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s i<br />

Sotheby<br />

A SECOND SELECTION OF PRINTED BOOKS MOSTLY<br />

FROM THE FIFTEENTH CENTURY<br />

THE PROPERTY OF MR R. RITMAN<br />

J.<br />

SOLD FOR THE BENEFIT OF THE BIBLIOTHECA PHILOSOPHICA HERMETICA, AMSTERDAM<br />

LONDON 5 DECEMBER 2001


A SECOND SELECTION OF<br />

PRINTED BOOKS MOSTLY FROM<br />

THE FIFTEENTH CENTURY<br />

THE PROPERTY OF<br />

MRJ.<br />

SOLD FOR THE BENEFIT OF THE<br />

BIBLIOTHECA PHILOSOPHICA<br />

HERMETICA, AMSTERDAM<br />

R. RITMAN<br />

WEDNESDAY 5 DECEMBER 2001<br />

LONDON


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education<br />

sothebys.com


A SECOND SELECTION OF PRINTED<br />

BOOKS MOSTLY FROM THE<br />

FIFTEENTH CENTURY<br />

THE PROPERTY OF MR J. R. RITMAN<br />

SOLD FOR THE BENEFIT OF THE BIBLIOTHECA<br />

PHILOSOPHICA HERMETICA, AMSTERDAM<br />

SALE L01322<br />

AUCTION<br />

LONDON<br />

34-35 NEW BOND STREET<br />

Wednesday 5 December 2001<br />

10.30 am<br />

EXHIBITION<br />

Friday 30 November<br />

9 am to 4.30 pm<br />

Sunday 2 December<br />

12 noon to 4 pm<br />

Monday 3 December<br />

9 am to 4.30 pm<br />

Tuesday 4 December<br />

9 am to 4.30 pm<br />

ABSENTEE BIDS<br />

This catalogue may be<br />

referred to as<br />

Loi 3 22 &quot;PUTTI&quot;<br />

For bids only: Tel 020 7293 5283<br />

Fax 020 7293 6255<br />

CATALOGUE<br />

22 at the gallery<br />

25 by mail<br />

27 overseas<br />

FRONT COVER ILLUSTRATION<br />

Lot 42<br />

Conrad von Megenberg, Buch<br />

Der Natur, 1482<br />

PRINCIPAL OFFICES WORLDWIDE<br />

London 44 (0)20 7293 5000<br />

New York (212) 606 7000<br />

Los Angeles (310) 274 0340<br />

Chicago (312) 396 9599<br />

Paris 33 (i) 53 05 53 05<br />

Geneva 41 (22) 908 4800<br />

Tokyo 81 (3) 3230 2755<br />

Hong Kong (852) 2 524 8121


PRINTED BOOKS AND MANUSCRIPTS DEPARTMENTS<br />

LONDON<br />

Head <strong>of</strong> Division<br />

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Continental <strong>Books</strong>, Science<br />

and Medicine, Bindings<br />

Charlotte Brown<br />

020 7293 5296<br />

Paul Quarrie<br />

020 7293 5300<br />

Continental Manuscripts<br />

Dr Susan Wharton<br />

020 7293 5299<br />

<strong>Printed</strong> and Manuscript Music<br />

Dr Stephen Roe<br />

020 7293 5286<br />

Dr Simon Maguire<br />

020 7293 5016<br />

John Arthur, Consultant<br />

English Literature and History<br />

Dr Peter Beal F.B.A.<br />

020 7293 5298<br />

Peter Selley<br />

020 7293 5295<br />

8/01 G.Book.Dix<br />

Natural History, Travel, Atlases<br />

and Maps<br />

Roger Griffiths<br />

020 7293 5292<br />

Catherine Slowther<br />

020 7293 5291<br />

Mitzi Mina<br />

020 7293 5893<br />

Dr David Goldthorpe<br />

020 7293 5303<br />

Children s <strong>Books</strong>, Illustrated<br />

<strong>Books</strong> and Drawings<br />

Catherine Porter, Consultant<br />

020 7293 5290<br />

Dr Philip W. Errington<br />

020 7293 5302<br />

General <strong>Books</strong>, Libraries<br />

and House Sales<br />

Roger Griffiths<br />

020 7293 5292<br />

Richard Fattorini<br />

020 7293 5301<br />

Western Manuscripts<br />

Peter Kidd<br />

020 7293 5330<br />

Camilla Previte<br />

020 7293 5334<br />

Dr Christopher de Hamel,<br />

Consultant<br />

020 7293 5839<br />

Office Manager<br />

Rebecca Savage<br />

020 7293 5288<br />

Administrator<br />

Olga Utrivanova<br />

020 7293 5288<br />

Secretarial<br />

Sarah Cooper<br />

020 7293 5287<br />

Gail Ford<br />

020 7293 5297<br />

Auction Operations<br />

Russell Campbell<br />

Kevin Ho<br />

General Enquiries<br />

020 7293 5287<br />

MILAN<br />

<strong>Books</strong> and Manuscripts<br />

Filippo Lotti<br />

Roberta dell Acqua<br />

Esmeralda Benvenuti<br />

39 02 295 ooi<br />

PARIS<br />

<strong>Books</strong> and Manuscripts<br />

Dr Jean-Baptiste de Proyart<br />

Sylvie Delaume-Garcia<br />

Anne Heilbronn<br />

JeanToulet, Consultant<br />

331 53 05 53 19<br />

MADRID<br />

<strong>Books</strong> and Manuscripts<br />

Manuel March<br />

341 522 2902


CONTENTS 16 Important Notices to Buyers<br />

17 Session One, Lots 1-122<br />

250 Indexes<br />

Fifteenth century, Lots 1-105<br />

Sixteenth and seventeenth centuries, Lots 106-122<br />

275 Authenticity Guarantee<br />

277 Catalogue Subscriptions Order Form<br />

278 Guide for Prospective Buyers<br />

281 Sotheby s Kings House<br />

282 VAT Information for Buyers<br />

284 Conditions <strong>of</strong> Business<br />

287 Client Services<br />

288 Specialist Departments<br />

290 International Offices<br />

294 Guide for Absentee Bidders<br />

295 Absentee Bid Form<br />

296 Board <strong>of</strong> Directors


J. R. Ritman


INTRODUCTION<br />

It is certainly no coincidence that the sale <strong>of</strong> my private collection <strong>of</strong> illuminated<br />

books to establish an endowment<br />

manuscripts, incunabula and early printed<br />

fund for the Bibliotheca Philosophica Hermetica takes place in the transitory<br />

years 1999 to 2001, years which form a bridge towards the third millennium, a<br />

major turning-point in time.<br />

1 his same period has also produced two milestones in the library s research<br />

activities:<br />

1 : the exhibition Marsilio Ficino e il ritorno di Ermete Trismegisto (Marsilio<br />

Ficino and the return <strong>of</strong> Hermes Trismegistus), which ran in the Biblioteca<br />

Medicea Laurenziana in Florence from 2 October 1999 to 8 January 2000. The<br />

accompanying catalogue with the same title (326 pp., 2nd edition 2001)<br />

appeared in October 1999 to mark the occasion.<br />

2: preparations are in full swing for the sequel exhibition to be held at the<br />

Biblioteca Marciana in Venice under the title Presenza di Ermete Trismegisto: da<br />

Bessarione ai Fratelli della Rosea et Aurea Croce (Presence <strong>of</strong> Hermes<br />

Trismegistus: from Bessarion to the Brothers <strong>of</strong> the Rosy and Golden Cross),<br />

which is planned from May to July 2002.<br />

The Bibliotheca Philosophica Hermetica in Amsterdam and the Biblioteca<br />

Marciana in Venice have selected some one hundred manuscripts and printed<br />

works from their holdings. The exhibition and accompanying catalogue will<br />

shed light on the theme <strong>of</strong> Hermetica, or the Hermetic tradition, from the time<br />

Cardinal Bessarion donated his collection <strong>of</strong> manuscripts, which he had earlier<br />

brought over from Byzantium, to the city <strong>of</strong> Venice in 1468. Significantly,<br />

Bessarion had feared and announced the fall <strong>of</strong> Constantinople long before it<br />

happened. His collection included major Hermetic works such as the Asclepius<br />

and the Corpus Hermeticum, both <strong>of</strong> which incidentally were supplied with<br />

indexes and numerous marginal annotations by Bessarion himself. Dr. C. Gilly,<br />

head <strong>of</strong> the library s research institute, the Ritman Institute, is collaborating with<br />

some eight specialists in the field, including the director <strong>of</strong> the Biblioteca<br />

Marciana, Dr. M. Zorzi, to provide commentaries and themes dealing with this<br />

fascinating phenomenon in the cultural history <strong>of</strong> fifteenth-century Italy. The<br />

above two initiatives throw new light on the Hermetic tradition, which<br />

experienced a revival in the fifteenth century. The exhibition in Venice and the<br />

accompanying catalogue will highlight the influence <strong>of</strong> this tradition on the<br />

spiritual history <strong>of</strong> Europe into the eighteenth century.<br />

The history <strong>of</strong> Western culture has taught that the eve <strong>of</strong> a new millennium in<br />

particular is <strong>of</strong> great historical importance, invariably creating<br />

vast fields <strong>of</strong><br />

tension, leaving deep furrows within the fabric <strong>of</strong> social relations.


Two thousand years ago, at the start <strong>of</strong> the Christian Era, a new cultural impetus<br />

was born, which issued forth directly from the Hellenistic, Jewish and Egyptian<br />

traditions, with Alexandria as its new cosmopolis. This impetus gave rise to a<br />

new cultural component, in addition to philosophy and theology, which Pr<strong>of</strong>.<br />

Dr. G. Quispel, the Nestor <strong>of</strong> contemporary historical research into its sources,<br />

INTRODUCTION has called the Hermetic Christian gnosis . Central<br />

to this highly advanced<br />

cultural impetus is the Hermetic axioma As above, so below , symbolising the<br />

relation between God, cosmos and man: God as the Creator, the cosmos as part<br />

<strong>of</strong> revealed creation, and man as the inspired observer within the plan <strong>of</strong><br />

creation, together forming the trinity <strong>of</strong> Macrocosmos, Cosmos and<br />

Microcosmos.<br />

The Hermetic Christian gnosis serves as a model for the mystery <strong>of</strong> creation, in<br />

which human perception is no longer arrested within the cycle <strong>of</strong> temporal-<br />

spatial functioning <strong>of</strong> the senses, with its closed framework <strong>of</strong> birth life<br />

death.<br />

The personal quest which I, as founder <strong>of</strong> the Bibliotheca Philosophica<br />

Hermetica have undertaken, was to study the texts <strong>of</strong> the classical representatives<br />

<strong>of</strong> scholastic thought and the possible influence <strong>of</strong> Hermetic and Platonic texts<br />

on these thinkers; and to study the ways in which the texts <strong>of</strong> these scholastic<br />

thinkers principally deviate from the human freedom <strong>of</strong> religion and<br />

autonomous perception on the basis <strong>of</strong> an authentic core <strong>of</strong> faith and free will.<br />

To me this is where the kernel <strong>of</strong> a classical betrayal lies, in which man was made<br />

all too dependent on, and subject to, the dogmas which religion and science<br />

prescribed as axiomatic for human existence.<br />

The motivating force behind the Renaissance ideal <strong>of</strong> the Platonic Academy <strong>of</strong><br />

Florence and its source <strong>of</strong> inspiration for Marsilio Ficino, translator <strong>of</strong> the<br />

complete works <strong>of</strong> Plato and <strong>of</strong> the Corpus Hermeticum <strong>of</strong> Hermes Trismegistus,<br />

was the restoration <strong>of</strong> the classical world picture <strong>of</strong> the way <strong>of</strong> Hermes, a way<br />

which would reinstate the original creative thought, the great Plan <strong>of</strong> God. Or,<br />

in the words <strong>of</strong> Heraclitus: Panta Rei , everything<br />

force is the moving force in the universe.<br />

flows. The divine creative<br />

In the fifteenth century there was a first philosophical questioning <strong>of</strong> one <strong>of</strong> the<br />

corner-stones <strong>of</strong> the combined powers <strong>of</strong> church and state, the defence <strong>of</strong> the<br />

closed geocentric world picture as posited by the Greek philosopher Aristotle and<br />

established by the astronomer Ptolemy. In this world picture the earth was the


centre <strong>of</strong> the surrounding planets and the centre <strong>of</strong> the zodiac. The hierarchic<br />

power <strong>of</strong> the Church envisaged itself as the representative organ <strong>of</strong> a nine-fold<br />

hierarchic system, with the familiar threefold subdivision <strong>of</strong> the three hierarchies<br />

per aspect:<br />

The Seraphim the Cherubim the Thrones<br />

The Dominions the Powers the Virtues<br />

The Principalities - the Archangels - the Angels<br />

leading to the highest heavens, the seat <strong>of</strong> the divine trinity, with Faith as the<br />

absolute dogma.<br />

The Ratio, based on the five-fold sensory perception <strong>of</strong> Aristotle, and the Religio<br />

<strong>of</strong> the closed religious world picture, having sinful mortal man, who is<br />

threatened with hell and damnation, as its base, in the past two thousand years<br />

produced a delusion which relies on man s dependence on the order <strong>of</strong> Faith and<br />

Reason.<br />

In 1487 one <strong>of</strong> the prominent representatives <strong>of</strong> the Platonic Hermetic Academy<br />

<strong>of</strong> Florence, Pico della Mirandola, wrote the Oratio de hominis dignitate -<br />

Oration on Human Dignity - which alludes to a saying <strong>of</strong> Hermes Trismegistus:<br />

Man, Oh Asclepius, is a great miracle . Pico continues to say:<br />

And finally the Supreme Maker decreed that this creature, to whom He could give nothing wholly<br />

his own, should have a share in the particular endowment <strong>of</strong> every other creature. Taking man,<br />

therefore, this creature <strong>of</strong> indeterminate image, He set him in the middle <strong>of</strong> the world and thus<br />

spoke to him: We have given you, O Adam, no visage proper to yourself, nor endowment properly<br />

your own, in order that whatever place, whatever form, whatever gifts you may, with<br />

premeditation, select, these same you may have and possess through your own judgement and<br />

decision. The nature <strong>of</strong> all other creatures is defined and restricted within laws which We have laid<br />

down; you, by contrast, impeded by no such restrictions, may, by your own free will, to whose<br />

custody We have assigned you, trace for yourself the lineaments <strong>of</strong> your own nature. I have placed<br />

you at the very center <strong>of</strong> the world, so that from that vantage point you may with greater ease<br />

glance round about you on all that the world contains. We have made you a creature neither <strong>of</strong><br />

heaven nor <strong>of</strong> earth, neither mortal nor immortal, in order that you may, as the free and proud<br />

shaper <strong>of</strong> your own being, fashion yourself in the form you may prefer. It will be in your power to<br />

descend to the lower, brutish forms <strong>of</strong> life; you will be able, through your own decision, to rise<br />

again to the superior orders whose life is divine.


Oh unsurpassed generosity <strong>of</strong> God the Father, Oh wondrous and unsurpassable felicity <strong>of</strong> man, to<br />

whom it is granted to have what he chooses, to be what he wills to be! The brutes, from the<br />

moment <strong>of</strong> their birth, bring with them, as Lucilius says, from their mother s womb all that they<br />

will ever possess. The highest spiritual beings were, from the very moment <strong>of</strong> creation, or soon<br />

thereafter, fixed in the mode <strong>of</strong> being which would be theirs through measureless eternities. But<br />

INTRODUCTION upon man, at the moment <strong>of</strong> his creation, God bestowed seeds pregnant with all possibilities, the<br />

germs <strong>of</strong> every form <strong>of</strong> life. Whichever <strong>of</strong> these a man shall cultivate, the same will mature and<br />

bear fruit in him. If vegetative, he will become a plant; if sensual, he will become brutish; if<br />

rational, he will reveal himself a heavenly being; if intellectual, he will be an angel and the son <strong>of</strong><br />

God. And if, dissatisfied with the lot <strong>of</strong> all creatures, he should recollect himself into the center <strong>of</strong><br />

his own unity, he will there become one spirit with God, in the solitary darkness <strong>of</strong> the Father,<br />

Who is set above all things, himself transcend all creatures.<br />

The Renaissance ideal, in which man is a paragon, a creature endowed with<br />

spirit and soul, has great currency and is <strong>of</strong> great significance for the future <strong>of</strong> the<br />

human race. This ideal can present a new direction and a new beacon in the<br />

history <strong>of</strong> mankind. The great natural disasters threatening the existence <strong>of</strong> our<br />

planet, the great human catastrophes which are caused by the uncontrolled<br />

aggression <strong>of</strong> wars and world terrorism, more than ever urge us to learn to<br />

fathom the meaning <strong>of</strong> human existence. Man must once more pose the classical<br />

question already presented in the seventeenth-century manifestos <strong>of</strong> the<br />

Rosicrucians, namely why is he called Man, even Microcosm? .<br />

When in August 1999 I regained full control <strong>of</strong> the works from the hermetic<br />

treasure-house which is the Bibliotheca Philosophica Hermetica, I decided to<br />

develop this spiritual capital once more in a modern, dynamic way. This spiritual<br />

capital, in the form <strong>of</strong> more than 600 manuscripts, 400 incunabula, 5,000 books<br />

printed before 1800 and 12,000 books printed after 1800 in the fields <strong>of</strong><br />

Hermetica, mysticism, alchemy and Rosicrucians and many related currents, was<br />

listed under the Dutch Cultural Heritage Act on 25 November 1994.<br />

The exhibition in the Biblioteca Medicea Laurenziana in Florence in October<br />

1999 was a first initiative in this direction. The recently opened library complex<br />

In de Rozenboom ,<br />

the expansion <strong>of</strong> the scholarly staff, and above all a solid<br />

financial independent position have turned out to guarantee healthy growth,<br />

allowing the continuation <strong>of</strong> all pr<strong>of</strong>essional disciplines within the library. At this<br />

moment the staff is engaged in some thirty international projects, which through<br />

the links with the academic world, the major libraries and individual researchers,<br />

stimulate cultural co-operation on an international scale.


In the past forty years I have explored the fixed limits <strong>of</strong> what I should like to<br />

term the closed thinking, the closed world picture , and I have decided to<br />

distance myself from it. The resolve to anchor the focal point <strong>of</strong> open thinking ,<br />

the Hermetica, as the central corner-stone <strong>of</strong> the Bibliotheca Philosophica<br />

Hermetica, now leads me to <strong>of</strong>fer the wonderful works presented in this<br />

INTRODUCTION catalogue, inspite <strong>of</strong> the personal fascination which I, a bibliophile heart and<br />

soul, entertain for them. In doing so, I intend to give pride <strong>of</strong> place<br />

continuity <strong>of</strong> the Hermetic library founded by me.<br />

to the<br />

The results <strong>of</strong> the three previous auctions <strong>of</strong> manuscripts and printed works from<br />

my private collection in the past year and a half have shown that their historical,<br />

scholarly and cultural significance within the world <strong>of</strong> collectors and academic<br />

research has not been underestimated. The financial capital released by these<br />

auctions will prove to be a sound basis for free and independent research into the<br />

foundations <strong>of</strong> the third component within Western cultural history next to<br />

philosophy and theology: the Hermetic Christian gnosis.<br />

In addition to Religio and Ratio, it is now man s task to pose himself the<br />

fundamental question <strong>of</strong> the how and the why <strong>of</strong> the miracle that is man .<br />

And<br />

so to arrive at Knowledge, in the sense <strong>of</strong> Gnosis, <strong>of</strong> which Hermes Trismegistus<br />

says that the only evil amongst men is the lack <strong>of</strong> gnosis, the lack <strong>of</strong> knowledge<br />

concerning God. That is not new, and where the ancient King-Priests who were<br />

central to ancient civilisations, and the circles <strong>of</strong> philosophers and initiates<br />

surrounding them, focussed on the principle Life , surely<br />

the time has now<br />

arrived for modern society to present the future world population with a new<br />

civilisation, which focusses on the reality <strong>of</strong> Body - Soul - Spirit.<br />

One Hermetic saying runs as follows: He who knows himself, knows the All .<br />

I wish the future owners <strong>of</strong> the works now <strong>of</strong>fered for auction, works mainly<br />

relating to the scholastic world and tradition, the same satisfaction which I have<br />

personally experienced when acquiring these fine items in the past.<br />

Finally I should like to express a personal word <strong>of</strong> thanks to Paul Quarrie and<br />

Paul Needham, who, as a consultant for Sotheby s, has given <strong>of</strong> his great<br />

expertise, and has provided the indexes <strong>of</strong> both provenances and texts forming<br />

part <strong>of</strong> the incunabula <strong>of</strong> both sales, which are appended to this volume.<br />

Joost R. Ritman<br />

Founder Bibliotheca Philosophica Hermetica


The interest <strong>of</strong> collectors in the textual contents <strong>of</strong> rare books has, overall, never<br />

been greater than it is today. We are far removed from the time when collectors<br />

were charmed into purchases by the disingenuous sentimentalities <strong>of</strong> the Buxton<br />

Forman Gosse T. J. Wise school, where the forged Reading Sonnets was<br />

clothed in brightness by connecting it to pictures <strong>of</strong> Elizabeth Browning pushing<br />

THE TEXTS OFINCUNABLES a packet <strong>of</strong> her verses into her husband s coat pocket, then fleeing the room; or<br />

leaving them on the domestic table for him to discover; or, yet again, <strong>of</strong> their<br />

being slipped by the poetess .<br />

into her husband s hand This is not to say that<br />

factors <strong>of</strong> taste and sentiment, difficult to define, do not play a role, and perhaps<br />

the dominant role, in creating the enthusiasm which ambitious book collecting<br />

depends on. But collectors as a whole, whether private or institutional - and the<br />

dealers and auction houses that supply them now test their emotions more<br />

rigorously, and on a more consciously intellectual basis, than was the case as<br />

recently as a quarter-century ago. The change <strong>of</strong> attitude on all sides is most<br />

strikingly exemplified in such areas as history <strong>of</strong> mathematics, philosophy,<br />

natural sciences, and engineering. When books in these areas are on <strong>of</strong>fer,<br />

collectors want to know in a reliable way what the text is, what its significance,<br />

its influences and its own sources, its position within the matrix <strong>of</strong> learning <strong>of</strong> its<br />

day. Research in these questions should enlarge constantly the perception <strong>of</strong><br />

what makes a book collectible; ideally, the high spots <strong>of</strong> a Printing and the Mind<br />

<strong>of</strong> Man should gather about them, as our knowledge expands, a body <strong>of</strong> desirable<br />

supporting texts that belongs naturally in their company. And <strong>of</strong> course, for any<br />

serious collector, there must come a time when the high spots <strong>of</strong> PMMor <strong>of</strong> any<br />

other selected list become irrelevant.<br />

In the past quarter-century no collector <strong>of</strong> early printing, probably, has placed a<br />

stronger and more original focus on the textual contents <strong>of</strong> his acquisitions than<br />

J. R. Ritman. This has resulted in the formation <strong>of</strong> the Bibliotheca Philosophica<br />

Hermetica in Amsterdam, an internationally famous and energetic library that<br />

has become a centre for research in Neoplatonic, Hermetic and Rosicrucian<br />

thought <strong>of</strong> a kind that never existed before. In view <strong>of</strong> this foundation interest in<br />

the texts and textual significance <strong>of</strong> his books, it seems more than appropriate to<br />

attempt to provide, in an extensive index to this catalogue, an analytic guide to<br />

the textual contents <strong>of</strong> the approximately one hundred fifty incunables <strong>of</strong>fered


oth here and a year ago in the Sotheby s sale <strong>of</strong> 6 December 2000 (the sales<br />

designated as II and I respectively). Despite the masses <strong>of</strong> research on fifteenthcentury<br />

printing that have been carried from the age <strong>of</strong> Panzer and Hain down<br />

to the present, no incunable catalogue has attempted to provide a full and<br />

consistent record <strong>of</strong> the textual contents <strong>of</strong> the books it describes. The only<br />

catalogue to set this goal as one <strong>of</strong> its briefs is still being eagerly<br />

awaited: that <strong>of</strong><br />

the Bodleian Library. As we wait for it, this smaller experiment may be allowable<br />

as a discussion piece, so to speak.<br />

The Author-Text index attempts to identify both authors and texts two quite<br />

different categories - in as concise and unambiguous a way as possible, citing for<br />

each whatever reference works seem to provide the most precise, most useful,<br />

and least ephemeral information. That, at least, is the ideal. The presence in<br />

Ritman I and II <strong>of</strong> such complex compilations as the Aldine Aristotle, two <strong>of</strong> the<br />

numerous incunable editions <strong>of</strong> the Opuscula <strong>of</strong> Augustine, and the largest <strong>of</strong> the<br />

incunable collections <strong>of</strong> writings <strong>of</strong> Jerome, provide interesting test cases in the<br />

practical difficulties <strong>of</strong> defining contents. For it is example, useful to draw a<br />

distinction between making a list <strong>of</strong> texts, and engaging in source criticism <strong>of</strong> the<br />

texts. In the Aldine Aristophanes, the preliminaries include a complex body <strong>of</strong><br />

supporting grammatical - metrical material which came down as part <strong>of</strong> the<br />

early fourteenth-century Triclinian recension <strong>of</strong> Aristophanes plays. To dissect<br />

too finely the constituents <strong>of</strong> that body <strong>of</strong> material would, in fact, disguise rather<br />

than reveal what to Aldus and to contemporary readers would have been a single<br />

text: in essence, the common introductory matter <strong>of</strong> the Greek tradition.<br />

Here and in many other cases it is good to pay closest attention to the layouts <strong>of</strong><br />

the early editions, which give constant first-hand guidance on how the early<br />

printers and editors organized their texts: what they considered preliminary or<br />

paratextual matter, what they considered central texts; what they called their<br />

texts, how they broke them into chapters and otherwise subdivided them. Even<br />

those experienced in early printing may not realize how <strong>of</strong>ten the standard titles<br />

we give to incunable texts vary considerably from what the fifteenth-century<br />

editions (and hence their readers) called them. Unless some positive connection<br />

is drawn that the text called A (say in Hain, GW, G<strong>of</strong>f ) is identical to the text<br />

called B (in the actual incunables), there will be inevitable confusion. The


edition <strong>of</strong> Bonaventure s Tractatus et libri quamplurimi in this sale includes the<br />

treatise called De triplici via in all the standard incunable sources. However, it<br />

seems that no incunable edition gave this name to the treatise. In the Tractatus et<br />

libri quamplurimi, it is called variously Parvum bonum, Regimen conscientiae, and<br />

Fons vitae: all names with a long manuscript tradition behind them. A text index<br />

is the proper place to make such connections between standardized names, and<br />

names in the editions as they were printed.<br />

A major challenge to consistent treatment is pseudepigraphic or misattributed<br />

texts. A glance at the index under Augustinus and Hieronymus shows<br />

immediately that, in fact, for readers <strong>of</strong> the later fifteenth century, their pictures<br />

<strong>of</strong> these great patristic authors were formed in large part by non-authentic<br />

writings.<br />

one or<br />

Augustine s authentic Soliloquia was printed in the fifteenth century only<br />

two times; the thirteenth-century compilation <strong>of</strong> the same title circulated under<br />

his name was printed dozens <strong>of</strong> times. Both situations respond to the manuscript<br />

tradition <strong>of</strong> the preceding generations <strong>of</strong> readers. Recent incunable catalogues<br />

have <strong>of</strong>ten, in response to modern textual studies, moved such disputed texts<br />

bodily, so to speak, from a traditional author assignment (according to the<br />

treatment <strong>of</strong> Hain and others) to a newly argued assignment. I am convinced<br />

that this procedure creates more problems than it solves. The attributions <strong>of</strong><br />

authorship in the editions themselves provide, in fact, a stable resting place for<br />

the texts themselves. Changing opinions on authorship can still be incorporated<br />

in a text index by cross-reference back to this traditional authorship, without<br />

requiring users <strong>of</strong> catalogues to be constantly having to look for texts under<br />

authors that never appear in the editions themselves.


In fact, what we needed eventually is a true Dictionary <strong>of</strong> Incunable Authors and<br />

Texts, which would define its brief as the contents <strong>of</strong> incunables and nothing<br />

more. Even the finest guides to classical, patristic, and medieval literature fall<br />

short in their accounts <strong>of</strong> the texts they include, as those texts for the first time<br />

moved into print in hundreds <strong>of</strong> copies. The Biblical compendium <strong>of</strong><br />

Marchesinus known as Mammotrectus was a steady seller in the late fifteenth<br />

century, with nearly two dozen editions, and there were more editions <strong>of</strong> the<br />

early sixteenth century, yet Marchesinus himself is ignored by virtually all the<br />

guides to medieval writing. Moreover, the editors, dedicators, and contributors<br />

<strong>of</strong> commendatory material who were directly involved in presenting these<br />

fifteenth-century editions to their public are still, in large measure, invisible to us<br />

in the absence <strong>of</strong> such a Dictionary. The most comprehensive and best-<br />

documented guide to incunable editors continues to be the notes <strong>of</strong> Gottfried<br />

Reichhart, published 1895, a work cited in the Index in part as a reminder <strong>of</strong><br />

how much more remains to be done.<br />

I am grateful to Joost Ritman for encouraging this small experiment, and to<br />

Sotheby s for giving it space. At several places I was given help<br />

that went far<br />

beyond what could reasonably be expected by Bettina Wagner, <strong>of</strong> the Bavarian<br />

State Library; and Martin C. Davies and Jill Kraye similarly gave expert advice<br />

on several questions where I felt very much at sea. None, <strong>of</strong> course, is responsible<br />

for the use made <strong>of</strong> their generosity.<br />

Paul Needham<br />

The Scheide Library, Princeton


IMPORTANT NOTICES Tne proliferation <strong>of</strong> photocopying machines makes it impossible for Sotheby s to know<br />

TO BUYERS whether copies <strong>of</strong> lots have been taken. We will endeavour to contact vendors about the<br />

existence <strong>of</strong> photocopies, on request.<br />

Estimates in Euros<br />

As a guide to potential buyers, estimates for this sale are also shown in Euros. The estimates<br />

printed in the catalogue in Pounds Sterling have been converted at the following rate,<br />

which was current at the time <strong>of</strong> printing. These estimates may have been rounded:<br />

1 =1.6175<br />

By the date <strong>of</strong> the sale this rate is likely to have changed, and buyers are recommended to<br />

check before bidding.<br />

During the sale Sotheby s may provide a screen to show currency conversions as bidding<br />

progresses. This is intended for guidance only and all bidding will be in Pounds Sterling.<br />

Sotheby s is not responsible for any error or omissions in the operation <strong>of</strong> the currency<br />

converter.<br />

Payment for purchases is due in Pounds Sterling, however the equivalent amount in any<br />

other currency will be accepted at the rate prevailing on the day that payment is received in<br />

cleared funds.<br />

Settlement is made to vendors in the currency in which the sale is conducted, or in<br />

another currency on request at the rate prevailing on the day that payment is made by<br />

Sotheby s.


A SECOND SELECTION<br />

OF PRINTED BOOKS<br />

MOSTLY FROM THE<br />

FIFTEENTH CENTURY<br />

THE PROPERTY OF<br />

MR J. R. RITMAN<br />

SOLD FOR THE<br />

BENEFIT OF THE<br />

BIBLIOTHECA<br />

PHILOSOPHICA<br />

HERMETICA,<br />

AMSTERDAM<br />

WEDNESDAY 5 DECEMBER 2001<br />

10.30AM<br />

LOTS 1-122<br />

Notice<br />

All lots are <strong>of</strong>fered subject to the Sotheby s Conditions <strong>of</strong> Business and to reserves.<br />

For all lots marked with a #, t, t, a, or Q please refer to the VAT Information pages<br />

at the back <strong>of</strong> the catalogue.


18<br />

1 actual size


FIFTEENTH CENTURY<br />

1 Abraham ibn Ezra. De nativitatibus (Henricus Bate:<br />

Magistralis compositio astrolabii;<br />

Venice: Erhard Ratdolt, 24 December<br />

Descriptio instrumenti pro equatione planetarum).<br />

1485<br />

FIRST EDITION, Chancery 4 (186 x 147mm.), 30 leaves, 38 lines, Gothic letter, 6- and<br />

13-line white-on-black woodcut initials, full-page woodcut <strong>of</strong> a sphere on al verso, 14<br />

woodcut diagrams in text, modern green morocco by Gozzi, gilt dentelle border, red<br />

morocco gilt doublures, slipcase, a few early manuscript notes in margins, a5 slightly soiled<br />

and with small repairs in margin, slight worming in some inner margins, occasional light<br />

spotting and staining<br />

FIRST EDITION. Abraham ben Ezra (c. 1090-c. 1 164) poet, Biblical commentator<br />

astronomer, and grammarian, wrote some fifty works on astrology, only two <strong>of</strong> which<br />

were printed in the fifteenth<br />

century. In addition he also wrote treatises on numbers, the<br />

calendar and the astrolabe. He introduced the decimal form <strong>of</strong> integers<br />

in Europe. The<br />

present translation may be by Henricus Bate (1246-c. 1310), author <strong>of</strong> the following<br />

tract, or by Petrus de Abano. According to Levy the astrological works were translated<br />

into French by Hagin a jew employed by Henry Bate at Malines, and Bates made the<br />

Latin version from this. Bate was a master <strong>of</strong> arts from Paris who became a learned<br />

Hebrew scholar and translated other works by Abraham ben Ezra. His own Compositio<br />

astrolabii, dedicated to William <strong>of</strong> Moerbeke, contains his colophon from Malines, 1 1<br />

October 1274.<br />

The colophon date (Impressum... Anno... M.cccc.lxxxv. nona kalendas lanuarii) has been<br />

interpreted by GW and other incunable bibliographies as meaning 24 December 1484,<br />

rather than 1485.<br />

Provenance: Agostino Chameroto, with inscription dated 2 October 16[28?]; Torre del<br />

Palasciano, with gilt ex-libris on morocco doublures<br />

References: HC *21; GW 113; BMC v 291; G<strong>of</strong>f A7; Redgrave 46; Klebs 4.1; Stillwell<br />

(Awakening) 4; Essling 319; Sander 3; R. Levy, The Astrological Works <strong>of</strong> Abraham ben<br />

Ezra, 1927<br />

15,000-20,000<br />

24,300-32,300<br />

19


20<br />

ESOPVS


2 Aesop. Vita after Rinucius; Fabulae lib. I-IV, prose version after Romulus [German]<br />

(Fabulae extravagantes; Fabulae novae after Rinucius; Fabulae Aviani; Fabulae collectae<br />

[German]; translated by Heinrich Steinhowel). [Basel: Michael Furter, c. 1500]<br />

Chancery 2 (263 x 189mm.), 1 14 (<strong>of</strong> 1 16) leaves, 44 lines, Gothic letter, 7-line<br />

woodcut white-on-black initials, full-page woodcut <strong>of</strong> Aesop on al verso, 192 woodcuts<br />

in the text, 3-line initials and paragraph-marks supplied in red or blue, modern blind-<br />

stamped calf-backed boards, one clasp and catch, cloth box, lacking b4 (supplied<br />

in<br />

facsimile) andfinal blank leaf, 20 leaves suppliedfrom a shorter copy,<br />

short tears in k2 and 18<br />

repaired with minimal loss at edge <strong>of</strong>text, two woodcuts printed upside-down (e8 verso and i7<br />

recto)<br />

ONE OF ONLY FIVE RECORDED COPIES, only two <strong>of</strong> which are complete. The woodcuts are<br />

copied from those used in Johannes Zainer s Ulm edition <strong>of</strong> c. 1476-1477 (G<strong>of</strong>f Al 16).<br />

This edition contains Steinhowel s German translations <strong>of</strong> Rinucius s Latin version <strong>of</strong> the<br />

life <strong>of</strong> Aesop, Romulus s prose version <strong>of</strong> the fables, and a group <strong>of</strong> fables from other<br />

collections. These translations were first printed together with the Latin text in Johann<br />

Zainer s Ulm edition <strong>of</strong> c. 1476-1477. They were first printed separately by Giinther<br />

Zainer at Augsburg, c. 1477-1478 (G<strong>of</strong>f Al 19).<br />

References: H *334; GW 363; G<strong>of</strong>f Al 22; Schreiber 3033; Fairfax Murray 451<br />

30,000-40,000<br />

48,500-64,500<br />

21


22<br />

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lie viribusjidefticijrcsane.<br />

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jFomiia t nfurgit bclla moucndo tibi<br />

StccarmfacvcUc futimfi bdb moiicri<br />

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idme. aCortnicfb<strong>of</strong>tis cpeflimus tfo:ri &amp;lt;5&quot;infHrgi r ttbi).i.ptrare.<br />

X.bdla moucndo.cfi J ,p q ri.ftitplc tu f taicfccens illi) fcj l?<strong>of</strong>tt ( Stc lac<br />

cariHJ.i.pcup! fcmriccarntfl(wUcfuulI vis MUmoueri tibijctft viam<br />

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fancri cj tti func ab<br />

peflimi.c) cjctra vctoi fi nt veftib) ouiii 7 innoccntum<br />

tnrrinfectis aur funt dipi rjpaccc.vrbatcf in euangclio.vii.vcfte Tub 8g<br />

ninal.irir.irmeni3fepc(iipin3.tenamulra vidcnf nobiebonaqramcn<br />

funtpeffima CX<strong>of</strong>trueCRo rcncasrotu) fiigjleillud (cjS fplendet vt<br />

aiml cneaunXnccfencas qtfdkr pomii pulcni efle bonu Jic ytrr&quot;) qtte<br />

(videf eflein inulris no eft)fcs in illia.fuple tales<br />

l?oiee(0ecipuir).i.fa!<br />

luflt(tumina nfa&amp;gt;.i.onilo9 n<strong>of</strong>tros fine tncnrcn<strong>of</strong>tra (fine.faliie) fujple<br />

tuminilv (rales ^nrii]pccro:c;.i.inco:de(pUi6a!oes)<br />

.i.amarirudima<br />

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3 Alarms de Insulis. Doctrinale altum seu liber parabolum (cum commento). Cologne:<br />

