER 198/35 Five post-romantics, 194136BOX-FOLDER 199/1BOX-FOLDER 199/2BOX-FOLDER 199/3For composers news record, n.d.For the record! [Letter to editor?], n.d.Foreword to Gardner Reed's book, Thesaurus of orchestral devices, n.d.BOX-FOLDER 199/4 Foreword to new collection of 'The Gift to be Simple', May 1970Four Weeks in the Soviet Union - 1960See: Writings by AC, Articles: Composers in Russia BOX: xxxBOX-FOLDER 199/5BOX-FOLDER 199/6Franz Liszt, n.d.From a composer's journal, n.d.BOX-FOLDER 199/7 From a composer's notebook, 192913BOX-FOLDER 229/5From the mail pouch: The composer's ob[?], A response from eleven whowere represented at Critics' concerts [Letter to editor], 1942BOX-FOLDER 199/8 From the '20's to the '40's and beyond, 194339BOX-FOLDER 229/6Gabriel Fauré, a neglected master, n.d.BOX-FOLDER 199/9 The gifted listener, 195264Her best pupils are famousSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxBOX-FOLDER 199/10How we listen, n.d.BOX-FOLDER 229/7 In appreciation.... [Leonard Bernstein], 1978Aaron Copland Collection 223

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 199/11 In memory of Marc Blitzstein (1905-1964), 1964100BOX-FOLDER 229/8 An indictment of the fourth B, 195263BOX-FOLDER 199/12Intro[duction] to Claire Reis' book, Composers, conductors and critics,1974BOX-FOLDER 199/13 Irving Fine (1914-1962), 1962106BOX-FOLDER 199/14 Is the university too much with us?, 1970116BOX-FOLDER 199/15 Is there a revolution in the arts?, 194029BOX-FOLDER 229/9Jak słuchać muzyki współczesnej (Listening to contemporary music)(inPolish), n.d.BOX-FOLDER 199/16 Jazz structure and influence, 19277BOX-FOLDER 199/17 Komponisten ohne Glorienschen (Composers without a halo), 1947BOX-FOLDER 199/18 Latin Americans in music, 1942BOX-FOLDER 199/19 Leon Kirchner: Duo for violin and piano [Music review], 195058BOX-FOLDER 199/20 [Letter from composer], 1954[Letter to editor] From the mail pouch: The composer's ob[?]See: Writings by AC, Articles: From the mail pouch: The composer'sob[?], A response from eleven who were represented at Critics'concerts BOX: xxxBOX-FOLDER 199/21 [Letter to editor], New York Times, 27 April 1972BOX-FOLDER 199/22[Letter to editor], New York Times, n.d.[Letter to the editor] Defends the music of MahlerSee: Writings by AC, Articles: Defends the music of Mahler BOX: xxxBOX-FOLDER 199/23[Letter to editor re: Olin Downes], n.d.BOX-FOLDER 199/24 [Letter to music editor], New York Times, 4 Oct. 1954Aaron Copland Collection 224

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 229/10 [Letters to the editor], New York Times Magazine, 14 Jan. 195056ABOX-FOLDER 229/11 [Letters to the editor], New York Times Magazine, 4 Sept. 1966BOX-FOLDER 199/25 The life and music of Béla Bartók . Halsey Stevens [Book review], 1953BOX-FOLDER 199/26 The live composer, 1939List of recorded works on contemporary American composersSee: Writings by AC, Articles: American composers on records BOX:xxxListening to contemporary musicSee: Writings by AC, Articles: Jak słuchać muzyki współczesnej BOX:xxxLooking back with Aaron CoplandSee: Writings by AC, Books, Copland: 1900 through 1942,Miscellany: Article BOX: xxxBOX-FOLDER 199/27 The lyricism of Milhaud, 192912BOX-FOLDER 199/28 Making music in the star-spangled manner, 1960See also: Writings by AC, Lectures & Speeches: Search for an"American" music BOX: xxx89Man's right to knowledgeSee: Writings by AC, Articles: Music and the human spirit BOX: xxxMarc Blitzstein rememberedSee: Writings by AC, Articles: In memory of Marc Blitzstein BOX: xxxBOX-FOLDER 199/29 [Mellers, Wilfred Howard], 1965Memorial to Paul RosenfeldSee: Writings by AC, Articles: Benjamin Britten: The Rape ofLucretia, an opera in two acts BOX: xxxBOX-FOLDER 229/12BOX-FOLDER 199/30BOX-FOLDER 199/31Mexican composer, n.d.27Miklós Rósza and Bernard Herrmann, n.d.Milhaud: First Symphony ; In Memoriam ; Protée [Record review], n.d.Mlle. Boulanger, 80 this month, has taught greatest composersSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxAaron Copland Collection 225

Writings and Oral Presentations, 1925-1988ContainerContentsMlle. Boulanger and her bakerySee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxBOX-FOLDER 229/13 Modern music: 'Fresh and different', 195571(72)BOX-FOLDER 199/32 Modern orchestration surveyed, 193015BOX-FOLDER 229/14 A modernist defends modern music, 194956BOX-FOLDER 229/15 Music: My way of life, 1964102BOX-FOLDER 199/33 Music and the human spirit, 1954See also: Writings by AC, Articles: La música como aspecto delespiritu humano BOX: xxx70,_070ABOX-FOLDER 200/1 Music and the movies, 1949See also: Writings by AC, Articles: Tip to movie goers: Take off thoseear-muffs BOX: xxxSee also: Writings by AC, Lectures & Speeches: Music in the moviesBOX: xxxMusic as an aspect of the human spiritSee: Writings by AC, Articles: Music and the human spirit BOX: xxxSee: Writings by AC, Articles: La música como aspecto del espirituhumano BOX: xxxBOX-FOLDER 200/2BOX-FOLDER 200/3Music for the theatre, n.d.40Music in America: Past, present, and future, n.d.BOX-FOLDER 200/4 Music in Cuba, 1941BOX-FOLDER 200/5BOX-FOLDER 200/6BOX-FOLDER 229/16Music in the air, n.d.The music of Israel [Book review], n.d.Music out of everywhere: Notes without music. An autobiography, byDarius Milhaud [Book review], 195366BOX-FOLDER 200/7 Music since 1920, 192810BOX-FOLDER 200/8La música como aspecto del espiritu humano, n.d.Aaron Copland Collection 226

Writings and Oral Presentations, 1925-1988ContainerContentsSee also: Writings by AC, Articles: Music and the human spirit BOX:xxxTr70BOX-FOLDER 200/9 La música en el extranjero, 194136ABOX-FOLDER 200/10 La música moderna è nata in reazione a Wagner, 1951BOX-FOLDER 200/11La música per film: nuovo mezzo di espressione musicale, n.d.Tr53Musical world honors teacher Nadia BoulangerSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxBOX-FOLDER 200/12 Musikalisches Schaffen in Amerika, 1965See also: Writings by AC, Articles: Creativity in America BOX: xxxNadia Boulanger, master teacher: She fans musical sparkSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxBOX-FOLDER 200/13 Nadia Boulanger: An affectionate portrait, 196084BOX-FOLDER 200/14 Nadia Boulanger: Mother of modern music, 1981Nadia Boulanger at 80 still foremost music teacherSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxBOX-FOLDER 200/15 Neglected works: A symposium, 194644BOX-FOLDER 200/16 Eine neue amerikanische Komponistengeneration, 1948See also: Writings by AC, Articles: The new 'school' of Americancomposers BOX: xxxSee also: Writings by AC, Articles: Nueva generatión de compositoresnorteaméricanos New music in the U.S.A. BOX: xxxSee also: Writings by AC, Articles: The composer in America,1923-1933 BOX: xxxTr49BOX-FOLDER 229/17 The new 'school' of American composers, 1948See also: Writings by AC, Articles: Eine neue amerikanischeKomponistengeneration BOX: xxxSee also: Writings by AC, Articles: Nueva generatión de compositoresnorteaméricanos BOX: xxx49BOX-FOLDER 200/17 A note on Irving Fine, 1962See also: Writings by AC, Articles: Irving Fine (1914-1962) BOX: xxxAaron Copland Collection 227

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 229/18 A note on Nadia Boulanger, 192814BOX-FOLDER 200/18 A note on young composers, 193521ABOX-FOLDER 200/19Notes on a cowboy ballet, n.d.42BOX-FOLDER 200/20 Notes without music, by Darius Milhaud [Book review], 1953See also: Writings by AC, Articles: Music out of everywhere: Noteswithout music. An autobiography, by Darius Milhaud [Book review]BOX: xxxBOX-FOLDER 200/21 Nueva generatión de compositores norteaméricanos, 1947See also: Writings by AC, Articles: The new 'school' of Americancomposers BOX: xxxSee also: Writings by AC, Articles: Eine neue amerikanischeKomponistengeneration BOX: xxxTr49BOX-FOLDER 200/22On being a composer, n.d.BOX-FOLDER 200/23 On the notation of music, 194441BOX-FOLDER 200/24 On the occasion of the 70th birthday of Serge Prokofieff, 1961BOX-FOLDER 200/25 One hundred and fourteen songs, 193420BOX-FOLDER 201/1 An open letter about the BBC, 1965103BOX-FOLDER 201/2 Oper für Amerika, 196087BOX-FOLDER 201/3 Opera for America], 1959BOX-FOLDER 201/4 Our younger generation - ten years later, 193625BOX-FOLDER 201/5Outline of history (Nef), n.d.Paris octogenarian is a musical marvelSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxBOX-FOLDER 201/6 The personality of Stravinsky, 1949BOX-FOLDER 201/7[Phonograph recordings], n.d.Aaron Copland Collection 228

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 201/8 Piano fantasy, 1957BOX-FOLDER 201/9BOX-FOLDER 201/10Piano fantasy - the commission, n.d.Piano music of Noël Lee, n.d.114Pioneer listenerSee: Writings by AC, Articles: Discoveries of a music critic, by PaulRosenfeld [Book review] BOX: xxxBOX-FOLDER 201/11 Playing safe at Zurich, 1926BOX-FOLDER 201/12 The pleasures of music, 1959See also: Writings by AC, Lectures & Speeches: The pleasures ofmusic BOX: xxxSee also: Writings by AC, Lectures & Speeches: Contemporary trendsin music today BOX: xxx81ABOX-FOLDER 230/1 The pleasures of music, 1959See also: Writings by AC, Lectures & Speeches: The pleasures ofmusic BOX: xxx81BBOX-FOLDER 201/13Portrait of a symphony, n.d.BOX-FOLDER 201/14 A quarter-century reflection, 196394BOX-FOLDER 201/15Questions on music, n.d.Quiet citySee: Writings by AC, Articles: Composers in Russia BOX: xxxBOX-FOLDER 201/16 Ralph Hawkes: In memorium, 1950BOX-FOLDER 201/17 Report on American music, 195675BOX-FOLDER 201/18 Rubin Goldmark: A tribute, 195674BOX-FOLDER 201/19 Salute to the arts and artists of Latin America, 1967BOX-FOLDER 201/20A salute to the Schwann, n.d.123BOX-FOLDER 201/21 Scherchen on conducting and Ewen on composers [Book review], 193521Aaron Copland Collection 229

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 201/22Schoenberg and his school, by René Leibowitz [Book review], n.d.BOX-FOLDER 201/23 Scores and records, 193626BOX-FOLDER 201/24 Scores and records, Jan.-Feb. 1937BOX-FOLDER 201/25 Scores and records, May-June 1937BOX-FOLDER 201/26 Scores and records, 1938BOX-FOLDER 201/27 Second thoughts on Hollywood, 194030BOX-FOLDER 202/1 Serge Koussevitzky and the American composer, 194440She has taught the greatest...See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxShe taught many of the world's best musiciansSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxShoptalk: On the notation of musicSee: Writings by AC, Articles: On the notation of music BOX: xxxBOX-FOLDER 202/2Sobre la música en el cine, n.d.See also: Writings by AC, Articles: The art of Darius Milhaud BOX:xxxTr50BOX-FOLDER 202/3 Some notes on my "Music for the Theatre", 1941See also: Writings by AC, Articles: A tribute to Nadia Boulanger BOX:xxxSee also: Writings by AC, Radio, United States: WNCN: AaronCopland comments, 1968-1971, Series I: Program 2, Draft BOX: xxxSee also: Writings by AC, Radio, United States: WQXR: [Music forthe theatre] BOX: xxxBOX-FOLDER 202/4 South American journey, 1947See also: Writings by AC, Articles: Composer's report on music inSouth America BOX: xxxSee also: Writings by AC, Lectures & Speeches: [La música de lasamericas] BOX: xxxBOX-FOLDER 202/5Special fondness for B. B. [Benjamin Britten], n.d.BOX-FOLDER 202/6 Stefan Wolpe: Two songs for alto and piano [Music review], 194851The story behind El salón méxico, 1948Aaron Copland Collection 230

Writings and Oral Presentations, 1925-1988ContainerContentsSee: Subject File, Compositions, El salón méxico, Programs1938-1942 BOX: xxxBOX-FOLDER 202/7 Stravinsky and Hindemith premieres, 193217BOX-FOLDER 202/8 Stravinsky's "Oedipus Rex", 19289BOX-FOLDER 202/9Talk on N. B. [Nadia Boulanger], n.d.BOX-FOLDER 202/10 Tanglewood: 1952, [1952]62AAlso: Tanglewood's future: Measures to insure continuity includeextensive new scholarship programBOX-FOLDER 202/11 The teacher: Nadia Boulanger, 1960BOX-FOLDER 202/12 Thomson's musical state [Book review], 193928BOX-FOLDER 230/2 Tip to moviegoers: Take off those ear-muffs?, 1949See also: Writings by AC, Articles: Music and the movies BOX: xxxSee also: Writings by AC, Lectures & Speeches: Music in the moviesBOX: xxx53BOX-FOLDER 202/13 A tribute to Nadia Boulanger, 1967110BOX-FOLDER 202/14 A visit to Israel, 1969113BOX-FOLDER 202/15 A visit to Snape, 196393The tutor of eminent composers, Mlle. Boulanger going strong at 79See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxBOX-FOLDER 202/16 [A visiting composer], 1958BOX-FOLDER 230/3'A vital and varied music', n.d.82BOX-FOLDER 230/4 What Europe means to the aspiring composer, 19252BOX-FOLDER 230/5 What is Jewish music?: The music of Israel [Book review], 194952Aaron Copland Collection 231

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 202/17 When private and public worlds meet, 1968112BOX-FOLDER 202/18Where are we? What's been happening to so-called serious music in thesixties, n.d.BOX-FOLDER 202/19 William Schuman: String quartet no. 4 [Music review], 1951BOX-FOLDER 230/6 Workers sing!, 1934BOX-FOLDER 230/7 The world of a-tonality: Schoenberg and his school [Book review], 194954BOX-FOLDER 202/20 The world of the phonograph, 193725ABOX-FOLDER 202/21BOX-FOLDER 202/22The youngest generation of American composers, n.d.Zoltán Kodály, n.d.BOX-FOLDER 202/23 [Zoltán Kodály - 80th birthday], 1962BOX-FOLDER 202/24BOX 203-209BOX-FOLDER 230/8MAP-CASE MapCaseC-Drw 2/1BOX-FOLDER 203/1-3BOX-FOLDER 230/8BOX-FOLDER 203/4-13Miscellany: Notes for articles, n.d.BooksCopland: 1900 through 1942 (1984), 1970-1985, n.d.Folders:• 203/1 Correspondence, 1970-1985, n.d.• 230/8 Miscellany: Article, 1984• 203/2 Miscellany: Notes; Promotional material; Reviews,1981-1984, n.d.• 203/3 Uncorrected proof (bound), 1984Copland on music (1960), 1959-1962, n.d.Folders:• 203/4 Correspondence, 1959-1960• 203/5 Manuscript• 203/6 Miscellany: Notes; Promotional Material; Reviews;Sources, 1960-1962, n.d.• 203/7 Notes• 203/8 Outlines• 203/9 Outlines: Revised versions• 203/10 Proofs, page• 203/11 Typescript, draft• 203/12 Typescript, corrected• 203/13 Typescript, finalAaron Copland Collection 232

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 204/1-9BOX-FOLDER 205/1-9BOX-FOLDER 206/1-7BOX-FOLDER 207/1-10BOX-FOLDER 208/1-11MAP-CASE MapCaseC-Drw 2/1Music and imagination (1952), 1952-1974, n.d.Folders:• 204/1 Correspondence, 1952• 204/2 Manuscripts• 204/3 Miscellany: Promotional Material; Reviews, 1952-1974, n.d.• 230/9 Miscellany: Review, proof, 1953• 204/4 Proofs, galley• 204/5 Proofs, galley (author's copy)• 204/6 Proofs, page (incomplete)• 204/7-8 Typescript, corrected• 204/9 Typescript, finalThe new music (1968), 1962-1969, n.d.Folders:• 205/1 Correspondence, 1962-1968, n.d.• 205/2 Index• 205/3 Manuscripts• 205/4 Miscellany: Notes; Reviews, 1968-1969, n.d.• 205/5-9 Proofs, corrected• 206/1 Proofs, galley, 8/16/67• 206/2 Proofs, galley, 9/21/67• 206/3 Proofs, galley, 11/02/67• 206/4-5 Rejected pages, Our new music• 206/6 Typescript, corrected• 206/7 Typescript, finalOur new music (1941), 1941-1948, n.d.Folders:• 207/1 Correspondence, 1941-1948, n.d.• 207/2 Miscellany: Promotional material; Reviews, 1941-1947, n.d.• 207/3 Outlines• 207/4 Spanish edition• 207/5 Typescript, draft• 207/6-9 Typescript, corrected• 207/10 Typescript, finalWhat to listen for in music (1939), 1937-1954, n.d.Folders:• 208/1 Correspondence, 1937-1939, 1953, n.d.• 208/2 Hebrew edition, 1954• 208/3 Miscellany: Promotional material; Reviews, 1938-1940, n.d.• 230/10 Miscellany: Promotional material• 208/4 Proofs, galley• 208/5 Proofs, page• MapCaseC-Drw 2/1 Proofs, page• 208/6 Typescript, draft• 208/7-8 Typescript, corrected• 208/9 Typescript, final (author's copy)• 208/10-11 Typescript, final (printer's copy)Aaron Copland Collection 233

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 209/1-8What to listen for in music (1957), 1956-1966, n.d.Folders:• 209/1 Correspondence, 1956• 209/2 Miscellany: Reviews, 1957-1966, n.d.• 209/3 Notes• 209/4 Proofs, galley (author's copy)• 209/5 Proofs, galley (printer's copy)• 209/6 Typescript, corrected• 209/7 Typescript, final (author's copy)• 209/8 Typescript, final (printer's copy)BOX-FOLDER 209/9-11 What to listen for in music, (1988, re-issue) 1988Proofs, pageBOX 210-230Lectures & SpeechesBOX-FOLDER 210/1 Address, graduating class, Toronto Conservatory of Music, 19501-LGBOX-FOLDER 210/2 Address, graduating exercises, Brooklyn College, 1975BOX-FOLDER 210/3 Address, graduating exercises, Juilliard School of Music, 1981BOX-FOLDER 210/4-7 The aesthetic climate of today (English and Spanish), 1963See also: Writings by AC, Lectures & Speeches: New trends in cont[emporary] music BOX: xxxBOX-FOLDER 210/8 Aesthetics of modern music, 1927See also: Writings by AC, Lectures & Speeches: Emergence of theAmer[ican] composer 1940-1955 BOX: xxxSee also: Writings by AC, Lectures & Speeches: Masterpieces ofmodern music, Lecture I: America in music BOX: xxxBOX-FOLDER 210/9BOX-FOLDER 210/9An American composer: Charles Ives, n.d.The American composer todaySee: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxxSee: Writings by AC, Lectures & Speeches: Composing in America(then and now) BOX: xxxBOX-FOLDER 210/10 The American Composers Alliance, 1977BOX-FOLDER 210/11 American contemporaries: Younger generation, 195719-LGBOX-FOLDER 210/12 American music, ca. 1936Aaron Copland Collection 234

Writings and Oral Presentations, 1925-1988ContainerContentsAmerican musicSee: Writings by AC, Lectures & Speeches: "Modern" Americanmusic - Part II BOX: xxxBOX-FOLDER 210/13American music - a survey, n.d.BOX-FOLDER 210/14 American music and the American scene, 1940, 1950BOX-FOLDER 210/15 American scene in music, 194911-LVBOX-FOLDER 210/16 Americans, 1940BOX-FOLDER 210/17 Das amerikanische Musikleben, 1954, 1964BOX-FOLDER 210/18 L'amerique et sa musique, 1949BOX-FOLDER 210/19BOX-FOLDER 210/20The annual American Music Festival, n.d.Appalachian spring, n.d.BOX-FOLDER 210/21 Appreciation of modern music, 1927BOX-FOLDER 210/22 The artist and society, 195915-LGArts in the universitySee: Writings by AC, Lectures & Speeches: Role of university in thearts (Arts in the university) BOX: xxxBOX-FOLDER 210/23 Berlioz - from the composer's standpoint, 195422-LVBOX-FOLDER 210/24 Boulez, 1977Bernstein, LeonardSee: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein]BOX: xxxBOX-FOLDER 210/25 Central European composers, 195012-LVBOX-FOLDER 210/26 Claire Reis, 1978See also: Writings by AC, Articles: Claire Reis (1889-1978) BOX: xxxBOX-FOLDER 210/27 Comparative trends of recent European & American music, 1956, 196126-LVBOX-FOLDER 210/28 The composer and his audience, 195610Aaron Copland Collection 235

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 210/29 The composer as critic, 1961See also: Writings by AC, Articles: The composer as critic BOX: xxx91-ABOX-FOLDER 210/30BOX-FOLDER 210/31The composer as critic, n.d.33-LVComposer attitudes of the twenties, n.d.BOX-FOLDER 210/32 The composer in the modern world, 195710-LGBOX-FOLDER 210/33 Composer looks at music in America, 195425-LVBOX-FOLDER 210/34Composer today, n.d.The composer's viewpointSee: Writings by AC, Lectures & Speeches: The meaning of musicBOX: xxxBOX-FOLDER 210/35 Composers and conductors conference, 1942?BOX-FOLDER 210/36Composers on criticism, n.d.BOX-FOLDER 210/37 Composing in America (then and now), 1962, 1964See also: Writings by AC, Lectures & Speeches: Introduction to thecont[emporary] idiom: Four lectures on contemporary music BOX: xxx18-LGBOX-FOLDER 210/38 Compositional phases [on my three piano works], 1959, 196113-LGBOX-FOLDER 210/39 Compositional techniques in the 20th cent[ury], 196132-LVBOX-FOLDER 211/1[Contemporary composers in the United States], n.d.Contemporary music, 1960See: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music BOX: xxxBOX-FOLDER 211/2 Contemporary music: Living composers, 1938See also: Writings by AC, Lectures & Speeches: Music incontemporary life BOX: xxxSee also: Writings by AC, Lectures & Speeches: Survey ofcontemporary music BOX: xxxBOX-FOLDER 211/3 Contemporary music: Music in the American scene, 1948Aaron Copland Collection 236

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 211/4 Contemporary music and its controversies, 194416-LVBOX-FOLDER 211/5[Contemporary music in the U. S.]: The musical panorama in the 70's,n.d.BOX-FOLDER 211/6 Contemporary music in the United States, 1951, 1964BOX-FOLDER 211/7The contemporary music in the United States, n.d.Cont[emporary] music seminarSee: Writings by AC, Lectures & Speeches: Seminar in contemporarymusic BOX: xxxBOX-FOLDER 211/8 Contemporary trends in music abroad, 1954BOX-FOLDER 211/9-10 Contemporary trends in music today, 1962See also: Writings by AC, Lectures & Speeches: The pleasures ofmusic BOX: xxxSee also: Writings by AC, Articles: The pleasures of music BOX: xxxBOX-FOLDER 211/11 Contrapuntal writing in cont[emporary] music in relation to Bach, 19509-LVBOX-FOLDER 211/12 Convocation, 1967, 196923A-LGBOX-FOLDER 230/11 Copland at USD, 1975BOX-FOLDER 211/13 Copland-Sessions Concerts 1928-31, 197128-LGCowell, HenrySee: Writings by AC, Lectures & Speeches: Modern Americans:Sessions; Cowell BOX: xxxLa création du mondeSee: Writings by AC, Lectures & Speeches: Darius Milhaud BOX: xxxBOX-FOLDER 211/14 Creativity and the composer, 1972, 197329-LG,_35-LVCreativity and the creative artistSee: Writings by AC, Lectures & Speeches: Creativity and thecomposer BOX: xxxCreativity in AmericaSee: Writings by AC, Articles: Creativity in America BOX: xxxBOX-FOLDER 211/15 Creativity in America today, 1953, 1956, 1965, 19686-LGAaron Copland Collection 237

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 211/16Cultural conference, n.d.BOX-FOLDER 211/17 Current trends in cont[emporary] music, 1954, 1960, 1961See also: Writings by AC, Lectures & Speeches: Introduction to thecont[emporary] idiom: Four lectures on contemporary music BOX: xxx21-LVBOX-FOLDER 211/18 Darius Milhaud, 19482-LVBOX-FOLDER 211/19-20 The dilemma of our symphony orchestra, 1956See also: Writings by AC, Articles: The dilemma of our symphonyorchestra BOX: xxx14-LGBOX-FOLDER 211/21 Dinner for W[illia]m Schuman, 1967BOX-FOLDER 211/22Dmitri Shostakovitch and the new simplicity, n.d.5-LVBOX-FOLDER 211/23 Effect of the cold war on the artist in the United States, [1949?]BOX-FOLDER 211/24 Emergence of the Amer[ican] composer 1940-1955, 1956BOX-FOLDER 211/25 La emergéncia de la música norteamericana, 1961, 1962, 1963BOX-FOLDER 211/26Fauré, n.d.17-LVBOX-FOLDER 211/27 [50th anniversary Pulitzer Prize dinner], 1966BOX-FOLDER 211/28-29 Film music, 1940See also: Writings by AC, Lectures & Speeches: Music in the moviesBOX: xxxBOX-FOLDER 211/30 Film music: Civitas Club, 1940BOX-FOLDER 211/31-32 Film talk, 197135?BOX-FOLDER 211/33For Alvin Johnson, n.d.BOX-FOLDER 211/34 For 8-13 year olds, 196925-LGBOX-FOLDER 211/35-36 Forms of modern music, [193?]Aaron Copland Collection 238

Writings and Oral Presentations, 1925-1988ContainerContentsFour lectures on contemporary musicSee: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxxBOX-FOLDER 212/1 [Gold medal for music], 1956BOX-FOLDER 212/2 History of American music, 1947BOX-FOLDER 212/3BOX-FOLDER 212/4Influence of jazz and "Everyday Music", n.d.See also: Writings by AC, Lectures & Speeches: Influence of jazz onmodern music BOX: xxxSee also: Writings by AC, Lectures & Speeches: Intro[duction] to r[h]ythmic considerations in Amer[ican] music BOX: xxx7-LVInfluence of jazz on modern music, n.d.BOX-FOLDER 212/5-6 Intelligent music-listening, 1937The interpreterSee: Writings by AC, Lectures & Speeches: On conducting Amer[ican] music; The interpreter from the composer's viewpoint BOX: xxxBOX-FOLDER 212/7 Introducing Shostakovitch at dinner, 1949BOX-FOLDER 212/8 Intro[duction] of N[adia] Boulanger as teacher, 195817-LGBOX-FOLDER 212/9 Introduction to my music, 1952See also: Writings by AC, Lectures & Speeches: On my music BOX:xxx9-LGBOX-FOLDER 212/10-11BOX-FOLDER 212/12BOX-FOLDER 212/13Introduction to the cont[emporary] idiom: Four lectures oncontemporary music, 1957-1958See also: Writings by AC, Lectures & Speeches: Composing inAmerica (then and now) BOX: xxxSee also: Writings by AC, Lectures & Speeches: Current trends incont[emporary] music BOX: xxx20Intro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d.See also: Writings by AC, Lectures & Speeches: Influence of jazz onmodern music BOX: xxxSee also: Writings by AC, Lectures & Speeches: Influence of jazz and"Everyday Music" BOX: xxx7-LV[Introductory remarks for film "Brute Force"], n.d.Aaron Copland Collection 239

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 212/14 Is America musically mature?, 1941BOX-FOLDER 212/15 Japan's composers, 196016-LGBOX-FOLDER 212/16 Jazz and folk influences, 194415-LVBOX-FOLDER 212/17 Jewish composers in the western world, 195110-LVBOX-FOLDER 212/18L. B. [Leonard Bernstein], n.d.See also: Writings by AC, Lectures & Speeches: Talk on LeonardBernstein BOX: xxxBOX-FOLDER 212/19 Latin American music, 1947-196331-LVDas Lied von der ErdeSee: Writings by AC, Lectures & Speeches: Mahler - XX cent[ury]BOX: xxxBOX-FOLDER 212/20 London speech, 1965See also: Writings by AC, Lectures & Speeches: Talk for the BBCBOX: xxxBOX-FOLDER 212/21 Lotus Club, 1978BOX-FOLDER 212/22Mahler - XX cent[ury], n.d.6-LVBOX-FOLDER 212/23-24 Masterpieces of modern music, 1928-1929See also: Writings by AC, Lectures & Speeches: Aesthetics of modernmusic BOX: xxxBOX-FOLDER 212/25BOX-FOLDER 212/26The meaning of music, n.d.24-LGMENC meeting, n.d.Messiaen, OlivierSee: Writings by AC, Lectures & Speeches: Music: Pro & Con II -Olivier Messiaen BOX: xxxMexican music [III]See: Writings by AC, Lectures & Speeches: Latin American musicBOX: xxxMilhaud, DariusSee: Writings by AC, Lectures & Speeches: Darius Milhaud BOX: xxxAaron Copland Collection 240

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 213/1 "Modern" American music - Part II, 1950, 1953BOX-FOLDER 213/2Modern Americans: Sessions; Cowell, n.d.See also: Writings by AC, Lectures & Speeches: Music: Pro & Con I- Sessions BOX: xxxModern Japanese musicSee: Writings by AC, Lectures & Speeches: Japan's composers BOX:xxxBOX-FOLDER 213/3 Modern piano music, 193818-LVBOX-FOLDER 213/4BOX-FOLDER 213/5Modern piano repertoire and its interpretation, n.d.Movie music, n.d.BOX-FOLDER 213/6 Music - A composer's view (of music), 1967, 197122-LGBOX-FOLDER 213/7 Music: Pro & Con I - Sessions, 1950See also: Writings by AC, Lectures & Speeches: Modern Americans:Sessions; Cowell BOX: xxx3-LVBOX-FOLDER 213/8 Music: Pro & Con II - Olivier Messiaen, 19504-LVMusic and imaginationSee: Writings by AC, Books:Music and imagination BOX: xxxBOX-FOLDER 213/9 Music and the other arts in contemporary America, 1955BOX-FOLDER 213/10 Music for a modern world, 19492-LGBOX-FOLDER 213/11 Music in contemporary life, 195711-LGBOX-FOLDER 213/12 Music in the American scene I: New Phases: Cross-section, 1944See also: Writings by AC, Lectures & Speeches: Jazz and folkinfluences BOX: xxxSee also: Writings by AC, Lectures & Speeches: Music of theAmericas BOX: xxxSee also: Writings by AC, Lectures & Speeches: Music in the filmsBOX: xxxSee also: Writings by AC, Lectures & Speeches: The problem of style-Shostokovitch vs. Schoenberg BOX: xxxBOX-FOLDER 213/13Music in the films, n.d.8-LVAaron Copland Collection 241

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 213/14BOX-FOLDER 213/15Music in the movies, n.d.See also: Writings by AC, Lectures & Speeches: Film music BOX: xxxSee also: Writings by AC, Lectures & Speeches: Film music: CivitasClub BOX: xxxSee also: Writings by AC, Lectures & Speeches: Film talk BOX: xxxSee also: Writings by AC, Lectures & Speeches: Writing for filmsBOX: xxxSee also: Writings by AC, Articles: Music and the movies BOX: xxxMusic in the theatre, n.d.Music of Argentina [IV]See: Writings by AC, Lectures & Speeches: Latin American musicBOX: xxxBOX-FOLDER 213/16 Music of the Americas, 1958See also: Writings by AC, Lectures & Speeches: Latin Americanmusic BOX: xxxBOX-FOLDER 213/17 Music of today, 1935-1936[13?]BOX-FOLDER 213/18 Music of today, 1936BOX-FOLDER 213/19 Music of the 20s, 1942, 1963BOX-FOLDER 230/12 Music of the 20s, 1942BOX-FOLDER 213/20 Music of the 20s, 1960BOX-FOLDER 213/21-22 Music of the 20s (Harvard lectures), 1952, 1954, 1959, 1960, 1962See also: Writings by AC, Lectures & Speeches: Introduction to thecont[emporary] idiom: Four lectures on contemporary music BOX: xxx19-LVBOX-FOLDER 213/23Musica americana: Part I; La nuova generazione di compositoriamericani: Part II, 1951La música contemporanea negli Stati UnitiSee: Writings by AC, Lectures & Speeches: The contemporary musicin the United States, n.d. BOX: xxxBOX-FOLDER 213/24BOX-FOLDER 213/25[La música de las americas], n.d.See also: Writings by AC, Articles: Composer's report on music inSouth America BOX: xxxSee also: Writings by AC, Articles: South American journey BOX: xxxLa música en las peliculas, n.d.La música norte americana y la escena norte americanaAaron Copland Collection 242

Writings and Oral Presentations, 1925-1988ContainerContentsSee: Writings by AC, Lectures & Speeches: Panorama of Americancomposers BOX: xxxLa musique contemporaine aux États UnisSee: Writings by AC, Lectures & Speeches: The contemporary musicin the United States BOX: xxxN[adia] B[oulanger] as teacherSee: Writings by AC, Lectures & Speeches: Intro[duction] of N[adia]Boulanger as teacher BOX: xxxBOX-FOLDER 213/26Nationalism in Amer[ican] music, n.d.BOX-FOLDER 213/27 Nationalist trends in contemporary music, 196129-LVNew music from Latin AmericaSee: Writings by AC, Lectures & Speeches: Latin American musicBOX: xxxBOX-FOLDER 213/28New music in the Americas, n.d.New music seminar [II], Brazilian musicSee: Writings by AC, Lectures & Speeches: Latin American musicBOX: xxxNew phases: Cross-section, 1944See: Writings by AC, Lectures & Speeches: Music in the Americanscene I BOX: xxxBOX-FOLDER 213/29 New trends in cont[emporary] music, 1964See also: Writings by AC, Lectures & Speeches: The aesthetic climateof today BOX: xxx34-LVBOX-FOLDER 213/30 New trends in contemporary music, 196534North and South American composersSee: Writings by AC, Lectures & Speeches: Latin American musicBOX: xxxBOX-FOLDER 213/31Notes on G. W. Chadwick, n.d.Notes onTender landSee: Writings by AC, Lectures & Speeches: The operatic problemBOX: xxxAaron Copland Collection 243

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 214/1 Oedipus Rex, 195728-LVLa nueva generación de compositoresSee: Writings by AC, Lectures & Speeches: Panorama of Americancomposers BOX: xxxLa nuova generazione di compositori americaniSee: Writings by AC, Lectures & Speeches: Musica americana: PartI BOX: xxxBOX-FOLDER 214/2 On American music, [?], 1978BOX-FOLDER 214/3BOX-FOLDER 214/4On conducting Amer[ican] music; The interpreter from the composer'sviewpoint, 196421-LGOn my music, 1946, n.d.5-LGBOX-FOLDER 214/5 Opera symposium, 1953BOX-FOLDER 214/6The operatic problem, 1954, n.d.8-LGBOX-FOLDER 214/7-8 Panorama of American composers (in English and Spanish), 1947Los placéres de la músicaSee: Writings by AC, Lectures & Speeches: The pleasures of musicBOX: xxxBOX-FOLDER 214/9-10 The pleasures of music, 1959See also: Writings by AC, Lectures & Speeches: Contemporary trendsin music today BOX: xxxSee also: Writings by AC, Articles: The pleasures of music BOX: xxxBOX-FOLDER 214/11 Preoccupations of young composers, 19557-LGBOX-FOLDER 214/12 Presentation of gold medal for music to Elliott Carter, 1971BOX-FOLDER 214/13 Presentation of gold medal for music to Virgil Thomson, 1966BOX-FOLDER 214/14 Presentation of MacDowell Medal to Robert Frost, 1962BOX-FOLDER 214/15 The problem of style -- Schoenberg vs. Shostakovitch, 194413-LVBOX-FOLDER 214/16 Recent Amer[ican] music: Comparison with Europe, 195627-LVAaron Copland Collection 244

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 214/17 Recent European (piano) music, 195930-LVReis, ClaireSee: Writings by AC, Lectures & Speeches: Claire Reis BOX: xxxSee: Writings by AC, Articles: Claire Reis BOX: xxxSee: Writings by AC, Articles: Claire Raphael Reis BOX: xxxBOX-FOLDER 214/18 Remarks in Japan conference, 1967BOX-FOLDER 214/19 Role of the creative artist in education, 19493-LGBOX-FOLDER 214/20 The role of culture in the U. S., 19474-LGBOX-FOLDER 214/21Role of university in the arts (Arts in the university), n.d.Rubin Goldmark: A tributeSee: Writings by AC, Articles: Rubin Goldmark: A tribute BOX: xxxBOX-FOLDER 214/22Schools and the arts, n.d.Schuman, WilliamSee: Writings by AC, Lectures & Speeches: William Schuman BOX:xxxBOX-FOLDER 214/23 Search for an "American" music, 1960See also: Writings by AC, Articles: Making music in the star-spangledmanner BOX: xxxBOX-FOLDER 214/24 Seminar in contemporary music, 19571BOX-FOLDER 214/25 Serge Koussevitsky [sic] - the 100th anniversary, 1974BOX-FOLDER 214/26 [Serious music], 1972Sessions, RogerSee: Writings by AC, Lectures & Speeches: Music: Pro & Con I -Sessions BOX: xxxSee: Writings by AC, Lectures & Speeches: Modern Americans:Sessions; Cowell BOX: xxxBOX-FOLDER 214/27The sonata - '39-41, n.d.BOX-FOLDER 214/28 Des souris et des hommes, 1958BOX-FOLDER 214/29 Speech on recent 'Trends' at Pulitzer Prize dinner, 1966Aaron Copland Collection 245

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 214/30 Speech to Academía Brasileira de Música, 1947BOX-FOLDER 214/31 Stadium concert, Aug. 16, 1939BOX-FOLDER 214/32 Stadium concert - Intermission talk, 1939, July 5BOX-FOLDER 214/33 Stockhausen lecture, 1963See also: Writings by AC, Radio, United States: WBAI:Stockhausen'sMomente BOX: xxxBOX-FOLDER 214/34 Stravinsky, 19371-LVBOX-FOLDER 214/35 [Style contrasts], 1941BOX-FOLDER 214/36 Survey of contemporary music, 1934BOX-FOLDER 214/37 Survey of contemporary music, 1940BOX-FOLDER 214/38BOX-FOLDER 214/39Survey of contemporary music, n.d.See also: Writings by AC, Lectures & Speeches: Music incontemporary life BOX: xxx14-LVSurvey of contemporary music, n.d.BOX-FOLDER 214/40 Symphonic masterpieces, 1938-1939BOX-FOLDER 215/1Talk - Music magazine, n.d.BOX-FOLDER 215/2 [Talk at New York University], 197026-LGBOX-FOLDER 215/3 Talk for the BBC, 1945See also: Writings by AC, Lectures & Speeches: London speech BOX:xxxBOX-FOLDER 215/4 Talk on Leonard Bernstein, 1968See also: Writings by AC, Lectures & Speeches: L. B. [LeonardBernstein] BOX: xxxBOX-FOLDER 215/5 Talk to university and college concert managers, 1967BOX-FOLDER 215/6 [Tanglewood], 1958BOX-FOLDER 215/7BOX-FOLDER 215/8[Tanglewood - A musical place], n.d.Technical steps in sound recording, n.d.Tender landtalk (and the operatic problem)Aaron Copland Collection 246

Writings and Oral Presentations, 1925-1988ContainerContentsSee: Writings by AC, Lectures & Speeches: The operatic problemBOX: xxxBOX-FOLDER 215/9Thirties in North America: America enters the arena of musical nations,n.d.BOX-FOLDER 215/10 To band leaders [at convention], 195812-LGTo concentrate on 3 countries - Brazil, Argentina, MexicoSee: Writings by AC, Lectures & Speeches: Latin American musicBOX: xxxBOX-FOLDER 215/11 An uncertain glimpse into the musical future, 1972BOX-FOLDER 215/12 Understanding contemporary music, 1950, 195720-LVBOX-FOLDER 215/13Unidentified: MiscellanyBOX-FOLDER 215/14 Variation form in contemporary music, 1955BOX-FOLDER 215/15 Variation forms - Classical forms in cont[emporary] music, 195224-LVBOX-FOLDER 215/16BOX-FOLDER 215/17What to listen for in music, Series I, n.d.What to listen for in music, Series II, n.d.BOX-FOLDER 215/18 William Schuman, 197127-LGBOX-FOLDER 215/19 Words and music, 196220-LGBOX-FOLDER 215/20BOX-FOLDER 215/21BOX-FOLDER 215/22Writers and music, n.d.Writing for films, n.d.See also: Writings by AC, Lectures & Speeches: Film music BOX: xxxThe younger generation of American composers, n.d.BOX-FOLDER 215/23 Youngest generation of American composers, 1961BOX 216-217BOX-FOLDER230/13-14RadioArgentinaAaron Copland Collection 247

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 216/1Radio Argentina, n.d.BOX-FOLDER 216/2 Radio del Estado, 1947BOX-FOLDER 216/3 Radio El Mundo, 1947See also: Writings by AC, Radio, Uruguay: Radio El EspectadorBOX: xxxBOX-FOLDER 216/4 Radio Libertad, 1947BOX-FOLDER 216/5 Radio Splendid, 1947 Nov. 6BOX-FOLDER 216/6 Radio Splendid: La semana musical, 1947 Nov. 12AustraliaThe uncomplicated air of Aaron Copland, 1975See: Writings by Others, About AC, Interviews: Plush, Vincent.Theuncomplicated air of Aaron Copland BOX: xxxBOX-FOLDER 216/7BrazilMarc Blitzstein: The airborne symphony, n.d.BOX-FOLDER 216/8 Hora do Brazil, Nov. 1941Radio Clube de PernambucoSee: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxxRadio EspectadorSee: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxxBOX-FOLDER 216/9Radio Gazeta, n.d.BOX-FOLDER 216/10 Radio Ministerio de Educação, 6 Oct. [?]BOX-FOLDER 216/11 Radio Ministerio de Educação, 13 Oct. [?]BOX-FOLDER 216/12 Radio Ministerio de Educação: Coletanea musical, 1947 Sept. 6BOX-FOLDER 216/13 Radio Ministerio de Educação: Copland interview, 1947 Sept. 14BOX-FOLDER 216/14 Radio Nacional: Comments by Copland, 1947 Sept. 12BOX-FOLDER 216/15 Radio Nacional: Questionaire, 1947 Sept. 12BOX-FOLDER 216/16BOX-FOLDER 216/17Radio Nacional: Samuel Barber, n.d.Radio Nacional: Virgil Thomson, n.d.BOX-FOLDER 216/18 Radio Roquete Pinto, 1947 Sept. 9Aaron Copland Collection 248

Writings and Oral Presentations, 1925-1988ContainerContentsRadio Sociedade da BahiaSee: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxxCanadaBOX-FOLDER 216/19 CBC: The American musical scene, 1950See also: Writings by AC, Radio, Great Britain: BBC: The Americanmusical scene BOX: xxxChileBOX-FOLDER 216/20 Radio La Americana: La audición "Nuevo mundo", 1941BOX-FOLDER 216/21CubaRadio Ministerio de Educación, n.d.BOX-FOLDER 216/22 Radio Nacional, 16 Sept. [?]FranceBOX-FOLDER 216/23 Answers to Bernard Govoty, 1955BOX-FOLDER 216/24 Dupriez, Christian. La musique contemporaine aux États-Unis, 1946BOX-FOLDER 216/25 La voix de l'amerique: L'amerique depuis 1939, 1946GermanyBOX-FOLDER 230/13 Norddeutscher Rundfunk: Program, 1961Great BritainBOX-FOLDER 216/26 BBC: The American musical scene, 1949See also: Writings by AC, Radio, Canada: CBC: The Americanmusical scene BOX: xxxBOX-FOLDER 216/27 BBC: Music to remember, 1962BOX-FOLDER 216/28 BBC: Statement on Benjamin Britten, 1976BOX-FOLDER 216/29 Benjamin Britten Obituary, 1976ItalyBOX-FOLDER 216/30 Radio Rome, 1949BOX-FOLDER 216/31BOX-FOLDER 216/32BOX-FOLDER 216/33SwitzerlandRadio Lausanne, n.d.United StatesABC: Music of today, Talk by Aaron Copland, n.d.[American composers series], n.d.BOX-FOLDER 216/34 American School of the Air: Music and the friendly arts, 1939Aaron Copland Collection 249

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 216/35CBS: Columbia's Green Room, Copland and Graham, n.d.CBS: Man's right to knowledgeSee: Writings by AC, Articles: Music and the human spirit BOX:xxxBOX-FOLDER 216/36 CBS: Modern masters series - Aaron Copland, pianist-composer, 1936BOX-FOLDER 216/37 CBS: Music for a great city, 1966BOX-FOLDER 216/38 CBS intermission, 1939BOX-FOLDER 216/39 Interview with [Edwin] Seaver, 1942BOX-FOLDER 216/40 Modern music and audience, (1939?)BOX-FOLDER 216/41 WABC: Howard Barlow series, 1940BOX-FOLDER 216/42 WBAI: Stockhausen's Momente, 1962-1963See also: Writings by AC, Lectures & Speeches: Stockhausenlecture BOX: xxxBOX-FOLDER 216/43 WGBH: Our American music, Series IV, 1959-1960BOX-FOLDER 216/44-48BOX-FOLDER 217/1-6WNCN: Aaron Copland comments, 1968-1971See also: Writings by AC, Radio, United States: WQXR: [Music forthe theatre] BOX: xxxSee also: Writings by AC, Articles: Some notes on my "Music forthe theatre" BOX: xxxFolders:• 216/44 Contract• 216/45 Correspondence, 1968-1971• 216/46 Lists: Series I-III• 216/47 Notes; Miscellany• 216/48 Promotional material• 217/1-6 Series I-III: Programs 1-52; 217/1-3 Draft; 217/4-6TypescriptBOX-FOLDER 230/14 WNCN: Aaron Copland comments, 1968-1971Promotional materialBOX-FOLDER 217/7 WNYC: Questions, 1949BOX-FOLDER 217/8 WQXR: Interview with Edwin Seaver, 1939BOX-FOLDER 217/9 WQXR: Memorial to Paul Rosenfeld, 1946BOX-FOLDER 217/10 WQXR: [Music for the theatre], 1942See also: Writings by AC, Radio, United States: WNCN: AaronCopland comments, Series I-III, Program 2, Typescript BOX: xxxAaron Copland Collection 250

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 217/11 WQXR: [New trends in music], 1939BOX-FOLDER 217/12WQXR: RCA Victor Record Showcase, Interview with Aaron Copland,n.d.BOX-FOLDER 217/13 WQXR: Russian war relief program, 1942BOX-FOLDER 217/14 WQXR: Testimonial dinner to Dr. Koussevitzky, 1944BOX-FOLDER 217/15UruguayRadio Ariel, Montevideo, 1947: Interview with Maestro AaronCopland, 1947BOX-FOLDER 217/16 Radio El Espectador, 1947See also: Writings by AC, Radio, Argentina: Radio El Mundo BOX:xxxVenezuelaVenezuelaSee: Writings by AC, Radio, Cuba: Radio Ministerio de EducaciónBOX: xxxBOX-FOLDER 217/17BOX-FOLDER 217/18BOX 218MAP-CASE MapCaseC-Drw 2/2BOX-FOLDER 218/1Miscellany[Appalachian spring], n.d.[Paul Bowles; Roy Harris; Aaron Copland], n.d.TelevisionCanadaCBC: The music of man: Program five "The power of invention",1977-1978Great BritainBOX-FOLDER 218/2 BBC: Copland on Copland, 1965BOX-FOLDER 218/3 BBC: Miscellany: Clippings, 1964-1980BOX-FOLDER 218/4-5United StatesCBS: New York Philharmonic Young People's Concerts #1: "Music forthe movie", 1969Folders:• 218/4 Miscellany• 218/5 ScriptsBOX-FOLDER 218/6 Correspondence, miscellaneous, 1957-1981Aaron Copland Collection 251

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 218/7-12 WGBH: Aaron Copland: Music in the 20s, 1965Folders:• 218/7 Correspondence, 1962-1967• 218/8 Lists: Music illustrations• 218/9 Miscellany: Clippings; Poster (photocopy); Program guide• 218/10 Schedules• 218/11-12 Typescripts, Programs 1-12BOX-FOLDER 218/13 WNBC: Speaking freely, 1969BOX-FOLDER 218/14WNET: The American composer, Program #1: Aaron Copland, n.d.BOX-FOLDER 218/15 WNET: Bill Moyer's journal "Aaron Copland", 1976BOX-FOLDER 218/16 WNET: Music in America: Copland conducts Copland, 1975BOX-FOLDER 218/17 WNEV: Copland profile, 1984-1985BOX-FOLDER 218/18 WQED: A Copland celebration!, 1980MiscellanyMAP-CASE MapCaseC-Drw2/2WQED: A Copland celebration!, 1980Promotional materialBOX 219-232BOX-FOLDER 25/39BOX-FOLDER 212/29BOX 219-232BOX-FOLDER 25/39BOX-FOLDER 212/29BOX 219-231BOX-FOLDER 212/29Writings by Others, 1925-1988Writings by Others extends to material written about Aaron Copland andmaterial written about other composers, musicians, and critics or othersubjects. The articles reflect the views and opinions of a wide range ofnotable people. The interviews almost span his entire life from 1928 to1988 and comprise dialogues with substantive and substantial quotesby Copland. This series is divided into About Aaron Copland, Articles,Booklets, Interviews, Libretti, Poetry and Scripts. Includesmanuscripts, typescripts, unpublished and published printed materialand microfilm. Arranged alphabetically by author in each category,then by title.Arranged by author, title or chronologically.About Aaron CoplandArticlesBy TitleBOX-FOLDER 219/1 Aaron Copland, 1961Aaron Copland Collection 252

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 219/2 [Aaron Copland](in Persian), 1961BOX-FOLDER 219/3BOX-FOLDER 230/16Aaron Copland, n.d.Aaron Copland, n.d.BOX-FOLDER 219/4 Aaron Copland: His flavor is personal, American, 1966-1977BOX-FOLDER 219/5 Aaron Copland at 50, 1950BOX-FOLDER 219/6BOX-FOLDER 219/7BOX-FOLDER 219/8Aaron Copland on jazz, n.d.Aaron Copland 75th anniversary: Dean of American composers,1976About Aaron Copland, n.d.BOX-FOLDER 219/9 All' U. S. I. S. Aaron Copland, 1951BOX-FOLDER 219/10 America gradually learns importance of artists, Copland notes, 1967BOX-FOLDER 230/17 Amerikanische Komponisten: Aaron Copland, 1947BOX-FOLDER 219/11 The arts at Northwestern, 1958An award for CoplandSee: Writings by AC, Articles: Composers in Russia BOX: xxxBOX-FOLDER 219/12Bernstein tells of first time with Copland, n.d.BOX-FOLDER 219/13 Boys High School Alumni Association: West coast chapter, 1980,1983BOX-FOLDER 219/14 Composers-in-residence, 1975BOX-FOLDER 219/15 Concert, reception honor Aaron Copland on his birthday, 1981BOX-FOLDER 219/16 Conferenza all'USIA: Parole e musica di Aaron Copland, 1951BOX-FOLDER 219/17 Copland at 70, 1970-1971BOX-FOLDER 230/18 Copland comes to town, 1977BOX-FOLDER 219/18Copland views movies as strong challenge to modern composers,1948Copland's "Hear Ye, Hear Ye!" and an Ibert balletSee: Writings by AC, Articles: Scherchen on conducting andEwen on composers BOX: xxxAaron Copland Collection 253

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 219/19 Copland's soundtrack, 1961BOX-FOLDER 219/20Dance Magazine awards 1979: Erick Hawkins; Aaron Copland; JorgeDonn, 1979BOX-FOLDER 219/21 Una entrevista con Copland, 1932BOX-FOLDER 219/22 Exchange of persons: Aaron Copland completes tour, 1948BOX-FOLDER 230/19Fontainebleau Alumni Bulletin: Music alumni news, Aaron Copland,comp '21, 1952-1954, 1961BOX-FOLDER 219/23 For Aaron Copland at 80, 1980BOX-FOLDER 219/24 For the people, 1939BOX-FOLDER 219/25BOX-FOLDER 219/26Great guys in their day, n.d.Great men of music, n.d.BOX-FOLDER 230/20 Jazz as folk-music, 1925BOX-FOLDER 230/21 The music man: Harmony in a new found land, 1959BOX-FOLDER 219/27 New York state award 1975: New York Council on the Arts, 1975BOX-FOLDER 219/28The premiere of a noted composer's piece for youngsters: "Down acountry lane", 1962BOX-FOLDER 212/29 Un "Retrato Musical" de Martí?..., 1953BOX-FOLDER 219/30BOX-FOLDER 219/31BOX-FOLDER 219/32BOX-FOLDER 219/33The rise of the American composer, n.d.S. A. musicians getting to consider New York as hub of musicworld, n.d.The second hurricane, n.d.The simple gift of genius: The music of Aaron Copland on record,1981BOX-FOLDER 219/34 The spectacular 80s, 1983-1984BOX-FOLDER 219/35 Thank you, Aaron Copland, 1965BOX-FOLDER 230/22BOX-FOLDER 219/36U. S. composers in a bright era, n.d.A visit to Peekskill, n.d.Aaron Copland Collection 254

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 219/37 Young boro musician wins fellowship honor, 1925By AuthorA. H. M.BOX-FOLDER 231/7 The serried past, the full present of Aaron Copland, 1925Affelder, PaulBOX-FOLDER 219/38 The artists who create the nation's best serious music, 1963Antheil, GeorgeBOX-FOLDER 219/39 American music must grow up, 1949Asbell, BernardBOX-FOLDER 219/40 Hear, hear new music, U.S.A., 1961Avery, StanleyBOX-FOLDER 230/23 When we were 21, 1951Bauer, MarionBOX-FOLDER 219/41 Aaron Copland: A significant personality in American music, 1939Beals, KathieBOX-FOLDER 219/42 Copland the living classic, 1985BOX-FOLDER 219/43Behrend, JeannePreludio a cinco programas: Estudio sobre el panamericanismomusical, 1946Berger, Arthur V.BOX-FOLDER 219/44 An Aaron Copland discography, 1955BOX-FOLDER 219/45American composers: Aaron Copland, Roy Harris, Walter Piston,1943BOX-FOLDER 219/46 The home-grown Copland, 1950BOX-FOLDER 219/47 The "Third Symphony" of Aaron Copland, 1948BOX-FOLDER 219/48 Stravinsky and the younger American composers, 1955Bernstein, LeonardBOX-FOLDER 219/49 Aaron and Moses, 1975See also: Writings by Others, About AC, Articles: Composersin-residenceBOX: xxxBOX-FOLDER 230/24 Aaron Copland: Composer; Conductor, 1969-1970Aaron Copland Collection 255

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 219/50 Aaron Copland: An intimate sketch, 1970BOX-FOLDER 219/51Blitzstein, MarcFour American composers, n.d.Boelzner, Gordon[Titles by Gordon Boelzner]See: Writings by Others, About AC, Articles: Edmunds, JohnBOX: xxxBohm, Jerome D.BOX-FOLDER 219/52 American composers and their critics, 1932Bonvicini, RenzoBOX-FOLDER 230/25 Ragazzi romani, 1953Boulanger, NadiaBOX-FOLDER 219/53 Tribute to Aaron Copland, 1975Boys, HenryBOX-FOLDER 219/54 Aaron Copland and his "Piano Variations", 1933BOX-FOLDER 219/55 The Amsterdam festival, 1933Burke, KennethBOX-FOLDER 219/56 Music: A bright evening, with musicians, 1936Cai, Dorothy Liang-YuBOX-FOLDER 219/57 Visiting Copland, 1983BOX-FOLDER 219/58Canby, Edward TatnallA note on the work of Aaron Copland, n.d.Carter, ElliottThe rhythmic basis of American music, 1955See: Writings by Others, About AC, Articles: Berger, ArthurV.Stravinsky and the younger American composers BOX: xxxChase, Mary CoyleBOX-FOLDER 219/59 Sketches of those just added to roll of Pulitzer Prize winners, 1945BOX-FOLDER 219/60Chávez, CarlosIves y Copland, n.d.Christophe, JeanBOX-FOLDER 219/61 La musique moderne: Un américain à Paris, 1971Citkowitz, IsraelAaron Copland Collection 256

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 219/62 Aaron Copland - Personal note, 1953BOX-FOLDER 219/63 Compositores de johe: Aaron Copland, 1948Clement, ThomBOX-FOLDER 219/64 Composer Elmer Bernstein: Scoring fantasy films, 1986Clurman, HaroldBOX-FOLDER 220/1 Aaron Copland by Arthur Berger [Book review], 1953See also: Writings by Others, Books: Berger, Arthur. AaronCopland BOX: xxxBOX-FOLDER 220/2 My friend Aaron, 1975See also: Writings by Others, About AC, Articles: Boulanger,Nadia. Tribute to Aaron Copland BOX: xxxBOX-FOLDER 220/3 Nightlife and daylight, 1947BOX-FOLDER 230/26Cogan, AliceMusical genius like a prophet, n.d.Colapinto, FrankBOX-FOLDER 220/4 Copland, 1945Cole, HugoBOX-FOLDER 220/5 Myth of the all-American composer, 1980BOX-FOLDER 220/5 Popular elements in Copland's music, 1970-1971See also: Writings by Others, About AC, Articles: Copland at70 BOX: xxxCommanday, RobertBOX-FOLDER 230/27 At home with Aaron Copland, 1970Conly, John M.BOX-FOLDER 220/6 Aaron Copland looks ahead, 1965Cooper, MartinBOX-FOLDER 220/7 Extract from "Music Magazine", 1953Craft, RobertBOX-FOLDER 220/8 Stravinsky: Chronicle of a friendship 1848-1971, 1970Deutsch, DidierBOX-FOLDER 220/9 Aaron Copland, 1961Diamond, DavidBOX-FOLDER 220/10 The composer and film music, 1941Aaron Copland Collection 257

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 220/11Diana, MartaUn coloquio en el Teatro Colon con Aaron Copland, n.d.Dickinson, PeterBOX-FOLDER 220/12 Aaron Copland at eighty-five, 1985BOX-FOLDER 220/13 Copland at 75, 1975Dommett, KennethBOX-FOLDER 220/14 Aaron Copland - An appreciation, 1980Dorfman, RogerBOX-FOLDER 230/28 Rise of a composer, 1942Downes, OlinBOX-FOLDER 220/15 Copland at 50, 1950BOX-FOLDER 230/29Drago, Erensto C.Copland, el músico que pudo ser un asessino, n.d.Dyer, RichardBOX-FOLDER 230/30 The neighborly composer, 1975BOX-FOLDER 220/16Edmunds, John and Boelzner, GordonSome twentieth century American composers. A selectivebibliography, Part I and II, 1957-1959Evans, PeterBOX-FOLDER 220/17 Copland's middle way, 1960BOX-FOLDER 220/18 First performances: Copland's "Connotations", 1963BOX-FOLDER 220/19 The thematic technique of Copland's recent works, 1959Eyer, Ronald F.BOX-FOLDER 230/31 Meet the composer: Aaron Copland, 1943Fields, SidneyBOX-FOLDER 220/20 Notes on a top composer, 1970Fierz, GeroldBOX-FOLDER 220/21 Aaron Copland, 1956Figueiredo, GuilhermeBOX-FOLDER 220/22 Ora, Sr. Copland, 1948Fine, IrvingBOX-FOLDER 220/23 Twentieth-century music, 1947Aaron Copland Collection 258

Writings and Oral Presentations, 1925-1988ContainerContentsFinkelstein, SidneyBOX-FOLDER 220/24 The music of Aaron Copland, Part I and Part II, 1951BOX-FOLDER 220/25 Notes on Aaron Copland, 1948Flanagan, WilliamBOX-FOLDER 220/26 The great American composers: Aaron Copland, 1966BOX-FOLDER 220/26Ford, ChristopherTwo views of Aaron Copland, n.d.Freed, RichardBOX-FOLDER 220/27 America's spirit in music: Aaron Copland, 1966BOX-FOLDER 220/28Birthday greetings to -- and from -- Aaron Copland, n.d.Frymire, JackBOX-FOLDER 220/29 Copland 68, 1968Fuller, DonaldBOX-FOLDER 230/32 A symphonist goes to folk sources, 1948BOX-FOLDER 231/20BOX-FOLDER 220/30G. A. T.Da Trieste, n.d.Garrido, PabloAaron Copland embajador músical de Norte-America, n.d.Garvie, PeterBOX-FOLDER 220/31 Aaron Copland (English and Spanish), 1962-1963Gelles, GeorgeBOX-FOLDER 230/33 Don't forget about Copland's writing, 1976Gill, DominicBOX-FOLDER 220/32 Copland, 1969Goldberg, AlbertBOX-FOLDER 220/33 Copland film scores and critics, 1948Goldberg, IsaacBOX-FOLDER 230/34 Aaron Copland, 1929BOX-FOLDER 220/34 Aaron Copland and his jazz, 1927Goldman, Richard FrankoBOX-FOLDER 220/35 The Copland festival, 1960Goléa, AntoineAaron Copland Collection 259

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 220/36 Une musique savante, 1962Goodwin, NoelBOX-FOLDER 220/37 The quiet American, 1963Guernsey, Otis L., Jr.BOX-FOLDER 230/35 Function of the movie musical score, 1949BOX-FOLDER 220/39Hadjinikos, GeorgeVersuch einer Analyse der Copland-Sonate, n.d.Hall, Roger L.BOX-FOLDER 220/40 The story of 'Simple gifts': Shaker simplicity in song, 1987BOX-FOLDER 220/41Hamilton, DavidAaron Copland: A discography of the composer's performances,1970An Aaron Copland photo album, 1970See: Writings by Others, About AC, Articles: Bernstein,Leonard. Aaron Copland: An intimate sketch BOX: xxxThe recordings of Copland's musicSee: Writings by Others, About AC, Articles: Bernstein,Leonard. Aaron Copland: An intimate sketch BOX: xxxHanson, HowardBOX-FOLDER 221/1 Flowering of American music, 1949Heinsheimer, H. W.BOX-FOLDER 221/2 Aaron Copland: The making of an American composer, 1947BOX-FOLDER 230/36 Aaron Copland: The making of an American composer, 1948BOX-FOLDER 221/3 What price music?, 1947Henahan, DonalBOX-FOLDER 230/37 This Aaron is a musical Moses, 1975Henderson, RobertBOX-FOLDER 230/38 Copland's mark on America, 1980Hershowitz, AlanBOX-FOLDER 221/4 Copland: The music, 1980Heylbut, RoseBOX-FOLDER 230/39 America goes to the ballet, 1948Hightower, MarvinAaron Copland Collection 260