Heinrich Quentell, 1497<br />

Chancery 4 (187 x 136mm.), 26 leaves, 45 lines and headline, Gothic letter, 6-line<br />

initial space, nineteenth-century boards, some early manuscript notes in margins, some<br />

browning, small repair in fore-margin <strong>of</strong>AAl, library stamp onAAl<br />

Alain de Lille (c. 1 1 14-1202), poet, preacher, theologian and eclectic philosopher, taught<br />

for some time in Paris and then entered the monastery <strong>of</strong> Citeaux sometime after the<br />

Third Council <strong>of</strong> the Lateran in 1 179. He became very famous during his lifetime as a<br />

teacher and scholar, and influence through his Anticlaudianus on Dante has been<br />

suggested.<br />

Some twenty editions <strong>of</strong> the Doctrinale, one <strong>of</strong> the best known grammar books <strong>of</strong> the<br />

Medieval and early modern period, written, like other school books <strong>of</strong> the period, in verse<br />

as a form <strong>of</strong> mnemonic were printed in the fifteenth century, the earliest <strong>of</strong> which,<br />

without commentary, was produced at Paris by Pierre Levet, c. 1485-90 (G<strong>of</strong>f A170); the<br />

anonymous commentary was first printed in Heinrich Quentell s edition <strong>of</strong> c. 1490 (G<strong>of</strong>f<br />

A 172). There were also several editions which contain Latin and German versions <strong>of</strong> the<br />

text.<br />

Provenance: Fundatio Baldaufica, with bookplate<br />

References: HR 382; GW 503; G<strong>of</strong>f Al 74<br />

5,000-6,000<br />

8,100-9,700


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nma tnucltiganda<br />

pienri. Xbeolojjia ceite fcientiap eft pri<br />

cepa omniu i regina cut artea cetere ra<br />

^pedifecjuc fainularur. Ulaocnaturia<br />

rerum ilia folil ad vfu fuum ac l&amp;gt;c :cpit g<br />

boa fibi Tpcculu tab:icare valeat in quo<br />

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non rncrcatoicj. iftonalis ^olj bocear<br />

codudere boibua non m Piabolo refifte<br />

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tutea cardmalrfl.non tn ^ccet at quirere<br />

cbaritate/fl<strong>of</strong>tra *opbij?fcpbia.f. ve<br />

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4 Albertus Magnus, Saint. Compendium theologicae veritatis. Venice: Gregorius<br />

Dalmatinus and Jacobus Britannicus, 1 April 1483<br />

Chancery 4 (199 x 142mm.), 97 leaves (<strong>of</strong> 98, without initial blank leaf), double<br />

column, 46 lines, Gothic letter, first heading printed in red, 4-line initials supplied in red<br />

and blue, 2-line initials and paragraph-marks supplied in red, nineteenth-century calf,<br />

several small wormholes in text <strong>of</strong>firstfew leaves, a few others in margins, small burnhole in<br />

text <strong>of</strong>m3, light stain on ml<br />

The only book known to have been printed by this partnership. The name <strong>of</strong> Gregorius<br />

Dalmatinus is known in only one other book, a Roman breviary printed on 1 February<br />

1483, where it appears together with that <strong>of</strong> Nicolaus Jenson and socios omnes Venetiis .<br />

Provenance: Augustinian Hermits, Order <strong>of</strong> William (Blancs Manteaux), Paris, with early<br />

inscription on a2 recto; Dr Victor von Klemperer, with bookplate (sale in our rooms, 27<br />

June 1991, lot 376)<br />

References: HC *440; GW 605; BMC v 362; G<strong>of</strong>f A236<br />

3,000-5,000<br />

4,850-8,100<br />

23


24<br />

5 actual size<br />

PERDEVM OMUIA FACTA SVHT* ET<br />

.<br />

r- ,<br />

V&amp;gt;


5 Albertus Magnus, Saint. Philosophia pauperum (Aegidius Columna: De regimine<br />

principium; Albertus Magnus: De virtute intellectiva). Brescia: Baptista Farfengus, 13 June<br />

1493<br />

Chancery 4 (208 x 154mm.), 50 leaves, 40 lines and headline, Roman letter, 4-, 5- and<br />

1 1-line white-on-black woodcut initials, full-page woodcut on al recto, another <strong>of</strong> a<br />

phrenological head on verso, two woodcut diagrams <strong>of</strong> the spheres and the winds in text,<br />

sixteenth-century limp vellum, two pairs <strong>of</strong> ties, woodcut on al recto rubbed with slight<br />

loss, al slightlyfrayed and lightly stained, occasional other light staining<br />

Earlier editions <strong>of</strong> this work are: an undated edition printed anonymously at Toulouse for<br />

Johann Solidi (GW 708, Klebs 23.3); one printed at Barcelona by Posa in 1482 (GW<br />

709; Klebs 23.1); a third, undated, printed anonymously at Lerida in 1485; and a fourth,<br />

also from the press <strong>of</strong> Farfengus, dated 10 September 1490 (GW 711).<br />

The full-page woodcut on al recto, not present in the earlier Farfengus edition, represents<br />

a female figure with outstretched arms accompanied by a terrestrial globe, with a human<br />

head with numerals, a balance, a pair <strong>of</strong> compasses above, and a vase, rule and angle<br />

measure below.<br />

Provenance: Jesuit College, Cordoba, with inscription and stamp<br />

References: H *505; GW 712; BMC vii 985; G<strong>of</strong>f A297; Sander 192; IGI 221; Klebs 23.5<br />

4,000-6,000<br />

6,500-9,700<br />

25


26<br />

r<br />

nREFAClO- lN OPITSCVLVM DE LAV<br />

MRVS-BEATE-MARIE-VIRGINS-INTITV<br />

fjbru iftti fepemi pvcc&amp;lt;;<br />

tcriG cda fuoib? a paru<br />

f a olio reooiic tncelligi<br />

: b Hem cc<br />

c.ipaces cos ef .<br />

fidii c q u o: ii oa in o bfcu<br />

forii jUfiinu eft ipfi 113<br />

fcptuiv ma lie cop<strong>of</strong>idoper<br />

toeii fiqtiioe fui t:<br />

% curfii oimfioiitb? 7 oif<br />

1<br />

hntitnr-qtte aiieoifccnoa fuccincce<br />

V ct jmculmtn .iponuciir-Faauiishmllecettca:<br />

piiinf 6c fi ozoine quooa gauajanc intell gi.bilrleui<br />

5<br />

ecnadufq; piic memozie omenoart<br />

Sconi *v fi&quot;3 l &amp;gt;l e fenteae i ancces oiftincee flic<br />

,\\&amp;gt; mince per grcfTas Iras capitalcs vt fie gra<br />

ci<strong>of</strong>uis fc ocutis Ictfcnaii <strong>of</strong>fcranc cc abimticq<br />

5<br />

euio:aU3 fcceriiaiig-TCcrau a q&amp;gt; capinb Urea<br />

rii TOK poericoy vfuu inapiuc vmilerfe oif<br />

dncnonii gnrule p Ifas capicales a quib 9 f\o\<br />

dniole egreDUi ic que figna ftic cc note op brc&quot;<br />

ijx i rirulc inenbfa flic oiuifionu fiiie oiftinc&quot;<br />

conn vt i)Fttfto queer niulr.tuoim in con me<br />

1<br />

bzoy a lion oiftincriontG ant oiuifionis naf;<br />

a? bus figins euice6-CG.mi &amp;lt;\&amp;gt;<br />

q;libee maeen.i<br />

fere coca retire eft Tub capiculo fuo nc lecco:c<br />

optc.it qfi curzc in incertfi-dj^ntii ^.^pccacea<br />

oiiifrfa^ ferft non ptctii Uby-f^ m mulcts lo -<br />

ciop nioeiniancur-qiiq; .pfajKe-qnq; p verf&quot;<br />

re p<strong>of</strong>tca oijeriinc cii cScozwnciis fiiis fin 02-<br />

oiiif plibacit -Sicvitcri emanifeftiffimc- v)<br />

gncula Ubjt feaioi -Sc^eu e q; plurcs ctlnmo<br />

logic rocabuloyfozan ibi ajp<strong>of</strong>icefiifna co<br />

(jtnca pur. gmaoca fol;fadUiisoulctiX)cbcJ<br />

clogica fiibiiicrare-Septvmu cp vbicuq^ H\^Qfiiuii<br />

9 cocoioandas Fozces-auc eas exp<strong>of</strong>uim*<br />

auc ccomirn&quot; quib - lods feu capieulis oebeat<br />

rcgin -$iqtiio igif biicliby vnlic ce fnichio;<br />

felcjcrccuranent mcois omib? mooufrrip<br />

tare ems infectec Cc mental cuiufUb; oifim<br />

c^nisfuic otmfioms refcrac moimffi ,p quo<br />

hmole fine tracculi ouctt fac a ftngiilis mens<br />

bzo^c^piob&quot; vfusoiuifir fmeoo:fu fmefurfif<br />

$cTi biic ipm Ubni Ubuent minio nibzica<br />

aut la^uno venuftae poems ipm otuiftim qo<br />

ante pmu oiuifioniG aliciu9 menby frequent<br />

pom? in linea capicalib^lfiG exaracii fcntvre<br />

in<br />

fpac6 fine hi m argtne &t linidas egreoien<br />

ceo a capmb&quot; p dailay fu* menbzo^ioiuiocn<br />

an ptocenoe* vt fhignlc inouiifii hi fpacto fcru<br />

ptii cermhieimtr &t boc vbi maceriequalicas<br />

io eyegerifc ec fp^cii pemnctic anguftia ^xem<br />

plu vioe ftaom .^ i piinapio tabule &quot;&amp;gt;H?i ant<br />

qiuheas matetieionon cxigit-auc vbifpaci]<br />

11011 a*ft amplituco ficuti i fpac6 qo ipas<br />

folupnas oiiiioit nicbilonnn ? limolas poic<br />

tao .ptJnajre pcteris ao aliq; punctu t pitcta<br />

pjooauatu vtq; mibza oniiDoiaa dans con;<br />

ipcctubus legenou fe pjcfentet<br />

^ ]02invi<br />

5EOVITVR.TABVLA<br />

er ifte q umt\i!.ir iv lauoibs Ixace<br />

marie oiftinct eft cc jitituc in -jcij<br />

libzoa jxtates-<br />

man .nn cr babcfviipcapicul.i.<br />

T^f^ooiftniicriiif quom6 mafia fcruiuit nor<br />

bis in filio cv fingulis menbus i fenuVuiia<br />

}&amp;lt;i P&quot;i wponic angelica falutatio Klata .10<br />

cc babct-vij-pcicttlns- fit t<br />

{/PART1CVI.A<br />

affignat-xt Caufas quafcferuien<strong>of</strong>ie<br />

mane hi prcfcnci &amp;lt;/&quot;&quot;<br />

s^~ cca quomo maiia fmiiuit nobic Cc ftngitU<br />

iis hi filjo ncc vnqua cefTac nobis<br />

quotno azteat ei feruirc co: buanii- ?<br />

- CXuarta quomo a?kat a fcruire fmguU me;<br />

bz.i n<strong>of</strong>tra cc f.nguli fenfus ncftri f7~-2A*<br />

.Cliita quoni5 ccbeam^d fern ire oe<strong>of</strong>c VOCCT<br />

labijs n<strong>of</strong>tria-^7 ~J^\*<br />

$exn cuuifnio^.jpccacep neccffarie fine bijo<br />

qiu \x&amp;gt;liit a fcruire -10 Ixneplaatti fiiu \oo-<br />

ipam reoiit et ao qo hurcouarrt p_ canocm (T~<br />

rcganue cAnis vginee *r xi) fpaba pui<br />

}n quarto agiff at vtuttb? cc pnnneciio au<br />

&quot;<br />

f&amp;lt;yto_aevocabulis vd<br />

o: feu vioua- inulier-bo-vgo- vingo-piiceps<br />

rcgm a .<br />

pzim a s an alia nnm ftra<br />

t/1n fct?ainoj)iiom6 wfig-naf per queoam cele<br />

(ha et fiimoza Celu -firmaii i -fol -l<br />

oiion-ncicr-axiroza-uv-ni.inc-oies<br />

iijA<br />

&amp;lt;|Jn^cctaupwter2a cc bij s queaocera jxinct<br />

quib? ipa figura fTer:a -folu cell&quot; buniu s<br />

nrioa -lim -cc argil -area -camp? ag-er moocolhs<br />

-ocatia vallis !Tf*-Tcii folicu&a- petra<br />

Pafaia-pzatum- I^A-<br />

(0nTiono ec recepcacul aqna^bus poc ft guA<br />

&quot;<br />

Ttramcs-aqoiicc -labiu-pifcina -naeato .1-<br />

Tiataeoia ^.nimG-vaia-latot afterna. fAv<br />

eccimo ec eoiftchs ft<br />

quib&quot; ijja guraf &amp;lt;jjn<br />

fbib:|AS,<br />

Ua ^.rcba tbwn&quot; fotiu fercti tii fell i<br />

? tri ;<br />

bkilii Lccml&quot; et requies ba b i ca co rellul.i n i ;<br />

o us?-(T.ella ec apocbeca -gvi?opbil- bibbotbcca<br />

gene^eloc honea ptftrinu f vn 9 cli :<br />

In viioccimoSKmnfc&ib i nanigiis Vfbs .<br />

&amp;lt;fC|<br />

m umc5 mur*<br />

ciui ta s . caftellii villa . tunis<br />

ula-mafis arcba-noejno<br />

quare aR^llae* o:cuo j&amp;gt;cluf ec<br />

\xc ifte wtus-vii -paculas- &amp;lt;C)CV}<br />

ifPARTICVLA<br />

jOzinia agit ! .tj^t^ttb&quot; oztt oduu q qiiqgica<br />

1<br />

fiic i cenec xi) vf<br />

qtib; vf* babcf $ vno cap<br />

-<br />

~<br />

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y\


6 Albertus Magnus (pseudo-) Mariale. [Strassburg: Johannes Mentelin, not after 1473], 66<br />

leaves, double column, 61 lines, Gothic letter, 2-, 3-, 4-, 9- and 12-line initials<br />

[Richardus de Sancto Laurentio] De laudibus Mariae. [Strassburg: Johannes Mentelin, not<br />

after 1473], 213 leaves (<strong>of</strong> 215, without 2 final blank leaves), double column, 61 lines,<br />

Gothic letter, 2-, 3-, 4-, 6- and 9-line initials<br />

2 works in one volume, Royal 2 (390 x 283mm.), both works uniformly rubricated (9-<br />

and 12-line initials supplied in red and blue interlock with reserved-white leafy<br />

decoration and red and dark brown penwork, smaller initials alternately in red and blue,<br />

initial-strokes, paragraph-marks and continuous foliation through both works in red), late<br />

eighteenth-century mottled calf, spine gilt in compartments, rubrication dates <strong>of</strong> 1473 on<br />

fol. 1/2 verso <strong>of</strong> first work and on 7/8 <strong>of</strong> the second, 5-page contemporary manuscript<br />

index bound at the end <strong>of</strong> the first work, lightfoxing in firstfew leaves <strong>of</strong>first work, a few<br />

tears on both covers <strong>of</strong>binding, joints worn, spine chipped at head and foot<br />

FIRST EDITIONS. THE DOCUMENTARY COPY, PROVIDING A TERMINAL DATE FOR BOTH<br />

WORKS. These two editions were issued together and most surviving copies are so bound<br />

as in the present volume.<br />

The first work, Mariale, is attributed to Albertus Magnus in this edition, as in most<br />

manuscripts, and has only recently been recognised as not authentic. It belongs to the<br />

mid-thirteenth century and is perhaps <strong>of</strong> Austrian origin. Richardus de Sancto Laurentio s<br />

treatise (see below) was one <strong>of</strong> its sources (see A. Fries, Die unter dem Namen des Albertus<br />

Magnus berlieferten Mariologischen Schriften, 1954, 5 sqq.).<br />

The second work, De laudibus Mariae, is the work <strong>of</strong> the Paris theologian Richardus de<br />

Sancto Laurentio (fl. 1239-1245; see P. Glorieux, Repertoire des maitres en theologie de<br />

Paris, 1933, i 330-331). In his second prologue Richardus states that he was urged to<br />

write the work by many Cistercians, both monks and nuns; and that he has omitted his<br />

name from a sense <strong>of</strong> unworthiness.<br />

The present copy bears a rubrication date <strong>of</strong> 1473 on 1/2 verso <strong>of</strong> the first work; on 7/8<br />

verso <strong>of</strong> the second, in the same hand, is the rubricator s inscriptions 1.4.7.3. Petro a<br />

fryenstein ist Liber iste, with identification <strong>of</strong> him, in a second but contemporary hand, as<br />

canon <strong>of</strong> St Stephen s, Strassburg. Two other copies <strong>of</strong> the two works bound together, in<br />

Paris and Munich, have rubrication or purchase dates <strong>of</strong> 1474. Ulrich Zel printed an<br />

edition <strong>of</strong> the Mariale (G<strong>of</strong>f A271), based on an independent manuscript, which is also<br />

not after 1473 on the basis <strong>of</strong> a purchase inscription in the Upsala copy.<br />

In<br />

quire 8 <strong>of</strong> De laudibus Mariae fos. 4 and 5, the centre leaves, are both on stubs. A<br />

manuscript index to De laudibus Mariae is bound between the two works, rubricated and<br />

foliated uniformly with them.<br />

Provenance: Petrus a Fryenstein, canon <strong>of</strong> Strassburg, with inscription dated 1473; et<br />

emit magister nicolaus a domino germano apothecario in argentina , inscription below<br />

the previous one on 7/8 verso <strong>of</strong> second work; Baer Catalogue 745 no. 418; George<br />

Abrams, with bookplate (sale in our rooms, 16 November 1989, lot 3)<br />

References: Mariale: HC *46 1 ; GW 680; BMC i 59; G<strong>of</strong>f A272; De laudibus Mariae: H<br />

*467; GW 616; BMC i 59; G<strong>of</strong>fA247<br />

20,000-25,000<br />

32,300-40,400<br />

.&amp;lt;f<br />

KTat \<br />

,<br />

6fitm7&amp;gt;t<br />

27


fimima Filia bd.tyi c(Tc glorie static Tnaittrc i jxrFccH<br />

fima imitate bra plcnitudincm g fapictic Fame c?c<br />

pli pacieneic immumratia culjx- ^empotata origo crifH<br />

plena eft ctiaj bono gloric gnmc T nature qwe omni pw<br />

gcm c^, &uecB cum cjrcellentia babuic T Tuam gnmc pie<br />

nitudmcm ad alioo tmtifitiiTtt (It Tic patct quMitct be<br />

ncdifto icfcpb ctiam m txanlTimc vgima Ixncdichonc m<br />

ciufaFuit*<br />

^quitur & bnfdi&oncfccmamni Ifccniamfii lu<br />

pua r.ipav mane comctit pjcdajwr^erc tuiiist<br />

ff olia hcc tcr.edicto m tnt <strong>of</strong>iftir- primum fxt<br />

____7uni ommii a culpa crepto -fecci ndum &; ereptone<br />

gtatulatc m gnitia -^erto m future omniu i fing^o M<br />

glorificito hi g oria-Cr tec hi tcatilTiniav8&amp;gt;c Fuerunt?<br />

Fumtno qina Fumma m ereptone omnium babutt vi&oria<br />

^pumniai; fcc crcptia hi leticia<br />

pfcnti<br />

i fumam fh Future ta<br />

omm bi Tic finsul gloriaj-^t TuabcnediclrC) bncbifro<br />

ncm fccnyamin mcludit- ^bi ante fcbm tropologja3 per io^<br />

fcpb mtclligifgKitu bifcrctome m actonc prr tcffjiamhi<br />

ginlja cogmrom a m contcmplatunc -(Tcnfrat- cf; g- bsc hi<br />

Tumo babuit teatifnma vgo- t He Ixnedictorca filioiuj<br />

iacob omtifs qiii \rc funt hi tcncdic^cnc iommc n<strong>of</strong>lrc<br />

Tunticum c^ccllcntia hiclufc<br />

ccv<br />

ittrc qua If tcncdia-Snea illc quibno<br />

bsncbirit balaam iCtnteli hi brnebiclonc bfc lint<br />

1<br />

hi pma<br />

ptc pm t bncbic&amp;gt;6nc6 quantu ab rubfia<br />

%cbo qwantu ab if hq. caKfam clTicicnte vti ticif<br />

7 Albertus Magnus (pseudo-) Mariale. [Basel: Michael Wenssler, before 1474]<br />

Chancery 2 (312 x 221mm.), 190 leaves, 35 lines, Gothic letter, two 6-line initials<br />

supplied in red or blue, 2-, 3-line initials in red or blue, initial-strokes and paragraphmarks<br />

in red, contemporary South German pink deerskin over wooden boards, vellum<br />

label lettered with title on upper cover, modern cloth box, some worming in text <strong>of</strong>first<br />

and last few leaves, a few wormholes in fore-margins throughout, first 3 leaves lightly browned,<br />

both covers wormed and rubbed, lacking two clasps and metal corner- and centre-pieces on<br />

both covers<br />

Second edition. A fine, unusually tall copy bound in contemporary pink deerskin.<br />

Although GW, Polain and IGI all date the edition as not after 1475, BMC records a<br />

rubricator s date <strong>of</strong> 1474 in the Buxheim copy.<br />

Provenance: Benedictines <strong>of</strong> Weingarten, with inscription dated 1630 on first leaf<br />

References: HC *462; GW 679; BMC iii 721; G<strong>of</strong>f A273<br />

30,000-40,000<br />

48,500-64,500<br />

29


30<br />

VITA SANCTI AMEROSII MEDICLA<br />

NENSIS EPISCC-PI SECVNDVM FAV<br />

LINVM EPISCOPVM NOLANVM AD<br />

BEATvivi AVGVSTINVM EPISCO<br />

PVM.<br />

uenerabilis<br />

pater auguftine<br />

ut ficut bead uiri athanafms<br />

epiilopu*<br />

& hieronymus prefbiter fhlo,p<br />

iecutifuntuitam fandorum<br />

HOrtaris<br />

pauli &<br />

aiitonii in heremo<br />

pcfitorum ficut eti<br />

am martini uenerabilis<br />

ep.lcopi turonenlis ecclefix fe<br />

uerus Icruus dei ferinoe cotexuit ita etia beat/ ambro<br />

Ci !<br />

epilcopi mcdiolancnllfs ecclefix<br />

ego meo yffequar<br />

ftllo. Sed ego ut mentis tantorum uirorum<br />

qui muri<br />

ecclefiaruin iunt 6(<br />

eloquently fontes ita enam fermo<br />

ne me imparem now . Tamen quia abfurdu effe cpi<br />

nor quod prxcipis cieclinare ea quar a probatiffimis<br />

uiris q illi ante me adfh terut & maxime a lor ore ipfi<br />

us uenerabili Marcelliaa didia uel qux ipfe uidi uel<br />

cjiix ab his^agnoui qui ilium in diticrfis prouKiis pcft<br />

obitum ipims fe uidifTe narrarunt uel qua? adillu fcri<br />

pta funt cum adhuc obiifTe nefa retur adiutus oraticni<br />

bus tuis & meritis tanti uiri licet inculto fermonc bre<br />

niter rtridirnq^ defcribam ut ledoris animu & fi fcr<br />

rno <strong>of</strong>fenderit tamen breuitas ad legendum protiocet


8 Ambrosius, Saint, Archbishop <strong>of</strong> Milan. De <strong>of</strong>ficiis (Paulinus Mediolanensis: Vita<br />

Ambrosii; Ambrose (pseudo-): Vita S. Agnetis; Passio SS. Vitalis et Agricolae; Passio SS.<br />

Protasii et Gervasii et de inventione corporum). Milan: Christophorus Valdarfer, 7 January<br />

1474<br />

Median 4 (225 x 152mm.), 128 leaves, 28 lines, Roman letter, 3- and 5-line initials<br />

supplied in red (the first in blue), eighteenth-century English blue morocco gilt, dentelle<br />

border, spine gilt in compartments, gilt edges, early manuscript foliation, first leaf<br />

browned, dampstainingin first and last few leaves, manuscript note in margin <strong>of</strong>fol. 107<br />

verso erased, spine slightlyfaded, joints rubbed<br />

THE FIRST BOOK PRINTED BY VALDARFER IN MILAN. The supplementary texts are all here<br />

printed for the first time. The lives <strong>of</strong> the Roman martyr St Agnes and <strong>of</strong> the master-slave<br />

martyrs Vitalis and Agricola are considered pseudo-Ambrose. The authenticity the third<br />

work, the life <strong>of</strong> the proto-martyrs <strong>of</strong> Milan Gervase and Protase, is also considered<br />

doubtful. The fourth text concerns the finding <strong>of</strong> the remains <strong>of</strong> Gervase and Protase by<br />

Ambrose and their interment under the altar <strong>of</strong> his basilica in Milan.<br />

Valdarfer printed first at Venice between 1470 and 1471, and then migrated to Milan<br />

where his name is recorded on 6 August 1473. His edition <strong>of</strong> Ambrose is his first dated<br />

book there. It is also his only use <strong>of</strong> type 2:107R, which was used also by Philippus de<br />

Lavagnia (3:108R). Valdarfer worked continuously in Milan until 1478 and then only<br />

intermittently until 1488.<br />

Provenance: George Dunn (August 1900); Arthur Kay, with bookplate<br />

References: H *910; GW 161 1; BMC vi 725; G<strong>of</strong>FA560; IGI 431<br />

10,000-15,000<br />

16,200-24,300<br />

31


32<br />

9 actual size<br />

Btde co mihi paulo uberius liceat loqui.cu quo^am non<br />

conceditur colloqui.Certe& uobis pr<strong>of</strong>icie jut aduertatis<br />

non fragilitate quada uos hoc <strong>of</strong>ficiu fed iudicio detulitfi<br />

ncc mifencordia mortis impulfos fed uirtutn honorific^<br />

tia prouocacos.Anima eni bencdicta omms fimplex taca<br />

autcm fimplicitas ut conuerfus in pueru fimpliciratc illiijs<br />

xtacis innoxiae perfed^ uirtutis effigie .SCq^oda innoc<br />

riumorufpeculordticcret.Intrauicigic iregna cxlorum<br />

qiibnia credidi t dci uerbo quqnia ficut puer artc reppulit<br />

adulandi inmrias dolorc clemcter abforbuit qua indemc .<br />

tius umdicauft querelae qua dolo proptipf .tatiiTa^lioi fart<br />

lis.difficihs ambicioni fandlus pudori.ut frequenter<br />

in ed<br />

fugflua magis uerecundia prsedicares.q; necefTann qusere<br />

res fed nunqua fugflua fundamcta uircutis.Pudor eni no<br />

reuocat:fed comendat <strong>of</strong>ficiu.Itac^ uekit quada uirgfnali<br />

uerecundia fuffifusora cu uultu affe&u fi proderet: forte<br />

aliquafubito ueniens<strong>of</strong>fendinetpartem.uelut depreflus<br />

& quafi dimerfus in terra licet inipfonequa^ diffimilis<br />

cctu uiroru:rarus attollef osreleuare oculos:referre fermo<br />

hc.Qyod pudico quoda metis pudore faciebat cfiquo ca<br />

ftimonia quo^ corporis congruebat:Ecenim mtemerata<br />

^acn baptifmatis dona feruauit: mundo corpore purfor<br />

corde non minus adukeri fermois<br />

opprpbriu ^ &amp;lt;terporis<br />

perhorrefcensmon mmore ratus ptidiciciae reuetentia dc<br />

ferendam integritate uerboru:^ corpons caftitate :deni^p<br />

in tantO caftimonia dilexitrut nee tixorc expeteret licet m<br />

eo no folii caftitatis appetctia fuerit:fed ct pjetatis gratia.<br />

Miro autcmodo:5^ coniiismdifrimuiabat: 8C iadlantiam<br />

declmabac tanta$ erat dilfimulatfo ut nobis quoc^ urgen<br />

tibus differre magis c<strong>of</strong>ortium ^ refugere ufderetur. Hoc<br />

unuita&amp;lt;$fuir quod nee fratribus ce-deret no aliqna ciicla<br />

tionis hefitantia:fed uirtutis uerecundia. Quis igitur non<br />

miretur uiru inter fratrcs duos.alteram uirginem alterum<br />

Tacerdot3:5C<br />

altejfnediu.magnanimitate rro imparc iw iter<br />

di?o maxia muncra praeftitifle m alten ? muneris cafhtatc -<br />

alterius fancltratem reforet non pr<strong>of</strong>eflionis uinculotfed<br />

uirtutis <strong>of</strong>ficio. Ergo fi libido atqj iracundia^rdiquornm


9 Ambrosius, Saint, Archbishop <strong>of</strong> Milan. De <strong>of</strong>ficiis (Paulinus Mediolanensis: Vita<br />

Ambrosii; Ambrose (pseudo-): Vita S. Agnetis - Passio SS. Vitalis et Agricolae - Passio SS.<br />

Protasii et Gervasii et de inventione corporum; Ambrose: De obitu S. Satyri - De<br />

resurrectione et cruce domini - De bono mortis). Milan: Uldericus Scinzenzeler for<br />

Philippus de Lavagnia, 17 January 1488<br />

Chancery 4 (208 x 149mm.), 140 leaves, 36 lines, Roman letter, 4-, 5- and 8-line<br />

initials, some with printed guides, eighteenth-century vellum-backed carta rustica , early<br />

manuscript notes in some margins, later Italian manuscript<br />

list <strong>of</strong> contents on front<br />

flyleaf, small wormhole in text <strong>of</strong> last few leaves, light dampstain in lower margin <strong>of</strong> last few<br />

leaves, other light stains<br />

This edition contains the first editions <strong>of</strong> the three subsidiary texts which form the second<br />

part: De obitu Satyri sancti, a treatise on the death <strong>of</strong> Ambrose s elder brother; De<br />

resurrectione et cruce Domini; and De bono mortis. The first part <strong>of</strong> the text is reprinted<br />

from Valdarfer s 1474 Milan edition (see lot 8).<br />

Provenance. Bibliotheca Trivulziana, with duplicate stamp<br />

References: HC 91 1 (incl. HC *908); GW 1612; BMC vi 762; IGI 432; G<strong>of</strong>f A561<br />

4,000-5,000<br />

6,500-8,100<br />

33


34<br />

10 actual size<br />

rima fadee fagittari; eft &amp;lt;Sc6a fades eft Uweit eft erda fades e ratnn:t eft<br />

mercuri;:teft aut&amp;gt;acie:liber timozisrplozatus boloy: fequenM voluntatee fuas:t<br />

tis:zmilitie. trimebirg^efuocozge. noremoucnMfeabii(<br />

/trarian&i;cet&amp;gt;ei^i:agiUtatis in makwjcisrsrel<br />

^fcenbuntviritresftantes fine<br />

capui.nis.<br />

CLt&amp;gt;oino religt<strong>of</strong>us erit<br />

aciuftus.<br />

Uirbaliflafacittans.<br />

CIl3omo litigi<strong>of</strong>us erit<br />

omnitempoje.


10 Angelus, Johannes. Astrolabium. Augsburg: Erhard Ratdolt, 27 November [or 6 October]<br />

1488<br />

FIRST EDITION, Median 4 (216 x 161mm.), 175 leaves (<strong>of</strong> 176, without final blank leaf),<br />

40 lines, Gothic letter, 7- and 13-line white-on-black woodcut initials, numerous<br />

woodcuts <strong>of</strong> horoscopes, figures <strong>of</strong> constellations and planets in the text, tables, a few <strong>of</strong><br />

the woodcuts and initials coloured by hand, CONTEMPORARY SOUTH GERMAN BINDING,<br />

blind-stamped goatskin over wooden boards, outer border composed <strong>of</strong> a floral roll, inner<br />

frame enclosing<br />

a central panel <strong>of</strong> vertical rolls <strong>of</strong> Renaissance ornament, spine with 3<br />

raised bands, early manuscript notes with dates <strong>of</strong> astrological movements on verso <strong>of</strong><br />

final flyleaf, title lightly soiled with a small piece torn from fore-margin, tear in text <strong>of</strong>r4<br />

repaired with minimal loss, small repair in lower margin <strong>of</strong> same leaf, some spotting in<br />

margins, first gathering slightly wormed in lower margin, spine repaired at head andfoot, lackingfour clasps, two catches and metal corner- and centre-piecesfrom each cover<br />

FIRST EDITION OF ONE OF THE MOST PROFUSELY ILLUSTRATED WORKS ON ASTROLOGY.<br />

Johannes Angelus (or Johann Engel, d. 1 5 1 2), a native <strong>of</strong> Aich or Aichach, also produced<br />

a series <strong>of</strong> broadside almanacs and a series <strong>of</strong> practica (see GW 1892 sqq.). He also edited<br />

for Ratdolt s Augsburg press the first editions <strong>of</strong> Albusumar, De magnis conjunctionibus<br />

(with a completion date <strong>of</strong> 31 March 1489, G<strong>of</strong>f A360), Petrus de Alliaco, Concordantiae<br />

astronomicae (2 January 1490, G<strong>of</strong>f A471), and Regiomontanus, Tabulae directionum et<br />

pr<strong>of</strong>ectionum (also 2 January 1490, G<strong>of</strong>f Rl 12).<br />

The woodcuts include large sets <strong>of</strong> the seven planets in chariots and the twelve signs <strong>of</strong><br />

the zodiac, both <strong>of</strong> which were first used in Ratdolt s 1482 Venice edition <strong>of</strong> Hyginus,<br />

Poeticon astronomicon (see lot 61). They were then reused by Ratdolt for his editions <strong>of</strong><br />

Albumusar, Introductorium in astronomiam, 7 February 1489, and De magnis<br />

conjunctionibus (see above). The first section, about the influence <strong>of</strong> the zodiac signs,<br />

contains numerous small woodcuts <strong>of</strong> people, animals and occupations.<br />

Provenance: Samuel V. H<strong>of</strong>fman Collection (sale Christie s, 12 November 1975, lot 2);<br />

British Rail Pension Fund (sale in our rooms, 28 September 1988, lot 154)<br />

References: H *1 100; GW 1900; BMC ii 382; G<strong>of</strong>f A71 1; BSB-Ink E-63; Klebs 375.1;<br />

Zinner 320; Houzeau-Lancaster 3252; Stillwell (Awakening) 51; Fairfax Murray 39;<br />

Schreiber 3316<br />

30,000-40,000<br />

48,500-64,500<br />

35


36<br />

1 1 actual size<br />

Iftnqufd tit obUuffcerte odio md:q6<br />

mtido t& mifcrico:dii? c intimatfcta<br />

feiidf t&amp;gt;luulgatu:t a amanf amplejta/<br />

tfcSllle bonne fill&quot; bole venit editii<br />

fpotcfaluare:*mat&amp;gt;elpotcrtt pdi/<br />

ru damateno curare;)6on |illcnU ?<br />

borois vcnit vocaread pemtcria pcc<br />

cantitt mf oci co tciui t er pcaruc i<br />

penitetia: 5 etfl parif ambo <strong>of</strong>fenfi<br />

eftie: nonne a ambo demcntes eftie^<br />

&amp;lt;fugiat<br />

reus iufti t&amp;gt;ci:ad ptA matre<br />

tmfcricozdie tci: refugtatcp re* <strong>of</strong>fcn<br />

fe matr7;ad piu ft!iu bcnigne matris,<br />

3nscrat fe rcs vtriufcp in j? vtru cp:<br />

inijciat fe inter ptti filtii -r pi a matrc.<br />

1#ne <strong>of</strong>tcparccfcruomatrie tue:pia<br />

ciiaparcc fu<strong>of</strong>fltftiti: qtumcmqdp<br />

inf ouas ta wncfae ptctatee: no indx<br />

da inter onas ta potetce icucrttatce,<br />

]0oneffU:bona tnatenno fitmibifru<br />

ftra (p contcoz t&amp;gt;e vobie bane verita/<br />

rent: Tflon crnbcfca fpcro in vobis<br />

bac pietate.^ic mndi iudejr cui par/<br />

cto: oicmfidircco cilia trie q tic rcco/<br />

ciliabie: ft tu tfic oamnao: ct tit ona<br />

aucrtcrwbomiicuiri bonaveftra cu.<br />

auto :c:innU ftta cu mcro:c pfttentc^<br />

]c gcHis Snfelmi colliguf<br />

rietctuevnicifUiiiertu<br />

3CDaria i&amp;gt;ci gentmr<br />

Dtdtcit bcbzai/<br />

cas Uttcras ndbuc pie cine Joacbiin<br />

vincnte.frat oodlisiamane ooctri/<br />

nam: i drca facram fcriptiiraEfcttc/<br />

rabat.g^jpuo ^&amp;gt;o manun. etus erat la<br />

ncjltni t (end.rat iraq? locite oifliti<br />

ctu? in oaino Dfti: fC5 in templo ^pe<br />

lenatn a!tan0: 3bi flabant virgincs<br />

folc:t oininp omdo gactoubant otn<br />

nes ad iJpziaiHJarU ^&amp;gt;a gfeuerabat<br />

r cttftodiebat altare a tctnplu: facer/<br />

dotibus miniftrane. TPos funs erat<br />

modtce !oqude:c]cpedite obcdientic:<br />

mudc^jrimationtsifineaudactarfine<br />

rifit:fme turbatione:fme ira:bcnigne<br />

falutans: eloquent!^ cfus bominee<br />

mirabaf:^nfcos babcbat oculo9:rc/<br />

.<br />

crem nafimu vulttis due longue: Ion<br />

gemantt0:longi &tgiti:mediocrte fta<br />

in o :atiolbu&amp;lt;?:fcrcn0<br />

turcrpjaierans<br />

pnnnu p:op:ij colo:is:lcctioni: iciit/<br />

ni je: i labo:i mantium:? cm ni bone<br />

fet&amp;gt;ederat. virtu<strong>of</strong>cqjogatioi /[Slue<br />

cum aflumpta crnt in cdu:fuit.lrcn.<br />

ennojft . fSt ni fie coputati funt:fepte<br />

annie edacata cum parentibue: et<br />

feptemannoe cum trimidfo miniftra/<br />

bat i templo t&amp;gt;omini: in OOBIO i<strong>of</strong>cpb<br />

fet mcfcsUn quartodecimo anno an/<br />

nunciaf ei gaudiS totiue feculi: et in<br />

quintodecimo anno peperitcb:iftii:<br />

i cum eo.jctjeiii.annte in pfenti vita:<br />

p<strong>of</strong>tafcenfloneotu fuitipfain&omo &quot;<br />

5obani0euagclifte.]cnin.anno0:<br />

fimul coputati funt.lmj.anni. &amp;lt;5(<br />

fili^ei 1<br />

^<br />

vnigenir erat bo magne virx<br />

tutiemomtat^iefus cbau^:q a gcnt(/-f<br />

bus oicdiaf verttatte:<br />

^&amp;gt;pBa<br />

Oifcipuli vocauerut ftliu t&amp;gt;ci: i<br />

aitmoztuosii fanauitoms langiio<br />

res: bomo quidem .pcerus :<br />

cris i fpectabUis: Bultn babuit vc/<br />

nerabilem: nucm intucntea p<strong>of</strong>lTunt<br />

a clligere i rozmidare:&amp;lt;Capillo0 ba/<br />

butt colozia nucie auellane pni arurc:<br />

^ pianos fere vfqj ad attrcs: ab auri/<br />

bus Uto circmo0 crifpoealiquStulti;<br />

cerulio:esi fulgenttozes abbumc/;<br />

ris venttlantee: J&amp;gt;ifmmcn babuit in<br />

medio fujctamozcnajareozn: fronts<br />

ptanam i fercnilfima cam facie fine<br />

rngai macula aliqua: quatn niboz<br />

moderatus vcnuftatmaft 1 0210 nut/<br />

la pzo:fufc0 repbenfio:Barbam ba/i<br />

butt copi<strong>of</strong>am et impubcrcm : fed in\<br />

medio bifurcatam: Sfpcctu. babuit:<br />

fimplicc i maturn: oculis? glaucia va&quot;<br />

rqo i dartecjciftetibivs: $n increpa/<br />

rt?tKterribUi0: tn admonitiocblan/<br />

dus i amabtli9:bilari5:fuatagraui/<br />

tate:Q,ui mtnigvifud eftriderc:flerc<br />

antfcpr.JInftatura co:pfe .ppagat :<br />

rectas manus babmt: -r bzacbta vifi*<br />

Odcctabilia: 5 col|oc|o gi auts : re/<br />

ctue a modeft^fped<strong>of</strong>ue inter ftlios/i<br />

I j% * * M * ^* &quot;<br />

finis<br />

&quot;&quot;&quot;<br />

1 &quot;&quot;<br />

V^Xc^*&quot;<br />

******<br />

r*i


11 Anselmus, Saint, Archbishop <strong>of</strong>Canterbury. Opuscula. [Basel: Johann Amerbach, not after<br />

1497]<br />

Chancery 4 (180 x 135mm.), 208 leaves, double column, 49 lines and headline, Gothic<br />

letter, 3- and 9-line initial spaces with printed guides, vellum, several early notes <strong>of</strong><br />

ownership on Al recto deleted, occasional other early notes in margins, some headlines<br />

shaved, slight worming in some lower margins, slight paper damage in margin <strong>of</strong>Al<br />

Amerbach gave four copies <strong>of</strong> this book to the Basel Charterhouse in 1497.<br />

The first collected edition <strong>of</strong> St Anselm s works was printed in 1491 at Nuremberg by<br />

Caspar Hochfeder.<br />

Provenance: Library <strong>of</strong> San Jeronimo, Forli, note <strong>of</strong> ownership dated 1507 on Al verso<br />

References: HC *1 136; GW 2033; BMC iii 759; G<strong>of</strong>f A761<br />

1,000-1,500<br />

1,600-2,450<br />

37


12<br />

Theffal a<br />

domialiu.<br />

LIUER.<br />

: milonis<br />

Tjprimum Apul&quot;poafommiraeaimimin hypatinl h<strong>of</strong>ptrto finpfc<br />

u loca Him* nuitam c.i<br />

pit<br />

curiolc : corcmplan urpote mai.x nolroida: cuptdl(Turu&amp;lt;,<br />

& cum indent ft k*flc in media I heflalia. Quod domwillum & <strong>of</strong>fidna dt mapa<br />

mm uanitatum: F.xilhmabat quicquld fpcftarn id ronim ut canraminum effeta alta<br />

ncbvrrhcnamrC uiu^opuk-ntia&cuitusprapliiccrcrfiuntur. SolnouUsiR-fConcteaomB,<br />

Virgitiu*.Carpnu,sdiim ma<br />

ncnouudumgramiiuiranoit.<br />

EmcrfiB : Optimo ucrbo<br />

ufus.tamj tom<strong>of</strong>opirmmcr-<br />

fusfit in barathrum obUuwi*. u<br />

T pnmum no^cdiTcufTatfol nouw<br />

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d.rm frnr :& fomno fad crncrfus:<br />

& Irclulo :anxius K.<br />

alioqum nimw<br />

AiuiuialKxiui. Ordttu<br />

cupidusco^n<strong>of</strong>cedirquar raramtraa<br />

rioiiaborumiicftni|nK.Ami<br />

uscwi<strong>of</strong>c fineula c<strong>of</strong>idcraW.<br />

Media thcffaHo: locarTiq<br />

funttrcruranf^me media ihcfTala<br />

,<br />

ca tcncrc :quo ams mapc* nanuacantamina too/<br />

hypata in medituilio Thdla&amp;gt; usorbisconronoorccclcbrantur.fabulacf, illam opci<br />

benroriKl.. aIcs tn Ipfa ThclTa<br />

&quot;* : 1crindc ac bl(Jcm rufa *&amp;lt;*<br />

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n<strong>of</strong>cnngulaconHdcrabam Nrc fuitm illaouitate<br />

quod afpu icns:id die crcdcrcm nonal.undeadurftarltrtnLu<br />

emu* in fcio I nanalia- can-nmra<br />

hoccll Inamamema<br />

maglca<br />

cfTet . fed om/<br />

tquod<br />

n ia prorfusferali murmurein alumcfHeicm tranHa<br />

, ij a-j-jt J<br />

la.utKlap.dnrquos<strong>of</strong>fcndcrcdc-homincduraM:<br />

uclutlnatiua attfuCT S 3ues:quasauaircm:indiacmplumaras:Xarbons<br />

qu.Tpomcriuambircnr:fo[i.was fimilitrr* foman<br />

nuocf apii crtrcos nU<br />

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nanim dmahaltium Lunam. A ummat Plmlm mapiam in pfirff imwwaro ancwoa(lr:Trjriif<br />

1 h&amp;lt;ffal &quot; url c &amp;lt;- hl &quot;cl&amp;gt;hu u&amp;lt;Thtfrjliimunirficumrare diarlntdl<br />

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qu lcu&amp;lt;f uidcbatra cITc omraa ul cantammum nanffbrmara dcmutataq..<br />

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hommcm uobncum ut I lapUcum . Indidnn : Ex hominc,<br />

Mm[jsliiiiilnrr:Sc.liccteihumaimcorponbus:r5qlicmmcspornimm.ipcaInlapidci<br />

aucslnarhorcsliifori.cMfJnf^uranponcmincurlmcianKMph<strong>of</strong>ispccticaiiiultlfomilrftm<br />

dlt. 1 arim : A .|IUN. a<br />

lupi di.-tii ell lancm dm omnnn liquorcm. Fluios : Solutes liqurfac<br />

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torif.al!i,| .,n,NJii.u! .nirartuidam.al-fluoitcm.AbasflujusdicimrmollU*-c(lrniiius-<br />

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-&quot;ii:documt!flu&amp;gt;o.ACipi1aiK)flu&amp;gt;uraacdpiturprolibidlnc&mollicu<br />

HMIKU noij:fcnbircnim caflmtmi ciamiaturam cflr flu.uramm hocdl [ibldlnuni.<br />

Stinu^ it . imacmrs: tatuj<br />

j-rcprit lapidra cR:fmc n-ncaA<br />

ciqiiacuif n-arrrta folidiore.to<br />

. nrua. pocercacIt&pieta.,V.fi. i|( HKdMUHtapennnnfanfaMla perfuaJioncmaPicxdlfrt<br />

Ir.ro .<br />

plmar crcdcbam In cKdihilu : 3. ut I. ucimic. di , it purer, patadoia. hoc t(l : inopmabilVa Ouod<br />

Taradoxa.<br />

imaginci AmhuIjinit.K^ur^pccudrfq.loq.icrom.t. Quod fane<br />

prodlgi<strong>of</strong>umcft &a<br />

1 1 cdrur&quot; :Aml &quot; l<br />

-<br />

!<br />

IdR&amp;lt;-,H,s:H Idecnut. i&quot;, ?&quot; n<br />

u iu&amp;lt;gmens.tloqU ut<br />

buf^ untanllima. Id genus, hoc genus, pro elm genetis. & huius generis.<br />

12 Apuleius Madaurensis, Lucius. Asinus aureus (commentary by Philippus Beroaldus;<br />

additions by Beroaldus and Coelius Calcagninus). Bologna: Benedictus Hectoris, 1 August<br />

1500<br />

Chancery 2 (295 x 21 1mm.), 286 leaves, 52 lines <strong>of</strong> commentary and headline, Roman<br />

and Greek letter, 4-, 5- and 7-line initial spaces with s<br />

printed guide-letters, printer<br />

woodcut device at the end, early nineteenth-century green roan, gilt border <strong>of</strong> acanthus<br />

leaves round sides, flat spine tooled in compartments, tool <strong>of</strong> flowers and a bird in the<br />

compartments, a few small wormholes in margins <strong>of</strong>first and last few leaves, occasional light<br />

spotting, corners and head and foot <strong>of</strong>spine slightly rubbed<br />

Apuleius s Metamorphoses, or Golden Ass, is the only Latin novel to survive in its complete<br />

form. The epic story tells <strong>of</strong> Lucius, who through his eagerness to discover the secrets <strong>of</strong><br />

witchcraft is transformed into an ass and undergoes a series <strong>of</strong> picaresque adventures<br />

before being retransformed through the agency <strong>of</strong> the goddess Isis. It also includes the tale<br />

<strong>of</strong> Cupid and Psyche and accounts <strong>of</strong> the mystic rites <strong>of</strong> Isis and Osiris.<br />

The first edition <strong>of</strong> this work, printed by Sweynheym and Pannartz at Rome in 1469<br />

(G<strong>of</strong>f A934), was edited by Johannes Andreae Bussi, bishop <strong>of</strong> Aleria, and included two<br />

further important texts <strong>of</strong> Neoplatonism: the Epitoma <strong>of</strong> Alcinous and the Asclepius <strong>of</strong><br />

Hermes Trismegistus. The present edition is the first to contain the commentary <strong>of</strong><br />

Filippo Beroaldo.<br />

Some copies <strong>of</strong> this work include a 16-leaf Tabula vocabulorum et historiarum which,<br />

according to BMC, was printed later than the body <strong>of</strong> the text. This table is not present<br />

here.<br />

Provenance: library stamps on the title-page <strong>of</strong> the Annunciation accompanied by the<br />

letters NE(?), probably <strong>of</strong> a convent <strong>of</strong> the Annunziata; letter in French, dated 24 June<br />

1847, from Ferdinand Barros presenting the book to an unnamed correspondent, loosely<br />

inserted; Du Bourg de Bozas, with morocco book-label<br />

References: HC &quot;1319; GW 2305; BMC vi 845; G<strong>of</strong>fA938<br />

6,000-8,000<br />

9,700-12,900<br />

39


40<br />

13<br />

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0U77ftf -sn<br />

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TTfWfufOJ/J K5U TetMcoi/ T 4^K.VX.AiCO/J<br />

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6 fftt, ft caW<br />

v4 *Z3ZS?*T^V OU&amp;gt; 7W &amp;lt;TO/XOt7WV TOV7WV SSltfrovlft*<br />

T C


13 Aristotle. Opera [Greek]. Venice: Aldus Manutius, 1495-98<br />

5 volumes bound in 6, Super-Chancery 2 (312 x 212mm.), 1850 leaves, 30 lines and<br />

headline, Greek letter, woodcut initials and headpieces, the final line <strong>of</strong> text on kklO<br />

verso (volume 3) pasted in, English late eighteenth-century red straight-grained morocco<br />

gilt, three-line border round sides, the John Rylands monogram added to upper cover,<br />

spines gilt in compartments, gilt edges, several edges uncut, leafK6 (volume 2) supplied<br />

from a shorter copy, the inner forme DDD 666 1 verso andDDD 666 8 recto (volume 5) was<br />

not printed, fore-margin <strong>of</strong>K5 (volume 2) repaired, small wormhole in fore-margin from the<br />

beginning <strong>of</strong> volume 1 to E8 repaired, small wormhole in the lower margin <strong>of</strong>4H4 (volume<br />

6) to the end repaired with minimal loss to the signature or last line <strong>of</strong>text on afew leaves, the<br />

final signature <strong>of</strong>volume 3 misbound between thefourth andfifth signatures <strong>of</strong>volume 2<br />

When Chaucer s clerke <strong>of</strong> Oxenford spoke <strong>of</strong> the books at his bed, he included Aristotle:<br />

For hym was levere have at his beddes heed<br />

Twenty bookes, clad in blak or reed,<br />

Of Aristotle and his philosophic,<br />

Than robes riche, or fithele, or gay sautrie. (Prologue 293-296)<br />

whose position in the Latin Middle Ages, albeit in a tradition removed from the original<br />

Greek text, was from one end <strong>of</strong> Europe to the other, impregnable. He was ille<br />

philosophus.<br />

The fame <strong>of</strong> Aldus rests on the books he printed in Greek. Others had printed a few<br />

books in Greek, one very substantial, the 1488 Homer (see lot 60), but Aldus s grandest<br />

project was, without doubt, the printing <strong>of</strong> the works <strong>of</strong> Aristotle in the original Greek, to<br />

which were added works by Theophrastus (not the famous Charakteres), Galen, Porphyry,<br />

Philo Judaeus and others, but from which were omitted the Poetics & Rhetoric. This<br />

undertaking, huge in terms <strong>of</strong> both extent <strong>of</strong> text and the technicalities <strong>of</strong> printing, was<br />

spread over several years. It was a land-mark in humanist scholarship,<br />

which held its<br />

position until Immanuel Bekker s edition <strong>of</strong> Aristotle (1831). Erasmus in the preface to<br />

Bebelius edition <strong>of</strong> Aristotle (Allen Op. Epist. ix 133- 140 11. 248-) wrote in 1531 to<br />

John More <strong>of</strong> Aldus having erected a building, <strong>of</strong> how he was the first to commit to type<br />

an author than whom scarcely any other is worthier <strong>of</strong> being read, and <strong>of</strong> how prior to his<br />

edition ilium habebamus, sed ita versum [translated], ut ad intelligendum Delio, quod<br />

aiunt, natatore esset . .<br />

, opus.<br />

an expression which he explained in his Adagia.<br />

41


42<br />

APISTOTEAOYS TON METATA&quot; $YSFKA V<br />

TCJMEIZON.<br />

A AOA<br />

Coming some years after the controversy <strong>of</strong> the 1450s and 1460s as to the respective<br />

position <strong>of</strong> Plato and Aristotle, it provided a handsomely printed text <strong>of</strong> the original<br />

Greek texts, many <strong>of</strong> which were currently available in manuscript copies, made by many<br />

<strong>of</strong> the leading Greek scribes <strong>of</strong> the period.<br />

Three manuscripts used as s<br />

printer copy survive: one at Harvard, containing<br />

Theophrastus s botanical works, Porphyry and various other works (Harvard gr. 17; f. Ill<br />

verso (Theophrastus HP. 11,7-2-5) is reproduced in Wolfenbuttel 1978), and two in Paris<br />

at the Bibliotheque nationale ( Paris.gr. 1848 (Metaphysics) and Paris. suppl. gr. 212<br />

(Historia animalium)), although there were other manuscripts also used and copied as<br />

copy. A number <strong>of</strong> scholars were involved in the undertaking in various capacities:<br />

Linacre, Musurus, Alessandro Bondini, Lorenzo Maioli from Genoa and Francesco<br />

Cavalli, and others made their manuscripts available.<br />

The volumes, sometimes as sets, sometimes as groups <strong>of</strong> volumes, quickly passed into the<br />

possession <strong>of</strong> scholars, and thence into libraries as a true KEljir|)aov: Corpus Christi<br />

College, Oxford, acquired one in 1519 from its founder; its Magdalen acquired volumes<br />

in 1522; Thomas Linacre s set on vellum, presumably brought back to England in 1499,<br />

is at New College (Linacre is mentioned in the prefatory letter in volume 1 and his<br />

,<br />

translation <strong>of</strong> Proclus De sphaera was published by Aldus in 1499); All Souls had two<br />

copies (one now passed on to Exeter College), one <strong>of</strong> which excited Dibdin ( the library<br />

<strong>of</strong> ASC, Oxford, boasts one <strong>of</strong> which may vie with either [the Heber or Valpy copies.] ,<br />

for refs see below) The edition did not however sell out: like many other great<br />

monuments <strong>of</strong> Greek printing- the 1488 Homer, the Rome Eustathius, the Eton<br />

Chrysostom - it sold very slowly. It was expensive: Amerbach says that he had to pay 1 2<br />

crowns for it, 6 times what the Bebel edition cost and one crown less than the great<br />

Froben Augustine. Erasmus, who elsewhere says it was difficult to find outside Italy<br />

(op.cit. ix,139), in [1525] was ordering it with a number <strong>of</strong> other Aldine texts, including<br />

the Florentine Homer (op.cit. vii, 547).


But K8i|ir|A.LOV it became and remained, <strong>of</strong>ten handsomely bound. Emeric Bigot s<br />

(1626-1689) copy is a fine example (recently in the Norman and Freilich sales; now in a<br />

private collection), and all the great collectors <strong>of</strong> the eighteenth and nineteenth century,<br />

men far different from Chaucer s poor clerk, were keen to possess a copy, from George III<br />

(an earlier royal library copy is at Cambridge), Grenville, Cracherode, and Renouard to,<br />

<strong>of</strong> course, that doyen <strong>of</strong> bibliophiles Lord Spencer, whose copy at Althorp was described<br />

by Dibdin (Bibl. Spenceriana I, 258 ) in<br />

uncharacteristically subdued language, as<br />

large<br />

and magnificent, having many rough edges at the bottom <strong>of</strong> the leaves, and beautifully<br />

bound in red morocco . It is this magnificent copy which is now <strong>of</strong>fered for sale.<br />

The Greek fonts, with separate characters for accentuation, were based on the calligraphic<br />

hand <strong>of</strong> Immanuel Rhusotas and were cut by Francesco Griffo, who also designed the<br />

Aldine italic.<br />

Provenance: Count Karoly Imre Sandor de Reviczky (?), catalogue p. 29; George John,<br />

Earl Spencer; John Rylands University Library <strong>of</strong> Manchester, with monogram and<br />

stamps (sale in our rooms, 14 April 1988, lot 10)<br />

References: HC *<br />

16578; GW 2334; BMC v 553, 555-556, 558; G<strong>of</strong>f A959; Klebs 83.1;<br />

Renouard pp. 7, 10-1 1 16; Dibner 73; Osier 229; Norman 70; PMM 38<br />

400,000-500,000<br />

645,000-810,000<br />

43


44<br />

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J bic ponit fcoam roncj cj boc 9 Unee otfcri


14 Aristotle. De caelo et mundo (commentaries by Thomas Aquinas and Petrus de Alvernia;<br />

edited by Hermmanus de Virsen). Venice: Bonetus Locatellus for Octavianus Scotus, 18<br />

August 1495<br />

Chancery 2 (307 x 206mm.), 76 leaves, double column, 66 lines <strong>of</strong> commentary and<br />

headline, Gothic letter, 4- and 13-line white-on-black woodcut initials, a few woodcut<br />

diagrams in text (that on d7 verso partly hand-coloured), s printer woodcut device at the<br />

end, contemporary limp vellum, modern morocco-backed box, a few small wormholes in<br />

text <strong>of</strong> last few leaves<br />

Second edition, the first to contain the commentaries <strong>of</strong>Thomas Aquinas and Petrus de<br />

Alvernia and to be edited by Hermannus de Virsen. The editio princeps, printed at Padua<br />

by Laurentius Canozius, de Lendenaria, for Johannes Philippus Aurelianus on 5 March<br />

1473 (G<strong>of</strong>f A977), contains the commentary <strong>of</strong> Averroes.<br />

This edition was reprinted by Joannes and Gregorius de Gregoriis, de Forlivio, on 31<br />

October <strong>of</strong> the same year.<br />

Provenance: F. Ludovicus Syllanus de Grimaldo, with inscription on flyleaf<br />

References: H *1689=1531; GW2355; BMC v 445; G<strong>of</strong>f A978; Klebs 87(.2)=964.2;<br />

Essling 858; Sander 582<br />

5,000-8,000<br />

8,100-12,900<br />

45


46<br />

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quibemodo cogn<strong>of</strong>ccndiamma5<br />

7 DC antiquom opinicmibud circa<br />

anima tractat foelititcrincipik<br />

Vmoemlcientiarcm cite bona arbitre* I o.<br />

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alia magisex ^<br />

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admirabiles:(ciamaixnimi^obhxcutra nasnalee perbtbef<br />

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3 CCVidef afit&ad uetitateoem ipfi<br />

aiae<br />

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&amp;lt;<br />

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,;<br />

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15<br />

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ipfaptrac^ati<strong>of</strong>it.Oportebit.n.deunaqq^re^: accipe:gsad<br />

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15 Aristotle. De anima (translated by Joannes Argyropulos; edited by Wolfgang Mosnauer).<br />

Venice: Jacobus de Pentius, de Leuco, 23 October [1500?]<br />

Chancery 4 (208 x 154mm.), 34 leaves, 37 lines and headline, Roman and Gothic<br />

letter, 4-, 7- and 8-line woodcut initials, old limp vellum, light dampstain in some lower<br />

margins<br />

This first edition <strong>of</strong> Joannes Argyropulos s translation <strong>of</strong> De anima is scarce: only one<br />

copy is recorded by G<strong>of</strong>f. De anima was first printed in 1472, at Padua by Laurentius<br />

Canozius for Johannes Philippus Aurelianus, in two Latin versions and with the<br />

commentary <strong>of</strong> Averroes (GW 2349). Other, anonymous translations were printed c.<br />

1492, 1498 and 1500 (GW 2343, 2344 and 2345), and two further editions with the<br />

commentary <strong>of</strong>Johannes de Mechlinia, in 1491 and 1497 (GW 2347 and 2348).<br />

Jacobus de Pentius, whose first known book is an edition <strong>of</strong> Pylades s Grammatica dated<br />

22 October 1495, printed mainly in the sixteenth century. BMC dates the present edition<br />

on the basis that it must predate Pentius s edition <strong>of</strong> Gulielmus Hentisberus, De sensu<br />

composite [etc.], dated July 1501, in which the same type (84R) has been cut down by two<br />

or three millimetres.<br />

References: HC *1708; GW 2346; BMC v 566; G<strong>of</strong>f A972; IGI 799; Klebs 84.7<br />

4,000-5,000<br />

6,500-8,100<br />

f


16<br />

(Folio<br />

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t&amp;gt; populu fitnul ac ni atab? ftubct voietxu<br />

Vm cm atiftotelice ta at&amp;gt; fpfm pt&amp;gt;icant)i cp tn<br />

arbib? ftubcti no m<strong>of</strong>cicu f nic fulgctiozia sgrn<br />

tio8 cuiuflikvt fcic pbcant robut fuldmc.<br />

atcp<br />

io m pnnaz^p mgtalib? brcuibufqs fmonu ttrotaiftio<br />

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pfa^ t fttaguma eitate traac q eft pff macctome. f uit<br />

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ff iiit aiit tkwmatu m fmonc mtetu itrot&amp;gt;ua:oeff m<strong>of</strong>ci*<br />

&amp;lt;i fcqntib? plurib? altjs- pnopio p magraUm fttiam<br />

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boiac.;3nttot)ucfic.t&amp;gt;iatahllotelc8 pmo be aialibus*<br />

&amp;lt;Dif)jaialbn8auttbj eas mobile* ptctbcwa-aboe<br />

tont nobif apleriois-na vt t&amp;gt;i<strong>of</strong> ibibc ftcut auz; ejcceU<br />

lit omc metallu fic bo otrc ajal-cum fit bo aial ronale<br />

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tutatisfit iugitet verbafalutia mtcnte attctiat t&amp;gt;no<br />

aurcs auX)iet)i aut&amp;gt;iat^<br />

fenfibif fine (enfuat eft m atalib?- mtelleSu<br />

aut&amp;gt;ie^i-q<br />

alia a efftftualis q tm m botbua e.p9 -jclnii ^ut)! filia<br />

iba.-3fjbora r&amp;lt;r6m.a<br />

cceprimu_.&amp;lt;Tt mcUnaautemtua<br />

ppfba tctem- Gf6tau3?yi).li-Dfc(Tionu.locut?c8t)ne<br />

-vote foza at&amp;gt;<br />

aure<br />

m?a t\.ui igif neglignf aut&amp;gt;it vbu<br />

bci tantu pccatacfijrpi capita acceptu erpuertt t tet<br />

tam .iq*i3rftogo x8 ftatrcs-a e tcrtua aug?.que<br />

tamen caute Icgc. IDui? etiaaurctJ ctelcentm aurcB<br />

.i*m ctvna <strong>of</strong>uftonc vt turtat ouit&amp;gt;i?li.vitj-<br />

16 Auctoritates Aristotelis et aliorum philosophorum. [Cologne: Johann Guldenschaff, c.<br />

1490]<br />

Chancery 4 (206 x 140mm.), 60 leaves, 36 lines and headline, Gothic letter, 2-, 3- and<br />

4-line initial spaces, modern calf, modern box and wrappers<br />

A scarce edition <strong>of</strong> this compendium <strong>of</strong> the sentences <strong>of</strong> Aristotle and <strong>of</strong> the<br />

commentators on his logic, together with summaries <strong>of</strong> Seneca, Boethius, Plato and<br />

Apuleius. As the prologue states, this popular work, printed in some two dozen editions<br />

before the end <strong>of</strong> the fifteenth<br />

century, was intended as a source <strong>of</strong> themes for sermons<br />

and for academic exercises. Guldenschaff had previously printed two folio editions in<br />

l487(G<strong>of</strong>fA1185& 1186).<br />

Provenance: Dr Crawford W. Adams, with bookplate (sale Sotheby s New York, 5 May<br />

1982, lot 16); George Abrams, with bookplate (sale in our rooms, 16 November 1989,<br />

lot 11)<br />

References: H 1921; GW 2814; VK 181<br />

7,000-10,000<br />

11,300-16,200<br />

47


48<br />

17<br />

liocdia Scnccc/Boertj ^laronra.SpukuSffiicam f&amp;gt;o:<br />

pbirq ec 45ilbcrri f-omtani acnw fumma cm Oiligcncw<br />

raufcecco:reae,<br />

,<br />

v<br />

Q3g o^b


17 Auctoritates Aristotelis et aliorum philosophorum. [Cologne: Heinrich Quentell], 1498<br />

Chancery 4 (200 x 139mm.), 53 leaves (<strong>of</strong> 54, without final blank), 36 lines and<br />

headline, Gothic letter, woodcut <strong>of</strong> a master and his pupils on al recto (coloured by<br />

hand), 3- and 4-line initials supplied in red, paragraph-marks, initial-strokes and<br />

underlining in red, modern boards, early palindromic inscription on title Oro otto<br />

zeleuez no[n] zeuelez oro otto , initials NS in red ink below the colophon, a few lines <strong>of</strong><br />

text crossed through<br />

References: H *1937; GW 2827; BMC i 289; IGI 954; Schreiber 3388; G<strong>of</strong>f Al 196<br />

4,000-6,000<br />

6,500-9,700<br />

49


50<br />

18<br />

am<br />

Jncipit liber fecjmdus (ancti A<br />

de cflnfenfti euangeliftarum feliciter<br />

&quot;Voniam fermone no brem K aor^odffW ne<br />

fellano quern libtovno complexi fqmus re*<br />

tutauimiis eo^ vanitatem q b.fcipFos xpi eiia<br />

gehum c<strong>of</strong>cnbentes ibeo contcmnenbos pu *<br />

tanf quia ipfip xpi ^quem licet non vt deu-tn<br />

r __ vtbomincmGpientialonScpcctei-isxcelle<br />

norandum dTe non dubitantfnulU fcripta p:<strong>of</strong>eru n*<br />

taranoB -eteumtalia fcripfiffc vidcri volunt-qualia puerfi<br />

6j!i S unt.non qlibus tcctis& creditis a perifaat* comgi p<strong>of</strong><br />

Unt-fs/unc vi&cam? ea q qtuor cuagclifte 8 xpo fcripferutl<br />

qwemafcrnocu mfjbiatqjintfe cong ruant-neqt, ibex hoc in<br />

fide criftiana <strong>of</strong>fenbicuh patianf qui cim<strong>of</strong>oresqj capacio .<br />

res fijnt^?? non vtciiqj plectis tfed qfi diligentip gfcrqtatis<br />

euangelicis libiis inconuenientta q5am&amp;lt;H repugnantia (etc<br />

piehenbifrecxiftimantes. magis ea contefi<strong>of</strong>e obiectanba qj<br />

piubent conn&eranba efle arbitrantyr<br />

tbeus euangcfifta<br />

ficoi-fuseft.tibergenerationis<br />

iFju crifti f&amp;gt;lii &auio.filii abfabam^uo cxoi-bio fuo<br />

-- fttis ondit genefationem xpi fctfrn c^rnem fe fufce*<br />

pifle narranoanrfctJm bane enim cnftus films bomiseft q8<br />

etiam fe ipe fepiffime appellat-commen&ans nobis q & mifc*<br />

riccrOit bignatus fiteffe p nob t jfcJam ilia fupna K eterna<br />

Seneratio fcSm quam^ilms vnigenituseft an omncm crea*<br />

turam-quia gipm omu fcta fut^ ta ineffabilisewt b* tlla bi<br />

ctum^a^pfita intelligat,Cenerationem eip q s enarrabitlx<br />

cquitg bumanamgenerationem cnfti maths ababrabSge*<br />

neratores commemorans quos^bucitad i<strong>of</strong>cpbvirum ma<br />

fie 6 q natp eft ifcs JWeqj cnimpbaseratvteum obboca co<br />

iugio marie fcparanbum putare^r gj<br />

&amp;lt;&quot;eb virgo<br />

non ex ems concubitu<br />

pcgit criftumtKHcc enim exemplo magmfice infi<br />

f fibehbuscoiugatjs etiam feruataparic<strong>of</strong>enftjcontine*<br />

o(Tc gmanere*vocaricfecoiugium nopermixto cozporis<br />

febcuftobito metis affectu piefertim quia nafiri eisetl<br />

jiiu; potuit fn illo complexu carnali*cj p:opt(blosgig *<br />

nenbcsfjliosabbiben&amp;gt;?eft/|*Jecfe enim p^opterea non erat


18 Augustinus, Aurelius, Saint. De consensu evangelistarum. Lauingen: [eponymous press], 12<br />

April 1473<br />

FIRST EDITION, Chancery 2 (276 x 200mm.), 105 leaves (<strong>of</strong> 108), 37 lines, Roman<br />

letter, 3-line woodcut outline initials, two six-line initials, initial-strokes and some<br />

underlining in red, contemporary blind-stamped calf over unbevelled wooden boards,<br />

sides ruled in blind, large central panel filled with repeated impressions <strong>of</strong> a lion rampant<br />

tool, outer border composed <strong>of</strong> the same tool and a rosette, 5 metal bosses on each cover,<br />

metal corner-pieces, plain edges, flyleaves from a vellum manuscript, modern cloth box,<br />

lackingfolio 7/1 and the initial and final blank leaves, a few light stains in margins, rebacked<br />

with boards reversed, lacking two clasps<br />

ONE OF ONLY TWO BOOKS PRINTED AT LAUINGEN, THE ONLY ONE TO NAME LAUINGEN AS<br />

THE PLACE OF PRINTING. An edition <strong>of</strong> De anima et<br />

spiritu and other pseudo-Augustine<br />

an earlier state <strong>of</strong><br />

tracts, dated 9 November 1472 (G<strong>of</strong>f A1224), is considered to represent<br />

the same type and is thus attributed to the same press. While the earlier work is printed in<br />

a pure Roman type, the present book mixes some Gothic sorts with the Roman, and the<br />

body<br />

size is reduced from 106 to 96. The outline woodcut initials <strong>of</strong> this book were not<br />

used in the earlier one.<br />

The unwatermarked paper stock used for the present book may have been slightly smaller<br />

than the common Chancery stock: all copies, including those in original bindings, seem<br />

to have leaf heights below 28 cm.<br />

References: HC *1981; GW 2897; BMC ii 545; G<strong>of</strong>f Al 257<br />

5,000-7,000<br />

8,100-11,300<br />

51


52<br />

19 actual size<br />

ttcfpit TUircUus Thiguftfnf be moiito<br />

alrjs libtis fatis<br />

cgiffenosqucabmobu mam*<br />

ci?eo:p muemoitib&amp;gt;quifa m Ic<br />

gem qt&amp;gt;<br />

wfcus tcftamcnfu toea<br />

(mint*<br />

(c(eq; mtec iperitop plaufus mam iactacoe<br />

tvnaUnt p<strong>of</strong>ltm? occurcc^ brcuitc c ctia B<br />

^meozart a me pt (Siuia em mcbiocrii ianf<br />

no fiadle mtclitgat fcdphjra^ c^p<strong>of</strong>icoej ab<br />

l;tj pcteba cffc.qm carii boclojce (c efTe^pft<br />

teller fieeiq; p<strong>of</strong>fc vm-o ifc (cmp acdbere v^t<br />

17 I A.<br />

ntuld ntvJoche vi^atut abfutbaquc tattteti<br />

a bodcwibD c)tp?nutur co iaubanba vibcant v<br />

ciadu8.quo abtecti^afpetnaba vibcbant^ct<br />

co acdpianfaperta bu(n?quo dau(a bifFid<br />

laid apkbanff %)oe<br />

trrc m fcfe ivtcie tcfla<br />

tncnti hbris euemt*ft mo ilk q <strong>of</strong>fctnf*oodo<br />

rcm poti? co:p pit! ; tmptu laccmto:c rcqus<br />

tat.ptuifq; flubto querentis qm tcmcritatc<br />

nt aliquot foitcidberit rd epos tvl pfl<br />

tvl i^uiufccmobi cede c\tl; olt ccantiflitc^ct<br />

a mmiftcos.qwi aut pafftm dueantiiubare<br />

mtften a*ai!t qui contvtt (imptta fibc alcBza<br />

cognfcc tto aimrunt*txfpcrc ibi cfTe foctiatti


19 Augustinus, Aurelius, Saint. De moribus ecclesiae catholicae. [Cologne: Bartholomaeus de<br />

Unkel, c. 1482]<br />

Chancery 4 (212 x 142mm.), 34 leaves, 27 lines, Gothic letter, one 5- and three 2-line<br />

initials supplied in red, initial-strokes in red, modern limp vellum, some uncut edges, tear<br />

(paperflaw) in lower margin <strong>of</strong>CCl<br />

BMC suggests that this tract was printed by Unkel as part <strong>of</strong> a series <strong>of</strong> five works by, or<br />

related to, Augustine, the others being: Confessiones, dated 9 August 1482 (G<strong>of</strong>f A1252);<br />

De disciplina christiana, (G<strong>of</strong>f A1261); De vita christianawith De dogmatibus christianis,<br />

(G<strong>of</strong>f A1358); and Jacobus de Voragine s Tractatus super libros sancti Augustini, (G<strong>of</strong>T<br />

J203).<br />

References: HC *2108; GW 2914; BMC i 242; G<strong>of</strong>f A1296; Voull(K) 204<br />