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 221/5 A retrospective for Aaron Copland, composer, 1978BOX-FOLDER 221/6Hohenlohe, ManfredDas Buch von Aaron Copland: Unsere neue Musik [Book review],1949Holloway, RobinBOX-FOLDER 221/7 Copland: Volume I, 1900-1942 [Book review], 1985Johnson, HarriettBOX-FOLDER 230/40 Aaron Copland: Dean of American composers, 1976Kay, NormanAspects of Copland's development, 1970-1971See: Writings by Others, About AC, Articles: Copland at 70BOX: xxxBOX-FOLDER 221/8 Copland: All-American composer, 1965Keener, AndrewBOX-FOLDER 221/9 Aaron Copland, 1981Keens, WilliamBOX-FOLDER 221/10 Part of it all: A profile of Aaron Copland, 1982Kerman, JosephBOX-FOLDER 221/11 American music: The Columbia series (II), 1961Kirkpatrick, John, Jr.BOX-FOLDER 221/12 On Copland's music, 1928Klein, HowardBOX-FOLDER 231/1 Composers can be their own best conductors, 1966BOX-FOLDER 231/2 A concert of conductors, 1964Kolodin, IrvingBOX-FOLDER 221/13 Celebrating Aaron Copland, 1980BOX-FOLDER 231/3 First fifty years hardest?, 1949BOX-FOLDER 221/14 Music to my ears: Copland at the bowl, Samuel at Cabrillo, 1967Koussevitzky, OlgaA wise and trusted friendSee: Writings by Others, About AC, Articles: Boulanger, Nadia.Tribute to Aaron Copland BOX: xxxKriegsman, Alan M.Aaron Copland Collection 261

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 221/15 As American as a ten-gallon hat, 1974Kubly, HerbertBOX-FOLDER 231/4 America's no. 1 composer, 1948Kyle, Marguerite KellyBOX-FOLDER 221/16 AmerAllegro, 1950Lederman, MinnaBOX-FOLDER 231/5 Some American composers, 1947Lerner, BennettBOX-FOLDER 221/17 Stalking American music, 1985Lien, ConnieBOX-FOLDER 231/6 Going strong at 80, 1981McLellan, JosephBOX-FOLDER 221/18 Classic Copland, 1983Malloch, WilliamBOX-FOLDER 221/19 Copland's triumph, 1988Masselos, WilliamBOX-FOLDER 221/20 The composer's workhorse, 1984Matthews, DavidCopland and Stravinsky, 1970-1971See: Writings by Others, About AC, Articles: Copland at 70BOX: xxxBOX-FOLDER 221/21Mattos, EdwardAaron Copland, n.d.Mellers, WilfredBOX-FOLDER 221/22 Aaron Copland and the American idiom, 1948Hommage to Aaron Copland, 1970-1971See: Writings by Others, About AC, Articles: Copland at 70BOX: xxxBOX-FOLDER 221/23 Language and function in American music, 1942Milhaud, DariusBOX-FOLDER 231/8 Musique des U. S. A., 1947Moor, PaulBOX-FOLDER 221/24 Aaron Copland, 1951Aaron Copland Collection 262

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 221/25 In search of a native muse, 1949Morrill, CharlesBOX-FOLDER 231/9 An afternoon with Aaron Copland, 1981Morton, LawrenceBOX-FOLDER 221/26 Music notes, 1943Nelson, BorisBOX-FOLDER 221/27 Aaron Copland, 1970Nichols, LewisBOX-FOLDER 231/10 Talk with Aaron Copland, 1952Northcott, BayanBOX-FOLDER 221/28 Composers of the sixties, 1970BOX-FOLDER 221/29Copland in England, n.d.BOX-FOLDER 221/30 Notes on Copland, 1980O'Brien, FrancesAaron Copland, a portraitSee: Writings by AC, Articles: Stravinsky and Hindemithpremieres BOX: xxxBOX-FOLDER 221/31Oja, Carol J.The Copland-Sessions Concerts and their reception in thecontemporary press, 1979BOX-FOLDER 221/32 Cos Cob Press and the American composer, 1988Oppens, KurtA note on Aaron Copland, 1975See: Writings by Others, About AC, Articles: Composers-inresidenceBOX: xxxOrga, Ateş (editor)The composer speaks: Quotes from the composerSee: Writings by Others, About AC, Articles: Dommett,Kenneth: Aaron Copland - An appreciation BOX: xxxOrrego-Salas, JuanBOX-FOLDER 221/33 Aaron Copland: A New York composer, 1948, 1952BOX-FOLDER 221/34BOX-FOLDER 220/38Aarón Copland: Un músico de New York, n.d.P. C. H.Aaron Copland, n.d.Aaron Copland Collection 263

Writings and Oral Presentations, 1925-1988ContainerContentsPaddack, John ChristopherBOX-FOLDER 222/1 Aaron Copland (English and Spanish), 1964Pasles, ChrisBOX-FOLDER 222/2 Aaron Copland: A reminder that music is a living art, 1978BOX-FOLDER 222/3Payne, IfanCopland on film: Indeed, the best does go on, n.d.Perlis, VivianBOX-FOLDER 222/4 Aaron Copland and the piano, 1990Boulanger -- 20th-century music was born in her classroomSee: Writings by AC, Articles: Copland salutes Boulanger BOX:xxxPerlis, Vivian and Aaron CoplandBOX-FOLDER 231/11 Copland and the BSO: A lasting friendship, 1981Pettis, AshleyBOX-FOLDER 231/12 Marching with a song, 1934Plaistow, StephenSome notes on Copland's "Nonet"See: Writings by Others, About AC, Articles: Evans, Peter. Firstperformances: Copland's "Connotations" BOX: xxxBOX-FOLDER 231/13Portela, Francisco V.Copland, arquitecto de la música, n.d.Pottersman, EdnaBOX-FOLDER 231/14 Copland conducts Copland, 1972BOX-FOLDER 222/15R. A. S.[America's young men of promise], n.d.BOX-FOLDER 222/16 Musical events, 1932Ramey, PhillipBOX-FOLDER 222/5 Aaron Copland: Genial patriarch of American music, 1985Aaron Copland at eighty: A candid talk with the composer abouthimself, American music and its makers, 1980See: Writings by Others, About AC, Articles: Dommett,Kenneth: Aaron Copland -An appreciation BOX: xxxRedlich, H. F.BOX-FOLDER 222/6 Music from the American continent, 1958Aaron Copland Collection 264

Writings and Oral Presentations, 1925-1988ContainerContentsReed, PhilipBOX-FOLDER 222/7 Copland and Britten: A composing friendship, 1990Reti, RudolphBOX-FOLDER 222/8 Copland's "Third Symphony" termed a milestone, 1948BOX-FOLDER 222/9Roddy, JosephAt 75, Aaron Copland is the first composer to live nicely off hisnotes, 1975BOX-FOLDER 222/10 The case of Aaron Copland, 1976Rosenfeld, PaulBOX-FOLDER 222/11 Aaron Copland's growth, 1931BOX-FOLDER 222/12 The advance of American music, 1939BOX-FOLDER 222/13 Musical chronicle, 1925Roy, Klaus GeorgeBOX-FOLDER 222/14 A composer grows in Brooklyn, 1952Salzman, EricBOX-FOLDER 222/17 Aaron Copland: The American composer is eighty, 1981BOX-FOLDER 231/15 Disks: Copland, 1961Sargeant, WinthropBOX-FOLDER 222/18 The case of Aaron Copland, 1946Sasportes, José EstevãoBOX-FOLDER 222/19 Aaron Copland e a dança na América, 1961Schonberg, Harold C.Aaron CoplandSee: Writings by Others, About AC, Articles: Dommett,Kenneth. Aaron Copland - An appreciation BOX: xxxBOX-FOLDER 222/20 Copland symbolizes a period, 1971Schuman, WilliamBOX-FOLDER 222/21 Aaron Copland, 1979A 75th birthday tributeSee: Writings by Others, About AC, Articles: Boulanger, Nadia.Tribute to Aaron Copland BOX: xxxSecunda, SholomAaron Copland Collection 265

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 222/22Di groyse idishe compozitors Bloch un Copland (The great Jewishcomposers Bloch and Copland), 1950Sessions, RogerBOX-FOLDER 222/23 Reflections on the music life in the United States, 1956BOX-FOLDER 222/24Shapiro, AaronAaron Copland wins Pulitzer Prize; Prominent as composer andauthor, 1945Shostakovitch, DmitriBOX-FOLDER 222/25 Travel notes - No. 5, 1949Slonimsky, NicolasBOX-FOLDER 222/26 "The Six" of American music, 1937Smit, LeoBOX-FOLDER 222/27 For and about Aaron on his 75th, 1975Smith, Cecil MichenerCopland's "Hear Ye, Hear Ye!" and an Ibert balletSee: Writings by AC, Articles: Scherchen on conducting andEwen on composers [Book review] BOX: xxxBOX-FOLDER 222/28 League of Composers program celebrates Copland birthday, 1950Soria, Dorle J.Artist life, 1970See: Writings by Others, About AC, Articles: Copland at 70BOX: xxxStahmer, KlausBOX-FOLDER 222/29 Aaron Copland: 75 Jahre, 1976BOX-FOLDER 231/16Stell, LorenAaron Copland and his influence, n.d.BOX-FOLDER 231/17 Brooklyn to 'Billy the Kid', 1980Stemmer, KonradBOX-FOLDER 231/18 Die synchronisierte Zeitschrift, 1952Stoddard, HopeBOX-FOLDER 231/19 Aaron Copland on the composer's craft, 1949BOX-FOLDER 222/30Strode, RosamundAaron Copland at Aldeburgh, n.d.Tākui, HyūeruAaron Copland Collection 266

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 222/31BOX-FOLDER 222/32BOX-FOLDER 231/21BOX-FOLDER 231/22BOX-FOLDER 222/33Amerika no ongaku no soko o saguru (American music, a study indepth), 1960Tsekai no mei shikishatachi (Aaron Copland - The gift ofsimplicity). Translated by Junji Miura, 1969Taubman, HowardThe music of Aaron Copland (in Russian), n.d.Scored for Americans: "Aaron Copland: His work and contributionto American music", by Julia Smith [Book review], 1956See also: Writings by Others, About AC, Books: Smith, Julia.Aaron Copland: His work and contribution to American musicBOX: xxxA week for youth, n.d.Temianka, HenriBOX-FOLDER 222/34 On music, 1980Thomson, VirgilContemporary American composers, VII. Aaron CoplandSee: Writings by AC, Articles: Stravinsky and Hindemithpremieres BOX: xxxBOX-FOLDER 222/35 Copland as great man, 1946BOX-FOLDER 231/23 The cult of jazz, 1925Tircuit, Heuwell[Titles by Heuwell Tircuit]See: Writings by Others, About AC, Articles: Tākui, Hyūeru.Amerika no ongaku no soko o saguru BOX: xxxTrench, KellyBOX-FOLDER 222/36 Aaron Copland at 75, 1975BOX-FOLDER 231/24Tryon, Winthrop P.Symphony forecast - New work by Aaron Copland for season's firstconcert, 1945ViceBOX-FOLDER 231/25 I concerti: Musica americana d'oggi nella conferenza di A.Copland, 1951Walsh, MichaelP.S., 1982See: Writings by Others, About AC, Articles: Keens, William.Part of it all: A profile of Aaron Copland BOX: xxxAaron Copland Collection 267

Writings and Oral Presentations, 1925-1988ContainerContentsWard, RobertAaron Copland: Four dance episodes from "Rodeo"[Music review]See: Writings by AC, Articles: Memorial to Paul Rosenfeld BOX:xxxWarfield, WilliamCommentarySee: Writings by AC, Lectures & Speeches: The composer ascritic BOX: xxxWaterfall, BethBOX-FOLDER 231/26 Celebrating the master of American music: Aaron Copland, 1985BOX-FOLDER 222/37Waters, Edward N.Harvest of the year: Selected acquisitions of the music division,1967Watson, MarciaBOX-FOLDER 222/38 Copland to receive prize, 1970BOX-FOLDER 222/39Widener, William HarrySour blue notes sounded on alleged reds in music, n.d.Wimbush, RogerBOX-FOLDER 222/40 Here and there with Roger Wimbush: Aaron Copland, 1964See also: Writings by Others, About AC, Interviews: Wimbush,Roger.Here and there with Roger Wimbush: Aaron Copland BOX:xxxBOX-FOLDER 222/41Winner, PercyJazz played out, American audiences inert, native composersagree, 1929Young, DouglasThe piano music, 1970-1971See: Writings by Others, About AC, Articles: Copland at 70BOX: xxxZanetti, EmiliaBOX-FOLDER 222/42 Aaron Copland giudica il "jazzismo", 1949BOX-FOLDER 222/43-44BooksBerger, ArthurBOX-FOLDER 222/43 Aaron Copland [Book reviews], 1953-1954See also: Writings by Others, About AC, Articles: Clurman,Harold. Aaron Copland, by Arthur Berger [Book review] BOX: xxxSmith, JuliaAaron Copland Collection 268

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 222/44BOX 223-224BOX-FOLDER 223/1BOX-FOLDER 223/2BOX-FOLDER 223/3Aaron Copland: His work and contribution to American music [Bookreviews], 1956See also: Writings by Others, About AC, Articles: Taubman,Howard. Scored for Americans: "Aaron Copland: His work andcontribution to American music" BOX: xxxSee also: Writings by Others, About AC, Dissertations: Smith,Julia Frances. Aaron Copland: His work and contribution toAmerican music [Microfilm] BOX: xxxDissertationsBayliss et al.Freshman research project - Aaron Copland, n.d.Butterworth, NeilThe music of Aaron Copland, n.d.Cochran, Alfred WilliamsStyle, structure, and tonal organization in the early film scores ofAaron Copland, 1966Conte, David JosephBOX-FOLDER 223/4 Aaron Copland's "Piano Quartet" - An analysis, 1982BOX-FOLDER 223/5BOX-FOLDER 223/6Didriksen, HelenStrange company: Aaron Copland, Emily Dickinson, and America atmid-century, 1988Eckstein, HerbertOrigin, nature and purpose of Aaron Copland's "Third Symphony",1976Ehlers, JeremyBOX-FOLDER 223/7 A compositional study of works by Aaron Copland, 1979Hilliard, Quincy CharlesBOX-FOLDER 224/1 A theoretical analysis of the symphonies of Aaron Copland, 1984Horner, Mary Katherine HallBOX-FOLDER 224/2 The ballet suites of Aaron Copland, 1964Kimball, CraigBOX-FOLDER 224/3 On Copland: His music, 1962BOX-FOLDER 224/4Kozinn, AllanAaron Copland: An American composer and crusading personality,1974-1975Landau, Anne L.Aaron Copland Collection 269

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 224/5BOX-FOLDER 224/6BOX-FOLDER 224/7BOX 225-226BOX 231-232BOX-FOLDER 25/39The contribution of Jewish composers to the music of the modernworld, 1946Smith, Julia FrancesAaron Copland: His work and contribution to American music[Microfilm], 1952Spicknall, Joan SingerThe piano music of Aaron Copland: A performance-tape and study ofhis original works for piano solo, 1974InterviewsBy TitleBOX-FOLDER 225/1A. Copland koncertował w polsce (A. Copland had concerts inPoland), 1966Text in PolishBOX-FOLDER 225/2 Aaron Copland, 1964BOX-FOLDER 231/27 Aaron Copland, 1975BOX-FOLDER 225/3Aaron Copland in conversation with music in America, n.d.BOX-FOLDER 225/4 Anketa: Aaron Copland, 1966Text in CzechBOX-FOLDER 231/28BOX-FOLDER 231/29Classical or modern? Aaron Copland questions a common musicaldistinction, 1960Composer Aaron Copeland [sic], 75, goes right on 'Doing his stuff',1976Composer Copeland [sic] keeps moving towards 76 in '76, 1976See: Writings by Others, About AC, Interviews:Composer AaronCopeland [sic], 75, goes right on 'Doing his stuff' BOX: xxxBOX-FOLDER 225/5 Copland and his music..., 1974BOX-FOLDER 225/6 A leading composer looks at American music today, 1976BOX-FOLDER 231/30 Listening to Aaron Copland, 1972BOX-FOLDER 225/7 Noted American composer discusses his career, [1973?]By AuthorAaron Copland Collection 270

Writings and Oral Presentations, 1925-1988ContainerContentsA. H.BOX-FOLDER 232/3 Tage in Tanglewood: Unterhaltung mit Aaron Copland, 1949See also: Writings by Others, About AC, Interviews: Hall, RogerL. BOX: xxxBOX-FOLDER 232/3'Simple gifts' tune was appealing to Aaron Copland, n.d.Amaral, CisBOX-FOLDER 225/8 Eighty years young: Aaron Copland talks with Cis Amaral, 1981Anthony, MichaelBOX-FOLDER 231/31 Copland: Music for the many, 1973Banner, RandyBOX-FOLDER 231/32 Fanfare for the composer, 1981Bedell, ThomasBOX-FOLDER 231/33 The LI interview: Aaron Copland, 1980Bessom, Malcolm E.BOX-FOLDER 225/10 Conversation with Copland, 1973Bestor, Arthur E.Is there a revolution in the arts?See: Writings by AC, Articles: Is there a revolution in the arts?BOX: xxxBlack, CobeyBOX-FOLDER 225/11 Eternal spring of Aaron Copland, 1974Bookspan, MartinBOX-FOLDER 225/12 Martin Bookspan introduction to Aaron Copland, 1980Bredeman, DanBOX-FOLDER 231/34 Audience is first - Copland, 1974Buchwald, ArtBOX-FOLDER 231/35 P.S. from Paris: We have music too, 1955Burton, HumphreyBOX-FOLDER 231/36 The art and life of Aaron Copland, 1965Chase, Jeffrey K.BOX-FOLDER 231/37 Internationalism: Copland notes present tastes, 1963Clopton, WillardBOX-FOLDER 225/13 Audiences need shock says Aaron Copland, 1967Close, Roy M.Aaron Copland Collection 271

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 225/14 Aaron Copland recommends conducting for those over 70, 1976Cohen, BruceBOX-FOLDER 231/38 Concordy interview - Aaron Copland, 1977Cole, HugoBOX-FOLDER 225/15 The detached composer, 1964BOX-FOLDER 225/16Cone, Edward T.Conversation with Aaron Copland, n.d.BOX-FOLDER 225/16 Conversation with Aaron Copland, 1968An interview with Aaron Copland on his life and music, 1968See: Writings by Others, About AC, Interviews: Cone, EdwardT. BOX: xxxCox, AinsleeBOX-FOLDER 225/17 Copland on the podium, 1971Dower, CatherineBOX-FOLDER 225/18 Aaron Copland: Giant on the contemporary music scene, 1970BOX-FOLDER 225/19Dreiblatt, MarthaLack of tradition blocks musical progress here, n.d.Dufallo, RichardBOX-FOLDER 225/20 Arts in America, 1987-1988Eby, StarrBOX-FOLDER 231/39 Copland 'One of the boys', [1978?]BOX-FOLDER 231/40Edwards, SydneyAaron Copland's secret ambition: An opera with elephants in it...,1963Elias, Albert J.BOX-FOLDER 231/41 Copland: Movie music too pat, 1949Elley, DerekBOX-FOLDER 225/21 Turntable: Father figure, 1976Fernández, Mauro EspinozaBOX-FOLDER 232/1 Aaron Copland en El Salvador, 1975FieldBOX-FOLDER 225/22 Interview: Aaron Copland 'Every American knows the west', 1976Freedman, GuyAaron Copland Collection 272

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 225/23 A Copland portrait, 1977Gereben, JanosBOX-FOLDER 225/25 Ladies and gentlemen, Aaron Copland, 1974BOX-FOLDER 225/26 A venerable 'Talented amateur' coming to Cabrillo, 1978Gilbert, DouglasBOX-FOLDER 225/27 Brahms-Boogie-Woogie visioned for Carnegie Hall, 1945Glackin, William C.BOX-FOLDER 232/2 A man as memorable as his music, 1975Gräter, ManfredBOX-FOLDER 225/28 Aaron Copland besucht Europa, 1957Green, Paul S.BOX-FOLDER 225/29 Washington exclusive: Dialogue with Aaron Copland, 1979BOX-FOLDER 225/30Hagler, SusanAaron Copland discusses his music, Hollywood, life as facultycommuter, 1944Hall, Roger L.An interview with Aaron CoplandSee: Writings by Others, About AC, Articles: Hall, Roger L.BOX: xxxBOX-FOLDER 225/31The story of 'Simple gifts': Shaker simplicity in songBOX-FOLDER 225/31 'Simple gifts' tune was appealing to Aaron Copland, 1981See also: Writings by Others, About AC, Interviews: AH. BOX:xxxBOX-FOLDER 225/31Tage in Tanglewood: Unterhaltung mit Aaron Copland, n.d.Havsky, VladimirBOX-FOLDER 225/32 What makes it great: A conversation with Copland, 1970BOX-FOLDER 225/33Heinsheimer, HansTanglewood (in German), n.d.Hertelendy, PaulBOX-FOLDER 232/4 Aaron Copland views women from his time machine, 1978Holbert, AllanBOX-FOLDER 225/34 Copland: I don't aim to please, 1967Holland, A. K.Aaron Copland Collection 273

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 225/35Music of today: Moderns in retrospect, n.d.Hoover, BarbaraBOX-FOLDER 225/36 'Moses of American music' is roaming on his laurels, 1978Hume, PaulBOX-FOLDER 225/37 Copland, 1969BOX-FOLDER 225/38 Strong words, music, 1969Hurwitz, RobertBOX-FOLDER 232/5 Interview: Aaron Copland, 1973IshiiEaron KōpurandoSee: Writings by Others, About AC, Articles: Tākui, Hyūeru:Amerika no ongaku no soko o saguru BOX: xxxJ. D. G.BOX-FOLDER 225/24 Serious music: An interview with Aaron Copland, 1961BOX-FOLDER 232/6Jones, NinaWhen day's problems are done: Aaron Copland composes bynight, 1962Keener, AndrewBOX-FOLDER 25/39 Interview with Aaron Copland, [1980]Kenyon, NicholasBOX-FOLDER 232/7 The scene surveyed [Copland surveys the American scene], 1975Kriegsman, Alan M.BOX-FOLDER 225/40 Aaron Copland: If America ever had a composer laureate..., 1973BOX-FOLDER 232/8Gift to be simple [Aaron Copland at intersection of Americanmusical currents], 1973Larry, SheldonBOX-FOLDER 232/9 New world symphonist, 1975BOX-FOLDER 225/41Lee, LauraIn the movies: Composer urges 'Musical engineers' to savecustomers' ears, 1941Leishman, KatieBOX-FOLDER 225/42 Turning points: Aaron Copland, 1981Lockspeiser, EdwardAaron Copland Collection 274

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 225/43 Conversation with Copland, 1960Looney, DouglasBOX-FOLDER 225/44 New music? 'Fascinating'...old music? 'A warm bath', 1969McLaughlin, LillianBOX-FOLDER 232/10 Copland's advice: Try the moderns, 1969McLellan, JosephBOX-FOLDER 232/11 Celebrating Copland, 1975Markle, DavidBOX-FOLDER 225/45 Interview with Aaron Copland 2/25/70, 1970-1973Mason, ColinBOX-FOLDER 232/12 Reluctant isolation, 1960Mason, EricBOX-FOLDER 225/46 Counterpoint: The composer speaks, 1966BOX-FOLDER 225/47BOX-FOLDER 225/48Mayer, WilliamThe composer in the U. S. and Russia: A frank talk betweenCopland and Khachaturian, 1969An historic meeting: Aram Khachaturian and Aaron Copland,[1969]BOX-FOLDER 232/13 An historic meeting: Aram Khachaturian and Aaron Copland, 1969Millais, GeoffroyBOX-FOLDER 225/49 Aaron Copland talking about Benjamin Britten, 1976BOX-FOLDER 225/50Morris, Michael[American song: Copland interview], n.d.Reah Sadowsky as guestNewton, JimBOX-FOLDER 232/14 Copland keeping busy conducting, 1974Norton, MildredBOX-FOLDER 226/1 [Aaron Copland], 1948BOX-FOLDER 226/2Oja, CarolAaron Copland and Minna Lederman on American music in thethirties, 1979Overton, James L.BOX-FOLDER 232/15 Copland enjoys his senior status, 1978Aaron Copland Collection 275

Writings and Oral Presentations, 1925-1988ContainerContentsPerlis, VivianBOX-FOLDER 226/3 Interview of Aaron Copland, 1980-1981BOX-FOLDER 226/4-8 The reminiscences of Aaron Copland, 1965-1977Folders:• 226/4 Miscellany, 1965-1977: Correspondence, Notes,Typescript Correction• 226/5-8 Typescript, 1977BOX-FOLDER 226/9BOX-FOLDER 226/10Phi Mu Alpha Sinfonia: National delegate representative assemblyAn interview with Aaron Copland: December, 1970; February,1971, 1970-1971The Playboy PanelAmerica's cultural explosion - Its scope and challenge, n.d.Plush, VincentBOX-FOLDER 232/16 The uncomplicated air of Aaron Copland, 1975BOX-FOLDER 225/9R. B.Música: O que dizem de nós, n.d.Ramey, PhillipBOX-FOLDER 226/11 A talk with Aaron Copland, 1972Rosenwald, Peter J.BOX-FOLDER 232/17 Aaron Copland talks about a life in music, 1980Ryan, Barbara HaddadBOX-FOLDER 232/18 Aaron Copland built legend with his role in U. S. culture, 1977Saucier, PierreBOX-FOLDER 232/19 L'avenir n'est pas auz combinaisons à douze tons, 1955BOX-FOLDER 226/12BOX-FOLDER 226/13Scherer, RonCopland comments on compositions; Scherer interviews famedcomposer, 1966Schulman, MichaelInterview, n.d.Seaman, Gerald R.BOX-FOLDER 226/14 Telephone interview with Aaron Copland, 1979Seaman, JulianBOX-FOLDER 226/15 Copland sees hope in trend of moderns, 1928Singer, Samuel L.Aaron Copland Collection 276

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 226/16BOX-FOLDER 226/17Copland cond [ucts], n.d.Sitts, RichardCopland says first visit led to return, n.d.Smit, LeoBOX-FOLDER 226/18 Conversation with Aaron Copland, 1980Smith, MonicaBOX-FOLDER 226/19 Turntable: Copland looks ahead, 1968Stearns, DaveBOX-FOLDER 232/20 Copland - A common man's composer, 1977Thurston, ChuckBOX-FOLDER 226/20 Straight answers from Copland, 1978Vadeboncoeur, Joan E.BOX-FOLDER 226/21 Copland's composing career bloomed late, 1975BOX-FOLDER 232/21Van Sant, RickComposer Aaron Copland: He's still spirited at 76 [Premierecomposer still youthful in outlook], 1976Watters, SusanBOX-FOLDER 232/22 Eye view: Aaron Copland on the sporting life, 1978Wilson, CarolynBOX-FOLDER 226/22 Turntable: Cowboys and connotations, 1967BOX-FOLDER 226/23Wimbush, RogerHere and there with Roger Wimbush: Aaron Copland, n.d.BOX-FOLDER 226/23 Here and there with Roger Wimbush: Aaron Copland, 1968See also: Writings by Others, About AC, Articles: Wimbush,Roger. BOX: xxxBOX 227BOX 232ArticlesBy TitleBOX-FOLDER 227/1 [Koussevitzky: Tanglewood], 1948By AuthorChávez, CarlosBOX-FOLDER 227/2 Canto y melodía el dodecafonismo en México, 1954Aaron Copland Collection 277

Writings and Oral Presentations, 1925-1988ContainerContentsClurman, Harold S.BOX-FOLDER 227/3 The future of jazz, 1926BOX-FOLDER 227/4BOX-FOLDER 227/5Cohen, Ethel S.Credo of a composer: Ben-Zion Orgad, n.d.Gilbert, L. WolfeSour grapes of wrath, n.d.Giordano, L.BOX-FOLDER 227/6 Actitudes para oír música, 1933Glock, WilliamBOX-FOLDER 232/23 Nadia Boulanger, 1946Henahan, DonalBOX-FOLDER 227/7 And now, Virgil's odyssey, 1971Hoover, Suzanne R.BOX-FOLDER 227/8 Nadia Boulanger, 1977BOX-FOLDER 227/9BOX-FOLDER 227/10Johnson, H. EarleThe need for research in the history of American music, n.d.Kennan, George F.Seek the finer flavor, n.d.Koussevitzky, SergeBOX-FOLDER 227/11 Concerning interpretation . Translated by Nina Bechtereff, 1929Krenek, ErnstBOX-FOLDER 227/12 The composer and the interpreter, 1944Kroll, JackBOX-FOLDER 227/13 The stage is a world, 1974BOX-FOLDER 227/14Lederman, MinnaBrief encounters, n.d.Liepmann, KlausBOX-FOLDER 227/15 Music and engineers, 1950Maisel, EdwardBOX-FOLDER 227/17 Charles T. Griffes: The life of an American composer, 1984McCorkle, Donald M.BOX-FOLDER 227/16 The Moravian contribution to American music, 1956Mitsukuri, ShukichiAaron Copland Collection 278

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 227/18 Japanese scales and theri [sic] harmonic treatment, 1959Noakes, DavidBOX-FOLDER 227/19 Nadia Boulanger: A life dedicated to the art of teaching, 1971Perlis, VivianBoulanger -- 20th-century music was born in her classroomSee: Writings by AC, Articles: Copland salutes Boulanger BOX:xxxPirrotta, NinoBOX-FOLDER 227/20 The Eda Kuhn Loeb Music Library, 1958Read, GardnerBOX-FOLDER 232/24 Tanglewood: Investment in musical futures, 1941BOX-FOLDER 227/21Rosenfeld, Paul[Stravinsky], n.d.Shaw, Theodore L.BOX-FOLDER 227/22 The hypocrisies of criticism, 1952BOX-FOLDER 227/23Simon, HenryLeonard Bernstein: Molto furioso, n.d.Slonimsky, NicolasBOX-FOLDER 232/25 South American composers, 1940BOX-FOLDER 232/26Souster, TimOrganized delirium - Robert Henderson writes about the life andwork of Pierre Boulez, 1969Taubman, HowardBOX-FOLDER 232/27 Tanglewood tales, or youth makes music, 1948Terse, PaulBOX-FOLDER 227/24 Charles Ives (1874-1954): Ein biographischer Überblick, 1987Thomson, VirgilBOX-FOLDER 227/25 America's musical maturity: A twentieth-century story, 1961Weisgall, Hugo D.BOX-FOLDER 227/26 Jewish music in America, 1954BOX-FOLDER 227/27Whiteside, ThomasThe blockbuster complex-III: Onward and upward with the arts, n.d.Wilson, EdmundAaron Copland Collection 279

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER 227/28BOX 227BOX 232BookletsPaul Rosenfeld: Three phases, n.d.By TitleBOX-FOLDER 227/29 Charles Edward Ives, 1942By AuthorBOX-FOLDER 227/30BOX-FOLDER 227/31Boulanger, NadiaGail Kubik: Divertimenti I and II - Sonatinas for piano and clarinetand piano, 1963Christliebb, DonRemembrance of Lawrence Morton, n.d.Goldberg, IsaacBOX-FOLDER 227/32 Jazz music: What it is and how to understand it, 1927BOX-FOLDER 232/28BOX-FOLDER 227/33Naur, RobertLeonard Bernstein (in Dutch and English), n.d.Nielsen, TageDanish music after Carl Nielsen, n.d.Steuermann, EdwardGail Kubik: Sonata for piano - Celebrations and Epilogue for piano,1959See: Writings by Others, Booklets: Boulanger, Nadia:Gail Kubik:Divertimenti I and II - Sonatinas for piano and clarinet and pianoBOX: xxxMiscellaneousBOX-FOLDER 227/34BOX-FOLDER 232/29BOX-FOLDER 227/35BOX-FOLDER 232/30MiscellanyMiscellanyInterviewsBernstein, LeonardBOX-FOLDER 227/35 National Press Club, 1959Rogers, MichaelBOX-FOLDER 232/30 The Rolling Stone interview: Paul Bowles, 1974Aaron Copland Collection 280

Writings and Oral Presentations, 1925-1988ContainerContentsBOX-FOLDER227/36-40LibrettiArita, Nadine and Robert CourtneyBOX-FOLDER 227/36 Hoe-Down! A musical tribute, 1985BOX-FOLDER 227/37BOX-FOLDER 227/38BOX-FOLDER 227/39BOX-FOLDER 227/40BOX-FOLDER227/42-43Davies, Peter MaxwellTaverner, n.d.Denby, EdwinLibretto for a play opera, n.d.Miltie is a hackie, n.d.Lombardo, KathleenSavonarola, n.d.PoetryBOX-FOLDER 227/42García-Lorca, FedericoWalking asleep, n.d.Sannier-Salabert, BernardBOX-FOLDER 227/43 Final, 1951-1955BOX-FOLDER 228/1-5BOX-FOLDER 228/1-4ScriptsScripts: Ballet, Opera, and PlayDenby, EdwinSecond hurricaneSee: Subject File, Compositions:Second hurricane BOX: xxxEverett, HoraceTender landSee: Music Manuscripts and Printed Editions by Aaron Copland,ARCO 69 misc-B BOX: xxxGraham, MarthaAppalachian springSee: Correspondence, Personal: Graham, Martha BOX: xxxBOX-FOLDER 228/1-3Kirstein, LincolnMemorial day, n.d.Page, RuthAaron Copland Collection 281

Writings and Oral Presentations, 1925-1988ContainerContentsRobbins, JeromeBOX-FOLDER 228/4 Bye bye Jackie, 1944Hear ye! Hear ye!See: Music Manuscripts and Printed Editions by Aaron Copland,ARCO 26.3 BOX: xxxRiggs, LynnTragic groundSee: Music Manuscripts and Printed Editions by Aaron Copland:Music Composed by Copland Not Assigned ARCO Number, Box117A/1-6Shaw, IrwinQuiet citySee: Subject File, Compositions:Quiet city(Play typescript) BOX:xxxBOX-FOLDER 228/5BOX-FOLDER 228/5Scripts: Film and TelevisionClark, Dennis LyntonThe hanging of Ella Watson, n.d.Goetz, Ruth and Augustus GoetzThe heiressSee: Subject File, Compositions:The heiress(Film typescript)BOX: xxxHellman, LillianNorth starSee: Subject File, Compositions:North star(Film typescript) BOX:xxxHotchner, A. E.The world of Nick AdamsSee: Music Manuscripts and Printed Editions by Aaron Copland,ARCO 75 misc BOX: xxxSteinbeck, JohnThe red ponySee: Subject File, Compositions:The red pony(Film typescript)BOX: xxxSee: Music Manuscripts and Printed Editions by Aaron Copland,ARCO 63 BOX: xxx[Unidentified]Ballad of Billy the kidSee: Music Manuscripts and Printed Editions by Aaron Copland,ARCO 33-F BOX: xxxWilder, ThorntonAaron Copland Collection 282

Writings and Oral Presentations, 1925-1988ContainerContentsOur townSee: Subject File, Compositions:Our town(Film typescript) BOX:xxxBOX 233-245 Diaries, 1910-1985The Diaries are divided into two sections, Datebooks and Journals. Thedatebooks range from 1935 to 1985, except for the year 1954, and weregenerally used to briefly record his daily activities. The desk size booksfrom 1942 to 1969 also enumerate the commissions offered to him byindividuals and/or organizations. The pocket size books were apparentlyused during domestic or foreign trips. The Journals consist of notebookswhich record activities, list items and report on events and trips. Thematerial dates from his 1910 reminiscences and extends to commentsabout his 1973 European trip. The journal dated from 1941-1973 includesfamily genealogy charts. Two journals describe the creation of the musicscores for two films, "The Red Pony" and "Something Wild". The datespans represent the actual span of year dates noted in the journal. Seethe Index for Journals with AC Numbers for an explanation and list of thejournals in numeric order.Arranged by subseries.Because of the fragile nature of some journals, the originals and archivalphotocopies will not be served to researchers. Photocopies of thejournals, which are placed in binders, will be available to researchers.BOX 233-242 Datebooks, 1935-1985The datebooks range from 1935 to 1985, except for the year 1954, andwere generally used to briefly record his daily activities. The desk sizebooks from 1942 to 1969 also enumerate the commissions offered tohim by individuals and/or organizations. The pocket size books wereapparently used during domestic or foreign trips.Includes pocket and desk daily appointment books; arrangedchronologically by year, then by type.BOX-FOLDER 233/1BOX-FOLDER 233/1BOX-FOLDER 233/2BOX-FOLDER 233/2BOX-FOLDER 233/3BOX-FOLDER 233/4BOX-FOLDER 233/5BOX-FOLDER 233/6BOX-FOLDER 233/71935, Pocket1936, Pocket1937, Pocket1938, Pocket1939, Desk1940, Desk1941, Desk1942, Desk1943, DeskAaron Copland Collection 283

Diaries, 1910-1985ContainerContentsBOX-FOLDER 233/8BOX-FOLDER 234/1BOX-FOLDER 234/2BOX-FOLDER 234/3BOX-FOLDER 234/4BOX-FOLDER 234/5BOX-FOLDER 234/6BOX-FOLDER 234/7BOX-FOLDER 235/1BOX-FOLDER 235/2BOX-FOLDER 235/3BOX-FOLDER 235/4BOX-FOLDER 235/5BOX-FOLDER 235/6BOX-FOLDER 235/7BOX-FOLDER 235/8BOX-FOLDER 236/1BOX-FOLDER 236/2BOX-FOLDER 236/3BOX-FOLDER 236/4BOX-FOLDER 236/5BOX-FOLDER 236/6BOX-FOLDER 236/7BOX-FOLDER 237/1BOX-FOLDER 237/21944, Desk1945, Desk1946, Desk1947, Desk1948, Desk1949, Desk1950, Desk1951, Desk1952, Desk1953, Desk1955, Desk & Pocket1956, Desk & Pocket1957, Desk1957, Pocket1958, Desk1958, Oberlin College1959, Desk1959, Oberlin College1960, Desk1960, Pocket1960, Oberlin College1961, Desk1961, Pocket1962, Desk1962, Oberlin CollegeAaron Copland Collection 284

Diaries, 1910-1985ContainerContentsBOX-FOLDER 237/3BOX-FOLDER 237/4BOX-FOLDER 237/5BOX-FOLDER 237/6BOX-FOLDER 237/7BOX-FOLDER 238/1BOX-FOLDER 238/2BOX-FOLDER 238/3BOX-FOLDER 238/4BOX-FOLDER 238/5BOX-FOLDER 238/6BOX-FOLDER 238/7BOX-FOLDER 238/8BOX-FOLDER 239/1BOX-FOLDER 239/2BOX-FOLDER 239/3BOX-FOLDER 239/4BOX-FOLDER 239/5BOX-FOLDER 239/6BOX-FOLDER 239/7BOX-FOLDER 239/7BOX-FOLDER 239/8BOX-FOLDER 240/1BOX-FOLDER 240/2BOX-FOLDER 240/31963, Desk1963, Oberlin College1964, Desk1964, Oberlin College1965, Desk1965, Oberlin College1966, Desk1966, Oberlin College1967, Desk1967, Oberlin College1968, Desk1968, Oberlin College1969, Desk1969, Oberlin College1970, Desk1970, Oberlin College1971, Desk1971, Oberlin College1972, Desk1972, Pocket1973, Pocket1973, Desk1974, Desk1974, 1975, Pocket1975, DeskAaron Copland Collection 285

Diaries, 1910-1985ContainerContentsBOX-FOLDER 240/4BOX-FOLDER 240/5BOX-FOLDER 240/6BOX-FOLDER 241/1BOX-FOLDER 241/2BOX-FOLDER 241/3BOX-FOLDER 241/4BOX-FOLDER 241/5BOX-FOLDER 241/6BOX-FOLDER 242/1BOX-FOLDER 242/2BOX-FOLDER 242/3BOX-FOLDER 242/4BOX-FOLDER 242/51976, Desk1976, 1977, Pocket1977, Desk1978, Desk1978, 1979, Pocket1979, Desk1980, Desk1980, 1981, Pocket1981, Desk1982, Desk1982, Pocket1983, Desk1984, Desk1985, DeskBOX 243-245 Journals, 1910-1973The Journals consist of notebooks which record activities, list items andreport on events and trips. The material dates from his 1910reminiscences and extends to comments about his 1973 European trip.The journal dated from 1941-1973 includes family genealogy charts.Two journals describe the creation of the music scores for two films,"The Red Pony" and "Something Wild". The date spans represent theactual span of year dates noted in the journal. See the Index for Journalswith AC Numbers for an explanation and list of the journals in numericorder.Includes notebooks of varied types; arranged chronologically by yeardates noted in journals.DO NOT SERVE; ONLY SERVE BINDERSBinder 1 = Box 243/Folders 1-16 and Box 244/Folders 1-10Binder 2 = Box 244/Folders 11-18 and Box 245/Folders 1-18BOX-FOLDER 243/1BOX-FOLDER 243/21910-1972Notes for an autobiography-A[photocopy]1913-1962Aaron Copland Collection 286

Diaries, 1910-1985ContainerContentsBOX-FOLDER 243/3BOX-FOLDER 243/4BOX-FOLDER 243/5BOX-FOLDER 243/6BOX-FOLDER 243/7BOX-FOLDER 243/8BOX-FOLDER 243/9BOX-FOLDER 243/10BOX-FOLDER 243/11BOX-FOLDER 243/12BOX-FOLDER 243/13BOX-FOLDER 243/14Notes for an autobiography-B[photocopy]1921-1923My trip abroad: List of performances attended in Paris; Notes on Fauré[photocopy]1921-1953South American journal; McCarthy hearings (1953); Chronological listof travels3[photocopy]1921-1979Publications; Honors; Trips; Journals; Articles; Articles about;Compositions; Organizations; Lectures; TV; Radio; Recordings[photocopy]1927-1959[Diary][photocopy]1931-1967Conducting activities; Orchestral and chamber music programs[photocopy]1941BOX-FOLDER 243/15 South American diary, Aug-Dec 19411BOX-FOLDER 243/16BOX-FOLDER 244/1BOX-FOLDER 244/2BOX-FOLDER 244/3BOX-FOLDER 244/4[photocopy]1941-1973Genealogy charts; List of publ[ished] works; Degrees; Financial data2[photocopy]1943-1960List of original compositions; Disposition of original manuscripts[photocopy]Aaron Copland Collection 287

Diaries, 1910-1985ContainerContentsBOX-FOLDER 244/5BOX-FOLDER 244/6BOX-FOLDER 244/7BOX-FOLDER 244/8BOX-FOLDER 244/9BOX-FOLDER 244/10BOX-FOLDER 244/11BOX-FOLDER 244/12BOX-FOLDER 244/13BOX-FOLDER 244/14BOX-FOLDER 244/15BOX-FOLDER 244/16BOX-FOLDER 244/17BOX-FOLDER 244/18BOX-FOLDER 245/1BOX-FOLDER 245/2BOX-FOLDER 245/31946-1965Financial data[photocopy]1947-1976Works conducted by AC[photocopy]1948Red pony journal[photocopy]1949European diary (including London trip)4[photocopy]1949-1967European notes; Quotes; Dinners at Stravinsky's home; Notes5[photocopy]1954-1957Journal of visits to Venezuela5[?][photocopy]1954-1965Recordings; List of AC articles; Lecture engagements12[photocopy]1959-1969Financial data[photocopy]1960-1961European journal; Notes on making a movie score (Something wild);White House dinner6Aaron Copland Collection 288

Diaries, 1910-1985ContainerContentsBOX-FOLDER 245/4BOX-FOLDER 245/5BOX-FOLDER 245/6BOX-FOLDER 245/7BOX-FOLDER 245/8BOX-FOLDER 245/9BOX-FOLDER 245/10BOX-FOLDER 245/11BOX-FOLDER 245/12BOX-FOLDER 245/13BOX-FOLDER 245/14BOX-FOLDER 245/15BOX-FOLDER 245/16BOX-FOLDER 245/17BOX-FOLDER 245/18BOX 246-314BOX 467ABOX 467B[photocopy]1962-1963Notes on trip to Mexico-Brazil-Uruguay; Europe; Financial data7[photocopy]1963N[ew] Y[ork] Phil[harmonic]; [Charles Ives] [not in Copland's hand][photocopy]1963-1964Latin-American diary; European tour8[photocopy]1965European tour; Financial data9[photocopy]1966Japan 'diary'10[photocopy]1967-1971Europe; Israel; Financial data11[photocopy]1973[Europe]; Financial data[photocopy]Correspondence, 1911-1991The Correspondence series is divided into 2 subseries: PersonalCorrespondence and General Correspondence. The subseries, PersonalCorrespondence (1911-1991) contains letters to and from Copland withhis family, teachers, fellow composers, literary figures, personal friendsand acquaintances. Of particular interest are the letters with NadiaAaron Copland Collection 289

Correspondence, 1911-1991ContainerContentsBoulanger, which extent over 50 years, and the letters with his long-timefriend, Harold Clurman. Other significant correspondents are LeonardBernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, DavidDiamond, Roy Harris, Claire Reis, Roger Sessions, Charles Ives, ArnoldSchoenberg, and Virgil Thomsom. The subseries, GeneralCorrespondence (1935 to 1991) comprises a variety of day-to-day mail,which Copland reviewed, from individuals and businesses. The lettersinclude requests to lecture and conduct and for permissions, birthday andholiday greeting cards from family, friends and school children, and fanmail.Arranged by subseries.BOX 246-265 Personal Correspondence, 1911-1991The subseries, Personal Correspondence (1911-1991) contains letters toand from Copland with his family, teachers, fellow composers, literaryfigures, personal friends and acquaintances.Includes letters, telegrams and notes to and from Copland. Arrangedalphabetically by name, then chronologically. Correspondents withfewer then five items, filed alphabetically, then chronologically, withina Miscellaneous folder which precedes each letter of the alphabet.BOX-FOLDER 246/1"A" miscellaneousFolders:• Aitken, Webster• Amengual, René• Amram, David• Ansermet, Ernest• Ashbery, JohnBOX-FOLDER 246/2 Abravanel, Maurice, 1986BOX-FOLDER 246/3-4 Adler, Clarence, 1925-1954, 1957-1968Folders:• 1925-1954 BOX: 246/3• 1957-1968 BOX: 246/4BOX-FOLDER 246/5 Adler, Peter, 1950-1969BOX-FOLDER 246/6 Adler, Samuel, 1950-1970BOX-FOLDER 246/7 Adomian, Lan, 1971-1972BOX-FOLDER 246/8 Albee, Edward, 1958-1967BOX-FOLDER 246/9 Allanbrook, Douglas, 1953-1967BOX-FOLDER 246/10 Allers, Franz, 1942-1943BOX-FOLDER 246/11 Anderson, James T., 1983BOX-FOLDER 246/12 Antheil, George, 1928-1948Aaron Copland Collection 290

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 246/13 Ardevol, J., 1941-1956BOX-FOLDER 246/14 Arnell, Anthony, 1950-1972BOX-FOLDER 246/15 Art, Engelhardt, 1988-1989BOX-FOLDER 246/16Auden, W. H. (Wystan Hugh), n.d.BOX-FOLDER 246/17 Austin, William, 1972-1989BOX-FOLDER 246/18 Avshalomov, Jacob, 1953-1969BOX-FOLDER 246/19"B" miscellaneousFolders:• Baker, Carroll• Ballou, Esther Williamson• Barer, Marshall• Barraud, Henry• Baxter, Anne• Behrend, Jeanne• Benét, William Rose• Benjamin, Arthur• Bennett, Richard Rodney• Bentzon, Niels Viggo• Berkeley, Lennox• Bernat, Robert• Bishop, Elizabeth• Blacher, Boris• Bookspan, Martin• Brooks, Van Wyck• Brunswick, Mark• Buketoff, Igor• Burkat, LeonardBOX-FOLDER 246/20 Babbitt, Milton, 1954BOX-FOLDER 246/21 Babcock, David, 1972-1975BOX-FOLDER 246/22 Bacon, Ernst, 1970-1979BOX-FOLDER 246/23 Balada, Leonardo, 1967-1972BOX-FOLDER 246/24 Bales, Richard, 1950-1981BOX-FOLDER 246/25 Balso, Hugo, 1942-1966BOX-FOLDER 246/26 Barber, Samuel, 1944-1975BOX-FOLDER 246/27 Bauer, Marion, 1951-1955Aaron Copland Collection 291

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 246/28 Bavicchi, John, 1956-1961BOX-FOLDER 246/29 Bazelon, Irwin, 1948-1949BOX-FOLDER 246/30 Bean, Betty Randolf, 1958-1981BOX-FOLDER 246/31 Becker, John, 1969BOX-FOLDER 246/32 Beeler, Walter, 1949-1950BOX-FOLDER 246/33 Beeson, Jack, 1968-1979BOX-FOLDER 246/34 Ben-Yohanan, Asher, 1951-1957BOX-FOLDER 246/35 Bennett, Robert Russell, 1974BOX-FOLDER 246/36 Berger, Arthur, 1941-1982BOX-FOLDER 246/37 Bergsma, William, 1948-1969BOX-FOLDER 246/38 Berio, Luciano, 1952-1970BOX-FOLDER 246/39 Bernier, Peggy, 1938-1971BOX-FOLDER 246/40 Bernstein, Elmer, 1981BOX-FOLDER 247/1-2Bernstein, Leonard, 1936-1952, 1955-1988, n.d.BOX-FOLDER 246/41 Biggs, E. Power, 1953-1967BOX-FOLDER 246/42 Bing, Sir Rudolf, 1979BOX-FOLDER 246/43 Bliss, Sir Arthur, 1964BOX-FOLDER 246/44BOX-FOLDER 248/1Blitzstein, Marc, 1929-1963, n.d.Bloch, Suzanne, n.d.BOX-FOLDER 248/2 Bloomfield, Theodore, 1948-1954BOX-FOLDER 248/3 Bonaventura, Mario di, 1962-1981BOX-FOLDER 248/4 Boone, Charles, 1967-1972BOX-FOLDER 248/5 Boorstin, Daniel J., 1956BOX-FOLDER 248/6-7 Bornstein, Charles Zachary, 1968-1980Folders:• 1968-1973 BOX: 248/6• 1974-1980 BOX: 248/7Aaron Copland Collection 292

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 248/8-19 Boulanger, Nadia, 1920-1929, 1931-1979Folders:• 1920-1924 BOX: 248/8• 1925-1929 BOX: 248/9• 1931-1939 BOX: 248/10• 1940-1944 BOX: 248/11• 1945-1949 BOX: 248/12• 1950-1959 BOX: 248/13• 1960-1969 BOX: 248/14• 1970-1979 BOX: 248/15• Clippings BOX: 248/16• Envelopes BOX: 248/17• Miscellaneous BOX: 248/18• Correspondence from Annette Dieudonne to Aaron Copland,1976-1981 BOX: 248/19BOX-FOLDER 248/20 Boult, Sir Adrian, 1949BOX-FOLDER 248/21BOX-FOLDER248/22-29Bowles, Jane, n.d.Bowles, Paul, 1931-1943, 1971-1986See also: Victor Kraft Materials, Correspondence BOX: xxxFolders:• 1931 BOX: 248/22• 1932 BOX: 248/23• 1933 BOX: 248/24• 1934 BOX: 248/25• 1935-1937 BOX: 248/26• 1938-1943 BOX: 248/27• 1971-1986 BOX: 248/28• Undated BOX: 248/29BOX-FOLDER 249/1 Brant, Henry, 1930-1986BOX-FOLDER 249/2 Bray, Byron, 1954-1976BOX-FOLDER 249/3 Brennan, Pat, 1972-1983BOX-FOLDER 249/4 Britten, Benjamin, 1938-1974BOX-FOLDER 249/5 Brozen, Michael, 1953-1968BOX-FOLDER 249/6 Bucci, Mark, 1949-1956BOX-FOLDER 249/7 Burke, William, 1970-1977BOX-FOLDER 249/8 Butterworth, Neil, 1975-1986See also: Music, Music Manuscripts and Facsimiles by Others,Butterworth, Neil BOX: xxxAaron Copland Collection 293

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 249/9 Byrns, Harold, 1948-1953BOX-FOLDER 249/10"C" miscellaneousFolders:• Calder, Alexander• Campos-Parsi, Hector• Carvalho, Eleazar de• Castelnuovo-Tedesco, Mario• Castiglioni, Niccolo• Castro, Juan José• Cohn, Arthur• Comissiona, Sergiu• Conrad, Doda• Corigliano, John• Craft, Robert• Cronkite, WalterBOX-FOLDER 249/11 Cage, John, 1963-1975BOX-FOLDER 249/12 Cantelli, Guido, 1956BOX-FOLDER 249/13 Carpenter, John Alden, 1939-1947BOX-FOLDER 249/14 Carasas, Enrique, 1972-1974BOX-FOLDER 249/15 Carter, Elliott, 1945-1988BOX-FOLDER 249/16Carter, Helen, n.d. [Mrs. Elliott]BOX-FOLDER 249/17 Casadesus, Mrs. Robert, 1974BOX-FOLDER249/18-19Cascorino, Romeo, 1940-1966Folders:• 1940-1943 BOX: 249/18• 1944-1966 BOX: 249/19BOX-FOLDER 249/20 Cazden, Norman, 1942-1974BOX-FOLDER 249/21 Chanler, Theodore, 1929-1944BOX-FOLDER 249/22 Cherry, Michael, 1972-1981BOX-FOLDER 249/23 Chávez, Anita, 1979-1988BOX-FOLDER249/24-29BOX-FOLDER 250/1-11Chávez, Carlos, 1928-1970, 1972-1974Folders:• 1928-1929 BOX: 249/24• 1930-1932 BOX: 249/25Aaron Copland Collection 294

Correspondence, 1911-1991ContainerContents• 1933-1934 BOX: 249/26• 1935-1936 BOX: 249/27• 1937-1939 BOX: 249/28• 1940-1943 BOX: 249/29• 1944-1946 BOX: 250/1• 1947-1951 BOX: 250/2• 1952-1953 BOX: 250/3• 1954-1957 BOX: 250/4• 1958-1959 BOX: 250/5• 1960-1962 BOX: 250/6• 1963-1964 BOX: 250/7• 1965-1968 BOX: 250/8• 1969-1970 BOX: 250/9• 1972-1973 BOX: 250/10• 1974, n.d. BOX: 250/11BOX-FOLDER 250/12 Childs, Robert Barney, 1954-1971BOX-FOLDER 250/13 Churchill, Mary, 1929-1932BOX-FOLDER250/14-22BOX-FOLDER250/23-26BOX-FOLDER 251/1-6Citkowitz, Israel, 1926-1934, 1942-1967Folders:• 1926-1927 BOX: 250/14• Jan. - April 1928 BOX: 250/15• May - Aug. 1928 BOX: 250/16• Sept. - Dec. 1928 BOX: 250/17• 1929 BOX: 250/18• 1930 BOX: 250/19• 1931-1934 BOX: 250/20• 1942-1967 BOX: 250/21• Miscellaneous BOX: 250/22Clurman, Harold, 1932-1980Folders:• 1932 BOX: 250/23• 1933-1934 BOX: 250/24• 1935-1939 BOX: 250/25• 1940-1942 BOX: 250/26• 1943-1949 BOX: 251/1• 1950-1959 BOX: 251/2• 1960-1969 BOX: 251/3• 1970-1979 BOX: 251/4• 1980, n.d. BOX: 251/5• Miscellaneous BOX: 251/6BOX-FOLDER 251/7 Coe, Kenton, 1959-1973BOX-FOLDER 251/8 Cogan, Robert, 1963Aaron Copland Collection 295

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 251/9 Colombo, Theodore, 1931-1967BOX-FOLDER 251/10 Cone, Edward T., 1956-1969BOX-FOLDER 251/11 Conroy, William, 1980-1981BOX-FOLDER 251/12 Coolidge, Elizabeth Sprague, 1946-1952BOX-FOLDER251/13-29BOX-FOLDER 252/1-46Copland Family, 1911-1990Folders:• Barkan, Pearl BOX: 251/13• Bergman, Josephine BOX: 251/14• Cohan, Robert BOX: 251/15• Copeland [sic], Arnold BOX: 251/16• Copeland [sic], Irving BOX: 251/17• Copland, Harris, 1921 BOX: 251/18• Copland, Harris, 1922-1935 BOX: 251/19• Copland, Irene BOX: 251/20• Copland, Laura BOX: 251/21• Copland, Leon BOX: 251/22• Copland, Milton BOX: 251/23• Copland, Ralph BOX: 251/24• Copland, Sarah BOX: 251/25• Dworkin, Glen BOX: 251/26• Furman, Max BOX: 251/27• Garfield, Ray BOX: 251/28A• Gaun, Dave BOX: 251/28B• Harris, John BOX: 251/29• Harris, Leo BOX: 252/1• Hecht, Albert BOX: 252/2• Hecht, Jon BOX: 252/3• Hecht, Kenneth BOX: 252/4• Hecht, Marion BOX: 252/5• Hirsch, Lewis BOX: 252/6• Kaufman, Julius BOX: 252/7• Koster, June BOX: 252/8• Koster, Lauren BOX: 252/9• Lefkowitz, Lewis BOX: 252/10• Levey, Roger and Sue BOX: 252/11• Levey, Dorothy BOX: 252/12• Levy, Mrs. Lawrence BOX: 252/13• Marcus, Burton BOX: 252/14• Marcus, Charles BOX: 252/15• Marcus, Hal BOX: 252/16• Marcus, Herbert BOX: 252/17• Marcus, John BOX: 252/18• Marcus, Joseph BOX: 252/19• Marcus, Ralph BOX: 252/20• Margolis, Lewis BOX: 252/21• Marlin, Felice BOX: 252/22• Miller, I. A. BOX: 252/23Aaron Copland Collection 296

Correspondence, 1911-1991ContainerContents• Miller, Robert BOX: 252/24• Miscellaneous BOX: 252/25A-25B• Mitchell, Irma BOX: 252/26• Mittenthal, Arnold BOX: 252/27• Mittenthal, Barbara BOX: 252/28• Mittenthal, Hyman BOX: 252/29• Mittenthal, Jake BOX: 252/30• Mittenthal, Mark BOX: 252/31• Mittenthal, M. J. BOX: 252/32• Rogers, Stephanie BOX: 252/33• Samuels, Linda BOX: 252/34• Samuels, Robert BOX: 252/35• Samuels, Sally BOX: 252/36• Shapiro, Ruth BOX: 252/37• Simbari, Jill BOX: 252/38• Somer, Hilde BOX: 252/39• Uris, Dorothy BOX: 252/40• Uris, Harold BOX: 252/41• Uris, Milton BOX: 252/42• Uris, Percy BOX: 252/43• Vanda, Bruce BOX: 252/44• Vanda, Charles BOX: 252/45• Yellin, Harold BOX: 252/46BOX-FOLDER 253/1 Cordero, Roque, 1957-1987BOX-FOLDER 253/2Corman, Robert, 1949-1953, n.d.BOX-FOLDER 253/3 Cornell, Robert M., 1953-1979BOX-FOLDER 253/4 Corwin, Norman, 1949BOX-FOLDER 253/5 Cowell, Henry, 1934-1962BOX-FOLDER 253/6 Curtin, Phyllis, 1977BOX-FOLDER 253/7 Custer, Arthur, 1961-1973BOX-FOLDER 253/8"D" miscellaneousFolders:• Damrosch, Walter• Daniel, Oliver• Davies, Dennis Russell• Delaney, Robert• Deutsch, Adolph• Dixon, Dean• Dlugoszewski, Lucia• Donovan, Richard• Dorian, Frederick• Duke, Vernon• Dwyer, Doriot AnthonyAaron Copland Collection 297

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 253/9 Dahl, Ingolf, 1934-1970BOX-FOLDER 253/10 Dallapiccola, Luigi, 1951-1960BOX-FOLDER 253/11 Davidovsky, Mario, 1950-1974BOX-FOLDER 253/12 Davies, Peter Maxwell, 1957-1964BOX-FOLDER 253/13 Dello Joio, Norman, 1952-1969BOX-FOLDER253/14-16Del Tredici, David, 1964-1986Folders:• 1964-1969 BOX: 253/14• 1970-1986 BOX: 253/15• Undated BOX: 253/16BOX-FOLDER 253/17 DeMenasce, Jacques, 1947-1955BOX-FOLDER 253/18 DeMille, Agnes, 1942-1985See also: Professional Papers, Business Organizations, de Mille, Agnes.BOX: xxxBOX-FOLDER253/19-21Denby, Edwin, 1929-1962Folders:• 1929-1936 BOX: 253/19• 1937-1938 BOX: 253/20• 1939-1962 BOX: 253/21BOX-FOLDER 253/22 Des Marais, Paul, 1948-1975BOX-FOLDER253/23-26BOX-FOLDER 254/1-5Diamond, David, 1935-1988Folders:• 1935-1939 BOX: 253/23• 1940-1944 BOX: 253/24• 1945-1949 BOX: 253/25• 1950-1955 BOX: 253/26• 1956-1959 BOX: 254/1• 1960-1965 BOX: 254/2• 1966-1970 BOX: 254/3• 1971-1988 BOX: 254/4• Undated BOX: 254/5BOX-FOLDER 254/6 Diemente, Edward P., 1967-1969Dieudonne, AnnetteSee: Boulanger, Nadia BOX: xxxAaron Copland Collection 298

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 254/7 Dinerstein, Norman, 1963-1974BOX-FOLDER 254/8 Dorati, Antal, 1946-1986BOX-FOLDER 254/9 Downes, Olin, 1946-1955BOX-FOLDER 254/10 Dreiblatt, Marty, 1967-1985BOX-FOLDER 254/11 Druckman, Jacob, 1953-1978BOX-FOLDER 254/12 Duffallo, Richard, 1967-1988BOX-FOLDER 254/13"E" miscellaneousFolders:• Einem, Gottfried von• Eisler, Hanns• Elwell, Herbert• Erb, Donald• Etler, AlvinBOX-FOLDER 254/14 Engel, Lehman, 1938-1972BOX-FOLDER 254/15 Epstein, Alvin, 1954-1969BOX-FOLDER 254/16 Espinosa, Guillermo, 1947-1954BOX-FOLDER 254/17"F" miscellaneousFolders:• Feldman, Morton• Fennell, Frederick• Ferrier, Kathleen• Fiedler, Arthur• Fine, Vivian• Finney, Ross Lee• Frank, Waldo• Fuller, BuckminsterBOX-FOLDER 254/18 Ficher, Jacobo, 1943-1967BOX-FOLDER 254/19 Fine, Irving, 1944-1952BOX-FOLDER254/20-21Fine, Verna, 1944-1988Folders:• 1944-1968 BOX: 254/20• 1969-1988 BOX: 254/21BOX-FOLDER 254/22 Fitelberg, Jerzy, 1932-1950BOX-FOLDER 254/23 Fizdale, Robert, 1946-1963Aaron Copland Collection 299