4,000-5,000<br />

6,500-8,100<br />

53


54<br />

^<br />

20<br />

i<br />

Ouotmo:ralium peccare igno;antcs<br />

oocui : voletcs oelmquerc perfuafi re<br />

fiftentes coegi : volentibus confer.fi .<br />

Ouor fane gradieimbus laqueum in<br />

dujciivtam quercmibus fotieain retejri:<br />

tpatrare non abbonui:obliuifci no<br />

roettn.$edtuitiftu6uide,c fignaspec<br />

cata quafufacculo obfcruafti omnes<br />

fcmitas mcaciTCuaos grcflus mcos<br />

oinumerafti tagufti * femper filuifti<br />

pattens fuiftidBleb mibi ocma lot<br />

tojquer mec<strong>of</strong>cientia cruciant co:di<br />

arcanamirctat auaricia: ifeilat iu.cu<br />

ria: accufat fugbiftc<strong>of</strong>umit iuidia ift&<br />

mat concupifcentia;oeboneftat gula:<br />

ebztetasc<strong>of</strong>utatioetractio lacerat: am<br />

bttio fupplantat. rapacitas obiurgat:<br />

v Difcozdia oiftpat.ira perturbanleuitas<br />

oilToluit.tojpo; oppmiLbfpocffis fal<br />

lit adulatio frangit.fauoz tollit. calu^<br />

nu ptmgit. ^cce liberator meus oe<br />

gentibus iracttndie. cccc ram qttibttt<br />

vijci a oie nartuitaris mee tfb 1 fliidui:<br />

quibtts fide feruaui.-Jpfa me que ou<br />

lejceras fludia damnaitt que laudaue^<br />

raincirnperant.tnfutqb!ia acquieni<br />

amici.4ba6 parai magiftri.7 qbus few<br />

uiui om-<strong>of</strong>ules c^b credidixiaeo qbus<br />

cobabctaoioomeftid (jbus<strong>of</strong>eft. peu<br />

mibi rejc meus.-r oeas me 9 q? icout<br />

meiis<br />

longat*e*4l&amp;lt;b mibi Ulcimina<br />

tio mea q* babitaui ca babjraribua ce^<br />

rie qfi gturiesffludicig timo^ ^ap.iui.<br />

^ue oeoium pomlne ptcftabi<br />

is<br />

r taper maliua. *ftoui cp no<br />

temg filebia cu in pfpectu tuo<br />

Cgms erardefat: i in rircuiru tuo tepe<br />

(Us valida igrueritrcum aduocauehs<br />

celum oefopent terrain oifcernere po<br />

pulum timy.z ecce cowm tot milibus<br />

populozum nndabutur omneeiniqui<br />

tates mee; tot agminibus angelonl pa<br />

tebunt vmucrfa fcelera mea: non folu<br />

artuu fed 7 ccgitationnj fimulqj locu<br />

tionurn. ^ot indietbtis inops aitabo<br />

quotmepzecefferunt inopere bono:<br />

totarguentibuscpnfundar quot mibi<br />

p^ebuerut bene viue~die;:epla:tot con/<br />

uincar teftib 9 quot me mpnuerut p:o<br />

darJEtcuoatibi faiict tsijceritmultu*<br />

qiiatomagisegoifeltjcoicere p<strong>of</strong>nim<br />

nimis Ccola fuir aia mea firmamuni<br />

meii<br />

pe no mftificabif i c<strong>of</strong>pectu tuo<br />

omnie<br />

yitiens.^pes mea non e I ftli|a<br />

bominu. quern iiremota pietate iucu&amp;gt;<br />

caueris iuftum iuenies^nift pueneria<br />

miferado fpium.non eft queglo:ificec<br />

piii5.redo naque Talus meaq6 audi<br />

ui.quonia benignitae tua ad penitent<br />

ti,i me addujcit tui ozifmibi fcnacrtmt<br />

nectarea<br />

labia.tjemp potefl teiread<br />

Cme mfi prme<br />

ficuis fermonibus.Tecaimttandoeitv<br />

Mis oederunt<br />

acridibtts.^iie coj non<br />

fuppetit quid oicd: non ocoirrit quid<br />

rndea;.At cuafa iterilt illtoifcrimini<br />

9 qui mifit me traicerit eu.<br />

Y %n vero q: iftrUjciftLtataqfie pjopiti<br />

Siftruai6efo2maftitorismedcilli0 co?<br />

dii?. toto niffu mentis, te omnipotent<br />

patercu oilectiflimo puero teque oul<br />

ciftima .ples cu fcrenuTimo innoco pa<br />

raclfto^rabe me 9<br />

quaten p te curam<br />

i vngoentozu<br />

odo:g<br />

tuozum oulciter.<br />

co te oeue meusinuoco<br />

te.qz ,ppe es oibue Cuocatib<br />

I ueritate. ^te Ju eij veritas es.<br />

/ooce me quefo gclememia tua fancta<br />

i veritas te iuocare i te q: boc fieri quo<br />

J opozteat nefcio.fed a te ooceri btaw<br />

ritas bumilirer iplo:o^abfte.n. faperc<br />

eft oiflipere.te enf n<strong>of</strong>ce e cfectu fcirc<br />

J^rudi me oiuina veritas ? ooce me I<br />

gc5 tua4rcdo i laqt; q: tu erodftrif


20 Augustinus, Aurelius, Saint. Opuscula. Venice: Andreas de Bonetis, 23 July 1484<br />

Median 4 (219 x 158mm.), 288 leaves, double column, 42 lines and headline, Gothic<br />

letter, printer s woodcut device at the end, 3- and 4-line initials supplied in red,<br />

contemporary South German (Memmingen?) blind-tooled pigskin over unbevelled<br />

wooden boards, outer frame <strong>of</strong> double fillets, central panel divided with double fillets<br />

into triangular departments, border and panel decorated with three round stamps <strong>of</strong> a<br />

rosette, the Agnus Dei and an angel (Kyriss workshop 162, nos. 1, 5 and 6), one clasp<br />

and catch, title lettered in the first spine compartment, a few small wormholes in last few<br />

leaves, a few headlines shaved, short tear in lower margin <strong>of</strong> v8 just touching edge <strong>of</strong> text, Dl-<br />

2 lightly damp-stained, both covers slightly wormed<br />

This edition <strong>of</strong> authentic and pseudo-Augustinian tracts was reprinted from that <strong>of</strong><br />

Octavianus Scotus <strong>of</strong> 28 May 1483 (G<strong>of</strong>f A1216).<br />

The present edition includes additionally the pseudo-Augustinian tract De anima et<br />

spiritu, two works by Eusebius Conrad us, De errore scribentium Augustinum fuisse<br />

heremitam and Annotatio brevissima, and a life <strong>of</strong> Augustine by Possidius. Copies <strong>of</strong> this<br />

edition are known without the printer s device.<br />

Hildebrand Brandenburg <strong>of</strong> Biberach, the great benefactor <strong>of</strong> the Buxheim library (cf. lot<br />

24, Ritman sale in our rooms, 6 December 2000), made use <strong>of</strong> this workshop for the<br />

bindings <strong>of</strong> many <strong>of</strong> his books. This volume, however, did not belong to him.<br />

Provenance: Carthusians, Buxheim, with inscription and stamp; Dr Victor von<br />

Klemperer, with bookplate (sale in our rooms, 28 June 1991, lot 583)<br />

References: HC *1947; GW 2864; BMC v 361; G<strong>of</strong>f A1217<br />

5,000-6,000<br />

8,100-9,700<br />

55


56<br />

21


5 unitattmalos caftere: virtutef<br />

a rd)cere:in aduerfis pattentiS<br />

mtmeimam: cuftodiarn o:is :?<br />

}&amp;lt;anri&amp;gt; I ihit a<br />

21 detail, enlarged<br />

21 Augustinus, Aurelius, 5^/w?. Opuscuk plurima. V/re: Dionysius Bertochus, 26 March<br />

1491<br />

Median 4 (241 x 174mm.), 350 leaves, double column, 55 lines and headline, Gothic<br />

letter, 3-, 5-, 6- and 10-line initial spaces with printed guide-letters, woodcut printer s<br />

device at the end, heading on bl recto printed in red, final blank leaf printed on recto<br />

with column a <strong>of</strong> R6 recto and column b <strong>of</strong> R3 verso, CONTEMPORARY LONDON BINDING<br />

BY THE HALF-STAMP BINDER , blind-stamped calf over unbevelled wooden boards, sides<br />

ruled with triple blind fillets, tools include a pointing hand and double-headed eagle,<br />

plain edges, pastedowns from manuscript vellum leaves, modern cloth box, dust-soiling on<br />

B5 verso and B6 recto, lacking 2 clasps<br />

BOUND BY THE HALF-STAMP BINDER ,<br />

to whom Oldham ascribes twenty-two bindings on<br />

books dated between 1491 and 1511 (J.B. Oldham, English Blind-stamped Bindings, p. 29<br />

and pis. 24 and 25, tools 313, 315, 317 and 319). The tools used on this binding include<br />

a left hand with a pointing forefinger. The binding is reproduced by G.D. Hobson,<br />

English Bindings <strong>of</strong>J.R. Abbey, no. 2.<br />

This edition <strong>of</strong> Augustine s Opuscula has some sixteen more tracts than those in the<br />

Venice, 23 July 1484 edition (see lot 20). Ten <strong>of</strong> these entered by way <strong>of</strong> its chief copy<br />

source, the 20 March 1489 Strassburg edition <strong>of</strong> Martin Flach (G<strong>of</strong>f A1221), and six<br />

more were included for the first time in this collection. Of these latter, marked printer s<br />

copy has been identified for one, De consensu evangelistarum: British Library Ms. Add.<br />

69793 (formerly in the Doheny collection).<br />

In the present copy, as in a few others, the final blank leaf has printed on its recto the left-<br />

hand column <strong>of</strong> R6 recto and the right-hand column R3 verso. GW describes this<br />

additional printing as a Korrekturabzug , although it in fact introduces a final, incorrect<br />

line <strong>of</strong> text to column a <strong>of</strong> R6 recto.<br />

Provenance: Richard Vowel (fl. 1507-1540, Prior <strong>of</strong> the Austin Canons at Lees, Essex, and<br />

then at Walsingham, Norfolk), with signature; Richard Towneley, with bookplate, 1702;<br />

Lord O Hagan (sale in our rooms, 6 June 1939, lot 566); Major J.R. Abbey, with<br />

bookplate (sale in our rooms, i, 21 June 1965, lot 103)<br />

References: H *1949; GW2866; BMC v 488; G<strong>of</strong>f Al 2 19; IGI 1017<br />

30,000-40,000<br />

48,500-64,500<br />

57


58<br />

mie<br />

Dim Hurclii Huguftini*Di<br />

n en fio epifcopi : in euagclm f<br />

3obanne Zractat^priiu^foe<br />

ter incipit . Sb eo qs fcriptum eft:<br />

Jn principio erat verba :i verbii<br />

erat apud oeum vt seu0 erat vcrx<br />

bum.vfcfc ad idqtf ait: jfttenebre<br />

ictes<br />

quodmo<br />

ctioeap<strong>of</strong>tolica:#<br />

f animalie bomo no<br />

^?B8SS2S<br />

r* tantes in bac p:c*<br />

\nfentiturbacbarita<br />

_ j K&amp;gt;tfcvrtntfretre cflfC<br />

multi (Int aiales quiadbuT fm carnctn<br />

fapiantmondu q? polTmt ad fpualem intel<br />

lectutn fe erigere . befito vehement* quo*<br />

modo vt <strong>of</strong>tf oede&quot;it p<strong>of</strong>Tim oicd vel # mo<br />

oulo meo cr plica J qS lectii e cr cuagclio<br />

pzincipio erat<br />

3&amp;gt;&amp;gt;<br />

t?erbu:-r verbu erat apud oeum:-r<br />

rcu0 erat verbu .Iboc ei aialis bomo<br />

n6 pcipit.d&uid fratres^Cilebim^binc^<br />

^luare ergo legitur (i Itlebif^^lut qre 3u<br />

ritur (i non erponif?Sed i cjd erpomf (T<br />

non intelligif ^Itacp qm rurium cfTc non<br />

cubito in numcro veftro qu<strong>of</strong>da a quibuf<br />

p<strong>of</strong>fit non folu crp<strong>of</strong>itu capi.fed 7 atitecp<br />

crponaf intclligi:non fraudaboeos qui<br />

p<strong>of</strong>funtcapc.pumnmeo fupfluus efTeau<br />

ribuo co ? qui non poifunt cape .-jp<strong>of</strong>trc?<br />

moadcntmiaoei fo:ufTc vtoibu<strong>of</strong>atif<br />

faci.it i capiat quifq? qd poteft:q: i q locj<br />

mr oicit qd poteft.TBam oicere vt eft quif<br />

poteftsfHudeo oic^ free ind. fo:fitan nee<br />

ipfe iobanee oijcit vt eft: fed ? ipfe vt po*<br />

tuir. q: oe oeo vt bomo Dijcit * t quidcm<br />

infpirat* a oco . fed tame bomo q: infpira<br />

tua/oit it alicjd: (i non infpirat eet/oinf?<br />

(et nibil : iauia ^o bomo infpira tur : non<br />

tantul qd eft omt .fed q 5 potuit bomo m*<br />

jcit.<br />

CratenufteiobeefrescbaniTitnid<br />

illis nvo nnbuo DC quibus fcripiu eft. Gu -<br />

fcipiant montcc paccm populo tuotT col^ p5 4 ttt j.<br />

Ico iufttcia5.^ontco/ejccelfe ammc funt. --_<br />

Collce puule animc ftiur. cd idco inou*<br />

tes cjccipmt pacem:vt collee polTint ejtd*<br />

pcreiuftici4.(iueeftiuftiaa 1qua5coUe0<br />

autem accipcrct ITHIIO:CG .mime ftdc5: ntfi<br />

nmiorco aiiime que in onrco oicte funt ab<br />

ipfa fapia illuftrarcnf:vt polTent paruulif<br />

tray cere qd p<strong>of</strong>fmt paruuli cape i vtuerc<br />

ejc nde colics, quia monies paccm fufcipi<br />

unt.^ab tpffc montib9 oictum eft ecclefie:<br />

a]t vobtfcu.Ct (pit motes paccm annu*<br />

ciando cccfcfic-.noii omiferur fcaduerfud<br />

eum a quo fufceperut pacem.vt veraciter<br />

non ftctc nuciarent paccm . Sunt aut alii<br />

montes naufrag<strong>of</strong>t:quaquif^ nauim CU5<br />

impulerit foluif.facile eft eni cum videc<br />

terra a pericl?tantib^/quaft conari ad ter<br />

ram.Gcd aliqn vidcrur terrain monteet<br />

fajca latent fub monte:i cum quifqj conai!<br />

ad montem:inadit in fara: ? ibt non uiu c-<br />

nit portum fed . pUnctu Sic fucrut d.i in<br />

q&quot;<br />

montco i magni afparuerunt inter boics:<br />

et fecerut bcrcfco i fcifmata: i Diuiferunt<br />

ecclcdam oeu^ffti qui Diuiferut ecclefiatn<br />

Deitnon erant illi montefoe quibuo otctu<br />

eft.Sufctpiant monies paccj populo tuo<br />

^uo eni pacem fufceperut:qui vmtatem<br />

oiuiferiit^^ui aute fufceperut paccm nd<br />

ciandam populo:conteplati funt ipfam fa<br />

pientia cptum bumanis co:dib 9 potuit co<br />

tinsi:q6necoculu0vidit&quot;nec aurisaudi^ j<br />

utt nee in co: bois afccndit.Si in co: boi0<br />

non afcendittquo afccndit in co: iobanifr<br />

Sn non erat bomo iobanc0:an fo:te neci<br />

co: iobanis afcenditJ cd co: lobants in il*<br />

la afccndit^ & eni afcendit in co: b<strong>of</strong>s:6<br />

imo eft ad bominc :quo aute afcendit co:<br />

b<strong>of</strong>s.furfum eft ab boie.Knam fie fres oi*<br />

ci fi<br />

poteft :qui.i afcendit in co: iobanm<br />

ft aliquo modo poteft oici.intantu afcen*<br />

oit in co: iobanms.incptum ipfe iobannea<br />

non erat bomo.^iuid eft non erat bomo^<br />

jjfoqmim ceperat efl&quot;e angelus. ggiuia om*<br />

nee fancti an^eli q: inuciato:e0 Dei: ideo<br />

carnalibue i atalibus non valcimbus ^&amp;gt;cr<br />

cipere que funt oei^d ait ap<strong>of</strong>toIus^/Cii<br />

eni oicitis/cgo fum pauli.ego apollo:no# |.Co:intU .f<br />

ne bomines cftis^^uid cos volcbat face<br />

re: q uibuo ejcp:ob:abat quia boies erant<br />

lno no(fc quid cos face1 volebat . a


22 Augustinus, Aurelius, Saint. Expositio evangelii secundum Johannem. [Basel: Michael<br />

Furter, not after 1491]<br />

FIRST EDITION, Chancery 2 (291 x 213mm.), 206 leaves, double column, 52 lines and<br />

headline, Gothic letter, 12-line initial on a2 recto supplied in red and blue with red<br />

penwork extensions in inner margin, 4- and 5-line initials in red or blue, initial-strokes in<br />

red, disbound, in a modern box, first three gatherings and final gathering detached, some<br />

light dust-soiling at beginning and end, one small wormhole inforemargin <strong>of</strong>firstfew leaves<br />

Another undated edition <strong>of</strong> this work signed by Furter is described by GW as being part<br />

<strong>of</strong> a 1505 edition printed by Amerbach, Petri and Froben.<br />

Provenance: Bibliothek Oberherrlingen, with engraved bookplate dated 1839; Madeleine<br />

and Rene Junod, with bookplate<br />

References: HC *1982; GW 2912; BMC iii 753; G<strong>of</strong>f A1275<br />

6,000-8,000<br />

9,700-12,900<br />

59


60<br />

23<br />

mlarcre vnart vult auicc.^ma ^mi.&amp;lt;r^rp5 bic ZDagi<br />

rfru 3acobu no bene p<strong>of</strong>nilTeiftaB ouastquaeoidtein: /<br />

unaariftabiponircomiflTurasno rm cranci<br />

i:fed oium parktu capirie;? ifte oue fiint rer *<br />

magnecomiJTure vercfuntplnrea qjrre0colH8ende pma<br />

ftinguunfabfo urepura pence receflTus ab opriniafigura:<br />

i(lo m6 font quolitet obloga biftoua:? plurime:nec bnt<br />

poRjerutprernalea cerebii figuras:pna in q Deficit anrioi<br />

fmtnfn a:i co a ni in q Deficit p<strong>of</strong>tcricmterria in q ambe Deft<br />

dun?<br />

p vocaf fpericatqrta aut in q maioz eet oiltatia<br />

tpie<br />

41 frotie ab o ccipitc:?i nr ip<strong>of</strong>em a u ifrc. fDr p , j q tuc et all/<br />

quij cerebii<br />

retriculo^ oeficeret;f5 pdliato: bac oiffo:ma<br />

lioneoiritfe vidiflc <strong>of</strong>ia.yp.fit ego tefto: me bononie vi/<br />

dilTe i mefuraife in puero quatuoi anno^. XXX vii.<br />

3^qpmocdpitiijcminenafit mmoz<br />

alicui:pf!dera -z neruos T colla cu algs<br />

&quot;<br />

<strong>of</strong>libu0 0m nam.0igde ^10 fe l?nn/<br />

J bu0 indige tia materkno virmtis im<br />

beallitatetafr fern eft Mneprioab fcoernrtb<br />

ifirmu eft pncipiu.^n plib fco ^3 ocdpitiu idi/<br />

genna ibedllitas eor q oca ft fegf : -z ra^ valdc<br />

i talepttgit02oiri ]vo ^5 ocdpitiu pfidera ca/<br />

put code mo in toto magno nato octermiatif*<br />

3n plib^o i ^ec bona ngura facta p acepl?ali/<br />

do0 bonu fignu qua gda&quot; medico^ p<strong>of</strong>teriu^ ce<br />

rebp n<strong>of</strong>ant.iBueadmodu igif i eft p<strong>of</strong>tm oe<br />

terminatu:fo:ni3 velut lauda kntecomifluras.<br />

nbiliugde plunmo:panco vero opatiuor.<br />

3ta&amp;lt;#l?ec*beneoifpo[trapfecta0 fcfuna0 frn<br />

2ia0. ede~ fto i in anrioribus capi<br />

p<strong>of</strong>ten ad puitate ? magnimdine&quot; dus nobi* re<br />

fpiaetibue ? figuring ft in i0 fenfu0*f.vifo5<br />

s<br />

tun i vuio:? pancipiu I?i0 queab eo nata fum.<br />

C73t quorie0 occipitiu minuaf:pn~dere0 opo?^<br />

tebit neruo0 ac collu vna cu ceteri0 <strong>of</strong>libue.Si<br />

enini fceant pnammiopia mae; aud quacB fa<br />

cuuati0 ifirmita0:fi viti<strong>of</strong>a:oebili0 facultae cjn<br />

mt.Sedmagnaetpteoccipmoicernojipdtcto<br />

ru5 mnrmuae comitaf :rarcq3 air acddu.TRec<br />

fecu0p minen0occipitiupfiderabi0parif&amp;lt;:r cu<br />

9tu,5 oibu * finmdib .Si eni cerebelli fiaura ido<br />

inmu eft p qua ? neruo0 in vniuerfo afali moue<br />

te0 o:dif .^ar0 aut ipfa pcfterioz er fe penimj<br />

P3ud0ptidpatfenne nbu0:niulnfmouetibu5:<br />

: Vt dtC3 fro<br />

t:ac fibiinuiceni a ftipulan<br />

timtumqueabaliquo nieb:p pjincipali ozinn/<br />

tur:virtuti:viriocpp2mcip3lt0:tum eriam pzin/<br />

dpale I?t0queabfeo:iuntur<br />

tueri 05 neruo0:atcp ceruice: vna cu oifibaig&amp;gt;*<br />

Ifl j 11 m natura* pititehnt matcrie oefectumo<br />

virtuti0tbedllitateptingtt;3lli0^o norecte fe<br />

t&amp;gt;ntibu0 paindpiu eft oebile:f3 niagna er parte<br />

Defecm0:c4ocdpitieu ;niut:pfegtureoqueafi<br />

tedirimu0 ibcct I li tj e:r jr uTni iup aluer eueriire<br />

pfueuit.apute&quot;tq$ Uni occiput in acutitm ten<br />

dit:3i3duer(ereop3:^ifdead^ibiH6piiungue/<br />

dirdnibuergbuo anteain capite gradiozi feto<br />

vtebanf ^tprin ^o:-z ^ocopttniuelt fignu ft/<br />

gura?cinaeiu0pn0:quecerebzoadl?cra:qu3<br />

nonul u niedici p<strong>of</strong>teri cereb:nappi :i/are pme/<br />

ueriit:que3dniodu Zp<strong>of</strong>!cnu0tTtiiitt:afutura<br />

que grece Ife.A.fo2ml Ip3 p:eftnit35.ft ^o Ipu /


23 Avicenna, i.e. Husain ibn Abd Allah, Abu Ali. Metaphysica (edited by<br />

Franciscus de<br />

Macerata and Antonius Fracantianus). Venice: Bernardinus de Vitalihusfor Hieronymus de<br />

Dumntibus, 26 March 1495, FIRST EDITION, 41 leaves (<strong>of</strong> 42, without initial blank leaf),<br />

double column, 65 lines and headline, Gothic letter, 3-, 4- and 8-line initial spaces with<br />

printed guides, heading on a2 recto printed in red, woodcut device at the end <strong>of</strong> the text<br />

Galen. Ugo in libris microtechni (commentary by Hugo Senensis). Venice: Luc Antonio<br />

Giunta, 1523, 4- and 13-line woodcut initials, 3 woodcut diagrams in text, lacking last 10<br />

leaves<br />

2 works in one volume, Chancery 2 (287 x 204mm.), late sixteenth-century English<br />

(Oxford?) calf, single gilt fillet border, gilt centre-piece, some light damp -staining, rebacked<br />

and edges repaired<br />

FIRST EDITION OF AVlCENNA s METAPHYSICA, in which he attempted to integrate all aspects<br />

<strong>of</strong> science and religion in a grand metaphysical vision and thus explain the formation <strong>of</strong><br />

the universe and elucidate the problems <strong>of</strong> evil, prayer, providence, prophecies, miracles<br />

and marvels. The second work is a rare edition <strong>of</strong> Galen s Microtechni with a commentary<br />

by Hugo Senensis.<br />

FROM THE LIBRARY OF SIR KENELM DIGBY. At his death in 1665 his library was still in Paris,<br />

where the authorities sold it for 10,000 crowns. It was repurchased by his kinsman the<br />

Earl <strong>of</strong> Bristol who then <strong>of</strong>fered it for sale by auction in London in 1680.<br />

The centre-piece on this binding is unrecorded by David Pearson, Oxford Bookbinding<br />

1500-1640, Oxford, 2000.<br />

Provenance: Sir Kenelm Digby (1603-1665), with signature and motto on first title-page<br />

Vacate et videte Kenelme Digby ; Capt. EC. Brooke, Ufford, Woodbridge (Suffolk);<br />

Kenneth Garth Huston, with bookplate<br />

References: Avicenna: HC 2216=2217; GW3130; BMC v 547; G<strong>of</strong>fAl431; Klebs 135.1;<br />

Galenus: Waller 4977<br />

4,000-5,000<br />

6,500-8,100<br />

61


62<br />

24<br />

a 3 i % _ . *-* , -. i ^ *<br />

/* i &quot;i<br />

li; ; iO * .- -<br />

SIL3YLLA CVM\NA<br />

Sib^Ua cutnana q fait tpe Tarqtii prilci fcripfit<br />

de xpo referete uirgilio in lib,buco,i nuc mocUi<br />

Tltima cumei uenic lam carminis ^tas<br />

Magnus ab iategro fecloratn nafcicur ordo<br />

LinT rcdii: & utrgo rcdeunt faturnia reg^va<br />

I \m noua^pgenies ccelo dimictitur ako<br />

Tu modonafcentt puero:quo ferreaprimuml<br />

De(ir.et:8i toto furget gens aurea mundo<br />

Cafca fauclucina tuus lam regnat appoUo


24<br />

PLATO PHILOSOPHVS<br />

24 Barberiis, Philippus de. Discordantiae sanctorum doctorum Hieronymii et Augustini<br />

(Sibyllarum et prophetarum de Christo vaticinia; Proba: Cento Vergilianus; Thomas<br />

Aquinas (pseudo-): Praefatio super symbolum Athanasii; Explanatio super orationem<br />

dominicam; Explanatio super salutationem angelicam; Explanatio super Te Deum;<br />

Explanatio super Gloria in excelsis; Donatus theologus). Rome: Joannes Philippus de<br />

1<br />

Lignamine,<br />

December 1481<br />

[after]<br />

Second edition, Chancery 4 (191 x 136mm.), 82 leaves, 27 lines, Roman letter, 3-, 4-<br />

and 7-line initial spaces, 29 woodcuts, eighteenth-century English speckled calf, last few<br />

leaves stained, a few leaves partly detached, rebacked<br />

In this little work Barbieri defends fiercely a Thomist position, which sees all knowledge<br />

and truth as being contained in the thought <strong>of</strong> St Thomas Aquinas. Barbieri (1426-<br />

1487), an important Dominican, was born in Syracuse, travelled much in Spain, where<br />

he was involved in the persecution <strong>of</strong> the Jews in 1479/80, and returned to Sicily<br />

probably in June 1485.<br />

The woodcuts <strong>of</strong> the prophets and sibyls face each other (cf. the prophets and sibyls in<br />

Michaelangelo s Sistine chapel paintings), King David facing the Sibyl <strong>of</strong> Cumae, who is<br />

said by Virgil in Eclogue IV to have foretold the birth <strong>of</strong> Christ (lines 4-10 <strong>of</strong> the poem<br />

are actually quoted beneath the woodcut; the other legends are all in prose, largely taken<br />

from the O.T.), and Isaiah facing Christ, followed by John the Baptist facing a cut <strong>of</strong> the<br />

Nativity (with a non-biblical text). Last comes Plato (with the opening words <strong>of</strong> St. John s<br />

gospel as legend), but facing a page <strong>of</strong> text in which s Augustine statements about Plato<br />

are<br />

given, followed by mention <strong>of</strong> Hermes Trismegistus and Aristotle. The Cento <strong>of</strong><br />

Faltonia Betitia Proba, Christian poetess and the wife <strong>of</strong> the prefect <strong>of</strong> Rome in 351, is<br />

preceded by a woodcut <strong>of</strong> her. This Cento is made up <strong>of</strong> lines <strong>of</strong> Virgil arranged to give an<br />

account <strong>of</strong> the creation <strong>of</strong> the world and the life <strong>of</strong> Christ, a suitable adjunct to what has<br />

been foretold by sibyls and prophets, about his coming. The remaining texts <strong>of</strong> St.<br />

Thomas on the Credo and the great hymns and prayers <strong>of</strong> the church, again form a most<br />

fitting sequel, and the Donatus theologus (a title inscribed in a very early hand on the first<br />

leaf), a brief summary <strong>of</strong> Christian doctrine, its title taken from the most famous<br />

grammar book <strong>of</strong> the Middle Ages, and a work using grammar for theological questions<br />

( nam filius est alius a<br />

patre:<br />

et tamen est deus. Sed si li solus excludat aliud neutraliter<br />

tantum: propositio<br />

vera est. Quia filius est alius a patre: non tamen aliud. Et similiter<br />

spiritus sanctus...) closes the volume.<br />

There are a few early sixteenth-century marginal notes, in an English hand.<br />

This is the second <strong>of</strong> two editions printed by Lignamine, both dated 1 December 1481.<br />

The earlier edition (G<strong>of</strong>f PI 18) contains only seventy leaves and thirteen woodcuts<br />

(Proba and the twelve sibyls), which were recut for the second edition, with the addition<br />

<strong>of</strong> an architectural border. The twenty-nine woodcuts show the twelve prophets, the<br />

twelve sibyls, Christ, St John the Baptist, the Virgin Mary, Plato and Proba.<br />

Provenance: C.W. Dyson Perrins, with bookplate (sale in our rooms, 17 June 1946, lot<br />

36)<br />

References: HCR 2455; GW 3386; BMC iv 131; G<strong>of</strong>f Bl 19; Sander 773; A.W. Pollard,<br />

Italian book-illustrations and early printing, a catalogue <strong>of</strong>early Italian books in the library <strong>of</strong><br />

C. W. Dyson Perrins, 1914, 24; for Barbieri see DBI6, 217-221<br />

30,000-40,000<br />

48,500-64,500<br />

63


64<br />

igelio eternoBer.p:oemiali9<br />

KncipmtfermonesranctiJBcrnar<br />

0,-jffocffflfoojdfoiefratra mmowj qnq? oms.i qnqj alique.qnqj<br />

foluere<br />

Jed adtmplerejQfeattft. y. ca.<br />

gnozdinerapientialiu Oiuina<br />

hum fctentkJru intdligetia plenttudmis Icgi0<br />

aipjime vrilc at# nccdTarta5 efie c<strong>of</strong>iderf0: t&amp;gt;e<br />

caout Dcfurfum fufccpim fcribere intending<br />

ct aptrc. Ibcc fi4dem Icjc a *po vcraciter aditn<br />

pleptfiffirna ronenibilaliud eft: 9 bonefta0<br />

Ica .bilts.i.oefcptt regulis t pcepti0.iu]cta qtf<br />

addifcee boneftu<br />

z&amp;gt;ictu videf. 2U]c eft fcriptu<br />

cbibcnfy cotrariu .]$&amp;gt;:opiie<br />

eni no ome man<br />

tutu boneftati0 lejc t&amp;gt;iaf fiue pccptio fiuepbi<br />

btiio (It:-: tit vfuali tcr oc legte fcriptu legis no<br />

mine nucupaf . *t igtf,pp:ic Icge tnffimatn 9 *<br />

3Lcj: eft boncftae t ntcgra fiue copleta Icgibus<br />

pter ltC5 tulliuet fcneca alqcp qjplurcs Iris t&amp;gt;e<br />

fcpferintboneftare-rcriptatneo^nemonoiat<br />

vcl due 4 ad<br />

lcac.ncc let cuiufdup Mdf . mil<br />

jptto cam tulit. vfeiue 4 ad jptin cam imgauit<br />

&n i leic beb:co? -r oei Didf : flft <strong>of</strong>fi . 3lejc<br />

ctiaj jpt i nucupat :<br />

g? ciftc v ic5 fubiectue eft et<br />

ad qucUn c(l. |p-:oiudc li\ji a Ugado nonul/<br />

li t&amp;gt;iaa die volueriit: p eo ei ad feruandu al<br />

&amp;lt;j?<br />

ligatifunt bi 4bu0 oata eft tpfa lejc.lbie tgitur<br />

ficfe babetibue pleniue ocdarcm 9 plenitude<br />

nemlegie cb:iftt:te qua eni fugius ait.f. &amp;gt;2ott<br />

vcm folucre lege led adimplere. }{5&amp;gt;:enor3ndu<br />

dlg?tre0funt Iegiefpede0. ifaime Oicunf na<br />

turalee.fecudcc<strong>of</strong>uetudinale&tmietbeologi<br />

cc vel Muinalce.atqj De bis -^tutib* tria c<strong>of</strong>i*<br />

Dcrandafunt.lConfidcrem^pmo caru pditoes<br />

folo caru gfectionettertio earu pfumationc.<br />

, Hrticuluep2tmu0que fitoifFeren<br />

tiainter vtrtutes naturalce c<strong>of</strong>uetu^<br />

omales atc^ gratutt36;que tbeologi<br />

cenuitcupatif*<br />

lp&amp;gt;:tmo c<strong>of</strong>tdercm pdtctaru l^tutu ^ditio<br />

fian.Qjj vtmeliuspatefiat: cenaturafingu/<br />

Urub:cuiteraltquagftrinsamu0.<br />

,. Bevtutibue naturaltbus queab<br />

h<br />

TKimeddem fttutes naturales oeno/<br />

P mmanf qzanaturaipafunt.i&uales<br />

YttQ? Oici polfunt naturalie mifiictu/<br />

oo.naturalisniagnanimttas.naruralisvere/<br />

cutidu.naturalte pictaa 7 c<strong>of</strong>imitia: i iftena/<br />

waiucrboibue indite funt.Ctmaltdavrbo/<br />

niutecoplc#6isimpediiinfveladiuuanf:ct<br />

rnalola ejc bis<br />

aute impedifaut adiuuaf . t boc manifeftuj<br />

fir p open toco eahi quc f mimpcdiincntu vcl<br />

adiuuamentu coplccioiiio que a parteco:gi&<br />

eft aut tardio:e0 aut rario^s exeunt : aut frc/<br />

P fcctc fiierit in adam ante pctm i indite fint in<br />

nobis.tn in nobte multu funtlefe atqj t&amp;gt;cp:cfi<br />

le:t pencouioc<strong>of</strong>umpteatcpfepultc imcrfioe<br />

aiaUtatt0 fiue o:iginali0 co:ruptot0. ^eru ejc<br />

ercuy 1 c<strong>of</strong>uetudine cogruentib 9 multU3 eas<br />

adiuuari atqj gficere ipfo fcnfu qcpertene ma-<br />

nifeftumeft.<br />

23e ^tutibusque ejrerci tio i pfiie<br />

JEcude vero Unites ?fuetudinale0 t&amp;gt;e<br />

s noianfit be ejcfrcquetta oeationu ac<br />

.<br />

quirunf vcl t ingignunC cum naturalc6^?tute0<br />

quafi Tint pedc0.fed pede0 lefi mf<br />

tfplidbu0 occafioibiw . no folumalida cople*<br />

jctonis vt oijcimuf.fed etia co:ruptoe que pcto<br />

p:imo^ parentu in totu gcnu0 bumanu tranf<br />

ftifa eft i traducta.ideo laudabiliu operu ejcer<br />

citto augmentanf t robozanf . Jn adam cnini<br />

pede0 ifti 7 fani t recti oino fucrut ante pctifu<br />

et ,ppter boc g viam mom boncftati0 natura<br />

U0.f.bm6ipedibu0recteabfq?daudicat6cpo<br />

terant ambularc. i abfq? <strong>of</strong>fcnfioc i lapfu peccati<br />

quafi g planu nature vt qucadmodu grcf<br />

fibiles erant ejcteriu0 boc eft Pm co:pu0 B vf/<br />

am fenfibileific i greflibile0<br />

elTcnt interius per<br />

Tiam mtelligibile quam Di^Jmu0 planu bone<br />

ftati0naturali0.Confuerndinale0ft<strong>of</strong>iaitU:<br />

gmpede0funt t aliafuipediacula atq; adiuua<br />

inenta:queoccafionati0i Icffe pedib ad adtu<br />

uandu ac c]quo modo gficiendu grelfum adbf<br />

bcnfJ^ontn oubitamu0 naturaluer manfue<br />

to0 ejcerdtio ep^. que mafuetudini0 Tut inipa<br />

m^fuetudineaugen.iSimtlid rnaturaltterpi*<br />

00 eicerdtio eo? que pietati0mip a pietate na<br />

turaliettaaugmetari . 0Ufitq:fmqfdalibe/<br />

raturpotetiat quafi octumulati octegitqua<br />

fi ab Cmerfionc:i ita crupit in oga mato:a nul=<br />

lo modo fmutata apud fe: fi qucadmodus bo<br />

mougatu0Dirapti0atq5foluti0vincuU0mci<br />

piatambulare.cu*tu0eiusgrcnibili0mnuu<br />

lo mutata fit apud fe led libcratatm.<br />

Bevtutibuetbeologicie rounna<br />

libue mqtfii in pfectoefupanr vtutef<br />

naturaleeipfuetudtales*<br />

ea*ra&amp;gt;<br />

JErtie funt^tutce quetbeologtce feu<br />

t Dtuinale0 Dcnoianf oe 4bu0 3 a co .f.<br />

cap.ait.0met&amp;gt;amoptimu-TOtneOo/<br />

num pfectu Ocfurfu eft t&amp;gt;efceden0 a patrelumi<br />

nu.]c quo|pt5 cp lacobusvocat eao t&amp;gt;ona grc<br />

im


25 Bernardinus Senensis. Sermones de evangelic aeterno. Basel: Nicolaus Kesler, [c. 1490-<br />

1495]<br />

Second edition, Chancery 2 (302 x 21 4mm.), 299 (<strong>of</strong> 300) leaves, double column, 56<br />

lines and headline, Gothic letter, 3- and 5-line initials spaces, a few with printed guideletters,<br />

printer s woodcut device at the end, early sixteenth-century German or Swiss<br />

pigskin over thick unbevelled wooden boards, tooled in blind with two frames enclosing a<br />

diaper <strong>of</strong> curved headed-outline tools, four other tools, round rosette, lion rampant<br />

lozenge, eagle standing facing left with wings spread lozenge, free plant, light brown<br />

edges, lackingfol. 1, some damp-staining in last few leaves, lacking one clasp, new endpapers<br />

Second edition, which BMC dates as [not after 1494] on the basis <strong>of</strong> an ownership<br />

inscription dated 1494 in a copy in the von Klemperer collection.<br />

The binding tools are not recorded in Kyriss or Schwenke/Schunke.<br />

Provenance: Bibliothek Oberherrlingen, with bookplate dated 1839; Madeleine and Rene<br />

Junod, with bookplate<br />

References: H *2828; GW 3887; BMC iii 773; G<strong>of</strong>f B350<br />

3,000-4,000<br />

4,850-6,500<br />

65


66<br />

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fiar&t abbatif clareual<br />

lismcipiuntfciicitcr-<br />

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mo pzitnuB /*&amp;gt;<br />

^.Wi*<br />

ObieFiatzcsccIc<br />

bramusabuctua<br />

hiitiu cuius vtiqj<br />

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lumtatumnomcn<br />

qui tx cclcbre (as<br />

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no ita*JnFetices cm&quot; Fili abam omif<br />

fisxxriSTfalutaribo nrubrjs-cabuca<br />

potius et trafttozia qrutlT7uito aP<br />

fimilabimus boics gcneratois bu =<br />

ius aut qto coparabimus illostqd<br />

vitsemus a tcr:cmsaco:po:alito co<br />

Iblatomte aucHi lcparanq5 no p<strong>of</strong><br />

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mcrfi pjriditanf hi aquis* piniiruj<br />

vibsas cos tenetcs tcncrc/ncc vlla<br />

ratoe befoc2Cjqtf pnmu occurrcrifc<br />

manite quicqb iilub fitiicj talc fit<br />

aliquib qtf otfiino ^fccfTc n5 p<strong>of</strong>fit:<br />

vt Bit rabiccs berbaru c&amp;lt;2teraq3 fis<br />

milia paafi qwi ab cosvcniat Fo?s<br />

tc vt fiibucniat .nonungp folct app<br />

tenfbs muolucrc rccu:abeoh?tncc<br />

iamfib&amp;gt;*ncciUis autiliu Fer:c puaic<br />

ant^ic psrcGt hi hoc man mag-no<br />

ct fpac&amp;lt;<strong>of</strong>b-fic (xreut miFenrbQ p?^<br />

to ajprcfoenfis cmcrgcrci faluarc<br />

p<strong>of</strong>fcnt aias fua8|7eq5 cni fcc vani<br />

tatc be rcritatc tJrifcog-norcctia<br />

cam liberabitfws ig-t Frcs quito<br />

tan^p puuiia reuclat trus q abfcS<br />

bita Hit a iapicntibo a prutentifo:<br />

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fatoc wrrammi:ct biligctrtcr p?n<br />

fate ratosm abucnfcus buius :/quc<br />

rentes mmJru (qs fit quivcniat^n.<br />

quoab quib-qn:etvia p qua venifc<br />

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clcfiavmuerfapfcntcm cdebrarct<br />

atJucnturnifi latcrct hi co magnu3<br />

atiquib Jacramentu* prime igicr lo<br />

co cii apfo ffcupzntc st ammirantc<br />

hitucmmi a -vosrquat? fit ifl m<br />

q&quot;<br />

tertimomu a!<br />

coaltilTimus ipe jOccg cnf pbas cffc<br />

tei Fitiii tcgcncre ftjfpican.-jfj equai<br />

lia Fatcri nec&amp;lt;?n*e c altitubtnis: isiur<br />

prhidpu prmcip?3:i FHios rc^um<br />

rc^cs crTcqsncfciat i fcrutamcti<br />

quib fibi vult 3? c tnto pjrlbnis q3<br />

hi filma trimtatc crctimusc5Fit:es<br />

mura aboramufi^no pater no Ipiri*<br />

tufTan^us abucmc^g Filius ^ AXim i<br />

me qtcm cg-o xl it) Fa9-u arbicroz<br />

fine caula* ^5 qs og-nouit n?nBi bo<br />

mmUaut quis c<strong>of</strong>itiarius etus Fu;t *s<br />

|7eqj cni fine altiffimo erinitatiis co<br />

fiiio Fa9;u cftvt Filius abucmrc:/qz<br />

fi c<strong>of</strong>ifceramus exitt] n<strong>of</strong>ln cauHim:<br />

Fottaffis abuertcre p<strong>of</strong>iumus vel e&amp;gt;:<br />

partc qs ogruum Fucrit a f|{io nos<br />

maximc iiterari -(,ucFcr cnim ill<br />

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mi fimiljtubmc^vBirparc tcptauic.<br />

ct raphia arbitratus efl cITc fc cq<br />

lem tco )qb ^tiq5 eft FUivpdpicatus<br />

ilico co!ruit:qrfi jelduit p filio pa^<br />

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latbanan tanq? Fulg-ur cabcnte be<br />

cclol7uib tu Bipbisdra actms ^f<br />

B*pbictito angelis beus no p?pdt:<br />

qntomag-is tibi putrcboTxs2i-mrg<br />

|7ifoil illc Fecit nil opsratus eft -tm


26<br />

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26 Bernardus Claravallensis, Saint. Sermones de tempore et de sanctis et De diversis.<br />

[Speyer:] Peter Drach, [after 31 August 1481, not after 1482]<br />

Chancery 2 (287 x 21 1mm.), 305 leaves (<strong>of</strong> 306, without initial blank leaf), double<br />

column, 44 lines, Gothic letter, 2-, 3- and 8-line initial spaces, initials, headlines,<br />

paragraph-marks, initial-strokes, sermon numbers and underlining supplied in red,<br />

contemporary blind-stamped pigskin over wooden boards, 4 metal bosses on each cover,<br />

two clasps and catches, with an additional leaf <strong>of</strong> contemporary manuscript inserted<br />

between V7 and 8, short tears in margins <strong>of</strong> a few leaves, damp-stain in lower margin <strong>of</strong>G7-<br />

8, some other light damp-staining in margins, slight worming in inner margins <strong>of</strong> a few leaves<br />

The third edition <strong>of</strong> these sermons by Bernard <strong>of</strong> Clairvaux, which were first printed at<br />

Mainz by Peter Schoeffer in 1475 (G<strong>of</strong>f B436) and then by the Brothers <strong>of</strong> the Common<br />

Life at Brussels in 1481 (G<strong>of</strong>f B433).<br />

The present copy contains an additional contemporary manuscript leaf with two and a<br />

half columns <strong>of</strong> additional text to be inserted after pote principaliores in line 1 <strong>of</strong><br />

column b <strong>of</strong> V7 verso, apparently to supply a lacuna in the printing <strong>of</strong> De virginibus sermo<br />

primo.<br />

Provenance: Augustinian canons <strong>of</strong> Rebdorf, with early inscription at the end <strong>of</strong> the text;<br />

Felix Strauss, with purchase inscription dated 1771<br />

References: HC *2846=H 2842; GW 3942; BMC ii 491; G<strong>of</strong>f B437<br />

10,000-15,000<br />

16,200-24,300<br />

67


68<br />

27<br />

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hicircufcriptibilitate tei<br />

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DC ejrcellentia t&amp;gt;ei<br />

DC notionibu0<br />

pei<br />

mcdmutabilitate fcei<br />

DC nomibus tpiufa<br />

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t&amp;gt;e?meflfabili0 eft<br />

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DC pfceis ef libicJ Pite<br />

DC abatis<br />

Dcpotcntia t&amp;gt;ei<br />

DC Pirtutc miroxFog<br />

DeTcicntia t&amp;gt;ci<br />

Dcpicfciactrcpbatoe<br />

DC potentate cei<br />

t&amp;gt;ci<br />

&amp;gt;Dcnaforateit3ti0<br />

apitulumf.<br />

efle multis mot&amp;gt;i0 ontitur fcec em fifces redfo<br />

?3turfcriptura facra loquitur *2&amp;gt;patio reru ao ipm<br />

* jnticatS5ane?i quoq5 pfcicant reaturc clamant<br />

atio naturalis t&amp;gt;i#at -piimo igi t)eu efle fit&amp;gt;e0 tc<br />

Iftaturxqj fit)cs featbolica credit t5eu\creoit hi peuxt<br />

tere pero t&amp;gt;eum eft crepere ipm efle jCreccre hi t&amp;gt;eii<br />

eft creteoo ipm amare t)eij*et creoepo i eu ire at mebiis ei^mcoipati<br />

reDere aut teo c cret&amp;gt;ere perbis eiu0 Pumii et terciu bonop et ma]<br />

Io3? eft 5ct&amp;gt; [com bono tm Quia crepere t&amp;gt;cii et cret&amp;gt;ere t&amp;gt;eo bom3<br />

et mali0 amue e*S5 hi t&amp;gt;eu credere fpcafr bonoi^ eft Dc9itaq3 folua<br />

efle fc&amp;gt;3 feftum*3Uut&amp;gt;em pfeftu eft cui^nibil eft ejctra ipm 3&n qi ee<br />

n<strong>of</strong>tp babet aliqo ejctra fe impfeftu eft<br />

pceft<br />

cm nobi0 aliqo q& be<br />

nro efle lam pterit pel qo futuru eft*Diuhiu eut cfle cu totu fimul ftt\<br />

nee t&amp;gt;e quic^- ipo pirteneritxaut futuru (itxpfeftiflimu efiMScoo oeii<br />

efle fcnpfa loqtur pfaf *Hb eterno pel pfq5 m fcfm tu e0 fooQui e<br />

teo t)icunf<br />

mifit me Jobea t)3ma*J^ioi ombu0 piincipali^ eo^ q t&amp;gt;e<br />

noibi0 efle efttercio \q_ui t&amp;gt;eu efle Dpatio reru at) ipfu fafta mt&amp;gt;ic^t*<br />

^fim peru em efle t?eu0 q&amp;gt; b5 n<strong>of</strong>t^ efle spatu fuoxnibil eftj7mo tc?<br />

fuo efle\t&amp;gt;at<br />

paciali oib9 reb9efle\ita q&amp;gt;<br />

fi fe reb^fubtraberet fioit t)e<br />

nii?ilo fade futxfic m mbifii<br />

peflueret<br />

pniuerfa ^icg^* 0ia buana 4<br />

lufta q pulcra funtxcei iufticie et pulcritut)ini 2&amp;gt;pata nee iufta necpu!<br />

tra funt oino nee funt^Quarto t)eu efle fcti ptJicat Hnrbefm foliloq o<br />

reoim9one te ejTe aliqpxquo nibil mai? cogitari p<strong>of</strong>litDF^ ^fre<br />

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no b5 efle p v<br />

?eflenec efle p^no eflenec pot cogitari no ec *uito t&amp;gt;eu<br />

efTc creature cl^mac 0ifl n4qs Too mo oicwt* Qm ipe fecit nw\ct non


27 Bernardus Claravallensis, Saint. Flores. Cologne: Johannes Koelh<strong>of</strong>f, 14[82], 161 leaves (<strong>of</strong><br />

162, without initial blank leaf), double column, 38 lines and headline, Gothic letter<br />

Albertus Magnus (pseudo-) Compendium theologicae veritatis (by Hugo (Ripelin)<br />

Argentinensis; with table by Thomas Dorniberg). [Strassburg: Martin Schott, not before<br />

1481], 144 leaves, 41 lines and headline, Gothic letter<br />

2 works in one volume, Chancery 2 (279 x 207mm.), 2-, 3-, 4-, 6- and 8-line, initials in<br />

red or blue, a few in the second work with penwork decoration, initial-strokes, paragraphmarks<br />

and underlining in red, contemporary German binding <strong>of</strong> dark brown calf over<br />

thick unbevelled wooden boards, tooled in blind to a diaper pattern inside a double<br />

frame, decorated with only two tools, leafy tendrils wrapped around a staff, and a flower<br />

in a vase, a few early manuscript notes in margins, lower margin <strong>of</strong>first leaf<br />

cut away with<br />

loss<br />

<strong>of</strong>signature and repaired, some damp-staining in margins,<br />

occasional other<br />

light staining,<br />

first 14 leaves <strong>of</strong>the second work bound at the end, both boards slightly rubbed and wormed,<br />

rebacked, one clasp renewed<br />

From the ancient Benedictine Abbey <strong>of</strong> SS. Cosmas and Damian at Liesborn, Westphalia,<br />

but not bound by the abbey bindery. The abbey, founded in the reign <strong>of</strong> Charlemagne,<br />

joined the reforming Bursfeld Congregation in the fifteenth century and became a centre<br />

<strong>of</strong> book production and learning. The large abbey library survived substantially intact<br />

until the dissolution in 1803.<br />

The second edition <strong>of</strong> Bernard <strong>of</strong> Clairvaux s Flores, first printed at Nuremberg by Johann<br />

Sensenschmidt, not after 1470 (G<strong>of</strong>f B388). As in most copies <strong>of</strong> this edition, the second<br />

half <strong>of</strong> the date <strong>of</strong> printing has been added by hand in arabic numerals.<br />

The Compendium theologicae veritatis, a summary <strong>of</strong> important theological concepts, was<br />

published in two recensions during the fifteenth century. That printed in Nuremberg,<br />

Speyer, Cologne, Ulm, Deventer and Strassburg, with the longer explicit, treated the text<br />

as anonymous; that printed in Venice and then Lyons, with a shorter explicit, attributed<br />

the text to Albertus Magnus. Its true author, Hugo Ripelin <strong>of</strong> Strassburg (d. 1368), was<br />

prior <strong>of</strong> the Dominican convent <strong>of</strong> Strassburg. The text was first printed at Nuremberg by<br />

Johann Sensenschmidt, c. 1470-72 (G<strong>of</strong>f A228).<br />

Provenance: Benedictine Abbey <strong>of</strong> SS. Cosmas and Damian at Liesborn, Westphalia, with<br />

early inscription liber sanctissimi dei genetricis Marie sanctorumque Symeonis prophetae<br />

ac Cosme et Damiani martyrum in lesbron ordinis sancti Benedicti ; B. Middendorff, <strong>of</strong><br />

Widenbruge (?), early inscription dated 1660 recording gift to; Joannes Oisthaus; Sir<br />

Joseph Radcliffe, Rudding Park, with bookplate<br />

References: Bernardus: HC *2926; GW 3929; G<strong>of</strong>f B389; Albertus: HC *435; GW 602;<br />

BMC i 93; G<strong>of</strong>f A237<br />

15,000-20,000<br />

24,300-32,300<br />

69


70<br />

28<br />

ORATIO PHIUPPI BEROALD1 Bo<br />

NONIENSIS DE FELICITATE HABl<br />

TA IN ENARRATIONE GEf<br />

ORGICON VIRG1LII ET<br />

COLVMELLAE,<br />

AGNA RES EST VIRI OR<br />

natilTimi.ct omnibus horis omnium<br />

m uotis expetita fclicitas t hue tendunc<br />

eunctorum uota mortalium: bee eft<br />

fumma curaru : hcc eft fumma reru<br />

expetendarii. felicitate terminatur n<strong>of</strong>tra defide<br />

ria . Cui fclicitas adefr.huic nihil prorfus decft ,<br />

Inueniuntut qui regna non optent:qui<br />

uero feli<br />

citatem repudiet nullus cxiftit : Nemo. n. non fc<br />

lix eflfe uult : Nemo non felicitate fummum bo /<br />

noru eflfe confentit , Quo circa de felicitate huf<br />

mana tanq de re return omniil maxime expetibif<br />

li maximecp expeteda hodierno die diflfertare col<br />

ftitui : Et in hac difl ertatione Ex latiflimo pra/<br />

torum uirore fl<strong>of</strong>culos non paucos hinc inde de/<br />

cerpere t Quorum odoratu olfactantes recreenf .<br />

Audmiolim ecclefiafticoscontionatoresmo pat/<br />

tix in ecclefia exiftimationis fuper felicitate conci<br />

onantes. Sed tarn implicataJtam fpin<strong>of</strong>a/tam in/<br />

28 Beroaldus, Philippus. De felicitate opusculum. Bologna: Franciscus Plato de Benedictus, 1<br />

April 1495<br />

FIRST EDITION, Chancery 4 (213 x 152mm.), 36 leaves, 25 lines, Roman letter, initial<br />

spaces with printed guide-letters, heading on al recto printed in red, s printer woodcut<br />

device on d8 recto, modern boards, a few early manuscript notes in margins, some light<br />

spotting and staining in margins<br />

The humanist tractates and neo-Latin verses <strong>of</strong> Filippo Beroaldi enjoyed considerable<br />

popularity in the late fifteenth and early sixteenth centuries. The treatise De felicitate,<br />

with its emphasis on the importance <strong>of</strong> moderation, is recorded in six incunable editions.<br />

The dedication to this first edition, addressed to Jakob II, Margrave <strong>of</strong> Baden (1471-<br />

1511, elected Bishop <strong>of</strong> Trier in 1503), records that Beroaldi commissioned an edition <strong>of</strong><br />

a thousand copies. A poem by Beroaldi at the end praises Germany for its discovery <strong>of</strong> a<br />

gift greater than any known to antiquity: the art <strong>of</strong> multiplying books by printing.<br />

References: HC 2969; GW4132; BMC vi 828; G<strong>of</strong>f B482; IGI 1594<br />

3,000-4,000<br />

4,850-6,500<br />

a i


29<br />

Philippi. Bcroaldi Heptalogos fiuc Septem Sa&amp;gt;<br />

picnics Magna cura Impreffum Bononia:<br />

Benedidum Hedloris Bono/<br />

per<br />

nienfem . Anno Salu/<br />

tis. M.C CC C<br />

LXXXXVIIL<br />

Die.XVIiL<br />

Decebris,<br />

t<br />

Regi faum,a,b,c,Omnes funt quaternu<br />

29 Beroaldus, Philippus. Libellus quo septem sapientium sententiae discutiuntur. Bologna:<br />

Benedictus Hectoris, 18 December 1498<br />

FIRST EDITION, Chancery 4 (193 x 142mm.), 24 leaves, 27 lines, Roman letter, 3-line<br />

initial spaces, printer s woodcut device on c7 verso, nineteenth-century straight-grained<br />

roan, large arabesque in blind on sides, some light spotting<br />

References: HC(Add) *2974; GW 4138; BMC vi 844; G<strong>of</strong>fB487; IGI 1598; Klebs 183.1<br />

3,000-4,000<br />

4,850-6,500<br />

71


72<br />

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uiuit baai 7 ado:3ttitctt5-7 irntauit<br />

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Tmmtcumifracl mxtaola cjiwrfcccrat<br />

pater cius.. ,-.<br />

liter<br />

J&pucitmus SDafacbinM** Tftr<br />

gum tcrrius.ljncipitfccttndus<br />

li& Da^;<br />

uaitugrcsa.lTapitnUt !<br />

moabiifrfipftcp<br />

, motto? eft acbab.<br />

Jfcciditcft odx&amp;gt;cv<br />

as p dccilorcpia<br />

culifui qtfbebatt<br />

famaria7cgrota.<br />

itndos Dices ad cos.IJte co/<br />

Ifulitc tcdccbub teu accaro: vtra viue<br />

t&amp;gt; qucam mfirmitatc mcabac.4ngduf<br />

aut tmi locut 9 eft ad fcdia tbdfcite &quot;oicef<br />

5&amp;gt;urgc 1 afccdc I occurfn nuncio? rcgj<br />

fa^<br />

m anc7 &quot;Dices ad cos: JlC-nqd no e tc 9 1<br />

ifrf Utcatjad c<strong>of</strong>uledu tcum<br />

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lo fup que afccdifti no tcfcedcs: ^ mo:<br />

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re mo:ierj.#tabq t fcdia s. rculiq? funt<br />

nucq ad octopa.tflui oijatcis.^lttarc<br />

rciili cfqf Jtt ilh rndcrut ci.%ir occurrit<br />

noB 7 &quot;oijcit ad n<strong>of</strong>.1(tc rettrinu ad rcge<br />

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7 babit9 e virillcq occurrit vobis<br />

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ad eu qncjgcnarin ^na pE 7 qnqginta q<br />

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as ait.i^i^ tei ego IB: t<br />

tf cclo 7 ttuozct tc 7 qnqglta tuos.Be/<br />

t&amp;gt; fcedit g ignis cclo 7 teuo:aiut<br />

fllti5.ct<br />

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/gcnarm tcitiu;? qnq^ita q crat cum ,<br />

^Itu caxcnilfct curuauit gcmw p triji<br />

7 peat 9 eft 015 7 ait.H06 tei-noli tcfpt/<br />

cere aia5 raea7 alas fcruo^ tuop q mt ,<br />

&amp;lt;ii fiit.Cccc tdccdit igniftJ cdo itow<br />

rauitt&amp;gt;uos pnc!p:6 qnqgcnarios pamoS<br />

7 quqgcnos q cii cie erat. 0j n<br />

obfccro ut mifcrearis aip mcp.locutijf<br />

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fcedc cu co .$k timcas.^urrcn t igit ct<br />

-<br />

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kndiltccl^cbub tea accaro qfi no cITct<br />

Xt^in ifrl a q plfcs introgarc IcnnoHe;<br />

10 tu lecnilo fup que afccdifti no ttfa<br />

trs : mcr moncrf. ^)o:tueaatiiii<br />

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^xitautciixtad.!<br />

rtt


30<br />

30 Bible, Latin. [Basel: JohannAmerbach], 1479<br />

Chancery 2 (300 x 21 4mm.), 548 leaves (a-y A-T 10 V 12 X-Y 10 1-8 10 9-10 8 ), double<br />

column, 47 lines and headline, Gothic letter, 6-, 7- and 13-line initials supplied in red<br />

and blue interlock with brown and red penwork decoration extending into margins, 3-<br />

line initials supplied alternately<br />

in red and blue, paragraph-marks and initial-strokes in<br />

red (North German or Netherlandish?), contemporary calf over wooden boards, sides<br />

ruled in blind, brass corner- and centre-pieces and two catches on upper cover, modern<br />

cloth box, 6 pages <strong>of</strong> contemporary manuscript sermon notes (?) bound at the beginning,<br />

many contemporary notes in margins, repair in lower margin <strong>of</strong>g2, short tear in text <strong>of</strong>g9<br />

and L2, two clasps renewed, lacking corner- and centre-pieces on lower cover, spine repaired at<br />

head and foot<br />

AN INTERESTING COPY WITH CLEAR PROOF OF DETAILED CONTEMPORARY STUDY. This was<br />

the first <strong>of</strong> the many editions to contain the commendatory verses Fontinus ex graecis... .<br />

Some copies <strong>of</strong> this Bible are found bound with the Interpretationes from Amerbach s<br />

1481 edition (GW 4246). GW records a variant printing on 9/8 verso, which omits the<br />

nufnjc which is here printed above 1. 21 <strong>of</strong> the second column.<br />

The marginal annotations are in a contemporary English (?) hand, and although scattered<br />

throughout (with four only in the New Testament), are found mainly in Genesis, Joshua,<br />

Kings (especially Kings IV) and Chronicles I. In addition to marginal summaries and<br />

occasional additions, there are also running headlines written at the top <strong>of</strong> columns.<br />

The manuscript leaves bound at the beginning seem largely based on Exodus, Kings, and<br />

other O.T. books, grouped under various headings - De trinitate figura, De templo dei<br />

(with text drawing on the book <strong>of</strong> Esdras), De traditione, De cruce passionis & resurrectione<br />

domini, De beate marie virginis assumptione.<br />

GW gives an erroneous leaf-count <strong>of</strong> 538 leaves by omitting quire Y ,<br />

while BMC and<br />

BSB-Ink include the Interpretationes <strong>of</strong> the 1481 edition to give a total leaf-count <strong>of</strong> 572.<br />

A sixteenth-century (?) manuscript note at the foot <strong>of</strong> the front paste-down reads: FaVX<br />

Satanae Sedes Apostolica 666 . On the back paste-down are two early pen sketches <strong>of</strong> the<br />

crucified figure <strong>of</strong> Christ.<br />

Provenance: Madeleine and Rene Junod, with bookplate<br />

References: HC *3075; GW 4236 (+ var); BMC iii 745; G<strong>of</strong>f B561; BSB-Ink B-433<br />

30,000-40,000<br />

48,500-64,500<br />

73


74<br />

31 actual size<br />

AureliicpifcopiMaitoranenfisoratioin furiere Laurctii<br />

Medice Neapoli habita<br />

lue &amp;gt;<br />

^&quot;V AugufKffitno c<strong>of</strong>peclui tuo Magnannne Ca<br />

^&amp;lt;U labrum dux SC amplitudmi concionis huius quam<br />

paratam ad audiendu uideo:fiue clantati hominis quern<br />

mortalibus aflumptum hodierno funere pr<strong>of</strong>equimur :<br />

oratione merita pr<strong>of</strong>picii uoluifietAltenus pr<strong>of</strong>ecflo do-<br />

drine & excelletioris ingenii fuerat eligendus orator: qui<br />

fua dicendi aucflorftare ac uehementia:primum tante Ma<br />

leftati tue (atiftaceret,demde audientiu animos:quo ire &quot;<br />

ftiflimushic cafus exp<strong>of</strong>tulacnnodoad gemitus8i lachry<br />

masinduceret*modoindud:oseordem prcbabilibus ar^<br />

gumencis<br />

confolan & ad lehiores afFecflus reuocaf fciret :<br />

Turn Floretie urbis exfitwa-precania Illultrefcg resgeflas:<br />

turn domus medice decus ac<br />

gloriam:denicpgener<strong>of</strong>i Lau<br />

rencii fulgentiflimas admirabilefcp uihutes appcdte ccm&amp;gt;<br />

memorare police* Verum quomodo accidifle dicairr non<br />

penuria eloquentium:quibus hec urbs feliciflima Nea /<br />

polis abund it:non negligentia aut improuida optione :<br />

fola ut reor cemporis angufb a mihi potiflimum hoc pro&amp;gt;*<br />

umcia rep<strong>of</strong>icaefl::tanqu3m minorem iadluram fubituro:<br />

fi nonduin oratons magnam celebritatem adep tus:prope<br />

extempore dicendo:aliquam<br />

tamen exhac honefia auda^<br />

cia commendaricnem etr.erererjSit utcuncf rtibi principi<br />

optimo ita tubenci parendum ruit:quod principi placet :<br />

legem eile conftat.degufbbo igftur ac leuiter uelat apis<br />

g florea rura fagieati<br />

affimilisttum Flcrentie;tum<br />

a i<br />

\


3 1 Bienatus, Aurelius, Bishop. Oratio in funere Laurentii de Medicis habita. [Milan:<br />

Philippus de Mantegatiis, after 8 April 1492]<br />

Chancery 4 (207 x 148mm.), 8 leaves, 27 lines, Roman letter, one 2-line initial, modern<br />

vellum boards, foremarginsfrayed at top and bottom, some dampstaining and light browning<br />

Lorenzo de Medici died on 8 April 1492 and this oration was delivered by Aurelio<br />

Bienato, Bishop <strong>of</strong> Martirano, Calabria, eight days later in the church <strong>of</strong> S. Maria la<br />

Nuova in Florence. In it, Bienato emphasizes the newly-established political links<br />

between Florence and Naples, the result <strong>of</strong> an alliance forged by Lorenzo with Ferdinand<br />

<strong>of</strong> Aragon, King <strong>of</strong> Naples.<br />

Bienato was also the author <strong>of</strong> an epitome <strong>of</strong> Lorenzo Valla s Elegantiae linguae latinae,<br />

three editions <strong>of</strong> which were printed at Naples between 1478-80 and 1491.<br />

References: CR 780=1051; GW 4346; BMC vi 784; G<strong>of</strong>TB667; IGI 1722<br />

7,000-10,000<br />

11,300-16,200<br />

75


76<br />

32<br />

)ie muliep egregia paululu ab leftt twlgo fe<br />

rnot9 f a ceteris fere folut9 cuns&amp;gt; i ejrimia muli<br />

eb2is fejc 9 lau&e-ac amicop folanu pod 9 i q^ ma<br />

gnu reipublke comoDu libellu fcripfi Verii fcu<br />

mecu aio tiiare-ciu na illu pmu trafmittere nc pe<br />

I nea me marcet ono -et m alieno fait9 fauoje fe .<br />

curionretm publicu aouerterecp fins no t&amp;gt;iro- pricipi SeD po<br />

fius cu b mulieribo loqueref aliciii mfigni femme ceflmaDum<br />

foze ^x4r^inDignio2e ante alias- renit hi mcnp italicu jubar<br />

illuD pfulgiDu ac fingularis no tm femmap fecet ^egu gloria<br />

pbana fereniffima i&rulale j fidlie regma-cui 9 ppnfatis tarnhiclite<br />

^&amp;gt;(apie i auo^ mlgorib? q3 nouis a fe fojti ppt^oae qfi<br />

OS lauoibvm O?ficprii: mitn?oi illu bumile t?uotuc^.ace foliii<br />

me celfituDisidOi ^ace cp aD?o uigea regi 9 fulgO2 e ? opufeu<br />

li tenuitas- et ferefemilbpita faiiillula timens ne a pocio?i luie<br />

mm 9 oino fitgaret m eenebzas-fenfim retrajrt ^filiu i noua iDa<br />

gme-mEris alijs pquiftttB ao ertremu ab illufni regma m tero<br />

mm Crflejri meu-nec immerito }fta ou mites i cdeb?es mo?ea<br />

tuos-Du fconeftate eximia flimi^matrona^CrcfDuc^ rerbop<br />

elegantia-mete reuoluere-et trubijs animi mi gener<strong>of</strong>itate i \<br />

genij wires qtubc&amp;gt; loge femrnas ejcceois at)iiertere3 YiO?rcnic^<br />

Q&amp;gt;<br />

fenii ifirmiori natuta cetrajcit-iD mo pertoai- e*? 9 fta litemli<br />

tate mip i moDu \3tunba (upmfuCprit atc^ fiiiplf ucric* et eo q<br />

nifignita es noie cdigri txjluerit<br />

um auDies gred qb lattne<br />

&amp;gt;idrn 9 bbmines nucup?t Te eqpanOa ^jpiTfiniisqiubufeuqj<br />

ena returtiffimiB arbitrat 9 613- $t iwo cu tepeftace nfa mfrts at<br />

&amp;lt;$ (pleoiDis Incinorib? agerib&amp;gt; dariffimu truftatts e fie<br />

rp^dm<br />

tanctftenemerito mo ftilgoji bui9 iitrlli rimli nmi 9 apied(Tere<br />

litn ejciftimaa n5mm 9 apuo p<strong>of</strong>teros tuo nomi aDDiDifTe crco<br />

ris paucis bijs littenilis-qua feceht olim motts ot)2<strong>of</strong>iv i niic<br />

altp oille romitat 9 -4b&amp;gt; te fb2tuna fedt illuftreni rto tegmitto<br />

et tuo nomi a?Di&amp;lt;o qb batten 9 a me b mulierib? pdaris^ feripr<br />

tueft-)d)2etO2&amp;lt;^ mclitamtilicr p lanftu puDidnenomeq hurr<br />

mo2tale8 plurimu ernmes-grato aio munufculum feolaftid fco<br />

misliifcjpiafl-et ft micbi alic^o creDimin es-aliqn legas (uateo


32 Boccaccio, Giovanni. De claris mulieribus. [Strassburg: GeorgHusner, c. 1474-1475]<br />

Chancery 2 (277 x 204mm.), 84 leaves, 35 lines, Gothic letter, 3- and 6-line initial<br />

spaces, initials supplied in red, the first with brown penwork decoration, paragraphmarks,<br />

initial-strokes and underlining in red, red morocco by Thompson, gilt edges, black<br />

straight-grained morocco slipcase, contemporary manuscript quiring in lower margins,<br />

nineteenth-century bibliographical note on front flyleaf, a washed copy, light spotting in<br />

upper margins <strong>of</strong>firstfew leaves<br />

The second edition <strong>of</strong> Boccaccio s De claris mulieribus, preceded by Johann Zainer s Ulm<br />

edition <strong>of</strong> 1473 which was illustrated with 81 woodcuts. According to BMC the<br />

Boulogne copy has an ownership inscription dated 1479.<br />

Provenance: A. Odell, with ownership inscription; Hans Meyer, Leipzig, with ownership<br />

inscription; George E. Sears, with bookplate<br />

References: HC *3327(var); GW 4484; BMC i 83; G<strong>of</strong>f B717; BSB-Ink B-560<br />

15,000-25,000<br />

24,300-40,400<br />

77


78<br />

33 Bonaventura, Saint. De triplici via (Methodius (pseudo-): Revelationes; Bonaventura:<br />

De preparatione ad missam). [Cologne: Ulrich Zel, before 18 September 1477]<br />

Chancery 4 (210 x 145mm.), 48 leaves, 26 lines, Gothic letter, 2-, 3- and 4-line initials<br />

supplied in red or blue, paragraph marks, initial strokes and underlining in red, modern<br />

vellum, contemporary quire numbering a-f (cropped in most cases), some small<br />

wormholes in margins<br />

The second edition <strong>of</strong> De triplici via, a brief but complete summary <strong>of</strong> medieval mystical<br />

doctrine and the best known <strong>of</strong> Bonaventure s mystical writings. It was first printed<br />

anonymously at Speier by the Printer <strong>of</strong> the Gesta Christi , c. 1472-1473 (GW 4705).<br />

A copy <strong>of</strong> the present edition was presented to Ennen on 18 September 1477.<br />

References: HC *3498; GW4706; BMC i 193; G<strong>of</strong>f B970; Voullieme (K) 275<br />

4,000-5,000<br />

6,500-8,100


33 actual size<br />

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fie ut quafi m ifci rcdcat^vt pwo Difhng<br />

tian<br />

flagiciurti<br />

nidtctum contrcttiifce<br />

ttigtmifce<br />

clama (Bfibkim<br />

raidum anbta maHmum ^<br />

criftu<br />

gtadibua qitibu^ p<br />

ad tUuminaconcm<br />

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aut prtinctcaafr illuinaconciti<br />

captwarc<br />

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quafq patitur<br />

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fcc ca patitur a c<strong>of</strong>idcs pcarc<br />

Mquali for patttura fejjns alTifarc<br />

!i<br />

i5ptafiitqpatit aade0 aptejcare<br />

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79


80<br />

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^onaueturc oc o:dic minop<br />

&amp;gt;ecto genua<br />

icaadpatrconi noltriicfu<br />

1<br />

Jcb:ifti.q oi8patcnri8<br />

Icdo et in terra noiaf -vt oct<br />

pobis fm Oiuitias gfic fuc virtufc cozro<br />

jo:ari B fptnei 9 in intcriou boic. babira<br />

ecb:iftB Bride in co:difo vfie .in cbari/<br />

Ifate radicari t fundati. vt p<strong>of</strong>iiitf ppbcdc/<br />

recriort<strong>of</strong>crif.qfitlaritudoUpgitudoifub<br />

1<br />

timita8;t,pfumiii.^circctia luBcmincn<br />

fefdecbariratccbziftuvtimplcami i oni<br />

i pdicato? vcritatistoiuio replct 9 fpirinu<br />

J rancp vas dcctii ct fancrificatfuin 15 vcrbo<br />

laperit facre fcriprur^q tbcologia Oicif )oj<br />

ftn inmicntia brilfime trinita<br />

jptiireattcdi<br />

tie. Pwgrdfuj aiit fm cpigcril buane ca<br />

ibo fine fructum fm fug<br />

jflbimdatia fuBptcniflTimc fcUctrans^ ftz<br />

Irus nacp no dt B buana iimeftigaroirj :f5<br />

ouunarettctarocj.q flmtapFc luminu:<br />

eil ots parerm ras i cdo : in terra noiaf .<br />

q B filiii ei 9 iefum cbziftii: manat in itos<br />

fpfi(Tcru8.7B fpin tufanctu pinidctan ct<br />

piftribuente Oona ft finfgulie ctrt vult: iac<br />

f ftdcs.i e fidcm babitat cbhft 9 in t oi cib?<br />

is. t5ec eft noticia iefti cb:ifti:ec q o:igi<br />

nalif manat firmttas i intdligcn a totiue<br />

fcnpmre facrc. Qlti i iinpolTibUec cp aliqf<br />

in ipam ingrediaf asn<strong>of</strong>ccda-.mfi puf cb:i<br />

fti ftdc babcat fibi infufam.taql ipi 9 toti 9<br />

fcftmrelticerni i ianua i etii fundament.<br />

JCft ent ipa fides <strong>of</strong>m fuBnaniraliu iltumt<br />

nationu qpdiu Begrinamur a pno:7 fuda/<br />

mcnrii Itabilies.-: luccma oiriges--: ianua<br />

introduces. $5ctfmaii 9 etia menfura ne<br />

celTeeft mefurari fapienria nobis oiuinit 9<br />

oata.ncqs fapiat pi 9 qj oBtet faEe-.fcd fa/<br />

percad fobjictatc.et vnicuiq; ficut Oe 9 ti<br />

uifit menfura fidci. Mediate igif bacfide<br />

dafnob is noticia facre fcf)turetfm influcn<br />

riabeatilTime mnttans .iucta qSejCpzcffe<br />

infimtatapfsmpma gte auctoritatfpzt 9<br />

wducte.q ^JogrelTHsaiJt facre fcpfurc<br />

noeftcoarwt^adlegesratiocinatonii-.oif<br />

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tm a^.t no eftcoattat 9 ad parte vniucr<br />

fitacis. fed poti 9 rii fin lumc fuBnaturalc<br />

pcedatadoanda bomi viaro;i<br />

noticia re/<br />

rii fuffiricntc.fm cpejcpedit ci ad falutem.<br />

parrimB planaverba.partim B mvftica:<br />

oefcribittoti 9 vniucrfi c6tincnria:qfi inq<br />

da? fuma-in attendif larimdo. Oefcribit<br />

&amp;lt;^<br />

Decurfumnn q attcdif logitudo.oefcribit<br />

eccellctiii finalitffaluand<strong>of</strong> .in 3 attcdirur<br />

fublimiras.oefcribiti milcria Oanaro:u:<br />

in q^fuditaspfiftit.nonfplu ipi 9 vniuer<br />

fi.vemmeriaoiuiniiudicq. ^Erfic pdcri/<br />

bit totu yniuerfu5 qntu ecpedit oeipp ba<br />

bercnoridaadfalute:fmipi 9 laritudine5.<br />

logitudincaltitudine er,pfiindiratc. 3p<br />

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fuo^grefl<br />

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p<strong>of</strong>tcri 9 oedambif. q; fie c.Ligcbat pditio<br />

capacirarie biianc:q magna i mfra nata c<br />

magnificct mulriplicifcaBc. tancp fpecu<br />

lii qodam nobililTimu. in q nara eft ocfcri<br />

bi:no folu naturalif:vcrficria fiiEnaruralt<br />

fcrrrr. viuuerfitas mitndana^. vt ficp:o<br />

grcflue facre fcnpture atrendflf fm cpige<br />

9<br />

vero fiuc<br />

riicapadtatis bilaneCf &amp;lt;$3f-it<br />

fructus facre fcriprureho efte^diq? .f&amp;gt; pic<br />

nitudo cfcrncfcUcitaris. Wd bccc fcpmra<br />

inqverbafuntvitcererne.qjio fcripracft:<br />

no foluvtcrcdam 9 : vcriietw vt vita p<strong>of</strong>li<br />

deain 9 etcrna.CItt n qd^w t debim9 tama<br />

nfa im<br />

bimHS.TrniuerfalifiM^^fidfria<br />

plcbunf.Ciuitoimptettsverenlcfcicmuf<br />

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erim 9<br />

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dc plcnirudinc conaf nos oinfa introduce<br />

rcfcripmra .iii]Ctapdicrefnicapt ice $ira/<br />

tc.^poc igif finetbaceria inrcntone facra<br />

fcnptura Eferutada eft : Ooceda:7 etia a u.<br />

dicda.-z vt ad iftu fructfi et terminu recto<br />

l&amp;gt;ueniam<br />

9 ,pgrelTu:E via recri itinerf fcptn<br />

rap. incboandu e ab I? eft vt<br />

eppjdio. cum<br />

mera fide ad pfem luminu accednm9 :fle/<br />

ctcdo genua cordis nfi. vt ipc B fitiu fuuj<br />

in fpiifcto petnobis<br />

vera noricia iefu cb:i<br />

fti.t cii norida<br />

amojej^pP:<br />

vt fie ipm cog/<br />

fcetca i amate8:7 tanq? i ftdcfolidari: 7 1 n<br />

cb3ritatcradu:ati:p<strong>of</strong>lim 9 ipi 9 facrefcpftt<br />

re n<strong>of</strong>le Iatinjdme:l6girudine:altif udinc:<br />

i^funditate.tB bacnoticiam pucniread<br />

plct liffiml noticia i epcdlct iftlm u amo:e5<br />

brifj.mctrinirar^ fcrozi tedfit ocfideria.i<br />

4 eft fta t9 1 pplemctu OIB vcri i boni.