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 254/24 Flanagan, William, 1948-1968BOX-FOLDER 254/25 Foldes, Andor, 1948-1984BOX-FOLDER 255/1-2 Foss, Lucas, 1943-1959, 1962-1980Folders:• 1943-1959 BOX: 255/1• 1962-1980 BOX: 255/2BOX-FOLDER 255/3 Franchetti, Arnold, 1958-1984BOX-FOLDER 255/4 Freed, Arnold, 1969-1971BOX-FOLDER 255/5 Furman, James, 1968BOX-FOLDER 255/6"G" miscellaneousFolders:• Gabriel, Arnold• Garfein, Jack• Garrido, Pablo• Gatti, Guido M.• Gauthier, Eva• Gerhard, Roberto• Gerschefski, Edwin• Gershwin, Ira• Gieseking, Walter• Gilbert, Henry F.• Goehr, Alexander• Goldovsky, Boris• Gramatges, A.• Granger, Farley• Greissle, FelixBOX-FOLDER 255/7 Gaburo, Kenneth, 1956-1976BOX-FOLDER 255/8 Galindo, Blas, 1942-1975BOX-FOLDER 255/9 George, Earl, 1969-1975BOX-FOLDER255/10-11Ginastera, Alberto E., 1941-1979Folders:• 1941-1951 BOX: 255/10• 1952-1979 BOX: 255/11BOX-FOLDER 255/12 Giuffre, Jimmy, 1965-1969BOX-FOLDER 255/13 Glanville-Hicks, Peggy, 1948-1954BOX-FOLDER 255/14 Golde, Morris, 1953-1975Aaron Copland Collection 300

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 255/15 Goldman, Edwin Franko, 1942BOX-FOLDER 255/16 Goldman, Richard Franko, 1941-1983BOX-FOLDER 255/17 Goldmark, Rubin, 1919-1922BOX-FOLDER 255/18 Goodman, Benny, 1963BOX-FOLDER 255/19 Goosens, Eugene, 1942-1944BOX-FOLDER 255/20 Gottlieb, Jack, 1954-1975BOX-FOLDER 255/21 Gould, Morton, 1965-1980BOX-FOLDER 255/22 Graham, Martha, 1941-1985includes ballet scriptsBOX-FOLDER 255/23 Green, Johnny, 1946-1972BOX-FOLDER 255/24 Guarnieri, Camargo, 1941-1950BOX-FOLDER 256/1"H" miscellaneousFolders:• Halffter, Cristóbal• Hamilton, Iain• Harbison, John• Harris, Johana• Harrison, Lou• Hendl, Walter• Heyward, Dorothy• Hillis, Margaret• Hillyer, Rafael• Horowitz, VladimirBOX-FOLDER 256/2 Haieff, Alexei, 1944-1967BOX-FOLDER 256/3Hammerstein, Oscar, 1949 IIBOX-FOLDER 256/4 Hansel, Katherine, 1954-1956BOX-FOLDER 256/5 Hanson, Howard, 1928-1980BOX-FOLDER 256/6 Hardisty, Donald, 1971-1977BOX-FOLDER 256/7 Harpin, Mathias P., 1963BOX-FOLDER 256/8-11 Harris, Roy, 1925-1989Folders:• 1925-1929 BOX: 256/8• 1930-1933 BOX: 256/9• 1934-1989 BOX: 256/10Aaron Copland Collection 301

Correspondence, 1911-1991ContainerContents• Miscellaneous BOX: 256/11BOX-FOLDER 256/12 Hawkins, Erick, 1942-1950BOX-FOLDER 256/13 Heidelberg, Jack, 1942-1972BOX-FOLDER 256/14 Heilner, Irwin, 1933-1970BOX-FOLDER 256/15 Hellman, Lillian, 1943-1966BOX-FOLDER 256/16 Helps, Robert, 1954-1980BOX-FOLDER 256/17 Henderson, Jack, 1950-1969BOX-FOLDER 256/18 Hennagin, Michael, 1965-1974BOX-FOLDER 256/19 Hennessy, Richard, 1976-1983BOX-FOLDER 256/20 Hill, Edward B., 1949-1957BOX-FOLDER 256/21 Hindemith, Paul, 1940-1941BOX-FOLDER 256/22 Hoffman, Allen, 1971-1973BOX-FOLDER 256/23 Honegger, Arthur, 1947BOX-FOLDER 256/24 Huffman, Robert, 1970BOX-FOLDER 256/25 Hughes, Robert, 1958-1973BOX-FOLDER 256/26 Husa, Karel, 1956-1979BOX-FOLDER 256/27"I" miscellaneousFolders:• Ichyangagi, Toshi• Inge, WilliamBOX-FOLDER 256/28 Ibert, Jacques, 1950BOX-FOLDER 256/29 Imbrie, Andrew W., 1956-1967BOX-FOLDER 256/30 Ives, Charles E., 1932-1955Some in the hand of his wife HarmonyBOX-FOLDER 256/31"J" miscellaneousFolders:• Janis, Byron• Janssen, Werner• Johnson, Hunter• Johnson, ThorAaron Copland Collection 302

Correspondence, 1911-1991ContainerContents• Jolivet, AndréBOX-FOLDER 256/32 Jacobi, Frederick, 1933-1950BOX-FOLDER 256/33 Jacobs, Paul, 1979BOX-FOLDER 256/34 James, Philip, 1952-1974BOX-FOLDER 256/35 Javits, Jacob, 1964-1974BOX-FOLDER256/36-39Johns, Erik, 1947-1978See also: Professional Papers, Business Organizations, Johns, ErikBOX: xxxFolders:• 1947-1951 BOX: 256/36• 1952-1978 BOX: 256/37• Undated BOX: 256/38• Undated BOX: 256/39BOX-FOLDER 256/40 Johnstone, Winifred, 1947-1971BOX-FOLDER 256/41 Jones, Charles, 1945-1949BOX-FOLDER 257/1"K" miscellaneousFolders:• Karr, Garry• Kell, Reginald• Kennedy, Joan• Khrennikov, Tikhon• King, Coretta Scott• Kirkpatrick, Ralph• Kobialka, Daniel• Kodály, Zoltán• Kramer, A. Walter• Krasner, Louis• Krenek, ErnstBOX-FOLDER 257/2 Kabalevsky, Dimitri, 1955BOX-FOLDER 257/3 Kahn, Erminie, 1938-1949BOX-FOLDER 257/4 Kahn, Sue Ann, 1979-1980BOX-FOLDER 257/5 Kapell, William, 1946-1986BOX-FOLDER 257/6 Kaufman, Louis, 1947-1981BOX-FOLDER 257/7 Kay, Ulysses, 1940-1950BOX-FOLDER 257/8 Kelly, Jack Perry, 1973-1977Aaron Copland Collection 303

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 257/9 Kennedy, Edward, 1966-1986BOX-FOLDER 257/10 Kennedy, John Brodbin, 1968-1984BOX-FOLDER257/11-15Kenworthy-Browne, John A., 1959-1979Folders:• 1959-1964 BOX: 257/11• 1965-1979 BOX: 257/12• Undated BOX: 257/13• Undated BOX: 257/14• Undated BOX: 257/15BOX-FOLDER 257/16 Kerr, Harrison, 1943-1953BOX-FOLDER 257/17 Khachaturian, Aram, 1968-1973BOX-FOLDER 257/18 Khrennikov, Tikhon, 1956-1982BOX-FOLDER 257/19 Kirchner, Leon, 1949-1975BOX-FOLDER 257/20 Kirkpatrick, John, 1942-1974BOX-FOLDER 257/21 Kirstein, Lincoln, 1938-1976BOX-FOLDER 257/22 Kohn, Karl, 1953-1967BOX-FOLDER 257/23 Kolb, Barbara, 1972-1987See also: Music, Manuscripts and Facsimiles by Others, Kolb, BarbaraBOX: xxxBOX-FOLDER 257/24 Korn, Barbara, 1957-1962BOX-FOLDER 257/25 Korte, Karl, 1957-1972BOX-FOLDER 257/26 Kostelanetz, André, 1941-1983BOX-FOLDER 257/27 Koussevitzky, Serge, 1925-1949BOX-FOLDER 257/28 Kozar, John, 1976-1980BOX-FOLDER 257/29 Kraft, Rheba, 1972-1982BOX-FOLDER 257/30 Kraut, Harry, 1972-1980BOX-FOLDER 257/31 Kubik, Gail, 1941-1988BOX-FOLDER 257/32Kubly, Herbert, n.d.BOX-FOLDER 257/33 Kurka, Robert, 1948-1954Aaron Copland Collection 304

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 258/1"L" miscellaneousFolders:• Labunski, Felix• La Grange, Henry Louis• Lees, Benjamin• Lenya, Lotte• Leyda, Jay• Lockwood, NormandBOX-FOLDER 258/2 Lakner, Yehoshua, 1951-1956BOX-FOLDER 258/3 LaMontaine, John, 1952-1953BOX-FOLDER 258/4 Landowska, Wanda, 1945BOX-FOLDER 258/5 Lange, Francisco, 1942-1949BOX-FOLDER 258/6 Lanza, Alcides, 1965-1969BOX-FOLDER 258/7 Layton, Billy Jim, 1961-1969BOX-FOLDER 258/8-10BOX-FOLDER 247/7Lederman, Minna, 1959-1983Folders:• 1959-1979 BOX: 258/8• 1980-1983 BOX: 258/9• Undated BOX: 258/10• 1978 Apr. 16BOX-FOLDER 258/11 Lee, Dai-Keong, 1942-1969BOX-FOLDER258/12-13Lee, Noel, 1956-1986Folders:• 1956-1986 BOX: 258/12• Undated BOX: 258/13BOX-FOLDER 258/14 Leinsdorf, Erich, 1962-1965BOX-FOLDER258/15-16Lescaze, Mary, 1930-1975Folders:• 1930-1975 BOX: 258/15• Undated BOX: 258/16BOX-FOLDER 258/17 Lescaze, William, 1942-1957BOX-FOLDER 258/18 Lessard, John, 1940-1967BOX-FOLDER 258/19 Lewis, Peter, 1961-1967Aaron Copland Collection 305

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 258/20 Lisenbee, Kenneth, 1974-1975BOX-FOLDER 258/21 List, Eugene, 1974-1975BOX-FOLDER258/22-23Lombardo, Robert, 1955-1983Folders:• 1955-1969 BOX: 258/22• 1970-1983 BOX: 258/23BOX-FOLDER 258/24 Lopatnikoff, Nikolai, 1946-1971BOX-FOLDER 258/25 Luening, Otto, 1943-1949BOX-FOLDER 259/1BOX-FOLDER 259/2"Ma-Mes" miscellaneousFolders:• Maazel, Lorin• MacDowell, Roddy• Machlis, Joseph• MacLeish, Archibald• Mahler, Fritz• Malipiero, Gian Francesco• Martin, Frank• Martinů, Bohuslav• Matsudaira, Yoritsuné• Menotti, Gian Carlo• Merritt, A. Tillman• Messiaen, Olivier"Mey-Mz" miscellaneousFolders:• Mitropoulos, Dimitri• Munch, CharlesBOX-FOLDER 259/3 MacDowell, Mrs. Edward, 1943-1953BOX-FOLDER 259/4-5 Manziarly, Marelle de, 1941-1988Folders:• 1941-1988 BOX: 259/4• Envelopes BOX: 259/5BOX-FOLDER 259/6Marlowe, Sylvia, n.d.BOX-FOLDER 259/7 Martirano, Salvatore, 1955-1961BOX-FOLDER 259/8 Masselos, William, 1951-1971BOX-FOLDER 259/9 Mata, Eduardo, 1971-1983BOX-FOLDER 259/10 Mayer, William, 1967-1973Aaron Copland Collection 306

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 259/11 McPhee, Colin, 1934-1959BOX-FOLDER 259/12 Mafano, Paul, 1963-1964BOX-FOLDER 259/13 Mellers, Wilford, 1943-1975BOX-FOLDER 259/14 Mennin, Peter, 1958-1978BOX-FOLDER 259/15 Menuhin, Yehudi, 1959-1981BOX-FOLDER 259/16 Mester, Jorge, 1954-1970BOX-FOLDER 259/17 Middleton, Jean, 1942BOX-FOLDER 259/18 Mignone, Francisco, 1941-1946BOX-FOLDER259/19-20Milhaud, Darius, 1930-1975Folders:• 1930-1975 BOX: 259/19• Miscellaneous BOX: 259/20BOX-FOLDER 259/21 Milhaud, Madelin, 1947-1987BOX-FOLDER 259/22 Miller, Arthur, 1956-1972BOX-FOLDER 259/23 Miller, Ed, 1957-1970BOX-FOLDER 259/24 Miller, Robert, 1974-1978BOX-FOLDER 259/25 Mills, Charles, 1950-1958BOX-FOLDER 259/26 Miranda, Eduardo, 1948BOX-FOLDER259/27-28Montgomery, Jim, 1963-1974Folders:• 1963-1964 BOX: 259/27• 1965-1974 BOX: 259/28BOX-FOLDER 259/29 Moore, Douglas, 1948-1963BOX-FOLDER259/30-31Moor, Paul, 1943-1985Folders:• 1943-1965 BOX: 259/30• 1966-1985 BOX: 259/31BOX-FOLDER 259/32 Moreno, Salvadore, 1942-1957Aaron Copland Collection 307

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 259/33 Morillo, Roberto Garcia, 1942-1944BOX-FOLDER 259/34 Moross, Jerome, 1942-1944BOX-FOLDER259/35-36BOX-FOLDER 259/37Morton, Lawrence, 1940-1980Folders:• 1940-1970 BOX: 259/35• 1971-1980 BOX: 259/36Mundy, Sophronus, n.d.BOX-FOLDER 259/38 Musgrave, Thea, 1958-1973BOX-FOLDER 260/1"N" miscellaneousFolders:• Neway, Patricia• Nancarrow, Conlon• Nin-Culmell, Joaquín• North, AlexBOX-FOLDER 260/2 Nabokov, Nicolas, 1945-1963BOX-FOLDER 260/3 Nordoff, Paul, 1953-1970BOX-FOLDER 260/4 Nystedt, Knut, 1948-1952BOX-FOLDER 260/5"O" miscellaneousFolders:• O'Keeffe, Georgia• Orgad, Ben-Zion• Ornstein, Pauline (Mrs. Leo)• Ozawa, SeijiBOX-FOLDER 260/6 O'Brien, Eugene, 1972-1978BOX-FOLDER 260/7 Odets, Clifford, 1939-1962BOX-FOLDER 260/8 Okuma, Akirer, 1962-1966BOX-FOLDER 260/9 Orbóon, Julián, 1958-1971BOX-FOLDER 260/10 Ormandy, Eugene, 1941-1980BOX-FOLDER 260/11 Orrego-Salas, Juan, 1946-1981BOX-FOLDER 260/12"P" miscellaneousFolders:• Page, Ruth• Panufnik, Andrezej• Paray, PaulAaron Copland Collection 308

Correspondence, 1911-1991ContainerContents• Parkening, Christopher• Parrott, Ian• Peress, Maurice• Petrassi, Goffredo• Phillips, Burrill• Piatigorsky, Gregor• Pinkham, Daniel• Ponce, Manuel M.• Ponselle, Rosa• Porter, Quincy• Prausnitz, Frederick• Previn, AndréBOX-FOLDER 260/13 Palmer, Robert, 1938-1957Page, RuthSee: Professional Papers, Business Organizations BOX: xxxBOX-FOLDER 260/14 Paradise, Timothy, 1978-1981BOX-FOLDER 260/15 Parris, Robert, 1949-1957BOX-FOLDER 260/16 Paz, Juan Carlos, 1941BOX-FOLDER 260/17 Pears, Peter, 1975-1981BOX-FOLDER 260/18 Pepe, Carmine, 1975-1976BOX-FOLDER260/19-20Perlis, Vivian, 1970-1991Folders:• 1970-1982 BOX: 260/19• 1983-1991 BOX: 260/20BOX-FOLDER 260/21 Perry, Julia, 1952-1954BOX-FOLDER 260/22 Persichetti, Vincent, 1942-1987BOX-FOLDER 260/23 Peyer, Gervase de, 1981-1982BOX-FOLDER 260/24 Piston, Walter, 1933-1974BOX-FOLDER 260/25 Plotts, Donald, 1964-1974BOX-FOLDER 260/26 Posner, David, 1965-1974BOX-FOLDER 260/27 Poulenc, Francis, 1950BOX-FOLDER 260/28 Prokofieff, Serge, 1930-1933Aaron Copland Collection 309

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 260/29 Pyle, William, 1968-1978BOX-FOLDER 261/1BOX-FOLDER 261/2"Ra-Rid" miscellaneousFolders:• Rains, Claude• Raksin, David• Rathaus, Karol• Read, Gardner• Reich, Steve• Reiner, Fritz• Revueltas, Silvestre"Rie-Rz" miscellaneousFolders:• Rieti, Vittorio• Robinson, Edward G.• Rockefeller, John D., II• Rockefeller, Nelson• Rodgers, Richard• Rodzinski, Artur• Ronell, Ann• Rose, Billy• Rose, Leonard• Rosenfeld, Paul• Rosenman, Leonard• Rostropovich, Mstislav• Rósza, Miklós• Rudel, Julius• Rukeyser, MurielBOX-FOLDER 247/3-6 Ramey, Phillip, 1967-1968, 1970-1985Folders:• 1967-1968 BOX: 247/3• 1970 BOX: 247/4• 1971-1979 BOX: 247/5• 1980-1985 BOX: 247/6BOX-FOLDER 261/7 Reis, Arthur, 1978BOX-FOLDER 261/8-15 Reis, Claire, 1942-1946, 1948-1949, 1952-1968, 1970-1979Folders:• 1942 BOX: 261/8• 1943-1946 BOX: 261/9• 1948 BOX: 261/10• 1949 BOX: 261/11• 1952-1959 BOX: 261/12• 1960-1968 BOX: 261/13• 1970-1974 BOX: 261/14• 1975-1979 BOX: 261/15BOX-FOLDER 261/16 Reti, Rudolph, 1948-1951Aaron Copland Collection 310

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 261/17 Richie, Donald, 1962-1969BOX-FOLDER 261/18 Riegger, Wallingford, 1956-1957BOX-FOLDER 261/19 Robbins, Jerome, 1956-1986BOX-FOLDER 261/20 Rochberg, George, 1951-1968BOX-FOLDER 261/21 Rogers, Bernard, 1944-1956BOX-FOLDER 261/22 Rorem, Ned, 1944-1984BOX-FOLDER 261/23Rouse, Christopher, 1962-1981 IIIBOX-FOLDER 261/24 Ruggles, Carl, 1931-1965BOX-FOLDER 262/1BOX-FOLDER 262/2"Sa-Sma" miscellaneousFolders:• Safonoff, W.• Salkind, Milton• Saminsky, Lazare• Sargeant, Winthrop• Sás, Andrés• Scherchen, Hermann• Scherman, Thomas• Schneider, Alexander• Searle, Humphrey• Seeger, Charles• Serebrier, José• Serkin, Rudolf• Serly, Tibor• Sessions, Barbara• Sevitzky, Fabien• Shaffer, Elaine• Shapey, Ralph• Shaw, Robert• Shepherd, Arthur• Sherry, Fred• Shifrin, Seymour• Shneerson, Grigori• Siqueira, José• Slatkin, Leonard• Smallens, Alexander"Smi-Sz" miscellaneousFolders:• Smith, Gregg• Smith, Melville• Smith, Oliver• Sokoloff, Noel• Somers, Harry• Spender, StephenAaron Copland Collection 311

Correspondence, 1911-1991ContainerContents• Spivakovsky, Tossy• Starer, Robert• Stein, Gertrude (Letter to)• Stevens, Bernard• Stevens, Roger• Stravinsky, Vera• Strouse, Charles• Sundgaard, Arnold• Surinach, Carlos• Swanson, HowardBOX-FOLDER 262/3 Samuel, Gary, 1948-1966BOX-FOLDER 262/4 Sanjuán, Petro, 1946-1952BOX-FOLDER 262/5 Santa Cruz, Domingo, 1941-1965BOX-FOLDER 262/6 Santoro, Claudio, 1942-1969BOX-FOLDER 262/7 Sapp, Allen D., 1942-1953BOX-FOLDER 262/8-9 Schaffer, Aaron, 1916-1921Folders:• 1916 - 1919 Aug. BOX: 262/8• 1919 Sept. - 1921 BOX: 262/9BOX-FOLDER 262/10 Schippers, Thomas, 1954-1974BOX-FOLDER 262/11 Schoenberg, Arnold, 1949-1950BOX-FOLDER 262/12 Schuller, Gunther, 1965-1977BOX-FOLDER262/13-14BOX-FOLDER262/15-25Schuman, William, 1938-1986Folders:• 1938-1959 BOX: 262/13• 1960-1986 BOX: 262/14Sessions, Roger, 1926-1935, 1953-1973Folders:• 1926-1927 BOX: 262/15• 1928 BOX: 262/16• 1929 BOX: 262/17• 1930 BOX: 262/18• 1931 BOX: 262/19• 1932 BOX: 262/20• 1933 BOX: 262/21• 1934 BOX: 262/22• 1935 BOX: 262/23• 1953-1973 BOX: 262/24Aaron Copland Collection 312

Correspondence, 1911-1991ContainerContents• Photocopies of AC letters to RS, 1930-1935, 1953, 1960, n.d. BOX:262/25BOX-FOLDER 262/26 Shanet, Howard, 1949-1966BOX-FOLDER 262/27 Shapiro, Harold, 1940-1970BOX-FOLDER 262/28 Shawe-Taylor, Desmond, 1954-1973BOX-FOLDER 262/29 Shostakovitch, Dmitri, 1958-1969BOX-FOLDER 262/30 Sidlin, Murry, 1974-1987BOX-FOLDER 262/31 Siegmeister, Elie, 1932-1988BOX-FOLDER 262/32 Sims, Ezra, 1961-1981BOX-FOLDER 262/33 Slonimsky, Nicholas, 1927BOX-FOLDER 263/1-5 Smit, Leo, 1944-1983Folders:• 1944-1956 BOX: 263/1• 1957-1969 BOX: 263/2• 1970-1976 BOX: 263/3• 1977-1983 BOX: 263/4• Miscellaneous BOX: 263/5BOX-FOLDER 263/6 Smith, Carleton Sprague, 1940-1951BOX-FOLDER 263/7 Smith, Julia, 1948-1958BOX-FOLDER 263/8 Smith, Russell, 1949-1977BOX-FOLDER 263/9 Steigerwalt, Gary, 1977-1979BOX-FOLDER 263/10 Steinbeck, John, 1964-1972BOX-FOLDER 263/11 Steinberg, William, 1946-1969BOX-FOLDER 263/12 Stern, Isaac, 1960-1977BOX-FOLDER 263/13 Stevens, Halsey, 1948-1955BOX-FOLDER 263/14 Stevenson, Adlai, 1962-1965BOX-FOLDER 263/15 Stokowski, Leopold, 1930-1969BOX-FOLDER 263/16 Stravinsky, Igor, 1950-1967Aaron Copland Collection 313

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 263/17 Strickland, William, 1943-1954BOX-FOLDER 263/18 Swanson, Howard, 1948-1967BOX-FOLDER263/19-25Sykes, Gerald, 1925-1932, 1934-1980Folders:• 1925-1926 BOX: 263/19• 1927-1928 BOX: 263/20• 1929-1930 BOX: 263/21• 1931-1932 BOX: 263/22• 1934-1945 BOX: 263/23• 1946-1960 BOX: 263/24• 1961-1980 BOX: 263/25BOX-FOLDER 263/26 Sykes, James, 1943-1981BOX-FOLDER 263/27 Szell, George, 1947-1968BOX-FOLDER 264/1"T" miscellaneousFolders:• Taggard, Genevieve• Tansman, Alexandre• Thurmond, Strom• Tibbett, Lawrence• Tocco, James• Tosar, Héctor• Tristano, Lennie• Tureck, Rosalyn• Turner, CharlesBOX-FOLDER 264/2 Takemitsu, Toru, 1966-1967BOX-FOLDER 264/3 Talma, Louise, 1960-1980BOX-FOLDER 264/4 Tcherepnin, Alexander, 1964-1986BOX-FOLDER 264/5 Temianka, Henri, 1965-1986BOX-FOLDER 264/6 Thomas, John P., 1967-1978BOX-FOLDER 264/11 Thomas, Michael Tilson, 1969-1970BOX-FOLDER 264/7 Thompson, Timothy, 1970BOX-FOLDER 264/8 Thompson, Randall, 1950-1960BOX-FOLDER 264/9 Thomson, Virgil, 1931-1988BOX-FOLDER 264/10 Thorne, Francis, 1966-1978Aaron Copland Collection 314

Correspondence, 1911-1991ContainerContentsBOX-FOLDER 264/12 Tippett, Michael, 1944-1970BOX-FOLDER 264/13 Toback, John, 1963-1967BOX-FOLDER 264/14 Toch, Ernst, 1942-1962BOX-FOLDER 264/15 Tower, Joan, 1988BOX-FOLDER 264/16 Trimble, Lester, 1952-1977BOX-FOLDER 264/17 Turpin, Jim, 1946BOX-FOLDER 264/18"U-V" miscellaneousFolders:• Ussachevsky, Vladimir• Van Loon, Willem Hendrik• Varèse, Edgar• Varon, Lorna Cooke de• Veress, Sándor• Verrall, John• Vincent, John[Unidentified]Folders:• Unidentified BOX: 264/19• Unidentified BOX: 264/20• Unidentified BOX: 264/21• Unidentified BOX: 264/22• Unidentified BOX: 265/1• Unidentified BOX: 265/2• Unidentified BOX: 265/3BOX-FOLDER 265/4 Vainio, Lempi, 1967BOX-FOLDER 265/5 Van Vechten, Carl, 1944-1945BOX-FOLDER 265/6 Vauaerteuryck, Mueille, 1967-1973BOX-FOLDER 265/7 Vega, Aurelio de la, 1958-1959BOX-FOLDER 265/8 Villa-Lobos, Heitor, 1947-1966BOX-FOLDER 265/9"W" miscellaneousFolders:• Waart, Edo de• Wallenstein, Alfred• Warren, Robert Penn• Waxman, Franz• Watts, André• Weber, Ben• Weisberg, Arthur• Welles, OrsonAaron Copland Collection 315

Correspondence, 1911-1991ContainerContents• Wescott, Glenway• Whitemann, Paul• Wilson, Edmund• Wuorinen, Charles• Wyler, WilliamBOX-FOLDER265/10-11Walker, David, 1953-1976Folders:• 1953-1976 BOX: 265/10• Undated BOX: 265/11BOX-FOLDER 265/12 Ward, Robert, 1944-1987BOX-FOLDER 265/13 Weisgall, Hugo, 1950-1977BOX-FOLDER 265/14 Wiener, Alma, 1930-1953BOX-FOLDER 265/15 Wilder, Thorton, 1948-1970BOX-FOLDER 265/16 Wilson, Richard, 1969-1983BOX-FOLDER 265/17 Wolpe, Stefan, 1948-1980BOX-FOLDER 265/18 Wooldridge, David, 1970-1973BOX-FOLDER 265/19 Wyner, Yehudi, 1947-1978BOX-FOLDER 265/20"X-Y-Z" miscellaneousFolders:• Young, La Monte• Zimbalist, EfremBOX-FOLDER 265/21 Xenakis, Iannis, 1963-1969BOX-FOLDER 265/22 Zupko, Ramon, 1957-1975BOX 266-314BOX 467ABOX 467BBOX 266General Correspondence, 1935-1991The subseries, General Correspondence (1935 to 1991) comprises avariety of day-to-day mail, which Copland reviewed, from individualsand businesses. The letters include requests to lecture and conduct andfor permissions, birthday and holiday greeting cards from family,friends and school children, and fan mail.Includes letters, telegrams and greeting cards. Arranged alphabetically bycorrespondent's name, except greeting cards, then chronologically.Aa - American IsraelAaron Copland Collection 316

Correspondence, 1911-1991ContainerContentsBOX 267BOX 268BOX 269BOX 270BOX 271BOX 272BOX 273BOX 274BOX 275BOX 276BOX 277BOX 278-291BOX 467ABOX 467BBOX 292BOX 293BOX 294BOX 295BOX 296BOX 297BOX 298BOX 299BOX 300BOX 301BOX 302American Jewish - AzBa - BenzBer - BozBra - BzCa - CatenCatholic - ColumbusCombith - CzDa - DzEa - EzFa - FzGa - GzGreeting CardsGreeting CardsGreeting CardsHa - HecHel - HzIa - IzJa - JzKa - KzLa - LzMa - MehMel - MzNa - NeNew - NzOa - OzAaron Copland Collection 317

Correspondence, 1911-1991ContainerContentsBOX 303BOX 304BOX 305BOX 306BOX 307BOX 308BOX 309BOX 310BOX 311BOX 312BOX 313BOX 314Pa - PhilhPi - QzRa - RzSa - ServSha - SpeySt - SzTa - TzUa -UzVa - VzWa - WesteWf - WzXa - ZzBOX 315-383 Professional Papers, 1917-1990The Professional Papers are divided into two sections, BusinessOrganizations and Engagements. The Business Organizations includerecords that pertain to Copland's affiliation with and service for variousprivate, public, and governmental agencies, organizations, and councils,at the local, national, and international level and material that relate tonumerous publishers, agents and foundations. Voluminous records existfor the Arrow Music Press (formerly, Cos Cob Press), for which Coplandserved as Treasurer, and for Boosey & Hawkes, his music publisher,which include letters about score corrections for his music. Othersignificant material are the Copland-Sessions Concerts of ContemporaryMusic, the Koussevitzky Music Foundation, the League of Composers,Modern Music, the Edward MacDowell Association, and Tanglewoodwhich includes material on the Berkshire Music Center and the BostonSymphony Orchestra. The Engagements represent correspondence andother material between organizations for which Copland performed,spoke or conducted, or from whom he was bestowed an award or honor.The organizations include orchestras, universities and colleges, festivals,museums, and societies. The most notable events are his trips to LatinAmerica in 1941 and 1947 and his frequent appearances with the LondonSymphony, New York Philharmonic, and National Symphony orchestras.Arranged by subseries.BOX 315-357 Business Organizations, 1922-1990BOX-FOLDER 315/1 Aaron Copland Young Composers Competition, 1984, 1989Aaron Copland Collection 318

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 315/2 Alfred A. Knopf, Inc., 1964-1966BOX-FOLDER 315/3 Alphonse-Leduc, 1928, 1957BOX-FOLDER 315/4 American Academy in Rome, 1986-1987American Academy of Arts & LettersCorrespondenceBOX-FOLDER 315/5 1940-1959BOX-FOLDER 315/6 1960-1971BOX-FOLDER 315/7 1972BOX-FOLDER 315/8 1973BOX-FOLDER 315/9 1974BOX-FOLDER 315/10 1975-1981BOX-FOLDER 315/11BOX-FOLDER 315/12BOX-FOLDER 315/13NotesProgramsSpeechesBOX-FOLDER 315/14 American Academy of Arts and Sciences, 1968BOX-FOLDER 315/15 American Committee for Democracy and Intellectual Freedom, 1940-1950BOX-FOLDER 315/16BOX-FOLDER 315/17American Composers AllianceBulletinControversy with American Society of Composers, Authors, andPublishers (ASCAP)BOX-FOLDER 315/18 Copyright Act of 1940CorrespondenceBOX-FOLDER 315/19 1939BOX-FOLDER 315/20 1940BOX-FOLDER 315/21 1941BOX-FOLDER 315/22 1942BOX-FOLDER 315/231943, Jan.-Jun.Aaron Copland Collection 319

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 315/241943, Jul.-Dec.BOX-FOLDER 316/1 1944BOX-FOLDER 316/2 1945BOX-FOLDER 316/3 1949-1951BOX-FOLDER 316/4BOX-FOLDER 316/5BOX-FOLDER 316/6Membership ListsMinutes of MeetingsMiscellaneousBOX-FOLDER 316/7 American Council on Education, 1962, 1964BOX-FOLDER 316/8 American Federation of Musicians, 1978BOX-FOLDER 316/9 American Friends of the Aldeburgh Festival, 1974-1979American International Music Fund, Inc.CorrespondenceBOX-FOLDER 316/10 1952-1956BOX-FOLDER 316/11 1957-1960BOX-FOLDER 316/12 1961-1966BOX-FOLDER 316/13 1967-1971BOX-FOLDER 316/14 1972-1978American Music CenterCorrespondenceBOX-FOLDER 316/15 1940-1951BOX-FOLDER 316/16 1952-1988BOX-FOLDER 316/17 American Music Publishers, Inc., 1965-1966BOX-FOLDER 316/18 American Music Rental Library, 1940BOX-FOLDER 316/19 American Musicological Society, 1978-1979BOX-FOLDER 316/20 American Piano Company, 1927American Society of Composers, Authors, and Publishers (ASCAP)BOX-FOLDER 317/1 Awards Panel, 1960-1975Aaron Copland Collection 320

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 317/2 Board of Directors, 1974BOX-FOLDER 317/3BOX-FOLDER 317/4BrochuresBulletinBOX-FOLDER 317/5 Committee Reports, 1973-1974BOX-FOLDER 317/6 Contracts, 1946-1975CorrespondenceBOX-FOLDER 318/1 1940-1949BOX-FOLDER 318/2 1950-1959BOX-FOLDER 318/3 1960-1967BOX-FOLDER 318/4 1968-1987BOX-FOLDER 318/5 Desk Book, 1974BOX-FOLDER 318/6 Financial Statements, 1961-1981BOX-FOLDER 318/7BOX-FOLDER 318/8BOX-FOLDER 319/1LecturesLegal PapersMiscellaneousRoyalty StatementsBOX-FOLDER 319/2 1948-1960BOX-FOLDER 319/3 1961-1970BOX-FOLDER 319/4 1971-1980BOX-FOLDER 319/5 1981-1986BOX-FOLDER 319/6 1987-1989BOX-FOLDER 320/1BOX-FOLDER 320/2American-Soviet Music SocietyAgendasBy-LawsBOX-FOLDER 320/34 Correspondence, 1946-1947BOX-FOLDER 320/5Notes for SpeechesAaron Copland Collection 321

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 320/6BOX-FOLDER 320/7BOX-FOLDER 320/8BOX-FOLDER 320/9BOX-FOLDER 320/10BOX-FOLDER 320/11Press ReleasesProgramsAmerican Symphony Orchestra League, Inc., 1955-1957, n.d.Arrow Music Press Inc.American Music Center, Inc.BackgroundBank BooksBank StatementsBOX-FOLDER 320/12 1938-1940BOX-FOLDER 320/13 1941BOX-FOLDER 320/14 1947-1949BOX-FOLDER 320/15 1950-1951BOX-FOLDER 320/16 1952-1953BOX-FOLDER 320/17 1954-1955BOX-FOLDER 320/18 1959, 1972BOX-FOLDER 320/19CatalogsChecksBOX-FOLDER 321/1 4/4/40-5/28/40BOX-FOLDER 321/2 12/2/40-5/26/41BOX-FOLDER 321/3 5/27/41-12/7/43BOX-FOLDER 321/4 4/16/47-4/1/49BOX-FOLDER 321/5 4/49-5/50BOX-FOLDER 321/6 5/50-4/51BOX-FOLDER 321/7 4/51-4/53BOX-FOLDER 321/8 5/53-5/54BOX-FOLDER 321/9 5/54-5/59Aaron Copland Collection 322

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 321/10 4/55, 11/72Check StubsBOX-FOLDER 321/11 5/48-4/51BOX-FOLDER 321/12 4/51-12/55BOX-FOLDER 321/13 4/55BOX-FOLDER 321/14 1/56-3/61BOX-FOLDER 322/1 Contracts, 1930-1956CorrespondenceBOX-FOLDER 322/2 A-L, 1938-1972American Music Center, Inc.BOX-FOLDER 322/3 1942-1950BOX-FOLDER 322/4 1952-1958Arrow Music PressBOX-FOLDER 322/5 1938-1942BOX-FOLDER 322/6 1943-1949BOX-FOLDER 322/71950-1972, n.d.BOX-FOLDER 322/8 Associated Music Publishers & Co., 1941-1960BOX-FOLDER 322/9 Barrios, Hilliard, Sain, & Co., 1949-1957BOX-FOLDER 322/10 Boosey & Hawkes, Inc., 1944-1962BOX-FOLDER 322/11 Broadcast Music, Inc., 1947-1957BOX-FOLDER 322/12 Cone, Herbert A., 1954-1955BOX-FOLDER 322/13 Engel, Lehman, 1940-1957BOX-FOLDER 322/14 Harold Flammer, Inc., 1938-1940BOX-FOLDER 322/15 Ives, Harmony T., 1950-1956BOX-FOLDER 322/16 M-W, 1938-1972BOX-FOLDER 322/17 Weissberger, L. Arnold, 1948-1952BOX-FOLDER 322/18 Weissberger & Frosch, 1953-1957Aaron Copland Collection 323

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 322/19"Cos Cob Press and the American Composer" by Carol OjaDeposit ReceiptsBOX-FOLDER 323/1 1939-1941BOX-FOLDER 323/2 1948-1950BOX-FOLDER 323/3 1952-1962BOX-FOLDER 323/4BOX-FOLDER 323/5BOX-FOLDER 323/6BOX-FOLDER 323/7BOX-FOLDER 323/8BOX-FOLDER 323/9BOX-FOLDER 323/10BOX-FOLDER 323/11BOX-FOLDER 323/12BOX-FOLDER 323/13BOX-FOLDER 323/14BOX-FOLDER 323/15BOX-FOLDER 323/16BOX-FOLDER 323/17BOX-FOLDER 323/18BOX-FOLDER 323/19BOX-FOLDER 323/20BOX-FOLDER 323/21Financial StatementsAmerican Music CenterArrow Music Press, Inc.MiscellaneousList of ComposersMiscellaneousNotesProduction ExpendituresRoyalty StatementsA-BBoosey & HawkesBroadcast Music, Inc.CD-GH-KL-PRadioR-ST-WTax RecordsBOX-FOLDER 324/1 Arts Club of Chicago, 1930Aaron Copland Collection 324

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 324/2Asociación Interamericana de Música (A.I.M), 1955-1957, n.d.BOX-FOLDER 324/3 Associated Musicians of Greater New York, 1966BMG MusicSee: Radio Corporation of America BOX: xxxBOX-FOLDER 324/4 Ballet Russe de Monte Carlo, 1942-1949Ballet Theatre (Ballet Caravan)BOX-FOLDER 324/5 Contracts, 1938-1964BOX-FOLDER 324/6 Correspondence, 1938-1969BOX-FOLDER 324/7MiscellaneousBasil Douglas, Ltd.CorrespondenceBOX-FOLDER 324/8 1961-1969BOX-FOLDER 324/9 1970-1973BOX-FOLDER 324/10 1974-1980Belock Recording Co.See: Everest Records BOX: xxxBOX-FOLDER 324/11 Belwin Mills Publishing Corp., 1940-1987Berkshire Music CenterSee: Tanglewood BOX: xxxBerkshire Music FestivalSee: Tanglewood BOX: xxxBernays & EisnerSee: Friedman, Abraham BOX: xxxSee: Koussevitzky Music Foundation, Inc. BOX: xxxBOX-FOLDER 324/12 Black, Mrs. Charles W., 1951BOX-FOLDER 324/13BOX-FOLDER 324/14BOX-FOLDER 324/15Boosey & Hawkes, Inc.BiographyBulletinsCatalogsBOX-FOLDER 324/16 Clippings, 1964-1971Aaron Copland Collection 325

Professional Papers, 1917-1990ContainerContentsContractsBOX-FOLDER 324/17 1938-1949BOX-FOLDER 324/18 1950-1959BOX-FOLDER 324/19 1960-1969BOX-FOLDER 324/20 1970-1980CorrespondenceBOX-FOLDER 325/1 A-B, 1946-1988Copland, AaronBOX-FOLDER 325/2 1938BOX-FOLDER 325/3 1939BOX-FOLDER 325/4 1940BOX-FOLDER 325/5BOX-FOLDER 325/6BOX-FOLDER 325/7BOX-FOLDER 325/8BOX-FOLDER 325/9BOX-FOLDER 325/10BOX-FOLDER 325/11BOX-FOLDER 325/121941 [Jan.-May]1941 [June-Dec.]1942 [Jan.-Aug.]1942 [Sept.-Dec.]1943 [Jan.-Mar.]1943 [Apr.-Dec.]1944 [Jan.-June]1944 [July-Dec.]BOX-FOLDER 325/13 1945BOX-FOLDER 325/14BOX-FOLDER 325/15BOX-FOLDER 325/16BOX-FOLDER 325/17BOX-FOLDER 325/18BOX-FOLDER 325/191946 [Jan.-June]1946 [July-Dec.]1947 [Jan.-July]1947 [Aug.-Dec.]1948 [Jan.-July]1948 [Aug.-Dec.]Aaron Copland Collection 326

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 325/20BOX-FOLDER 325/211949 [Jan.-July]1949 [Aug.-Dec.]BOX-FOLDER 325/22 1950BOX-FOLDER 325/23BOX-FOLDER 326/1BOX-FOLDER 326/2BOX-FOLDER 326/31951 [Jan.-Mar.]1951 [May-Dec.]1952 [Jan.-July]1952 [Aug.-Dec.]BOX-FOLDER 326/4 1953BOX-FOLDER 326/5 1954BOX-FOLDER 326/6BOX-FOLDER 326/71955 [Jan.-June]1955 [July-Dec.]BOX-FOLDER 326/8 1956BOX-FOLDER 326/9 1957BOX-FOLDER 326/10 1958BOX-FOLDER 326/11 1959BOX-FOLDER 326/12 1960BOX-FOLDER 326/13 1961BOX-FOLDER 326/14BOX-FOLDER 326/15BOX-FOLDER 326/16BOX-FOLDER 326/17BOX-FOLDER 326/18BOX-FOLDER 326/19BOX-FOLDER 326/20BOX-FOLDER 327/11962 [Jan.-Aug.]1962 [Sept.-Dec.]1963 [Jan.-June]1963 [July-Dec.]1964 [Jan.-Apr.]1964 [May-Sept.]1964 [Oct.-Dec.]1965 [Jan.-July]Aaron Copland Collection 327

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 327/2BOX-FOLDER 327/3BOX-FOLDER 327/4BOX-FOLDER 327/5BOX-FOLDER 327/6BOX-FOLDER 327/7BOX-FOLDER 327/81965 [Aug.-Dec.]1966 [Jan.-July]1966 [Aug.-Dec.]1967 [Jan.-July]1967 [Aug.-Dec.]1968 [Jan.-July]1968 [Sept.-Dec.]BOX-FOLDER 327/9 1969BOX-FOLDER 327/10 1970BOX-FOLDER 327/11BOX-FOLDER 327/12BOX-FOLDER 327/13BOX-FOLDER 327/14BOX-FOLDER 327/15BOX-FOLDER 327/161971 [Jan.-June]1971 [Sept.-Dec.]1972 [Jan.-Aug.]1972 [Sept.-Dec.]1973 [Jan.-July]1973 [Aug.-Dec.]BOX-FOLDER 327/17 1974BOX-FOLDER 327/18BOX-FOLDER 327/191975 [Jan.-May]1975 [June-Dec.]BOX-FOLDER 327/20 1976BOX-FOLDER 327/21 1977BOX-FOLDER 328/1 1978BOX-FOLDER 328/2BOX-FOLDER 328/31979 [Jan.-Mar.]1979 [Apr.-Dec.]BOX-FOLDER 328/4 1980BOX-FOLDER 328/5 1981Aaron Copland Collection 328

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 328/6 1982BOX-FOLDER 328/7BOX-FOLDER 328/81983 [Jan.-July]1983 [Aug.-Dec.]BOX-FOLDER 328/9 1984BOX-FOLDER 328/10 1985BOX-FOLDER 328/11BOX-FOLDER 328/12BOX-FOLDER 328/13BOX-FOLDER 328/14BOX-FOLDER 328/15BOX-FOLDER 328/161986 [Jan.-Aug.]1986 [Sept.-Dec.]1987 [Jan.-Aug.]1987 [Sept.-Dec.]1988 [Jan.-May]1988 [July-Dec.]BOX-FOLDER 328/17 1989-1990BOX-FOLDER 328/18UndatedBOX-FOLDER 328/19 C-L, 1936-1976BOX-FOLDER 328/20 M-R, 1957-1984BOX-FOLDER 328/21 S-Z, 1929-1974BOX-FOLDER 329/1BOX-FOLDER 329/2BOX-FOLDER 329/3BOX-FOLDER 329/4BOX-FOLDER 329/5BOX-FOLDER 329/6BOX-FOLDER 329/7InvitationsListsMaterials for WorksPerformancesScores to be SentWorks in LibrariesMemosMiscellaneousNewslettersBOX-FOLDER 329/8 Bonn, 1969-1981Aaron Copland Collection 329

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 329/9 Budapest, 1969BOX-FOLDER 329/10 London, 1968-1990BOX-FOLDER 329/11 New York, 1944-1986BOX-FOLDER 329/12 Paris, 1960-1964BOX-FOLDER 329/13 Notes, 1951-1977BOX-FOLDER 329/14BOX-FOLDER 329/15BOX-FOLDER 329/16BOX-FOLDER 329/17BOX-FOLDER 329/18Performance Surveys of OrchestrasPress ReleasesProgram NotesPromotional MaterialReceiptsRoyalty StatementsBOX-FOLDER 330/1 1939-1944BOX-FOLDER 330/2 1945-1947BOX-FOLDER 330/3 1948-1949BOX-FOLDER 330/4 1950-1951BOX-FOLDER 330/5 1952-1953BOX-FOLDER 330/6 1954-1956BOX-FOLDER 330/7 1957-1959BOX-FOLDER 330/8 1960-1962BOX-FOLDER 331/1 1963-1964BOX-FOLDER 331/2 1965-1966BOX-FOLDER 331/3 1967-1968BOX-FOLDER 331/4 1969BOX-FOLDER 331/5 1970-1971BOX-FOLDER 331/6 1972-1973Aaron Copland Collection 330

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 332/1 1974BOX-FOLDER 332/2 1975BOX-FOLDER 332/3 1976BOX-FOLDER 332/4 1977BOX-FOLDER 332/5 1978BOX-FOLDER 332/6 1979BOX-FOLDER 333/1 1980-1981BOX-FOLDER 333/2 1982BOX-FOLDER 333/3 1983-1984BOX-FOLDER 333/4 1985-1986BOX-FOLDER 333/5 1988BOX-FOLDER 329/19BOX-FOLDER 329/20BOX-FOLDER 329/21Score CorrectionsAppalachian Spring - Dance SymphonyEmblems Orchestral Score - Orchestral VariationsPiano Concerto - Third Symphony, untitledBOX-FOLDER 334/1 Boston Musica Viva, 1979, 1988Boston Symphony OrchestraCorrespondenceBOX-FOLDER 334/2 1940-1952BOX-FOLDER 334/3 1953-1969BOX-FOLDER 334/4BOX-FOLDER 334/51970-1981, n.d.ProgramsSee also: Tanglewood BOX: xxxBOX-FOLDER 334/6 Boston University, College of Music, 1952BOX-FOLDER 334/7 Bozell & Jacobs, Inc., 1981BOX-FOLDER 334/8 Brandeis University, 1955-1980BOX-FOLDER 334/9 British Broadcasting Co. (BBC), 1958-1986Aaron Copland Collection 331

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 334/10 Britten Estate, 1980-1981CBSSee: Columbia Broadcasting Systems (CBS) BOX: xxxC. C. Birchard and CompanyBOX-FOLDER 334/11 Contract, 1937BOX-FOLDER 334/12Correspondence, 1937-1939, n.d.C-C Clubs, Inc.See: Concert Hall Society, Inc. BOX: xxxBOX-FOLDER 334/13 Carl Fischer, Inc., 1935-1987BOX-FOLDER 334/14 Century Association, The, 1967-1985BOX-FOLDER 334/15 Chappell and Co., Inc., 1943Charles Ives Society, Inc.BOX-FOLDER 334/16 Correspondence, 1966-1984BOX-FOLDER 334/17BOX-FOLDER 334/18EssaysIves ReviewBOX-FOLDER 334/19 Miscellaneous, 1939-1981BOX-FOLDER 335/1 Charles Scribner's Sons, 1966BOX-FOLDER 335/2 Chelsea House Publishers, 1967BOX-FOLDER 335/3 Civic Films, Inc., 1939-1950Columbia Artists ManagementCorrespondenceBOX-FOLDER 335/4 1948-1972BOX-FOLDER 335/5 1973-1977BOX-FOLDER 335/6 1978-1979BOX-FOLDER 335/7 1980-1984BOX-FOLDER 335/8MiscellaneousBOX-FOLDER 335/9 Columbia Broadcasting System (CBS), 1936-1976Columbia Broadcasting System (CBS) / Columbia RecordsAaron Copland Collection 332

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 335/10 Contracts, 1935-1986CorrespondenceBOX-FOLDER 335/11 1946-1969BOX-FOLDER 335/12 1970-1987BOX-FOLDER 335/13MiscellaneousBOX-FOLDER 336/1-2 Royalty Statements, 1935-1988BOX-FOLDER 336/3 Columbia Gramophone Company, Ltd., 1936Columbia Pictures Publication, 1962-1969See: Belwin Mills Publishing Corp. BOX: xxxBOX-FOLDER 336/4 Columbia University, 1962-1969BOX-FOLDER 336/5Commonwealth Fund, 1956-1964, n.d.BOX-FOLDER 336/6 Composers' Forum, 1940-1966BOX-FOLDER 336/7Composers Recordings, Inc., n.d.BOX-FOLDER 336/8 Concert Hall Society, Inc. 1947-1960BOX-FOLDER 336/9 Concerts Management (London) Ltd., 1958BOX-FOLDER 336/10 Copland School of Music, Queens College, 1981-1985BOX-FOLDER 337/1Copland-Sessions Concerts of Contemporary MusicArticle, "A Chronicle of Copland-Sessions..." by Carol OjaBOX-FOLDER 337/2 Clippings, 1928-1931BOX-FOLDER 337/3 Correspondence, 1928-1988BOX-FOLDER 337/4BOX-FOLDER 337/5ProgramsSessions, RogerCos Cob PressSee: Arrow Music Press BOX: xxxBOX-FOLDER 337/6 Crescent Productions, Inc., 1943Cuban-American Music GroupBOX-FOLDER 337/7 Correspondence, 1944-1946Aaron Copland Collection 333

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 337/8BOX-FOLDER 337/9MiscellaneousPublicationsBOX-FOLDER 337/10 Curtis Publishing Company, 1959BOX-FOLDER 337/11 Czech Music Foundation, 1965-1968BOX-FOLDER 337/12 Decca Record Company, Ltd., 1948-1959BOX-FOLDER 337/13de Mille, Agnes, [Tragic Ground], 1945, n.d.See also: Correspondence, Personal BOX: xxxDepartment of StateSee: United States Government BOX: xxxBOX-FOLDER 337/14Doubleday & Co., Inc.Contracts, 1959, n.d.BOX-FOLDER 337/15 Correspondence, 1940-1979BOX-FOLDER 337/16 Royalty Statements, 1961-1988BOX-FOLDER 337/17 Durand & Cie., 1950E. C. Schirmer Music Co.BOX-FOLDER 337/18 Correspondence, 1940-1965BOX-FOLDER 337/19 Royalty Statements, 1932-1976BOX-FOLDER 337/20E. P. Dutton & Company, n.d.BOX-FOLDER 337/21 Éditions Maurice Senart, 1922BOX-FOLDER 337/22 Éditions Salabert, Inc., 1942-1976Edward MacDowell Association, Inc.BOX-FOLDER 338/1 Announcements, 1953BOX-FOLDER 338/2 Annual Reports, 1957-1958BOX-FOLDER 338/3ApplicationsBOX-FOLDER 338/4 Articles, 1962-1981BOX-FOLDER 338/5BOX-FOLDER 338/6BackgroundAlphi Chi Omega; Care and Feeding of ArtistsA history of the MacDowell ColonyAaron Copland Collection 334

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 338/7Story of the MacDowell ColonyBulletinBOX-FOLDER 338/8 News, 1957-1966BOX-FOLDER 338/9 Personal Notes of Artists, 1963BOX-FOLDER 338/10 Certificate of Incorporation and By Laws, 1959-1960BOX-FOLDER 338/11 Charts: Artists in Residence, 1948-1968ClippingsBOX-FOLDER 338/12 1950-1965BOX-FOLDER 338/13 1966-1976CorrespondenceBOX-FOLDER 338/14 A-B, 1962-1969BOX-FOLDER 338/15 C-D, 1952-1974BOX-FOLDER 338/16 E-G, 1962-1970BOX-FOLDER 338/17 H-I, 1963-1975BOX-FOLDER 338/18 Hale, Kay & Grant and Meyerson, 1961-1965BOX-FOLDER 338/19 J-K, 1954-1967BOX-FOLDER 338/20 Keene Publishing Corporation, 1961-1968Kendall, GeorgeBOX-FOLDER 338/21 1959-1966BOX-FOLDER 338/22 1967-1970BOX-FOLDER 339/1 L-M, 1952-1968MacDowell, Mrs. EdwardBOX-FOLDER 339/2 1933-1956BOX-FOLDER 339/3 1950-1957BOX-FOLDER 339/4 1960-1962BOX-FOLDER 339/5 1963-1964BOX-FOLDER 339/6 1965-1966Aaron Copland Collection 335

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 339/7 1967-1969BOX-FOLDER 339/8UndatedMacDowell ColonyBOX-FOLDER 339/9 1959-1961BOX-FOLDER 339/10BOX-FOLDER 339/11BOX-FOLDER 339/12BOX-FOLDER 339/13BOX-FOLDER 339/14BOX-FOLDER 339/15BOX-FOLDER 339/16BOX-FOLDER 339/171962 [Jan.-Aug.]1962 [Sept.-Dec.]1963 [Jan.-May.]1963 [June-Dec.]1964 [Jan.-July]1964 [Aug.-Dec.]1965 [Jan.-Aug.]1965 [Sept.-Dec.]BOX-FOLDER 339/18 1966BOX-FOLDER 339/19 1967BOX-FOLDER 339/20BOX-FOLDER 339/211968 [Jan.-May]1968 [June]-1969BOX-FOLDER 340/1 1970-1971BOX-FOLDER 340/2 1972-1974BOX-FOLDER 340/3 1975-1976BOX-FOLDER 340/4 1977-1979BOX-FOLDER 340/5 1980-1990BOX-FOLDER 340/6UndatedBOX-FOLDER 340/7 N-Q, 1956-1968BOX-FOLDER 340/8 Ruder & Finn, 1963-1968BOX-FOLDER 340/9 R-S, 1961-1968Aaron Copland Collection 336

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 340/10 Security First National Bank, 1964BOX-FOLDER 340/11 T-Z, 1959-1970Financial RecordsBOX-FOLDER 340/13 Income & Expenses, 1960-1966BOX-FOLDER 340/12 Income & Expense Projections, 1962-1967BOX-FOLDER 340/14 Miscellaneous, 1962-1967BOX-FOLDER 340/15 Security Holdings, 1958-1966Financial ReportsBOX-FOLDER 340/16 Fund Raising Survey, 1961BOX-FOLDER 340/17 Investment, 1966-1968BOX-FOLDER 340/18 Financial Statements, 1962-1966BOX-FOLDER 340/19BOX-FOLDER 340/20BOX-FOLDER 340/21InvitationsListsMapsBOX-FOLDER 340/22 Meetings, 1956-1968BOX-FOLDER 340/23 Memos, 1962-1980BOX-FOLDER 340/24 Newsletter: Colony, 1979BOX-FOLDER 340/25BOX-FOLDER 340/26NotesPeterboroughBOX-FOLDER 340/27 Programs, 1963-1981BOX-FOLDER 340/28BOX-FOLDER 340/29Promotional MaterialReply CardsBOX-FOLDER 340/30 Reports, 1952, 1980-1981BOX-FOLDER 340/31 Speeches, 1961-1971BOX-FOLDER 341/1 Edwin A. Fleisher Music Collection, 1940-1951Everest RecordsAaron Copland Collection 337

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 341/2 Contracts, 1958-1960BOX-FOLDER 341/3 Royalty Statements, 1959-1978Everett, HoraceSee: Johns, Erik BOX: xxxFestival of Contemporary MusicSee: Yaddo (Festival of Contemporary Music) BOX: xxxBOX-FOLDER 341/4 Fisk University Library, 1945BOX-FOLDER 341/5 Fontainebleau School of Music, Summer Session, 1982BOX-FOLDER 341/6 Ford Foundation, 1959-1979Friedman, Abraham (Bernays & Eisner)CorrespondenceBOX-FOLDER 341/7 1953-1964BOX-FOLDER 341/8 1965BOX-FOLDER 341/9 1966BOX-FOLDER 341/10 1967-1968BOX-FOLDER 341/11 1970-1971Fromm Foundation (Paul Fromm)CorrespondenceBOX-FOLDER 341/12 1959-1967BOX-FOLDER 341/13 1968-1983BOX-FOLDER 341/14 G. Schirmer, Inc., 1965-1985BOX-FOLDER 341/15 General Learning Corporation, 1971-1977BOX-FOLDER 341/16 George Enescu Society of the United States, 1986BOX-FOLDER 341/17Group Theatre, 1939, [Quiet City]H. W. Gray Co., Inc.See: Belwin Mills Publishing Corp. BOX: xxxHarvard UniversityBOX-FOLDER 341/18 Correspondence, 1951-1952, 1965BOX-FOLDER 341/19PamphletsAaron Copland Collection 338

Professional Papers, 1917-1990ContainerContentsHarvard University PressBOX-FOLDER 341/20 Contracts, 1952, 1964BOX-FOLDER 341/21 Correspondence, 1953-1981BOX-FOLDER 341/22 Royalty Statements, 1953-1988BOX-FOLDER 341/23 Hewlett-Woodmere Public Schools, 1975BOX-FOLDER 342/1Independent Citizens' Committee of the Arts, Sciences and Professions,Inc., 1946BOX-FOLDER 342/2 Institute of Contemporary Arts, 1959BOX-FOLDER 342/3 Inter-American Foundation for the Arts, 1965Inter-American Music CenterSee: Pan American Union BOX: xxxBOX-FOLDER 342/4BOX-FOLDER 342/5International Society for Contemporary Music (ISCM)Committees, 1955-1958, n.d.Correspondence, 1948-1966, n.d.BOX-FOLDER 342/6 Minutes, 1955-1958BOX-FOLDER 342/7 International Television Trading Corp., 1986BOX-FOLDER 342/13 John F. Kennedy Center for the Performing Arts, 1978-1982John Simon Guggenheim Memorial FoundationBOX-FOLDER 342/8 Annual Reports, 1971-1978BOX-FOLDER 342/9 Correspondence, 1925-1973BOX-FOLDER 342/10 Johns, Erik, 1986BOX-FOLDER 342/11 Juilliard School, 1975-1984BOX-FOLDER 342/12 Kiesgen et Giovanna, Bureau International de Concerts, 1929Koussevitzky Music Foundation, Inc.AgendaBOX-FOLDER 343/1 1950-1969BOX-FOLDER 343/2BOX-FOLDER 343/31971-1981, n.d.ArticlesCatalogs of Commissioned WorksAaron Copland Collection 339

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 343/4 1951-1952BOX-FOLDER 343/5 1958, 1967BOX-FOLDER 343/6Certificate of Incorporation and By-LawsBOX-FOLDER 343/7 Clippings, 1968-1979BOX-FOLDER 343/8 Contracts, 1949-1951CorrespondenceBOX-FOLDER 343/9 A-B, 1949-1978BOX-FOLDER 343/10 Bernays & Eisner, 1956-1969BOX-FOLDER 343/11 C, 1957-1983BOX-FOLDER 343/12 E-G, 1953-1973BOX-FOLDER 343/13 H-K, 1957-1979Koussevitzky Music Foundation, Inc.BOX-FOLDER 343/14 1942-1946BOX-FOLDER 343/15 1947-1949BOX-FOLDER 343/16 1950-1952BOX-FOLDER 343/17 1953-1959BOX-FOLDER 343/18 1960-1961BOX-FOLDER 343/19 1962-1968BOX-FOLDER 343/20 1970-1976BOX-FOLDER 343/21 1977BOX-FOLDER 343/22 1978-1979BOX-FOLDER 343/23 1980BOX-FOLDER 343/241981-1982, n.d.BOX-FOLDER 344/1 Koussevitzky Recordings Society, 1987-1989Koussevitzky, OlgaBOX-FOLDER 344/2 1938-1965Aaron Copland Collection 340

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 344/3 1966-1969BOX-FOLDER 344/4 1970-1974BOX-FOLDER 344/51975-1977, n.d.BOX-FOLDER 344/6 Library of Congress, 1950-1979BOX-FOLDER 344/7 L-R, 1956-1975BOX-FOLDER 344/8 S-Z, 1944-1973BOX-FOLDER 344/9 University of Rochester, 1945-1962BOX-FOLDER 344/10 Financial Statements, 1944-1978BOX-FOLDER 344/11InvitationsLists of CommissionsBOX-FOLDER 344/12 1946-1964BOX-FOLDER 344/13 1966-1973Lists of Suggested ComposersBOX-FOLDER 344/14 1955-1969BOX-FOLDER 344/15 1970-1978BOX-FOLDER 344/16UndatedBOX-FOLDER 344/17 Memos, 1960-1979BOX-FOLDER 344/18 Minutes, 1944-1970BOX-FOLDER 344/19MiscellaneousBOX-FOLDER 344/20 Notice of Meetings, 1951-1974BOX-FOLDER 344/21BOX-FOLDER 344/22BOX-FOLDER 344/23Press ReleasesProgramsProposalsBOX-FOLDER 344/24 Will, Olga Koussevitzky, 1970League of Composers, Inc.BOX-FOLDER 345/1 Administrative Records, 1934-1941CorrespondenceAaron Copland Collection 341

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 345/2 1943-1946BOX-FOLDER 345/3 1947BOX-FOLDER 345/4 1948BOX-FOLDER 345/5 1949BOX-FOLDER 345/6 1950-1952BOX-FOLDER 345/7BOX-FOLDER 345/81953-1954, n.d.Dinner in honor of Serge KoussevitzkyBOX-FOLDER 345/9-11 International Society for Contemporary Music (ISCM), 1953-1970BOX-FOLDER 345/12MiscellaneousBOX-FOLDER 345/13 Leonard Bernstein Foundation, Inc., 1958-1988Library of CongressCorrespondenceBOX-FOLDER 346/1 1933-1942BOX-FOLDER 346/2 1943-1946BOX-FOLDER 346/3 1947-1949BOX-FOLDER 346/4 1950-1951BOX-FOLDER 346/5 1952-1956BOX-FOLDER 346/6 1957-1965BOX-FOLDER 346/7 1966-1971BOX-FOLDER 346/8 1972-1976BOX-FOLDER 346/9 1977-1980BOX-FOLDER 346/10 1981-1985BOX-FOLDER 346/11BOX-FOLDER 346/12BOX-FOLDER 346/13BOX-FOLDER 346/141986-1987, n.d.Inventory of CompositionsManuscripts Disposition RecordsMiscellaneousAaron Copland Collection 342

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 346/15 Lili Boulanger Memorial Fund, Inc., 1949-1980Lincoln Center for the Performing Arts, Inc.BOX-FOLDER 346/16 Conferences, 1956CorrespondenceBOX-FOLDER 346/17 1956-1970BOX-FOLDER 346/18 1971-1986BOX-FOLDER 346/19MiscellaneousBOX-FOLDER 346/20 Loew's Incorporated, 1946BOX-FOLDER 347/1 Marc Blitzstein Memorial Foundation, Inc., 1964BOX-FOLDER 347/2 Masada, Youth Zionist Organization of America, 1937M.C.A. Artists Ltd. (affiliate of Music Corporation of America)BOX-FOLDER 347/3 Contracts, 1939-1954CorrespondenceBOX-FOLDER 347/4 1939-1940BOX-FOLDER 347/5 1941-1944BOX-FOLDER 347/6 1945-1946BOX-FOLDER 347/7 1947BOX-FOLDER 347/8 1948-1949BOX-FOLDER 347/9BOX-FOLDER 347/101950-1966, n.d.MiscellaneousMcGraw-Hill Book Company, Inc.BOX-FOLDER 347/11 Contracts, 1937-1988CorrespondenceBOX-FOLDER 347/12 1937-1949BOX-FOLDER 347/13 1950-1988Royalty StatementsBOX-FOLDER 347/14 1938-1958BOX-FOLDER 347/15 1959-1989Aaron Copland Collection 343