34 Bonaventura, Saint. Opuscula. Strassburg: Martin Flach, 31 October 1489<br />

Chancery 2 (286 x 212mm.), 288 leaves, double column, 51 lines and headline, Gothic<br />

letter, first initial supplied in blue on a red panel with blue, pink and green leafy<br />

extensions in margin, other 3- and 4-line initials, paragraph-marks and initial-strokes in<br />

red, contemporary Austrian(?) binding <strong>of</strong> black calf over wooden boards, the surface <strong>of</strong><br />

the leather mostly perished, the upper cover shows traces <strong>of</strong> having been divided into six<br />

squares, each containing a free rosette inside a frame <strong>of</strong> headed-outline tools, the lower<br />

cover divided by a diaper and decorated with a small round stag tool, a very small rayed<br />

circle and a palmette, each inside a surround <strong>of</strong> foliate tools, two clasps and catches, edges<br />

plain, sewing guards from a vellum manuscript leaf written in Caroline miniscule,<br />

modern cloth box, a few stains on first and last leaves, binding very worn, catches repaired<br />

St Bonaventure (1221-1274), a Franciscan, doctor seraphicus , was one <strong>of</strong> the most<br />

important theologians <strong>of</strong> the thirteenth century. This fourth edition <strong>of</strong> his is Opuscula the<br />

first to contain Octavianus de Martinis s life <strong>of</strong> the saint. The seven incunable editions <strong>of</strong><br />

the Opuscula, the earliest <strong>of</strong> which was printed at Cologne in 1484, all contain a varying<br />

number <strong>of</strong> works; the present edition contains twenty- two.<br />

The binding tools are not recorded by Schwenke/Schunke or Kyriss. A half-obliterated<br />

inscription inside the upper cover mentions Lambach (in Styria: Benedictine Abbey<br />

founded in 1086).<br />

Provenance: Rendel Harris Library, Selly Oak Colleges, with bookplate<br />

References: HC *3465; GW4647; BMC i 150; G<strong>of</strong>f B927; CIBN B-615<br />

10,000-15,000<br />

16,200-24,300<br />

81


82<br />

35<br />

fceate Mane<br />

(I ^Jndpit Speculum<br />

^eompilatum<br />

ab bumili fcattc Ifconauentura*<br />

_<br />

tft ait beatus 3J<br />

oubium eft quin totum ao gloua^ * ao<br />

{au&amp;lt;xm pettmeat oei quicquio oigne ge?<br />

rritud fue rmpenfum fuecit* 3o ao lau<br />

ozm * gfoviam oonnni n<strong>of</strong>tti bicfu xpi all<br />

qua 6 lauoc ? gloua glo:io(iflTmie matuf<br />

eius ptomeie cupiens -oulcifimia etufoP5<br />

niatcis falutato^ p matetia affumece oi*<br />

Seo cettc ao hoc opi^s iv.mia omnino fatf o: cffc mea<br />

rrinriam mateuc tante mcoptcJxnfibilitatc<br />

$ptet nimiam fdentie mce tcnuitatem ^ptec mniiam Imgue mee<br />

auoitatcm^tet nimiam K)ite mee motgm tatemt p:optec mmi<br />

am petfone lauoanoe lauwm ^ lauoabilitatem lIQuis nancp ma<br />

tetiam iHam fncomphcnfibilcm efife oubitat/ce qua ftJnd9 3feco<br />

mmus ea que fequuntuc oicece non oubitat^ uoo natuta no<br />

habuitX)fuenefuit*ignotamttatiO mennon capitbumana*<br />

pauet celum/ftupct tetta / cveatuca ctiam miratut; omrr: 8 cele^<br />

fhs *boc totum eft quoo pec gabudem maue oiuimtue nundat^<br />

* pec (&amp;gt;ua xpm aomiplctur cc caufa &amp;lt;DC tali tantam me bqui m<br />

oignum fateo*^tem quomoto fdentia mea tcnuilTrnia/ * mens<br />

mea obfcutifTmia oignas maue fauces exc # ta ce fuffidac / cum<br />

m bis ille iHuminate mentis flfnfclmus cefidat^ait enrni<br />

gua mibi otfidt quia men? mea non fufFidt&amp;lt;x&amp;gt;mina/ zjomina<br />

ma mtima mea foHiata funt vt tantotum benefidccum bbi<br />

tias ejcoluant* ^eo ncc cogitate p<strong>of</strong>funt oignas/et puD2t p:<strong>of</strong>et<br />

te non oignas- IBeatus quocp J|[uguftmus mauam albquens<br />

aitQum oicam te pauper mgenio/cum D2 te quicquio ooce*<br />

to minor laus tft 35 cigmtas tua metetutc*^^ 01 quomooo fm<br />

gua mea tuoiffhna t quomooo mtetptctatiua mea auoiffmia m<br />

cnatcanois maue ?auoitue non ocfidat/cum iHe oiffcvbffime Im^<br />

gue IKwguftfnus oicat&amp;lt;puio roe tar.HHi quio adione puftlli m<br />

lauoibus matie tefetemus/cum omnium n<strong>of</strong>hum membta fi m<br />

Jmguas oertetcntut earn laucate nulius fnfficetc valetet- 3^<br />

cum ^aus non fit pred<strong>of</strong>a m etc peccatoue/quomooo ego rnifei<br />

peccato: bcmo/quomoco moigir.fTmie vite ego bomimdo*!auo?f<br />

3110223 fonace^cum m Hs iHum oigmflfmic vitc


35 Bonaventura (pseudo-) Speculum Beatae Mariae Virginis. [Augsburg:] Anton Sorg, 29<br />

February 1476<br />

FIRST EDITION, Chancery 2 (260 x 206mm.), 48 leaves (<strong>of</strong> 50, without first and last<br />

blank leaves), 39 lines, Gothic letter, one 8-line woodcut Maiblumen initial and other 4line<br />

woodcut lombard initials, the first 5 coloured in red, paragraph-marks and initial-<br />

strokes in red, modern vellum, a few early manuscript notes in margins, several leaves<br />

strengthened in inner margins, some light dampstaining in margins<br />

Traditionally ascribed to Bonaventure, this devotional work about Mary is now thought<br />

to be by the Minorite Conrad Holzinger <strong>of</strong> Saxony. Sorg printed a second edition in the<br />

following year.<br />

References: HC *3566; GW 4817; BMC ii 343; G<strong>of</strong>TB959<br />

5,000-7,000<br />

8,100-11,300<br />

83


84<br />

36 actual size<br />

Nota ,<br />

Nota.<br />

^<br />

confpicuuqj c<strong>of</strong>eflfumtfi auguftiflfima:/ incorpo<br />

ilia: ad fimilitudines uifibiles utlas / et for/<br />

rca:g*<br />

mas traduci iam p<strong>of</strong>luntJn primis fellis uenera<br />

biliuslocentur Fides, Spes.Charitas. pcipua hu<br />

manse fudameta falutis/ante omnef uocatx tbeo<br />

logaridiuinarcjp uirtutes.prifcis ignotx Phil<strong>of</strong>o/<br />

etbnicfs c#teris:c a natura ortu nobif<br />

cum no babeat:Sed ad nos defcendant ab inex/<br />

, phis atq*<br />

hauftis thefauns benefici n<strong>of</strong>tri/magniq^ deuex<br />

ea tepons fcehcitate affluentius et copi<strong>of</strong>ius:quo<br />

uenit ad nosamatorhominu chriftus parenf bo<br />

norum omniumieteorum bominum doctor :<br />

cj<br />

libenter ei fe dociles exhibet:ut late difputatum<br />

fuit inter nos beri . P<strong>of</strong>t has ,pxime aflfideat tur<br />

ba omnis ilia moraliumtquac neq^ a phil<strong>of</strong>ophia<br />

nec^ a nobis aliens uncj extitere Jufti ciam dico^<br />

impertiente quod eorum ipforum et finguhs ex<br />

merito /et qualitate cuiufcjp* Fordtudinem ,p <strong>of</strong><br />

ficio boneftatec^ tuenda i<br />

expauefcentia omnia<br />

calcantem / uitamcp dedete.Temperantiam nc<br />

fan asuoluptatesexibilantem/achoneftas mode<br />

rantem.Liberaiitatem j fanctiflfimum humani/<br />

tans prxfidiumiatquefolatium Fidem incorru<br />

ac extrema omnia potius: decipiat / cii


36<br />

REGISTRVM.<br />

Primo folio continerac Epiftola deinde<br />

ABCDEFGHIkLMNOPQ.<br />

O tunes fut quatemi excepto Q qiucducrnui.<br />

36 Bossus, Matthaeus, Canon Regular <strong>of</strong> the Lateran. De instituendo sapientia animo.<br />

Bologna: Franciscus (Plato) de Benedictis, 6 November 1495<br />

Chancery 4 (213 x 153mm.), 128 leaves, 24 lines, Roman letter, initial spaces, some<br />

with printed guide-letters, printer s woodcut device on Q3 verso, nineteenth-century<br />

vellum-backed boards, some early manuscript notes in red ink, firstfew leaves partly<br />

detached, title-page lightly stained and with small repair in inner margin, occasional light<br />

staining, binding slightly rubbed at edges<br />

Matteo Bosso (1427-1502), a native <strong>of</strong> Verona, was Abbot <strong>of</strong> Fiesole between 1484 and<br />

1492. The present work, written in Verona in 1494 and dedicated to Severino Calco,<br />

comprises eight dialogues on the subject <strong>of</strong> philosophy and wisdom. The wisdom <strong>of</strong> the<br />

ancient philosophers is dismissed in favour <strong>of</strong> true wisdom which is to be found in a<br />

belief in God. The route to human perfection is through prayer, rather than by recourse<br />

to astrology. The work concludes with an epigram by Antonio Aldegathi.<br />

In his final book, Bossus praises his contemporaries, notably Ficino and Pico della<br />

Mirandola, the fomer <strong>of</strong>whom is lauded for his translations <strong>of</strong> Plato, and the latter as one<br />

<strong>of</strong> the most splendid luminaries <strong>of</strong> the age. Pico had been sent by Lorenzo de Medici to<br />

Pico to study with him. Bossus here shows himself as adopting strongly Neoplatonic<br />

views, and stresses that philosophy is valid only if conjoined with Christianity: unde<br />

philsophi quibus christiana non illuxit foelicitas; sunt vagati per tenebras erroresque<br />

pueriliter (Hence it is that those philsophers on whom the happy light <strong>of</strong> Christianity has<br />

not shined, have wandered childishly through darkness and errors).<br />

Provenance: H.C. Hoskier, with signature dated Feb. 1903 (sale in our rooms, 30 June<br />

1908, lot 244); Walter Goldwater, with bookplate (sale New York, i, 1 December 1983,<br />

lot 82)<br />

References: HC 3675=*3677; GW 4954; BMC vi 828; IGI 2020; G<strong>of</strong>fBl043; Christ,<br />

Plato, Hermes Trismegistus ( 1 990) no. 6 1<br />

5,000-6,000<br />

8,100-9,700<br />

85


86<br />

37<br />

rnferta multis tolnntarie tnoztts ajpetcnbe cupiditatc<br />

vlterms diflererc<br />

generaret .<br />

^dco^ a rcge ptolomco<br />

ICOc ^umo pocta -CagVtxxxx^<br />

Tmus qumtus poeta tarcntt clarrat: ^.<br />

a catbone cjftozc zoma trcmflatus eft & ba *<br />

bitaxtit in montc aucntmo parco abmodu<br />

cibo coccnt? Clarttit auctp^ &quot;^Mxo^.<br />

&amp;gt;io<br />

traftediay icngtote Cap Ixxxit .f<br />

y^tubms bzundiunii^ tragcdiaij fcnptoz<br />

ncpos euny pete ex ftlia claritit pmo aome<br />

mdc tbarcntum<br />

p<strong>of</strong>tmodum regrclfus<br />

eft<br />

: . obyt<br />

gjrionagcnartii^<br />

* 10 peta Cap* bcxxm7<br />

ccctli? pocta<br />

foetus ^ *^f ***&amp;lt;-** ^ w cotcmpanc?<br />

^_<br />

.HO * * * A^ /% I ^ 4-*-^ ^%Vx\ *r *T<br />

cuny poctc naconc gall? mcbiolarri obyt fcvri? bee c fcntccia vt axt<br />

agclltu^ Imrm *<br />

^^s d Hint frontc bilari & cosdc trifH<br />

pcflirm<br />

)ic duos filios babuit pctas K mctrico^ acbincidc K<br />

tbcbaidc Claruit tome :_ _<br />

&quot;T5e Talcrio^ocgi Cap IxxxuiV/<br />

is cattail? |cta rczonefi* clartrit macba&amp;gt;<br />

;t. xxx- etati$ anil<br />

~&quot;<br />

claruit 2omc<br />

cums ^ pcepto: fuit fom? bee e fcntecia<br />

Titam boim qui etatem t mcdio re? agut<br />

ac fibi fiii% vHb wlfit ad caucda pjricula


37 Burley, Walter. De vita et moribus philosophorum. [Nuremberg: Anton Koberger, before<br />

1473]<br />

Chancery 2 (278 x 204mm.), 94 leaves, 31 lines, Gothic letter, 2-, 4- and 6-line initial<br />

spaces, first initial in blue and red with green and red penwork decoration extending into<br />

margin, other initials, paragraph-marks, initial-strokes and underlining in red, English<br />

mid-eighteenth-century morocco, 2-line gilt border, upper cover detached, short tear at<br />

head <strong>of</strong>spine, edges rubbed<br />

Walter Burley (1275-1345?), philosopher and commentator on Aristotle, studied at Paris<br />

and Oxford, where he was a disciple <strong>of</strong> Duns Scotus. He became preceptor to Edward,<br />

Prince <strong>of</strong> Wales, the Black Prince, later Edward III. THe Vita et moribus philosophorum<br />

contains the brief lives <strong>of</strong> 120 poets and philosophers including, amongst many others,<br />

Zoroaster, Homer, Priscian and Seneca.<br />

The present edition is the earliest <strong>of</strong> the incomplete South German recension, lacking<br />

some thirteen lives found in the Cologne recension. A copy in the Bibliotheque<br />

nationale contains a rubrication date <strong>of</strong> 1474.<br />

References: H *4l 12; GW 5785; BMC ii 41 1; G<strong>of</strong>f B1319<br />

15,000-20,000<br />

24, 300-32,300<br />

87


88<br />

38 actual size<br />

pt<br />

fc o: tnu : pBcHum noia:ea2une&amp;lt;$ ma^is effi<br />

races fenteutias flicandc oplecVcutts m cipu<br />

multumvtitte*<br />

/Ucbipj?aics attenicnP<br />

^wftt&s attemcnf. ft):U<br />

/^catus afttologus<br />

fb^U<br />

fb.lv*<br />

ozato: fbljcjiif<br />

/Xnajcatcu s pBs<br />

fo .l;cvfj<br />

ft


38 Burley, Walter. De vita et moribus philosophorum. [Cologne]: Conrad Winters, de<br />

Homborch, [between 17 March and 20 September 1479]<br />

Royal 8 in quarter sheets (160 x 1 15mm.), 1 12 leaves, 27 lines, Gothic letter, 2-, 3- and<br />

5-line initial spaces, initials, paragraph-marks, initial-strokes and underlining supplied in<br />

red, eighteenth-century mottled calf, spine gilt in compartments, edges stained red,<br />

extensive early manuscript notes on verso <strong>of</strong> final leaf and at the end <strong>of</strong> the table, fore-<br />

margins cropped with initials shaved in a few cases<br />

The present edition is the second <strong>of</strong> the complete text, reprinted from Ulrich Zel s<br />

Cologne Chancery quarto edition <strong>of</strong> c. 1470. The Royal paper used for this edition was<br />

probably a remnant from the supply for Winters s two Royal folios <strong>of</strong> this period,<br />

Gregory, Homilia in Job (G<strong>of</strong>f G429) and Pharetra doctorum (G<strong>of</strong>f P573).<br />

References: HC 4121; GW 5782; BMC i 246; G<strong>of</strong>f Bl 3 16; Voull(K) 297<br />

5,000-8,000<br />

8,100-12,900<br />

89


90<br />

.Marti Ci<br />

Tamani.acoj.itDtuiiiartfiit.AcJ AY Cuiui<br />

Ciceronem filii firo* Offiao^ liter tnctpi t.<br />

jcfaao enetali$ m iibroe omncd.<br />

c ccttiarfc filt.annum<br />

fiimma itoctoxie auctatc. ct<br />

vrbif.quou alecra tc fctcna<br />

ugrcrc potcfV.altcia cjccplif.<br />

amcut ipc.admcavtiUtatc fcmp cfe precis latina<br />

3m^*ticq| id fnp^ia folu.^ cta3 m t)icedi c&amp;gt;:cmta*<br />

ttoncfcaodttbiccnfco faacndu.utpatfismVm<br />

ozoms facilitate Vila quidc ad rc-nos ut vi&amp;gt;<br />

nmasrnuadiwrnctitu attulrmue Homily tins*<br />

Vtnon modo grrcca^i Im^r rudcs. cnam to^t .att^<br />

quanta fcarbitrcti^adcptt&amp;gt;6 Ct ad t)ifcctidu ct ad<br />

nadtcadtl. Quaobrc DiTccs tu quite a pnape buiits<br />

ctatt s p^o^.ct Difccs quadtii uolcs . tadiu autcj<br />

&quot;Vrllc tcbcb)6*quoad te quatt f ^pfietae no pcmtcbit*<br />

Scd tame ma (cg^s.no multu a pertpatl^ttcis fcifli*<br />

ci&quot;Vx&amp;gt;iuniu6 c(Tc.<br />

rebus ipisvtcrc two uidtcto . |f2ihH &amp;lt;mim rmpe^<br />

Ototiem ante latma* cfficics^fedlo (cg-cndis<br />

wna plcmoic.pcc vcro arrog-atirer Hoc t)ic&amp;gt;u cjctt^<br />

.pa p^atidt^cedce facntia multtd q6<br />

.oznarc t))ccrc.qm


39 Cicero, Marcus Tullius. De <strong>of</strong>ficiis; Paradoxa stoicorum. Mainz: Johann Fust and Peter<br />

Schoeffer, 1465<br />

FIRST EDITION, Chancery 2 (245 x 174mm.), 88 leaves, 28 lines, Gothic and Greek<br />

letter, headings and colophon printed in red, Italian illuminated 7-line initial on fol. 1<br />

recto supplied in gold with vinework decoration in blue, green, pink and red, 3 6-line<br />

initials in red and blue with penwork decoration, 1- and 2-line initials supplied<br />

alternately in red and blue, paragraph-marks in red and blue, eighteenth-century German<br />

red morocco gilt, single line gilt fillet, spine gilt in compartments, gilt edges, marbled<br />

endpapers, modern morocco box, cloth chemise, a few early manuscript notes in margins,<br />

pencilled examination note by Seymour de Ricci on a rear flyleaf, some scattered light<br />

staining, 2 short tears, on upper cover<br />

ONE OF THE TWO EARLIEST PRINTINGS OF LATIN LITERATURE AND THE EARLIEST<br />

APEARANCE IN PRINT OF ANY LATIN POEM. The De <strong>of</strong>ficiis occupied much the same place as<br />

the Bible, and continued to occupy it for generation after generation. There is no other<br />

secular book which approaches it.<br />

Cicero s De <strong>of</strong>ficiis, Tully s Offices, as it was for long known in England, is a basic text <strong>of</strong><br />

moral philosophy, written in a marvellously clear and elegant Latin. It is both a<br />

philosophical and a literary text, and it is primarily as the latter that it is here printed,<br />

although it was as a moral text that throughout the Middle Ages it was constantly<br />

quarried as a source by Christian writers, notably St. Ambrose, whose De <strong>of</strong>ficiis<br />

ministrorum draws heavily, both in style and content, on Cicero. There exist many<br />

manuscripts from the fourteenth and fifteenth centuries - a host <strong>of</strong> recentiores (Michael<br />

Winterbottom in Reynolds Text and Transmission (1983) p. 131) , and it was its huge<br />

and almost<br />

popularity that led to its being the first classical work to be printed,<br />

immediately to be reprinted. The De <strong>of</strong>ficiis is here followed by the Paradoxa, a work<br />

dealing with the unbelievable, and belonging to a tradition <strong>of</strong> ancient paradoxographi,<br />

which, through various mediums, was popular not only in medieval but also in<br />

Renaissance times: there is in fact a whole group <strong>of</strong> such writers in the early modern<br />

period, stretching up to, and beyond, Sir Thomas Browne.<br />

Added after the end <strong>of</strong> the Paradoxa, are the Versus xii sapientum. . .<br />

91<br />

positi in epithaphio<br />

Marci Tulii Ciceronis , placed at the end,and followed by Appolonius [sic] rhetor grecus<br />

secundum Plutarcum. /Te nempe cicero. Et laudo et admiror. Se grecorum/fortune me<br />

miserete.. cum videam erudicionem & eloquentiam./que sola bonorum nobis relicta erat.<br />

Per te romam accessisse./ This must be Apollonius Molon who taught the young Cicero<br />

who praised him in his Brutus.<br />

Why did the printer choose Horace s ode Diffugere nives? Here, as <strong>of</strong>ten, it is given the<br />

title Manlio torquato. Flaccius. De vite hu=/mane brevitate. Per aparacionem, temporis<br />

hec . But what we have is one <strong>of</strong> Horace s most famous odes with its intimations <strong>of</strong><br />

mortality Quo pius eneas. Quo tullus dives et ancus/Pulvis et umbra sumus-. It can<br />

- but yet the history <strong>of</strong> is early printing riddled with ne<br />

hardly have been to fill a page ,<br />

pagina vacet . Odes IV. 7, a poem memorably translated by Housman, appears to be<br />

about spring, and it yet isn t, it contains the marvellous images <strong>of</strong> other seasons, <strong>of</strong>


92<br />

39<br />

to2quato.f/aedf8*fe\&amp;gt;itef&amp;gt;ti*<br />

ttianc brciurarc.p ^paiaroj tCjpis.bec*<br />

fj uiffugrcro mucs.rcdcfct lam gramma campis<br />

Arbonbufcp come*<br />

.ct tecrcfcenoa rtpad*<br />

audd<br />

__<br />

^[ |ti moxraita tie fpercs moriet auntie Talmu<br />

Ouc mpit lioja Dicw.<br />

li yn$WA rnitcfcuncpbins* Vttr proecm.cfVaa.<br />

fl Porni fbr ati:ittiu6 frug-cs ffudcwf<br />

bruma rccurnt mere.<br />

{J_ Damna ranic cdcrcs rcp.irant cclcHia lunc<br />

ft QuopiuB cncas.quotulludDmcB<br />

^Duiius ctr\&amp;gt;mbta firnius.<br />

4J Omsfatan adietanthodtcrtic<br />

ucf&amp;gt;a m.inus amdns fiigicnt<br />

Owe tcdcrifi animo*<br />

Cu femcl ocadcns.rt is fplcdida mmoa<br />

|]_ |2o totqnaee g-cnue.ncc te facudia.non ttt<br />

Rcfhrtict pictas*<br />

c^ a rcncbrio t))?ana pudtcu<br />

c crfva valet dTcfcus ab rump e caro


summer and <strong>of</strong> autumn with its fruits, and <strong>of</strong> the return <strong>of</strong> winter, all closely followed by<br />

the images <strong>of</strong> death and decay, and it is death which is its real subject (cf. E. Fraenkel,<br />

Horace p. 419). Did this have some particular resonance for the editor <strong>of</strong> this volume? We<br />

know that for Housman it did: one morning in May, 1914, when the trees in Cambridge<br />

were covered with blossom, he reached in his lecture Ode 7 <strong>of</strong> Horace s Fourth Book...<br />

and in quite a different voice said: I should like to spend the last few minutes considering<br />

this ode simply as poetry ... He read the ode aloud with deep emotion... That ,<br />

he said<br />

hurriedly, almost like a man betraying a secret, I regard as the most beautiful poem in<br />

ancient literature ,<br />

and walked quickly out <strong>of</strong> the room (<strong>Mr</strong>s Pym in Grant Richards,<br />

Housman (1941) p. 289).<br />

This beautiful copy was decorated in<br />

Italy, although by the first half <strong>of</strong> the eighteenth<br />

the Atlantic ocean.<br />

century it had migrated northwards before crossing<br />

This editio princeps <strong>of</strong> De <strong>of</strong>ficiis competes for priority with the undated Subiaco edition<br />

<strong>of</strong> the same author s De oratore which has been dated, on the basis <strong>of</strong> an inscription in a<br />

copy, once at Leipzig and now missing, [before 30 September 1465].<br />

The present edition was printed both on paper and vellum, in approximately equal<br />

quantities. A page-for-page reprint was completed on 4 February 1466 and a considerable<br />

number <strong>of</strong> copies contain mixed sheets from both editions. The present copy, however, is<br />

made up entirely <strong>of</strong> pure 1465 sheets. All copies <strong>of</strong> both editions measure considerably<br />

less than the approximately 30-cm height <strong>of</strong> a standard Chancery folio, suggesting that<br />

the paper sheets were trimmed down, probably before going to press, to conform in size<br />

to rather smaller vellum sheets.<br />

THIS BOOK IS LIKEWISE ONE OF THE TWO EARLIEST TO CONTAIN GREEK TYPE; an edition <strong>of</strong><br />

Lactantius s Opera, printed by Sweynheym and Pannartz at Subiaco on 30 October 1465<br />

contains substantial Greek quotations. The Greek type <strong>of</strong> the present edition, used for the<br />

apopthegms printed at the beginning <strong>of</strong> each <strong>of</strong> the six sections <strong>of</strong> the Paradoxa, was<br />

crudely designed, with some <strong>of</strong> the letters printed backwards, indicating that the printers<br />

did not know Greek. After Fust and Schoeffer s second edition <strong>of</strong> 1466, German printers<br />

did not attempt to use Greek type for another twenty years, instead using transliteration<br />

or leaving space for manuscript additions.<br />

According to De Ricci s published description <strong>of</strong> this copy the date in the colophon was<br />

altered to read 1440 instead <strong>of</strong> 1465 . This spurious change has since been removed,<br />

leaving behind faint signs <strong>of</strong> erasure.<br />

Provenance: Samuel Engel, <strong>of</strong> Berne, 1743; Dresden, Konigliche Bibliothek; Willis<br />

Vickery; Raymond and Elizabeth Hartz, sale Sotheby s New York, 12 December 1991, lot<br />

163<br />

References: HCR 5238; GW 6921; BMC i 23; De Ricci, Mayence, 84:32<br />

100,000-120,000<br />

162,000-194,000<br />

93


94<br />

40<br />

&quot;SI Negocus famihanbus im,<br />

mix fans ocmm ftudio<br />

fuppeu<br />

p<strong>of</strong>Timus:&: id ipfu quod datur oa<br />

jlibentius in phil<strong>of</strong>ophia confume;&amp;lt;<br />

!confueuimus:tuanos tamenCai He<br />

[rent uoluntas cdmouit utderatione<br />

cdfcnberemus:neauc tua caufa noluide:aut<br />

nos fugilTe laborem pu tares, &amp;lt;S&amp;lt;:eo ftudi<strong>of</strong>ms<br />

gociu fufcepimus cj&amp;gt;<br />

hoc ne<br />

te no fie caufa ueliecognoiceu-<br />

rhetoricam ftelligebamus.Non efm parum iru&amp;lt;flus<br />

hab&: copia dicendi dt cdmodiras orationis;ii recfta<br />

mtelligecia & diffinica afmi moderatione gaberneu<br />

Quas ob res ilia qua: grazci fcnptores fanis arroganx<br />

caufa fibi affupfere reliquimus.Nam lili ne parurri<br />

multa fciffe uiderent&quot;:ea conquifiueru c qux nihii ad<br />

prop<strong>of</strong>itum attmcbant:uc ars difficilior cognitu ui<br />

deretur,Nos autemeaqux putauimus ad ranoneni<br />

dicedi pertmere fumpfimus.Non efm fpe quccftus<br />

aut gloria comoti uefmus ad fcnbendu queadmoin<br />

cxten : fed ut induftna n<strong>of</strong>tra tux morem gcramus<br />

uoluntati.Nunc ne nimiu longa fumatur orauo de<br />

re dicere fcipiemus.Sed fi te illud unu monuenmus<br />

artem fine afTiduitate dicendi non multum mu.ue:<br />

ut ftelligas hac prxcepti<strong>of</strong>s ronem ad exercuaaoeni<br />

accommodan oportere .<br />

( De Oratoris Offiao .<br />

kRatons <strong>of</strong>licium eftde his rebus p<strong>of</strong>le ciicf-rr:<br />

res ad ufum ciuilem monbus & Icgibus


40 detail<br />

40 Cicero, Marcus Tullius. Rhetorica nova ad Herennium ([De inventione] Rhetorica vetus,<br />

edited by Omnibonus Leonicenus). Venice: Nicolaus Jenson, 1470<br />

FIRST EDITION, Royal quarto in half sheets (254 x 183mm.), 138 leaves, 30 lines, Roman<br />

letter, 5- and 6-line initials in gold on coloured panels, the first with white-vine border<br />

ornament, the others either on blue-red-green<br />

white-vine grounds, or on single-colour<br />

grounds with gold floral filigree, 2-line initials and paragraph-marks alternately<br />

in red and<br />

blue, eighteenth-century English diced Russia, gilt dentelle border, spine gilt, marbled<br />

endpapers, cloth box and chemise, a few early manuscript notes in margins, earlier vellum<br />

flyleaves bound in, first page stained and with a vellum repair in lower margin, a single<br />

wormhole running through text <strong>of</strong> last 11 leaves, rebacked retaining original spine<br />

FIRST EDITIONS OF BOTH TEXTS. Although many incunable catalogues treat the two texts<br />

as separate editions, BMC is in fact correct to consider this as a single edition. The titles<br />

Rhetorica vetus and Rhetorica nova, used in Jenson s edition, were given to these works in<br />

the Middle Ages. The anonymous Rhetorica ad Herennium, c. composed 86-82 BC, is<br />

addressed to the unidentified C. Herennius. Neither Quintilian s assignment <strong>of</strong><br />

authorship to Cornificius, nor the medieval assignment to Cicero is now accepted. The<br />

Rhetorica vetus, or De inventione, a treatise on some techniques <strong>of</strong> rhetorical argument, is<br />

one <strong>of</strong> Cicero s earliest extant writings and bears a close resemblance in parts to the<br />

Rhetorica ad Herennium.<br />

To the humanist <strong>of</strong> the fifteenth century every word <strong>of</strong> Cicero, and even some with which<br />

like the Rhetorica ad Herennium he had no connection at all, was sacred, to be read,<br />

copied, commented upon, and ultimately printed. His importance as the master <strong>of</strong> Latin<br />

prose in every style, rhetorical, oratorical, epistolary and philosophical (which in some<br />

ways he created) has at no time been other than admired and copied, and this was still<br />

true for schoolboys in England in the 1950s. The De inventione and the spurious<br />

Rhetorica ad Herennium were closely linked. Various manuscripts, some incomplete,<br />

survive.<br />

In the fifteenth century printed texts <strong>of</strong> Cicero were a lucrative item, something which<br />

Jenson quickly realised: his first two books were editions <strong>of</strong> Cicero, although he was not<br />

the first to print many texts. The printing <strong>of</strong> Cicero s works followed on the literally<br />

hundreds <strong>of</strong> manuscripts from the fourteenth and fifteenth centuries which were in<br />

circulation. By 1500 over three hundred editions <strong>of</strong> different works or groups <strong>of</strong> works<br />

had been printed.<br />

Jenson chose his editor wisely. Ognibene da Lonigo was a humanist and educator <strong>of</strong> great<br />

as the verses <strong>of</strong> the colophon state. Himself a<br />

learning quern dat utraque lingua patrem ,<br />

pupil <strong>of</strong> the famous educator Vittorino da Feltre, he taught at Treviso and Mantua, and in<br />

1443 was made public preceptor at Vicenza, where he remained until 1493 attracting<br />

students from all over Italy. He edited a number <strong>of</strong> texts for Jenson.<br />

Jenson s entry onto the Venetian market came in 1470, when he printed four editions. In<br />

1471 he increased this to 18. The beauty <strong>of</strong> his type and layout <strong>of</strong> his books have been<br />

much admired from the outset. Apart from Gutenberg and (in the Anglo-Saxon world)<br />

Caxton, Jenson is probably the only fifteenth-century printer generally known, and that<br />

by virtue <strong>of</strong> his excellence in type. The partnership <strong>of</strong> editor and printer is elegantly made<br />

in elegiacs preceding the explicit:<br />

Emendata manu sunt exemplaria docta<br />

Omniboni: quern dat utraque lingua patrem.<br />

Haec eadem lenson ueneta Nicolaus in urbe<br />

Formauit: Mauro sub duce Christ<strong>of</strong>oro.<br />

95


96<br />

The deluxe book market in printed books demanded from the outset that copies be<br />

printed on vellum, a tradition revived by the Kelmscott and Ashendene presses, although<br />

it had never completely died out. Jenson printed a number <strong>of</strong> both secular and<br />

ecclesiastical texts on vellum, including other works by Cicero (Somnium Scipionis<br />

Epistolaefamiliares (2 editions) and the Epistolae adBmtum). Vellum dedication copies<br />

were also printed for the dedicatees or progenitors <strong>of</strong> works, and sometimes were<br />

elaborately decorated (the marvellous Douce copy <strong>of</strong> the Jenson 1476 Pliny, decorated for<br />

Filippo Strozzi is a famous example; Douce 310 in the Bodleian Library, Oxford; there<br />

are other similar copies, e.g. that at Holkham).<br />

In the eighteenth century the great collectors, beginning with Lord Harley, sought out<br />

vellum copies: he possessed (1743 sale catalogue) 210 editions; Gaignat had 98; the due<br />

de la Valliere 176. The growth <strong>of</strong> printing on vellum manifested in France in the late<br />

eighteenth and early nineteenth century means that whereas in the case <strong>of</strong> Harley, the<br />

books printed on vellum are early books, the highest score <strong>of</strong> Van Praet s contemporaries,<br />

that <strong>of</strong> A.A. Renouard, included a<br />

large number <strong>of</strong> contemporary items, some published<br />

by Renouard himself. Lord Spencer, the great English bibliophile, possessed some 108<br />

vellum copies. The British Library has today 178 incunabula printed on vellum, and<br />

about twice that number for the sixteenth century (a number swollen by the production<br />

<strong>of</strong> liturgical books).<br />

There seems to be some confusion as to how many copies printed on vellum exist today<br />

<strong>of</strong> the two texts here printed. Van Praet lists seven (Paris BNF, Paris St. Gen. (with initials<br />

in gold and colours), Parma, Vienna, Upsala, one belonging to the chevalier Bartolini at<br />

Udine, and Blenheim.) ISTC however lists only four on vellum (BNF, Vienna, Upsala<br />

(lacking ff. 67-70), and Washington LC Rosenwald Collection 213: this last the erstwhile<br />

Sunderland/Blenheim copy, sold in 1881 (lot 2887) bound in French red morocco with<br />

the device <strong>of</strong> the sun and bought by Robert Hoe (Vision <strong>of</strong> a collector, p. 29; it was lot 742<br />

in the Hoe sale, where the binding is described.)<br />

Copies at the Bibl. St. Genevieve and that at Parma are listed in ISTC but not as vellum<br />

copies, although that at Parma is. This copy, listed in GW under its previous<br />

location at<br />

Chatsworth, is the sixth copy which can be physically attested. The is binding an early<br />

eighteenth-century English russia binding (for the introduction <strong>of</strong> Russia leather into<br />

binding in England see G. Pollard Changes in the style <strong>of</strong> bookbinding, 1550-1830 in<br />

The Library 5th series XI (1956) pp. 81-82) probably dating from the 1720s or 1730s.<br />

The decorative border resembles that on the presentation copies <strong>of</strong> Burnet s De statu<br />

mortuorum et<br />

resurgentium (and other works by Burnet) in various English libraries. THIS<br />

MAGNIFICENT BOOK therefore was clearly<br />

in England at this , period when the Sunderland<br />

library was created, although when it was acquired for Chatsworth we do not know (is it<br />

from Thomas Dampier s celebrated collection acquired en bloc by the sixth Duke?).<br />

Provenance: Orandius Jacobonius, <strong>of</strong> Terni, with early inscription on vellum flyleaf;<br />

Dukes <strong>of</strong> Devonshire, with Chatsworth bookplate; sale Christie s, 6 June 1974, lot 8; H.<br />

Bradley Martin, with bookplate, sale Sotheby s New York, ix, 14 June 1990, lot 3349<br />

References: H *5057; GW 6733 & 6709; BMC v 166; G<strong>of</strong>f C672 & 644; Van Praet,<br />

Velins du roi, iv, no. 3 1<br />

200,000-300,000<br />

323,000-485,000


41 Cicero, Marcus Tullius. Tusculanae quaestiones. Venice: Nicolaus Jenson, 1472<br />

Royal 4 in half-sheets (271 x 183mm.), 87 leaves (<strong>of</strong> 88, without the initial blank leaf),<br />

33 lines, Roman and Greek type, 6-line initial spaces, illuminated by the Putti Master<br />

with 5 historiated chapter initials and a frontispiece armorial (Priuli arms) in brown ink<br />

and grey and blue wash (camaieu gris), early eighteenth-century English red morocco gilt,<br />

narrow gilt border, small fleuron at corners, spine gilt in compartments, edges gilt,<br />

marbled endpapers, modern quarter morocco box, a few early manuscript notes in<br />

margins, the firstpage and several other pages with a few spots and stains, joints and corners<br />

slightly rubbed<br />

Cicero s Tusculan Disputations predominantly a school text bearing on Platonic<br />

cosmology , and <strong>of</strong>ten quoted from the tenth century in glosses on the commentary on<br />

the Somnium Scipionis<strong>of</strong> Macrobius (Richard Rouse in L. D. Reynolds, Texts and<br />

Transmission, (1983) p. 135) were well known in the Middle Ages. In this text Cicero<br />

writes <strong>of</strong> the problems <strong>of</strong> the psychology <strong>of</strong> the life: happy death, grief, pain, fear, passion<br />

writes here with a<br />

and other mental disorders, and <strong>of</strong> what is essential for happiness. . . He<br />

passionate intensity and lyrical beauty (OCD3 (1996) p. 1563).<br />

The relationship between Jenson and the printer and the Putti Master was close: the<br />

Wendelinus de<br />

printed books listed by Lilian Armstrong, are almost all printed either by<br />

Spira or Jenson in Venice. It appears that the decoration was organised by the printer, not<br />

by the client. Some books clearly were obvious candidates for decoration, the<br />

e.g. 1472<br />

Pliny printed by Jenson, <strong>of</strong> which several copies are extant, and the Livy <strong>of</strong> 1470. For the<br />

most part the works are in Latin, but there are two editions <strong>of</strong> works by Petrarch in Italian<br />

(Armstrong nos. 8, 21-22), in one <strong>of</strong> which occurs the motif <strong>of</strong> the Cupid riding a<br />

dolphin, which is found in the present work. The books are to be found in many libraries,<br />

but copies in private hands are most unusual: a copy <strong>of</strong> this edition <strong>of</strong> the Tusculan<br />

Disputations, printed on vellum, which is atTreviso, has the arms <strong>of</strong> the Donado or<br />

Dona family <strong>of</strong> Venice.<br />

The provenance <strong>of</strong> this copy is immensely distinguished. Originally it was decorated for a<br />

member <strong>of</strong> the Priuli, a distinguished family in Venice, that owned a number <strong>of</strong> decorated<br />

books from the Jenson shop, e.g. the Columella <strong>of</strong> 1472 (which has passed through the<br />

rooms several times since 1978) and the Sallust <strong>of</strong> 1474. It contains some early<br />

annotations <strong>of</strong> a fairly basic nature. By the early eighteenth century it belonged to the<br />

Earl <strong>of</strong> Pembroke, the celebrated English collector, <strong>of</strong>whom Pope wrote in Of Taste: an<br />

epistle to the Earl <strong>of</strong>Burlington (1731):<br />

Artists must chuse his Pictures, Music, Meats:<br />

He buys for Topham, Drawings and Designs,<br />

For Pembroke Statues, dirty Gods, and Coins,<br />

Rare monkish manuscripts for Hearne alone,<br />

And books for Mead, and Butterflies for Sloane.<br />

97


98<br />

Pembroke, who enjoyed considerable public <strong>of</strong>fice in England in the reigns <strong>of</strong> William<br />

and Mary, Queen Anne and George I, but was also a man <strong>of</strong> scientific interests and tastes.<br />

He was president <strong>of</strong> the Royal Society 1689-90, and as well as his statuary, had as well a<br />

distinguished library. It then passed to the friend <strong>of</strong> William Morris, and great collector,<br />

Charles Fairfax Murray on whose death in 1918 it passed to <strong>Mr</strong>. C. S. Ascherson (who<br />

also owned the Columella mentioned above), and thence to the great collector <strong>of</strong><br />

incunabula, bindings and sale catalogues <strong>Mr</strong>. Alfred Ehrman. It subsequently belonged to<br />

the American collector George Abrams, at whose sale it was acquired by <strong>Mr</strong>. Ritman in<br />

1989.<br />

Of volumes decorated by the Putti Master only this volume and the magnificent copy,<br />

printed on vellum, <strong>of</strong> the 1471 <strong>of</strong> Quintilian Institutiones oratoriae (lot 9 in the Garden<br />

sale, 1989), have appeared at auction in the last thirty years.<br />

The present edition is the second or third <strong>of</strong> this text, preceded by Ulrich Han s 1469<br />

Rome edition (G<strong>of</strong>f C630) and possibly the undated Paris edition <strong>of</strong> Gering, Crantz and<br />

Friburger (G<strong>of</strong>f C632). In the present copy the last word <strong>of</strong> fol. 45 is in its corrected state<br />

uoluptater, in most copies it is incorrectly set as uoluptatem. GW misdescribes the format<br />

as folio.<br />

Provenance: Priuli, with illuminated arms; Thomas Herbert, 8th Earl <strong>of</strong> Pembroke, with a<br />

Pembroke binding and shelfmarks (sale in our rooms, 25 June 1914, lot 67); Charles<br />

Fairfax Murray (sale Christie s, 18 March 1918, lot 182); C.S. Ascherson, with bookplate;<br />

Albert Ehrman, Broxbourne Library, with bookplate (sale in our rooms, ii, 8 May 1978,<br />

lot 632); George Abrams, with bookplate (sale in our rooms, 16 November 1989, lot 37)<br />

References: H *5313; GW 6890; BMC v 171; G<strong>of</strong>f C631; Lilian Armstrong, Renaissance<br />

Miniature Painters & Classical Imagery, 1 98 1 , no. 19<br />

200,000-300,000<br />

323,000-485,000<br />

41 details, actual size


quo uelis perferent.<br />

rapuifTe cUcuntur : te : & excipient<br />

omnem omittas timorem.Sic urgentibus & afperis odio -<br />

fis dolonbus : fi tann non fmt: ut fercndi fint :<br />

quo fit<br />

c<strong>of</strong>ugiendu uides.r-Lec fere hoc teporeputauieffediccn<br />

da.Sed tu fortafTe in. fententia pmanes. A.Mmime uero:<br />

meqj biduo duarum rerum:quasmaximetimeba:fpero<br />

libcratum metu M.Cras ergo ad clepfydram : ficenim.<br />

diximus&amp;lt;fed ttbi hoc uideo no p<strong>of</strong>lfedeben. A.Ita prorfus,<br />

*M,Etillud quidem ate mendiem; A.Hoc code tempore,<br />

*M*Sic faciemus:tuifqj optimis obfequemur ftudiis,<br />

MARCI TVLLII CICERONIS TVSCVLAx<br />

NARVM QVAESTIONVM LIBER TERTIVS.<br />

^^ Vidnam effe Brute caufae putemtcur<br />

| cum conftemus ex ammo 6C corpora:<br />

corporis curadi tuendiqj caufa quasfita<br />

fit ars eius atqj utihtas deo^ immorta/<br />

; lium inuentiom confecrata:animi aute<br />

medicina : ncc tarn defidcrata fit:ateq<br />

inucntamec tarn culta p<strong>of</strong>teaq cognita efttnec ca mulcts<br />

grata & probata:plunbusetiamfufpcdad:muifa r&quot;An 9<br />

corporis grauttatem &: dolorem ammo mdicamus:animi<br />

morbum corpore non fenrimusr Ita fit ut animus defc<br />

ipfe tumiudicet:cumid ipfum:quodiudicatur:ajcrrotet.<br />

Quod fi tales nos natura genui(Tet:ut ea ipfa mtueri:^<br />

perfpicereteademqj optima duce curfum mtx conficere<br />

p<strong>of</strong>femus:haud erat fane:quod quifq<br />

ratione ac doclrina<br />

reqreretrcu nata fufficeret.Nuc puulos nobis dedit igni/<br />

culosrquos celeriter malis monbus opimdibufqj denraua<br />

tis fie extiguimustutnufqnat&quot;^ lumeappareat.Sut cnf<br />

ingem is n<strong>of</strong>tris femina innata utrtutu:qu2efiadolefcefe<br />

liceretn pfa nos ad beatam uitam natura perducerer.Nuc<br />

99


100<br />

42 actual size


42 Conrad von Megenberg. Das Buch der Natur. Augsburg: Anton Sorg, 24 July 1482<br />

Chancery 2 (277 x 192mm.), 240 leaves, 35 lines, Gothic letter, 9-line woodcut<br />

Maiblumen initials, 1 2 full-page woodcuts, initials and woodcuts all coloured by a<br />

contemporary hand, in contemporary blind-stamped calf over wooden boards, outer<br />

border <strong>of</strong> upper cover composed <strong>of</strong> a repeated large rosette, border <strong>of</strong> lower cover<br />

composed <strong>of</strong> a repeated large palmette, central panels filled with a repeated artichoke<br />

tool, spine decorated with palmette tool, modern morocco slipcase, fol. 3 suppliedfrom a<br />

shorter copy and bound beforefol. 2, short tear in text<br />

<strong>of</strong>fos. 177 and 234 repaired with<br />

partial loss <strong>of</strong>a few letters, afew repairs in margins, afew small wormholes andfirst and last<br />

few leaves, some light staining mostly in margins, lacking 2 clasps and catches, lower cover<br />

slightly wormed<br />

The fifth edition <strong>of</strong> this earliest encyclopaedia to be written in a vernacular language.<br />

Conrad von Megenberg (1309-1374) based his work on a thirteenth-century text<br />

attributed to Thomas <strong>of</strong> Cantimpre, De rerum natura. It contains sections on astronomy,<br />

meteorology, human anatomy, zoology, botany, metals, stones and monsters, each section<br />

headed with a full-page illustration. The first edition, printed by Bamler in 1475, was the<br />

first printed book to contain botanical and zoological illustrations. The second and third<br />

editions, <strong>of</strong> 1478 (G<strong>of</strong>f C843) and 1481 (G<strong>of</strong>f C844), were also from the press <strong>of</strong><br />

Bamler; the fourth edition was printed by Johann Schonsperger exactly two months<br />

before the present edition (BSB-Ink K-46).<br />

According to both St. Augustine and Berthold von Regensburg, the laity possess two<br />

books <strong>of</strong> Nature, those <strong>of</strong> heaven and earth. Conrad s wish in this work was to teach<br />

knowledge <strong>of</strong> the God created world <strong>of</strong> Nature in its being (res) and in its meaning<br />

(significatio) . He<br />

101<br />

used an abbreviated version <strong>of</strong>Thomas von Cantimpre, and a number <strong>of</strong><br />

other sources (Isidore s Etymologiae, Avicenna s Canon, the Physiologus and the De<br />

vegetabilibus <strong>of</strong> Albertus Magnus). At the end <strong>of</strong> his text he writes that he has mer dan<br />

daz drittail gemert und den sin erlaucht his Latin sources. The is<br />

largest space<br />

in fact<br />

given to the tropological and moral meanings <strong>of</strong> the text, and the various different<br />

attributes <strong>of</strong> the Clerus, and <strong>of</strong> the various orders <strong>of</strong> society: the teacher and pupil among<br />

one <strong>of</strong> the<br />

them, are treated at length. The text is written for his good friend , probably<br />

community <strong>of</strong> the Stephanschule in Vienna, and was probably meant, like so many<br />

works, as a useful source for preachers.<br />

The woodcuts used by Sorg are close copies <strong>of</strong> those used by Bamler, except<br />

that the<br />

portrait <strong>of</strong> St Ulrich at the head <strong>of</strong> the chapter on stones is replaced with a scene <strong>of</strong> a Turk<br />

at his bench.<br />

bringing a precious stone before a jeweller<br />

The binding is from Augsburg, the two tools palmette and rosette differing only in<br />

minute variations <strong>of</strong> size from Kyriss, no. 90, an Augsburg workshop.<br />

References: H *4045; BMC ii 349; G<strong>of</strong>f C845; Schreiber 3782; Klebs 300.5<br />

70,000-100,000<br />

113,000-162,000


102<br />

43<br />

Incipiunc epiftole Cealu Cyprtani ad Corndium<br />

^ A i?apam. EC prima de conFeflione.Felicicer.<br />

lio Fram falutem.Cognom/<br />

Umuf (rater canOime fideiac utrcu<strong>of</strong> ueftre<br />

itefhmoia glon<strong>of</strong>a.& coFeffioif ueftre bonore<br />

he exulcancer accepimuf uc in mennfac lau/<br />

b dibuf ueftrif n<strong>of</strong> quoq: parcicipefac foti<strong>of</strong><br />

tcompucemuf . Nam<br />

cu nobif ec Ecclefia una<br />

86 menfiundrata? mdiuidua cdcordta: <strong>of</strong><br />

non facerd<strong>of</strong>tn confacerdonf futlaudibufranq m fmf propruf<br />

graculecur A.uc que Fracernicafn6 in Pratru gaudio ubiq; feret;.<br />

Exprimi fanf non pocefb qca ifbaexulrano Fuertc &: qra [encia:<br />

cum de uobif pr<strong>of</strong>pera U Forna comperifTemuf . ducem reilfic co/<br />

FeflionifFratribuf exntifie. Sed &J conFeflionem ducifdeFracrum<br />

confenflione creuifle-ut dum precedif ad glonam fecerifmu(c<strong>of</strong><br />

glone comicef. &J conFeHbrem populum fuafenfFierirdum pnmuf<br />

paracufefpro omnibuf conFicen . ut non mueniamufquid pnuf<br />

predicare debeamuf.ucrum ne cuam promptam<br />

&r Orabtlem Fidem<br />

an mfeparabilem Fracrum canratem. Vircuf illic Epi precedentif<br />

pubhcecomprobacaeffc-adunaci<strong>of</strong>equennr Fraternitanf <strong>of</strong>Venfa<br />

eflr.du apud u<strong>of</strong>unuranimufs^ una uox e Ecclefia <strong>of</strong>f R-omana<br />

conFeflaeft.ClaruicFracrefcanfliini Fidef quamdeuobif beatuf<br />

Ap<strong>of</strong>boluf predicauic.Hanclaudem uircucif &r robonf Firmicace<br />

lam tune in fpmtu preuidebac 8t preconio fiituroif menca uefhra<br />

conreOanf.-dum parencef (audac:Fili<strong>of</strong> ;puocac. dum fie unanimef<br />

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p<strong>of</strong>fe.qutcqdfimul pecicura cuncHrifdeu pacifpaciFiafexbibere.<br />

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quo imperu uenerac eodem impetu pulfuf eft . 86 qtum Formidmif<br />

86 cerronfacculic:rancuForntudmif inuenir 86 robonf. Suppla/<br />

care fe iceru crediderac p<strong>of</strong>ledei (eru<strong>of</strong>:&; uelucTyroef 86 rudef<br />

quafi mmuf parac<strong>of</strong> 8t mmuf caut<strong>of</strong> folito fuo more concucere .<br />

Vnu pmo aggreflufuc lupuf ouc fecernere a grege- ut accipiter<br />

columbam ab agmme uolantium feparare tempcauerac. Nam cui<br />

3<br />

.*t.1


43 Cyprianus, Saint. Opera (edited by Johannes Andreae Bussi, bishop <strong>of</strong> Aleria). Rome:<br />

Conrad Sweynheym and Arnold Pannartz, in the house <strong>of</strong>Petrus de Maximo, [before 26 July]<br />

1471<br />

FIRST EDITION, Median 2 (306 x 224mm.), 184 leaves (<strong>of</strong> 186, without first and last<br />

blank leaves), 38 lines, Roman and Greek letter, 2-, 6- and 7-line initial spaces, 7-line<br />

initials on fol. 5 recto in blue with red penwork decoration, other initials in red, initial-<br />

strokes in yellow, eighteenth-century Italian vellum, gilt spine, marbled endpapers, edges<br />

stained yellow, extensive early manuscript notes in m&rgms, first page stained and other<br />

scattered stains, a few small wormholes, two gouges on upper cover<br />

FIRST EDITION, FROM THE LIBRARY OF AULUS JANUS PARRHASIUS (1470-1 534), editor and<br />

commentator <strong>of</strong> many classical texts, the most informed humanist and most brilliant<br />

critic <strong>of</strong> his age (R. Sabbadini, Le scoperte dei codici latini e greci, 1905, 159). His<br />

extensive library <strong>of</strong> classical manuscripts and early printed editions was bequeathed to<br />

Cardinal Antonio Seripandi (1493-1563), and the largest portion <strong>of</strong> it is now in the<br />

National Library, Naples. The marginalia are probably in Parrhasius s hand.<br />

Cyprian (d. 258), bishop <strong>of</strong> Carthage, was the first great Christian writer, who remained<br />

without rival until Jerome and Augustine. His extant writings consist <strong>of</strong> some eighty-one<br />

letters and several important treatises including: the celebrated De ecclesiae catholicae<br />

unitate; an exposition <strong>of</strong> the Lord s Prayer De oratione dominica; De mortalitate, composed<br />

during the plague which struck Carthage in 252; and two popular short works, De bono<br />

patientie and De zelo & livore, written during the controversy over the rebaptism <strong>of</strong><br />

heretics. The edition also includes a number <strong>of</strong> pseudo-Cyprian tracts; the final text, a<br />

fabulous narration <strong>of</strong> how King Pepin had the head <strong>of</strong> St John the Baptist translated to<br />

Angers, was not part <strong>of</strong> the Cyprian<br />

tradition and is not included in the table <strong>of</strong> the<br />

preliminary quire (see Socii Bollandiani, Bibliotheca hagiographica latina, 1898-1901, no.<br />

4293, and Acta sanctorum (third edition) lunii V, 650-652.<br />

Vindelinus de Spira s Venice edition <strong>of</strong> the same year (G<strong>of</strong>f C101 1) was reprinted from<br />

this edition, whose terminus is provided by the death, on 26 July 1471, <strong>of</strong> Pope Paul II,<br />

to whom the work is dedicated. In his dedication, Giovanni Andrea Bussi, who edited<br />

almost all the early publications <strong>of</strong> Sweynheym and Pannartz in Rome, states that he was<br />

hard at work in preparing for press Nicholas de Lyra s Bible commentary (edition<br />

completed 18 November 1471 and after, G<strong>of</strong>f Nl 31). Sweynheym<br />

says, in the process <strong>of</strong> printing the Vulgate Bible (G<strong>of</strong>f B535, dedication dated 15 March<br />

103<br />

and Pannartz were, he<br />

1471), when they told him that their supply <strong>of</strong> Royal paper (carta maior) was depleted<br />

and asked if he could supply some work for smaller paper, so that their workmen would<br />

not have to be laid <strong>of</strong>f. Such information suggests that GW and BMC s dating [January<br />

or February] 1471 is over-precisely calculated.<br />

Provenance: Aulus Janus Parrhasius, by bequest to Antonio Seripandi, with inscription<br />

(see above); (Seripandi bequeathed his library to the monastery <strong>of</strong> S. Giovanni di<br />

Carbonara in Naples; in 1718 the monks, following a hint from Vienna, presented their<br />

manuscripts to Emperor Charles VI; they were returned to the National Library in Naples<br />

by the terms <strong>of</strong> the Treaty <strong>of</strong> Saint Germain, 1919); monogram FG in ink at foot <strong>of</strong> first<br />

page; Albert Ehrman, Broxbourne Library, with bookplate and note: Binding damaged<br />

in return from USA 1945 (sale in our rooms, ii, 8 May 1978, lot 525); George Abrams,<br />

with bookplate (sale in our rooms, 16 November 1989, lot 41)<br />

References: H *5896; GW7883; BMC iv 12; G<strong>of</strong>fClOlO<br />

30,000-50,000<br />

48,500-81,000<br />

43 detail


104<br />

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co2de famuli tui lumen igaudith oulcifllma<br />

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ar3fhmulitut qua(ltbcfauru0mbuen6mibi<br />

ineffabile0oiuicia0/ipaupt3tematqjmiferi<br />

am longeamecjcpellcno f acta eft gfa tua<br />

feruo tuo refugiu i &amp;gt;JtU6 1 gio2iario i .ptecno<br />

v &quot;fr* fpiritali0-plena fuauitatic i lumine<br />

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quo fuftinebit Imgua mea/ Ktnon te fin^ulie<br />

quo porero inundationco gf e tue qcdudere<br />

queiugttcrfluunritt pcctozcbumilitatl mec<br />

pleneoulcedmei omi gratia rpecialtf-flMalll<br />

glo:i<strong>of</strong>o nomini tuo onepajc ccloal/qui mibi<br />

iCu cinrcnu<br />

: m3gniftco2 a te^flo ceffabit ligua<br />

meacollaudare^tutctua/no ceflabit citba -<br />

ra mea pfonarc fpiritalia cannca t ua- Dcfide<br />

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ne0 mei refoluunt / quorienfcuiiqj recogito<br />

q^rcud-iiidcfinf ccisir.irocf.i finoiico arq?<br />

ncruo iifun nriiKhaj /C i .-die em fiir.o: eric<br />

fratre0oilecrimmi grandi0 trcmo2 o amid<br />

tncy^uioemnotimcat autqecq noptre<br />

milcat i lamentedac lugcatbec- eft ibt otnia<br />

maniftftunf que 15 i occulto i teneb2t0 gefta<br />

funfiontelligite fratrco mei 15 qtf vo5 oico*<br />

ipfiderateetcpluqjJvobobvfamitelligen*<br />

tia ,pfero2lrb02e0 fructifere rge fuo pmu in<br />

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cue/fiuebonafiuemalageneft ibLqfi fruct&quot;


Ephraim Syrus. Libri sancti Effrem de compunctione cordis judicio dei & resure. &c.<br />

beatitudine anime penitentia luctamine spiritali<br />

die judicij. [Freiburg im Breisgau:<br />

Kilian<br />

Fischer, not after 1491]<br />

Chancery 2 (315 x 220mm.), 20 leaves, double column, 52 lines and headline, Gothic<br />

modern vellum<br />

letter, rubricated, 4-line initials supplied in red (with guide-letters),<br />

binding<br />

Ephrem the Syrian (c. 306-373 AD) wrote his many works in verse. His fame and<br />

influence as both hymnodist and model <strong>of</strong> the monastic life spread throughout the<br />

church both East and West, and led to a huge body <strong>of</strong> work in a wide variety <strong>of</strong> languages<br />

being attributed to him.<br />

He wrote in Syriac but early translations into Greek were made, and from these Latin<br />

versions. The text here printed is the old Latin version. Ambrogio Traversari was the<br />

translator <strong>of</strong> a group <strong>of</strong> sermons published in 1481 and subsequently reprinted, and this<br />

formed the basis <strong>of</strong> a French translation by Pierre Cueuret published c. 1500 (GW 9335).<br />

A manuscript in the Huntington Library (HM 1068) contains these six chapters in a<br />

form generally the same as this printed edition, the major difference being that in the<br />

manuscript the end <strong>of</strong> the first section is given<br />

in a shortened version.<br />

References: H 6598; GW 9334; BMC iii 693; G<strong>of</strong>TE44<br />

10,000-15,000<br />

16,200-24,300<br />

105


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ouidc pucfcerru circuli circnli c Imea o:.OC&amp;lt;i4iiiqer reera q<br />

i<br />

eircnluiono media oimdit.CSennnrcnluschjnraplaiia iiia<br />

metro orculi i mcdictate circiilerennc ?tcn[a.Ci l^o:tiocircn<br />

li c ngiira plana recta Imea ; pane circul ercitc m-ta: Icinieiren<br />

lo qiudc antmaio: antniino;. Cccnlmee hjiirc liit q rccna li<br />

ncis ccflncnfquaruqnedamlatercqmb- reins ImciS: qncda<br />

[)aaJnlatacq qtno;reenlineis.qdjuilhlatere que plnnbih-<br />

:i;quanio:rccn9lmci6eonnnait. (1 -jisiirani mlJteraniialia<br />

^ImaiiguluebnemalateraeqDalia.tAlia mangulncoaobiis<br />

rq lialarera.Stiamaii^iilut-imiiiiieqtialintiilateru. IDariteru<br />

ilia eft o:tbosonm:viiti .iTccrnm aitjnliim babciis.Jilu e am /<br />

5li5C iimmaliqiKmobm!mii.iTinliiiiib3beni.24lucrtojisotii<br />

nm:ni oua trcsanjnli mm acuti C-5icnrani ante qnadnlatcrar<br />

aha clt lidramm quod ell . cqnilaieni nc^rectmU 3Uia el S<br />

jolrtong :4&amp;lt;fl ngurj rcci aiijjiila : led eqiuLucra noil ell.<br />

alia ell beliimavm. qqc ell : eqmlatera led rtcunula non ell.


45 Euclid. Elementa [Latin] (in the translation <strong>of</strong> Adelard <strong>of</strong> Bath, with commentary by<br />

Campanus <strong>of</strong> Novara). Venice: Erhard Ratdolt, 25 May 1482<br />

Super-Chancery 2 (305 x 210mm.), 138 leaves, 45 lines, Gothic letter, 3-part white-onblack<br />

ornamental border, white-on-black initials, over 500 typemetal geometrical<br />

diagrams, contemporary South German binding <strong>of</strong> tawed pigskin<br />

over wooden boards,<br />

blind-stamped with pineapple tools within leafy lattice on front cover, rose and small<br />

campion-like flower tool within a border <strong>of</strong> Maria hilf scrolls on lower cover, clasps<br />

intact, guards from a fifteenth-century German liturgical manuscript, modern morocco-<br />

backed slip-case, a few tiny and insignificant wormholes in some margins and on spine <strong>of</strong><br />

binding<br />

A SUPERB COPY OF THE FIRST EDITION OF EUCLID IN LATIN (the Greek text was published<br />

in 1533), and the first appearance <strong>of</strong> Euclid in print.<br />

Euclid s fortuna in the Middle Ages, <strong>of</strong> which this edition formed the textual summation,<br />

is based on translations made, not from the Greek, but from the Arabic, <strong>of</strong> which that by<br />

Adelard <strong>of</strong> Bath, made in the early twelfth century, subsequently used by Roger Bacon,<br />

and surviving in a number <strong>of</strong> manuscripts, is here printed. Adelard <strong>of</strong> Bath is an<br />

enormously important figure, and one little-known other than to specialists. He<br />

introduced into western Europe the notions and terms <strong>of</strong> sine and tangent.<br />

In his dedication to the Doge, Ratdolt speaks <strong>of</strong> the problem <strong>of</strong> printing Euclid, and<br />

more particularly the diagrams in the text: how there are many printed books, but this<br />

problem <strong>of</strong> diagrams<br />

is difficult <strong>of</strong> resolution. This is not an idle remark, and it is<br />

generally thought today that these sharp, clean diagrans were achieved by means <strong>of</strong> type<br />

metal, not woodcuts.<br />

Provenance: arms emblazoned on recto <strong>of</strong> a2 (gules, a fess between three stars, or); Ph.<br />

Werner dono accepi a D.D. Joh: Ludov. Eberi heredibus 8 May 1670 ;<br />

Robert<br />

Honeyman IV, with bookplate (sale in our rooms, ii, 30 April 1979, lot 970); the Garden<br />

Ltd., with bookplate (sale, Sotheby s New York, 9 November 1989, lot 26)<br />

References: HC 6693*; GW 9428; Klebs 383.1; Stanford 1A; Sander 2605; G<strong>of</strong>f E-l 13;<br />

7WM25;see also M. Clagett The medieval translations from the Arabic <strong>of</strong> the Elements<br />

in Isis44 (1953)16-42; J.E. Murdoch The medieval Euclid ,<br />

in Revue de Synthese, 3rd<br />

series, 49-52 (1968) 67-94; C. Burnett. Adelard <strong>of</strong>Bath. London: Warburg Institute,<br />

1987 pp. 55-68 (by M. Folkerts); J.H.L. Busard Lateinische Euklidiibersetzungen und<br />

Bearbeitungen aus dem 12. und 13. Jahrhundert in Mathematische Probleme im<br />

Mittelalter, ed. M. Folkerts (Wolfenbutteler Mittelater-Studien 10), Wiesbaden, 1996<br />

139-157<br />

200,000-250,000<br />

323,000-404,000<br />

107


108<br />

46<br />

Incipit Liber Htftone ecclefiaftice Eufebii c^fanefis qua<br />

beatus iLuffmus pre fbiter de grpco in latmum tranftukt.<br />

Inciptt Prologus eiufdemK-ufftni.<br />

ERJTOR.VM DICVNT ESSE<br />

medicorum ubi imminere urbibus uel<br />

regionibus generales uiderint morbos<br />

3&quot; proutdere ahq medicameti uel pocult<br />

genus.quibuspremumti homines ab im<br />

minenti defendanturexitio. Quodtu<br />

quocp uenerade pater cbromati medicine cheques genus,<br />

tempore quo difruptis itahae clauftns balancbo duce go<br />

tborum fe<br />

peftifer morbus infudtt.dc<br />

agros arraenta uiros<br />

longe latecp ttbi<br />

uaftauit.popuhs<br />

a deo commiflfis ferahs ex<br />

itii ahquod remedium queras.per quod egrp mentes ab in<br />

gruentismalicogitatione fubtra&amp;lt;5lp mehonbus occupate<br />

ftudus teneretur-Iniungis mtbi ut ecclefiafttca bjftonam<br />

qua utrerudittflimus Eufebms cffarienfis greco fertnone<br />

in<br />

confcnpferat latmum uerterem.Cuius lecftione animus<br />

audientiu uincftusdum notitiam return<br />

geftarum autdius<br />

peteret obliuionem quodammodo malorum qup gererent<br />

acciperet. Aquoego onere cu excufare me uellem ut^ote<br />

inferior Sc impar & qui in tam multis annis ufum latmi fer<br />

monis amiferim C<strong>of</strong>ideraui que no abf^ altquo ap<strong>of</strong>tolice<br />

inftitutionis ordine nobis ifta pciperes. Nam 6c cum do<br />

minus altquando efunentibus in defer to audttoru turbis<br />

dixtffet ad ap<strong>of</strong>tolos date eis uos manducare, Pbihppus<br />

unus ex ap<strong>of</strong>tohs intelltges eo magis fplendefcerediuine<br />

uirtutis<br />

inftgnia.fi mimmoy, fuoru^ minifteriis explerent<br />

non ^tulit panes ap<strong>of</strong>tohcc recoditos pere fedpuerulum<br />

adelte dtcit babente Sc<br />

quto^ panes duos ptfces que uere/<br />

cunde excufans adiecit. Sed bee funt iter<br />

cjd<br />

tantosr quo<br />

clara fieret dtuina<br />

magis in anguftis optbus fee defperatis


46 Eusebius Caesariensis. Historia ecclesiastica (translated byTyrannius Rufinus). Rome:<br />

Johannes Philippus de Lignamine, 15 May 1476<br />

Median 2 (326 x 218mm.), 219 leaves (<strong>of</strong> 220, without initial blank leaf), 33 lines,<br />

Roman letter, 2-, 3- and 6-line initial spaces, that on fol. 2 recto supplied in yellow and<br />

brown pen, first leaf ruled in red, eighteenth-century vellum, modern morocco-backed<br />

slipcase and chemise, contemporary manuscript foliation and headlines and some other<br />

annotations, small repairs in text <strong>of</strong>first 3 leaves with a few letters supplied in pen facsimile,<br />

long tear in margin affinal leafrepaired, several other repairs in margins, some staining in<br />

margins<br />

The third edition <strong>of</strong> Eusebius s monumental history <strong>of</strong> the early church, preceded by<br />

editions printed at Utrecht and Strassburg, in 1474 and c. 1475-80 respectively (G<strong>of</strong>F<br />

E124 & 125). The original Greek text was first printed by Robert Estienne at Paris in<br />

1544.<br />

There are two issues <strong>of</strong> the present edition, the first with a dedication to Pope Sixtus IV,<br />

the second as here dedicated to Cardinal d Estouteville with an entirely reset first quire.<br />

References: HC *6710; GW 9436; BMC iv 34 ; G<strong>of</strong>f El 26<br />

10,000-15,000<br />

16,200-24,300<br />

109


110<br />

47<br />

EVSEBQCAESARIENSIS EPISCOPICHRONICON ID<br />

EST TEMPORVM BREVIARIVM INCIPIT FOELICI/<br />

TERvQVEM HlERONKMVS PRAESBITER DIVING<br />

EIVS INGENIO LATINVM FACERE CVRAVIT:ET VS<br />

QVE IN Valentc Gdarem Romano Adiecit Eloquio Quc ET<br />

c<strong>of</strong>ecuta (ut adiicere<br />

Prolper delude Matne* palmeri Qui ca qu<br />

curauere eidep<strong>of</strong>tp<strong>of</strong>iti fubfequunf,At primfl Hieronymi in bui*<br />

codicis aliquado adoriptores utarcbetypusdefaibaf adiurati^e<br />

VERBADIYI UTTBRARVM PRINCIPIS H1ERONKMI<br />

Diuro tc quicuc^ bos defcripleris iibros<br />

E dominu n<strong>of</strong>tnl iefu cbriftu et gloriolu<br />

eius aducnru : in quo u cnict iudi care ui<br />

uos &: mortuos ut c<strong>of</strong>eras quod fcripfe<br />

ris &: emedes ad exeplaria ea de quib^<br />

(cripieris diligenterEt boc adiuratiois<br />

genus tranfcribas &rtranfieras in cum<br />

codicem quern defcripleris*<br />

Cbronica Eufebii Hieronymi bidpit<br />

Prf&tio Hicronyjni<br />

Vfebius Hicronymus Vinccntio &: Galieno fuis<br />

Salutem*Vetus irte diiertorum mos fuit ut exercen<br />

di ingenii caula grecos Iibros latino fermone abfol<br />

ueret* Et quod plus I (e difficultatis babet poemata<br />

illuftrifluiroru addita metri neceflitate tranfferret,<br />

Vnde& n<strong>of</strong>ter Tulius Platonis integros Iibros ad<br />

uerbu interpretatus eft.Et cu Aratu ia Romanu bexametris uerfib?<br />

edidiflet in xenopbontis economico lufitJn quo opere ita i^pe au<br />

reu illud flume eloqueti^ quibufda (cabris &: turbuletis obicib? re/<br />

tardat ut qui interpr^tata nefciut a Cicerone dicta no credat,Diffi/<br />

cile eft eni alienas linguas infequente no alicubi excidere arduu:ut<br />

qu in aliena lingua bene dicta (untteunde decore in tranflatione<br />

c<strong>of</strong>eruet. eft<br />

Significatu aliquid unius uerbi proprietate no babeo<br />

meu quoidefficia:cVdurnqugroirnplerefententia longo ambitu<br />

a i


47<br />

. Sdcbim amiis.io<br />

47 Eusebius Caesariensis. Chronicon (translated by Hieronymus; with additions by Prosper<br />

Aquitanus [to 448], Matthaeus Palmerius Florentinus [to 1448] and Matthias Palmerius<br />

Pisanus [to 1481]; edited by Johannes Lucilius Santritter). Venice: Erhard Ratdolt, 13<br />

September 1483<br />

Second edition, Median 4 (218 x 155mm.), 180 leaves (<strong>of</strong> 182, without blank leaves al<br />

and xlO), 41 lines, Roman and Gothic letter, 6-, 8- and 1 1-line white-on-black woodcut<br />

initials, headings on a2 recto printed in red, tables printed in red and black, eighteenthcentury<br />

Italian vellum, mottled edges, occasional early manuscript notes in margins, small<br />

ivormhole in first 3 leaves with minimal loss, fore-margin <strong>of</strong> last leafstrengthened<br />

The second edition <strong>of</strong> Eusebius s chronicle <strong>of</strong> world history down to the year 225 consists<br />

largely <strong>of</strong> chronological tables with short historical notices. The original Greek text is lost<br />

but St Jerome s translations <strong>of</strong> the Canons , or tables, survive.<br />

Eusebius s Historia ecclesiastica is at the root <strong>of</strong> all Christian historiography, and forms the<br />

basis <strong>of</strong> all chronology. It was much read in its Latin version, even although the Greek<br />

text was not published until the 1 540s in Paris, and had in various forms circulated from<br />

an early date throughout the Christian world: part <strong>of</strong> the text is known in an Armenian<br />

version.<br />

Eusebius followed what became orthodox Christian teaching, seeing the New Testament<br />

and the figure <strong>of</strong> Christ attested in the Old Testament. Wisdom -Sophia-Sapientia- in the<br />

OT stands for Christ, the logos <strong>of</strong> St. John s gospel, who existed from all eternity, and<br />

who, with the father, formed Adam. The whole <strong>of</strong> the history <strong>of</strong> the Jewish people as told<br />

in the OT is a preparation for Christ and the Christian Church, something Eusebius<br />

wrote <strong>of</strong> in his Praeparatio evangelica.<br />

The editio princeps, printed by Philippus de Lavagnia in Milan c. 1474 (G<strong>of</strong>f El 16), also<br />

contains the continuations <strong>of</strong> Prosper <strong>of</strong> Aquitaine and Matthaeus Palmerius <strong>of</strong> Florence<br />

(as far as 1448), while those <strong>of</strong> Matthias Palmerius <strong>of</strong> Pisa (as far as 1481) are new to the<br />

present edition. They include the famous reference, under the year 1457, to the invention<br />

<strong>of</strong> printing by Johann Gutenberg in 1440 solerti ingenio ( with great skill ), a phrase which<br />

is reused by Ratdolt in the colophon to describe himself.<br />

Footnote: HC (+Add) *6717; GW 9433; BMC v 287; G<strong>of</strong>f El 17; Redgrave 36<br />

8,000-10,000<br />

12,900-16,200<br />

111


112<br />

PJTAGOFAS<br />

PYTACOFW<br />

PYTACORA<br />

PHYXOL.^75!