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 347/16 Mercury Theatre, 1938-1941BOX-FOLDER 347/17 Metro-Goldwyn-Mayer Pictures, 1946Modern MusicBOX-FOLDER 348/1 Contracts, 1965-1966CorrespondenceBOX-FOLDER 348/2 1965BOX-FOLDER 348/3 1966BOX-FOLDER 348/4 1967-1968BOX-FOLDER 348/5 1970-1971BOX-FOLDER 348/6 1972-1973BOX-FOLDER 348/7BOX-FOLDER 348/81974-1976, n.d.Lederman, Minna "Mink" (Mrs. Mell Daniel)From Aaron Copland, 1944-1973, n.d.To Aaron CoplandBOX-FOLDER 348/9 1935-1949BOX-FOLDER 348/10 1950-1969BOX-FOLDER 348/11 1970-1974BOX-FOLDER 348/12BOX-FOLDER 348/13UndatedMiscellaneousMusic Corporation of AmericaSee: M.C.A. Artists, Ltd. BOX: xxxBOX-FOLDER 348/14 Music Educators National Conference, 1942BOX-FOLDER 348/15 Music Project for Television, 1981BOX-FOLDER 348/16 National Association for American Composers and Conductors, 1964BOX-FOLDER 348/17National Association of Educational Broadcasters Radio Network, n.d.BOX-FOLDER 348/18 National Broadcasting Company, Inc., 1956-1974National Council of American-Soviet Friendship, Inc.CorrespondenceAaron Copland Collection 344

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 348/19 1943-1950BOX-FOLDER 348/20MiscellaneousBOX-FOLDER 348/21 National Council of the Arts, Sciences, and Professions, 1949BOX-FOLDER 348/22 National Educational Broadcasting Corporation, 1962-1970BOX-FOLDER 349/1BOX-FOLDER 349/2National Endowment on the ArtsCorrespondence, 1967-1968, n.d.MiscellaneousBOX-FOLDER 349/3 National Foundation on the Arts and Humanities, 1966-1967National Institute of Arts and LettersCorrespondenceBOX-FOLDER 349/4 1941-1959BOX-FOLDER 349/5 1960-1969BOX-FOLDER 349/6 1970-1976BOX-FOLDER 349/7BOX-FOLDER 349/8MiscellaneousNational Music Council, Inc.BulletinsBOX-FOLDER 349/9 Correspondence, 1939-1942BOX-FOLDER 349/10MiscellaneousBOX-FOLDER 349/11 New Music Editions, A Quarterly Publishing Modern Compositions, 1928,1941BOX-FOLDER 349/12 New School for Social Research, 1928-1975New York PhilharmonicBOX-FOLDER 349/13 Contracts, 1972-1980CorrespondenceBOX-FOLDER 349/14 1964-1969BOX-FOLDER 349/15 1970-1988BOX-FOLDER 349/16MiscellaneousBOX-FOLDER 349/17 New York Public Library, 1979Aaron Copland Collection 345

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 349/18 New York State Council on the Arts, 1971-1974BOX-FOLDER 350/1 New York World's Fair, 1939Norris, FrankSee: Black, Mrs. Charles W. BOX: xxxBOX-FOLDER 350/2 Ojai Festival, 1956, 1986BOX-FOLDER 350/3 Ossabaw Island Project, 1961-1969BOX-FOLDER 350/4 Paderewski Fund for the Encouragement of American Composers, 1952BOX-FOLDER 350/5 Page, Ruth, [Hear Ye! Hear Ye!], 1934BOX-FOLDER 350/6 Pan American Union (Inter-American Music Center), 1942-1967BOX-FOLDER 350/7 Paramount Pictures Corporation, 1966BOX-FOLDER 350/8 Paterson Management Limited, 1965BOX-FOLDER 350/9 People's Songs, Inc., 1947BOX-FOLDER 350/10 Phonographic Performance Limited, 1982, 1989BOX-FOLDER 350/11 PolyTel Film Ltd., 1980Prentice-Hall Media, Inc. / Schloat ProductionsBOX-FOLDER 350/12 Correspondence, 1969, 1971BOX-FOLDER 350/13 Royalty Statements, 1971-1982BOX-FOLDER 350/14 Principal Artists Productions, 1940BOX-FOLDER 350/15 Prometheus Enterprises, Inc., [Something Wild], 1961BOX-FOLDER 350/16 Pulitzer Prize Advisory Board, 1966-1972Radio Corporation of America (RCA Records)BOX-FOLDER 350/17 Correspondence, 1948-1953BOX-FOLDER 350/18NotesRoyalty StatementsBOX-FOLDER 350/19 1960-1974BOX-FOLDER 350/20 1975-1989BOX-FOLDER 350/21 Republic Productions, Inc., 1948Aaron Copland Collection 346

Professional Papers, 1917-1990ContainerContentsRiggs, LynnSee: de Mille, Agnes BOX: xxxRockefeller FoundationBOX-FOLDER 350/22 Annual Reports, 1968, 1970-1971BOX-FOLDER 350/23 Correspondence, 1963-1982BOX-FOLDER 350/24MiscellaneousBOX-FOLDER 350/25 St. Martin's Press, Inc., 1982-1987Schloat ProductionsSee: Prentice-Hall Media, Inc. / Schloat Productions BOX: xxxBOX-FOLDER 351/1 Schott's Sons, 1927, 1930-1988Sessions, RogerSee: Copland-Sessions Concerts of Contemporary Music BOX: xxxBOX-FOLDER 351/2 Silver Burdett Company, 1963-1980Smith, OliverSee: de Mille, Agnes BOX: xxxSongwriters' Protective AssociationBOX-FOLDER 351/3 Contracts, 1956-1958BOX-FOLDER 351/4 Correspondence, 1955-1958BOX-FOLDER 351/5MiscellaneousBOX-FOLDER 351/6 Springate Corporation, 1974-1986BOX-FOLDER 351/7 Summy-Birchard Company, 1938-1979See also: C. C. Birchard and Company BOX: xxxBOX-FOLDER 351/8BOX-FOLDER 351/9BOX-FOLDER 351/10Tanglewood (Berkshire Music Center, Berkshire Music Festival)Artist InformationBrochuresClippingsComposition DepartmentBOX-FOLDER 351/11 Applicants, 1940-1964BOX-FOLDER 351/12 Completed Applications, 1958Aaron Copland Collection 347

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 351/13BOX-FOLDER 352/1BOX-FOLDER 352/2BOX-FOLDER 352/3Classroom Teaching MaterialsComposer CataloguesDepartmental MemosFormal AnalysisBOX-FOLDER 352/4 Notes, 1961BOX-FOLDER 352/5 Contracts, 1970-1980CorrespondenceBOX-FOLDER 352/6 A, 1953-1963BOX-FOLDER 352/7 B, 1952-1960Berkshire Music CenterBOX-FOLDER 352/8 1941-1942BOX-FOLDER 352/9 1952-1959BOX-FOLDER 352/101961-1988, n.d.Boston Symphony OrchestraBOX-FOLDER 352/11 1939-1957BOX-FOLDER 352/12 1958-1962BOX-FOLDER 352/131963-1980, n.d.BOX-FOLDER 352/14 C, 1952-1980BOX-FOLDER 352/15 D-F, 1952-1980BOX-FOLDER 352/16 Fromm, Paul, 1956-1971BOX-FOLDER 352/17 G-Z, 1952-1988BOX-FOLDER 353/1BOX-FOLDER 353/2BOX-FOLDER 353/3BOX-FOLDER 353/4BOX-FOLDER 353/5Departmental AnnouncementsFaculty and Staff ListsFaculty Board NotesFestival Calendar of EventsForumsAaron Copland Collection 348

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 353/6BOX-FOLDER 353/7BOX-FOLDER 353/8BOX-FOLDER 353/9BOX-FOLDER 353/10BOX-FOLDER 353/11BOX-FOLDER 353/12BOX-FOLDER 353/13Fromm Concerts and PlayersFromm Music FoundationHappeningsMemosMiscellaneousNotesOpening Exercises [remarks by Copland]Press ReleasesBOX-FOLDER 353/14 Programs, 1947-1960BOX-FOLDER 353/15BOX-FOLDER 354/1BOX-FOLDER 354/2PromotionalReportsScholarshipsBOX-FOLDER 354/3 Student Lists, 1940-1963BOX-FOLDER 354/4Symposium ProgramsBOX-FOLDER 354/5 Tanglewood Talks, 1940-1942BOX-FOLDER 354/6 Television Productions of America, Inc., 1965Thea Dispeker Artists' RepresentativeCorrespondenceBOX-FOLDER 354/7 1963BOX-FOLDER 354/8 1964BOX-FOLDER 354/9 1965BOX-FOLDER 354/10 1966BOX-FOLDER 354/11 1967BOX-FOLDER 354/12 1968BOX-FOLDER 354/13 1969BOX-FOLDER 354/14 1970Aaron Copland Collection 349

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 354/15 1971BOX-FOLDER 354/16 1972BOX-FOLDER 355/1 1973BOX-FOLDER 355/2 1974BOX-FOLDER 355/3 1975BOX-FOLDER 355/4 1976-1977, 1979BOX-FOLDER 355/5BOX-FOLDER 355/61980-1983, n.d.MiscellaneousBOX-FOLDER 355/7 Theatre Guild, 1931BOX-FOLDER 355/8 Thorne Music Fund, Inc., 1967-1968BOX-FOLDER 355/9-11United States GovernmentCommittee for Inter-American RelationsCorrespondenceBOX-FOLDER 355/12 1940-1943BOX-FOLDER 355/13 1944-1949BOX-FOLDER 355/14 1950-1970BOX-FOLDER 356/1 Universal-Edition, 1932Universidad de ChileBOX-FOLDER 356/2 Correspondence, 1943-1944BOX-FOLDER 356/3MiscellaneousBOX-FOLDER 356/4A University of Oklahoma, 1958-1959BOX-FOLDER 356/4B University of Rochester, 1969-1979BOX-FOLDER 356/5 Vanguard Recording Society, Inc., (West Projects, Inc.), 1960-1983Walter W. Naumberg Foundation, Inc.CorrespondenceBOX-FOLDER 356/6 1946-1949BOX-FOLDER 356/7 1950-1951Aaron Copland Collection 350

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 356/8 1952BOX-FOLDER 356/9 1956-1958BOX-FOLDER 356/10 1960-1961BOX-FOLDER 356/11 1962-1965BOX-FOLDER 356/12 1966-1977BOX-FOLDER 356/13MiscellaneousWarren Schloat ProductionsSee: Prentice-Hall Media, Inc. / Schloat Productions BOX: xxxWatts, SchuylerSee: de Mille, Agnes BOX: xxxWest Projects, Inc.See: Vanguard Recording Society, Inc. BOX: xxxBOX-FOLDER 356/14 WGBH Educational Television, 1965Whittlesey HouseSee: McGraw-Hill Book Company, Inc. BOX: xxxBOX-FOLDER 356/15 William Morris Agency, 1955BOX-FOLDER 357/1 WNCN Radio, 1968-1970BOX-FOLDER 357/2 WNDT Educational Broadcasting Corporation, 1967-1968BOX-FOLDER 357/3 Workers' Music Association Ltd., 1944-1954BOX-FOLDER 357/4World Law Fund, n.d.BOX-FOLDER 357/5 World Peace Conference, 1949BOX-FOLDER 357/6 W. W. Norton & Company, 1957-1981BOX-FOLDER 357/7BOX-FOLDER 357/8Yaddo (Festival of Contemporary Music)ClippingsConferencesBOX-FOLDER 357/9 Correspondence, 1932-1987BOX-FOLDER 357/10NotesAaron Copland Collection 351

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 357/11ProgramsBOX 358-383 Engagements, 1917-1983BOX-FOLDER 358/1BOX-FOLDER 358/2BOX-FOLDER 358/3BOX-FOLDER 358/4BOX-FOLDER 358/5BOX-FOLDER 358/6BOX-FOLDER 358/7BOX-FOLDER 358/8BOX-FOLDER 358/9BOX-FOLDER 358/10BOX-FOLDER 358/11BOX-FOLDER 358/12BOX-FOLDER 358/13BOX-FOLDER 358/14BOX-FOLDER 358/15BOX-FOLDER 358/16BOX-FOLDER 358/17BOX-FOLDER 358/18BOX-FOLDER 358/19BOX-FOLDER 358/201917 Feb. 28, John Wanamaker, New York1918 Jun. 21, Boy's High School1927 Jan. 28 to 1927 Jan. 29, Boston Symphony1927 Feb. 3, Boston Symphony (BSO in New York)1928 Dec. 17, New School for Social Research1929 Jan. 27, Cleveland Museum of Art1929 Apr. 25, League of Composers / Metropolitan Opera House[c.1933] Mar. 16, Pierre Degeyter Club1934 Apr. 8, League of Composers1934 May 11, Pierre Degeyter Club [lecturer]1935 Dec. 7, Town Hall1936 Dec. 9, Hotel Delano / League of American Writers [lecturer]1937 Feb. 3 to 1937 Apr. 7, New School1938 Feb. 23, High-Low Concerts / Hotel St. Regis1938 May 27, Westminster Choir School [unclear whether ACparticipated]1938 Nov. 30, Bronxville Women's Club1939 Feb. 18, Brooklyn Museum1939 Apr. 19, Bowdoin College1940 Jan. 11, Brooklyn Institute of Arts and Sciences1940 Jan. 12, Pro Musica, Inc.BOX-FOLDER 358/21 1940 Dec. 5, High School of Music and Art Steigman, Benjamin M. (4,0)BOX-FOLDER 358/221940 Dec. 12, South Orange-Maplewood Adult School [lecturer]Aaron Copland Collection 352

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 358/23BOX-FOLDER358/24-28BOX-FOLDER 359/1BOX-FOLDER 359/2BOX-FOLDER 359/3BOX-FOLDER 359/4BOX-FOLDER 359/5BOX-FOLDER 359/6BOX-FOLDER 359/7BOX-FOLDER 359/8BOX-FOLDER 359/9-141941 Jan. 6, Allentown Musical Club1941 Aug. 19 to 1941 Dec. 13, Latin AmericaFolders:• Avisada, Panagra (1,0)• Corrêa de Azevedo, Luiz Heitor (1,0)• Freitas, Maria de (1,0)• Koseleff, Alexander (1,0)• Lange, Francisco Curt (6,0)• Lima, José Inácio Cabral (1,0)• Moe, Henry Allen (2,0)• Pereira, Antonio de Sa (1,0)• Quevedo, Antonio (1,0)• Rexach, Conchita (0,1)• Seeger, Charles (1,0)• State Department (1,0) [correspondent unreadable]• Trueblood, Edward G. (1,0)• Universidad de Chile (1,0) [correspondent unreadable]• Valcarenglis, Guido (1,0) [not sure about last name]1942 Feb. 18, Octave Club [lecturer]1942 Nov. 30, Town Hall1943 Feb. 17, Town Hall Music Forum1943 Mar. 28, University of Redlands [lecturer]1944 Apr. 11, University of Chicago [lecturer]1944 May 3 to 1944 May 31, Harvard University [year is estimated]1944 Oct. 30, Library of Congress [Appalachian Spring premiere]1945 Feb. 22, WNYC, American Music Festival1947 Aug. 14 to 1947 Nov. 28, Latin AmericaFolders:• Amorim, Rone (5,0)• Barry, Roberto F. (2,3)• Belton, William (1,0)• Boxhorn, Kurt (2,0)• Brown, [?] (1,0)• Depenbrock, John F. (1,0)• Epstein, Leonard (1,0)• Espinosa, Guillermo (1,0)• Farrell, Gordon (3,3)• Fay, Julio Cesar (1,0)• Franklin, Albert B. (2,3)• Ginastera, Alberto (0,1)• Gropp, Arthur E. (2,1)Aaron Copland Collection 353

Professional Papers, 1917-1990ContainerContents• Halpern, Federico (1,0)• Hill, Howard (1,0)• Kidder, Dorothy (0,1)• Lange, Francisco C. (1,0)• Luckey, Robert E. (1,1)• Maggi, Carlos and Julio Bayce (1,0)• Miller, George E. (1,0)• Murphy, Edmund R. (1,0)• Radio Sociedade Merryman (1,0)• Rivera, Rodolfo O. (1,1)• Santa Cruz, Domingo (0,1)• Vidal, Armando (1,0)BOX-FOLDER 359/15BOX-FOLDER 359/16BOX-FOLDER 359/17BOX-FOLDER 359/18BOX-FOLDER 359/19BOX-FOLDER 359/20BOX-FOLDER 359/21BOX-FOLDER 359/22BOX-FOLDER 359/23BOX-FOLDER 359/24BOX-FOLDER 359/25BOX-FOLDER359/26-27BOX-FOLDER 359/28BOX-FOLDER 359/29BOX-FOLDER 360/1BOX-FOLDER 360/21948 Apr. 5, League of Composers1948 Sept. 22, Ballet Russe de Monte Carlo / Metropolitan Opera House1948 Nov. 4 to 1948 Nov. 16, University of California, Los Angeles[lecturer]1948 Dec. 19, Modern Institute of Art1949 Feb. 24, Composers' Forums [moderator]1949 May 14, England / United Kingdom1949 Oct. 17, Wellesley College [conference participant]1950 Apr. 12, Julius Hartt Musical Foundation1950 Apr. 20, Women's City Club of New York1950 May 18 to 1950 May 21 Columbia University / Festival ofContemporary Music1950 Oct. 7, Griffith Music Foundation1950 Oct. 26, Agnes Scott CollegeFolders:• Laney, Emma May (1,0)1950 Nov. 9, Toronto Conservatory1950 Nov. 30, New England Conservatory1951 Feb. 15 to 1951 Mar. 31, Europe: Italy1951 Apr. 13, IsraelAaron Copland Collection 354

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 360/3BOX-FOLDER 360/4BOX-FOLDER 360/5BOX-FOLDER 360/6BOX-FOLDER 360/7BOX-FOLDER 360/8BOX-FOLDER 360/9BOX-FOLDER 360/10BOX-FOLDER 360/11BOX-FOLDER 360/12BOX-FOLDER 360/13BOX-FOLDER 360/14BOX-FOLDER 360/15BOX-FOLDER 360/16BOX-FOLDER 360/17BOX-FOLDER360/18-19BOX-FOLDER360/20-21BOX-FOLDER360/22-231951 Jun. 2, Italy1951 Nov. 13 to 1952 May 15, Harvard University / Norton Lectures1952 Apr. 29, Dartmouth College1952 May 16, Queens College1952 May 28, Academy of Arts and Letters1952 Nov. 2, New Friends of Music1953 Apr. 27, George Peabody College1953 Aug. 31, Mexico1954 Mar. 20, International Society for Contemporary Music1954 Apr. 30, Europe: Switzerland / London1954 May 12, Boston University College of Music[1954 Nov. 28?] Latin America: Venezuela1955 Jan. 18, Baltimore Museum of Art1955 Feb. 17, Oberlin College1955 Mar. 8, Town Hall[1955 Apr. 18 to 1955 Nov. 30?] Europe [2 trips]Folders:• Barraud, Henry (2,0)• Gobre, [?] (1,0)• Helm, Everell (1,0)• Strobel, Heinrich (1,0)• Sudwestfunk, Baden-Baden (1,1)1956 Jan. 11, National SymphonyFolders:• Black, Ralph (1,0)• Cox, Oscar (0,1)• Edwards, John (0,1)1956 Jan. 12, Institute of Contemporary Arts / Corcoran GalleryFolders:• Richman, Robert (1,0)Aaron Copland Collection 355

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER360/24-25BOX-FOLDER360/26-27BOX-FOLDER 360/28BOX-FOLDER 360/29BOX-FOLDER360/30-31BOX-FOLDER 360/32BOX-FOLDER 360/33BOX-FOLDER 360/34BOX-FOLDER 360/35BOX-FOLDER 360/36BOX-FOLDER 360/37BOX-FOLDER 360/38BOX-FOLDER360/39-41BOX-FOLDER 360/42BOX-FOLDER 360/43BOX-FOLDER 360/44BOX-FOLDER 360/45[1956 Jan. 14?] Mills CollegeFolders:• Kirchner, Leon (1,0)• Lyon, Margaret E. (1,0)1956 Jan 15, Stanford UniversityFolders:• Crosten, William L. (1,0)1956 Jan. 16, University of California, BerkeleyFolders:• Connors, B. J. (1,0)1956 Jan. 17, San Francisco Museum of ArtFolders:• Peterson, Clifford R. (1,0)1956 Jan. 21, Vancouver SymphonyFolders:• Philips, Robert (1,0)1956 Mar. 15, City College of New York1956 Mar. 27, Institute of Contemporary Arts, Corcoran Gallery1956 Jul. 21, Chicago Symphony / Ravinia Festival Association1956 Dec. 6, Harvard Law School1957 Jan. 30, New School1957 Feb. 2, Institute of Contemporary Arts / Corcoran Gallery1957 Feb. 3, University of Pennsylvania, Philadelphia1957 Mar. 28, Latin America / Festivales de Musica Latinoamericana deCaracas1957 Apr. 24, Cornell University1957 Apr. 28, Ford Hall Forum1957 May 24 to 1957 May 26, Ojai Festival1957 Jun. 8, Brandeis UniversityAaron Copland Collection 356

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER360/46-471957 Oct. 10 to 1958 Jan. 16, University of BuffaloBOX-FOLDER 361/1BOX-FOLDER 361/2BOX-FOLDER 361/3BOX-FOLDER 361/4BOX-FOLDER 361/5BOX-FOLDER 361/6BOX-FOLDER 361/7BOX-FOLDER 361/8BOX-FOLDER 361/9BOX-FOLDER 361/10BOX-FOLDER 361/11BOX-FOLDER 361/12BOX-FOLDER361/13-14BOX-FOLDER 361/15BOX-FOLDER361/16-19BOX-FOLDER361/20-21BOX-FOLDER 361/22BOX-FOLDER 361/23BOX-FOLDER 361/241958 Jan. 30, New York Philharmonic1958 Feb. 1, New York Philharmonic / Young People's Concerts [contract]1958 Feb. 13, Illinois Wesleyan University1958 Feb. 16, Washington University1958 Feb. 21, Northwestern University1958 Mar. 1, International Society for Contemporary Music / FrommMusic Foundation1958 Mar. 2, University of Iowa, Cedar Rapids1958 Mar. 6, University of Chicago1958 Mar. 9, University of Wisconsin, Milwaukee1958 Mar. 6, Canadian Music Association (Ontario)1958 Apr. 13, Chamber Music Society of Baltimore1958 Apr. 19, University of Louisville1958 May 23 to 1958 May 25, Ojai FestivalFolders:• Morton, Lawrence (1,0) [contract]1958 Jun. 9, Oberlin College1958 Aug. 20, Europe: Dartington Hall Festival / Copenhagen / StuttgartFolders:• Alldis, Frances C. (1,0)1958 Dec. 15, Little Orchestra Society [clippings only]Folders:• Weissel, William L. (2,0)1959 Jan. 2, St. Louis Symphony1959 Jan. 13, Brandeis University Club / Hunter Playhouse [program only]1959 Jan. 24, Academy of Music [clippings only]Aaron Copland Collection 357

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 361/25BOX-FOLDER361/26-27BOX-FOLDER 361/28BOX-FOLDER 361/29BOX-FOLDER 361/30BOX-FOLDER 361/31BOX-FOLDER 361/32BOX-FOLDER 361/33BOX-FOLDER 361/34BOX-FOLDER 361/35BOX-FOLDER 361/36BOX-FOLDER 361/37BOX-FOLDER 361/38BOX-FOLDER361/39-40BOX-FOLDER361/41-42BOX-FOLDER 361/431959 Jan. 29, Composers' Forums [clippings only]1959 Apr. 10, Boston SymphonyFolders:• Perry, Thomas D. (1,1)1959 Apr. 19, Syracuse University [clippings only]1959 May 4, Temple University [clippings only]1959 Jun. 14, Boston Symphony [clippings only]1959 Jun. 22, WQED & WQEX-PittsburghFolders:• Ziegler, John W. (3,0)[1959 Jun. 23 to 1959 Jul. 12?] Festival of Two Worlds; Spoleto [clippingsonly]1959 Jul. 26, Boston Symphony / Tanglewood, Berkshire FestivalFolders:• Perry, Thomas D. (2,0)1959 Sept. 1, Princeton University1959 Sept. 7 to 1959 Sept. 12, Edinburgh Festival [clippings only]1959 Oct. 9 to 1959 Oct. 10, Carnegie Institute of Technology1959 Nov. 19 to 1959 Nov. 21, Boston SymphonyFolders:• Perry, Thomas D. (1,0)1959 Dec. 20, Columbia Symphony Orchestra / Town Hall [pianist withBarber, Sessions, Foss and conductor for Les noces]1960 Jan. 1 to Jan. 5, Boston SymphonyFolders:• Perry, Thomas D. (2,0) [contracts]1960 Jan. 11, Dallas SymphonyFolders:• Adler, Samuel (2,0)• Watrous, Alan (1,0)1960 Jan 11, North Texas State CollegeAaron Copland Collection 358

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 361/44BOX-FOLDER361/45-48BOX-FOLDER361/49-50BOX-FOLDER 361/51BOX-FOLDER 362/1-4BOX-FOLDER 362/5-6BOX-FOLDER 362/7BOX-FOLDER 362/8-9BOX-FOLDER 362/10BOX-FOLDER362/11-12BOX-FOLDER362/13-141960 Feb. 5, National Orchestral Association1960 Mar. 14, Soviet UnionFolders:• Adams, David S. (1,0) [addressed to Elaine Fry of USIA]• Colwell, Frederick A. (2,0)• Khrennikov, Tikhon (1,0)• Morton, Byron B. (1,0)• Stepanov (1,0)• Weise, Robert W. (0,1)• [?], Laura (1,0)1960 Apr. 11 to 1960 Apr. 24, London: London Symphony / BBCFolders:• Andrewes, John (6,0)• Bowling, Mary (1,0)• Cruft, John (3,0)• Douglas, Basil (1,0)• Fleischmann, Ernest (5,0)• Glazer, Ruth (1,0)• Holton, Robert W. (1,0)• Mott, Gunter (1,0)• Whewell, Michael (2,0)1960 Apr. 26, Goucher College1960 Apr. 29 to 1960 Jun. 17, Far East / Boston SymphonyFolders:• Perry, Thomas D. (1,0)1960 Jun. 22, EuropeFolders:• Britten, Benjamin (1,1)1960 Aug. 13, Boston Symphony [contract only]1960 Aug. 15 to 1960 Aug. 24, Aspen Music FestivalFolders:• Singer, Norman (5,0)1960 Sept. 2, Symphony of the AirFolders:• Toobin, Jerome (1,0)1960 Nov. 7 to 1960 Nov. 13, New York Philharmonic / Young People'sConcerts1961 Jan 10, New Orleans SymphonyFolders:Aaron Copland Collection 359

Professional Papers, 1917-1990ContainerContents• Dailey, Jack F. (1,0)BOX-FOLDER 362/15BOX-FOLDER 362/16BOX-FOLDER362/17-18BOX-FOLDER362/19-20BOX-FOLDER 362/21BOX-FOLDER362/22-23BOX-FOLDER362/24-25BOX-FOLDER 362/26BOX-FOLDER362/27-28BOX-FOLDER362/29-30BOX-FOLDER 362/31BOX-FOLDER 362/321961 Jan. 26 to 1961 Feb. 2, Composers' Showcase / Museum of ModernArt1961 Feb. 13, New York Philharmonic1961 Feb. 23, University of Massachusetts, AmherstFolders:• Canfield, Karen Anne Reseigh (1,0)1961 Mar. 2, Dumbarton OaksFolders:• Thacher, John S. (6,0)1961 Mar. 11 to 1961 Mar. 12, Tri-City SymphonyFolders:• Gigante, Charles (1,0)1961 Mar. 24, University of Arizona, TucsonFolders:• Buchhauser, Andrew (1,0)1961 Mar. 26, Temple Beth Israel ForumFolders:• Spector, Eleanor W. (1,0)1961 Apr. 19, Peabody Institute1961 Apr. 20, University of DelawareFolders:• Loudis, Anthony J. (2,0)1961 Apr. 23, WJR-Detroit / Detroit AdventureFolders:• Birenbaum, William M. (1,0)• Haas, Karl (1,0)1961 Apr. 25, Inter American Festival / Centro Interamericano de MusicaFolders:• Espinosa, Guillermo (3,0)• [illegible] (1,0)1961 Apr. 27, Brandeis UniversityAaron Copland Collection 360

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 362/33BOX-FOLDER362/34-35BOX-FOLDER 362/36BOX-FOLDER 363/1-3BOX-FOLDER 363/4BOX-FOLDER 363/5-6BOX-FOLDER 363/7-8BOX-FOLDER 363/9-10BOX-FOLDER363/11-13BOX-FOLDER 363/14BOX-FOLDER363/15-16BOX-FOLDER363/17-191961 Apr. 28, Wayne State University1961 May 6, Ann Arbor May Festival / Philadelphia OrchestraFolders:• Hall, Roger (1,0)• Rector, Gail (1,0)1961 May 7, Contemporary Concerts Inc., ChicagoFolders:• Welch, John (3,0)1961 May 11 to 1961 Jun. 12, Europe: United Kingdom / Yugoslavia / SpainFolders:• Abbey, Denise (3,0)• Alexander, Edward (1,0)• Andrewes, John (1,0)• Colwell, Frederick A. (6,1)• Douglas, Basil (5,0)• Henry, George D. (1,1)• Horton, Rod (1,0)• Mason, Francis S. (2,0)1961 Jun. 28, Boston Symphony / Tanglewood, Berkshire Festival[contract only]1962 Jan. 15, Seattle Symphony [contract only]1962 Jan. 21, Vancouver Symphony1962 Feb. 1 to 1962 Feb. 7, JapanFolders:• Uemura, Kogoro (1,0)1962 Feb. 8 to 1962 Mar. 1, England / United KingdomFolders:• Carroll, Mark (1,0) [note on letter to Mollie Waters]• Douglas, Basil (1,0)• Fleischmann, Ernest (2,0)• Gustave, H. (1,0)• [Tuneeya?], Marie (1,0)1962 Jun. 15, CBC1962 Jul. 7 to 1962 Jul. 11, Chicago Symphony / Ravinia FestivalAssociation1962 Jul. 15 to 1962 Aug. 6, Latin AmericaFolders:• Balzo, Hugo (0,1)Aaron Copland Collection 361

Professional Papers, 1917-1990ContainerContents• Borup, Edgar S. (3,0)• Brooks, Phillips (2,0)• Freeman, H. Gordon (1,0)• Moody, George T. (3,0)• Purcell, Edward T. (2,0)• Sánchez, Manuel (8,2)• Talice, Rodolfo V. (1,0)• Vallarta, Manuel Sandoval (1,0)• Webb, James H., Jr. (3,0)BOX-FOLDER 363/20BOX-FOLDER 363/21BOX-FOLDER 363/22BOX-FOLDER 363/23BOX-FOLDER 364/1BOX-FOLDER 364/2BOX-FOLDER 364/3BOX-FOLDER 364/4BOX-FOLDER 364/5-6BOX-FOLDER 364/7-8BOX-FOLDER 364/91962 Sept. 23, New York Philharmonic1962 Oct. 3 to 1962 Oct. 5, Educational BroadcastingFolders:• Epstein, David M. (2,0)1962 Oct. 10, Mount Holyoke College1962 Nov. 9, United States Information Agency1963 Feb. 13, Wellesley College1963 Feb. 2, Naumberg Memorial Lecture / Rutgers UniversityFolders:• Mann, Alfred (1,0)1963 Mar. 14, University of Hartford / Hartt College of Music1963 Mar. 27, Festival of Contemporary Music / University of Michigan,Folders:• Ann Arbor1963 Mar. 30, San Antonio SymphonyFolders:• Norton, Clinton E. (1,0)1963 Apr. 5 to 1963 May 11, Europe: London / Germany / ItalyFolders:• Abbey, Denise (2,0)• Alexander, Edward (14,4)• Bogianckino, Massimo (1,1)• Deary, William P. (2,0)• Douglas, Basil (3,1)• Ferguson, Jocelyn (1,0)• Mason, Francis (1,0)• Moody, George T. (1,0)• Shetler, Norman (1,0)• Tiburtius, T. (1,0)1963 Jun. 29 to 1963 Jul. 28, Tanglewood, Berkshire FestivalAaron Copland Collection 362

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER364/10-13BOX-FOLDER364/14-16BOX-FOLDER 364/17BOX-FOLDER 364/18BOX-FOLDER 364/19BOX-FOLDER 364/201963 Sept. 9 to 1963 Oct. 20, Latin AmericaFolders:• Alcazar, Oscar H. (1,0)• Borup, Edgar S. (1,0)• Braunstein, Elizabeth (2,2)• Caamaño, Roberto (4,0)• Escobar, Luis Antonio (5,2)• Freeman, Fulton (1,0)• Fry, Elaine A. (1,0)• Garrido-Lecca, Celso (2,0)• Ginastera, Alberto (8,2)• Golbin, Mathilde (1,0)• Karnis, Michael V. (1,0)• Lacerda, Carlos (1,0)• Logan, Anne M. (3,0)• Magary, Frank (0,1)• Prensa, Seccion (1,0)• Quesada, Alfonso de (8,0)• Quesada, Erneste de (6,0)• Quesada, Lorenzo A. (1,0)• Quesada, Ricardo de (1,0)• Salcedo Rojas, Alfredo (1,0)• Santa Cruz, Domingo (1,1)• Schroder, José (1,0)• Turner, Philip A. (1,2)• Vasquez, José I. (1,0)• Wool, Robert M. (1,0)1963 Nov. 18 to 1963 Dec. 17, Europe: GermanyFolders:• Goslick, Siegfried (1,0)• Haas, Karl (1,0)• Hartmann, Rudolff (1,0)• Lefebre, Dodie (3,0)• Pietsch, Karl Peter (1,0)• Rosen, Heinz (7,3)• Spilling, Willy (2,0) [written to Thea Dispeker]• Warner, Robert B. (2,1)1964 Jan. 9, New York Philharmonic1964 Feb. 3, University of Cincinnati1964 Feb. 6, Syracuse University1964 Feb. 8, New York Philharmonic / Young People's ConcertsFolders:• Moseley, Carlos (1,0)Aaron Copland Collection 363

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER364/21-22BOX-FOLDER364/23-24BOX-FOLDER364/25-26BOX-FOLDER 364/27BOX-FOLDER364/28-29BOX-FOLDER 365/1BOX-FOLDER 365/2-3BOX-FOLDER 365/4-5BOX-FOLDER 365/61964 Mar. 4 to 1964 Mar. 8, Portland Junior SymphonyFolders:• Avshalomov, Jacob (3,2)• Hirsch, Elizabeth B. (2,0)1964 Apr. 20, Goucher CollegeFolders:• Galkin, Elliot W. (2,0)1964 May 4 to 1964 May 5, University of Rhode IslandFolders:• Custer, Arthur (3,1)• Horn, Francis H. (1,0)1964 May 7, New York Philharmonic1964 May 14 to 1964 Jun. 19, Europe: England / Paris / AmsterdamFolders:• Abbey, Denise (2,0)• Bois, Mario (2,0)• Bornoff, Jack (3,0)• Bril, France-Yvonne (1,0)• Burton, Humphrey (3,0)• Casa Fuerte, Yvonne de (5,1)• Douglas, Basil (12,2)• Fleischmann, Ernest (4,0)• Greissle, Felix (1,0)• Hartel, Carla (1,0)• Maegaard, Jan (1,0)• Orem, Virginia E. (1,0)• Schnutz, Rosemarie G. (4,0)• Werner, Maurice (2,3)1964 Jun. 11, Centre Culturel Americain1964 Jul. 16, Stadium Concerts, Inc.Folders:• Soria, Dorle J. (1,0)1964 Jul. 23, Chicago Symphony / Ravinia FestivalFolders:• Cooper, David S. (1,0)• Dern, Caroline W. (2,0)• Geraghty, Helen (5,0)1964 Aug. 3 to 1964 Aug. 16, Tanglewood / Berkshire FestivalAaron Copland Collection 364

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 365/7BOX-FOLDER 365/8BOX-FOLDER 365/9BOX-FOLDER365/10-11BOX-FOLDER 365/12BOX-FOLDER365/13-14BOX-FOLDER365/15-16BOX-FOLDER 365/17BOX-FOLDER365/18-19BOX-FOLDER365/20-211964 Oct. 25, Sarah Lawrence CollegeFolders:• Haines, Edmund (1,0)• Lindsey, Elizabeth (1,0)• Ward, Catherine (Mrs. Paul L.) (1,0)• Ward, Paul L. (1,0)1964 Oct. 31, Library of Congress1964 Nov. 13, Educational BroadcastingFolders:• Miller, Allan (1,0)1964 Dec. 3, Rochester PhilharmonicFolders:• Collins, Brenda (2,0)• Somogyi, Laszlo (1,0)1964 Dec. 5, Chicago SymphonyFolders:• Edman, Silas (2,0)1964 Dec. 14, Chatham CollegeFolders:• Eddy, Edward D. (2,1)1964 Dec. 18, Pittsburgh SymphonyFolders:• Collins, Brenda (1,0)• Edwards, John S. (2,0)1965 Mar. 3, Vassar CollegeFolders:• Crouch, John (1,0)• Middleton, Robert (4,0)1965 Mar. 10, New England ConservatoryFolders:• DeVaron, Lorna Cooke (7,0)• Williams, Chester W. (1,0)1965 Apr. 9, Boston SymphonyFolders:• Gill, Richard T. (2,0)• Leinsdorf, Erich (1,0)Aaron Copland Collection 365

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 365/22BOX-FOLDER 365/23BOX-FOLDER365/24-25BOX-FOLDER365/26-27BOX-FOLDER365/28-29BOX-FOLDER 365/30BOX-FOLDER365/31-321965 Apr. 19, Voice of AmericaFolders:• Boxer, Harold (1,0)• Espinosa, Guillermo (1,0)1965 Apr. 25, Inter-American System1965 May 5 to 1965 May 7, Newton Public SchoolsFolders:• Brown, Charles E. (2,1)1965 May 17to 1965 May 23, Kalamazoo CollegeFolders:• Hammar, Russell A. (2,0)1965 Jul. 6, Chicago Symphony / Ravinia FestivalFolders:• Edman, Silas (3,0)• Hillis, Margaret (1,0)• McGregor, Laurette (1,0)• Norman, Vera (1,0)1965 Jul. 28, New York PhilharmonicFolders:• Moseley, Carlos (1,0)• Weissel, William (1,0)1965 Aug. 8 to 1965 Aug. 22, Tanglewood / Berkshire FestivalBOX-FOLDER365/33-341965 Aug. 24 to 1965 Aug. 28, New York Philharmonic [contract only]BOX-FOLDER365/35-361965 Aug. 31, Southern California Symphony / Hollywood BowlBOX-FOLDER 365/37BOX-FOLDER365/38-401965 Sept. 28, Yale UniversityFolders:• Wilson, Keith (1,0)1965 Sept. 30 to 1965 Nov. 14, Europe: United Kingdom / Italy / PolandFolders:• Adams, David S. (2,0)• Ampenoff, R. (1,0)• Burton, Humphrey (3,0)• Carroll, Martin C. (,)• Chappell, Herbert (5,2)• Chávez, Quita (2,0)Aaron Copland Collection 366

Professional Papers, 1917-1990ContainerContents• Cohen, Abe (1,0) [to Thea Dispeker]• Dispeker, Thea (1,0)• Douglas, Basil (14,4)• Fleischmann, Ernest (6,0)• Glock, William (1,0)• Hall, R. A. (2,0)• [Henriuq, Cabrille?] (1,0)• Hildebrand, Suzanne (1,1)• Iglesias, Antonio (1,0)• Kierownika, Zica (1,0)• Lefebre, Dodie (2,0)• Mellers, Wilford (2,0)• Mott, Gunther (1,0)• Orgaz, Manuel (1,0)• Paterson, Robert (2,0)• Ponsonby, Robert (2,0)• Schnutz, Rosemarie G. (1,0)• Semlow-Horodecka, Paulina (1,0)• Staehelin, Marguerite (1,0)• Stephens, Bart N. (1,0)• Todd, J. Douglas (2,0)• Vauk, H. P. (2,1)• Werner, Maurice (1,0)• Zakrzewski, Szymon (1,0)BOX-FOLDER365/41-42BOX-FOLDER 366/1-2BOX-FOLDER 366/3-4BOX-FOLDER 366/5-6BOX-FOLDER 366/7-8BOX-FOLDER 366/9-101965 Nov. 26, Cleveland OrchestraFolders:• Barksdale, A. Beverly (1,0)1966 Jan. 24, University of Utah, Salt Lake City [honorary doctorate given]Folders:• Fletcher, James C. (1,0)• Maryon, Edward D. (1,0)• McMurrin, Sterling M. (1,0)1966 Jan. 25, Utah SymphonyFolders:• Abravanel, Maurice (1,0)• Collins, Brenda (1,0)• Stoll, Forrest D. (1,0) [same letter as signed by E. Maryon]1966 Feb. 21, California State College / California Chamber SymphonyFolders:• Strang, Gerald (3,0)• Temianka, Henri (9,0)1966 Feb. 23, Stanford UniversityFolders:• Hoglund, J. Steven (9,0)1966 Mar. 2, Musica Viva Series / San Francisco SymphonyFolders:Aaron Copland Collection 367

Professional Papers, 1917-1990ContainerContents• Collins, Brenda (3,0)• Scafidi, Joseph A. (8,0)BOX-FOLDER366/11-12BOX-FOLDER 366/13BOX-FOLDER 366/14BOX-FOLDER366/15-16BOX-FOLDER366/17-18BOX-FOLDER366/19-20BOX-FOLDER 366/21BOX-FOLDER366/22-23BOX-FOLDER 366/241966 Mar. 8, Baltimore Symphony Orchestra / Salisbury State CollegeFolders:• Adler, Peter Herman (4,0)• Collins, Brenda (3,0)1966 Mar. 10, Johns Hopkins UniversityFolders:• Adler, Peter Herman (1,0)• Synodinos, John A. (1,1)1966 Mar. 24, CBCFolders:• Collins, Brenda (2,0)1966 Mar. 25, Indiana State College / Indiana University of PennsylvaniaFolders:• Bernat, Robert (3,0)• Nicholson, Arthur F. (3,0)1966 Mar. 28 to 1966 Apr. 1, Inter-American Music FestivalFolders:• Morales, Luis M. Rodriguez (1,0)• Parsi, Hector Campos (3,0)1966 Apr. 4, International HouseFolders:• Cook, Howard A. (3,0)[1966 Apr. 20?] Instituto Nacional de Cultura y Bellas Astes / MusicFestival of CaracasFolders:• Palacios, Inocente (2,0) [both letters in Spanish]• Salcedo-Bastardo, J. L. (1,0)1966 Apr. 21, Philadelphia Art AllianceFolders:• Merrick, James Kirk (1,0)• Wolff, Katherine (3,0)1966 Apr. 21, Swarthmore CollegeFolders:• Shane, Joseph B. (1,0)• Swing, Peter Gram (2,0)Aaron Copland Collection 368

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 366/25BOX-FOLDER366/26-27BOX-FOLDER366/28-29BOX-FOLDER366/30-31BOX-FOLDER366/32-33BOX-FOLDER366/34-35BOX-FOLDER 366/36BOX-FOLDER366/37-381966 Jul. 15, New York Philharmonic1966 Aug. 18, Daytona Beach Festivals / London Symphony OrchestraFolders:• Davidson, Tippen (1,0)• Kassman, Eugene B. (0,1)1966 Sept. 16, Japan: Nippon Columbia Musical Enterprise / Yomiuri-Nippon Symphony [2 more concerts also Sept. 21 and Sept. 27]Folders:• Friedman, Abraham (1,0)• Kugimoto, Shin (1,0)• Nozaki, Tatsuya (3,0)1966 Oct. 13 to 1966 Oct. 14, Library of CongressFolders:• Spivacke, Harold (1,0)[1966 Dec. 2?] Westchester Symphony Orchestra [date is approximate]Folders:• Kahn, Betty (1,0)1967 Jan. 6, Minnesota OrchestraFolders:• Cisek, Richard M. (3,1)• Collins, Brenda (1,0)• Oslund, Nada M. (1,0)• Strommer, Joan (3,0)• Wilford, Ronald (1,0)1967 Jan. 20, St. Paul's SchoolFolders:• Warren, Matthew M. (7,0)1967 Jan. 28 to 1967 Feb. 4, Musica Viva Series / San Francisco SymphonyFolders:• Bernell, William (4,0)• Boone, Charles (1,0)• Bounan, Alma (1,0)• Collins, Brenda (2,0)• Felciano, Richard (1,0)• Harrison, Lou (1,0)• Janowski, Judie (2,0)• Kohn, Karl (1,0)• Le Roux, Jean-Louis (1,0)• Milhaud, Madeleine (1,0)• Nin-Culmell, Joaquin (1,0)Aaron Copland Collection 369

Professional Papers, 1917-1990ContainerContents• Salkind, Milton (1,0)• Scafidi, Joseph A. (10,6)BOX-FOLDER366/39-40BOX-FOLDER366/41-42BOX-FOLDER 366/43BOX-FOLDER 366/44BOX-FOLDER366/45-46BOX-FOLDER366/47-48BOX-FOLDER366/49-50BOX-FOLDER 366/51BOX-FOLDER 366/521967 Feb. 21, National SymphonyFolders:• Dougherty, Edward (1,0)• Mickelwait, Marian C. (1,0)• Mitchell, Alma (1,0)• Rogers, Robert (2,0)1967 Feb. 23, Woman's National Democratic ClubFolders:• Munroe, Mary (2,0)1967 Mar. 12, Concert Artists Guild1967 Mar. 28, Juilliard School1967 Apr. 4, State University of New York, BuffaloFolders:• Chamberlain, Daniel R. (2,0)1967 Apr. 6, Jacksonville UniversityFolders:• Kinne, Frances B. (2,0)• Long, Ralph G. (1,0)• Peltz, Ronald (1,0)• Spiro, Robert H. (2,0)• Yessin, Gerson (1,0)1967 Apr. 8, University of MiamiFolders:• Lee, William F. (1,0)• Roberts, Paul (1,0)• Williams, Clifton (2,0)1967 Apr. 20, St. Mark's SchoolFolders:• Curtis, William H. (2,1)• Engel, Jay G. (1,0)• Pier, Fordyce C. (2,0)• Sickle, Paul Van (1,0)1967 May 4, University of ChicagoFolders:• Levin, Paul (1,0)Aaron Copland Collection 370

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER366/53-54BOX-FOLDER366/55-56BOX-FOLDER 366/57BOX-FOLDER 366/58BOX-FOLDER366/59-60BOX-FOLDER366/61-62BOX-FOLDER 367/1-2BOX-FOLDER 367/31967 May 6, Interlochen Arts Academy, National Music CampFolders:• Baker, Doy M. (3,0)• Johnson, Thor (3,1)1967 May 9, Oberlin CollegeFolders:• Fountain, Robert (2,1)• Melcher, Robert A. (5,2)1967 May 20, University of Chicago1967 Jul. 9, Goldman Band / Guggenheim Memorial ConcertsFolders:• Goldman, Richard Franko (3,0)1967 Aug. 8, Dartmouth CollegeFolders:• Bonaventura, Mario di (9,0)• Hill, Mariellyn (1,0)1967 Aug. 22, Southern California Symphony / Hollywood BowlFolders:• Collins, Brenda (1,0)1967 Sept. 16 to 1967 Oct. 23, Europe: London / Vienna / ItalyFolders:• Blomdahl, Karl B. (0,1)• Dispeker, Thea (1,1)• Douglas, Basil (13,1)• Enhorning, Magnus (1,0)• Fleischmann, Ernest (0,1)• Gellhorn, A. (3,0)• Hilpert, Viola (1,0)• Lakond, Wladimir (1,0)• Le Fevre, Dodie (29,0)• Nabokov, Nicolas (1,0)• Paterson, Robert (5,0)• Perdigaõ, M. M. de Azeredo (3,0)• Quesada, Ernesto de (1,1)• Quesada, Ricardo de (6,1)• Sachs, Hans (3,0)• Sunshine, Adrian (4,0)• Tomek, Otto (1,0)• Whewell, Michael (1,0)1968 Jan. 23, Fulton County SchoolsFolders:Aaron Copland Collection 371

Professional Papers, 1917-1990ContainerContents• Robinson, Don C. (2,0)BOX-FOLDER 367/4-5BOX-FOLDER 367/6-7BOX-FOLDER 367/8BOX-FOLDER 367/9BOX-FOLDER367/10-11BOX-FOLDER367/12-13BOX-FOLDER 367/14BOX-FOLDER 367/15BOX-FOLDER 367/16BOX-FOLDER367/17-181968 Jan. 25, Atlanta SymphonyFolders:• Noerr, R. J. (1,0)• Smith, Helen R. (1,0)• White, Leslie C. (2,0)• Woodward, Mrs. Leroy A. (2,0)1968 Feb. 17, Richmond Professional Institute / Richmond SymphonyFolders:• Batty, L. Wayne (4,2)• Cherry, Milton (2,0)• Dietrick, William M. (1,0) [written to Boosey and Hawkes]• Wright, James L. (7,1)1968 Mar. 21, National Arts Club1968 Mar. 24, State University of New York (SUNY), Downstate MedicalCenterFolders:• Brooks, Chandler McC. (2,0)1968 Apr. 3, Montclair State CollegeFolders:• Oneglia, Mario F. (4,2)1968 Apr. 21 to 1968 Apr. 28, Buffalo PhilharmonicFolders:• Patrick, Mary G. (1,0) [Secretary to A. Pinsker]• Pinsker, Adam A. (6,3)• Wickham, Phyllis J. (2,0)1968 May 14, Latin America1968 May 16, Collegiate SchoolFolders:• Hoff, Ernestine (2,0)1968 May 16, Rockefeller UniversityFolders:• Voeller, Bruce R. (3,0)1968 May 24, Fellowship of ReconciliationFolders:• Gould, Raphael (1,0)• Siegmeister, Elie (1,0)Aaron Copland Collection 372

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER367/19-20BOX-FOLDER367/21-22BOX-FOLDER367/23-24BOX-FOLDER367/25-26BOX-FOLDER367/27-28BOX-FOLDER367/29-30BOX-FOLDER367/31-321968 Jun. 10 to 1968 Jun. 15, Musica Viva Series / San FranciscoSymphonyFolders:• Burnell, William (2,3)• Le Roux, Jean-Louis (2,1)• Scafidi, Joseph A. (9,5)• Wilford, Ronald A. (1,0)• [?], Stanley (1,0)1968 Jun. 25, New York PhilharmonicFolders:• Simons, Clara (2,0)1968 Jul. 23, Chicago Symphony / Ravinia FestivalFolders:• Collins, Brenda (1,0)• Gordon, Edward (3,2)• McGregor, Laurette (1,0)• Turkin, Marshall W. (4,0)• Wellman, Barbara F. (1,0)1968 Jul. 24, Civic Orchestra of ChicagoFolders:• Burgert, Mr. and Mrs. Woodward (1,0)• Edwards, John S. (1,0)• Peters, Gordon (3,0)1968 Aug. 17, Cleveland OrchestraFolders:• Barksdale, A. Beverly (2,1)• Collins, Brenda (2,0)• Lane, Louis (1,0)1968 Aug. 23, Boston SymphonyFolders:• Rock, Isabel (1,0)• Smith, Mary H. (3,0)1968 Oct. 20 to 1968 Oct. 31, LondonFolders:• Denison, John (1,0)• Douglas, Basil (5,0)• Greenwood, Henry (1,0)• Gustave, H. (1,0)• Jefferson, Alan (3,0)• Lawrence, Harold (5,1)Aaron Copland Collection 373

Professional Papers, 1917-1990ContainerContents• Lawrence, Mary (1,0)• Lewis, Charles (1,0)• Michaelis, Kurt G. (1,0)• Orta, Ates (1,0)• Painter, Colin (1,0)• Sunshine, Adrian (2,0)• Suritt, Monica (1,0)• Woolf, John (1,0)BOX-FOLDER 367/33BOX-FOLDER367/34-36BOX-FOLDER 368/1-2BOX-FOLDER 368/3-4BOX-FOLDER 368/5-6BOX-FOLDER 368/71968 Dec. 11, Congregation B'nai JeshurunFolders:• Pilchik, Ely E. (2,0)• Summers, Norman (1,0)1968 Dec. 19 to 1969 Jan. 6, IsraelFolders:• Ampenoff, Rufuia (1,0)• Bart, Al (1,0)• Cohen, Abe (4,3)• Congleton, John D. (3,2)• Dispeker, Thea (1,0)• Gellhorn, A. (1,0)• Gilutz, Carmella (1,0)• Lakond, Wladimir (1,0)• Samuel, Jochanan (1,0)• Watanabe, Patricia (1,0)• Weckmann, Luis (1,0)• Werner, Eric (1,0)1969 Jan. 22, Hartford SymphonyFolders:• Collins, Brenda (5,0)• Kent, David G. (1,0)• Ravitvh, B. S. (1,0)• Winograd, Arthur (2,0)1969 Feb. 4, Composers' ShowcaseFolders:• Schwartz, Charles (4,0)1969 Feb. 11, National SymphonyFolders:• Fiedler, Johanna (1,0)• Flower, Margaret (1,0)• Phillips, Margot (1,0)• Rogers, M. Robert (11,4)1969 Feb. 19, Civitas Club of BrooklynFolders:• Denonn, Bess (4,0)Aaron Copland Collection 374

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 368/8-9BOX-FOLDER368/10-11BOX-FOLDER368/12-13BOX-FOLDER368/14-15BOX-FOLDER368/16-17BOX-FOLDER 368/18BOX-FOLDER368/19-20BOX-FOLDER 368/21BOX-FOLDER 368/221969 Feb. 27, University of HoustonFolders:• Horvit, Michael M. (3,1)• Lach, Fredell (2,0)• Matthews, James T. (1,0)• Moore, Earl V. (2,1)1969 Mar. 3, Houston SymphonyFolders:• Hubbard, Julia (1,0)• Johnson, Tom M. (3,1)• Previn, André (1,0)1969 Mar. 5, Drake UniversityFolders:• Jackson, Paul J. (2,0)• Pisoni, Michael (1,0)• Pyle, Francis (3,1)1969 Mar. 15 to 1969 Mar. 22, Hudson Valley PhilharmonicFolders:• Fricker, Kenneth (1,0)• Monteux, Claude (1,0)• Welch, John (5,3)1969 Mar. 30, Sang PrizeFolders:• Kilkenny, William J. (9,1)• Marsh, Robert C. (1,0)• Umbeck, Sharvy G. (1,0)1969 Apr. 7, Jewish Community Center of BaltimoreFolders:• Reubens, Ben (3,0)• Reubens, Kathryn (1,0)1969 Apr. 9 to 1969 Apr. 10, Baltimore Symphony OrchestraFolders:• Goldberg, Ann (3,0)• Keefer, Lubov (1,0)1969 Apr. 16, Hofstra University1969 Apr. 23, State University of New York (SUNY), Stony BrookAaron Copland Collection 375

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER368/23-24BOX-FOLDER368/25-26BOX-FOLDER 368/27BOX-FOLDER368/28-29BOX-FOLDER368/30-31BOX-FOLDER368/32-33BOX-FOLDER368/34-35BOX-FOLDER368/36-371969 May 1, Syracuse UniversityFolders:• Boatwright, Howard (1,1)• Krasner, Louis (6,3)1969 May 16, Pittsburgh SymphonyFolders:• Collins, Brenda (3,0)• Miller, Mildred (1,0)• Sell, Stephen (1,0)• Steinberg, William (2,1)1969 Jun. 1, Peabody Institute1969 Jun. 19, Garden State Arts Center / New York PhilharmonicFolders:• Collins, Brenda (2,0)• Houghton, Deborah (1,0)• Larson, John (1,0)• Mosely, Carlos (1,0)• Simons, Clara (2,0)1969 Jun. 28, Temple University / Zagreb PhilharmonicFolders:• Bohlen, Ann (1,0)• Collins, Brenda (4,0) [includes 1 letter from G. Brobyn]• Kanter, David (1,1)• Keith, Betsy (1,0)• Page, Robert (1,0)• Stoff, Clare (1,0)1969 Jul. 23 to 1969 Jul. 25, Stratford FestivalFolders:• Collins, Brenda (2,0)• DiBello, Victor (1,2)1969 Sept. 20, Louisville Orchestra / 'Downtown Salutes the Arts'Folders:• Boden, Brench (1,0)• Collins, Brenda (1,0)• Fenn, Thomas (1,0)• Johnston, Penelope A. (8,4)1969 Sept. 25, Detroit SymphonyFolders:Aaron Copland Collection 376

Professional Papers, 1917-1990ContainerContents• Collins, Brenda (3,0)• Harrington, Howard (2,2)• Hochberg, Morris (2,1)• Krato, Darlene (2,0)• Lawson, Robert F. (1,0)BOX-FOLDER368/38-39BOX-FOLDER368/40-41BOX-FOLDER 369/1BOX-FOLDER 369/2BOX-FOLDER 369/3-4BOX-FOLDER 369/5BOX-FOLDER 369/6-71969 Oct. 29, New York Philharmonic / Young People's ConcertsFolders:• Collins, Brenda (2,0)1969 Nov. 7 to 1969 Nov. 25, Europe: Baden-Baden / Budapest /Bucharest / London [Budapest was just a visit]Folders:• Alexander, Edward (2,1)• Antunes, Juliet C. (1,0)• Baruch, Gerth-Wolfgang (1,1)• Dayton, Daryl D. (2,1)• Douglas, Basil (1,0)• Florea, Ion (14,10)• Gellhorn, A. (2,0)• Gustave, H. (1,0)• Hafrey, Daniel J. (1,1)• Hamilton, David (1,0)• Lade, John (1,0)• Lawrence, Harold (12,4)• Lewis, Arthur W. (1,0)• Orem, Virginia (1,0)• Rapeanu, Valeriu (2,0)• Sarai, Tibor (1,0)• Sarlos, Laszlo (1,0)• Scerback, Clement (1,0)• Union of Composers of Romania (0,1)• Wright, Tony (2,0)• [illegible] (1,0)1970 Jan. 30, Yale University1970 Feb. 21, Charlotte Symphony1970 Feb. 22, Plymouth Congregational ChurchFolders:• Brunelle, Philip (6,2)1970 Feb. 26, KSTP-MinneapolisFolders:• Wolf, Henry (2,0)1970 Feb. 26, Minnesota OrchestraFolders:• Cisek, Richard M. (6,0)• Collins, Brenda (5,0)Aaron Copland Collection 377

Professional Papers, 1917-1990ContainerContents• Lancaster, Thomas (2,0)• Oslund, Nada M. (2,0)• Zelle, Ann (1,0)BOX-FOLDER 369/8BOX-FOLDER 369/9-10BOX-FOLDER369/11-12BOX-FOLDER369/13-14BOX-FOLDER 369/15BOX-FOLDER369/16-17BOX-FOLDER369/18-191970 Mar. 15, Chamber Music Society of BaltimoreFolders:• Greenspan, John P. (1,0)• Rothschild, Randolph S. (7,1)1970 Mar. 20, Toledo OrchestraFolders:• Coats, Gordon T. (4,2)• Collins, Brenda (3,1)• Houghton, Deborah (1,0)• Howland, James (1,0)• Peoples, Carol (1,0)1970 Mar. 31, Ohio State UniversityFolders:• Beall, Harry S. (2,1)• Kates, Stephen (2,0)• Ullman, Marjorie (1,0)1970 Apr. 1, Columbus Symphony / Ohio State University [lecture at OSU]Folders:• Beall, Harry S. (1,0)• Mirro, Theresa (1,0)• Ullman, Marjorie (1,0) [addr. to OSU and Columbus Symphny]• Whallon, Evan (3,1) [1 letter addressed to Tony Russo]1970 Apr. 7, University of ChicagoFolders:• Meyer, Leonard B. (2,0)1970 Apr. 9, Chicago SymphonyFolders:• Collins, Brenda (1,0)• Edwards, John (2,1)• Meine, Kenneth (1,5)• The Pick-Congress (1,0)1970 Apr. 23, St. Louis SymphonyFolders:• Cain, James N. (4,0)• Collins, Brenda (1,0)• Fox, Mrs. Carl (1,0)• Janowski, Judie (1,0)Aaron Copland Collection 378

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER369/20-21BOX-FOLDER369/22-23BOX-FOLDER369/24-25BOX-FOLDER 369/26BOX-FOLDER 369/27BOX-FOLDER369/28-29BOX-FOLDER 369/30BOX-FOLDER369/31-32BOX-FOLDER369/33-341970 Apr. 26, Cornell CollegeFolders:• Evans, Jesse G. (1,0)• Strausbaugh, Joy (1,0)• Wilford, Ronald (1,0)1970 May 20, Rochester PhilharmonicFolders:• Cioffi, Donna M. (2,0)• Collins, Brenda (4,0)• Houghton, Deborah (1,0)• Iannaccone, T. (1,0)• Sheppard, Craig (1,0)• Wilkens, Frances S. (1,0)1970 Jul. 9 to 1970 Jul. 12, Interlochen Arts AcademyFolders:• Wilson, George C. (2,2)1970 Jul. 10, Phi Mu Alpha Sinfonia FraternityFolders:• Neumeyer, Carl M. (3,1)1970 Jul. 24 to 1970 Jul. 28, Tanglewood / Berkshire Festival1970 Aug. 1, Cleveland Symphony / Blossom FestivalFolders:• Barksdale, A. Beverly (1,1)• Carlucci, Joseph B. (2,1)• Collins, Brenda (1,1)• Merrill, Lindsey (3,2)• Page, Shirley (1,0)1970 Aug. 9, WCLV-Cleveland [video on Copland's works]Folders:• Murray, Michael (2,0)1970 Aug. 13, Los Angeles Philharmonic / Southern California Symphony /Hollywood BowlFolders:• Fleischmann, Ernest (6,5)• Houghton, Deborah (1,0)• Rubanoff, Jaye (2,1)• Wilford, Ronald (1,0)1970 Aug. 14, Los Angeles County Museum of ArtFolders:Aaron Copland Collection 379

Professional Papers, 1917-1990ContainerContents• Morton, Laurence (5,1)BOX-FOLDER369/35-36BOX-FOLDER369/37-38BOX-FOLDER369/39-40BOX-FOLDER 369/41BOX-FOLDER 369/42BOX-FOLDER 370/1BOX-FOLDER 370/2-3BOX-FOLDER 370/4-51970 Sept. 28 to 1970 Oct. 8, GermanyFolders:• Bickel, H. W. (1,0)• Blank, D. (1,0)• Dispeker, Thea (1,0)• Gellhorn, A. (8,0)• Lichteig, Gioela (1,0)• Linke, Manfred (3,0)• Lutze, H. (1,0)• Morris, Brewster H. (2,0)• Pietsch, Karl Peter (2,2)1970 Oct. 29, New York PhilharmonicFolders:• Collins, Brenda (1,0)1970 Nov. 11, London Symphony OrchestraFolders:• Andrewes, John (1,0)• Douglas, Basil (6,5)• East, Sylvia C. (2,0)• Foggin, Myers (3,0)• Goodell, Robert C. (1,0)• Horner, Keith (1,0)• Mellers, Wilfrid (2,0)• Previn, Andre (1,1)• Sascby, Richard (1,0)1970 Nov. 18, New York UniversityFolders:• Patterson, Benjamin (1,0)1970 Nov. 19 to 1970 Nov. 25, Juilliard School / Albert Schweitzer Chairin the HumanitiesFolders:• Waldrop, Gideon (1,0)1971 Jan. 16, Huntington High School1971 Jan. 26, DePauw UniversityFolders:• Aikman, Patrick (1,0)• Fitzpatrick, Thomas (1,0)• White, Donald H. (8,1)1971 Jan. 28, University of Wisconsin, MilwaukeeFolders:Aaron Copland Collection 380

Professional Papers, 1917-1990ContainerContents• Downey, John (1,0)BOX-FOLDER 370/6-7BOX-FOLDER 370/8-9BOX-FOLDER370/10-11BOX-FOLDER370/12-13BOX-FOLDER370/14-15BOX-FOLDER370/16-17BOX-FOLDER370/18-191971 Jan. 30, Milwaukee SymphonyFolders:• Collins, Brenda (3,0) [1 letter written to David Walker]• Janowski, Judie (1,0)• Schermerhorn, Kenneth (1,0)• Thomas, Richard C. (1,0)1971 Feb. 9, Hunter CollegeFolders:• Hirshbein, Omus (2,0)• Hunter, Ralph (1,0)1971 Mar. 11, North Carolina School of the ArtsFolders:• Ward, Robert (7,1)1971 Mar. 17, University of Hartford / Hartt College of MusicFolders:• Mattran, Donald A. (2,0)1971 Apr. 17, Empire Sinfonietta / WPIX-New York [studio test]Folders:• Hughes, Richard (1,0)• Zalkind, Ronald (3,0) [1 letter written to Leonard Bernstein]1971 Jun. 17, New York PhilharmonicFolders:• Collins, Brenda (1,0)1971 Jun. 26 to 1971 Jul. 12, Europe: France / United KingdomFolders:• Adams, David (1,0)• Anderson, Burnett (1,0)• Boulanger, Nadia (13,1)• Courtinat, L. (1,0)• Daziano, Gilles J. (3,0)• Devigne, (1,0)• Douglas, Basil (3,0)• Duclos, Didier (1,0)• Evarts, John (1,0)• Gellhorn, A. (1,0)• Grahame, G. A. (1,0)• Lawrence, Harold (1,0)• Lee, Noël (6,1)• Macaulay, Carol (1,0)Aaron Copland Collection 381

Professional Papers, 1917-1990ContainerContents• Marks, Angela (1,0)• Mellers, Wilfrid (2,0)• Muller, Jacqueline (1,0)• O'Sullivan, Conal P. (1,0)• Price, Janet (2,0)• Sannier-Salabert, Bernard (2,0)• Todd, J. Douglas (3,1)• [Vice-Chancellor?] (3,0)• Werner, Diana (2,0)BOX-FOLDER370/20-21BOX-FOLDER370/22-23BOX-FOLDER370/24-26BOX-FOLDER370/27-28BOX-FOLDER370/29-30BOX-FOLDER370/31-321971 Jul. 28, University of TorontoFolders:• Applebaum, Louis (3,0)• Brown, John (1,0)• Croombs, William J. I. (1,0)• Kushner, Gordon (7,1)• Matejcek, Jan (3,2)1971 Aug. 9, Harvard UniversityFolders:• Crooks, Thomas (2,0)1971 Oct. 17, Evansville PhilharmonicFolders:• Christian, Minas (5,1)• Downs, Hugh (1,0)• Frieberg, Eloise "Chickie" (1,0)• Hyatt, Richard V. (3,0)1971 Oct. 31, Cornell UniversityFolders:• Bilson, Malcolm (1,0) [dinner invitation]• Cowdery, Bill (1,0)• Palmer, Robert (5,2)• [no name] (1,0) [disguised invitation probably from students]1971 Nov. 13, Kansas State University, ManhattanFolders:• Cogswell, Marjorie (1,0)• Steinbauer, Robert A. (11,2)1971 Nov. 16, Ottawa UniversityFolders:• DeFries, Stanley (5,3)• Klugman, Mark J. (2,0)Aaron Copland Collection 382

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER370/33-34BOX-FOLDER 371/1-2BOX-FOLDER 371/3-4BOX-FOLDER 371/5-6BOX-FOLDER 371/7-9BOX-FOLDER371/10-11BOX-FOLDER371/12-141971 Dec. 16, Empire SinfoniettaFolders:• Zalkind, Ronald (1,0)1972 Feb. 15, West Virginia UniversityFolders:• Bessom, Malcolm E. (2,0)• Canning, Thomas (6,0)• Engberg, Jon E. (1,0)• Fullerton, Bob (2,0)• Reyer, Carolyn (4,0)• Stoneman, E. Donnell (1,1)1972 Mar. 1, Jacksonville UniversityFolders:• Kinne, Frances B. (6,1)1972 Mar. 2, University of Florida, GainesvilleFolders:• Edwardson, Mickie (1,0)• Godwin, Dwight (1,0)• Grigsby, John (8,4)• O'Connell, Stephen C. (2,0)• Poole, Reid (1,0)• Troupin, Edward (3,2)1972 Mar. 13 to 1972 Mar. 19, MexicoFolders:• Burnett, Ann (1,0)• Carmona, Gloria (4,0)• Garrido, Vicente (1,0)• Mata, Eduardo (5,3)1972 Mar. 22, Los Angeles Philharmonic / Southern California Symphony /Hollywood BowlFolders:• Carasas, Enrique (1,0)• Fleischmann, Ernest (2,0)• Heifetz, Jay (1,0)• Janowski, Judie (1,0)• Priest, Anita (3,0)• Rubanoff, Jaye (1,0)1972 Apr. 3, University of Texas, Austin / Walter Prescott WebbSymposiumFolders:• Dickens, Jo Ann (1,0)• Frantz, Joe B. (6,0)Aaron Copland Collection 383

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER371/15-16BOX-FOLDER 371/17BOX-FOLDER371/17-18BOX-FOLDER371/19-20BOX-FOLDER 371/21BOX-FOLDER371/22-23BOX-FOLDER 371/24BOX-FOLDER371/25-26BOX-FOLDER 371/271972 Apr. 20, University of Nebraska, LincolnFolders:• Moran, John P. (1,1)1972 Apr. 30, Queens College [concert cancelled]Folders:• Corn, Miriam (1,0)• Eisman, Lawrence (3,2)• Erickson, Raymond F. (1,1)1972 May 31 to 1972 Jun. 2, London: New Philharmonic / BBCFolders:• Gustave, H. (1,0)• McDonald, Gerald (4,2)• Padmore, Elaine (2,0)• Richardson, David (3,0)1972 Jul. 1, Grant Park ConcertsFolders:• Bass, Richard (4,0)• Schofer, Marvin (1,0)1972 Jul. 3, Civic Orchestra of ChicagoFolders:• Peters, Gordon (2,0)1972 Jul. 29, St. Louis Symphony / Mississippi River FestivalFolders:• Cain, James N. (1,3)• Pastreich, Peter (1,0)• Schofer, Marvin (1,0)• Silbey, Paula J. (1,0)1972 Aug. 8, WJR-DetroitFolders:• Haas, Karl (6,1)• Keenan, Mary Lou (1,0)• Zieve, Morton (2,0) [1 letter written to Museum of Modern Art]1972 Aug. 10, Detroit Symphony / Meadow BrookFolders:• Kallai, Sandor (4,2)1972 Aug. 23, University of Hartford / Hartt College of MusicAaron Copland Collection 384

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER371/28-29BOX-FOLDER371/30-31BOX-FOLDER 372/1-2BOX-FOLDER 372/3-4BOX-FOLDER 372/5-6BOX-FOLDER 372/7BOX-FOLDER 372/8-91972 Sept. 25, Denver SymphonyFolders:• Kent, David G. (0,1)• Priestman, Brian (2,0)• Schofer, Marvin (2,0)• Trogdon, Jo (2,0)• Voorhees, Mary Margaret and James (1,0)1972 Sept. 27, University of Colorado, BoulderFolders:• Chavez, Abraham (3,1)• Collins, Walter S. (5,3)• Duckworth, Guy (3,1)• Imig, Warner (1,0)1972 Nov. 3, Johns Hopkins University / Milton S. Eisenhower SymposiumFolders:• Blume, Michael H. (4,1)• Muller, Steven (1,0)1972 Nov. 11, Austin Symphony Orchestra / University of Texas, AustinFolders:• Cohen, Candy (1,0)• DeFord, John (8,6)• Frantz, Joe B. (2,0)• Korte, Karl (1,1)• Sankey, Stuart (1,1)1972 Nov. 19, Indiana UniversityFolders:• Bain, Wilfred C. (4,3)• Christ, William B. (6,3)• Eaton, John (1,0)• Orrego-Salas, Juan A. (1,0)1972 Nov. 30, University of British ColumbiaFolders:• [Kent, Doug?] (1,0)• Maxwell, Sheila (4,0)• McCorkle, Donald M. (4,0)1972 Dec. 1, Vancouver SymphonyFolders:• Crawley, Lois K. (2,0) [one letter written on a memo from D. Kent]• Dunston, Douglas G. (1,1)• Janowski, Judie (1,0)• Kent, Douglas (8,2)• Schofer, Marvin (1,0)Aaron Copland Collection 385

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 372/10BOX-FOLDER372/11-12BOX-FOLDER 372/13BOX-FOLDER372/14-15BOX-FOLDER372/16-17BOX-FOLDER372/18-19BOX-FOLDER372/20-21BOX-FOLDER372/22-23BOX-FOLDER372/24-251973 Feb. 11, United States Air Force Band1973 Feb. 14, Skidmore CollegeFolders:• Green, George (8,4)• Molloy, Eileen (1,0)1973 Feb. 26, Indiana Central CollegeFolders:• Marshall, Elise S. (3,1)1973 Mar. 3, St. Paul Chamber OrchestraFolders:• Jones, William (1,0)• Reuber, Marlene M. (3,1)• Schofer, Marvin (2,0)• Sell, Stephen (3,1) [letter addressed to M. Schofer]• Sieber, Richard E. (1,0) [addressed to Stephen Sell]1973 Mar. 16, CHCH-TV-Hamilton / Hamilton Philharmonic / McMasterUniversityFolders:• Walker, Alan (3,0)• Webster, Elizabeth (4,3)1973 Apr. 1, University of Arizona, TucsonFolders:• Henderson, Scott (1,1) [letter addressed to M. Schofer]• Janowski, Judie (1,0)• Schofer, Marvin (3,0)1973 Apr. 4, Staten Island Community CollegeFolders:• Birenbaum, William M. (4,1)• Schiff, Mortimer (1,0)1973 Apr. 29, University of Kansas, Lawrence / Symposium ofContemporary American MusicFolders:• Davis, Jed H. (1,0)• Shumway, Stanley N. (10,5)1973 May 3, Music Educators National Conference (MENC): SouthernDivisionFolders:• Cotter, Robert R. (1,0)• Robinson, Don C. (2,2)• Robinson, Don C. (5,3)Aaron Copland Collection 386

Professional Papers, 1917-1990ContainerContents• Simmons, James W. (4,2)• Wincenc, Joseph (1,0)BOX-FOLDER 372/26BOX-FOLDER372/27-28BOX-FOLDER 372/29BOX-FOLDER372/30-311973 Jun. 1, New York Philharmonic1973 Jun. 23, Grant Park ConcertsFolders:• Bass, Richard (3,1)1973 Jun. 25, Civic Orchestra of ChicagoFolders:• Peters, Gordon (2,0)1973 Aug, 18, St. Louis Symphony / Mississippi River FestivalFolders:• Cain, James N. (1,1)• Middendorf, Patricia (1,0)• Pastreich, Peter (1,0)• Schofer, Marvin (2,0)BOX-FOLDER 373/1-5 1973 Sept. 22 to 1973 Oct. 29, Europe: Budapest / Ankara, Istanbul /Prague / MadridFolders:• Ampenoff, Rufina (6,0)• Bechyně, Václàv (1,0)• Berk, Mükerrem (1,2)• Gedenyi, Ildiko (0,3)• Gellhorn, A. (33,3)• Getchell, John S. (1,2)• Hortkova, Kina (0,1)• Juhász, Elöd (1,0)• Karsay, Gyula (4,1)• Kasanof, Anton (3,3)• Küyel, Eről (1,0)• Olcer, Bilge (1,0)• Pauer, Jiří (1,0)• Peterson, Barbara (1,1)• Picon, Leon (1,0)• Quesada, Ricardo (0,3)• Sarlós, László (2,1)• Stanley, Diane (1,0)• Švestka, Karel (4,3)• Varga, Bálint András (11,4)• Whitestone, Annabelle (3,0)• Zorek, John H. (3,0)BOX-FOLDER 373/61973 Dec. 3, Columbia UniversityFolders:• Shanet, Howard (1,0)Aaron Copland Collection 387

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 373/7BOX-FOLDER 373/8-9BOX-FOLDER373/10-11BOX-FOLDER373/12-13BOX-FOLDER373/14-15BOX-FOLDER 373/16BOX-FOLDER373/17-18BOX-FOLDER373/19-20BOX-FOLDER373/21-221974 Jan 16., University of CincinnatiFolders:• Cowden, Robert L. (5,1)• Smith, Orcenith (2,0)1974 Jan. 18, Cincinnati SymphonyFolders:• Bredemann, Dan (1,0)• Gidwitz, John (1,0)• Webster, Albert K. (2,1)1974 Feb. 5, National SymphonyFolders:• Benfield, Jim (1,0)• Denton, William (2,1)• Dorati, Antal (4,0)• Schofer, Marvin (2,0)• Sidlin, Murry (1,0)1974 Feb. 7, United States Information AgencyFolders:• Kelly, Gordon B. (1,0)1974 Feb. 7, Woman's National Democratic ClubFolders:• Sher, Pearl H. (Mrs. Robert E.) (2,0)1974 Feb. 20, Columbia University1974 Mar. 1, Indianapolis SymphonyFolders:• Chenette, Louis F. (2,0)• Harper, H. Thomas (2,0)• Kumb, Fritz (1,0)• Schofer, Marvin (1,0)• Scott, Hubert N. (2,0)1974 Mar. 23, Buffalo PhilharmonicFolders:• Cole, Robert (1,0)• Harmon, Mrs. William (1,0)• Schofer, Marvin (1,0)1974 Mar. 26, State Univerisity of New York (SUNY), BuffaloFolders:• Mikhashoff, Yvar (2,0)Aaron Copland Collection 388

Professional Papers, 1917-1990ContainerContents• Schwarz, Terry Charles (1,0)BOX-FOLDER373/23-24BOX-FOLDER373/25-26BOX-FOLDER373/27-28BOX-FOLDER 373/29BOX-FOLDER 374/1BOX-FOLDER 374/2-31974 Mar. 30, Brooklyn PhilharmoniaFolders:• Edwards, Maurice (2,0)1974 May 2, Rochester PhilharmonicFolders:• Anderson, Mrs. Don H. (1,0)• Anderson, Sylvia (1,0) [letter addressed to Comp. in Perform.]• Brown, Stephen B. (1,0)• List, Eugene (1,1)• Miller, Kenneth R. (1,0)• Quattro, Mary (2,0)• Schofer, Marvin (1,0)• Scott, Howard H. (4,1)• Venezia, Donald (1,0) [letter addressed to Mary Quattro]1974 May 13, Phoenix SymphonyFolders:• Callahan, Thomas F. (1,0)• Davis, Dana J. (1,0)• Feldman, Nan (2,0)• Gutwillig, Jacqueline (3,0)• Mata, Eduardo (3,1)• Moyer, Jo (2,0)• Spector, Eleanor (1,0)1974 May 19, Educational and Cultural Fund of the Electrical Industry1974 Jul. 21, Boston Symphony / Tanglewood / Berkshire Festival1974 Aug. 9 to 1974 Aug. 25, United Kingdom: International Festival ofYouth / University of KeeleFolders:• Amis, John (1,0)• Andrewes, John (3,0)• Bennett, Arthur (2,0)• Bryer, Joy (2,1)• Bryer, Lionel (5,1)• Dickinson, Peter (2,0)• Douglas, Basil (5,2)• Friese-Greene, Anthony (1,0)• Kozar, John (1,0)• McNair, Jenny (1,0)• Pearson, Sheila (4,0)• Sheppard, Craig (1,0)• Wallis, Nicola (3,0)Aaron Copland Collection 389

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 374/4-5BOX-FOLDER 374/6-7BOX-FOLDER 374/8-9BOX-FOLDER374/10-11BOX-FOLDER374/12-13BOX-FOLDER374/14-151974 Oct. 10, National SymphonyFolders:• Dorati, Antal (1,0)• Hanley, Katherine (1,0)• Idema, Joyce (3,0)• Kreeger, David Lloyd (1,0)1974 Nov. 4, Cleveland Orchestra / "Copland Week"Folders:• Barksdale, A. Beverly (4,1)• Boyd, Jane (0,1) [letter from Schofer]• Erb, Donald (1,1)• Freedman, Frederick (1,0)• Levenson, David S. (2,0)• Maazel, Lorin (3,0)• Maxwell, Michael (10,2)• Schofer, Marvin (2,0)1974 Nov. 21, University of San DiegoFolders:• LiMandri, Charles (5,4)1974 Nov. 24, California Chamber SymphonyFolders:• Gualtieri, Emily (1,0)• Sass, Rosalee (1,0)• Temianka, Henry (8,4)1974 Nov. 29, Honolulu SymphonyFolders:• Brown, Robert B. (1,1)• Coats, Gordon T. (1,1)• Dougherty, Barbara A. (1,0)• Hite, Catherine L. (1,0)• Jones, Roger (1,1)• LaMar.ina, Robert (2,1)• Levine, Joseph (1,0)• Potter, Prudence S. (1,0)• Schofer, Marvin (2,0)• Zorek, John H. (1,0)1975 Feb. 19 to 1975 Mar. 3, San SalvadorFolders:• Amman, Sofia (1,0)• Crider, Don (2,0)• Dayton, Daryl D. (2,0)• Knott, Mary (1,0)• Molina, Arturo Armando (1,0)Aaron Copland Collection 390

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER374/16-17BOX-FOLDER 374/18BOX-FOLDER374/19-20BOX-FOLDER374/21-22BOX-FOLDER374/23-24BOX-FOLDER 374/25BOX-FOLDER374/26-27BOX-FOLDER374/28-291975 Mar. 13, Western Connecticut State CollegeFolders:• Furman, James (2,1)• Phi Mu Alpha Sinfonia (1,0)1975 Mar. 16, Syracuse University1975 Mar. 21, Syracuse SymphonyFolders:• Crossly, Joyse (2,0)• Dolloff, Donald (1,1)• Freundlich, August (3,0)• Kallai, Sandor (3,0)• Kells, Georgia (3,0)• Krasher, Louis (3,0)• Prausnitz, Frederik (1,0)1975 Apr. 5, John F. Kennedy Center for the Performing ArtsFolders:• Schofer, Marvin (1,0)• Scribner, Norman (3,0)1975 Apr. 14, University of DelawareFolders:• Crafton, Robert (5,2)1975 Apr. 15, Princeton UniversityFolders:• American Whig-Cliosophic Society (1,0)• Lesser, Eve (3,0)• Stern, Peter (1,0)1975 May 1, Dallas SymphonyFolders:• Battey, David A. (1,1)• Glass, Michael (1,0)• Gloyd, Russell S. (2,1)• Jagoda, Jo Kurth (1,0)• Lane, Louis (0,1) (letter enclosed with D. Battey letter)• Schofer, Marvin (0,1)1975 May 2, Dallas Baptist CollegeFolders:• Wendelburg, Norma (5,2)Aaron Copland Collection 391

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER374/30-31BOX-FOLDER374/32-33BOX-FOLDER 374/34BOX-FOLDER 375/1-2BOX-FOLDER 375/3-4BOX-FOLDER 375/5BOX-FOLDER 375/6-7BOX-FOLDER 375/8BOX-FOLDER 375/9-101975 May 5, California State University, NorthridgeFolders:• Fierro, Charles (3,1)• Heidsiek, Ralph G. (10,4)• Skapski, George J. (1,0)• Vega, Aurelio de la (1,0)1975 May 7, California State University, SacramentoFolders:• Glovinsky, Ben (12,6)1975 May 10, California Chamber SymphonyFolders:• Temianka, Henri (4,1)1975 May 10, University of Southern CaliforniaFolders:• Vazzana, Anthony (8,4)• Vollmer, Harold (2,1)1975 May 14, Muncie Symphony Orchestra / Ball State UniversityFolders:• Hargreaves, Robert (2,0)• Hill, Arthur D. (2,2)• Pollard, Marilyn (3,1)[1975 May 20?] Brooklyn College [date is approximate]1975 Jul. 4, Minnesota OrchestraFolders:• Britton, Linda (1,0)• Dalrymple, Mrs. John S. (1,0)• Engle, Donald L. (1,0)• Smith, Henry Charles (1,0)1975 Jul. 5, University of Minnesota / High School Musician's ProjectFolders:• Sieber, Richard (2,0)1975 Jul. 12 to 1975 Jul. 22, Aspen Music FestivalFolders:• Birdwell, Edward (1,0)• Dufallo, Richard (2,0)• Hardy, Gordon (3,1)• Mester, Jorge (1,0)• Shulman, Helen (1,0)• Slater, Joe. E. (2,0)• Stern, Edgar and Polly (1,0)• Woodward, King R. (1,0)• Zukofsky, Paul (2,0)Aaron Copland Collection 392

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER375/11-12BOX-FOLDER 375/13BOX-FOLDER375/14-16BOX-FOLDER375/17-181975 Jul. 26, National SymphonyFolders:• Britz, Diane (1,0)• Holmes, Gerald (3,1)• Ludwig, John M. (2,1)• McHenry, Robert W. (1,0)• Rizzo, Francis (3,1)• St. Jacques, J. Claire (2,0)1975 Aug. 19, Boston Symphony / Tanglewood / Berkshire Festival1975 Aug. 31 to 1975 Oct. 4, Europe: Copenhagen / Paris / United KingdomFolders:• Adam, Peter (1,0)• Andersen, Lykke Poul (2,0)• Andrewes, John (3,2)• Bevan, Peter (1,0)• Boulanger, Nadia (1,0)• Burton, Anthony (1,0)• Dickson, William S. (1,0)• Dispeker, Thea (2,0)• Douglas, Basil (16,10)• Garnham, Maureen (1,0)• Gellhorn, A. (16,0)• Gerstein, Beverly (3,0)• Golightley, Kenn (1,1)• Greenberg, Rodney (3,3)• Groves, Charles (1,0)• Hall, Barrie (2,0)• Heller, Peter (1,0)• Horner, Keith (1,0)• Jamison, Judith R. (1,0)• Norgard, Per (1,0)• Sava, Helen (1,0)• Soalhat, P. and J. (2,0)• Theodore Presser Company (1,0)• Winder, Anne (1,0)• Zago, P. (1,0)• Zorek, John (1,0)1975 Nov 1. to 1975 Nov. 7, Oregon Symphony / "Mr. Copland ComesWest" [several local colleges involved]Folders:• Birnbaum, Leila (3,0)• Dundore, Mary Margaret (2,0)• Hyslop, David (8,4)• Jarrett, G. Jane (2,0)• Martin, Gerry J. (1,0)• Trudeau, S. John (2,0)• Vallion, Nina (3,0)Aaron Copland Collection 393

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER375/19-21BOX-FOLDER375/22-23BOX-FOLDER 376/1BOX-FOLDER 376/2-3BOX-FOLDER 376/4BOX-FOLDER 376/5BOX-FOLDER 376/6-7BOX-FOLDER 376/8-9BOX-FOLDER376/10-11BOX-FOLDER376/12-131975 Nov. 18, Harrisburg SymphonyFolders:• Ebner, George H. (10,0)• Epstein, David (4,2)• Geduldig, Mrs. Michael M. (4,0)• Sheppard, Walter P. (4,0)1975 Nov. 19, Shippensburg State CollegeFolders:• Reitmeyer, John W. (5,5)• Shover, Blaine (1,0)[1975 Dec. 1?] Minnesota Orchestra1975 Dec. 7, American SymphonyFolders:• Aaron, Arthur (5,0)1975 Dec. 15, Walter W. Naumberg Foundation1975 Dec. 16, Mark Hellinger Theatre / Martha Graham Dance Company1976 Jan. 1, Toronto SymphonyFolders:• Bickford, Erica (1,0)• Hachbarn, Madelene (1,0)• Homburger, Walter (3,2)• Morawetz, Ruth (2,0)• Schofer, Marvin (2,0)• Sperling, A.M. (2,0)1976 Jan 16, Los Angeles Master ChoraleFolders:• Goldstein, Sylvia (1,0)• Threadgill, Francis (4,0)• Wagner, Roger (0,1)1976 Jan. 23, San Jose Symphony / San Jose State UniversityFolders:• Archibeque, Charlene (1,1)• Harrison, Lou (1,1)• Macdonald, Annette (1,0)• Thomson, Don (4,2)• Winter, Michael (11,2)1976 Feb. 24, National SymphonyFolders:Aaron Copland Collection 394

Professional Papers, 1917-1990ContainerContents• Denton, William L. (5,0)• Dorati, Antal (1,0)• Schofer, Marvin (1,0)• Sidlin, Murry (2,0)• Weber, Ruthanna M. (2,1)BOX-FOLDER376/14-15BOX-FOLDER376/16-17BOX-FOLDER 376/18BOX-FOLDER376/19-20BOX-FOLDER 376/21BOX-FOLDER376/22-23BOX-FOLDER376/24-251976 Feb. 27, North Carolina SymphonyFolders:• Caldwell, John T. (4,1)• Gosling, John (3,1)• Watson, J. Perry (6,1)1976 Mar. 3, Stockholm / KonsertforeningenFolders:• Gellhorn, A. (3,2)• Koeberling, Ursula (2,0)• Lodding, Henrik F. (3,0)• Sherrard, Janet (1,0)1976 Mar. 15, University of Utah, Salt Lake CityFolders:• Gardner, David P. (2,1)• Gardner, Pete D. (2,1)1976 Mar. 18, Utah SymphonyFolders:• Abravanel, Maurice (4,1)• Beutler, Mrs. William (1,0)• Burton, Dorothy (1,0)• Kay, Betty L. (1,0)• Landes, Carleen (1,0)1976 Mar. 25, Harvard Club1976 Mar. 26, Haverford CollegeFolders:• Davison, John (8,3)1976 Mar. 30, Kansas City PhilharmonicFolders:• Jarratt, Howard (2,0)• Loeb, Ann (1,0)• Peress, Maurice (4,1)• Schofer, Marvin (2,0)• Sies, Nancy (4,1)Aaron Copland Collection 395

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER376/26-27BOX-FOLDER376/28-29BOX-FOLDER376/30-31BOX-FOLDER376/32-33BOX-FOLDER376/34-35BOX-FOLDER376/36-37BOX-FOLDER376/38-391976 Apr. 1, Ottawa UniversityFolders:• Bobbish, Carl (6,3)• DeFries, Stanley (3,0)1976 Apr. 9, Cincinnati SymphonyFolders:• Britz, Diane (2,0)• Burlingame, Marty (1,0)• Haas, Kenneth (3,1)• Miller, Kenneth (2,0)• Monder, Steven (1,0)• Schippers, Thomas (1,1)• Wulsin, Joan (1,0)1976 Apr. 11, Miami UniversityFolders:• Cope, David (8,3)1976 Apr. 22, Rochester PhilharmonicFolders:• Britz, Diane (1,0)• Columbia Artists Management (1,0)• Dechario, Tony H. (4,1)• Scott, Howard H. (5,2)• Stewart, Barbara and Jim (1,0)• Webster, Michael1976 Apr. 25, Kent State UniversityFolders:• Merrill, Lindsey (3,2)• Watson, Walter (2,1)1976 Apr. 30, Ann Arbor May FestivalFolders:• Rector, Gail W. (8,3) [1 letter to Philadelphia Orchestra Association]1976 May 6, Buffalo PhilharmonicFolders:• Bielski, Michael (1,1)• Britz, Diane (1,0)• Lawrence, Harold (1,0)• Schofer, Marvin (1,0)• Tarbet, Natalie (1,0)• Walsh, Betty (1,0)Aaron Copland Collection 396

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER376/40-41BOX-FOLDER376/42-43BOX-FOLDER 377/1-2BOX-FOLDER 377/3-4BOX-FOLDER 377/5-6BOX-FOLDER 377/7BOX-FOLDER 377/8-91976 May 21, Ojai FestivalFolders:• Golden, Eugene (1,0)• Izant, Betty (1,0)• Morton, Laurence (7,4)1976 May 27, Winnipeg Festival / CBCFolders:• Redekopp, Harold (10,3)• Schofer, Marvin (2,0)1976 Jul. 3, Minnesota OrchestraFolders:• Britz, Diane (1,0)• Bursch, Russ (4,0)• Feldman, Mary Ann (1,0)• Schofer, Marvin (1,0)• Trygstad, Linda (1,0) [form letter for guest conductors]1976 Jul. 14, Tidewater Music FestivalFolders:• Denton, William (1,0)• Levy, Robert (6,4)1976 Jul. 25, National Symphony / Wolf Trap Farm ParkFolders:• Denton, William L. (1,0)• Holmes, Gerald (3,1)• Rizzo, Francis (2,1)• Schofer, Marvin (2,0)1976 Aug. 5, Philadelphia Orchestra / Saratoga FestivalFolders:• Britz, Diane (1,0)• Harnack, Curtis (2,0)• McElheran, Brock (2,0)• Sokoloff, Boris (1,0)1976 Aug. 6 to 1976 Aug. 21, Banff Festival of the ArtsFolders:• Adams, Jorie (4,0)• Armstrong, Neil (5,2)• Baril, Armand G. (3,1)• Leighton, David (1,1)• Temianka, Henri (2,1)• Zukerman, George (1,0)Aaron Copland Collection 397

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER377/10-11BOX-FOLDER377/12-13BOX-FOLDER 377/14BOX-FOLDER377/15-16BOX-FOLDER377/17-181976 Aug. 24, Los Angeles Philharmonic / Southern California Symphony /Hollywood BowlFolders:• Britz, Diane (1,0)• Fleischmann, Ernest (1,1)• Flynn, Norma (1,0)1976 Oct. 18 to 1976 Nov. 10, Europe: Leeds Festival / University of Keele /CBS Records / University of East Anglia / Goteburg / BrusselsFolders:• Andrewes, John (3,0)• Austin, J. F. (1,0)• Bigsby, C. W. E. (2,1)• Crisford, Jane (1,0)• Dickinson, Peter (4,1)• Dispeker, Thea (2,0)• Douglas, Basil (13,8)• Gellhorn, A. (5,1)• Goehr, Alexander (4,2)• Hammarstrom, Kerstin (2,0)• Koeberling, Ursula (2,0)• Lodding, Henrik F. (1,0)• Lord Mayor of Leeds, The (1,0)• MacGregor, J. (1,0)• Mauroy, Jacques (4,0)• Myers, Paul (1,1)• Rennie, Jill (1,0)• Taylor, Vivienne (2,0)• Thys, H. (3,0)• Ydewalle, Francoise d' (1,0)• Zago, P. (1,0)1976 Nov. 29, Tulane University [honorary doctorate also given]Folders:• Hackney, Sheldon (1,0)• Hansen, Peter S. (1,1)1976 Nov. 30, New Orleans SymphonyFolders:• Blum, Lucille (1,0)• Breit, Virginia (1,0)• Greene, Thomas A. (1,0)• Khinoy, Nina (1,0)• Langlais, Mary (1,0) [dinner party hostess]• Reese, Helen G. (1,0)1976 Dec. 4, University of Bridgeport / Carlson Festival of ArtsFolders:• Horn, Ruth Carlson (1,0)• Miles, Leland (1,0)• Valante, Harrison R. (6,1)Aaron Copland Collection 398

Professional Papers, 1917-1990ContainerContents• Wentzel, Ruby (4,1)BOX-FOLDER377/19-20BOX-FOLDER377/21-22BOX-FOLDER377/23-24BOX-FOLDER377/25-26BOX-FOLDER 377/27BOX-FOLDER 377/28BOX-FOLDER377/29-30BOX-FOLDER377/31-32BOX-FOLDER 378/1-21977 Jan. 18, National Symphony / Inauguration DayFolders:• Lobanov, Oleg (1,0)1977 Jan. 24, Yale UniversityFolders:• Nelson, Philip F. (3,1)• Perlis, Vivian (1,0)1977 Feb. 11, Union College / American Composers' ForumFolders:• Bucci, Jane (7,2)• Duffy, John (1,0) [cc. addressed to Jane Bucci]1977 Mar. 3, Occidental CollegeFolders:• Gross, Robert (3,2)1977 Mar. 24, MacPhail Center for the Arts1977 Mar. 26, Minneapolis Public Library [program 'Bookends']Folders:• Fluck, John A. (2,1)1977 Mar. 26, St. Paul Chamber OrchestraFolders:• Britz, Diane (1,0)• Davidson, J. Randall (1,0)• Davies, Dennis Russell (0,3)• Howland, James (1,1)• Johnson, Dolores (2,0)• Thompson, Mrs. Wayne (1,1)1977 Mar. 27, University of Wisconsin, River FallsFolders:• Jong, Conrad de (1,0)• Wold, Elliot R. (3,3)• Wolfe, Wayne (5,2)1977 Mar. 29, California State University, FullertonFolders:• Dietzer, M'lou (1,0)• Farrelly, Wallace (16,4)• Karson, Burton (1,0)Aaron Copland Collection 399

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 378/3-4BOX-FOLDER 378/5-6BOX-FOLDER 378/7-8BOX-FOLDER 378/9-10BOX-FOLDER378/11-12BOX-FOLDER 378/13BOX-FOLDER378/14-15BOX-FOLDER378/16-171977 Apr. 1, University of RedlandsFolders:• Arnold, Steven David (1,0)• Dawson, Eugene E. (1,0)• Simonds, Mr. and Mrs. James (1,0)• Wilson, Jack (6,6)1977 Apr. 6, University of Oklahoma, NormanFolders:• Hennagin, Michael (10,8)1977 Apr. 26, Nebraska Wesleyan UniversityFolders:• Wyman, William A. (8,4)1977 May 1, Denver SymphonyFolders:• Britz, Diane (1,0)• Ecklund, Philip C. (2,0)• Heitler, Emmett (0,0)• Hobson, Mona G. (1,1)• Oldenburger, Pyxie (1,0)• Priestman, Brian (2,1)• Schofer, Marvin (2,0)• Skinner, Howard (1,0)1977 Jun. 1, State University of New York (SUNY), BuffaloFolders:• Duffy, John (0,0) [addressed to Morton Feldman]• Wachob, William K. (1,0)1977 Jun. 6, New York Philharmonic / Financial World MagazineFolders:• Brown, Mary (1,0)• Janowski, Judie (0,1)• Lobanov, Oleg (1,0)• O'Kelly, Patricia J. (1,0)• St. Jacques, J. Claire (1,0)1977 Jun. 1, National SymphonyFolders:• Oldenburger, Pyxie (1,0)• Schofer, Marvin (1,0)1977 Jun. 21, Temple University / Pittsburgh SymphonyFolders:• Charlick, Bruce (1,1)• Kaplan, Sid (2,1)Aaron Copland Collection 400

Professional Papers, 1917-1990ContainerContents• Schofer, Marvin (1,0)• Wolfgong, Samuel K. (1,0)• Zalkind, Ronald (1,0)• Ziegler, John J. (1,1)BOX-FOLDER378/18-19BOX-FOLDER378/20-21BOX-FOLDER378/22-23BOX-FOLDER 378/24BOX-FOLDER378/25-26BOX-FOLDER378/27-28BOX-FOLDER378/29-301977 Jul. 23, Santa Fe Chamber Music FestivalFolders:• McVay, Alan (1,0) [form memo]• Rich, Sheldon (8,3)1977 Aug. 12, Philadelphia Orchestra / Saratoga FestivalFolders:• Hankenson, Craig (1,0)• Khinoy, Nina (1,0)• McElheran, Brock (3,1)• Orio, Dorothy (1,0)• Ormandy, Eugene (1,1)• Sokoloff, Boris (2,1)1977 Aug. 20, Rochester PhilharmonicFolders:• Berryhauser, Jacob (1,0)• Cameron, Janice (1,1)• Murphy, Christine (1,0)• Schofer, Marvin (1,0)1977 Sept. 29, Library of Congress1977 Oct. 15, Yale UniversityFolders:• Nelson, Philip F. (2,0)• Polisi, Joseph W. (2,0)1977 Nov. 1, Fromm Music Foundation / Harvard UniversityFolders:• Gratto, Christine (1,0)• Learning From Performers (1,0)• Vosgerchian, Luise (1,0)• Yarmolinsky, Ben (1,0)1977 Nov. 14, National SymphonyFolders:• Denton, William L. (4,1)• Lobanov, Oleg (1,1)• Rostropovich, Mstislav (2,1)• Schofer, Marvin (3,1)Aaron Copland Collection 401

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER378/31-32BOX-FOLDER378/33-34BOX-FOLDER 379/1-2BOX-FOLDER 379/3-4BOX-FOLDER 379/5-6BOX-FOLDER 379/7-8BOX-FOLDER 379/9-10BOX-FOLDER379/11-131977 Nov. 15, Johns Hopkins University / Lester Levy LectureFolders:• Galkin, Elliot (2,2)• Muller, Steven (5,1)• Stam, David H. (2,0)1977 Dec. 14, Florida PhilharmonicFolders:• Kent, David (0,1)• Schofer, Marvin (2,0)• Trogdon, Mary Jo (1,1)1978 Jan. 9, Houston SymphonyFolders:• Alexander, Robert H. (0,1)• Keithan, Mary Ann (1,0)• Medvitz, James T. (2,2)• Parker, Patricia (1,0)• Schofer, Marvin (3,2)• Woolcock, Michael (1,1)1978 Jan. 12, Van Cliburn FoundationFolders:• Alexander, Robert H. (11,5)• Dupree, Betty Claire (2,0)• Giordano, John (1,0)1978 Jan. 14, University of TulsaFolders:• Justice, Jim (9,6)1978 Feb. 21, Baltimore Symphony OrchestraFolders:• Britz, Diane (1,0)• Goldberg, Ann (1,0)• Oldenburger, Pyxie (1,0)• Schofer, Marvin (1,1)1978 Feb. 23, Johns Hopkins Medical InstitutionFolders:• Comissiona, Sergiu (1,1)• Udvarhelyi, George B. (4,0)1978 Mar. 4 to 1978 Mar. 21, AustraliaFolders:• Barnes, Frank (0,1)• Duckmanton, T. S. (1,0)• Ellis, R. E. (2,0)Aaron Copland Collection 402

Professional Papers, 1917-1990ContainerContents• Gellhorn, A. (4,0)• Grylls, Karen (1,0)• Harrison, G. K. (1,2)• Henchman, Nancy (1,0)• Holmes, Helen (5,2)• Hort, H. (1,0)• Hughes, Anthony (1,0)• James, David W. (1,0)• Koeberling, Ursula (3,0)• Lascelles, Gerald R. (1,1)• Macourt, Merrilee (1,0)• Moretti, Jean D. (6,2)• Mueller, Susan (2,0)• Murdoch, James (1,0)• Plush, Vincent (2,2)• Smart, R. (1,0)• Winter, Arthur (5,4)BOX-FOLDER 379/14BOX-FOLDER379/15-16BOX-FOLDER379/17-18BOX-FOLDER379/19-20BOX-FOLDER379/21-22BOX-FOLDER379/23-241978 Mar. 24, St. Paul Chamber Orchestra1978 Mar. 26, National SymphonyFolders:• Idema, Joyce (2,0)• Lobanov, Oleg (1,1)1978 Mar. 31, American UniversityFolders:• Kraut, Alan and Kay Mussell (3,1)• Mussell, Kay and Alan Kraut (3,1)• Oldenburger, Pyxie (1,0)• Turner, Lauran (1,0) [re: campus radio station interview]1978 Apr. 16, United States Military Academy, West PointFolders:• Beckwith, Charles E. (1,0)• Price, David (1,0)• Schofer, Marvin (1,0)1978 Apr. 29, Crane School of Music / State University College, PotsdamFolders:• Jadlos, John L. (1,1)• McElheran, Janice (1,0)• Thayer, Robert W. (7,5)1978 May 10, Oakland University / "Aaron Copland Week"Folders:• Allvin, Raynold (7,4)• Hampton, Anna (1,0)Aaron Copland Collection 403

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER379/25-26BOX-FOLDER379/27-28BOX-FOLDER 380/1-2BOX-FOLDER 380/3-4BOX-FOLDER 380/5-6BOX-FOLDER 380/7BOX-FOLDER 380/8-10BOX-FOLDER380/11-12BOX-FOLDER380/13-141978 May 16, Toronto SymphonyFolders:• Campbell, James (1,0)• Columbia Artists Management (1,0)• Cooper, Barbara (1,0)• Oldenburger, Pyxie (1,0)• Schofer, Marvin (1,0)1978 May 21, Plymouth Congregational ChurchFolders:• Brunelle, Philip (5,3)• Buran, Mr. and Mrs. David (1,1) [AC's hosts]1978 Jun. 3, Michigan Opera Theatre / Central Michigan UniversityFolders:• DiChiera, David (3,0)1978 Jun. 13, National Symphony / Wolf Trap Farm ParkFolders:• Idema, Joyce (1,0)• Lobanov, Oleg (0,1)• Schofer, Marvin (2,1)• St. Jacques, J. Claire (1,0)1978 Jul. 8, St. Louis SymphonyFolders:• Gardner, Roberta (1,0)• Schofer, Marvin (1,0)1978 Aug. 25, National Symphony1978 Aug. 27, Cabrillo Music FestivalFolders:• Schofer, Marvin (3,1)• Wagner, Lois P. (4,2)1978 Sept. 17, Norfolk SymphonyFolders:• Crociata, Francis (1,1)1978 Oct. 20, Oakland BalletFolders:• De Domenico, Thomas (1,1)• Guidi, Ronn (3,1)• Hertelendy, Paul (1,0)• Ober, Doris A. (1,1)• Osher, Lauren (1,0)Aaron Copland Collection 404

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 380/15BOX-FOLDER380/16-17BOX-FOLDER 380/18BOX-FOLDER380/19-20BOX-FOLDER380/21-22BOX-FOLDER380/23-24BOX-FOLDER380/25-26BOX-FOLDER 380/27BOX-FOLDER380/28-291978 Oct. 22, University of California, RiversideFolders:• Lucarelli, Anthony A. (4,3)1978 Oct. 24, California Institute of the ArtsFolders:• England, Nicholas M. (3,1)1978 Oct. 30, Los Angeles County Museum of Art1978 Nov. 7, Indiana State University [honorary degree]Folders:• Cowden, Robert L. (5,2)• Dailey, James (3,1)• Landini, Richard (1,0)• Singer, Joan (1,0)1978 Nov. 10, Memphis State UniversityFolders:• Fruchtman, Efrim (11,8)• Gaver, William D. (2,1)• Hudson, Anne (2,0)• Roberts, David M. (1,0)• Saliba, Konnie (1,0)1978 Nov. 14, Tennessee Technological UniversityFolders:• Brahmstedt, Howard K. (1,0)• Jager, Robert (13,7)1978 Nov. 21, National SymphonyFolders:• Idema, Joyce (1,0)• O'Kelly, Patricia J. (1,0)1978 Dec. 6, Sarah Lawrence CollegeFolders:• DeCarlo, Charles (1,0)• Lock, Stanley (2,1)• Nosek, Cynthia (1,0)1979 Jan. 27, San Antonio SymphonyFolders:• Andrews, Richard T. (1,0)• Bennett, Mrs. Dale (2,0)Aaron Copland Collection 405

Professional Papers, 1917-1990ContainerContents• Eisenberg, Marlene A. (1,0)BOX-FOLDER380/30-31BOX-FOLDER380/32-33BOX-FOLDER 381/1-2BOX-FOLDER 381/3-4BOX-FOLDER 381/5-6BOX-FOLDER 381/7-8BOX-FOLDER 381/9-101979 Jan 28, Chamber Arts Ensemble [audience member, music by AC]Folders:• Threadgill, Francis (3,2)1979 Feb. 17, St. Paul Chamber Orchestra [first concert date of tour]Folders:• Davies, Dennis Russell (1,1)• Poindexter, Adele (1,1)• Venittelli, Alice (9,2)• Venittelli, Alice and Salvatore (2,0)• Weil, Fred and Suzanne (1,0)1979 Mar. 15, San Diego SymphonyFolders:• Barnhart, Linda (1,0)• Eros, Peter (1,0)• Hanek, Diane (1,1)• Maxwell, Michael (6,1)• Stalle, George (3,0)1979 Mar. 19, Dance MagazineFolders:• Philip, Richard N. (3,1)1979 Apr. 9, University of Missouri, ColumbiaFolders:• Craven, Gene W. (1,1)• McGlothlin, Donald E. (6,2)• Reuter, Paul K. (2,0)• Uehling, Barbara S. (2,0)1979 Apr. 19, Vermont SymphonyFolders:• Demas, Terrance (2,1)• Gratwick, Joel (8,5)• Guigui, Efrain (1,1)• Mack, Andrew (1,0)• Miller, Robert (1,0)• Preece, Thayer E. (1,1)1979 Apr. 26, Rochester PhilharmonicFolders:• Dechario, Tony H. (11,3)• Richmond, Ken (1,0)• Stein, Richard A. (1,0)Aaron Copland Collection 406

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER381/11-12BOX-FOLDER381/13-14BOX-FOLDER381/15-16BOX-FOLDER381/17-18BOX-FOLDER381/19-20BOX-FOLDER 381/21BOX-FOLDER381/22-23BOX-FOLDER381/24-251979 May 4, University of DenverFolders:• LaGuardia, Vincent C. (3,1)1979 May 15, Nyack Public SchoolsFolders:• DiPetrillo, John (2,1)1979 May 18, Florida State University, TallahasseeFolders:• Housewright, Wiley L. (6,4)• Murray, Robert (1,0)• Pittman, [Mrs.?] Maevan (1,0)• Pope, W. Stuart (1,0)• Schmidt, Harry (2,1)1979 May 28, National SymphonyFolders:• Hankenson, Craig (1,0)• Idema, Joyce (1,2)• Janowski, Judie (1,0)• O'Kelly, Patricia J. (1,1)1979 Jun. 4, Festival CasalsFolders:• Childs, Betsy (1,0)• Janowski, Judie (0,1)• Mester, Jorge (5,1)1979 Jul. 13, Lincoln Center InstituteFolders:• Dunbar, Jun. (1,0)• Schubart, Mark (1,1)1979 Aug. 4, National Symphony / Wolf Trap Farm ParkFolders:• Brown, Mary (1,0)• Janowski, Judie (0,1)• Lobanov, Oleg (1,0)• O'Kelly, Patricia J. (1,0)• St. Jacques, J. Claire (1,0)1979 Aug. 10, Toronto SymphonyFolders:• Armstrong, J. Wray (1,1)Aaron Copland Collection 407

Professional Papers, 1917-1990ContainerContents• Eisenberg, Marlene A. (1,0)• Gibson, Helen R. (1,0)• Mills, Jack (0,1)• Mills, Jack (2,0)• Scott-Patterson, Helen (1,0)BOX-FOLDER381/26-27BOX-FOLDER381/32-33BOX-FOLDER381/28-29BOX-FOLDER381/30-31BOX-FOLDER 381/32BOX-FOLDER 381/33BOX-FOLDER381/34-351979 Aug. 15, Philadelphia Orchestra / Saratoga FestivalFolders:• Chesbrough, Herbert A. (7,0)• Meyer, Nancy (1,0) [form memo to conductors]• Philadelphia Orchestra (0,1)• Santarlasci, Joseph H. (1,0)• Sokoloff, Boris (0,1)• Sopko, Julie O. (1,0)1979 Oct. 15, University of Arizona, Tucson [part of 1979 Tour withMinnesota Orchestra]Folders:• Hull, Robert (1,0)• Muczynski, Robert (1,1)• Swanson, Philip J. (2,2)1979 Nov. 12, University of DelawareFolders:• Craig, Gary G. (5,3)• Harward, Donald W. (5,3)• Pressley, Dan N. (2,0)1979 Nov. 14, Michigan State UniversityFolders:• Bloomquist, Kenneth G. (1,0)1979 Nov. 14, Third Street Music School Settlement1979 Nov. 27, Kansas State University, ManhattanFolders:• Hougen, Harvey R. (3,0)• Kruh, Jan (1,0)1979 Dec. 1 to 1979 Dec. 2, John F. Kennedy Center for the PerformingArtsFolders:• Daly, Robert (1,0) [five other CBS employees signed letter]• Futch, Judy (1,0)• Galperin, Fern (1,0)• Nelson, Gretchen M. (1,0)• Stevens, George (3,1)• Stevens, Roger (2,1)Aaron Copland Collection 408

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER 381/36BOX-FOLDER 382/1-2BOX-FOLDER 382/3-4BOX-FOLDER 382/5-6BOX-FOLDER 382/7BOX-FOLDER 382/8-9BOX-FOLDER382/10-11BOX-FOLDER 382/12BOX-FOLDER 382/131979 Dec. 6, Third Street Music School Settlement1980 Jan 3, Brooklyn PhilharmoniaFolders:• Edwards, Maurice (1,0)• Kriegel, I. Stanley (1,0)1980 Feb. 5, National Orchestral AssociationFolders:• Adam, Claus (2,0)• Goldstein, Sylvia (1,0)• Schweitzer, Lois H. (4,0)1980 Feb. 29, University of Pennsylvania, PhiladelphiaFolders:• Narmour, Eugene (5,3)1980 Apr. 12, Primetime Saturday / NBC NewsFolders:• Lukk, Tiiu (1,1)1980 Apr. 13, Buffalo PhilharmonicFolders:• Allen, Katherine (1,0)• Bielski, Michael E. (1,1)• Flint, Katy (1,0)• Kubacki, Jane M. (3,0)• Rudel, Julius (0,1)• Vigorito, Vicki (1,0)• Zweig, Ilene (1,0)1980 May 9, Indianapolis SymphonyFolders:• Beerstein, Barbara S. (2,1)• Flint, Katy (1,0)• Indianapolis Symphony, Publicity (0,1)• Kumb, Fritz (0,1)• Lewis, Sheila (1,0)• Terry, Jane (2,2)• Tubesing, Pamela (2,0)• Vogel, Mindy (1,0)1980 May 11, Indianapolis Arts ChoraleFolders:• Marshall, Elise (2,1)1980 May 26, National SymphonyFolders:• McDaniel, Sharon (2,0) [contract enclosure letters]• Noerr, Robert J. (1,0)Aaron Copland Collection 409

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER382/14-15BOX-FOLDER 382/16BOX-FOLDER382/17-18BOX-FOLDER 382/19BOX-FOLDER382/20-21BOX-FOLDER 382/22BOX-FOLDER382/23-24BOX-FOLDER382/25-26BOX-FOLDER 382/27BOX-FOLDER 382/281980 Jun. 1, Brown University [honorary degree awarded]Folders:• Coakley, John P. (6,1)• Ermey, William (3,0)• Reichley, Robert A. (2,0)• Swearer, Howard R. (3,0) [one is a dinner invitation]• Vincent, Robert K. (2,0)1980 Jun. 18, New York Philharmonic1980 Jun. 28, National SymphonyFolders:• Janowski, Judie (0,1)• Kukuk, Jack W. (1,1)1980 Jul. 5, Tanglewood, Berkshire Festival1980 Sept. 22, Detroit SymphonyFolders:• Bryk, Lillian (2,0)• Dorati, Antal (2,1)• Raeburn, Andrew (3,2)1980 Oct. 11, New York Philharmonic1980 Nov. 8, American SymphonyFolders:• Aaron, Arthur (10,0)• Adkinson, Kathy (1,0)• Bean, Betty Randolph (1,0)• Garrick, Joel (0,0) [letter to Arthur Aaron]• Wall, Linda (0,0) [letter to Arthur Aaron]• Wasserman, Cece (1,0)1980 Nov. 14, National SymphonyFolders:• Gray, Karen M. (1,0)• Noerr, Robert (0,1)• Rostropovich, Mstislav (1,2)• Wall, Linda (1,0)1980 Nov. 19, Harvard University1980 Nov. 22, Symphony Space / Wall-to-Wall Copland and AmericanaAaron Copland Collection 410

Professional Papers, 1917-1990ContainerContentsBOX-FOLDER382/29-30BOX-FOLDER382/31-32BOX-FOLDER382/33-34BOX-FOLDER382/35-36BOX-FOLDER 383/1BOX-FOLDER 383/2BOX-FOLDER 383/3-4BOX-FOLDER 383/5-6BOX-FOLDER 383/7-81980 Nov. 29 to 1980 Dec. 12, Europe: London Symphony / Brussels / ParisFolders:• Barenboim, Daniel (1,1)• Bero, Michel (7,3)• Billiet, J. (1,0)• Douglas, Basil (8,6)• Douglas, Basil (11,9)• Eden, Ursula (7,3)• Garnham, Maureen (2,0)• Hemmings, Peter (3,2)• Lewis, Dvora (1,0)• Snow, Christopher (1,0)• Takach, Kathryn (1,0)• Thys, H. (0,1)• Worth, B. (1,0)• Zago, P. (1,0)1981 Jan. 9, Chamber ConsortiumFolders:• Roth, Arnold W. (2,1)• Wilson, Thomas (1,0)1981 Mar. 20, Albany InstituteFolders:• Mikhashoff, Yvar (1,0)1981 May 17, University of Nevada, Las VegasFolders:• Vanda, Charles (2,1)1981 May 20, All-City High School Orchestra1981 May 29, Juilliard School1981 Jun. 27, National SymphonyFolders:• McDaniel, Sharon (2,0) [contract enclosure letters]• Noerr, Robert J. (1,0)1981 Jul. 5, Dallas SymphonyFolders:• Blaine, Martha T. (1,0)• Harrison, Julie (3,0)• Mata, Eduardo (2,0)• Stone, Leonard David (1,0)1981 Sept. 9, John F. Kennedy Center for the Performing ArtsFolders:Aaron Copland Collection 411

Professional Papers, 1917-1990ContainerContents• Istomin, Marta (3,0)• Zukofsky, Paul (3,1)BOX-FOLDER 383/9BOX-FOLDER383/10-11BOX-FOLDER383/12-13BOX-FOLDER383/14-15BOX-FOLDER383/16-17BOX-FOLDER383/18-19BOX-FOLDER383/20-21BOX-FOLDER 383/22BOX-FOLDER383/23-241981 Sept. 30 to 1981 Oct. 2, Composers' Showcase1982 Mar. 6, San Diego SymphonyFolders:• Atherton, David (1,0)• Denton, William L. (4,2)• Kobryner, Joe (2,1)1982 Mar. 6, San Diego Chamber OrchestraFolders:• Belliaeff, Marjorie (3,1)1982 Apr. 28, Kansas State University, Manhattan [honorary degree]Folders:• Acker, Duane (3,0)• Cochran, Alfred W. (1,0)• Steinbauer, Robert A. (9,1)• Strecker, Julie (1,0)1982 May 23 and 1982 Jul. 24, State University of New York, New Paltz[honorary degree]Folders:• Chandler, Alice (2,0)• Finn, William J. (4,1)• Wharton, Clifton R. (1,1)1982 May 30, National SymphonyFolders:• Bogdesic, Karmen (1,0)• Brill, Jonathan (1,0)• Janowski, Judie (1,1)• O'Kelly, Patricia J. (4,0)• Stull, Robert K. (2,0)1982 Jun. 12, Chamber ConsortiumFolders:• Freedman, Ellis J. (2,0)• Roth, Arnold (4,0)1982 Jun. 16, New York Philharmonic1982 Jul. 4, Chicago Symphony / Ravinia FestivalFolders:Aaron Copland Collection 412

Professional Papers, 1917-1990ContainerContents• Bogdesic, Karmen (1,0)• Janowski, Judie (2,0)BOX-FOLDER383/25-26BOX-FOLDER383/27-28BOX-FOLDER383/29-30BOX-FOLDER 383/31BOX-FOLDER 383/32BOX-FOLDER 383/33BOX-FOLDER383/34-36BOX 384-428MAP-CASEMapCaseC-Drw2/31982 Jul. 15, Santa Fe Chamber Music FestivalFolders:• Directors of Santa Fe Festival (1,0)• Dufour, Peggy (1,0)• Rich, Sheldon (7,0)1982 Aug. 24, National SymphonyFolders:• White, Kevin H. (1,0)1982 Dec. 7, New Haven SymphonyFolders:• Lacny, Catherine (2,1)• Sidlin, Murry (2,0)1983 Mar. 4, Composers' Showcase / Whitney Museum of American Art1983 Jun. 1, Milwaukee SymphonyFolders:• Foss, Lucas (1,0)1983 Jul. 16, State University of New York, Purchase1983 Nov. 20, [program does not state place / sponsor]Folders:• Notes and Lists• Programs, n.d.• SchedulesSubject File, 1923-1990The Subject File is a composite of printed matter and material on specialsubjects that Copland kept. The largest and most extensive is theComposition section which consists of published clippings, magazinearticles, promotional material, annotated programs and othermiscellaneous items relating to performances of his compositions. In Mayof 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged"communist" affiliations. The United States Congress section documentsCopland's correspondence, notes, statements and evidence during thisperiod. Also, an annotated copy of the Congressional Record of January16, 1953 in which the affiliations were first recorded and a transcript ofthe hearing are included.Aaron Copland Collection 413

Subject File, 1923-1990ContainerContentsBOX-FOLDER 384/1-4 BrochuresThe Subject File series is divided into Brochures, Bulletins, Catalogues,Clippings, Compositions, Newsletters, Notes, Opera Ideas, Programs,Promotional Materials, Recording, Tribute and Multiple Composition,United States Congress, and White House. Includes correspondence,clippings, programs, promotional material and other printed matter.Arranged alphabetically by subject; then Brochures, Bulletins,Catalogues, Compositions, Opera Ideas, Recording, Tribute and MultipleComposition, and United States Congress arranged alphabetically by titleor subject; and Clippings, Newsletters, Notes, Programs and PromotionalMaterials arranged chronologically.BOX-FOLDER 384/1Copyright LawsBOX-FOLDER 384/2 Judson O'Neill Beall Steinway Inc., 1968-69BOX-FOLDER 384/3 New York World's Fair, 1964-65BOX-FOLDER 384/4 Opera Survey, 1954BOX-FOLDER384/5-11BulletinsBOX-FOLDER 384/5BOX-FOLDER 384/6BOX-FOLDER 384/7BOX-FOLDER 384/7BOX-FOLDER 384/8BOX-FOLDER 384/9BOX-FOLDER 384/10BOX-FOLDER 384/11BOX 385-386BOX-FOLDER 385/1AAlumni Honor RollAmerican Music FestivalEditions SalabertInter-American Music BulletinMusicanadaMiscellaneousMiscellaneousMiscellaneousCataloguesAmerican Academy in RomeBOX-FOLDER 385/1B Art Exhibit, 1953-1958BOX-FOLDER 385/2 Art Exhibit, 1960BOX-FOLDER 385/3 Art Exhibit, 1960-1967Aaron Copland Collection 414

Subject File, 1923-1990ContainerContentsBOX-FOLDER 385/4 Art Exhibit, 1968-1974BOX-FOLDER 385/5 Art Exhibit, 1975BOX-FOLDER 385/6 Art Exhibit, 1987BOX-FOLDER 386/1BOX-FOLDER 386/2-8BOX-FOLDER 386/9-13Aaron CoplandOther ComposersFolders:• A-Ber [BOX: 386/2]• Br-Car [BOX: 386/3]• Co-D [BOX: 386/4]• F-H [BOX: 386/5]• L-O [BOX: 386/6]• P-Si [BOX: 386/7]• St-Z [BOX: 386/8]SchoolsFolders:• Academia Nazionale di Santa Cecilia [BOX: 386/9]• Cambridge [BOX: 386/10]• Columbia University [BOX: 386/10]• Instituto Torcuato di Tella [BOX: 386/11]• Oberlin [BOX: 386/12]• West Point [BOX: 386/13]BOX 387-392 Clippings, 1920-1990BOX-FOLDER 387/1BOX-FOLDER 387/2BOX-FOLDER 387/31920s1930s1940sBOX-FOLDER 387/4 1950-1955BOX-FOLDER 387/5 1956-1959BOX-FOLDER 387/6 1960-1961BOX-FOLDER 388/1 1962-1965BOX-FOLDER 388/2 1966-1967BOX-FOLDER 388/3 1968-1969BOX-FOLDER 388/4 1970BOX-FOLDER 388/5 1971Aaron Copland Collection 415

Subject File, 1923-1990ContainerContentsBOX-FOLDER 389/1 1972-1974BOX-FOLDER 389/2 1975BOX-FOLDER 389/3BOX-FOLDER 389/41976 Jan.-July1976 Aug.-Dec.BOX-FOLDER 389/5 1977BOX-FOLDER 389/6 1978BOX-FOLDER 390/1 1979, 197[?]BOX-FOLDER 390/2 1980BOX-FOLDER 390/3 1981BOX-FOLDER 390/4BOX-FOLDER 390/51982 Jan.-May1982 June-Dec.BOX-FOLDER 390/6 1983BOX-FOLDER 391/1 1984BOX-FOLDER 391/2 1984 Mar. 24BOX-FOLDER 391/3 1985BOX-FOLDER 391/4BOX-FOLDER 391/51986 Jan.-Apr.1986 May-Dec.BOX-FOLDER 391/6 1987BOX-FOLDER 392/1 1988BOX-FOLDER 392/2 1989BOX-FOLDER 392/3 198[?]BOX-FOLDER 392/4 1990BOX-FOLDER 392/5-6BOX-FOLDER 392/7BOX-FOLDER 392/7UndatedCommissionsCommission correspondence (requests not accepted), schedulesAaron Copland Collection 416

Subject File, 1923-1990ContainerContentsBOX 393-423CompositionsAloneBOX-FOLDER 393/1 Correspondence, 1984-1986Appalachian spring, BalletBOX-FOLDER 393/2 Clippings, 1944-1960BOX-FOLDER 393/3 Clippings, 1963-1976BOX-FOLDER 393/4 Clippings, 1977-1984BOX-FOLDER 393/5Clippings, n.d.BOX-FOLDER 393/6 Programs, 1944-1986BOX-FOLDER 393/7Promotional, 1940-1973, n.d.Appalachian spring, Orchestra suiteBOX-FOLDER 393/8 Clippings, 1945BOX-FOLDER 393/9 Clippings, 1946-1948BOX-FOLDER 393/10 Clippings, 1952-1959BOX-FOLDER 393/11 Clippings, 1960-1968BOX-FOLDER 393/12 Clippings, 1970-1974BOX-FOLDER 393/13 Clippings, 1975-1979BOX-FOLDER 393/14 Clippings, 1980-1983BOX-FOLDER 393/15Clippings, n.d.BOX-FOLDER 393/16 Programs, 1944-1945BOX-FOLDER 393/17 Programs, 1945-1946BOX-FOLDER 393/18 Programs, 1947-1953BOX-FOLDER 393/19 Programs, 1954-1961BOX-FOLDER 394/1 Programs, 1961-1966BOX-FOLDER 394/2 Programs, 1967-1974BOX-FOLDER 394/3 Programs, 1975-1979Aaron Copland Collection 417

Subject File, 1923-1990ContainerContentsBOX-FOLDER 394/4 Programs, 1980-1984BOX-FOLDER 394/5Promotional,1953-1985, n.d.Appalachian spring, Orchestra suite for 13 InstrumentsBOX-FOLDER 394/6 Clippings, 1947-1980BOX-FOLDER 394/7 Programs, 1964-1978BOX-FOLDER 394/8 Programs, 1979-1983BOX-FOLDER 394/9Promotional, 1975-1983, n.d.BOX-FOLDER 394/10 Miscellaneous, 1945-1977As it fell upon a dayBOX-FOLDER 395/1 Clippings, Programs, Promotional, Miscellaneous, 1923-1984Billy the kid, BalletBOX-FOLDER 395/2 Clippings, 1939-1941BOX-FOLDER 395/3 Clippings, 1942-1950BOX-FOLDER 395/4 Clippings, 1960-1982BOX-FOLDER 395/5Clippings, n.d.BOX-FOLDER 395/6 Programs, 1941BOX-FOLDER 395/7 Promotional, 1938-1947BOX-FOLDER 395/8 Promotional, 1950-1982BOX-FOLDER 395/9Promotional, n.d.BOX-FOLDER 395/10 Miscellaneous, 1939-1988Billy the kid, OrchestraBOX-FOLDER 395/11 Clippings, 1940-1947BOX-FOLDER 395/12 Clippings, 1951-1959BOX-FOLDER 395/13 Clippings, 1961-1969BOX-FOLDER 395/14 Clippings, 1970-1983BOX-FOLDER 395/15BOX-FOLDER 395/16Clippings, n.d.Miscellaneous, n.d.Aaron Copland Collection 418

Subject File, 1923-1990ContainerContentsBOX-FOLDER 395/17 Programs, 1940-1942BOX-FOLDER 395/18 Programs, 1943-1948BOX-FOLDER 395/19 Programs, 1950-1955BOX-FOLDER 395/20 Programs, 1956-1968BOX-FOLDER 395/21 Programs, 1969-1970BOX-FOLDER 396/1 Programs, 1970-1974BOX-FOLDER 396/2 Programs, 1975-1978BOX-FOLDER 396/3 Programs, 1979BOX-FOLDER 396/4 Programs, 1979-1982BOX-FOLDER 396/5BOX-FOLDER 396/6Programs, n.d.Promotional, 1955-1984, n.d.Canticle of freedom for chorus and orchestraBOX-FOLDER 396/7 Clippings, Commision correspondence, Miscellaneous, 1954-1979BOX-FOLDER 396/8 Programs, 1955-1977The cat and the mouseBOX-FOLDER 396/9 Clippings, Programs, 1930-1980CBS playhouse signatureBOX-FOLDER 396/10 Clippings, 1966-1967Ceremonial fanfareBOX-FOLDER 396/11 Clippings, Commision correspondence, 1969-1970BOX-FOLDER 396/12 Programs, 1979-1986Choral musicBOX-FOLDER 396/13 Promotional, 1975-1982The city, FilmBOX-FOLDER 396/14 Clippings, Programs, 1939-1941Concerto for clarinetBOX-FOLDER 396/15 Clippings, 1950-1959BOX-FOLDER 396/16 Clippings, 1960-1969Aaron Copland Collection 419

Subject File, 1923-1990ContainerContentsBOX-FOLDER 396/17 Clippings, 1970-1981BOX-FOLDER 396/18Clippings, n.d.BOX-FOLDER 396/19 Commission correspondence, 1946BOX-FOLDER 396/20 Programs, 1950-1963BOX-FOLDER 396/21 Programs, 1964-1973BOX-FOLDER 396/22 Programs, 1973-1977BOX-FOLDER 396/23 Programs, 1978-1980BOX-FOLDER 397/1 Promotional, 1950-1963BOX-FOLDER 397/2 Promotional, 1964-1970BOX-FOLDER 397/3 Promotional, 1975-1978BOX-FOLDER 397/4 Promotional, 1979-1984BOX-FOLDER 397/5 Miscellaneous, 1963, 1965, 1971Connotations for orchestraBOX-FOLDER 397/6 Clippings, 1962BOX-FOLDER 397/7 Clippings, 1963BOX-FOLDER 397/8 Clippings, 1964-1973BOX-FOLDER 397/9 Clippings, 1974-1981BOX-FOLDER 397/10BOX-FOLDER 397/11BOX-FOLDER 397/12Clippings, n.d.Commission correspondence 1959-1960, n.d.Correspondence, 1962, n.d.BOX-FOLDER 397/13 Programs, 1962BOX-FOLDER 397/14 Programs, 1962-1968BOX-FOLDER 397/15 Programs, 1973-1977BOX-FOLDER 397/16 Promotional, 1962-1963Cortege macabreBOX-FOLDER 397/17 Clippings, Miscellaneous, 1925-1975Aaron Copland Collection 420

Subject File, 1923-1990ContainerContentsBOX-FOLDER 397/18 Programs, 1925-1971Dance panelsBOX-FOLDER 398/1 Clippings, 1963-1980BOX-FOLDER 398/2 Programs, 1963BOX-FOLDER 398/3 Programs, Promotional, 1965-1978BOX-FOLDER 398/4Miscellaneous, 1961-1979, n.d.Dance sypmhonyBOX-FOLDER 398/5 Clippings, 1928-1972BOX-FOLDER 398/6Clippings, 1973-1981, n.d.BOX-FOLDER 398/7 Programs, 1931-1970BOX-FOLDER 398/8 Programs, 1971-1983BOX-FOLDER 398/9 Promotional, Miscellaneous, 1937-1975Danza de JaliscoBOX-FOLDER 398/10 Clippings, Programs, 1968-1970BOX-FOLDER 398/11Danzon Cubano, Two pianosClippings, Miscellaneous, 1942-1969, n.d.BOX-FOLDER 398/12 Programs, Promotional, 1942-1960BOX-FOLDER 398/13Danzon Cubano, Orchestra suiteClippings, 1946-1978, n.d.BOX-FOLDER 398/14 Programs, 1946-1983BOX-FOLDER 398/15Promotional, 1963-1980, n.d.DirgeBOX-FOLDER 399/9 Clippings, Programs, Promotional, 1955-1978Down a country laneBOX-FOLDER 399/10 Clippings, 1963-1981BOX-FOLDER 399/11Duo for flute and pianoClippings, 1971-1986, n.d.BOX-FOLDER 399/12 Commission correspondence, 1967-1969Aaron Copland Collection 421

Subject File, 1923-1990ContainerContentsBOX-FOLDER 399/13Programs, Promotional, 1971-1989, n.d.BOX-FOLDER 399/14 Miscellaneous, 1971-1976BOX-FOLDER 399/15BOX-FOLDER 401/6Duo for violin and pianoClippings, 1981, n.d.EmblemsClippings, 1965-1976, n.d.BOX-FOLDER 401/7 Programs, 1964-1967BOX-FOLDER 401/8 Programs, 1970-1980BOX-FOLDER 401/9 Promotional, 1965-1975BOX-FOLDER 401/10Miscellaneous, 1964, n.d.EpisodeBOX-FOLDER 401/11 Clippings, Programs, Promotional, 1960-1978Fanfare for the common manBOX-FOLDER 401/12 Clippings, 1944-1976BOX-FOLDER 401/13 Clippings, 1977BOX-FOLDER 401/14 Clippings, 1978-1979BOX-FOLDER 401/15Clippings, 1980-1983, n.d.BOX-FOLDER 401/16 Programs, 1944-1979BOX-FOLDER 401/17Programs, 1980-1983, n.d.BOX-FOLDER 401/18 Promotional, Miscellaneous, 1946-1982First symphonyBOX-FOLDER 402/1 Clippings, 1927-1969BOX-FOLDER 402/2Clippings, n.d.BOX-FOLDER 402/3 Programs, 1927-1934BOX-FOLDER 402/4 Programs, 1934-1935BOX-FOLDER 402/5 Programs, 1936-1960BOX-FOLDER 402/6 Programs, 1960-1980Aaron Copland Collection 422

Subject File, 1923-1990ContainerContentsFive kings, BalletBOX-FOLDER 402/7 Clippings, Correspondence, Programs, 1939Four motetsBOX-FOLDER 402/8 Clippings, Programs, Promotional, 1979-1984GrohgBOX-FOLDER 402/9 Program, 1934Happy (birthday) anniversaryBOX-FOLDER 402/10 Clippings, 1970-1973BOX-FOLDER 402/11 Programs, 1969-1977BOX-FOLDER 402/12BOX-FOLDER 402/13BOX-FOLDER 402/14Hear ye! Hear ye!Clippings, 1934-1936, n.d.Programs, Miscellaneous, 1934-1936, n.d.Heiress, FilmAcademy Award Presentation, Clippings 1948-1954, n.d.BOX-FOLDER 402/15 Magazines, 1950BOX-FOLDER 402/16 Promotional, Script, 1948BOX-FOLDER 402/17BOX-FOLDER 402/18Hoe down (Rodeo)Clippings, 1945-1953, n.d.Programs, 1945-1947, n.d.An immoralityBOX-FOLDER 403/1 Clippings, Programs, 1962-1968In evening airBOX-FOLDER 403/2 Clippings, 1976-1978In the beginningBOX-FOLDER 403/3 Clippings, 1947-1957BOX-FOLDER 403/4 Clippings, 1960-1965BOX-FOLDER 403/5 Clippings, 1966-1969BOX-FOLDER 403/6 Clippings, 1970-1974BOX-FOLDER 403/7Clippings, 1975-1980, n.d.Aaron Copland Collection 423

Subject File, 1923-1990ContainerContentsBOX-FOLDER 403/8 Commission correspondence, 1946BOX-FOLDER 403/9 Programs, 1947-1963BOX-FOLDER 403/10 Programs, 1964-1968BOX-FOLDER 403/11BOX-FOLDER 403/12BOX-FOLDER 403/13Programs, 1971-1984, n.d.Promotional, 1947-1984, n.d.Miscellaneous, 1947-1950, n.d.Inaugural fanfareBOX-FOLDER 403/14 Clippings, 1969-1977BOX-FOLDER 403/15 Commission correspondence, Programs, Miscellaneous, 1967-1985InscapeBOX-FOLDER 404/1 Clippings, 1967BOX-FOLDER 404/2Clippings, 1968-1973, n.d.BOX-FOLDER 404/3 Programs, 1967-1970BOX-FOLDER 404/4 Programs, 1970-1972BOX-FOLDER 404/5 Programs, Promotional, 1973-1984BOX-FOLDER 404/6Miscellaneous, 1967-1969, n.d.Into the streets may firstBOX-FOLDER 410/1 New Masses, 1934John HenryBOX-FOLDER 404/7 Clippings, 1955-1979BOX-FOLDER 404/8 Commission correspondence, Programs, Miscellaneous, 1940-1980BOX-FOLDER 404/9BOX-FOLDER 404/10LarkClippings, Programs, Promotional, 1943-1981, n.d.Las agachadasClippings, Programs, 1942-1980, n.d.BOX-FOLDER 404/11 Promotional, Miscellaneous, 1949-1963Lento espressivoBOX-FOLDER 404/12 Miscellaneous, 1985Aaron Copland Collection 424

Subject File, 1923-1990ContainerContentsLetter from homeBOX-FOLDER 404/13 Clippings, Programs, Miscellaneous, 1947-1978BOX-FOLDER 404/14 Commission correspondence, Programs, Miscellaneous, 1944-1978Lincoln portraitBOX-FOLDER 405/1 Clippings, 1942-1943BOX-FOLDER 405/2 Clippings, 1944-1965BOX-FOLDER 405/3 Clippings, 1966-1968BOX-FOLDER 405/4 Clippings, 1969-1975BOX-FOLDER 405/5 Clippings, 1976-1980BOX-FOLDER 405/6Clippings, n.d.BOX-FOLDER 405/7 Commission correspondence, 1942BOX-FOLDER 405/8 Programs, 1942-1947BOX-FOLDER 405/9 Programs, 1949-1962BOX-FOLDER 405/10 Programs, 1963-1967BOX-FOLDER 405/11 Programs, 1968-1976BOX-FOLDER 405/12BOX-FOLDER 405/13BOX-FOLDER 405/14Programs, 1977-1982, n.d.Promotional, 1969-1983, n.d.Miscellaneous, n.d.Mid-day thoughtsBOX-FOLDER 406/1 Clippings, Programs, 1983-1984MotetBOX-FOLDER 406/2 Programs, Promotional, 1934-1937BOX-FOLDER 406/3BOX-FOLDER 406/4Music for a great cityClippings, 1964 MayClippings, 1964-1971, n.d.BOX-FOLDER 406/5 Commission correspondence, 1962BOX-FOLDER 406/6 Programs, 1949-1966Aaron Copland Collection 425

Subject File, 1923-1990ContainerContentsBOX-FOLDER 406/7 Programs, 1968-1980BOX-FOLDER 406/8 Promotional, Miscellaneous, 1967-1978Music for moviesBOX-FOLDER 406/9 Clippings, Programs, Promotional, 1943-1988Music for radioBOX-FOLDER 406/10 Clippings, Programs, Promotional, Miscellaneous, 1926-1950Music for theaterBOX-FOLDER 406/11 Clippings, 1925-1933BOX-FOLDER 406/12 Clippings, 1934-1941BOX-FOLDER 406/13 Clippings, 1945-1981BOX-FOLDER 406/14Clippings, n.d.BOX-FOLDER 406/15 Programs, 1925-1932BOX-FOLDER 406/16 Programs, 1933-1940BOX-FOLDER 406/17 Programs, 1941-1956BOX-FOLDER 406/18 Programs, 1958-1974BOX-FOLDER 407/1BOX-FOLDER 407/2BOX-FOLDER 407/3Programs, n.d.Promotional, 1928-1985, n.d.Miscellaneous, 1941, n.d.Night thoughtsBOX-FOLDER 407/4 Clippings, 1974-1978BOX-FOLDER 407/5BOX-FOLDER 407/6BOX-FOLDER 407/7Programs, Promotional, 1972-1980, n.d.NocturneProgram, 1972 Oct.NonetClippings, 1961-1981, n.d.BOX-FOLDER 407/8 Commission correspondence, 1957-1960BOX-FOLDER 407/9 Programs, 1961-1965Aaron Copland Collection 426

Subject File, 1923-1990ContainerContentsBOX-FOLDER 407/10 Programs, 1966-1977BOX-FOLDER 407/11BOX-FOLDER 407/12Promotional, Miscellaneous, 1960-1983, n.d.North star, FilmClippings, 1943-1953, n.d.BOX-FOLDER 407/13 Script, 1943BOX-FOLDER 407/14BOX-FOLDER 407/15BOX-FOLDER 410/3Miscellaneous, 1941-1954, n.d.Of mice and men, FilmClippings, 1939-1969, n.d.Program, n.d.Old American songsBOX-FOLDER 408/1 Clippings, 1951-1967BOX-FOLDER 408/2 Clippings, 1968-1978BOX-FOLDER 408/3 Clippings, 1979-1981BOX-FOLDER 408/4 Programs, 1951-1970BOX-FOLDER 408/5 Programs, 1971-1976BOX-FOLDER 408/6 Programs, 1977-1978BOX-FOLDER 408/7BOX-FOLDER 408/8Programs, 1979-1981, n.d.Promotional, Miscellaneous, 1950-1984, n.d.Orchestral variationsBOX-FOLDER 408/9 Clippings, 1958BOX-FOLDER 408/10Clippings, 1960-1985, n.d.BOX-FOLDER 408/11 Programs, 1957-1975BOX-FOLDER 408/12 Programs, 1976-1982BOX-FOLDER 408/13 Promotional, Miscellaneous, 1958-1984Our town, FilmBOX-FOLDER 408/14 Clippings, Programs, 1940-1988BOX-FOLDER 408/15 Script, 1940Aaron Copland Collection 427

Subject File, 1923-1990ContainerContentsBOX-FOLDER 408/16BOX-FOLDER 408/17Miscellaneous, n.d.Our town, SuiteClippings, 1940-1981, n.d.BOX-FOLDER 408/18 Programs, Promotional, 1941-1982Outdoor overtureBOX-FOLDER 409/1 Clippings, 1939-1973BOX-FOLDER 409/2Clippings, 1974-1983, n.d.BOX-FOLDER 409/3 Commission correspondence, 1938BOX-FOLDER 409/4 Programs, 1938-1946BOX-FOLDER 409/5 Programs, 1947-1963BOX-FOLDER 409/6 Programs, 1964-1980BOX-FOLDER 409/7BOX-FOLDER 409/8BOX-FOLDER 409/9BOX-FOLDER 409/10Programs, 1981-1984, n.d.Promotional, 1939-1981, n.d.Miscellaneous, n.d.PassacagliaClippings, Programs, Promotional, 1963-1980, n.d.Piano concertoBOX-FOLDER 409/11 Clippings, 1927-1953BOX-FOLDER 409/12 Clippings, 1954-1965BOX-FOLDER 409/13 Clippings, 1966-1983BOX-FOLDER 409/14Clippings, n.d.BOX-FOLDER 409/15 Commission correspondence, 1943BOX-FOLDER 409/16 Programs, 1926-1954BOX-FOLDER 411/1 Programs, 1958-1969BOX-FOLDER 411/2 Programs, 1970-1985BOX-FOLDER 411/3Promotional, Miscellaneous, 1936-1985, n.d.Piano fantasyAaron Copland Collection 428

Subject File, 1923-1990ContainerContentsBOX-FOLDER 411/4 Clippings, 1957-1972BOX-FOLDER 411/5BOX-FOLDER 411/8Clippings, 1973-1981, n.d.Correspondence, Miscellaneous, 1956-1958, n.d.BOX-FOLDER 411/6 Programs, 1957-1965BOX-FOLDER 411/7BOX-FOLDER 411/9Programs, 1966-1988, n.d.Promotional, 1957-1982, n.d.Piano music, GeneralBOX-FOLDER 411/10 Clippings, 1945-1974BOX-FOLDER 411/11 Clippings, 1975-1980BOX-FOLDER 411/12BOX-FOLDER 411/13BOX-FOLDER 411/14Clippings, 1981, n.d.Programs, 1923-1983, n.d.Promotional, Miscellaneous, 1940 -1983, n.d.Piano sonataBOX-FOLDER 412/1 Clippings, 1942-1947BOX-FOLDER 412/2 Clippings, 1948-1960BOX-FOLDER 412/3 Clippings, 1961-1970BOX-FOLDER 412/4 Clippings, 1971-1972BOX-FOLDER 412/5 Clippings, 1973-1981BOX-FOLDER 412/6Clippings, n.d.BOX-FOLDER 412/7 Programs, 1944BOX-FOLDER 412/8 Programs, 1945-1947BOX-FOLDER 412/9 Programs, 1948-1957BOX-FOLDER 412/10 Programs, 1958-1971BOX-FOLDER 412/11 Programs, 1972-1975BOX-FOLDER 412/12Programs, 1976-1981, n.d.BOX-FOLDER 412/13 Promotional, 1938-1958Aaron Copland Collection 429

Subject File, 1923-1990ContainerContentsBOX-FOLDER 412/14BOX-FOLDER 412/15Promotional, 1959-1978, n.d.Miscellaneous, 1942-1952, n.d.Piano variationsBOX-FOLDER 412/16 Clippings, 1931-1965BOX-FOLDER 412/17 Clippings, 1966-1982BOX-FOLDER 412/18Clippings, n.d.BOX-FOLDER 412/19 Programs, 1934-1941BOX-FOLDER 412/20 Programs, 1942-1952BOX-FOLDER 413/1 Programs, 1953-1974BOX-FOLDER 413/2Programs, 1975-1982, n.d.BOX-FOLDER 413/3 Promotional, 1930-1947BOX-FOLDER 413/4 Promotional, 1948-1958BOX-FOLDER 413/5BOX-FOLDER 413/6Promotional, 1959-1982, n.d.Miscellaneous, 1951-1981, n.d.Poets songBOX-FOLDER 413/7 Clippings, 1926-1974BOX-FOLDER 413/8PreambleClippings, Promotional, Miscellaneous, 1949-1973, n.d.BOX-FOLDER 413/10 Commission correspondence, 1949BOX-FOLDER 413/9 Programs, 1948-1965ProclamationBOX-FOLDER 413/11 Clippings, Promotional, Programs, 1983-1987Quartet for piano and stringsBOX-FOLDER 413/12 Clippings, 1950-1975BOX-FOLDER 413/13Clippings, 1976-1986, n.d.BOX-FOLDER 413/14 Programs, 1950BOX-FOLDER 413/15 Programs, 1951-1953Aaron Copland Collection 430

Subject File, 1923-1990ContainerContentsBOX-FOLDER 413/16 Programs, 1954BOX-FOLDER 413/17 Programs, 1955-1972BOX-FOLDER 414/1 Programs, 1973-1978BOX-FOLDER 414/2BOX-FOLDER 414/3Programs, 1979-1983, n.d.Promotional, 1951-1986, n.d.Quiet cityBOX-FOLDER 414/4 Clippings, 1941-1959BOX-FOLDER 414/5 Clippings, 1960-1975BOX-FOLDER 414/6Clippings, 1976-1981, n.d.BOX-FOLDER 414/7 Play Typescript, 1939BOX-FOLDER 414/8 Programs, 1939-1941BOX-FOLDER 414/9 Programs, 1942BOX-FOLDER 414/10 Programs, 1943-1946BOX-FOLDER 414/11 Programs, 1947-1965BOX-FOLDER 414/12 Programs, 1966-1972BOX-FOLDER 414/13 Programs, 1973-1983BOX-FOLDER 415/1 Promotional, 1942-1980BOX-FOLDER 415/2BOX-FOLDER 415/3Promotional, 1981-1984, n.d.Miscellaneous, 1941-1957, n.d.Red pony, FilmBOX-FOLDER 415/4 Typescript, 1947Red pony, SuiteBOX-FOLDER 415/5 Clippings, 1948-1976BOX-FOLDER 415/6 Clippings, Miscellaneous, 1977-1983BOX-FOLDER 415/7BOX-FOLDER 415/8Correspondence, Notes, 1964-1968, n.d.Programs, 1948-1980, n.d.Aaron Copland Collection 431

Subject File, 1923-1990ContainerContentsBOX-FOLDER 415/9 Promotional, 1942-1980BOX-FOLDER 415/10Rodeo, BalletClippings, 1942-1984, n.d.BOX-FOLDER 415/11 Programs, 1942-1945BOX-FOLDER 415/12 Programs, 1948-1985BOX-FOLDER 415/13Promotional, 1954-1981, n.d.Rodeo, SuiteBOX-FOLDER 415/14 Clippings, 1947-1981BOX-FOLDER 415/15 Clippings, 1972-1977BOX-FOLDER 415/16 Clippings, 1978-1983BOX-FOLDER 415/17Clippings, n.d.BOX-FOLDER 416/1 Programs, 1943-1948BOX-FOLDER 416/2 Programs, 1950-1971BOX-FOLDER 416/3 Programs, 1972-1977BOX-FOLDER 416/4BOX-FOLDER 416/5Programs, 1980-1990, n.d.Promotional, Miscellaneous, 1943-1989, n.d.El salón MexicoBOX-FOLDER 400/1 Clippings, 1938-1957BOX-FOLDER 400/2 Clippings, 1958-1962BOX-FOLDER 400/3 Clippings, 1963-1975BOX-FOLDER 400/4Clippings, 1976-1984, n.d.BOX-FOLDER 400/5 Programs, 1937-1938BOX-FOLDER 400/6 Programs, 1938-1942BOX-FOLDER 400/7 Programs, 1943-1946BOX-FOLDER 400/8 Programs, 1948-1966BOX-FOLDER 400/9 Programs, 1967-1972Aaron Copland Collection 432

Subject File, 1923-1990ContainerContentsBOX-FOLDER 401/1 Programs, 1973-1976BOX-FOLDER 401/2 Programs, 1977-1978BOX-FOLDER 401/3 Programs, 1979-1985BOX-FOLDER 401/4BOX-FOLDER 401/5Promotional, 1954-1981, n.d.Miscellaneous, n.d.Second hurricaneBOX-FOLDER 416/6 Clippings, 1936-1938BOX-FOLDER 416/7 Clippings, 1938 1942BOX-FOLDER 416/8 Clippings, 1942-1978BOX-FOLDER 416/9BOX-FOLDER 416/10Clippings, n.d.PhotographsBOX-FOLDER 416/11 Programs, 1937-1958BOX-FOLDER 416/12 Programs, 1960-1978BOX-FOLDER 416/13Promotional, 1937-1985, n.d.BOX-FOLDER 416/14 Script, 1937BOX-FOLDER 416/15BOX-FOLDER 416/16Script, n.d.Script, n.d.BOX-FOLDER 416/17 Miscellaneous, 1941-1942, 1964, 1976-1977BOX-FOLDER 416/18BOX-FOLDER 417/1Miscellaneous, n.d.SextetClippings, 1947-1979, n.d.BOX-FOLDER 417/2 Programs, 1939-1976BOX-FOLDER 417/3 Programs, 1977-1979BOX-FOLDER 417/4 Programs, 1980-1988BOX-FOLDER 417/5 Promotional, 1943-1969BOX-FOLDER 417/6 Promotional, 1970-1988Aaron Copland Collection 433

Subject File, 1923-1990ContainerContentsBOX-FOLDER 417/7Promotional, Miscellaneous, n.d.Short symphonyBOX-FOLDER 417/8 Clippings, Programs, Promotional, 1982-1985BOX-FOLDER 417/9Short symphony no. 2Clippings, 1935-1981, n.d.BOX-FOLDER 417/10 Programs, 1934-1970BOX-FOLDER 417/11 Programs, 1971-1978BOX-FOLDER 417/12 Programs, 1979-1982BOX-FOLDER 417/13 Promotional, Miscellaneous, 1960-1982BOX-FOLDER 417/14BOX-FOLDER 418/1Something wildClippings, 1961-1962, n.d.Statements for orchestraClippings, 1942-1967, n.d.BOX-FOLDER 418/2 Programs, 1942-1957BOX-FOLDER 418/3 Programs, 1958-1969BOX-FOLDER 418/4 Programs, 1970-1975BOX-FOLDER 418/5 Programs, 1976-1981BOX-FOLDER 418/6BOX-FOLDER 418/7Promotional, Miscellaneous, 1942-1976, n.d.Symphonic odeClippings, 1932-1980, n.d.BOX-FOLDER 418/8 Programs, 1932-1978BOX-FOLDER 418/9 Programs, 1979-1980BOX-FOLDER 418/10 Promotional, Miscellaneous, 1932-1976BOX-FOLDER 418/11Symphonic ode - revisedClippings, 1932-1977, n.d.BOX-FOLDER 418/12 Programs, 1931-1956BOX-FOLDER 418/13 Programs, 1960-1980Aaron Copland Collection 434

Subject File, 1923-1990ContainerContentsBOX-FOLDER 418/14Miscellaneous, 1956, n.d.Symphony for organBOX-FOLDER 419/1 Clippings, 1925-1964BOX-FOLDER 419/2 Clippings, 1966-1980BOX-FOLDER 419/3Clippings, 1981-1982, n.d.BOX-FOLDER 419/4 Programs, 1924-1981BOX-FOLDER 419/5BOX-FOLDER 419/6Programs, 1982-1983, n.d.Promotional, Miscellaneous, 1932-1976, n.d.Tender land, BalletBOX-FOLDER 419/7 Clippings, 1978-1979Tender land, OperaBOX-FOLDER 419/8 Clippings, 1954-1962BOX-FOLDER 419/9 Clippings, 1963-1975BOX-FOLDER 419/10BOX-FOLDER 419/11BOX-FOLDER 419/12Clippings, 1976-1987, n.d.Correspondence, 1954-1988, n.d.Notes, 1965, n.d.BOX-FOLDER 419/13 Programs, 1954-1957BOX-FOLDER 419/14 Programs, 1958-1964BOX-FOLDER 419/15 Programs, 1965-1972BOX-FOLDER 419/16 Programs, 1973-1977BOX-FOLDER 419/17BOX-FOLDER 419/18Promotional, 1954-1982, n.d.Script, n.d.Tender land, SuiteBOX-FOLDER 420/1 Clippings, 1958-1980BOX-FOLDER 420/2Programs, 1978-1990, n.d.BOX-FOLDER 420/3 Programs, 1958-1959BOX-FOLDER 420/4 Programs, 1960-1969Aaron Copland Collection 435

Subject File, 1923-1990ContainerContentsBOX-FOLDER 420/5 Programs, 1970-1983BOX-FOLDER 420/6 Promotional, 1959-1983Third symphonyBOX-FOLDER 420/7 Clippings, 1946BOX-FOLDER 420/8 Clippings, 1947BOX-FOLDER 420/9 Clippings, 1948-1956BOX-FOLDER 420/10 Clippings, 1957-1959BOX-FOLDER 420/11 Clippings, 1960-1970BOX-FOLDER 420/12 Clippings, 1972-1987BOX-FOLDER 420/13Clippings, n.d.BOX-FOLDER 420/14 Programs, 1946-1947BOX-FOLDER 420/15 Programs, 1947BOX-FOLDER 421/1 Programs, 1948-1950BOX-FOLDER 421/2 Programs, 1952-1958BOX-FOLDER 421/3 Programs, 1959-1962BOX-FOLDER 421/4 Programs, 1965-1966BOX-FOLDER 421/5 Programs, 1967-1969BOX-FOLDER 421/6 Programs, 1970-1973BOX-FOLDER 421/7 Programs, 1974-1976BOX-FOLDER 421/8 Programs, 1977-1980BOX-FOLDER 421/9 Programs, 1981-1989BOX-FOLDER 421/10 Promotional, 1947-1982BOX-FOLDER 421/11Miscellaneous, 1946, 1958, n.d.BOX-FOLDER 422/1Three Latin American sketchesClippings, Miscellaneous, 1972-1981, n.d.BOX-FOLDER 422/2 Programs, 1972-1977Aaron Copland Collection 436

Subject File, 1923-1990ContainerContentsBOX-FOLDER 422/3 Programs, Promotional, 1979-1982Three songsBOX-FOLDER 422/4 Program, 1986BOX-FOLDER 422/5BOX-FOLDER 422/6Threnody I, IIClippings, Miscellaneous, 1972-1978, n.d.Programs, 1971-1982, n.d.BOX-FOLDER 422/7 Promotional, 1973-1974BOX-FOLDER 422/8Promotional, 1977-1981, n.d.Twelve poems by Emily DickinsonBOX-FOLDER 399/1 Clippings, 1950-1968BOX-FOLDER 399/2 Clippings, 1969-1977BOX-FOLDER 399/3 Clippings, 1978-1981BOX-FOLDER 399/4Poems, Programs, 1950, 1970, n.d.BOX-FOLDER 399/5 Programs, 1950-1972BOX-FOLDER 399/6BOX-FOLDER 399/7BOX-FOLDER 399/8Programs, 1973-1980, n.d.Promotional, 1954-1982, n.d.Miscellaneous, 1949-1988, n.d.Two choruses for womenBOX-FOLDER 422/9 Clippings, Programs, Promotional 1926-1952BOX-FOLDER 422/10Two pieces for string orchestraClippings, 1928-1970, n.d.BOX-FOLDER 422/11 Programs, 1928-1965BOX-FOLDER 422/12Promotional, 1933, n.d.Two pieces for string quartetBOX-FOLDER 422/13 Clippings, 1928-1976BOX-FOLDER 422/14 Programs, Promotional, 1929-1980Two pieces for violinBOX-FOLDER 422/15 Clippings, 1927-1969Aaron Copland Collection 437

Subject File, 1923-1990ContainerContentsBOX-FOLDER 422/16Programs, Promotional, 1927-1949, n.d.Variations on a shaker melodyBOX-FOLDER 422/17 Clippings, Programs, 1966-1978Violin sonataBOX-FOLDER 422/18 Clippings, 1944-1956BOX-FOLDER 422/19 Clippings, 1957-1968BOX-FOLDER 422/20Clippings, 1969-1981, n.d.BOX-FOLDER 423/1 Programs, 1944-1945BOX-FOLDER 423/2 Programs, 1946-1948BOX-FOLDER 423/3 Programs, 1949-1950BOX-FOLDER 423/4 Programs, 1951-1957BOX-FOLDER 423/5 Programs, 1958-1968BOX-FOLDER 423/6 Programs, 1969-1976BOX-FOLDER 423/7Programs, 1978-1981, n.d.BOX-FOLDER 423/8 Promotional, 1944-1951BOX-FOLDER 423/9 Promotional, 1952-1976BOX-FOLDER 423/10Promotional, 1977-1983, n.d.VitebskBOX-FOLDER 423/11 Clippings, 1929-1960BOX-FOLDER 423/12 Clippings, 1961-1972BOX-FOLDER 423/13Clippings, 1973-1981, n.d.BOX-FOLDER 423/14 Programs, 1929-1949BOX-FOLDER 423/15 Programs, 1950-1967BOX-FOLDER 423/16 Programs, 1968-1976BOX-FOLDER 423/17 Programs, 1977-1983BOX-FOLDER 423/18Promotional, 1946-1984, n.d.VocaliseAaron Copland Collection 438

Subject File, 1923-1990ContainerContentsBOX-FOLDER 423/19 Clippings, Programs, 1973What do we plantBOX-FOLDER 423/20 Programs, 1946BOX-FOLDER 424/1NewslettersBOX-FOLDER 424/1 The Floating Bear, 1962BOX-FOLDER 424/2BOX-FOLDER 424/2NotesMiscellaneous, 1971, n.d.BOX-FOLDER 424/3 Opera Ideas, 1950-1986BOX-FOLDER 424/3 Clippings, Correspondence, Notes, Script, 1950-1986BOX 424-425BOX-FOLDER 410/2Programs, 1923-1988BOX-FOLDER 424/4 1923BOX-FOLDER 424/5 1930-1939BOX-FOLDER 424/6 1940-1949BOX-FOLDER 424/7 1950-1959BOX-FOLDER 424/8 1950-1959BOX-FOLDER 424/9 1960-1964BOX-FOLDER 424/10 1964BOX-FOLDER 424/11 1965BOX-FOLDER 424/12 1966-1968BOX-FOLDER 425/1 1968-1970BOX-FOLDER 425/2 1970-1971BOX-FOLDER 425/3 1973-1976BOX-FOLDER 425/4 1977BOX-FOLDER 425/5 1978-1979BOX-FOLDER 425/6 1980-1988Aaron Copland Collection 439

Subject File, 1923-1990ContainerContentsBOX-FOLDER 410/2 1988BOX-FOLDER 426/1 Promotional Materials, 1960-1982BOX-FOLDER 426/11960-1982, n.d.BOX-FOLDER 426/2 Recording, 1965-1985BOX-FOLDER 426/2Clippings, Promotional, 1965-1985, n.d.BOX-FOLDER 426/3-7 Tribute and Multiple Composition, 1941-1991BOX-FOLDER 426/3 Programs, 1941-1979BOX-FOLDER 426/4 Programs, 1980-1981BOX-FOLDER 426/5 Programs, 1982-1983BOX-FOLDER 426/6Programs, 1985-1990, n.d.BOX-FOLDER 426/7 Promotional, 1950-1991BOX-FOLDER 427/1-8MAP-CASEMapCaseC-Drw 2/3United States Congress: House Un-American Activities Committee,1953-1957BOX-FOLDER 427/1MAP-CASE MapCaseC-Drw 2/3ClippingsFolders:• 1953, n.d. [BOX: 427/1]• 1936-1953 [BOX: MapCase C-Drw 2/3]BOX-FOLDER 427/2 Congressional Record, 1953 Jan. 16BOX-FOLDER 427/3-4CorrespondenceSee also: Biography, Legal Papers, Attorney Correspondence BOX: xxxFolders:• 1953 Jan. - 1953 Aug. [BOX: 427/3]• 1953 Sept. - 1957 Feb. [BOX: 427/4]BOX-FOLDER 427/5Evidentiary DocumentsBOX-FOLDER 427/6ListsBOX-FOLDER 427/7NotesBOX-FOLDER 427/8StatementsBOX 428 White House, 1945-1988Aaron Copland Collection 440

Subject File, 1923-1990ContainerContentsFranklin D. Roosevelt [1933-1945]BOX-FOLDER 428/1 Invitations [Inaugural], 1945BOX-FOLDER 428/2John F. Kennedy [1961-1963]Correspondence,1961-1962BOX-FOLDER 428/3 Invitations (General), 1961-1962Lyndon B. Johnson [1963-1969]BOX-FOLDER 428/4 Correspondence, 1964-1965BOX-FOLDER 428/5 Invitations (General), 1964-1965BOX-FOLDER 428/6 Invitations (Inaugural), 1965BOX-FOLDER 428/7 Invitations (Inaugural), 1965BOX-FOLDER 428/8 Telegram, 1968Gerald Ford [1974-1977]BOX-FOLDER 428/9 Invitations (General), 1975-1976Jimmy Carter [1977-1981]BOX-FOLDER 428/10 Invitations (General, Inaugural), 1977-1981BOX-FOLDER 428/11 Correspondence, 1977-1980Ronald Reagan [1981-1989]BOX-FOLDER 428/12 Correspondence, 1985BOX-FOLDER 428/13 Invitations (General, Inaugural), 1981-1988BOX 467CScrapbooksThe series Scrapbooks is represented by four scrapbooks. Three of the fourscrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33,and the 1978 Australian tour for which he conducted and lectured. Theother scrapbook represents the beginnings of Copland's clipping file from1924 to 1942.Four volumes that include articles, clippings, photographs, programs andother memorabilia. Arranged chronologically.Because of their fragile condition, all but the Australian tour scrapbook havebeen preserved on microfilm (Microfilm 93/20002 Mus); the original ofthese three volumes will not be served to the public.BOX 467C-1 Copland-Sessions Concerts, 1924-1931On Microfilm: 93/20002 Mus Item 1DO NOT SERVE ORIGINALAaron Copland Collection 441

ScrapbooksContainerContentsBOX 467C-3 Scrapbook, 1924-1942On Microfilm: 93/20002 Mus Item 3DO NOT SERVE ORIGINALBOX 467C-4 Yaddo Scrapbook, 1932-1933On Microfilm: 93/20002 Mus Item 2DO NOT SERVE ORIGINALBOX 467C-2 ABC Australian Tour, 1978not on microfilmBOX 429-433BOX 453-455MAP-CASEMapCaseC-Drw2/7BOX-FOLDER 429/1BOX-FOLDER 429/2BOX-FOLDER 429/3BOX-FOLDER 429/4BOX-FOLDER 429/5BOX-FOLDER 429/6BOX-FOLDER 429/7Biography, 1921-1988The Biography series consists of divergent materials, some of which isbiographical and others personal. The biographical material includesautobiographical notes, a notebook and assorted lists that pertain toCopland's activities and compositions, and two birthday albums. The 70thbirthday album comprises "An album of composers' tributes" whichcontains congratulatory letters, musical salutes, poems and ink drawingsfrom 116 composers. The 80th birthday album was presented by theNational Symphony Orchestra from friends and includes congratulatoryletters from President Jimmy Carter, Vice President Walter Mondale,conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the JohnF. Kennedy Center for the Performing Arts), and international musicalluminaries.Includes correspondence, notebook, lists, two birthday albums containingletters, music manuscripts, poems, photographs and ink drawings, callingcards, clippings, miscellaneous bank, investment, insurance, medical andproperty records and documents, invitations, and passports. Arrangedalphabetically by subject.Accountant PapersH. N. Whitney, GoadbyKorsh and KraussAutobiographical NotesBiographical NotebookLecturesWritings by ACWritings about ACBook ReviewsAaron Copland Collection 442

Biography, 1921-1988ContainerContentsBOX-FOLDER 429/8BOX-FOLDER 429/9BOX-FOLDER 429/10BOX-FOLDER 429/11BOX-FOLDER 429/12BOX-FOLDER 429/13BOX-FOLDER 429/15BOX-FOLDER 429/16BOX 454BOX 455BOX-FOLDER429/14ARadio AppearancesRecordingsTripsPrograms ConductedList of WorksHonorsBiographical SketchesMiscellaneousObituaryBirthday Album, 70thBirthday Album, 80thCalling CardsBOX-FOLDER429/14BFamily TreeBOX-FOLDER 429/17BOX-FOLDER 429/18BOX-FOLDER 429/19BOX-FOLDER 429/20HouseholdAutomobileAutomobileBank StatementsBills: MiscellaneousBOX-FOLDER 429/21 Check Stubs [1957]BOX-FOLDER 430/1BOX-FOLDER 430/2BOX-FOLDER 430/3BOX-FOLDER 430/4BOX-FOLDER 430/5BOX-FOLDER 430/6Citibank: Investment SummaryCitibank: MiscellaneousCitibank: Statement of TransactionsHorizon Gas CompanyInsurance: Blue CrossInsurance: Equitable BrokersAaron Copland Collection 443

Biography, 1921-1988ContainerContentsBOX-FOLDER 430/7BOX-FOLDER 430/8BOX-FOLDER 430/9BOX-FOLDER 430/10BOX-FOLDER 430/11BOX-FOLDER 430/12BOX-FOLDER 431/1BOX-FOLDER 431/2BOX-FOLDER 431/3Insurance: MiscellaneousInsurance: Schiff TerhuneInsurance: Schiff TerhuneMayfair TravelMiscellaneousSafety Deposit InformationStock Investment StubsStock StatementsInvitationsLegal PapersBOX-FOLDER 431/4 Attorney Correspondence, 1946-1952BOX-FOLDER 431/5 Attorney Correspondence, 1953-1967See also: Subject File: House Un-American Activities Committee BOX:xxxBOX-FOLDER 431/6 Attorney Correspondence, 1970-1978BOX-FOLDER 431/7 Attorney Correspondence, 1979-1980BOX-FOLDER 431/8 Attorney Correspondence, 1981BOX-FOLDER 431/9 Attorney Correspondence, 1982-1984BOX-FOLDER 432/1 Attorney Correspondence, 1985BOX-FOLDER 432/2 Attorney Correspondence, 1986BOX-FOLDER 432/3 Attorney Correspondence. 1987BOX-FOLDER 432/4BOX-FOLDER 432/5BOX-FOLDER 432/6BOX-FOLDER 432/7BOX-FOLDER 432/8Last Will and TestamentListsAddressesAddress BooksAC American Music CollectionComposition Department Members: TanglewoodAaron Copland Collection 444

Biography, 1921-1988ContainerContentsBOX-FOLDER 432/9BOX-FOLDER 432/10BOX-FOLDER 432/11BOX-FOLDER 432/12BOX-FOLDER 432/13BOX-FOLDER 432/14BOX-FOLDER 432/15BOX-FOLDER 432/16BOX-FOLDER 432/17BOX-FOLDER 432/18BOX-FOLDER 432/19BOX-FOLDER 432/20BOX-FOLDER 433/1BOX-FOLDER 433/2BOX-FOLDER 433/3BOX-FOLDER 433/4BOX-FOLDER 433/5BOX-FOLDER 433/6MAP-CASEMapCaseC-Drw 2/7BOX 453BOX-FOLDER 433/7BOX-FOLDER 433/8BOX-FOLDER 433/9BOX 434Compositions by ACConducting EngagementsLecture EngagementsAC Letter FilesLincoln Portrait NarratorsPeekskill ArchivesPhotographsRecordingsTelevision AppearancesTripsUnidentifiedWritings by ACMedical RecordsInoculationsMiscellaneousMusic Assistant InformationPassportsPassport InformationPassport PhotosPeekskill House, Architectural Maps and BlueprintPeekskill House, Architectural SpecificationsProperty InformationProperty InformationProperty InformationRolodexAaron Copland Collection 445

Biography, 1921-1988ContainerContentsBOX-FOLDER 433/10Stamp CollectionBOX 435-463MAP-CASEMapCaseC-Drw2/8-9Awards, 1934-1985The Awards series contain the artifacts that Copland received from thenumerous and myriad honors and awards bestowed on him during hislifetime. Copland accepted his first honorary doctorate in music fromPrinceton University in 1956, and almost every year thereafter heapproved another one either in humane letters or in music. The last onewas a Degree of Fine Arts, "Honoris Causa", from the New School forSocial Research in 1983. Other tributes conferred on Copland from 1947to 1982 include the Presidential Medal of Freedom, awarded by PresidentLyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in1979. In most cases, programs, invitations, and letters accompany theactual degree, award or medal.Citations, Medals, etc. include certificates, proclamations, plaques, medals,keys to cities and, some cases, accompanying correspondence, programs,reviews and other printed material. Arranged alphabetically by thepresenter's name.BOX 435-438BOX 457BOX-FOLDER 458/5MAP-CASEMapCaseC-Drw 2/8Honorary DegreesMAP-CASE MapCaseC-Drw 2/8Accademia Filarmonica Romana, 1963 (diploma)BOX-FOLDER 438/1Brandeis University, 1957 (printed materials)BOX-FOLDER 457/1Brandeis University, 1957 (diploma)BOX-FOLDER 435/1 Brooklyn College, 1975BOX-FOLDER 435/2 Brown University, 1980BOX-FOLDER 438/2 The Catholic University of America, 1979BOX-FOLDER 435/3Columbia University, 1971 (printed materials)BOX 457Columbia University, 1971 (diploma)BOX-FOLDER 438/3 Fairfield University, 1968BOX-FOLDER 435/5Harvard University, 1961 (printed materials)BOX-FOLDER 458/5Harvard University, 1961 (printed materials)Aaron Copland Collection 446

Awards, 1934-1985ContainerContentsBOX 457Harvard University, 1961 (diploma)BOX-FOLDER 457/3 Illinois Wesleyan, 1958MAP-CASE MapCaseC-Drw 2/8Indiana State University, 1978 (diploma)BOX-FOLDER 438/5 Jacksonville University, 1967BOX-FOLDER 438/6 Kalamazoo College, 1965BOX-FOLDER 435/6BOX-FOLDER 435/7BOX-FOLDER 438/7BOX-FOLDER 438/8Kansas State University, 1982 (diploma)Kansas Sate University, 1982 (Phi Beta Kappa)Long Island University, 1974 (printed materials)Long Island University, 1974 (diploma)BOX-FOLDER 436/2 New England Conservatory, 1977BOX 457New School for Social Research, 1983 (diploma)BOX-FOLDER 438/9 New York University, 1970BOX-FOLDER 436/3 Oberlin College, 1958BOX-FOLDER 436/4 Ohio State University, 1970BOX-FOLDER 436/5 Ottawa University, 1976MAP-CASE MapCaseC-Drw 2/8BOX-FOLDER 436/6BOX-FOLDER 457/4Peabody Institute, Conservatory of Music, 1969 (diploma)Princeton University, 1956 (printed materials)Princeton University, 1956 (diploma)BOX-FOLDER 436/7 Queens College, 1981BOX-FOLDER 437/3MAP-CASE MapCaseC-Drw 2/8Rutgers University, 1967 (printed materials)Rutgers University, 1967 (diploma)BOX-FOLDER 437/4 San Francisco Conservatory of Music, 1976BOX-FOLDER 435/4 University of Florida, 1972Aaron Copland Collection 447

Awards, 1934-1985ContainerContentsBOX-FOLDER 437/5 State University of New York, New Paltz, 1982BOX-FOLDER 437/6BOX-FOLDER 457/5BOX 457Syracuse University, 1964 (printed materials)Syracuse University, 1964 (diploma)Temple University, 1959 (in tube)BOX-FOLDER 438/11 Tulane University, 1976BOX-FOLDER 457/5 University of Florida, 1972BOX-FOLDER 438/4 University of Hartford, 1959BOX 457 University of Portland, 1975BOX-FOLDER 436/1 University of Michigan, 1964BOX-FOLDER 437/1 University of Redlands, 1977BOX-FOLDER 437/2 University of Rhode Island, 1964BOX-FOLDER 438/10 University of Rochester, 1976BOX-FOLDER 437/3BOX-FOLDER 457/2BOX-FOLDER 437/8BOX 439-452BOX 458-463MAP-CASEMapCaseC-Drw 2/9BOX-FOLDER 441/3BOX-FOLDER 452/1BOX-FOLDER 441/5BOX-FOLDER 441/4BOX-FOLDER 441/6BOX-FOLDER 441/7BOX-FOLDER 450/1University of Utah, 1966 (printed materials)University of Utah, 1966 (diploma)University of York, 1971 (printed materials)Citations, Medals, etc.Academia Nacional de Bellas Artes, 1962 (membership)Academia Nacional de Bellas Artes, 1963 (award)Academy of Motion Picture Arts and Sciences, 1940 (nomination)Academy of Motion Picture Arts and Sciences, 1943 (nomination)Accademia Filarmonica Romana, 1963 (membership)Accademia Nazionale di Santa Cecilia, 1956 (membership)Accademia Nazionale Santa Cecilia, n.d. (medal)Aaron Copland Collection 448

Awards, 1934-1985ContainerContentsBOX-FOLDER 440/4BOX-FOLDER 440/34BOX-FOLDER 440/17BOX-FOLDER 441/1BOX-FOLDER 458/1BOX-FOLDER 440/6BOX-FOLDER 458/2MAP-CASE MapCaseC-Drw 2/9BOX-FOLDER 440/9BOX 459BOX-FOLDER 441/1BOX-FOLDER 446/1BOX-FOLDER 458/3BOX 460BOX-FOLDER 440/7BOX-FOLDER 446/3BOX-FOLDER 440/11BOX-FOLDER 439/1BOX-FOLDER 443/1BOX-FOLDER 440/12BOX-FOLDER 451/10BOX-FOLDER 440/13BOX-FOLDER 440/14BOX-FOLDER 451/7Akademie der Künste, 1983 (membership)Albany Institute of History and Art, 1981 (concert)American Academy of Arts and Letters Medal, 1956 (printed materials)American Academy of Arts and Sciences, 1951 (membership)American Academy of Arts and Sciences, 1951 (citation)American Chamber Orchestra, 1982 (tribute)American Composers' Alliance, 1968 (award)American-Israel Cultural Foundation, 1975 (award)American-Israel Cultural Foundation, 1976 (award)ASCAP, 1945 (plaque)ASCAP, 1946 (membership)ASCAP, 1985 (plaque)American Symphony, 1975 (citation)American Symphony Orchestra Golden Baton Award, 1978 (baton)Art Critic's Circle, 1963 (award)Association of College, University and Community Arts Administrators,1976 (plaque)The Bohemians, 1971 (dinner)Boys High School Alumni Association, n.d. (citation)Boys High School Alumni Association, 1953 (plaque)Brandeis University, 1960 (award)Brandeis University, 1960 (medal)Brandeis University, 1963 (tribute)Brandeis University, 1975 (award)Brandeis University, 1975 (medal)Aaron Copland Collection 449

Awards, 1934-1985ContainerContentsBOX-FOLDER 441/89BOX-FOLDER 463/1BOX-FOLDER 440/5MAP-CASE MapCaseC-Drw 2/9BOX 447BOX 447BOX-FOLDER 439/2BOX 447BOX-FOLDER 439/3BOX-FOLDER 439/5BOX 447BOX 447BOX-FOLDER 452/6MAP-CASE MapCaseC-Drw 2/9BOX-FOLDER 451/4BOX-FOLDER 449/1BOX-FOLDER 440/22BOX-FOLDER 439/9BOX-FOLDER 442/3BOX-FOLDER 440/37BOX 447BOX 447BOX-FOLDER 439/4Brandeis University Medal, n.d. (printed materials)Brooklyn Academy of Music, 1961 (citation)Chamber Symphony Society of California, 1975 (Allegro Ball)City of Aspen, 1975 (ACday)City of Bridgeport, n.d. (key)City of Buffalo, n.d. (key)City of Chicago, 1980 (AC Day)City of Cleveland, n.d. (key)City of Cleveland, 1974 (AC Week)City of Harrisburg, 1975 (AC Week)City of Jacksonville, 1972 (key)City of Kansas City, n.d. (key)City of Los Angeles, 1975 (award)City of New York, 1914 (citation)City of New York, 1970 (medal)City of New York, 1980 (plaque)City of New York, 1983 (concert)City of Peekskill, 1985 (AC Week)City of Portland, 1975 (AC Week)City of San Jose, n.d. (letter)City of San Juan, n.d. (key)City of San Salvador, 1975 (key)Commander's Cross of the Order of Merit of the Federal Republic ofGermany, 1970 (printed materials)Aaron Copland Collection 450

Awards, 1934-1985ContainerContentsBOX-FOLDER 452/12BOX-FOLDER 452/14BOX-FOLDER 440/8BOX-FOLDER 446/2BOX-FOLDER 458/4BOX-FOLDER 449/3BOX-FOLDER 440/16BOX-FOLDER 463/2MAP-CASE MapCaseC-Drw 2/9BOX-FOLDER 452/4BOX-FOLDER 441/12BOX-FOLDER 450/2BOX-FOLDER 451/2BOX-FOLDER 451/8BOX-FOLDER 439/6BOX-FOLDER 441/13BOX-FOLDER 440/15BOX-FOLDER 441/14BOX-FOLDER 440/19BOX-FOLDER 440/24BOX-FOLDER 441/11MAP-CASE MapCaseC-Drw 2/9BOX-FOLDER 440/20ABOX-FOLDER 440/1Commonwealth of Pennsylvania, 1975 (citation)El Concejo Municipal de San Salvador, 1974 (citation)Consul General of the United States, 1978 (luncheon)Cookeville, Tennessee, 1978 (plaque)County of Los Angeles, 1964 (citation)County of Oswego, 1979 (plaque)Da Capo Chamber Players, n.d. (concert)Dancemagazine, 1979 (plaque)École des Hautes Études Musicales de France, 1921 (award)Edinburgh Film Festival, 1959 (award)Friends of Music, 1964 (award)German Cross, n.d. (medal)Die Gesellschaft der Musikfreund, n.d. (medal)Harvard Glee Club, n.d. (medal)Harvard University, 1978 (citation)Harvard University, 1934, 1944, 1951 (appointment as lecturer)Hebrew Arts School, 1982 (dinner)Henry Street Settlement, 1966 (award)Institut de France, 1970 (membership)International Capital of the Age of Enlightenment, 1979 (award)International Congress on Nutrition, 1960 (award)Irving Jr. High, Salt Lake City, n.d. (salutation)Joffrey Ballet, 1989 (dinner)Kansas State University, 1982 (AC Festival)Aaron Copland Collection 451

Awards, 1934-1985ContainerContentsBOX 459BOX-FOLDER 440/20BBOX-FOLDER 459/1BOX-FOLDER 440/21BOX-FOLDER 440/10BOX-FOLDER 451/9BOX-FOLDER 440/23BOX-FOLDER 451/3BOX-FOLDER 441/15BOX-FOLDER 452/7BOX-FOLDER 440/25BOX-FOLDER 441/15BOX-FOLDER 441/16BOX-FOLDER 440/26BOX-FOLDER 445/1BOX-FOLDER 445/2BOX-FOLDER 445/3BOX-FOLDER 445/4BOX-FOLDER 445/5BOX-FOLDER 445/6BOX-FOLDER 445/7BOX-FOLDER 445/8BOX-FOLDER 446/4BOX-FOLDER 444/1Kennedy Center Honors, 1979 (medal)Kennedy Center Honors, 1979 (printed materials)Lamont School of Music, n.d. (plaque)Library of Congress, 1981 (concert)Los Angeles County Museum of Art, 1970 (concert)Louisiana Council for Music and Performing Arts, n.d. (medal)MacDowell Colony Medal, 1961 (printed materials)MacDowell Medal, 1961 (medal)Massachusetts Federation of Music Clubs, n.d. (award)Mostra Internazionale d'Art Cinematografica, 1959 (award)Mu Phi Epsilon, 1986 (citation)Music Critic's Circle, 1944, 1946 (award)Music Educators' National Conference, 1973 (award)Music in the Mountains, n.d. (concert)National Academy of Recording Arts and Sciences, 1960 (plaque)National Academy of Recording Arts and Sciences, 1960 (plaque)National Academy of Recording Arts and Sciences, 1962 (plaque)National Academy of Recording Arts and Sciences, 1966 (plaque)National Academy of Recording Arts and Sciences, 1966 (plaque)National Academy of Recording Arts and Sciences, 1967 (plaque)National Academy of Recording Arts and Sciences, 1974 (plaque)National Academy of Recording Arts and Sciences, 1975 (printedmaterials)National Academy of Television Arts and Sciences, 1960-61 (plaque)National Academy of Television Arts and Sciences, 1966-67 (plaque)Aaron Copland Collection 452

Awards, 1934-1985ContainerContentsBOX-FOLDER 451/5BOX-FOLDER 450/3BOX-FOLDER 440/27BOX-FOLDER 441/17BOX-FOLDER 441/18BOX-FOLDER 441/19BOX-FOLDER 440/28BOX-FOLDER 441/20BOX-FOLDER 452/8BOX-FOLDER 440/29BOX-FOLDER 463/3BOX-FOLDER 440/18BOX-FOLDER 443/2BOX-FOLDER 441/21BOX-FOLDER 440/30BOX-FOLDER 451/1BOX-FOLDER 439/11BOX-FOLDER 441/22BOX-FOLDER 442/4BOX 448BOX-FOLDER 443/5BOX-FOLDER 443/3BOX-FOLDER 442/1BOX-FOLDER 443/4National Association for American Composers and Conductors, n.d.(medal)National Bicentennial Medal, 1976 (medal)National Endowment for the Arts Medal, 1986 (printed materials)National Federation of Music Clubs, 1941 (award)National Institute of Arts and Letters, 1942 (membership)National Institute of Arts and Letters Medal, 1956 (printed materials)National Music Awards, 1976 (award)National Press Club, 1974 (award)New York State Assembly, 1985 (citation)New York State Music Awards, 1975 (award)New York State Music Award, 1981 (citation)New York State Music Awards, 1981 (award)Oakland University, 1978 (plaque)Oklahoma City, 1943 (award)Ovation Magazine, 1989 (award)Paramount Center for the Arts, 1985 (medal)Pennsylvania House of Representatives, 1990 (citation)Philharmonic Symphony Society of New York, 1970 (membership)Phi Mu Alpha, 1961 (membership)Phi Mu Alpha, 1970 (plaque)Phi Mu Alpha, 1972 (plaque)Phi Mu Alpha, 1974 (plaque)Phi Mu Alpha, 1976 (award)Phi Mu Alpha, 1979 (plaque)Aaron Copland Collection 453

Awards, 1934-1985ContainerContentsBOX-FOLDER 440/31BOX-FOLDER 440/32BOX-FOLDER 451/6BOX-FOLDER 440/38BOX-FOLDER 452/2BOX-FOLDER 452/13BOX 459BOX-FOLDER 440/35MAP-CASE MapCaseC-Drw 2/9BOX-FOLDER 450/4MAP-CASE MapCaseC-Drw 2/9BOX-FOLDER 457/5BOX-FOLDER 441/23BOX-FOLDER 444/2BOX-FOLDER 441/24BOX-FOLDER 442/2BOX-FOLDER452/10-11Pi Kappa Lambda, 1970 (membership)The Pierian Sodality of 1808, 1962 (certificate)Pittsburgh Bicentennial, 1958 (medal)Preservation and Revitalization of Cold Springs Area, 1983 (reception)President of Brooklyn, 1980 (award)Presidential Medal of Freedom, 1964 (printed materials)Presidential Medal of Freedom, 1964 (medal)Pulitzer Prize, 1945 (printed materials)Pulitzer Prize, 1945 (diploma)Rainier, Prince de Monaco, III, n.d. (medal)Royal Academy of Music, 1959 (membership)Royal Philharmonic Society, 1970 (membership)Royal Society for the Encouragement of Arts Manufactures andCommerce, 1960 (membership)San Jose, n.d. (plaque)Scholastic Teacher's National Film and Filmstrip Awards, 1960 (award)State of Kansas, 1976 (membership)State of New York, 1979 (citation- 2 copies)BOX-FOLDER 439/7BOX-FOLDER 461/1BOX-FOLDER 452/9BOX-FOLDER 439/8BOX-FOLDER 452/15BOX-FOLDER 439/14State of Louisiana, 1976 (AC Days)State of Michigan, 1980 (citation)State of New York, 1983 (citation)State of North Carolina, 1976 (AC Day)State of Tennessee, 1978 (award)State of Utah, 1976 (AC Week)Aaron Copland Collection 454

Awards, 1934-1985ContainerContentsBOX-FOLDER 439/12BOX-FOLDER 440/36BOX-FOLDER 439/13BOX 459BOX-FOLDER 440/39BOX-FOLDER 441/25BOX-FOLDER 449/2BOX-FOLDER 440/2BOX-FOLDER 458/7BOX-FOLDER 452/16BOX-FOLDER 441/10BOX-FOLDER 452/3BOX-FOLDER 450/5BOX-FOLDER 452/5BOX-FOLDER 440/40BOX-FOLDER 439/10MAP-CASE MapCaseC-Drw 2/9BOX-FOLDER 459/3BOX-FOLDER 441/26BOX-FOLDER 439/15BOX 462BOX-FOLDER 458/7BOX-FOLDER 461/2BOX-FOLDER 450/6State University of New York at Potsdam, n.d. (citation)Stereo Review, 1981 (award)Syracuse University Chancellor's Medal, 1975 (printed materials)Syracuse University Chancellor's Medal, 1975 (medal)Tanglewood, n.d. (concert)Third Street Music School Settlement, 1979 (award)Town of Cortland, 1985 (plaque)Umpaqua Community College, 1981 (AC Festival)United States Air Force Band, n.d. (citation)United States Senate, 1985 (citation)Universidad de Chile, 1963 (award)Universidad de Chile, n.d. (award)Universidade do Estado da Guanabara, 1950 (medal)Universidade do Estado da Guanabara, 1963 (award)University of Leeds, 1977, (tribute)University of Pennsylvania, 1980 (citation)University of Pennsylvania Glee Club, 1970 (award)University of Pennsylvania Glee Club, 1970 (plaque)Venezuelan Association of Authors and Composers, 1957 (award)Washington, DC, 1980 (AC Day)Westchester Council for the Arts, 1981 (plaque)Westchester County Executive, 1981 (citation)Westchester County Executive, 1985 (citation)Westchester County Merit Award, n.d. (medal)Aaron Copland Collection 455

Awards, 1934-1985ContainerContentsBOX-FOLDER 440/3BOX-FOLDER 440/33BOX-FOLDER 441/27BOX-FOLDER 441/28BOX-FOLDER 450/7BOX-FOLDER 450/8BOX 456BOX 464-466BOX 509BOX 516BOX 519-520MAP-CASEMapCaseC-Drw2/10-16BOX 456BOX 464-465BOX 509BOX 516BOX 519Westchester Music and Arts Camp, 1981, (festival)William Penn College, 1983 (award)Wisdom Magazine, n.d. (award)Yale University Howland Medal, 1970 (printed materials)Yale University Howland Medal, n.d. (medal)Yale University Samuel Simons Sanford Medal, n.d. (medal)Art Works, 1944-1983The Art Works section is divided into Of Aaron Copland, Other Works,Poetry, and Posters that include drawings, caricatures, and portraits ofAaron Copland and other artistic renderings which consist of specialeditions of illustrated poems by various artists in different mediums. Thetwo most illustrious artists represented are a numbered print by PabloPicasso and an engraved color print by Marc Chagell which was part ofan invitation from the Prince and Princess of Monaco for a 1967 programto honor Nadia Boulanger.Citations, Medals, etc. include certificates, proclamations, plaques, medals,keys to cities and, some cases, accompanying correspondence, programs,reviews and other printed material. Arranged alphabetically by thepresenter's name.Of Aaron CoplandBOX-FOLDER 509/3BOX-FOLDER 519/1BOX-FOLDER 509/5BOX-FOLDER 509/7BOX-FOLDER 516/2BOX 465Albee, E. (pencil sketch)Altman, N. (right and left handprints)Boyce, John (pencil sketch)Frueh, A. (pencil sketch)Frubauf, Aune (woodcut)Hirsch, Joseph (portrait)Aaron Copland Collection 456

Art Works, 1944-1983ContainerContentsBOX-FOLDER 516/3BOX-FOLDER 516/4BOX 464BOX-FOLDER 456/2BOX-FOLDER 516/6BOX-FOLDER 456/3BOX-FOLDER 509/9BOX-FOLDER 519/7BOX-FOLDER 509/12BOX-FOLDER 456/5BOX-FOLDER 509/2BOX-FOLDER 509/1BOX-FOLDER 519/3BOX-FOLDER 456/10BOX-FOLDER 519/4BOX-FOLDER 519/2BOX 456BOX 466BOX 509BOX 516BOX 519-520MAP-CASEMapCaseC-Drw2/10, 16BOX-FOLDER 516/1BOX 466BOX 464BOX-FOLDER 509/6Hoffnung, Gerard (caricature reproduced in journal)Irene (sketch)Johnson, J. R. (watercolor; collage)Nando (caricature)Oslundigo, E. R. (watercolor)Perrin, Joyous (ink sketch)Re, F. (engraving, 2 copies)Ross, Alvin (ink sketch)Schiff, R. (ink sketch)Schiff, R. (pencil sketch)Unidentified (caricature)Unidentified (caricature with Charles Ives)Unidentified (ink sketch)Unidentified (mounted newspaper photo of AC and Benny Goodman)Unidentified (pencil sketch)Unidentified (portrait)Other worksChagell, Marc (Print, included in a program honoring Nadia Boulanger)Children (drawings)Johnson, J. R. (painting)Keahy, Ruth (watercolor, El Saloon Mexico)Aaron Copland Collection 457

Art Works, 1944-1983ContainerContentsMAP-CASE MapCaseC-Drw 2/16BOX-FOLDER 509/11BOX-FOLDER 509/10BOX-FOLDER 456/8BOX-FOLDER 516/5BOX-FOLDER 519/6BOX 520MAP-CASE MapCaseC-Drw 2/10BOX-FOLDER 456/13Picasso, Pablo (numbered print of bull and horse)Ross, A. (etching)Ross, A. (etching, one for each month)Unidentified (18th century songbook)Unidentified (Japanese fabric sculpture)Unidentified (paper collage)Unidentified (Tango folio)Unidentified (watercolor and floor plan of AC's house)Wolf, R. Statements on artBOX 456BOX 509BOX 520PoetryBOX-FOLDER 509/4BOX-FOLDER 456/4BOX-FOLDER 509/13BOX 520BOX-FOLDER 456/1BOX 456BOX 519MAP-CASEMapCaseC-Drw2/11-15BOX 464BOX 464BOX 464BOX 464Ammons, A., Breaking OutPrice, R., The Dream of the HouseTate, A., All is BrillingUnidentified, For Aaron Copland (5 poems)Unidentified, Patrick County, VirginiaPostersAlbany InstituteAmerican Symphony OrchestraAustralian concertsBasilique-Cathédrale Sante-ReparateMAP-CASE MapCaseC-Drw 2/11Bamberger SymphonikerAaron Copland Collection 458

Art Works, 1944-1983ContainerContentsBOX-FOLDER 519/5MAP-CASE MapCaseC-Drw 2/11MAP-CASE MapCaseC-Drw 2/14MAP-CASE MapCaseC-Drw 2/11BOX-FOLDER 456/9MAP-CASE MapCaseC-Drw 2/11MAP-CASE MapCaseC-Drw 2/13BOX-FOLDER 456/11MAP-CASE MapCaseC-Drw 2/12MAP-CASE MapCaseC-Drw 2/13MAP-CASE MapCaseC-Drw 2/11MAP-CASE MapCaseC-Drw 2/11MAP-CASE MapCaseC-Drw 2/12MAP-CASE MapCaseC-Drw 2/12BOX-FOLDER 456/12MAP-CASE MapCaseC-Drw 2/14MAP-CASE MapCaseC-Drw 2/15MAP-CASE MapCaseC-Drw 2/13Barous, Terry (senior recital)Beorgradska FilharmonijaBologna concertBoston Symphony OrchestraBoston University concertBowery EnsembleJavier CabadaEmpire SinfoniettaHarvest of Music FestivalInscapeIsrael PhilharmonicJordan Hall, BostonNational Symphony OrchestraNew York State Council on the ArtsOjai FestivalParkening, ChristopherRussian concertsSchiff, Richard J.Aaron Copland Collection 459

Art Works, 1944-1983ContainerContentsMAP-CASE MapCaseC-Drw 2/11BOX-FOLDER 456/7MAP-CASE MapCaseC-Drw 2/14MAP-CASE MapCaseC-Drw 2/11MAP-CASE MapCaseC-Drw 2/11MAP-CASE MapCaseC-Drw 2/14MAP-CASE MapCaseC-Drw 2/14MAP-CASE MapCaseC-Drw 2/14Second hurricaneSmit, Leo (recital)Seymour Group, AustraliaSyracuse University concertTender landTrieste Philharmonic (2 copies)Waldman, PaulWFNL, U.S. Guys (Ives, Copland, Bernstein)BOX 468-494BOX 496-514MAP-CASEMapCaseC-Drw2/4-6Photographs, 1889-1985The Photographs series contain approximately 12,000 images and date fromc. 1889-1985. The largest section is the portraits of Copland alone, bothformal and informal, professional and amateur. Noteworthy subjectsinclude many rarely-seen early portraits of Aaron Copland and themajority of the photographs reproduced in Copland's two volumeautobiography, "Copland, 1900-1943" (Volume I) and "Copland Since1943" (Volume II). Photographs from these books are identified with aRoman numeral I or II, designating the volume in which it wasreproduced, followed by an Arabic numeral designating the page onwhich the photograph is found.A large portion of the photo images were taken by Copland's life-long friend,the professional photographer, Victor Kraft (1915-76). Among the imagesproduced by Victor Kraft are luminaries of the American music scenefrom the first half of the twentieth century, including Leonard Bernstein,Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, SergeKoussevitzky, Walter Piston and the Tanglewood Music Festival duringthe 1940s. In fact, a significant amount of items correspond or overlapbetween this series and the Victor Kraft Materials series. Illustriousphotographers represented include Margaret Bourke-White, Irving Penn,Gordon Parks and Carl Van Vechten, among others. If photographiccredits are not given, the photographer is, as yet, unidentified. See theExplanation of Code System for Photographs at the end of the series.Includes black and white and color photoprints in several sizes, color slides,black and white contact prints, black and white and color negatives, andAaron Copland Collection 460

Photographs, 1889-1985ContainerContentscolor transparencies (mostly 35mm, but includes oversize, copy andsquare negatives). Photoprints with and without Aaron Copland arrangedby subject from the most personal and relevant to Copland to lessimportant and significant, then roughly in chronological order; PhotoAlbums arranged in approximate chronological order; Color Slidesarranged by subject; and Negatives arranged according to pre-existingjob codes in alpha-numeric order when available, and according to newlyassignedcodes arranged by subject, then numerically.BOX 468-485BOX 490-494BOX 496-499BOX 501BOX 503BOX 506BOX 507BOX 509-512MAP-CASEMapCaseC-Drw2/4-6BOX-FOLDER 468/1-4BOX-FOLDER 491/1-3BOX-FOLDER 506/2-9Photoprints with Aaron CoplandAC Portraits: Early (1900-1930)BOX-FOLDER 491/1BOX-FOLDER 506/1BOX-FOLDER 491/2BOX-FOLDER 491/31906, at age 6 [enlargement of smaller print][1920?], "Copland 1924" (Ortho) [ I;37]1920s, AC in Parisca. 1920sBOX-FOLDER 506/2 1923BOX-FOLDER 506/3BOX-FOLDER 506/4-9BOX-FOLDER 468/3-4BOX-FOLDER 468/1-2BOX 469-472BOX 491-492BOX 506BOX 512[1926?], "Copland in front of Koussevitzky's house, Boston, 1925" [I;101]1930, 6 signed and mounted prints (Hermann Collmann)MiscellaneousContents:• At piano• InformalMiscellaneousAC Portraits: Middle (1931-1960)Aaron Copland Collection 461

Photographs, 1889-1985ContainerContentsBOX-FOLDER 492/1-3BOX-FOLDER 471/1-3BOX-FOLDER 506/10BOX-FOLDER 492/11BOX-FOLDER 506/11BOX-FOLDER 491/4BOX-FOLDER 492/13BOX-FOLDER 492/14BOX-FOLDER 492/15BOX-FOLDER 492/16BOX-FOLDER 491/5BOX-FOLDER 492/7BOX-FOLDER 492/5BOX-FOLDER 471/4BOX-FOLDER 492/6BOX-FOLDER 491/6-9BOX-FOLDER 492/8-10BOX-FOLDER 492/12BOX-FOLDER 492/4BOX 512BOX-FOLDER 469/1-3BOX-FOLDER 470/1-4BOX-FOLDER 472/1[ca. 1930s], series, one mounted (Victor Kraft)1932, series (Carl Van Vechten)[1932], "Copland 1927" [copy of photo by Carl Van Vechten]1946, "Studio in the Berkshires September, 1946" (Victor Kraft)1947, signed and mounted (Irving Penn)[1947], signed and mounted (Irving Penn)ca. 1951, at piano, "Barn studio in Berkshires, circa 1951" (Victor Kraft)1958, Life magazine (Gordon Parks)1959 (Harold Shapero)1960 (C. Manos)Undated, 1 photo, matted (Carl Van Vechten), UndatedUndated, 2 photos (Victor Kraft) [Negs. CC-CP-N-1057-R2;22,23],UndatedUndated, 2 photos, 3 prints, UndatedUndated, 3 photos (George Platt Lynes), UndatedUndated, 2 prints, UndatedUndated, 8 proofs (Pach Bros.), UndatedUndated, At piano [Berkshires studio], UndatedUndated, [Berkshires?, outdoors] (Victor Kraft), UndatedUndated, Informal, UndatedIncludes: MexicoUndated, [Massachusetts house, exterior and interior; sunset (VictorKraft)] (Color slides)MiscellaneousMiscellaneousMiscellaneousAaron Copland Collection 462

Photographs, 1889-1985ContainerContentsBOX-FOLDER 472/2BOX-FOLDER 472/5BOX-FOLDER 472/3-4BOX 473-475BOX 490BOX 493BOX 496BOX 506BOX 509BOX 511MiscellaneousMiscellaneous, AC at pianoMiscellaneous, informalAC Portraits: Late (1961-1990)BOX-FOLDER 493/4-6BOX-FOLDER 493/11BOX-FOLDER 493/121960s, proofs (Lotte Meitner-Graf)[1960s], 2 photos, "in 60's" (Marc and Evelyne Bernheim)[1960s], 3 photos, "in 60's" (Editta Sherman)BOX-FOLDER 506/13 [ca. 1960s]BOX-FOLDER 509/1BOX-FOLDER 493/9BOX-FOLDER 496/3BOX-FOLDER 493/14BOX-FOLDER 509/2-3BOX-FOLDER 511/1BOX-FOLDER 493/13BOX-FOLDER 511/2BOX-FOLDER 493/15BOX-FOLDER 506/12BOX-FOLDER 496/4BOX-FOLDER 493/16-20BOX-FOLDER 511/3BOX-FOLDER 509/4[ca. late 1960s?], mounted (Color)1962, Apr., LIFE magazine (Yale Joel)1970, Feb., mounted (John Hustad)[ca. 1970s], signed and mounted[ca. 1970s, outside], mounted (Color)1971, mounted (Martha Crumb) (Color)1972 (Bob Fullerton)1977, signed and mounted (Leo Smit) (Color)1978, 3 photos, signed (King Wehrle)1979 (Hans Namuth)1979, mounted (Mickey Adair)1980, 13 photos (Suzie E. Maeder)[ca. 1980] (Iris Posner) (Color)[ca. 1980], matted (Color)Aaron Copland Collection 463

Photographs, 1889-1985ContainerContentsBOX-FOLDER 493/21BOX-FOLDER 493/22BOX-FOLDER 493/23BOX-FOLDER 493/24BOX-FOLDER 493/25BOX-FOLDER 511/4BOX-FOLDER 493/2BOX-FOLDER 493/3BOX-FOLDER 493/1BOX-FOLDER 474/1BOX-FOLDER 473/2-4BOX-FOLDER 493/7-8BOX-FOLDER 493/10BOX-FOLDER 473/1BOX-FOLDER 473/3BOX-FOLDER 474/2BOX-FOLDER 475/1-3BOX-FOLDER 475/5BOX-FOLDER 490/1-3BOX-FOLDER 475/4BOX-FOLDER 476/1-6BOX-FOLDER 490/4BOX-FOLDER 496/1-2MAP-CASE MapCaseC-Drw 2/4BOX-FOLDER 496/11981, signed (Nancy Rica Schiff)1982, signed and mounted (Ralph Titus)1983 (Arthur Mones)1984, at piano (Lucy Cobos)1985, signed (Marianne Barcellona)[ca. 1985] (from [by?] Ann Mann) (Color)At piano (Dennis Goulden)Undated, At piano (Victor Kraft?)Undated, At piano, signed by AC (Paul Moor)Undated, Series (David Diamond)Undated, Series (Editta Sherman)Undated, Signed and mounted (Lotte Meitner-Graf)Undated, 1 print (Kazuo Inoue Okayama)MiscellaneousMiscellaneousMiscellaneousMiscellaneousMiscellaneousMiscellaneous (Color)Miscellaneous, AC at the pianoAC Family1909, AC with sister Josephine [enlargement copy]Aaron Copland Collection 464

Photographs, 1889-1985ContainerContentsBOX-FOLDER 496/2MAP-CASE MapCaseC-Drw 2/4BOX-FOLDER 476/6BOX-FOLDER 476/1-5BOX-FOLDER 490/4BOX 477BOX 494BOX-FOLDER 477/1BOX-FOLDER 494/1-31935, Golden wedding anniversary banquet for AC's parents, mounted[banquet camera photo]1935, Golden wedding anniversary banquet for AC's parents [banquetphoto, rolled]AC with family, UndatedMiscellaneous, UndatedMiscellaneous (Color), UndatedAC Conducting: Middle (1930-1960)Foreign CountriesBOX-FOLDER 494/3BOX-FOLDER 494/1BOX-FOLDER 494/2BOX-FOLDER 477/1BOX-FOLDER 477/2-3BOX-FOLDER 494/41960, Berlin, conducting "Nonet" (Paul Moor)[1960, Japan] (Kazuo Inoue Okayama)[1960?], Japan, "Conducting in Japan" (Jun Miki)MiscellaneousUnited StatesBOX-FOLDER 494/4BOX-FOLDER 477/2BOX-FOLDER 477/3BOX 477-478BOX 494BOX 497BOX 511BOX 512ABOX 477BOX 494[1940s?, Tanglewood], 2 photos (Victor Kraft)MiscellaneousUnidentifiedAC Conducting: Late (1961-1980s)Foreign CountriesBOX-FOLDER 477/4BOX-FOLDER 477/5-8BOX-FOLDER 477/91963, Columbian National Symphony1970, Berlin (Victor Kraft)1970, Berlin (Peter Muck)Aaron Copland Collection 465

Photographs, 1889-1985ContainerContentsBOX-FOLDER 477/11BOX-FOLDER 477/12BOX 512BOX-FOLDER 477/13BOX-FOLDER 494/5-6BOX-FOLDER 477/101970, London, London Symphony Orchestra (Julian Hahn)1970, London, London Symphony Orchestra (Victor Kraft)1970 Nov., London, London Symphony Orchestra (Victor Kraft?)(Color slides)1980, London, London Symphony Orchestra (Crowthers)1980, London, [London Symphony Orchestra?], 5 photos (SuzieMaeder)England (Victor Kraft), UndatedBOX-FOLDER 477/14-15BOX 477-478BOX 494BOX 497BOX 511BOX 512AMiscellaneousUnited StatesBOX-FOLDER 494/7BOX-FOLDER 477/16BOX 512BOX-FOLDER 494/12BOX-FOLDER 494/9-10BOX-FOLDER 494/11BOX-FOLDER 477/17BOX 497BOX-FOLDER 511/5BOX-FOLDER 511/6BOX-FOLDER 494/13BOX-FOLDER 494/8BOX 4971964 Summer, New York City, Lewis Stadium, rehearsal of LincolnPortrait with Adlai Stevenson (Marc and Evelyne Bernheim)1970, Los Angeles (Mary Leipziger)1970 Dec., New York Philharmonic Orchestra (Color slides)[ca. 1970s], Kent State University (Jack Davis)1971 Nov., Kansas State University, Copland Festival (Ralph Titus)[1972], Austin Symphony (James E. Alvis)[1972] Mississippi River Festival (Charles H. Cox)1973 Feb. 11, United States Air Force Band and Singing Sergeants,Washington, D.C. [photo scrapbook]1976, Saratoga Springs, 2 photos (Allen J. Winigrad) (Color)[1976?, Saratoga Springs], 3 photos (Color)1981 Sept., Library of Congress, conducting "Nonet"Undated, Detroit Symphony Orchestra with William Warfield (L.Wardrop)Undated, Norfolk Symphony Orchestra [photo scrapbook]Aaron Copland Collection 466

Photographs, 1889-1985ContainerContentsBOX 512ABOX-FOLDER 478/1-3BOX 478BOX 490BOX 496BOX 498Undated, San Francisco [dual slides] (Color slides)Unidentified and MiscellaneousAC Conducting: Miscellaneous and UnidentifiedBOX-FOLDER 496/5BOX-FOLDER 498/8BOX-FOLDER 498/1BOX-FOLDER 498/9BOX-FOLDER 496/6BOX-FOLDER 478/4BOX-FOLDER 498/2-7BOX-FOLDER 478/5-6BOX-FOLDER 490/5BOX 512BOX 478BOX 490[ca.1960s] UnidentifiedUndated, 1 print (Goldstein)Undated, 2 prints (Kenneth Love)Undated, 4 photos, mounted (J. Fowler)Undated, Enlarged photo (Gordon Clarke)Undated, Series of 15 prints (Gordon Clarke)Undated, Series of 17 prints (Nicholas Tucker)MiscellaneousMiscellaneous (Color)Unidentified (Color slides)AC PerformingBOX 497BOX 512BOX-FOLDER 478/7BOX-FOLDER 478/8BOX-FOLDER 478/9BOX-FOLDER 490/7BOX-FOLDER 478/10BOX-FOLDER 490/6At piano, 1967 Congregation of the Arts, Dartmouth College [photoalbum]At piano, 1970 Nov., AC with André Previn and London SymphonyOrchestra, "Piano Concerto" rehearsal (Color)At piano, UndatedFilmRadioRadio and Television (Color)TelevisionMiscellaneous (Color)Aaron Copland Collection 467

Photographs, 1889-1985ContainerContentsBOX 478BOX 490AC with ComposersBOX-FOLDER 499/3BOX-FOLDER 478/11BOX-FOLDER 478/12BOX-FOLDER 478/13BOX-FOLDER 478/14BOX-FOLDER 507/8BOX-FOLDER 499/4BOX-FOLDER 478/15Barber, Samuel and Virgil Thomson, Gian Carlo Menotti, and WilliamSchuman, ca. 1940, "AC with American composer friends" (JohnStewart)Bernstein, LeonardBoulanger, NadiaBoulanger, Nadia and Serge KoussevitzkyBritten, BenjaminKoussevitzky, Serge, 1944 May, "American Composers' TestimonialDinner in Honor of Dr. Serge Koussevitzky"Koussevitzky, Serge and Arthur Honegger, 1947, Tanglewood (VictorKraft)Milhaud, DariusBOX-FOLDER 499/2 Rochester, New York Conf[erence] of American Composers, 1925BOX-FOLDER 478/16BOX 512BOX-FOLDER 499/1BOX-FOLDER 479/1-7BOX-FOLDER 490/8Smit, LeoThomson, Virgil and Roger Sessions (Color slide)Thomson, Virgil, Walter Piston, and Herbert Elwell, 1924, ParisMiscellaneousFolders:• 479/1 Blitzstein, Marc• 479/1 Diamond, David• 479/1 Sneden's Landing group• 479/2 Fine, Irving• 479/2 Haieff, Alexei• 479/2 Piston, Walter• 479/3 Barber, Samuel and Gian Carlo Menotti [1945, II;65, NEG.]• 479/3 Rorem, Ned• 479/4 Fine, Irving• 479/4 Foss, Lukas• 479/4 Hindemith, Paul• 479/5 Shostakovitch, Dmitri, Dmitri Kabalevsky, and Soviet group• 479/5 Villa-Lobos, Heitor• 479/6 Chávez, Carlos• 479/6 Foss, Lukas• 479/6 Ginastera, Alberto• 479/6 Thomson, VirgilAaron Copland Collection 468

Photographs, 1889-1985ContainerContents• 479/7 Elwell, Herbert, Walter Piston, and Virgil Thomson, 1926group, Paris• 479/7 Poulenc, Francis• 490/8 Piston, Walter• 490/8 Other photos (Color)BOX 480BOX 490BOX 499BOX 509AC with ConductorsBOX-FOLDER 499/4BOX-FOLDER 509/5BOX-FOLDER 480/1-2BOX-FOLDER 490/9BOX 480BOX 490Koussevitzky, Serge and Arthur Honegger, 1947, Tanglewood (VictorKraft)Mehta, Zubin, ca. 1980 (Color)MiscellaneousMiscellaneous (Color)AC with ChoreographersBOX-FOLDER 499/6BOX-FOLDER 499/5BOX-FOLDER 480/3BOX 480BOX 490BOX 496BOX 499BOX 506Robbins, Jerome, J. B. Kennedy, and Arthur Gold and Robert FizdaleSmith, Oliver and Agnes de Mille, 1942, Tanglewood (Victor Kraft)MiscellaneousAC with PerformersBOX-FOLDER 480/4Gold, Arthur and Robert FizdaleBOX-FOLDER 506/14 MacLeish, Archibald, 1923BOX-FOLDER 499/7BOX 497BOX-FOLDER 480/5-8BOX-FOLDER 490/10BOX-FOLDER 496/7Barzin, Leon and National Orchestra Association, 1975 (Ezio Petersen,UPI)Dartmouth College, Congregation of the Arts, 1967 [photo scrapbook]MiscellaneousIncludes: Goodman, Benny, 1970Miscellaneous - Performers, Composers, and Politicians (Color)Unidentified (Bern Ketchum)Aaron Copland Collection 469

Photographs, 1889-1985ContainerContentsBOX-FOLDER 481/1-2BOX-FOLDER 481/1BOX-FOLDER 481/2BOX-FOLDER 481/3BOX-FOLDER 499/8AC with Famous People and PoliticiansMiscellaneousIncludes: John F. Kennedy, at White HouseMiscellaneousAC with Recording and Publishing ExecutivesBOX-FOLDER 499/8BOX-FOLDER 481/3BOX 481BOX 490BOX 499Hawkes, Ralph, ca. 1949, TanglewoodMiscellaneousAC with FriendsBOX-FOLDER 490/11BOX-FOLDER 481/4-5BOX-FOLDER 499/9BOX-FOLDER 499/10BOX-FOLDER 481/6BOX-FOLDER 490/12Bernstein, Leonard (Color)Bernstein, Leonard, Tanglewood (Victor Kraft)See also: AC with Composers and Festivals and Artist Colonies,Tanglewood (Victor Kraft) BOX: xxxBernstein, Leonard, ca. 1940, at piano, 2 photos (Victor Kraft)Bernstein, Leonard, 1962, at rehearsal for "Connotations"Clurman, HaroldRamey, Philip (Color)BOX-FOLDER 499/11 Walker, David and Nadja [AC's dog], ca. 1970BOX-FOLDER 481/7BOX-FOLDER 481/8-10BOX-FOLDER 490/13-14BOX 481BOX 490BOX 499Early photos, 1912-1920, n.d.MiscellaneousMiscellaneous (Color)AC with AcquaintancesBOX-FOLDER 499/14Garfein, Jack, 1961, PeekskillBOX-FOLDER 499/12 LaTouche, John, 1937, on set of Rudy Burkhardt's film "145 West 21"BOX-FOLDER 499/13Mosely, Carlos (Victor Kraft)Aaron Copland Collection 470

Photographs, 1889-1985ContainerContentsBOX-FOLDER 481/11-13BOX-FOLDER 490/15BOX-FOLDER 481/14BOX-FOLDER 490/16MAP-CASE MapCaseC-Drw 2/5MAP-CASE MapCaseC-Drw 2/5BOX-FOLDER 481/14BOX-FOLDER 490/16BOX 482-483BOX 501MiscellaneousMiscellaneous (Color)AC with OthersBoys High School, Brooklyn, Class of June 1918MiscellaneousMiscellaneous (Color)Festivals and Artist ColoniesBOX-FOLDER 482/1BOX-FOLDER 482/2BOX-FOLDER 482/3BOX-FOLDER 482/4-11BOX-FOLDER 501/1Aspen, ColoradoOjai, CaliforniaSanta Fe, New MexicoTanglewood, [1940s]Tanglewood, [1940s] (Color)BOX-FOLDER 482/12 Tanglewood, 1985BOX-FOLDER 483/1 University of Gainsville, Forida, 1972BOX-FOLDER 483/2 Yaddo, 1932BOX-FOLDER 483/3BOX-FOLDER 501/2BOX 483-484BOX 501BOX 503MiscellaneousIncludes: MacDowell ColonyMiscellaneous (Color)Includes: O'Keeffe. Georgia and AC, Santa FeTravelBOX-FOLDER 483/4BOX-FOLDER 483/5ArgentinaBrazilAaron Copland Collection 471

Photographs, 1889-1985ContainerContentsBOX-FOLDER 483/6BOX-FOLDER 483/8BOX-FOLDER 483/7BOX-FOLDER 483/9BOX-FOLDER 483/10BOX-FOLDER 483/11BOX-FOLDER 483/11BOX-FOLDER 483/12BOX-FOLDER 483/13BOX 503ColombiaFranceFrance, 1920sGreat BritainGermany, BambergGreat BritainGermany, BambergIsraelJapanJapan, 1962 Jan., "Joint U.S. - Japan Conference on Cultural andEducational Interchange January 1962" [Photo album]BOX-FOLDER 483/14-15BOX-FOLDER 483/16-17BOX-FOLDER 483/18BOX-FOLDER 483/19BOX-FOLDER 483/20BOX-FOLDER 483/21BOX-FOLDER 484/1BOX-FOLDER 484/2BOX-FOLDER 484/3BOX-FOLDER 484/4BOX-FOLDER 484/5-9BOX-FOLDER 501/3-4BOX 484-485BOX 496BOX 499BOX 501Latin AmericaMexicoIncludes: Denby, Edwin and ACPeruPolandPortugalPuerto RicoTurkeyUnited StatesUSSRVenezuelaMiscellaneousMiscellaneous (Color)EventsAaron Copland Collection 472

Photographs, 1889-1985ContainerContentsMAP-CASE MapCaseC-Drw 2/6BOX-FOLDER 484/11BOX-FOLDER 484/10BOX-FOLDER 501/5BOX-FOLDER 484/12BOX-FOLDER 501/6BOX-FOLDER 496/8Awards"Golden Apple"MiscellaneousMiscellaneous, honors (Color)Birthday celebrations1977, Johns Hopkins UniversityMiscellaneous (Color)Dinners1944 May 16, "American Composers' Testimonial Dinner in Honor ofDr. Serge Koussevitzky, May 16, 1944" [banquet camera photo]MAP-CASE MapCaseC-Drw2/6BOX-FOLDER 484/13BOX-FOLDER 484/14BOX-FOLDER 484/151954 Mar. 30, "40 th anniversary dinner, Amercian Society ofComposers, Authors and Publsihers, The Waldorf-Astoria, March 30,1954"70th birthday80th birthday, Boosey & HawkesMiscellaneousBOX-FOLDER 501/7BOX-FOLDER 484/16BOX-FOLDER 484/17BOX-FOLDER 484/18-19BOX-FOLDER 499/15BOX-FOLDER 484/20BOX-FOLDER 501/8BOX 497BOX-FOLDER 485/1Dinners and Receptions (Color)Honorary degrees1958 June, Oberlin College1950s1960s1971, Columbia University1970s-1980sMiscellaneous (Color)Lectures and Seminars1967, Dartmouth College, Congregation of the Arts [photo scrapbook]1972, University of Texas, SymposiumAaron Copland Collection 473

Photographs, 1889-1985ContainerContentsBOX-FOLDER 485/2BOX-FOLDER 485/3BOX-FOLDER 485/4BOX 485-487BOX 496BOX 500-503BOX 506-507BOX 485BOX 500BOX 501BOX 502MiscellaneousPress conferences and InterviewsReceptionsPhotoprints without Aaron CoplandComposersBOX-FOLDER 500/1BOX-FOLDER 500/2-3BOX-FOLDER 500/4BOX-FOLDER 500/5BOX-FOLDER 485/5BOX-FOLDER 500/6BOX-FOLDER 500/7BOX-FOLDER 485/6BOX-FOLDER 500/8BOX-FOLDER 485/7BOX-FOLDER 485/8BOX-FOLDER 500/9BOX-FOLDER 500/10BOX-FOLDER 500/11Berger, Arthur (Victor Kraft)Bernstein, Leonard, [ca. 1947, NY Times article] (Victor Kraft)Bernstein, Leonard, signed (Lotte Meitner-Graf)Bernstein, Leonard and brother, [ca. 1930s] (Andrée Vilas)Blitzstein, Marc, David Diamond, and Colin McPhee, [ca. 1940s] (VictorKraft?)Bowles, Paul [ca. 1930s] (Victor Kraft)Britten, Benjamin (Andrée Vilas)Britten, Benjamin (Victor Kraft)Cage, John, [ca. 1947, NY Times article] (Victor Kraft)Diamond, David, [ca. 1948] (Victor Kraft?)Foss, Lukas, [11/47 NY Times] (Victor Kraft)Foss, Lukas, [11/47 NY Times] (Victor Kraft)Haieff, Alexei, [ca. 1947, NY Times article] (Victor Kraft)Henze, Hans WernerBOX-FOLDER 500/12 Honegger, Arthur and Elizabeth Sprague Coolidge, Tanglewood, [1947](Victor Kraft)BOX-FOLDER 502/18Kennedy, J. B. (Daniel Entin)Aaron Copland Collection 474

Photographs, 1889-1985ContainerContentsBOX-FOLDER 485/9BOX-FOLDER 485/10BOX-FOLDER 500/13BOX-FOLDER 500/14BOX-FOLDER 500/15BOX-FOLDER 500/16Milhaud, Darius, [ca. 1940s] (Victor Kraft)Piston, Walter, [ca. 1940s] (Victor Kraft)Shapero, Harold, [ca. 1947, NY Times article] (Victor Kraft)Stravinsky, Igor (Victor Kraft)Thomson, Virgil, [ca. 1980s] (Nancy Rica Schiff)Tippett, Michael (Nicholas Tucker)BOX-FOLDER 485/11-13BOX-FOLDER 501/11BOX-FOLDER 500/17BOX 486BOX 496BOX 502MiscellaneousMiscellaneous (Color)UnidentifiedConductorsBOX-FOLDER 502/1BOX-FOLDER 502/2BOX-FOLDER 502/3Boult, Sir AdrianDavies, MeredithHoffman, Irwin, [ca. 1940s] (Victor Kraft)BOX-FOLDER 502/4 Hoffman, Irwin, Leonard Bernstein, and Serge Koussevitzky, 1947,Tanglewood (Victor Kraft)BOX-FOLDER 486/1BOX-FOLDER 496/9BOX-FOLDER 502/5-7BOX-FOLDER 486/2BOX-FOLDER 502/8BOX-FOLDER 502/8BOX 486BOX 501BOX 502Koussevitzky, Serge and Olga (Victor Kraft)Koussevitzky, Serge, signed and matted, (Lotte Neustein)Shaw, Robert [1947, rehearsal at New York City Center for Harper'sBazaar] (Victor Kraft)MiscellaneousChoreographersRobbins, Jerome (Victor Kraft)PerformersBOX-FOLDER 502/9-10Fizdale, Robert and Arthur Gold, 1947, 4 prints (Victor Kraft)Aaron Copland Collection 475

Photographs, 1889-1985ContainerContentsBOX-FOLDER 502/11-15BOX-FOLDER 502/16-17BOX-FOLDER 501/11BOX-FOLDER 486/3BOX 486BOX 501BOX 502Kapell, William, 15 prints (Victor Kraft)Newlin, D[ika?], 6 prints (Victor Kraft)"Tender Land" production and other productions (Color)MiscellaneousFriendsBOX-FOLDER 502/18BOX-FOLDER 486/4-5BOX-FOLDER 502/19BOX-FOLDER 501/12BOX-FOLDER 502/20BOX-FOLDER 486/6-8BOX-FOLDER 501/13BOX 486BOX 500Kennedy, J. B. (Daniel Entin)Kraft, VictorIncludes: Kraft, Jeremy and photos [1935] (Carl Van Vechten)Kraft, Victor [with camera], ca.1940Ramey, Philip (Color)Ross, Alvin, signed (Carmen Schiavone)MiscellaneousMiscellaneous (Color)AcquaintancesBOX-FOLDER 500/12BOX-FOLDER 486/9BOX 486BOX 502BOX 506Coolidge, Elizabeth Sprague and Arthur Honegger, [1947, Tanglewood](Victor Kraft)MiscellaneousMiscellaneous People and SubjectsBOX-FOLDER 502/21BOX-FOLDER 506/15BOX-FOLDER 506/16BOX-FOLDER 486/10"Peter Grimes" scenes (Andrée Vilas)Mittenthal store, Texas, 1889 [copy of photo]Tree, 1964 Feb., signed and matted (Robert Lombardo)MiscellaneousContents:• Abstract (Victor Kraft)• Goldmark, Rubin.• Schindler, Kurt• Unidentified peopleAaron Copland Collection 476

Photographs, 1889-1985ContainerContentsBOX-FOLDER 487/1-3BOX-FOLDER 487/1BOX-FOLDER 487/2BOX-FOLDER 487/3BOX-FOLDER 487/5-5Ballet"Billy the Kid""Dance Panels", 1963, MunichMiscellaneousMotion PicturesBOX-FOLDER 487/4 "North Star", [1943]Includes photos (Margaret Bourke-White)BOX-FOLDER 487/5BOX 487BOX 501MiscellaneousPhotos of ArtworkBOX-FOLDER 487/6BOX-FOLDER 501/14BOX 487BOX 501BOX 507MiscellaneousMiscellaneous (Color)HousesBOX-FOLDER 487/7BOX-FOLDER 487/8BOX-FOLDER 501/15BOX 507BOX 488-489BOX 506BOX 510"Rock Hill," Peekskill, NY (Victor Kraft?)MiscellaneousMiscellaneous (Color)Miscellaneous (Color slides)Contact SheetsBOX-FOLDER 488/1 AC Portraits: Early (1900-1930) and Middle (1931-1960)AC PortraitsBOX-FOLDER 488/2-3 Middle (1931-1960)BOX-FOLDER 510/1 Middle (1931-1960) and Late (1961-1990)BOX-FOLDER 488/4-5 Late (1961-1990)BOX-FOLDER 488/6MiscellaneousAaron Copland Collection 477

Photographs, 1889-1985ContainerContentsBOX-FOLDER 510/2BOX-FOLDER 488/7-8BOX-FOLDER 488/9BOX-FOLDER 489/1BOX-FOLDER 510/3BOX-FOLDER 506/17AC ConductingMiddle, Foreign Countries, 1964, [London?]MiscellaneousAC in studioAC with ComposersFoss, Lukas and Harold Shapero (Victor Kraft)Chávez, Carlos and Harold Clurman, [ca. 1960s] (Victor Kraft)AC with othersReceptionBOX-FOLDER 488/10-14BOX-FOLDER 506/18BOX-FOLDER 506/19BOX-FOLDER 489/2BOX-FOLDER 489/3-4BOX-FOLDER 510/4BOX-FOLDER 489/5BOX-FOLDER 489/6BOX-FOLDER 489/7-10BOX-FOLDER 489/11MiscellaneousTravelLondon, 1970 (Victor Kraft)London, 1972 (Victor Kraft)ComposersPiston, Walter (Victor Kraft)MiscellaneousFriendsBernstein, Leonard (Victor Kraft)PerformersFizdale, Robert and Arthur Gold (Victor Kraft)MiscellaneousTanglewoodMiscellaneousBOX 504BOX 513BOX 514Photo AlbumsBOX 504 Family: ca. late 1800s - early 1900s)BOX 513BOX 513AC aloneAC with friendsAaron Copland Collection 478

Photographs, 1889-1985ContainerContentsBOX 513FriendsContents:• Clurman, Harold• Kraft, Victor• Lavinia, IL, [1932-34]BOX 514 Mexico, 1932Contents:• AC alone• AC, Carlos Chávez, and Victor Kraft• LandscapesBOX 514 United States, 1932Contents:• AC alone• Kraft, Victor alone and with Paul Bowles• LandscapesBOX 508BOX 511BOX 512BOX 508BOX 511BOX 512BOX 507-508BOX 512BOX 507BOX 508Color SlidesMiscellaneousSee also: "Photoprints" container listings for color slides in specificcategories.NegativesBlack and WhiteBOX 507BOX 508BOX 512BOX 51235mm and 2.5x2.5 negativesNegatives: Not to be served see: following Explanation to code system.4x5 negatives and 5x7, 8x10 copy negativesNegatives: Not to be served see: following Explanation to code system.Color35mm, 2.5x2.5 negatives, and one 8x10 transparencyBOX 521-564 Victor Kraft Materials, 1918-1976The Victor Kraft Materials contain approximately 40,000 items and span theyears c. 1918-1976. Victor Kraft (1915-76) was a professionalphotographer and life-long friend of Aaron Copland. They first becameacquainted in the early 1930's and maintained close contact until Kraft'sdeath. Copland was the godfather of Kraft's only child Jeremy, a son fromhis second wife Rheba. Kraft's photographs appeared in such prominentAaron Copland Collection 479

Victor Kraft Materials, 1918-1976ContainerContentsBOX-FOLDER 521/1-2 Biographicalpublications as "Life Magazine", "Harper's Bazaar", "Junior Bazaar", andthe French art journal "L'Oeil", among others.The bulk of the photoprints and negatives document Kraft's travels inMexico in the 1930s [and/or 1950s?] and in Brazil from 1951-53. Notablesubjects include formal and informal portraits of Aaron Copland, andportraits from the 1940s and 1950s of numerous composers andperformers of the American music scene, including Leonard Bernstein,Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, DmitriMitropoulos, and Robert Shaw. The Tanglewood Music Festival duringthe 1940s is also well represented with many historically interestingimages to be found in the photoprints, as well as the contact sheets andnegatives. Photoprints by other prominent photographs are represented-- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard),Ronny Jaques (a signed portrait of Carson McCullough), and Carl VanVechten (1935 portraits of Victor Kraft). All other images are assumed tohave been created by Victor Kraft unless otherwise noted. Of otherinterest are the series of letters to Kraft from Paul Bowles, and a samplingof Kraft's original negative sleeves which reveal insights into hissystematization and methodology. See the Explanation of Code Systemfor Photographs in the Victor Kraft Materials at the end of this series.Includes letters, telegram, manuscript and typewritten notes, identificationcards and passport, address book, bank checks and statements, receipts,purchase orders, black and white and color prints, black and whitecontact prints, color slides, black and white and color negatives, colortransparencies (mostly 35 mm, but includes oversize, copy and squarenegatives), a watercolor and etching print, post cards, clippings, andmaps. Biographical, Professional Papers, Photoprints, Contact Sheets,Color Slides and Printed Matter arranged by subject (Photoprints followsimilar order as photoprints in Photographs series); Correspondencearranged chronologically; Artwork arranged alphabetically by subject,and Negatives arranged according to pre-existing job codes in alphanumericorder when available, and according to newly-assigned codesarranged by subject, then numerically.BOX-FOLDER 521/1BOX-FOLDER 521/2Personal PapersForeign Service applicationBOX-FOLDER 521/3-4 CorrespondenceBOX-FOLDER 521/3 Bowles, Paul, 1935-1936BOX-FOLDER 521/4 Miscellaneous, 1937-1975BOX-FOLDER 521/5-7 Professional PapersBOX-FOLDER 521/6-7 Brazil, 1951-1953[?]BOX-FOLDER 521/5MiscellaneousAaron Copland Collection 480

Victor Kraft Materials, 1918-1976ContainerContentsBOX 522-535BOX 547-553BOX-FOLDER 522/1-8BOX-FOLDER 523/1-2BOX-FOLDER 535/1-2BOX-FOLDER 547/1BOX-FOLDER 522/2-6BOX-FOLDER 547/1PhotoprintsVictor Kraft: Portraits and FamilyPortraitsBOX-FOLDER 522/2BOX-FOLDER 522/3BOX-FOLDER 522/4BOX-FOLDER 547/1BOX-FOLDER 522/6BOX-FOLDER 522/5EarlyEarly and MiddleContents:• Portraits (Cecil Beaton)• Self-portraits• Self-portraits with cameraMiddleIncludes: Self-portraitsMiddle with cameraMiddle with cameraMiddle and LateIncludes: Passport photosBOX-FOLDER 522/1,7,8BOX-FOLDER 523/1-2BOX-FOLDER 535/1-2FamilyBOX-FOLDER 522/1BOX-FOLDER 522/7BOX-FOLDER 535/1-2BOX-FOLDER 522/8BOX-FOLDER 523/1BOX-FOLDER 523/2Family and childhoodAlone and with Jeremy Kraft: LateWith Jeremy Kraft, [ca. 1970s, snapshots] (Color)VK with othersVK with Pearl KazinContents:• Brazil [curled prints]• Wedding photos, 1951Kazin, Pearl alone [curled prints]Aaron Copland Collection 481

Victor Kraft Materials, 1918-1976ContainerContentsBOX-FOLDER 424/1-4BOX-FOLDER 535/2BOX-FOLDER 547/2-12Composers and PerformersBOX-FOLDER 547/2BOX-FOLDER 547/3BOX-FOLDER 535/2BOX-FOLDER 547/6BOX-FOLDER 547/4BOX-FOLDER 524/2BOX-FOLDER 547/7BOX-FOLDER 524/1BOX-FOLDER 547/5BOX-FOLDER 547/8BOX-FOLDER 547/9BOX-FOLDER 547/10BOX-FOLDER 547/11BOX-FOLDER 524/3BOX-FOLDER 524/4BOX-FOLDER 547/12BOX-FOLDER 525/1-2BOX-FOLDER 548/1-4Copland, Aaron: Portraits: [Middle]Copland, Aaron: 1948, Tanglewood, "Copland-Milhaud with compositionstudents"Copland, Aaron: With others (Color)Includes: Kraft, JeremyDancers, in studioFoss, Lukas and Alexei HaieffJohns, Erik and Frances Garman, [ca. 1940s?]Kapell, WilliamKraft, Victor with cameraMcPhee, Colin, Walter Piston, and Igor StravinskyMitropoulos, DmitriRobbins, JeromeShaw, Robert, 1947, City Center, New YorkTanglewood, 1940sContents:• Hofman, Irwin, conducting• Percussion class• Violinist, unidentifiedMiscellaneousContents:• Haeiff, Alexei• Lopatnikoff, Nicolai• Mitropoulos, DmitriMiscellaneousUnidentified performers, backstageFamous PeopleBOX-FOLDER 548/1 Bowles, Paul, [ca. 1930s]Aaron Copland Collection 482

Victor Kraft Materials, 1918-1976ContainerContentsBOX-FOLDER 548/2BOX-FOLDER 548/3BOX-FOLDER 548/4BOX-FOLDER 548/5BOX-FOLDER 525/1BOX-FOLDER 525/2BOX-FOLDER 525/3-7BOX-FOLDER 548/7-13Denby, Edwin, [ca. 1930s, Mexico]Laughton, Charles and Elsa LanchesterMcCullugh, Carson, signed (Ronny Jaques)Rosenfeld, IsaacVan Vechten, Carl, portrait seriesMiscellaneousMiscellaneous PeopleBOX-FOLDER 548/7BOX-FOLDER 548/8BOX-FOLDER 525/3BOX-FOLDER 548/13BOX-FOLDER 525/6BOX-FOLDER 525/7BOX-FOLDER 548/9BOX-FOLDER 525/4BOX-FOLDER 548/12"The Captain with friend", 8 printsSoldiers descending steps, 2 copiesMen, mostly unidentified[Unidentified], 4 prints[Unidentified], Children[Unidentified], Group photos[Unidentified], Men[Unidentified], Women[Unidentified], Woman, elderlyBOX-FOLDER 548/10-11 [Unidentified], Women, [story photos ?]BOX-FOLDER 525/8-11BOX-FOLDER 551/1-6New York CityBOX-FOLDER 551/4BOX-FOLDER 551/1-2BOX-FOLDER 525/8BOX-FOLDER 551/3BOX-FOLDER 525/9-11BOX-FOLDER 551/5-6Baseball gameBrooklyn BridgeCityscapesColumbus CircleStreet ScenesStreet ScenesAaron Copland Collection 483

Victor Kraft Materials, 1918-1976ContainerContentsBOX-FOLDER 526/1-2BOX-FOLDER 527/1-2BOX-FOLDER 528/1-3BOX-FOLDER 529/1-2BOX-FOLDER 530/1-3BOX-FOLDER 531/1-2BOX-FOLDER 532/1-2BOX-FOLDER 533/1-9BOX-FOLDER 534/1-2BOX-FOLDER 552/1-7BOX-FOLDER 553/1-7BOX-FOLDER 529/2BOX-FOLDER 526/1-2BOX-FOLDER 527/1-2BOX-FOLDER 530/1-3BOX-FOLDER 528/1-3BOX-FOLDER 529/1BOX-FOLDER 531/1-2BOX-FOLDER 533/1-7BOX-FOLDER 533/8-9BOX-FOLDER 532/2BOX-FOLDER 532/1BOX-FOLDER 552/1-7BOX-FOLDER 553/1-7BOX-FOLDER 534/1-2BOX-FOLDER 534/1-2BOX-FOLDER 534/1-2BOX-FOLDER 534/1-2Foreign CountriesBrazil1951, "Maranhao Uprising, 10-16-51" [curled prints]1951-52 [curled prints]1951-52 [curled prints]1951-52, miscellaneous [slightly curled prints]1952, "Cooperativa Agraria" [curled prints]1952, "Cooperativa Agraria" [curled prints]GuatemalaGuatemala photoprints, [curled prints]MexicoMexico photoprints508 W114 Ca8-7621 [slightly curled prints]"Parana Dupes" [badly curled prints]MiscellaneousMiscellaneousMiscellaneousMiscellaneous: ItalyMiscellaneous: FranceMiscellaneous: Photo post cardsMiscellaneous: UnidentifiedAaron Copland Collection 484

Victor Kraft Materials, 1918-1976ContainerContentsBOX-FOLDER 534/3-5BOX-FOLDER 550/1-8Story PhotosBOX-FOLDER 550/8BOX-FOLDER 550/5-7BOX-FOLDER 534/3BOX-FOLDER 550/1-4BOX-FOLDER 534/4-5BOX-FOLDER 534/6BOX-FOLDER 549/1-10ButcherHarper's BazaarFolders:• 550/5 Dresden, Professor [for Harper's Bazaar ?]• 550/6 Potter-Ladd, Mrs., 6/5/47• 534/3 Wernick, Robert for Harper's Bazaar• 550/7 Unidentified woman [for Harper's Bazaar ?]Junior Bazaar, 1947 Feb., "How They Got Started"Contents:• Brier, Mary• Haas, Betty• Happel, Erika• FacultyMiscellaneous, [mostly unidentified]Fashion / ModelsBOX-FOLDER 549/2-6BOX-FOLDER 549/7-10BOX-FOLDER 549/1BOX-FOLDER 534/6BOX-FOLDER 534/7-9BOX-FOLDER 534/7-9BOX-FOLDER534/10-12BOX-FOLDER 535/4BOX-FOLDER 550/9-10Garman, FrancesModels, miscellaneousStudies, nude figures, 4 printsMiscellaneousMagazine Product PhotosMiscellaneousMiscellaneous SubjectsBOX-FOLDER 534/11BOX-FOLDER 534/12BOX-FOLDER 550/10BOX-FOLDER 534/10AnimalsGeneralGeneralLandscapesAaron Copland Collection 485

Victor Kraft Materials, 1918-1976ContainerContentsBOX-FOLDER 535/4BOX-FOLDER 550/9BOX 536-546BOX 561-562Landscapes (Color)LandscapeContact SheetsBOX-FOLDER 536/1BOX-FOLDER 536/2BOX 562BOX-FOLDER 561/1BOX-FOLDER 546/1BOX-FOLDER 536/3BOX-FOLDER 536/4BOX-FOLDER 536/5-7BOX 562BOX-FOLDER 561/2BOX-FOLDER 537/1Kraft, VictorIncludes:• Portraits• Self-portraitsComposers and PerformersAC and AC with othersAC [rolled contact strip]AC, in EnglandMitropoulos, DmitriMiscellaneousFamous peopleMiscellaneous peopleMiscellaneous peopleMiscellaneous peopleNew York CityUnited StatesBOX-FOLDER 546/5 "Pendle Hill July 1955 w. Orders !"BOX-FOLDER 546/2 Street scenesBOX-FOLDER 544/3 TravelBOX-FOLDER 537/2-7BOX-FOLDER 538/1-4BOX-FOLDER 546/3BOX-FOLDER 539/1-2BOX-FOLDER 540/1-2BOX 562BOX-FOLDER 544/1BOX-FOLDER 541/1-2BOX 562BOX-FOLDER 542/1BOX-FOLDER 543/1BOX-FOLDER 538/5-6BOX 562BOX 545Foreign CountriesBrazilBrazilBrazilBrazil [curled prints]Brazil [curled prints]Brazil [assorted subjects]EuropeIncludes: France and SpainGuatemala [curled prints]Includes: "Gran Banda Sinfonica de Miami"Haiti [rolled contact strips]Italy, Puglia region [photos for L'Oeil magazine] [badly curled prints]See also: Professional Papers, MiscellaneousMexicoMexico [assorted subjects]Mexico [story boards]Aaron Copland Collection 486

Victor Kraft Materials, 1918-1976ContainerContentsBOX-FOLDER 538/7BOX-FOLDER 544/2BOX-FOLDER 544/3BOX-FOLDER 536/8BOX-FOLDER 536/9BOX-FOLDER536/10-11MiscellaneousUnidentifiedTravel / Landscapes, miscellaneous and unidentifiedStory photosFashion modelIncludes: Garman, FrancesFashion modelsBOX-FOLDER 546/4BOX-FOLDER 536/12BOX-FOLDER 536/13BOX 562BOX 554-555BOX 554BOX 554BOX 554BOX 554BOX 554BOX 555Fashion modelsMiscellaneous subjectsContents:• "1st Nikon Test"• "Jablon-Infra-red-Warfield" [Jablonski] Is Jablonski a photographer?Miscellaneous subjectsMiscellaneous subjects and unidentifiedColor SlidesRussian slides, "Sikhote-Alin Reserve", Produced by Novosti Press Agency[Nature scenes]FOLDERFRAGILE, DO NOT EXPOSE TO BRIGHT LIGHTVictor and Jeremy Kraft, 1974 Sept.BINDERAC with two unidentified people[Brazil]The dates below are the processing dates printed on the boxes in whichthese negatives were stored.• 1951 Aug. 29• 1952 May 20• 1952 May 21• 1952 Aug. 29, "R74"• 1953 [April?]• 1953 July 27Italy [Pisa][Mexico?], 1954 Sept. 24, A-B-C-DBINDERAaron Copland Collection 487

Victor Kraft Materials, 1918-1976ContainerContentsBOX 555BOX 555BOX 555BOX 556-559BOX 563BOX 556-558BOX 563BOX 559BOX 560BOX 560BOX 564BOX-FOLDER 564/9BOX-FOLDER 564/1BOX-FOLDER 564/4-5BOX-FOLDER 564/7BOX-FOLDER 564/31955 Sept. 14, [Unidentified]1956 Mar. 16, [Unidentified]Undated and unidentifiedNegatives35mm negatives and 8x10 copy negativesNegatives: Not to be served see: following Explanation to code system.35mm, 2.5x2.5, 4x5 negatives and transparencies (Color)Negatives: Not to be served see: following Explanation to code system.Negative Sleeves and WrappersSampling of sleeves with notes and identification codes by VKArtwork and MiscellaneousBrazil, 1948-49, Fundaçao Brasil Central (F.B.C.) [3 maps]Davison, Robert[?], watercolor landscape, signed, 1948 Oct.Kraft, VictorFolders:• 564/4 "The Story of Licorice," MacAndrews and Forbes Company[photos]• 564/5 "Sao Paulo Celebrates Hemisphere's First Art Biennial",LOOK magazine, vol. 16, no.5, Feb. 26, 1952 [photos]Junior Bazaar and Harper's Bazaar, miscellaneous magazine pages[photos]Miscellaneous post cards [Reproductions of artwork]BOX-FOLDER 564/2 Tsachacbosov, numbered etching print of a fish, signed, 1946BOX-FOLDER 564/6BOX-FOLDER 564/8Miscellaneous magazine and newspaper clippingsContents:• American composer portraits, 1948 [photos]• Copland, Aaron, "The Story Behind El Salon Mexico"Miscellaneous foreign publicationsCopland Library, 1908-1988The Copland Library series comprises selected books on a wide range ofmusical and general subjects from Copland's personal library. Most aresigned, usually by the author, or contain annotations or information aboutAaron Copland Collection 488

Copland Library, 1908-1988ContainerContentsCopland. The books reflect Copland's wide and varied interests andinclude those books written by Copland and translated into variouslanguages. Many books concentrate on Copland's interest in Frenchculture after his years of study in Paris.Includes published hardbacks and softbacks. Arranged in alphabetical orderby author, then by title.Title onlyOne hundred Japanese folk-songs. Ongaku no tomo-sha, 1960.Orquestra Sinfónica de México. 1929-30.By AuthorAdrian, P. G.Réflexions sur l'univers sonore. Éditions Richard-Masse, 1954.Note: signed by author.Alfred KnopfRead at a luncheon given by Fannie Hurst, Anne O'Hare McCormack,and H. L. Mencken.... Alfred Knopf, 1941.Amado, JorgeABC de Castro Alves. Livraria Martins, 1945.American Society of Composers, Authors and Publishers (ASCAP)Copyright Law Symposium, no. 21-34. Columbia University, 1986.Note: front cover embossed with Aaron Copland.Andreis, Josip and Slavko Zlatic (editors)Yugoslav music. Edition Jugoslavija Beograd, 1959.Andrews, Edward D.The gift to be simple. J. J. Augustin, 1940.Anouilh, JeanPièces brillantes. La Table Ronde, 1951.Antek, SamuelThis was Toscanini. Vanguard, 1963.Note: Presented to Copland by the Toscanini Association.Ausubel, Nathan (editor)A treasury of Jewish folklore. Crown, 1948.Bacon, ErnstNotes on the piano. Syracuse, 1963.Note: signed by author.Aaron Copland Collection 489

Copland Library, 1908-1988ContainerContentsBakeless, Katherine LittleStory-lives of American composers. Stokes, 1941.Note: includes Copland.Balzac, Honoré deLe Lys dans la Vallée. Éditions R. Simon, n.d.Bang, HermanErzentrische Novellen. Fischer, 1921.Barolini, AntonioElegie di Croton. Feltrinelli, 1959.Note: signed by author.Bator, VictorThe Béla Bartók Archives: history and catalogue. Bartók Archives, 1963.Note: signed by author.Bayard, Samuel Preston (editor)Hill country tunes. American Folklore Society, 1944.Bearsley, AubreyThe later work of Aubrey Beardsley. Dover, 1967Note: signed.Beck, GeorgGuide to the beauty of Bamberg. Bayerische, 1969.Note: annotations by Copland.Beck, GeorgesDarius Milhaud. Heugel, 1949.Becker, JohnAfter Geneva. London Magazine Editions, 1975.Note: signed by author.Berger, ArthurAaron Copland. Oxford, 1953.Note: notated.Aaron Copland. Club du Libre Americain, 1962.Berger, MelvinMasters of modern music. Lothrop, 1970.Note: includes Copland.Bergson, HenriThe two sources of morality and religion. Doubleday, 1954.Aaron Copland Collection 490

Copland Library, 1908-1988ContainerContentsBernanos, GeorgesSous le soleil de Satan. Plon, 1926.Bernstein, LeonardFindings. Simon and Schuster, 1982.Note: signed by author.The joy of music. Simon and Schuster, 1959.Note: signed by author.Bever, Adolphe van and Paul LéautaudPoètes d'aujourd'hui. Mercure, 1922.Boccaccio, GiovanniDecameròn. Rizzoli, 1950.Note: 2 vols.Borevitz, VictorB. C. E. Biggest Century Enterprise. Borevitz, 1972.Botkin, B. A. (editor)The pocket treasury of American folklore. Pocket, 1950.Boucher, MauriceLa philosophie de Hermann Keyserling. Les Éditions Rieder, 1927.Breton, AndréSituation du surréalisme entre les deux guerres. Éditions de la RevueFontaine, 1945.Brincourt, AndréLa farandole. La Table Ronde, 1952.Brindle, Reginald SmithSerial composition. Oxford, 1967.Brooks, Van WyckThe pilgrimage of Henry James. Dutton, 1925.Bruyr, JoséL'écran des musiciens. Les Cahiers de France, 1930.Note: signed by author.Honegger et son oeuvre. Éditions Corrêa, 1947.Bynner, WitterCake. Knopf, 1926.Note: signed by author.Aaron Copland Collection 491

Copland Library, 1908-1988ContainerContentsCage, JohnWriting through Finnegans Wake. University of Tulsa, 1978.Note: presented to Copland by the Oswego County Council on the Arts.Campos, Jorge HernandezLa parabola del Terron. 1945.Campos, RubénEl folklore y la música méxicana. Secretaría de Educación Pública, 1928.Camus, AlbertL'étranger. Gallimard, 1942.Le mythe de Sisyphe. Gallimard, 1942.La peste. Gallimard, 1947.Carco, FrancisJésus-la-Caille. Artheme Fayard, n.d.Cartwright, Jean and John CartwrightEnjoy Santa Fe more. New Mexico Publishing Co., 1976.Castillo, B. Díaz delConquista de la nueva españa, tomo II. Espasa-Calpe, 1928.Cendrars, BlaiseHistoires vraies. Grasset, 1938.Chapin, Katherine GarrisoinLament for the stolen. Centaur, 1938.Note: signed by author.Chevalier, Maurice and Robert DoisneauMy Paris. Macmillan, 1972.Note: signed.Childs, Barney...and other poems. Privately printed, 1955.Note: numbered, signed by author.Citron, Samuel and David DiamondThe golden slippers. Friends of the Jewish Theatre for Children, 1967.Clermont-Tonnerre, E. deRobert de Montequiou et Marcel Proust. Flammarion, 1925.Cober, AlanAaron Copland Collection 492

Copland Library, 1908-1988ContainerContentsThe forgotten society. Dover, 1975.Note: signed.Cocteau, JeanCarte blanche. Éditions de la Sirene, 1920.Lettre à Jacques Maritain. Librairie Stock, 1926.Mon premier voyage. Gallimard, 1936.Opium. Librairie Stock, 1930.Cogley, JohnReport on blacklisting: II Radio-television. The Fund for the Republic,1956.Conteurs AnglaisLa Venus Indienne. Bibliothèque des curieux, 1921.Copland, AaronAtt lyssna tíll muśik. Stockholm: Gebers, 1949.Note: What to listen for, Swedish transl.; 2 hard copies.Att lyssna tíll muśik. Gebers, Almquist & Wiksells, 1957.Note: What to listen for, Swedish transl.; 1970 printing, soft copy.Az új zene, 1900-1960. Zenemükiadó, 1973.Note: The new music, revised and enlarged edition, Hungarian transl.;2 copies, 1 signed, Budapest.Come ascoltare la musica. Garzanti, 1950.Note: What to listen for, Italian transl.; 2 paper copies.Come ascoltare la musica. Garzanti, 1954.Note: What to listen for, Italian transl.; paperback.Come ascoltare la musica. Garzanti, 1959.Note: What to listen for, Italian transl.; hard copy.Cómo escuchar la música. Fondo de Cultura Económica, 1955.Note: What to listen for, Spanish transl.; 2 paper copies: 8th reprint,1984 and 10th reprint, 1988.Cómo escuchar la música. Fondo de Cultura Económica.Note: What to listen for, Spanish transl.; 3 hard copies: 1st edition,1955; 2nd edition, 1961; 3rd edition,1967.Como ouvir (e entender) música. Editôra Artenova, 1974.Note: What to listen for, Portuguese transl.Aaron Copland Collection 493

Copland Library, 1908-1988ContainerContentsCopland on music. Doubleday, 1960.Copland on music. Andre Deutsch, 1961.Copland on music. Da Capo, 1960.Note: 1976 reprint.Copland on music. Norton, n.d.Note: soft copy, pages msg.Lerne Musik hören. Kasparek, 1948.Note: What to listen for, German transl.; 2 copies.Luister zo naar muziek. Zomer & Keunings, n.d.Note: What to listen for, Dutch transl.; 1 hard copy, 1 soft copy.Music & imagination. Mentor, 1952.Note: paperback.Music and imagination. Harvard, 1952.Note: composer copy, 2nd printing 1953.Music and imagination. Harvard, 1952.Note: paperback, sixth printing, 1972.Music and imagination. Oxford, 1952.[Music and imagination ]. Shorinsha, Tokyo, 1962.Note: Japanese transl.[Music and imagination ]. Shridhar Hari, 1962.Note: Annotated; Marathi transl., Bombay.[Music and imagination ]. 1968.Note: Russian transl., in three parts.Música e imaginación. Emece, 1955.Note: 3 soft copies.Música y músicos contemporáneos. Editorial Losada, 1945.Note: Our new music, 2 copies.Musik von heute. Humboldt, 1947.Note: Our new music.The new music, 1900-1960. Norton, 1968.Note: rev. and enlarged edition; 1 soft copy, 2 hard copies, one casedin hard cover.Aaron Copland Collection 494

Copland Library, 1908-1988ContainerContentsThe new music, 1900-1960. MacDonald, 1968.Note: rev. and enlarged edition; 2 hard copies.A nova música. Gráfica Record Editôra, 1969.Note: The new music; 2 soft copies.Nueva música, 1900-1960. Editorial Letras, 1969.Note: The new music, rev. and enlarged edition, Spanish transl.; 2hard copies.Our new music, leading composers in Europe and America. Whittlesey,McGraw-Hill, 1941.Note: 3 hard copies, 1 with notations for 1966 revision.Unsere neue Musik. Kasparek, 1947.Note: Our new music, German transl.Vom richtigen anhören der Musik. Rowohlts, 1967.Note: What to listen for, revised and enlarged edition, German transl.;paperback.What to listen for in music. Whittlesey, 1939.Note: Accomp. Study Outline, 2 copies, annotated.What to listen for in music. Mentor, 1953.Note: 2 copies.[What to listen for in music ] Tehran, Iran: Zavar, 1956.Note: Persian transl.What to listen for in music. McGraw-Hill, 1957.Note: revised edition.[What to listen for in music ]. Cairo: Hassan Irani, 1958.Note: Arabic transl.[What to listen for in music. ] Tokyo: Ongaku no tomo-sha, 1965.Note: Japanese tranls., signed by Tsukatami.Copland, Aaron and Vivian PerlisCopland, 1900 through 1942. St. Martin's, 1984.Note: hardback, signed by Copland.Coulette, HenriThe war of the secret agents. Scribner's, 1966.CounterattackRed Channels: Report of Communist influence in radio and television.American BusinessConsultants, 1950.Note: annotations on Copland entry.Aaron Copland Collection 495

Copland Library, 1908-1988ContainerContentsCrevel, RenéLe clavecin de Diderot. Editions Surrealistes, 1932.Note: signed, gift to Copland.Davison, AlvinThe human body and health. American Book Company, 1908.Derais, François and Henri RambaudL'envers du journal de Gide. Le nouveau portique, 1951.Diamond, DavidThe Alice and Frederick Slee lectures. University of Buffalo, 1961.Dolan, Robert EmmettMusic modern media. Schirmer, 1967.Note: signed by author.Drutman, IrvingGood company. Little, Brown, 1976.Edwards, ArthurThe art of melody. Philosophical Library, 1956.Note: signed by author.Eekhoud, GeorgeEscal-Vigor. Mercure de France, n.d.Le terroir incarné. La Renaissance d'Occident, 1923.Elöd, JuhászAmerikai variációk. Zenemükiadó, 1969.Note: signed by author.Bernstein Story. Zenemükiadó, 1972.Note: signed by author.Engel, GabrielGustav Mahler: song-symphonist. Bruckner Society of America, 1932.Note: signed by author.Engel, LehmanWords with music. Macmillan, 1972.Note: signed.Ewen, David (editor)The book of modern composers. Knopf, 1942.Note: pencil marks, section on Copland.Aaron Copland Collection 496

Copland Library, 1908-1988ContainerContentsComposers of today. Wilson, 1934.Note: Copland copy, pencil notes.Fennell, FrederickTime and the winds. G. LeBlanc, 1954.Note: signed by author.Fernández, JustinoFolklore Méxicano. Eugenio Fischgrund, n.d.Note: signed.Fernández, RamónAndré Gide. Éditions R.-A. Corrêa, 1931.Foote, Arthur and Walter R. SpaldingModern harmony in its theory and practice. Schmidt, 1905.Note: Copland notes.Forster, E. M.Alexandria: a history and guide. Doubleday, 1961.Maurice. Edward Arnold, 1971.Fox, IdaIn the wind. Antiphon, 1970.Note: signed by author.France, AnatoleL'anneau d'améthyste. Calmann-Levy, n.d.Franco, EnriqueLa música en los estados unidos. La Editora Nacional, 1955.Note: signed by author.Friedman, SanfordRip Van Winkle. Atheneum, 1980.Note: signed by family.Gagliani, OliverOliver Gagliani. Ideograph, 1975.Note: signed by author.Oliver Gagliani: a retrospective. 1984.Note: signed.Gagne, Cole and Tracy CarasSoundpieces, interviews with American composers. Scarecrow, 1982.Note: signed, includes Copland section.Aaron Copland Collection 497

Copland Library, 1908-1988ContainerContentsGalantière, Lewis (editor)The Goncourt journals. Doubleday, 1958.Gavoty, Bernard and Daniel LesurPour ou contre la musique moderne. Flammarion, 1957.Note: signed by author.Genet, JeanPompes funebres. 1948.Georges-Michel, MichelGens de théâtre que j'ai connus 1900-1940. Brentano, 1942.Note: signed by friend.Gide, AndréAndré Gide. Éditions du Capitole.Note: numbered #897.Ainsi soit-il ou les jeux sont faits. Gallimard, 1952.Amyntas. Gallimard, 1925.Attendu que... Charlot, 1943.Les caves du Vatican. Nouvelle Revue Française, 1922.Les contemporains. Capitole, 1928.Note: numbered edition.Corydon. Nouvelle Revue Française, 1924.Un esprit non prévenu. Éditions Kra, 1929.Et nunc Manet in te. Ides et Calendes, 1947.Les faux-monnayeurs. Gallimard, 1925.Feuillets d'automne. Mercure de France, 1949.L'immoraliste. Mercure, 1923.Incidences. Nouvelle Revue Français, 1924.Journal, 1939-1942. Gallimard, 1946.Journal, 1942-1949. Gallimard, 1950.Journal des faux-monnayeurs. Gallimard, 1927.Aaron Copland Collection 498

Copland Library, 1908-1988ContainerContentsLes nourritures terrestres. Gallimard, 1921.Nouveaux prétextes. Mercure, 1921.Les nouvelles nourritures. Gallimard, 1935.Paludes. Gaimard, 1926.Prétextes. Mercure, 1923.Retouches à mon retour de l'U.R.S.S. Gallimard, 1937.Le retour de l'enfant prodigue. Gallimard.Retour de l'U.R.S.S. Gallimard, 1936.Robert. Gallimard, 1930.Saül. Gallimard, 1922.Si le grain ne meurt, II. Nouvelle Revue Française, 1924.Note: 3 vols.La symphonie pastorale. Gallimard, 1925.Voyage au Congo: Carnets de route. Gallimard, 1927.Le voyage d'Urien. Gallimard, 1929.Gide, André and J. L. BarraultLe procès: Pièce tirée du roman de Kafka. Gallimard, 1947.Goldfarb, Rabbi Israel and Samuel E. GoldfarbFriday evening melodies. Bureau of Jewish Education, 1918.Note: signed by author.Gorali, Moshe; Gideon Almagor, and Moshe Bick (editors)The golden peacock. Haifa Music Museum, 1970.Gordon, Henry EvartsVocal expression in speech. Ginn and Company, 1911.Gordon, PhilipThe availability of contemporary American music for performinggroups... Teachers College, Columbia University, 1950.Note: signed by author.Goss, MadeleineAaron Copland Collection 499

Copland Library, 1908-1988ContainerContentsModern music-makers. Dutton, 1952.Note: Section on Copland.Graham, MarthaNotebooks of Martha Graham. Harcourt Brace Jovanovich, n.d.Note: Advance uncorrected proofs.Gräter, ManfredKonzertführer neue Musik. Fischer-Bucherei, 1955.Note: signed by author.Green, JulienAdrienne Mesurat. Librairie Plon, 1927.Journal, 1935-1939. Librarie Plon, 1939.Journal, 1950-1954. Librarie Plon, 1955.Gregory, Horace (editor)The poems of Catullus. Grove Press, 1956.Note: signed.The triumph of life. Viking, 1943.Gruen, JohnThe private world of Leonard Bernstein. Viking Press, 1968.Hahn, ReynaldoJournal d'un musicien. Plon, 1933.Hallgren, Mauritz A.Seeds of revolt. Knopf, 1933.Hammond, MacThe horse opera and other poems. Ohio State University, 1966.Note: signed by author.Harrison, LouLou Harrison's music primer. Peters, 1971.Note: signed by author.Hayden, GeorgeThe cancer of the French candystoreman... R. E. Martin, 1972.Note: signed by author.Heinsheimer, Hans W.Best regards to Aida. Knopf, 1968.Note: signed by author.Aaron Copland Collection 500

Copland Library, 1908-1988ContainerContentsHenriot, ÉmileLes livres du second rayon. Le Livre, 1926.Henry-MarxRyls. Librairie Ollendorff, n.d.Hernan, W. J.What you want to say and how to say it in Italian. Hernan, 1920.Hindemith, PaulTestimony in pictures. Introduction by Heinrich Strobel. Schott, 1961.Note: signed by friend.Hines, Robert Stephan (editor)The composer's point of view. University of Oklahoma, 1963.Note: signed by author.Hoffman, E. T. A.Musikalische Novellen und Auffäße. Insel, n.d.Hoffnung, GerardHoffnung's musical chairs. Dobson and Putnam, 1958.Note: signed by author.The maestro. Dobson, 1953.Note: signed by author.Hölderlin, FriedrichGedichte. Insel, n.d.Holguín, Guillermo UribeVida de un música colombiano. Libreria Voluntad, 1941.Note: signed by author.Hopkins, AntonyTalking about concertos. Heinemann Educational Books, 1974.Note: signed by author.Howe, Mark Anthony De WolfeThe tale of Tanglewood. Vanguard Press, 1946.Hughes, Rupert (composer); Deems Taylor, and Russell Kerr (editors)Music lovers' encyclopedia. Garden City Publishing, 1939.Note: Copland notes inserted.Hurst, Fannie (editor)A record of tributes to Clarence Adler.... , n.p., n.d.Note: in celebration of the fiftieth anniversary of his music....Aaron Copland Collection 501

Copland Library, 1908-1988ContainerContentsHurtado, LeopoldoEspacio y tiempo en el arte actual. Editorial Losada, 1941.Note: signed by author.Estética de la música contemporanea. Biblioteca del colegio degraduados de la facultad de filosofia..., 1934.Note: Vol. 2, signed by author.Introducción a la estética de la música. Ricordi Americana, 1951.Realidad de la música. Emecé Editores, 1953.Note: signed by author.Instituto di Studi VerdianiVerdi. Instituto de Studi Verdiani, 1969.Note: 7, 1966-1969.Jackson, George Pullen (editor)Down-east spirituals and others. J. J. Augustin, n.d.Spiritual folk-songs of early America. Dover, 1964.Jarustowski, BorisDie Dramaturgie der klassischen russischen Oper. Henschelverlag,1957.Note: signed by author.Jelinek, HannsAnleitung zür Zwölftonkomposition. Universal-Edition, 1952.Note: Copland pencil annotations, accompanying "Anhang".Johnson, Thomas (editor)Final harvest: Emily Dickinson's poems. Little, Brown, 1961.Kai, MiwaSay it in Japanese. Dover, 1954.Kierkegaard, SørenAus dem Tagebuch des Verführers. George Muller, 1927.King, FrancisE. M. Forster and his world. Scribner, 1978.Note: signed.Kirkpatrick, John (editor)The music manuscripts and related materials of Charles Ives. JohnKirkpatrick, Yale University, 1960.Note: copy 17 of mimeographed catalogue, signed by author.Aaron Copland Collection 502

Copland Library, 1908-1988ContainerContentsKohlhaas, MichaelAus einer alten Chronik von Heinrich von Kleist. Lesel, n.d.Note: annotatedKosarin, SolJuvenile delinquency. Vantage Press, 1956.Note: 2 copies, both signed; letter included from author.Kostelanetz, Richard (editor)The new American arts. Horizon, 1965.Kramer, AaronDenmark Vesey. Kramer, 1952.Note: signed by author.Last, JefZuyderzée. Gallimard, 1938.Leatherman, Leroy and Martha SwopeMartha Graham. Knopf, 1966.Note: signed by authors and Graham.Leconte (editor)Plan de Paris. Leconte, n.d.Note: Copland notes.Lee Stern PressWho is who in music, 1941. Lee Stern Press, 1941.Note: signed, program inserted.Lefèvre, FrédéricEntretiens avec Paul Valéry. "Le Libre", 1926.Lenin, V. I.Imperialism: the highest stage of capitalism. International Publishers,1939.Lewis, Richard (editor)In praise of music. Orion, 1963.Note: signed by author.Lime, MauriceGide, tel je l'ai connu. Julliard, 1952.Lobato, José Monteiro (editor)Alice no paíz das maravilhas por Lewis Carroll. Nacional, 1931.Lockspeiser, Edward (editor)Aaron Copland Collection 503

Copland Library, 1908-1988ContainerContentsLettres inédites de Claude Debussy a André Caplet. Éditions du Rocher,1957.Lomax, John and Alan LomaxCowboy songs. Macmillan, 1938.Our singing country. Macmillan, 1941.Luxton, Eleanor G.Banff. Summerthought, 1975.Note: signed by author.Machado, LavíniaA study of Brazilian folksongs. University of Miami, thesis, 1955.Machlis, JosephThe enjoyment of music. Norton, 1970.Note: signed by author.Macintyre, AladsairHerbert Marcuse. Viking, 1970.Madariaga, Salvador deAnglais français espagnols. Gallimard, 1930.Maeztu, María deAntología--siglo XX; Prosistas españoles. Espasa-Calpe, 1943.Maeztu, Ramiro deDon Quijote, Don Juan y la Celestina. Espasa-Calpe, 1943.Mahanna, John G. W.Music under the moon. Mahanna and Berkshire Symphonic Festival,1935.Malipiero, Gian FrancescoL'armonioso labirinto. Rosa e Ballo, 1946.Note: signed by author.La pietra del Bando. Ateneo, 1945.Strawinsky. Cavallino, 1945.Malraux, AndréLa condition humaine. Gallimard, 1933.Manos, ConstantinePortrait of a symphony. Basic Books, n.d.Note: foreword by Aaron Copland.Aaron Copland Collection 504

Copland Library, 1908-1988ContainerContentsMaritain, JacquesRéponse a Jean Cocteau. Librairie Stock, 1926.Martínez, OrlandoPasión de la música en Martí. La Habana, 1953.Mauclair, CamilleLa religion de la musique. Librairie Fischbacher, 1921.Maul, CarlosA glória escandalosa de Heitor Villa Lôbos. Livraria imperio editora,1959.Note: signed by author.Mauriac, ClaudeJean Cocteau. Odette Lieutier, 1945.Maurois, AndréLa vie de Disraeli. Gallimard, 1927.Mayer-Serra, OttoPanorama de la música mexicana. El Colegio de México, 1941.Note: signed by author.McCarthy, EugeneOther things and the aardvark. Doubleday, 1969.Note: signed by the Senator.McPhee, ColinAngkloeng gamelans in Bali. Overdruk uit Djawa, 1937.Note: signed by author.Children and music in Bali. Overdrum uit Djawa, 1938.Note: signed by author.A house in Bali. Asia Press, 1946.Meier, M. H. E.Histoire de l'amour grec dans l'antiquité. Stendhal, 1930.Mellers, WilfridCaliban reborn, renewal in twentieth-century music. Harper, 1967.Note: signed.Francois Couperin and the french classical tradition. Dobson, n.d.Man & his music, romanticism & the 20th century. Rockliff, 1957.Aaron Copland Collection 505

Copland Library, 1908-1988ContainerContentsMessiaen, OlivierTechnique de mon langage musical. Alphonse Leduc, 1944.Note: 2 vols., text and music.Meyer, LeonardEmotion and meaning in music. University of Chicago, 1956.Note: signed by author.MichelinFrance. Michelin, 1964.Note: card inserts.Miller, MerleThe judges and the judged. Doubleday, 1952.Note: contains handwritten notes.Mintz, MarilynThe martial arts films. A. S. Barnes, 1978.Note: signed by author.Montagu, AshleyOn being human. Henry Schuman, 1951.Note: includes postcard.Moore, MarianneNevertheless. Macmillan, 1944.Moreno, SalvadorAngeles músicos en México. Bellas Artes, 1957.Morillo, Roberto GarciaCarlos Chavez, vida y obra. Fondo de Cultura Económica, 1960.Musorgsky. Ricordi, 1943.Note: signed by author.Rimsky-Korsakov. Ricordi, 1945.Note: signed by author.Siete músicos europeos. Ollantay, 1949,Note: signed by author.Morley, HildaA blessing outside us. Pourboire Press, 1976.Note: signed by author.Morris, R. O.The structure of music. Oxford, 1935.Aaron Copland Collection 506

Copland Library, 1908-1988ContainerContentsMorton, DavidLike a man in love. Yankee, 1953.Note: signed by author.Mrabet, MohammedLook & move on. Black Sparrow Press, 1976.Note: translated and signed by Paul Bowles.Love with a few hairs. Braziller, 1968.Note: tranlated by Paul Bowles.Nelson, Robert U.The technique of variation, a study.... University of California, 1948.Note: signed by author.New DirectionsDylan Thomas. New Directions, 1946.Five young American poets. New Directions, 1944.Note: incribed & signed by friend, Paul Moor.Nicolson, NigelPortrait of a marriage. Atheneum, 1973.Note: signed.Norris, HaroldYou are this nation. Harlo, 1976.Note: signed by author.Ocampo, Victoria338171 T. E. Éditions des lettres françaises, 1942.Panufnik, ScarlettOut of the city of fear. Hodder & Stoughton, 1956.Note: signed.Peare, Catherine OwensAaron Copland his life. Holt Rinehart Winston, 1969.Pereira Salas, EugenioLos orígenes del arte musical en Chile. Universidad de Chile, 1941.Note: signed by author.Perlis, VivianCharles Ives en el recuerdo. Editora Distribuidora Argentina, 1975.Note: tranls. of Ives Oral History, Copland prologue, signed by Perlis.Perse, Saint-JohnAaron Copland Collection 507

Copland Library, 1908-1988ContainerContentsAmers. Gallimard, 1957.Note: signed.Peyrefitte, RogerLes cles de Saint Pierre. Flammarion, 1955.L'exilé de Capri. Flammarion, 1959.The exile of Capri. Panther, 1961.Pfleger, KarlAndré Gide: O filho pródigo. Stella Editora, 1943.Pickenhayn, Jorge OscarPsicopedagogia musical. Casa Lottermoser, 1961.Note: signed by author.Pike, Joseph and Frederick C. WellstoodStratford upon Avon. Black, 1929.Note: signed, includes letter.Pincherle, MarcAn illustrated history of music. Reynal, 1959.Musiciens peints par eux-mêmes. Pierre Cornuau, 1939.Plaskin, GlennHorowitz. Morrow, 1983.Note: signed by author.Poole, CliffordOut of joint in the familiar. Mitre, 1972.Note: signed by author.Porter, Eliot"In wildness is the preservation of the world". Kennedy Center, 1972.Note: signed.Potsch, WaldemiroBrazil, land and people. Fundação Alfredo Herculano Xavier Potsch,1960.Note: signed by author.Pugsley, Betty and Richard PugsleyThe sound eternal. Paraclete, 1987.Note: Vol. 1Queneau, Raymond (editor)Aaron Copland Collection 508

Copland Library, 1908-1988ContainerContentsAnthologie des jeunes auteurs. Éditions J. A. R., 1955.Exercices de style. Gallimard, 1949.Râpeanu, ValeriuCălător pe două continente. Editura Albatros, 1970.Interferente spirituaĺ. Editura Eminescu, 1970.Reich, SteveWritings about music. Nova Scotia College and New York University,1974.Note: signed by author.Reis, ClairAmerican composers of today. International Society for ContemporaryMusic, 1930.Note: first edition, includes Copland, Copland pencilled notesinserted.American composers. International Society for Contemporary Music,1932.Note: second edition, Copland pencilled annotations.Composers in America. MacMillan, 1938.Note: Copland annotations in revised edition.Richmond, LeeNight-ride. HPC, 1981.Note: signed by author.Roads to spring. HPC, 1980.Note: signed by author.Ridge, LolaDance of fire. Harrison Smith and Robert Haas, 1935.Rimsky-Korsakow, NicolasPrincipes d'orchestration, I, II. Édition Russe de Musique, 1914.Note: Copland signature.Rivera, A. Ramon and Thelma GruenbaumTo: music and children with love. exPressAll, 1979.Note: signed by authors, includes signed note.Robinson, DavidThe confession of Andrew Clare. David McKay, 1968.Note: signed by author.Romains, JulesAaron Copland Collection 509

Copland Library, 1908-1988ContainerContentsLe dieu des corps. Gallimard, 1928.Lucienne. Gallimard, 1922.Rorem, NedMusic from inside out. George Braziller, 1967.Note: proofs.The Paris diary of Ned Rorem. George Braziller, 1966.Note: uncorrected proof.Rose, BarbaraAmerican art since 1900. Praeger, 1967.Note: signed by author.Rosen, CharlesThe classical style. Faber, 1971.Note: signed by author.Rosen, Heinz (editor)Ballett Theater. Suddeutscher, 1963.Note: signed by Rosen.Rosenberg, Deena and Bernard RosenbergThe music makers. Columbia University, 1979.Note: signed by authors.Rosner, Stanley and Lawrence E. Abt (editors)The creative experience. Grossman Publishers, 1970.Rosten, NormanThrive upon the rock. Trident, 1965.Note: signed by author.Rukeyer, MurielSelected poems. New Directions, 1951.Note: signed by author.Sachs, MauriceLa chasse à courre. Gallimard, 1949.Sagiova, MarketaThe art of singing. Hawthorn, 1977.Note: signed by author.Salazar, AdolfoMúsica y sociedad en el siglo XX. La Casa de españa, 1939.Note: Copland notes.Aaron Copland Collection 510

Copland Library, 1908-1988ContainerContentsLa rosa de los vientos en la música europea. Orquesta Sinfónica deMéxico, 1940.Salomon, I. L.Unit & universe. Clarke & Way, 1961.Samazeuilh, GustaveForeword and commentary toVues sur la France par Richard Wagner.Mercure, 1943.Saroyan, WilliamLove, here is my hat. Modern Age, 1938.Sartori, ClaudioRiccardo Malipiero. Edizioni Suvini Zerboni, 1957.Note: Italian insert typewritten, 22p.Sartre, Jean PaulHuis clos. Gallimard, 1945.L'imaginaire. Gallimard, 1948.Le mur. Gallimard, 1939.La nausée. Gallimard, 1938.Situations, III, IV. Gallimard, 1949.Le sursis. Gallimard, 1945.Schindler, KurtFolk music and poetry of Spain and Portugal. Hispanic Institute in theUnited States, 1941.Note: Copland annotations.Schlœzer, Boris deIgor Stravinsky. Claude Aveline, 1929.Schweitzer, AlfredOut of my life and thought. Mentor, 1953.Sessions, RogerReflections on the music life in the United States. Merlin Press, 1954.Shaker Village Work CampSongs of the Shakers. Shaker Village Work Camp, 1956.Shanks, Lynn ForrestAaron Copland Collection 511

Copland Library, 1908-1988ContainerContentsEnsemble: the gratuitous act. Shanks, 1968.Note: from the author.Shapira, Yeshayahu (editor)[Zimron: collection of songs with notes. ] Kibuts ha-me uhad, 1950.Sherburne, Donald W.A Whiteheadian aesthetic. Yale, 1961.Note: signed by friend.Sires, Ina (composer and editor)Songs of the open range. C. C. Birchard, 1928.Sittner, HansAus Schriften und Reden. Mozartgemeinde, 1963.Note: signed by author.Slaught, H. E.First principles of algebra. Allyn and Bacon, 1912.Note: 2 copies.Smith, Carol SturmFat people. Fiction Collective, 1978.Smith, Georgia TuckerLeave it to Miss Annie. Allen Press, 1956.Note: signed by author[?].Solomon R. Guggenheim MuseumFernand Léger, five themes and variations. Solomon R. GuggenheimMuseum,1962.Sonneck, O. G.A survey of music in America. McQueen Press, 1913.Note: signed by author.Stassinopoulos, AriannaMaria Callas. Simon and Schuster, 1981.Note: signed by author.Steigman, BenjaminAccent on talent. Wayne State University, 1964.Note: signed by author.Steiner, StanThe vanishing white man. Harper & Row, 1973.Note: signed.Stravinsky, IgorAaron Copland Collection 512

Copland Library, 1908-1988ContainerContentsPoétique musicale. Plon, n.d.Note: signed with a note, by Stravinsky.Stravinsky, VeraFantastic cities and other paintings. Godine, 1979.Note: signed by author.Stuckenschmidt, H. H.Arnold Schönberg. Rocher, 1951.Sykes, GeraldAlienation. Braziller, 1964.Note: 2 volumes.The cool millennium. Prentice Hall, 1967.Note: signed by author.Foresights, self-evolution and survival. Bobbs-Merrill, 1975.Note: signed by author.Thompson, Marilou BonhamAbiding Appalachia, or: where mountain and atom meet. St. Luke'sPress, [1978].Note: signed by author.Thompson, Oscar (editor)Great modern composers. Dodd, 1941.Note: includes Copland.Toor, FrancesA treasury of Mexican folkways. Crown Publishers, 1947.Traven, BrunoLa rebelion de los Colgados. Insignia, 1938.Turkington, Grace A.My country. Ginn and Company, 1918.Valéry, PaulVariété. Gallimard, 1924.Vivant. Cahiers du Suc, 1946.Varga, Bálint AndrásZenészekkelzéneröl. Beszélgetések Világhírü Muzsikusokkal, 1972.Note: signed by author.Vega, Aurelio de laAaron Copland Collection 513

Copland Library, 1908-1988ContainerContentsThe negative emotion. La Habana, 1950.Note: signed by author.Vise, Sidney R.Ray Green: his life and stylistic elements of his music.... American MusicEdition, Carl Fischer, 1975.Note: DMA dissertation, letter to AC from Ray Green inserted.Voice of AmericaThe American Symphony Orchestra. Voice of America, 1967.Voice of America Forum LecturesThe American Symphony Orchestra. Voice of America Forum Lectures,1967.Note: 2 copies.VoltaireCandide. Cluny, 1936.Vuillemin, LouisGabriel Fauré. Durand, 1914.Note: signed by Copland.Walker, MargaretFor my people. Yale, 1942.Note: signed by Claire Reis.Walsh, Thomas (composer)Hispanic anthology. Putnam's, 1920.Walter, EugèneLove you good. René Julliard, 1963Note: signed by author.Walter, Eugène and Zev. WalterSingerie songerie. Willoughby Institute, 1958.Weinstock, Herbert (editor)Carlos Chávez: North American Press 1936-1950. Ediciónes Méxicanas,1951.Weiss, Walter A.Solutions. 1975.Note: signed by author.Wellesz, EgonArnold Schönberg. E. P. Tal, 1921.Note: signed by Copland.Aaron Copland Collection 514

Copland Library, 1908-1988ContainerContentsWescott, GlenwayThe grandmothers. Harpers, 1927.Xenakis, IannisMusique architecture. Casterman, 1971.Note: signed by author.Musiques formelles. La Revue Musicale, 1963.Note: signed by author.Aaron Copland Collection 515

Music by Aaron Copland - Alphabetical Title IndexTitle of Work ARCO No. Box/Folder"After Antwerp" Juvenilia E 117D/7LAS AGACHADAS (THE SHAKE- ARCO 48 71DOWN SONG)ALONE ARCO 3-B 1APPALACHIAN SPRING (BALLET ARCO 5528, 76-77 & Coolidge Coll.FOR MARTHA)AS IT FELL UPON A DAY ARCO 6 44"At the River": from OLD AMERICAN ARCO 68-D et al 37SONGS, SECOND"Ballet for J.R.": original title for DANCE ARCO 79.2; 79.3 95PANELS"Ballet for Martha": original title for ARCO 5528, 76-77 & Coolidge Coll.APPALACHIAN SPRING[Ballade] (1957) N/A 111/3"Ballade?"(1957) N/A 111/1"Ballade for Violin & Orchestra" (1957) N/A 111/2"Ballade of Ozzie Powell" N/A 112/4"Barley Wagons": from MUSIC FOR ARCO 49 71/49MOVIES"Beyond the Rio Grand": origin of EL ARCO 28.4 99SALÓN MÉXICOBILLY THE KID ARCO 33 16, 63"The Boatman's Song": from OLD ARCO 65-A 103AMERICAN SONGS, FIRST SET"Buckaroo Holiday": from RODEO ARCO 47c, No. 1 70CANTICLE OF FREEDOM ARCO 71 88"Capriccio" Juvenilia A 117D/1-2THE CAT AND THE MOUSEARCO 1 1(HUMORISTIC SCHERZO)"Celebration": from BILLY THE KID ARCO 33-Ea; 33-Fa; 33-Ga; 16, 6333-HaCEREMONIAL FANFARE ARCO 93 110"Une Chanson : Practice Song Set to Juvenilia 117E/20French Words"LE CHAT ET LA SOURIS (THE CAT ARCO 1 1AND THE MOUSE)"Ching-a-ring Chaw": from OLD ARCO 68-E et al 37AMERICAN SONGS, SECOND SET"Choral 24" Juvenilia 117E/1THE CITY (Incidental Music) ARCO 38 17, 65CONCERTO FOR CLARINET ARCO 62 80CONCERTO FOR PIANO AND ARCO 12 50ORCHESTRACONNOTATIONS FOR ORCHESTRA ARCO 83 106"Conversation at the Soda Fountain": ARCO 41-Ba; 41-Bc 18from OUR TOWN"Corral Nocturne": from RODEO ARCO 47c, No. II 70"Corrigenda" N/A 112/5CORTEGE MACABRE (GROHG) ARCO 8-A 47Aaron Copland Collection 516

Title of Work ARCO No. Box/Folder"The Crisis": from OUR TOWN ARCO 41.2 18THE CUMMINGTON STORY ARCO 57 29DANCE OF THE ADOLESCENT: ARCO 11-A 49from DANCE SYMPHONYDANCE OF THE ADOLESCENT: ARCO 8-B et al 47from GROHGDANCE PANELS (BALLET FOR J.R.) ARCO 79 41, 95DANCE SYMPHONY ARCO 11 49"Danse Characteristique" Juvenilia H1 117D/10-11"Danse Characteristique for Orchestra" Juvenilia H2117D/12-13"Danza de Jalisco": from THREE ARCO 78, No. 3; 78-A; 78-B 94LATIN-AMERICAN SKETCHES et alDANZÓN CUBANO ARCO 50 72DEUX PIECES POUR VIOLON ET ARCO 13 5PIANO (TWO PIECES FOR VIOLINAND PIANO)DIRGE IN WOODS ARCO 70 39"The Dodger": from OLD AMERICAN ARCO 65-Ba 103SONGS, FIRST SET"Double Canon etc., etc." Juvenilia 117E/2"Dove Dance": from HEAR YE! HEAR ARCO 26.5 59YE!DOWN A COUNTRY LANE ARCO 82 97DUO FOR FLUTE AND PIANO ARCO 94 110"Duo for Violin and Piano": from DUO ARCO 94.3 110FOR FLUTE AND PIANOEIGHT POEMS OF EMILYARCO 88 42DICKINSONEL SALÓN MÉXICO ARCO 28 13, 99ELEGIES ARCO 23 55EMBLEMS FOR BAND ARCO 85 108EPISODE (IMPROVISATION FOR ARCO 45 68ORGAN)"Estribillo": from THREE LATIN- ARCO 78, No. 1 94AMERICAN SKETCHESFANFARE FOR THE COMMON MAN ARCO 51 73"Fantacia Mejicana"( "Fantasia ARCO 28-C et al 13, 99Mexicana") : from EL SALÓNMÉXICOFIRST SYMPHONY ARCO 18 6, 52FIVE KINGS ARCO 37 64FIVE SENTIMENTAL MELODIES ARCO 14 5"For Eugene Ormandy's 70th Birthday" ARCO 92 110"Four Dance Episodes": from RODEO ARCO 47a; 47b 70FOUR MOTETS ARCO 4 1FOUR PIANO BLUES ARCO 60 31"Fragment for Trio for Violin, Cello and Juvenilia U117D/35-36Piano"FROM SORCERY TO SCIENCE ARCO 39 17, 65Aaron Copland Collection 517

Title of Work ARCO No. Box/Folder"From the Baltic to the Pacific (Loading ARCO 53.5 25Song)": from THE NORTH STAR"Fugue" Juvenilia 117E/3"Girls Dance": from HEAR YE! HEAR ARCO 26.4 59YE!"The Golden Willow Tree": from OLD ARCO 68, No. 3 36AMERICAN SONGS, SECOND SETGROHG ARCO 8 2, 46, 47"Grovers Corners": from OUR TOWN ARCO 41 18-20, 66HAPPY ANNIVERSARY(for Eugene ARCO 92 110Ormandy's 70th birthday)"Have Mercy On Us, O My Lord": from ARCO 4, No. III 1FOUR MOTETSHEAR YE! HEAR YE! ARCO 26 9-12, 58-59, 98THE HEIRESS ARCO 61 32, 79"Help Us, O Lord": from FOUR ARCO 4, No. I 1MOTETS"Hoe-Down": from RODEO ARCO 47c, No. IV; 47-B; 47- 70Ca; 47-D et al; 47-Ea"Hommage à Fauré": original title for ARCO 16 et al 51TWO PIECES FOR STRINGORCHESTRA"The House on the Hill": from TWO ARCO 9-A et al 48CHORUSES FOR WOMEN'S VOICESHUMORISTIC SCHERZO (THE CAT ARCO 1 1AND THE MOUSE)"Hymn for the United Nations": original ARCO 64 103title of PREAMBLE FOR A SOLEMNOCCASION"I Bought Me A Cat": from OLD ARCO 65-E et al 103AMERICAN SONGS, FIRST SETIN EVENING AIR ARCO 87 42"In Spite of Everything Which Breathes ARCO 15.2 5and Moves": origin of POET'S SONGIN THE BEGINNING ARCO 59 31"An Immorality": from TWOARCO 9-B et al 48CHORUSES FOR WOMEN'S VOICESIMPROVISATION: alternate title for ARCO 17 51VOCALIZE (VOCALISE)IMPROVISATION FOR ORGAN: ARCO 45 68alternate title for EPISODEINAUGURAL FANFARE ARCO 91 110INSCAPE ARCO 90 109"Internationale" N/A 112/6"Into the Streets May First" N/A 112/7"Introduction and Dance" Juvenilia 117E/6"Jazzy Song" Juvenilia 117E/4JOHN HENRY ARCO 42 67JUBILEE VARIATIONS ARCO 56 28"Juvenilia" (1911-1921) Juvenilia 117B/1-14Aaron Copland Collection 518

Title of Work ARCO No. Box/Folder"Lament for Cello and Piano" Juvenilia M1 117D/20-21"Lament for Violin and Piano" Juvenilia M2 117D/20-21LARK ARCO 35 64LAS AGACHADAS (THE SHAKE- ARCO 48 71DOWN SONG)"Laurie's Song": from THE TENDER ARCO 69-D et al 38LAND"Lento Molto (Slow Movement for String ARCO 16; 16-A et al 51Quartet)": from TWO PIECES FORSTRING QUARTETLETTER FROM HOME ARCO 54 26-27, 74-75LINCOLN PORTRAIT ARCO 46 21, 69"The Little Horses": from OLDARCO 68-A et al 37AMERICAN SONGS, SECOND SET"Loading Song": alternate title for ARCO 53.5 25"From the Baltic to the Pacific"fromTHE NORTH STAR"Long Time Ago": from OLDARCO 65-C et al 103AMERICAN SONGS, FIRST SET"Longchamps" Juvenilia 117E/5"Material for Introduction and Dance" Juvenilia 117E/6"The Medicine Chest": from FROM ARCO 39.1 65SORCERY TO SCIENCE"Melancholy, a Song à la Debussy" Juvenilia C 117D/5-6MIRACLE AT VERDUN ARCO 22 55MIDDAY THOUGHTS ARCO 99 43MIDSUMMER NOCTURNE ARCO 98 43[Miscellaneous holograph and copyist's N/A 111/4manuscript pages]"Moment Musicale" Juvenilia B 117D/3-4"Moods for Piano Solo" Juvenilia T 117D/34"Motet" Juvenilia 117E/7"Motet: Psalm 28-6" N/A 112/8"Movement"(for string quartet) N/A 112/9MUSIC FOR A GREAT CITY ARCO 84 107MUSIC FOR MOVIES ARCO 49 71MUSIC FOR RADIO; PRAIRIE ARCO 31 62JOURNAL (SAGA OF THE PRAIRIE)MUSIC FOR THE THEATRE ARCO 10 3, 4"Music I Heard" Juvenilia Q 117D/28-29"Music Library Association 1931-1971" N/A 112/10"My Heart Is In the East" Juvenilia J 117D/7, 15"New England Countryside": from THE ARCO 38 17, 65CITY"Night" Juvenilia K 117D/16-17NIGHT THOUGHTS ARCO 96 43"Night Thoughts": from MUSIC FOR A ARCO 84 107GREAT CITY"No Village Like Mine": from THENORTH STARARCO 53-C et al 25Aaron Copland Collection 519

Title of Work ARCO No. Box/Folder"Nocturne": from TWO PIECES FOR ARCO 13; 13-A et al 5VIOLIN AND PIANO (DEUX PIECESPOUR VIOLON ET PIANO)NONET FOR STRINGS ARCO 80 96THE NORTH STAR ARCO 53 23-25, 101-102OF MICE AND MEN ARCO 40 100, 113OLD AMERICAN SONGS, FIRST ARCO 65 103SETOLD AMERICAN SONGS, SECOND ARCO 68 36-37SETOLD POEM ; AN OLD POEM VIEUX ARCO 2 et al 1POEME (MELODIE CHINOISE)ORCHESTRAL VARIATIONS ARCO 76 92OUR TOWN ARCO 41 18-20, 66AN OUTDOOR OVERTURE ARCO 34 64"Paisaje Mexicano": from THREE ARCO 78, No. 2 94LATIN-AMERICAN SKETCHESPASSACAGLIA ARCO 5 44PASTORALE ARCO 3-A 1"Petites Valses": origin of GROHG ARCO 8.5 2PIANO FANTASY ARCO 74 90PIANO SONATA ARCO 44 68PIANO VARIATIONS ARCO 21 55"Piece for Bassoon and Piano" Juvenilia 117E/8"Piece for Clarinette and Piano" Juvenilia 117E/9"Piece for Flute and Piano" Juvenilia 117E/10[Piece for Flute, Clarinet and Voice] Juvenilia 117E/11"Piece for Horn and Piano" Juvenilia 117E/12"Piece for Oboe and Piano" Juvenilia 117E/13"Piece for Trombone and Piano" Juvenilia 117E/14"Piece for Trumpet and Piano" Juvenilia 117E/15"Poem": from DUO FOR FLUTE AND ARCO 94-A 110PIANO"Poème for Cello with PianoJuvenilia L117D/18-19Accompaniment"POET'S SONG; SONG ARCO 15 5PRAIRIE JOURNAL; alternate title ARCO 31 62for MUSIC FOR RADIO"Prairie Night": from BILLY THE KID ARCO 33; 33-Fa 16, 63PREAMBLE FOR A SOLEMN ARCO 64 103OCCASION"Prelude": from FIRST SYMPHONY ARCO 18-A et al 6(published separately)"Prelude for Violin and Piano" Juvenilia P 117D/26-27"Prelude (Second) for Violin and Piano" Juvenilia S117D/32-33"Proclamation for Orchestra": from ARCO 100-A 71PROCLAMATION FOR PIANOPROCLAMATION FOR PIANO ARCO 100 43"The Promise of Living": from THETENDER LANDARCO 69-C et al 38Aaron Copland Collection 520

Title of Work ARCO No. Box/FolderQUARTET FOR PIANO ANDARCO 6735 & Coolidge Coll.STRINGSQUATRE MOTETS (FOUR MOTETS) ARCO 4 1QUIET CITY ARCO 43 68QUIET CITY (Incidental Music) ARCO 36 64THE RED PONY ARCO 63 114-115, 81-83, 34"Renaissance : Practice Song Set to Juvenilia 117E/17French Words""The Resting Place on the Hill": from ARCO 41-B et al 18OUR TOWNRODEO ARCO 47 70"Rondino": from TWO PIECES FOR ARCO 16; 16-B et al 51STRING ORCHESTRA and STRINGQUARTET"Saga of the Prairie": alternate title for ARCO 31 62MUSIC FOR RADIO (PRAIRIEJOURNAL)EL SALÓN MÉXICO ARCO 28 13, 99"Saturday Night Dance"; "Saturday ARCO 47; 47.3; 47c, No. III 70Night Waltz": from RODEOSCHERZO HUMORISTIQUEARCO 1 1(HUMORISTIC SCHERZO) (THECAT AND THE MOUSE)[Schirmer Manuscript Music Books] Juvenilia 117C/1-7"Schumanniana : for cello and piano" Juvenilia 117E/18"Sea-fairies : Tone Poem for Piano after Juvenilia 117E/19Tennyson's Poem..."SECOND HURRICANE ARCO 30 14, 60-61SECOND SYMPHONY; SHORT ARCO 24 56SYMPHONYSENTIMENTAL MELODY: originally ARCO 14 5FIVE SENTIMENTAL MELODIES"Serenade": alternate title for "Ukelele ARCO 13; 13-B et al 5Serenade": from TWO PIECES FORVIOLIN AND PIANOSEXTET ARCO 32 15"The Shake-Down Song": alternate title ARCO 48 71for LAS AGACHADASSHORT SYMPHONY; SECOND ARCO 24 56SYMPHONYSIGNATURE - CBS PLAYHOUSE ARCO 86 42"Signature for High-Low Concerts": ARCO 34.1 64origin of AN OUTDOOR OVERTURE"Simone : Song for Soprano and Piano" Juvenilia O 117D/24-25"Simple Gifts": from OLD AMERICAN ARCO 65-D et al 103SONGS, FIRST SET"Sing Ye Praises to Our King": from ARCO 4; 4a, No. IV 1FOUR MOTETS"The Skyline": from MUSIC FOR AGREAT CITYARCO 84 107Aaron Copland Collection 521

Title of Work ARCO No. Box/Folder"Slow Movement for String Quartet": ARCO 16; 16-A et al 51origin of "Lento Molto": from TWOPIECES FOR STRING QUARTETSOMETHING WILD ARCO 81 116"Sonata for Piano" Juvenilia R 117D/30-31SONATA FOR VIOLIN AND PIANO ARCO 52 22(VIOLIN SONATA)SONG; POET'S SONG ARCO 15 5"Song of the Fatherland": from THE ARCO 53.4 25NORTH STAR"Song of the Guerillas": from THE ARCO 53-B et al 25NORTH STAR"Spurned Love" Juvenilia D 117D/7STATEMENTS FOR ORCHESTRA ARCO 25 57 & Koussevitsky Coll."Stomp Your Foot": from THE TENDER ARCO 69-B et al 38LAND"Story of Our Town": from OUR TOWN ARCO 41-A; 41-Ca 18"String Quartet (1921?)" Juvenilia V 117D/37"String Quartet (ca. 1921)" Juvenilia V 117D/38"String Quartet (1965-68)" N/A 112/11"Study on a Jewish Melody"; "Study on a ARCO 20 55Jewish Theme": alternate title forVITEBSK"Subway Jam": from MUSIC FOR A ARCO 84, No. 3 107GREAT CITY"A Summer Vacation" Juvenilia I 117D/7, 14"Sunday Afternoon Music": from TWO ARCO 29-A 14CHILDREN'S PIECES"Sunday Traffic": from THE CITY ARCO 38 17, 65SYMPHONIC ODE ARCO 19 7-8, 53-54SYMPHONIC ODE (Revised) ARCO 72 89 & Koussevitsky Coll.SYMPHONY FOR ORGAN AND ARCO 7 45ORCHESTRATHE TENDER LAND ARCO 69 et al 38, 85-87THE TENDER LAND (Orchestral ARCO 77 93Suite)"That's the Idea of Freedom": from ARCO 30-Ba 14SECOND HURRICANETHIRD SYMPHONY ARCO 58 30, 78 & KoussevitskyColl."Thou, O Jehovah, Abideth Forever": ARCO 4; 4a, No. II 1from FOUR MOTETS"Three Dances": from GROHG ARCO 8.6; 8.7 2THREE LATIN-AMERICANARCO 78 94SKETCHES"Three Sonnets for Piano" Juvenilia N 117D/22-23THRENODY I ARCO 95 43THRENODY II ARCO 97 43"Threshing Machine": from OF MICEAND MENARCO 40.4 100Aaron Copland Collection 522

Title of Work ARCO No. Box/Folder"Toward the Bridge": from MUSIC FOR ARCO 84 107A GREAT CITY"Tragic Ground" N/A 117A/1-6"Trois Dances du Ballet Grohg": from ARCO 8.6 2GROHGTWELVE POEMS OF EMILYARCO 66 84DICKINSON"Two Ballads for Violin andN/A 111/5Piano" (1957)TWO CHILDREN'S PIECES ARCO 29 14TWO CHORUSES FOR WOMEN'S ARCO 9 48VOICESTWO PIECES FOR STRINGARCO 16 51ORCHESTRATWO PIECES FOR STRINGARCO 16-A 51QUARTETTWO PIECES FOR VIOLIN AND ARCO 13 5PIANO"Ukelele Serenade"; "Serenade": from ARCO 13; 13-B et al 5TWO PIECES FOR VIOLIN ANDPIANO"Variations on a Shaker Melody": from ARCO 73 40APPALACHIAN SPRING (for Band)"Variations on a Shaker Melody": from ARCO 89 42APPALACHIAN SPRING (for SchoolOrchestra)VIEUX POEME (OLD POEM ; AN ARCO 2 1OLD POEM)VIOLIN SONATA (SONATA FOR ARCO 52 22VIOLIN AND PIANO)VITEBSK ARCO 20 55VOCALISEor VOCALIZEARCO 17 51(IMPROVISATION)"Waltz": from BILLY THE KID ARCO 33-D 16, 63"Waltz Caprice" Juvenilia F 117D/8-9"Waltz Caprice" Juvenilia G 117D/8-9WHAT DO WE PLANT? ARCO 27 12THE WORLD OF NICK ADAMS ARCO 75 91"The Young Pioneers": from TWO ARCO 29-B 14CHILDREN'S PIECES"Younger Generation": from THE ARCO 53-A et al 25NORTH STAR"Zion's Walls": from OLD AMERICANSONGS, SECOND SETARCO 68-Ba 37Key to ARCO Numeric System: A Comprehensive Listingof Aaron Copland Numbered Music CompositionsManscripts and Copies of Manuscripts:Aaron Copland Collection 523

All manuscripts and copies of manuscripts (i.e., ozalids, photocopies, and photostats) are assignedwhole ARCO numbers and/or whole numbers with decimal point and number. Examples: Billy theKid complete ballet, ms., [ARCO 33]; or Billy the Kid complete ballet, ms. (ozalid), [ARCO 33.1].Published Works:Published works are assigned ARCO numbers followed by a lower case letter, or edition suffix. Inmost cases (but not all), the lower case "a" indicates first editions. Subsequent editions are assignedsuffixes according to the date of publication or copyright. Examples: Billy the Kid complete ballet,[ARCO 33a]; or Billy the Kid complete ballet (published 1950), [ARCO 33c]. If a work includes ascore and a set of parts, separate citations are created for each unless there are less than eightparts. The ARCO number for a set of parts will be essentially the same as the accompanying score,but can be identified by a doubled edition suffix. Examples: Billy the Kid score for complete ballet,[ARCO 33a]; Billy the Kid orchestral parts, [ARCO 33aa]. In cases where there are multiple copiesof a published edition, the marked or annotated copy is designated as Copy 1; however, onlysubsequent copies (i.e., Copy 2, Copy 3, etc.) bear the "Copy" designator.Adaptations and Transcriptions:Some of Copland's works have been adapted or transcribed for performance by groups of varyingsizes (or genres). For instances, the work Billy the Kid has been adapted for performance byorchestra alone (large and small), concert band, and transcribed for two pianos as well as for pianosolo. Different versions of a pieces are assigned an ARCO number followed by a hyphen, and anupper case letter, or genre indicator. Examples: Billy the Kid ballet suite, ms., [ARCO 33-A]; or Billythe Kid for two pianos, ms. sketches, [ARCO 33-B.3], etc. This scheme also works for publishededitions: the genre indicator is followed by an edition suffix. Examples: Billy the Kid for piano solo,[ARCO 33-Ca]; or Billy the Kid for violin and piano (published 1955), [ARCO 33-Gc].As mentioned, the number assignments and genre indicators are those of the composer. Someadjustments have been made only to render items easily accessible to researchers and retrieved/returned by Music Division staff.Index for Articles with AC numbersCopland numbered consecutively some of his published articles; when known, the numbers aregiven after the alphabetical arrangement by title in the series of the container list. Below is a listingof the works in AC numerical order.AC No. Title Box/Folder2 What Europe means to the aspiring composer, 1925 230/44 Defends the music of Mahler [Letter to the editor], 1925 198/287 Jazz structure and influence, 1927 199/168 Baden-Baden, 1927 197/219 Stravinsky's "Oedipus Rex", 1928 202/810 Music since 1920, 1928 200/712 The lyricism of Milhaud, 1929 199/2713 From a composer's notebook, 1929 199/714 A note on Nadia Boulanger, 1928 229/1815 Modern orchestration surveyed, 1930 199/3216 Contemporaries at Oxford, 1931 198/1917 Stravinsky and Hindemith premieres, 1932 202/718 The composer and his critic, 1932 198/119 The composer in America, 1923-1933, 1933 198/620 One hundred and fourteen songs, 1934 200/2521A A note on young composers, 1935 200/18Aaron Copland Collection 524

AC No. Title Box/Folder21 Scherchen on conducting and Ewen on composers [Book review], 1935 201/2122 The American composer gets a break, 1935 197/1123 Active market in new music records, 1936 197/724 Discoveries of a music critic, by Paul Rosenfeld [Book review], 1936 198/3025 Our younger generation - ten years later, 1936 201/425A The world of the phonograph, 1937 202/2026 Scores and records, 1936 201/2327 Mexican composer, n.d. 229/1228 Thomson's musical state [Book review], 1939 202/1229 Is there a revolution in the arts?, 1940 199/1530 Second thoughts on Hollywood, 1940 201/2732 The composers get wise, 1940 198/1236 Five post-romantics, 1941 198/3536A La música en el extranjero, 1941 200/937 The composers of South America, 1942 198/1639 From the '20's to the '40's and beyond, 1943 199/840 Faure [sic] festival at Harvard, 1945 198/3340 Music for the theatre, n.d. 200/240 Serge Koussevitzky and the American composer, 1944 202/141 On the notation of music, 1944 200/2342 The American composer today, n.d. 197/1242 Notes on a cowboy ballet, n.d. 200/1944 Neglected works: A symposium, 1946 200/1545 Benjamin Britten: The Rape of Lucretia, an opera in two acts [Music 197/23review], 194746A Aaron Copland writes from South America, 1947 197/548 Composer's report on music in South America, 1947 198/10Tr49 Eine neue amerikanische Komponistengeneration, 1948 200/1649 The new 'school' of American composers, 1948 229/17Tr49 Nueva generatión de compositores norteaméricanos, 1947 200/2150 The art of Darius Milhaud, 1948 197/17Tr50 Sobre la música en el cine, n.d. 202/251 Stefan Wolpe: Two songs for alto and piano [Music review], 1948 202/652 What is Jewish music?: The music of Israel [Book review], 1949 230/5Tr53 La música per film: nuovo mezzo di espressione musicale, n.d. 200/1153 Tip to moviegoers: Take off those ear-muffs?, 1949 230/254 The world of a-tonality: Schoenberg and his school [Book review], 1949 230/756A [Letters to the editor], New York Times Magazine, 14 Jan. 1950 229/1056 A modernist defends modern music, 1949 229/1458 Leon Kirchner: Duo for violin and piano [Music review], 1950 199/1959 The American musical scene, 1950 229/161 Current chronicle: United States, New York, 1951 198/2662A Tanglewood: 1952, [1952] 202/1063 An indictment of the fourth B, 1952 229/864A Always in my thoughts, 1953 197/864 Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955 197/1664 The gifted listener, 1952 199/965 Creativity in America, 1952 198/25Aaron Copland Collection 525

AC No. Title Box/Folder66 Music out of everywhere: Notes without music. An autobiography, by 229/16Darius Milhaud [Book review], 195367 The essence remained. The life and music of Béla Bartók . Halsey Stevens 229/4[Book review], 195369 Festival in Caracas: Recent Venezuelan event was devoted to composers 198/34of Latin America, 195470, 070A Music and the human spirit, 1954 199/33Tr70 La música como aspecto del espiritu humano, n.d. 200/871(72) Modern music: 'Fresh and different', 1955 229/1373 At the thought of Mozart, 1956 197/2074 Rubin Goldmark: A tribute, 1956 201/1875 El compositor en los Estados Unidos, 1959 229/375 Report on American music, 1956 201/1776 The dilemma of our symphony orchestra, 1956 198/2981A The pleasures of music, 1959 201/1281B The pleasures of music, 1959 230/182 'A vital and varied music', n.d. 230/383 Composers in Russia, 1960 198/1384 Nadia Boulanger: An affectionate portrait, 1960 200/1386 Composers and composing, 1960 198/1187 Oper für Amerika, 1960 201/289 Making music in the star-spangled manner, 1960 199/2891 The composer as critic, 1961 198/492 A composer's praise, 1962 198/993 A visit to Snape, 1963 202/1594 A quarter-century reflection, 1963 201/1498 ASCAP and the symphonic composer, 1964 229/299A America's cultural explosion - its scope and challenge 226/10100 In memory of Marc Blitzstein (1905-1964), 1964 199/11102 Music: My way of life, 1964 229/15103 An open letter about the BBC, 1965 201/1104 The contemporary scene, 1966 198/21106 Irving Fine (1914-1962), 1962 199/13110 A tribute to Nadia Boulanger, 1967 202/13112 When private and public worlds meet, 1968 202/17113 Aaron Copland: A visit to Israel, 1969 197/3113 A visit to Israel, 1969 202/14114 Piano music of Noël Lee, n.d. 201/10116 Composers in the university, 1970 198/14116 Is the university too much with us?, 1970 199/14117 Copland salutes Boulanger, 1977 198/23118 Claire Reis (1889-1978), 1978 197/26123 A salute to the Schwann, n.d. 201/20Aaron Copland Collection 526

Index for Lectures and Speeches with AC Numbers, AllCombinedTwo numbering systems by Copland were discovered during processing -- one for lecturesdesignated as "general" or "miscellaneous" and the other for the lectures designated as "various,"the former were assigned the prefix "LG" and the latter the prefix "LV." The following lists showboth numbering systems in AC numeric order, combined and separately, by type of lecture.AC No. Title Box/Folder1-LG Address, graduating class, Toronto Conservatory of Music, 1950 210/11 Seminar in contemporary music, 1957 214/241-LV Stravinsky, 1937 214/342-LV Darius Milhaud, 1948 211/182-LG Music for a modern world, 1949 213/103-LV Music: Pro & Con I - Sessions, 1950 213/73-LG Role of the creative artist in education, 1949 214/194-LV Music: Pro & Con II - Olivier Messiaen, 1950 213/84-LG The role of culture in the U. S., 1947 214/205-LV Dmitri Shostakovitch and the new simplicity, n.d. 211/225-LG On my music, 1946, n.d. 214/46-LG Creativity in America today, 1953, 1956, 1965, 1968 211/156-LV Mahler - XX cent[ury], n.d. 212/227-LV Influence of jazz and "Everyday Music", n.d. 212/37-LV Intro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d. 212/127-LG Preoccupations of young composers, 1955 214/118-LV Music in the films, n.d. 213/138-LG The operatic problem, 1954, n.d. 214/69-LV Contrapuntal writing in cont[emporary] music in relation to Bach, 211/1119509-LG Introduction to my music, 1952 212/910 The composer and his audience, 1956 210/2810-LG The composer in the modern world, 1957 210/3210-LV Jewish composers in the western world, 1951 212/1711-LV American scene in music, 1949 210/1511-LG Music in contemporary life, 1957 213/1112-LV Central European composers, 1950 210/2512-LG To band leaders [at convention], 1958 215/1013-LG Compositional phases [on my three piano works], 1959, 1961 210/38[13?] Music of today, 1935-1936 213/1713-LV The problem of style -- Schoenberg vs. Shostakovitch, 1944 214/1514-LG The dilemma of our symphony orchestra, 1956 211/19-2014-LV Survey of contemporary music, n.d. 214/3815-LG The artist and society, 1959 210/2215-LV Jazz and folk influences, 1944 212/1616-LV Contemporary music and its controversies, 1944 211/416-LG Japan's composers, 1960 212/1517-LV Fauré, n.d. 211/2617-LG Intro[duction] of N[adia] Boulanger as teacher, 1958 212/818-LG Composing in America (then and now), 1962, 1964 210/3718-LV Modern piano music, 1938 213/319-LG American contemporaries: Younger generation, 1957 210/11Aaron Copland Collection 527

AC No. Title Box/Folder19-LV Music of the 20s (Harvard lectures), 1952, 1954, 1959, 1960, 1962 213/21-2220 Introduction to the cont[emporary] idiom: Four lectures on212/10-11contemporary music, 1957-195820-LV Understanding contemporary music, 1950, 1957 215/1220-LG Words and music, 1962 215/1921-LV Current trends in cont[emporary] music, 1954, 1960, 1961 211/1721-LG On conducting Amer[ican] music; The interpreter from the composer's 214/3viewpoint, 196422-LV Berlioz - from the composer's standpoint, 1954 210/2322-LG Music - A composer's view (of music), 1967, 1971 213/623A-LG Convocation, 1967, 1969 211/1224-LG The meaning of music, n.d. 212/2524-LV Variation forms - Classical forms in cont[emporary] music, 1952 215/1525-LV Composer looks at music in America, 1954 210/3325-LG For 8-13 year olds, 1969 211/3426-LV Comparative trends of recent European & American music, 1956, 1961 210/2726-LG [Talk at New York University], 1970 215/227-LV Recent Amer[ican] music: Comparison with Europe, 1956 214/1627-LG William Schuman, 1971 215/1828-LG Copland-Sessions Concerts 1928-31, 1971 211/1328-LV Oedipus Rex, 1957 214/129-LG, 35-LV Creativity and the composer, 1972, 1973 211/1429-LV Nationalist trends in contemporary music, 1961 213/2730-LV Recent European (piano) music, 1959 214/1731-LV Latin American music, 1947-1963 212/1932-LV Compositional techniques in the 20th cent[ury], 1961 210/3933-LV The composer as critic, n.d. 210/3034-LV New trends in cont[emporary] music, 1964 213/2934 New trends in contemporary music, 1965 213/3035? Film talk, 1971 211/31-3291-A The composer as critic, 1961 210/29Index for Journals with AC NumbersTwelve of the 26 journals were numbered by Copland on the outside cover; however, the number5 appears on two books, one with a question mark in the handwriting of Ron Caltabiano who wasCopland's assistant in the 1980's.AC# Date Contents Box/Fld.3 1921-1953 South American journal; McCarthy hearings (1953); Chronological list 243/7of travels1 1941 South American diary, Aug-Dec 1941 243/152 1941-1973 Genealogy charts; List of publ[ished] works; Degrees; Financial data 244/14 1949 European diary (including London trip) 244/115 1949-1967 European notes; Quotes; Dinners at Stravinsky's home; Notes 244/135[?] 1954-1957 Journal of visits to Venezuela 244/1512 1954-1965 Recordings; List of AC articles; Lecture engagements 244/176 1960-1961 European journal; Notes on making a movie score (Something wild); 245/3White House dinner7 1962-1963 Notes on trip to Mexico-Brazil-Uruguay; Europe; Financial data 245/5Aaron Copland Collection 528

AC# Date Contents Box/Fld.8 1963-1964 Latin-American diary; European tour 245/99 1965 European tour; Financial data 245/1110 1966 Japan 'diary' 245/1311 1967-1971 Europe; Israel; Financial data 245/15Explanation of Code System for PhotographsThe negatives have been coded two ways: (1) previously-given identifying codes or (2) job numberswere maintained and conjoined with the prefix CC-CP-N (Copland Collection - Copland Photos -Negative). The negatives which did not have identifying codes or job numbers were assigned newcodes with the prefix CC-CP-N- followed by X- and an Arabic numeral (i.e., CC-CP-NX-01), andarranged in ascending order. Negatives known to have been produced by Victor Kraft contain theletters "VK" in the identifying code (i.e. CC-CP-NVK-01). Any original information regarding thesubjects of negatives has been transcribed onto the negative sleeves. Other codes are marked onthe back of the photoprints when a corresponding negative has been identified. See the appendixfor further information on the arrangement and coding system.Arrangement codes for negatives• Original codes and all identifying information are transcribed from original wrapper ornegative strips.• Assigned codes, designated by an "X" following the "N" in the code, are those created bythe LC processor when no original code was present.• Negatives are arranged in progressive numerical order.• Numerical codes precede letter codes and original codes precede assigned codes in storagearrangement.• All color negatives and transparencies are coded, arranged and stored separately.• The majority of the negatives in this series are by V. Kraft.CodeDefinitionCC= Copland CollectionCP= Copland PhotographsVK= Victor KraftN= NegativeX= Newly assigned codeCN= Color negativeCT= Color transparencyBlack and whiteCodeCC-CP-#CC-CP-VK-#CC-CP-NX#CC-CP-VKX-#CC-CP-NN#CC-CP-NNX-#ColorCodeCC-CP-NC-#CC-CP-NCX-#CC-CP-NNC-#CC-CP-NNCX-#DefinitionLong sleeve; original codeLong sleeve; original code; photos by V. KraftLong sleeve; assigned codeLong sleeve; assigned code; photo by V. Kraft4 in. x 5 in. sleeve; original code4 in. x 5 in. sleeve; code assigned by processorDefinitionLong sleeve; original codeLong sleeve; assigned code4 in. x 5 in.; original code4 in. x 5 in.; assigned codeAaron Copland Collection 529

CodeCC-CP-CT-#CC-CP-CTX-#CC-CP-CTXX-#DefinitionLong sleeve; color transparencies; original codeLong sleeve; color transparencies; assigned code4 in. x 5 in. or oversize; assigned codeExplanation of Code System for Photographs in theVictor Kraft MaterialsThe negatives have been coded two ways: (1) previously-given identifying codes or (2) job numberswere maintained and conjoined with the prefix CC-VKM-N (Copland Collection - Victor KraftMaterial - Negative). The negatives which did not have identifying codes or job numbers wereassigned new codes with the prefix CC-VKM-N- followed by X- and an Arabic numeral, and arrangedin ascending order. Any original information regarding the subjects of negatives has beentranscribed onto the negative sleeves. Other codes are marked on the back of the photoprints whena corresponding negative has been identified.Kraft had arranged the negatives in four negative books (CC-VKM-NI-# to CC-VKM-NIV-#) withglassine sleeves. These negatives have been rehoused in acid-free sleeves and numerically andsequentially coded according to Kraft's arrangement. The original arrangement has been preservedas closely as possible. The roman numeral in the code signifies in which negative book the negativehad been stored.Arrangement codes for negatives• Original codes and all identifying information are transcribed from original wrapper ornegative strips.• Assigned codes, designated by an "X" following the "N" in the code, are those created bythe LC processor when no original code was present.• Negatives are arranged in progressive numerical order.• Numerical codes precede letter codes and original codes precede assigned codes in storagearrangement.• All color negatives and transparencies are coded, arranged and stored separately.CodeDefinitionCC= Copland CollectionVKM= Victor Kraft MaterialsN= NegativeX= Newly assigned codeCN= Color negativeCT= Color transparencyBlack and whiteCodeCC-VKM-N-#CC-VKM-NX-#CC-VKM-NN-#CC-VKM-NNX-#NegativesCodeCC-VKM-NI-#CC-VKM-NII-#CC-VKM-NIII-#CC-VKM-NIV-#DefinitionLong sleeve; original codeLong sleeve; assigned code4 in. x 5 in. sleeve; original code4 in. x 5 in. sleeve; assigned orderDefinition4 in. x 5 in. sleeve; Negative Book I, numbered in original order4 in. x 5 in. sleeve; Negative Book II, numbered in original order4 in. x 5 in. sleeve; Negative Book III, numbered in original order4 in. x 5 in. sleeve; Negative Book IV, numbered in original orderAaron Copland Collection 530

ColorCodeCC-VKM-CN-#CC-VKM-CNX-#CC-VKM-CNNX-#CC-VKM-CT-#CC-VKM-CTX-#DefinitionLong sleeve; original codeLong sleeve; assigned code4 in. x 5 in. sleeve; original codeColor transparency; original codeColor transparency; assigned codeAaron Copland Collection 531

Aaron Copland Collection - American Memory - Library of Congress

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