48<br />

THEORICA MVSICE FRANLHINI GAIVRI<br />

i<br />

48 Gafurius, Franchinus. Theorica musicae (with additions by Lancinus Curtius). Milan:<br />

Philippus de Mantegatiis, Cassanus, forJohannes Petrus de Lomatio, 15 December 1492<br />

Chancery 2 (284 x 202mm.), 68 leaves, 38 lines, Roman letter, 3-, 4-, 5- and 6-line<br />

initial spaces with printed guides, woodcut on the title-page showing a cleric (possibly<br />

Gafurius) at a<br />

positive organ representing gamuts, four full-page woodcuts (one quartered<br />

1 3 woodcut<br />

showing musical instruments) illustrating Pythagorean proportions,<br />

diagrams (one on a musical stave), smaller woodcuts within text, modern calf ruled and<br />

stamped in blind, a few early manuscript annotations, first leaflightly browned and with<br />

repair at inner margin, some light spotting<br />

THE WORKS OF GAFURIO ARE THE EARLIEST AND MOST SIGNIFICANT PRINTED<br />

CONTRIBUTIONS TO THE DIFFUSION OF MUSIC THEORY. Gafurio (1451-1522), organist<br />

first at Lodi Cathedral and, from 1484, at Milan Cathedral, was the most important <strong>of</strong><br />

the late fifteenth-century music theorists. The present work was his earliest, first printed<br />

as Theoricum <strong>of</strong> us at Naples in 1480 (G<strong>of</strong>f G5). It is dedicated to Lodovico Sforza, and<br />

the woodcut <strong>of</strong> an organist on the title-page is thought to be a portrait <strong>of</strong> Gafurio himself<br />

(this woodcut was also used in the 1480 edition).<br />

The Theorica contains his interpretation <strong>of</strong> ancient Greek theory, in which the Boethian<br />

tradition is<br />

attractively presented, with charming illustrations <strong>of</strong> Pythagorean<br />

proportions. Gafurio made important changes to the text <strong>of</strong> the present second edition,<br />

which is a more sophisticated text than the earlier edition, drawing as it does on<br />

additional sources such as Aristides, Quintilianus, Ptolemy, <strong>of</strong> whom he had translations<br />

made especially (Reese, Music in the Renaissance, 1959, p. 180), Bacchius, Marsilio<br />

Ficino s translation <strong>of</strong> Plato, and Aristotle. Gafurius s own copy <strong>of</strong> the Ficino translation<br />

<strong>of</strong> Plato, Florence, 1484-85 (G<strong>of</strong>f P771), containing his notes, is in the Bibliotheca<br />

Philosophica Hermetica.<br />

Provenance: St Michael s College, Tenbury Wells (sale in our rooms, 21 November 1990,<br />

lot 339)<br />

References: HCR 7406; GW 10437; BMC vi 785; G<strong>of</strong>f G6; Klebs 430.2; Sander 2982;<br />

Kristeller, Lombardische Graphik, 161; RISM, Ecrits, p. 343; Hirsch 191<br />

20,000-25,000<br />

&amp;gt;,300-40,400<br />

113


114<br />

49<br />

^Indpit p:ologus hi fcala cdi.h<br />

(Bnerabib ac cariflimo ni crifto patri bugo<br />

m be coluberrjs fancte aquenfia ecclcfie prc<br />

p<strong>of</strong>ito* fratef ^<strong>of</strong>;annes 3uno2o2&inis fra<br />

<strong>Mr</strong>um pretricatoium fitius vefter fcumilis* fe<br />

jpfutn cumrecommenDatione biimili & beuoea, (turn<br />

ertim rpue^nbs pater.mip<strong>of</strong>libile fit nobts fuperluccne<br />

triuinum natrium nifi fub \x?lamme fimilitu trims 5i figu<br />

re* tJttcftatwr in angelica lenarc^ta^bwceftcpmen<br />

toe n<strong>of</strong>tre rado m tam cjtcctlend (ucc non ftgitor.mfi ea<br />

afpidat psr fimifctutrines& ejtempla!5?nbe vitigemtu<br />

tec vcrbii^t febentes in fcenebzis Si hi -pmbra mctis<br />

ab celeflia eleuaret m eremptis & parabcfe loqueba<br />

hir eo q? foztius moueantatutriii8 autriantur* firnrius<br />

retineantur* & a terrems mentcm engant aD eterna *<br />

t?t augufthi? attefiatwr* Siua \ro n<strong>of</strong>ter am m^^pi<br />

tet aa oeleftia hif;iarBeo q? bdertefnarracombD & fa<br />

c^ozum e^emplio* ^bdrco aD glciam 5i bonozem om<br />

itipotenris bei^Si bcadfRme wgntis mams eius^beati<br />

bonnirid pris meiac bcatiflfime marie magt^alene* f?ac<br />

Icalam ecu comporui^ ptper cam mterbum^pon p<strong>of</strong>ito<br />

alio ftutrio terreno & curi<strong>of</strong>o^afcenbamusaD ccntem<br />

plaDa aliqua be etermo * Latera autem l;ui? fcale Cut<br />

Duotibelicct*cogititToitiperno2um.gi amoceozum*<br />

Cjc qiubus cjtctuewntur triuerfa pcccata- & fccunDanf<br />

t&amp;gt;irtutes Snamis bums (cale Tut triuerfematene qwe<br />

Pm alphabet! 02trine cotejrwifcur (j^ue nc contenantur<br />

a Irgentibiis* ejcponolibros a qiubus flcces elegiiccu<br />

a beoeft mil;i tenatum-ffjcritafpatrum lero*<br />

3acobi be<br />

A<br />

V


49 Gobius, Johannes. Scala coeli. Lubeck: [Lukas Brandts], 1476<br />

FIRST EDITION, Chancery 2 (276 x 207mm.), 242 leaves, 31 lines and headline, Gothic<br />

letter, 3- and 4-line initial spaces, most initials supplied in red outline, initial-strokes in<br />

red, lower board <strong>of</strong> contemporary pink blind-stamped doeskin over wooden boards,<br />

upper board replaced with nineteenth-century half calf over marbled boards, a few short<br />

tears in margins, damp-staining in margins <strong>of</strong> last few leaves, a few leaves lightly soiled,<br />

binding worn, lacking metal corner- and centre-pieces and hasp on lower cover<br />

This popular collection <strong>of</strong> medieval oriental tales consists <strong>of</strong> 125 devotional texts taking<br />

themes from the secular and spiritual world. It also contains a section entitled Femina,<br />

which includes an abbreviated version <strong>of</strong> the Seven Wise Masters.<br />

References.-UC 9405; GW 10944; BMC ii 551; G<strong>of</strong>f G310<br />

10,000-15,000<br />

16,200-24,300<br />

115


116<br />

50 Gregory I, Saint, Pope. Epistolae. [Augsburg: Giinther Zainer, not after 19 March 1477]<br />

FIRST EDITION, Royal 2 (409 x 275mm.), 164 leaves, double column, 59 lines and<br />

headline, Roman and Gothic letter, 8-line Maiblumen woodcut initials, 3-line outline<br />

woodcut initials, headings <strong>of</strong> the register printed in red, modern brown morocco, several<br />

uncut edges, some worming in firstfew leaves, first 2 leaves lightly stained<br />

The first and only fifteenth-century edition <strong>of</strong> Gregory I s letters. The book appears in<br />

Giinther Zainer s broadside list <strong>of</strong> books for sale, which contains publications dated<br />

between 1471 and 1476 (K. Burger, Buchhandleranzeigen, 1907, no. 20). The ex-<br />

Tegernsee copy contains a purchase date <strong>of</strong> 1477; the Wiirzburg University Library copy<br />

has a purchase date <strong>of</strong> 19 March 1477; and the Nakles copy (sale Christie s New York, 17<br />

April 2000, lot 42) has a rubricator s date <strong>of</strong> 1477.<br />

A mistake in type-page makeup on folio 11/3 resulted in the last line <strong>of</strong> column b being<br />

placed instead at the foot <strong>of</strong> column a; this has been corrected in manuscript in this copy.<br />

Provenance: Franciscans, Eggenburg, Lower Austria, with deleted seventeenth-century<br />

inscription; Clifford Rattey, with bookplate; W.R.H. Jeudwine, with bookplate (sale<br />

London, 18 September 1984, lot 14); George Abrams, with bookplate (sale in our rooms,<br />

16 November 1989, lot 55)<br />

References: H *7991; GW 1 1439; BMC ii 322; G<strong>of</strong>f G415<br />

10,000-15,000<br />

16,200-24,300


50<br />

Pars UII Fo XLI<br />

ao fancta loca fuiftis-<br />

Difficile creoc quia<br />

patres nuiltos vioiftis.Nam creoo ft vioif<br />

fetis tain celeriter reoire ao condantinopo<br />

litanam vrbem minimc potcratis.Atp<strong>of</strong>i<br />

quam tad s ciuitatis amcooecocoe vcftro<br />

nullomoro rcceflit fufpiccc quia vedra ex<br />

cellcr.tia fancta que coiporalitcr vioeliq ex<br />

co?o? mirime attcnoit.Sj omnipotent oe?<br />

mertcm veftva gratia ftie pictatis tUudrct<br />

Donrc nobis fapete K on-.nia<br />

tcmppralia<br />

qm fint fugitiua penfarc.Quia oum bcc lo<br />

quitur t trmpuscutrit-auiOex fujnirnit<br />

ft iniinoum que fpontc volumus-ccce iam<br />

,j.pecd vtrclinquanius inuiti Onm ajpio/<br />

ncm &amp;lt;* oominam eufcbiam corumqj filias<br />

mea peto vitc falutari oominam mcam nn<br />

triccm qua? mibi per litcras commenoatis<br />

omnmo oiligo Kgrauari in nullo volo-fj<br />

tatis angudtjs premimttr vt ab augania<br />

atqj oncribtis boc ia; tempore ncc n<strong>of</strong>met<br />

ipfos excufare p<strong>of</strong>Titmus.<br />

([&quot;jlnapit re jiflcu Unoiconc 2?ed;<br />

m a teti i ?. {[&amp;lt;&tcso2\Z iobant<br />

arcbicpifcopo raucnnati<br />

jDrimum.<br />

ErnenitaO mcqcttn<br />

t-cc lefta fratnitati tue<br />

dh qualoca Duoum<br />

m onadetrs sfecrata<br />

n uncbal-itacula clc/<br />

ricKtim ?i,tctia^ lai<br />

co^ facia fmt.Duq?<br />

bi qui funt t cctlefia<br />

fingunt fe religi<strong>of</strong>e viuere tr onadcnis pre<br />

pont nrpttunt-cf per cojum vitam monade<br />

ria Oef tmuntur.Nemo etcin poted x eocle<br />

fiafticis obfequijs Oefjuire-v t ipfc Oeftricfti<br />

onetn in monafterio teneat-qui quottoie i<br />

ecclefiadico cogitur <strong>of</strong>fitio permanere.pro<br />

inoe fratfrnitas tua boc quolibct in loco fa<br />

chim eft err.etinarcftdinet-quia ego nuHo<br />

rn ooo patio? loca facra-vtpcc ctcricccum<br />

ambitu Deflruaiitur.Vos itaqj ita agite vt<br />

mibi oe bac re cojrcctam caufam fub cele/<br />

ritate nuncietis.<br />

(T&amp;lt;3rcgo2iu8ftlia ctfiriaco abbatibus<br />

ti<br />

/f\. \ r erelam tbeoO<strong>of</strong>te religi<strong>of</strong>e fcmfe<br />

vobis reiationis<br />

(I jytiboite explanat<br />

^.^fatis fevies.In qua plura d non ao<br />

facerootalem pcrtinentia manfucttiOtncm<br />

contra fanuanum fratrcm 62 coepifcopu<br />

nodrum capitula comprcbcnfa rcligimus<br />

Ita vt p<strong>of</strong>t funoatum a fe fenicKitm tvi mo<br />

ao auaritiam turbulc<br />

naderuim-omneqd<br />

tiam preiuoiciumqj pertinet-tcmpore oica<br />

tur o?atcij ipfms oeoicationisexbibitum<br />

Qiiamobrem fi ita eft-vt antefata ci? fug/<br />

gefhonecompimus tf i ITOC quicqj cogno<br />

fcitis int3ecenti? fuiflfej enniltim.Hojtamur<br />

vt muficum abbatej monaHerii agilitatu<br />

remotisprius omnibus preiuoici/S vtin<br />

monacbos fuos quos illic ojoinare ceperat<br />

fumopcre vacare feftinet-quatenus ipfi vc<br />

nerabiti loco oecenti regulariqj mo puos<br />

nomino iuuantc Oifp<strong>of</strong>ito-necftequcs vos<br />

prefiiclc religi<strong>of</strong>e feminc oc no impietis bo<br />

nis ncf.oeni.sfuisi quercla conaiciatnc cu<br />

\-e(he netrimcnto At ale fitam pium jp<strong>of</strong>i<br />

tijfn aliqua vobis negligcntibo qcl no ere/<br />

pimus c&amp;gt;ilationetoepe(cat-<br />

(TOcegtci^ rominicD cpifcopo ii)<br />

a5 nos fprper pcefentium<br />

lato? refp<strong>of</strong>alis vctter p? alios vfc<br />

caritatis affectus fcsJo vobis vfas<br />

is cu allcgatione principalium iuf<br />

yEnicns<br />

&amp;lt;ionum aput vos babit.i porrexit.Quibus<br />

re icais ^ rt \ cftro gratulati furnus quej<br />

paflcaadter i;eritis ;clo 6: piifljmos Oiios<br />

ooraliore illatas venadtim peribnanim te:<br />

motiific calumnias niaxime autc quia fhi<br />

Miitfiratniiitas vcflra affncanam incon/<br />

cufliitn fcruarc.puinciam \t nullatcnus De<br />

M HS hcrcticocurn fcftas cum fcruccc facer/<br />

rvtali colx-rcire nc^igatis.Dc quihs ctiaj<br />

r mnibus Ibpienpis Kantei.)j caritatis vfe<br />

rolulcreir.ur apieibus in tin nos fubtilius<br />

tiifinifle men,inim?-^ t nibil rurfus tie bis<br />

vobis refponn rinecefl ariu creoam?-Qua<br />

qua crpo K-c ita fe ba brant (V pefiOeremus<br />

on.nes bcreticosacatbolicis facerootibus<br />

(ci<br />

vigcce feinpet rationcqj compr tn fubti=<br />

litrr inf u tes omnino nos :tctigit tie per ea<br />

que aput vos gef te funt-aliccum concilio/<br />

rum prtmatibusqCiaucrtnttominusgc/<br />

nerctur fcaniialum.Senfctitia nanqj a vo/<br />

bis prol.ita eft in concludone gel t urn in<br />

qua oum pro inucfnganOis illos Ixrcticis<br />

aomotiftis fub intulidis eos qui negligut<br />

fubdantia^ nignitatcrnqj priitationc pie<br />

&enooOptimum eft igttur fratei- cariffi<br />

ire vt in IMS que fcris funt ccurigcnPa pri<br />

tis cacitas intcrna (uctur-vtfimus mcntc<br />

fubiectt qct maxime vfe grauitatis ,|priu<br />

iunicamus ctiam perfonis oignttatc in mo<br />

ribxi unc etetfi totis coafiunatis virtto be/<br />

rctico^ comoOius obutatis errcKibo-ctim<br />

fm mcccm facetDottj vcdri duDttcritis in/<br />

tcrius ccclefta fancla cuft<br />

(T&amp;lt;3tegodu8vdtcriepircopo pa/<br />

v\\\ o AtcKem prefentium gregvxium ab<br />

\ batem<br />

o)<br />

atqj prcfbitc^: n.onafletii<br />

Ibcocori A/IL^&amp;lt;anch mtllaquia. ; ratio<br />

fx-rmittebat vtp<strong>of</strong>tlapfum ccUcipi?pena<br />

117


118<br />

51<br />

5 1 Gregory I, Saint, Pope. Dialogorum libri quattuor. Venice: Hieronymus de Paganinis, 13<br />

November 1492<br />

Chancery 4 (205 x 149mm.), 79 leaves (<strong>of</strong> 80, without final blank leaf), double<br />

column, 37 lines and headline, Gothic letter, 2-, 6- and 7-line initial spaces, heading on<br />

al recto printed in red, printer s woodcut device <strong>of</strong> St Peter on Al recto, modern vellum,<br />

repaired at inner margin and slightly<br />

soiled<br />

library stamp on Al , Al<br />

Gregory I s Dialogues tell the lives <strong>of</strong> St Benedict and other early Latin saints. They were<br />

printed in at least eleven incunable editions, the earliest being that printed anonymously<br />

by Heinrich Eggestein at Strassburg, c. 1472-1474 (G<strong>of</strong>f G399). Translations in German,<br />

Italian and Spanish were also printed before the end <strong>of</strong> the century.<br />

De Paganinis printed an edition <strong>of</strong> Gregory I s Pastorale exactly one month after the<br />

present edition.<br />

References: HC *7963; GW 1 1401; BMC v 457; G<strong>of</strong>f G405; IGI 4422<br />

3,000-5,000<br />

4,850-8,100


52 Gregory I, Saint, Pope. Homiliae super Ezechielem. [Basel: Michael Furter], 1496<br />

Chancery 4 (201 x 140mm.), 102 leaves, double column, 47 lines and headline, Gothic<br />

letter, 4-, 6- and 7-line initial spaces with printed guide-letters, sixteenth-century Spanish<br />

blind-stamped light brown goatskin over pasteboards, outer roll-border composed <strong>of</strong><br />

snails, birds, dogs and hares, inner floral roll-border, central panel with an acorn tool at<br />

corners and with a tool <strong>of</strong> a warrior s head in pr<strong>of</strong>ile in the centre, plain edges, a few early<br />

manuscript notes in margins, early Spanish note <strong>of</strong> ownership on final pastedown deleted<br />

The third edition <strong>of</strong> Gregory s homilies on Ezechiel, the first printed anonymously at<br />

Brussels by the Fratres Vitae Communis, c. 1476-1477 (G<strong>of</strong>f G424), the second, also<br />

anonymously at Paris by Georg Wolff, c. 1489-1491 (GW 1 1426).<br />

Provenance: Don Mateo de Norzagaray, with printed label on Al recto<br />

References: HC *7946; GW 1 1427; BMC iii 784; G<strong>of</strong>f G425<br />

4,000-6,000<br />

6,500-9,700<br />

119


120<br />

53<br />

(Kmi inter fapicciales<br />

fpiritalefq; fcicdas q<br />

Diniefenoininalesvo<br />

canf fdenciapevera(<br />

religtone7fidcqfun*<br />

damctiulliuseftctoe<br />

fincentate cultus g fo*<br />

lus peo aUifTimq acceptus c ac oe legtb?<br />

acriribus 7 facustauinr.ii locti obtineatr<br />

quinco toco fit traadda ooccda oifccn<br />

at&amp;gt;<br />

da.facile c manifefhi tibi fieri fdenciam<br />

oefacrametis 7 facramctalib ? atq&amp;gt;iufhfi<br />

cationibus inter foblimcs iftas nobilefq;<br />

fciccias cpnfequentc locti id c fextum p:di<br />

ne rectilTimo obrincre.fum em ifta tria q<br />

nominauim? no fint nifi ppter culm 7 re<br />

figionc oiuind manifeftti c ipa p<strong>of</strong>terioja<br />

ipfts effe qfi 7 pfequccia. Sacramctis em<br />

fan ant 7 fanctificnf bomies adoei religi<br />

pne7cuUu.$acramentalibu8veropar&amp;lt;<br />

tim adiuuanf at&amp;gt; cftdii tur. Sacramctis<br />

partim fandc 7 fanctificanf res necelfane<br />

minifterip oiuini culr. Jurtifica tides ^o<br />

fiit vn e feipfas manifefte fme<br />

npte.boni<br />

tas iuftide. quedd opatio nes quit?? iufte<br />

viuitur I &quot;c quibus p iuftida acqm nf c<strong>of</strong>er<br />

ttaturrobo:af nutritur 7augef4: 3mp,<br />

q: idc c<br />

p:do fdenciaru qui i reru ncceffa<br />

no qui c o:do fanctitatis 7 facramcri idej<br />

erit fciendc oe fanctita te i fdccie oe facra<br />

mctis.iJLuare poltfdcncid oeipa qud piq<br />

mus oe facramcnris.Sanctitas cm p:inci<br />

piu eft tocius $e religionis ac facri cultus<br />

(i 3Hmpliusquoniap:io:coom 9 crjpo!<br />

la eiufdc cii &amp;gt;pter oomu firpo:ta. Sacra<br />

mentayero font po:te fanctitatis ac religi<br />

onispjllaemineasintrafquarep<strong>of</strong>til<br />

Li necerTario c ifta fciccia qua bic trac tare<br />

i tradere intendimus.^pparet ctid co tic<br />

mem i a o:dims it tiuscmd enter cum a Ire<br />

ram p<strong>of</strong>talterdinfpexeris. duidenim re<br />

f h; t qutdue confequcs c poll ftabilita rcli<br />

gionis veritatc p<strong>of</strong>t oeclaratd oiuini cuU<br />

tus finceritatc p<strong>of</strong>t p_fcrutatd legisveri no<br />

minis purttatc ppft oemonftratd oeo gra<br />

tiflimd finferitatc lta^qjpmniu ineftima<br />

bilem fructu<strong>of</strong>trarc nifi vias patefacere et<br />

po:tas aperire quibus ad eas veniaf7 in<br />

eas intretur. bee ante vie et bee pone ilia<br />

trin font oe quibus bic intcdim^.ffliuare<br />

p<strong>of</strong>t fciendd oe btjs ojdine rectilTimo feq<br />

tur fdendci oe facramctis 7 facramentali<br />

bus atq&amp;gt;mftficauonibtis,<br />

^<br />

Icemua igif q: facramenronl<br />

irtus i vtilitas trib? p:e&amp;lt; yijs<br />

ter illd qua bicintendim9 fta*<br />

bilitur. fr&amp;gt;:imo atteftatione oi<br />

uino? miraiulpni-iSecrido etgiencia ye*<br />

lut fenfu fpuaii virtutis oiutne et ogatioo<br />

nis in eis. Aerdo atteftatione facrom elo<br />

quiomm J&uarto via .pbationu. Depn<br />

mo t vcmplu c ilia fam<strong>of</strong>a curario a mo:<br />

bo elepbande imperatohs .Conftantmi<br />

laecnoT<br />

apparitip<br />

faluato:is qudipemei<br />

impato: ftbi factd in ipo falutari ac nutft*<br />

co lauacro tclla tus c. jpe etid mo raquc<br />

qut ibidc vifus c ac fi aqua ipa virtu tc bit<br />

diction is i fanctifkationis eet:<br />

yiuincara<br />

i vi talc motii exinde fufcepirTet. Scd et it<br />

lud oe v?irtute i efficacia facri bap<strong>of</strong>matJ<br />

fidem facit qo accidit and im qni rora f&amp;gt;<br />

c barbas volenti m u tare fo:mn facramC*<br />

ti illms-z oiccn ti. &aptifo te barbas in no<br />

mine pamsp fiini infpiruul anctoaqua<br />

(latim oifparuit quafi blafpbemifl pfumi<br />

ptu<strong>of</strong>e mutationis iniuria omine aucto:i<br />

ratis et inMitunonis q fo:md aliam oicto<br />

fa era men to pfcripferat ferre no fulhnens<br />

Sunt i alia multa bm 6 1 quib virtus oi<br />

uma in illo facramcto i g illud cuidcn tcr<br />

fe opart <strong>of</strong>tendit. Item quia tria ilia q in<br />

-<br />

bapnf mo Domini fa lua tons factalcgmi<br />

turnompdicamerTtcaciam baprifmifua<br />

dent pie intelligentibm; videlicet cclo:um<br />

apertio oefcenfus fpiritu ifancti in co tiibc<br />

fpecie et voi om nip o teas paths ibi audira<br />

oiccs.bic c filius incus oilectus in q mi<br />

bi coplacuit.ficut legif ?atbci.iti. et luce<br />

iiu.etinard pmo.fi.uc em erat ncct (Titas<br />

7 fop. ipm bapusam cell aperientur. fpiri<br />

tutl anc tus in columbe fpecie pefcenderet<br />

i vor patris audiref.oiccs.bic eftlb me<br />

Dilectus 7c.cii femp. eidem celt agti elTent<br />

nunql claull fpintuiTanctus femper in co<br />

fuei it plenirudine cbairfmatu ex quo p:&amp;lt;&amp;gt;<br />

nobisfactuscbomoetftliusoetpatrifB<br />

Oilectus fimilitcr fucnt nifiquia ipfc eft U*<br />

ber fcrtptus in tus t fo:is in quo quicquid<br />

factii c vita erat id eft liber vi te npftre. fn<br />

quo no folti ortiis regula n<strong>of</strong>tre info:ma<br />

tipnis legitur fed vl etiam quid in nobis<br />

virtus oiuina opererar c<strong>of</strong>pecrti mtelligi^<br />

tur.fc: ergo baptisatis p_ gradd baptifma<br />

lisfaiictificatioisccli apcrianr i liber eis<br />

in celu ingreffus pateat ($&amp;gt; fpirituftanctua<br />

in ets tbioefcendat cp filu oei et bered es<br />

C gracia adoprionis <strong>of</strong>fidanf tribue bija


53 Guilelmus (Alvernus). De sacramentis. De causis cur deus homo et de penitencia cum<br />

registro. [Nuremberg: Georg Stuchs, not after 1497]<br />

Chancery 2 (290 x 208mm.), 136 leaves, double column, 54 lines and headline, Gothic<br />

letter, 3- and 7-line initials alternately in red and blue, paragraph-marks in red and blue,<br />

initial-strokes in red, modern limp vellum, many uncut edges, tear in lower margin <strong>of</strong>F3<br />

repaired, margins <strong>of</strong>final leafrepaired, a few light damp-stains in margins, final leaflightly<br />

browned<br />

References: HC 8316; GW 1 1869; BMC ii 470; G<strong>of</strong>f G723; BSB-Ink G-472<br />

3,000-4,000<br />

4,850-6,500<br />

121


122<br />

54


54 Guilelmus Paraldus. Summa de vitiis. [Basel: Bertold Ruppel, c. 1473-1474]<br />

FIRST EDITION, Chancery 2 (283 x 202mm.), 351 leaves (<strong>of</strong> 352, without final blank<br />

leaf), 38 lines, Gothic letter, 3-, 4-, 5- and 6-line initial spaces, contemporary Augsburg<br />

blind-tooled calf over wooden boards, two brass fore-edge clasps, vellum title-label on<br />

upper cover, printed- waste paste-downs from Giinther Zainer s shop (see below), plain<br />

edges, modern cloth box, early manuscript foliation in upper margins, the first gathering<br />

(table) bound between gatherings 16 and 17<br />

FIRST EDITION. Paraldus, a native <strong>of</strong> Peyraut between Vienne and Lyon, was for some<br />

years prior <strong>of</strong> the Dominican convent in Lyon. The Summa de vitiis, probably composed<br />

c. 1236, is a florilegium <strong>of</strong> moral examples arranged under the seven deadly sins; it was<br />

followed some dozen years later by a Summa de virtutibus. Both Summae had a very wide<br />

diffusion.<br />

None <strong>of</strong> Ruppel s early printing is dated. The present edition is printed with his type 2,<br />

and several <strong>of</strong> his books printed with this type can be dated not after 1474, on the basis <strong>of</strong><br />

inscriptions. The P-marked papers <strong>of</strong> the Paraldus may have been on the market about<br />

1473 (see G. Piccard, Wasserzeichen P, Abt. IX, nos. 175-178, 199, 202). Basel University<br />

Library s copy is in a original binding with and endleaf marked with one <strong>of</strong> the Bull s<br />

Head papers from the so-called Constance Missal (G<strong>of</strong>f M655), and that paper too was<br />

on the market in 1473-1474 (see T. Gerardy in Archivfur Geschichte des Buchwesens 5,<br />

1962, 399 sqq.). A second Basel edition by Michael Wenssler (G<strong>of</strong>f P90) has the same<br />

collation as the present edition and was probably copied from it. It is dated not after 1475<br />

on the basis <strong>of</strong> an inscription in the British Library copy.<br />

The present binding is from an anonymous Augsburg shop which was active from the<br />

early 1470s onward. The waste printing used as pastedowns are two leaves from Giinther<br />

Zainer s second edition <strong>of</strong> the German Plenarium, dated 1474 (see lot 85). The rear<br />

pastedown, fo. xxxiii, includes a woodcut <strong>of</strong> the Adoration <strong>of</strong> the Magi (Schramm ii Abb.<br />

304).<br />

Provenance: George Abrams, with bookplate (sale in our rooms, 16 November 1989, lot<br />

60)<br />

References: H *<br />

12385; BMC iii 715; G<strong>of</strong>f P89<br />

15,000-20,000<br />

24,300-32,300<br />

123


124<br />

55


55 detail<br />

55 Heiligen Leben (Der), Sommerteil. Augsburg: Johann Bdmler, 19 August [14J75<br />

Third edition, Chancery 2 (270 x 192mm.), 420 leaves, 28 lines, Gothic letter, one 6-<br />

line woodcut Maiblumen initial at the beginning, 125 small woodcuts in the text, a few<br />

coloured by hand, full-page woodcut <strong>of</strong> the Virgin and Child on verso <strong>of</strong> fol. 420, partial<br />

woodcut border on fol. 1 recto, contemporary German blind-stamped pigskin over<br />

wooden boards, metal corner- and centre-pieces, 2 clasps and catches, modern cloth box,<br />

early manuscript foliation, afew small wormholes in<br />

firstfew leaves, border in upper margin<br />

<strong>of</strong>fol. 1 slightly shaved, occasional short tears in text, light damp-staining in afew leaves, one<br />

corner-piece on lower cover partly detached<br />

A FINE COPY, ONE OF ONLY SEVEN RECORDED. Bamler had printed the Winterteil on. 20<br />

March <strong>of</strong> the same year.<br />

Der Heiligen Leben, a late fourteenth-century compilation was first printed<br />

in two parts,<br />

the Winterteil and Sommerteil, by Giinther Zainer at Augsburg, 27 April and 25 October<br />

1472 (G<strong>of</strong>if J156). Johann Sensenschmidt printed both parts together at Nuremberg on<br />

28 July 1475 (BSB-Ink H-l 1). A new set <strong>of</strong> woodcuts was made for each <strong>of</strong> these<br />

editions. The cuts used in the present third edition <strong>of</strong> the Sommerteil were copied from<br />

those made for Sensenschmidt s second edition.<br />

References: H *9970; G<strong>of</strong>ifJ157; Schreiber 4300<br />

40,000-60,000<br />

64,500-97,000<br />

125


126<br />

56


56 Heiligen Leben, Der (Sommerteil). [Strassburg?: c. 1490-95]<br />

Chancery 2 (272 x 191mm.), 208 leaves (a 10 b 8 c 6 d-g 6 - 8 h-t 6 - 6 - 8 v-y 6 z 8 A-B6 C 8<br />

D-H&quot;), a3-H5 foliated j-ccv; 44 lines and headline, Gothic letter, full-page woodcut <strong>of</strong><br />

the Crucifixion on fol. 1 verso, approximately 130 smaller woodcuts in the text, ALL<br />

WOODCUTS COLOURED BY A CONTEMPORARY HAND, contemporary blind-stamped calf-<br />

backed boards, tools include a small Agnus Dei (round) and a MARIA scroll, one clasp and<br />

catch, small paperflaw in e7 with loss <strong>of</strong> a few letters, occasional short tears repaired, some<br />

light staining<br />

EXTREMELY SCARCE: ONE OF ONLY THREE OR FOUR KNOWN COPIES <strong>of</strong> an incunable which<br />

remains to be properly identified. A copy is known at the municipal library <strong>of</strong> Nancy<br />

(cursorily described in Polain s notes as Pellechet-Polain 6537-8); courtesy<br />

<strong>of</strong> the<br />

Gesamtkatalog commission two more copies can be cited, one at Gotha, and one (appar<br />

ently different from the present copy) auctioned by Karl & Faber in 1970, where it was<br />

described as an early sixteenth-century edition.<br />

From what is presently known <strong>of</strong> its physical elements, the edition can with reasonable<br />

probability be dated to about 1490, and perhaps localized to Strassburg. One <strong>of</strong> its paper<br />

stocks is a P/quatrefoil very close to Piccard s P VIII 579 and 581, traced by him from an<br />

unspecified Strassburg incunable <strong>of</strong> 1495; another is Fleur-de-lis/crown, perhaps identical<br />

to Piccard s Lilie 636 (Frankfurt/Main 1489) and very close to Briquet 7233 (Luxemburg<br />

1485, with variants Mainz, Strassburg, Metz, 1486-92). Both stocks are plausibly from<br />

Lorraine mills. The text type is a Schwabacher, very close to such founts as Gruninger s<br />

type<br />

5:98 and Pruss s 12:93.<br />

The in-text woodcuts are apparently those used in Johann Otmar s Reutlingen edition <strong>of</strong><br />

the Sommerteil, 12 March 1482 (an extremely rare edition entered in ISTC as part 2 <strong>of</strong><br />

Otmar s Winterteil, n.d., G<strong>of</strong>f J-160). The full-page<br />

crucifixion cut is either a close copy<br />

<strong>of</strong>, or was copied by, a block used by Martin Schott in<br />

Strassburg for his Missale<br />

Vratislaviense, 17 Dec. 1491 (GfT 442; IBP 3771: a<br />

single copy recorded at the National<br />

Library <strong>of</strong> Warsaw). Finally, the open lombards used as initials are close but not identical<br />

to such sets as those used in Speyer by Peter Drach (GfT 1 189), and in Strassburg by<br />

Martin Schott (GfT 438) and Gruninger (GfT 445, 447).<br />

References: Pellechet-Polain (vii) 6538 (6537)<br />

10,000-15,000<br />

16,200-24,300<br />

127


128<br />

-<br />

57<br />

. Exp<strong>of</strong>itio Symboli R-uffini Aquilegienlis przfbyteri ad Laurentium papatmln qua<br />

^~S *I fmgulos<br />

arnculos fidei noui ac uetens teftamenti auftontatibusconfirmat:&Chirefes<br />

fV deftruit .<br />

&amp;gt;^contranas Epiftola Pnma .<br />

sj<br />

^,<br />

IHI Quidem Fideliffime Papa Laurenti ad fcnbendum<br />

animus non eft tarn cupidus : c nee idoneus:fcienti no effe<br />

abfq; periculo multo^ mdiciis tenue &C exile co/<br />

ingemum<br />

mittere.Sed quonia ut cum uenia tui dixenm)id temere m<br />

epiftola tua per Chnfti me facramenta qux a nobis maxia<br />

cum rcuerenna<br />

fufcipiuntur<br />

aftrloisrut aliquid tibi de fide<br />

fecundum fymboli traditionem<br />

rationemcjj c6ponam:quis<br />

fupra uires n<strong>of</strong>tras fit podus pncepti (Non enim me latet<br />

fententia<br />

fapientum:qua; probe admodum de deo<br />

dicit:qa<br />

&C uera dicere<br />

pericul<strong>of</strong>um eft) tamen fi a te<br />

expetitois ipo/<br />

^fitae neceffitatem orationibus iuues:dicere<br />

aliqua obedientia; reuerentia<br />

magis<br />

&amp;lt;| igenn<br />

^J pfumptione tentabimus:qux qdem non ta perfctfto^j exercitiis digna uidcant&quot;: q qua; ad<br />

1 -v<br />

paruulo^inChrifto&Cincipienti jlibrenturauditum. Equidecoperi nonullosilluftnii<br />

traftatorum aliqua<br />

de his &C<br />

pie<br />

breuiter edidiffe . Photmum uero haereticu foo eatenus<br />

fcnpfiffe:no ut ratione&quot; diftojjj audietibus explanaret : fed ut fimpliciter fidehterqj dicta<br />

ad argumentum fui dogmatis traheret:cum in his ucrbis fanftus fpiritus prouident nil<br />

abiguum:ml obfcurii:nil a reliquis<br />

diflbnas uideri :<br />

cja m his uere copletur pphetia qua;<br />

dicit Vcrbum enim confumans 8C uerbii<br />

breuiasimquitatetcja<br />

breuiatu facitdommus<br />

fupcr terra. Nos ergo fimplicitatem fua uel uerbis ap<strong>of</strong>tolicis reddere 8C fignare tetabi/<br />

mus:ucl qux omiffa uidentur a pnonbus adiplere. Sed ut mamfeftius fiat argume tum<br />

uerbi hums ut diximus breuiati :caufa qua ha-c traditio ecclefus data eft ab ongine repe<br />

temus. Tradunt maiores n<strong>of</strong>tri cj p<strong>of</strong>t afcenfione domim cu per aduentu fpiritus fandti<br />

fupra fingulos qu<strong>of</strong>qj ap<strong>of</strong>tolos ignea: lingua; fediffent:ut loquelis diuerfis loa /<br />

uamfcp<br />

rentunper quod eis nulla gens extraneatnulla bnguz barbanes inaceffa uideret&quot;8i iuia:<br />

pceptum eis a domino datum hoc ad pdicandu dei uerbum ad fingulas quencp pficifci<br />

natoes . Difceffun abiuice&quot; norm! fibi<br />

itaqj prius<br />

futurz<br />

pdicatois<br />

in comune c<strong>of</strong>tituut:<br />

ne forte alii aho abdudti diuerfum aliquid his<br />

qui ad fide&quot; Chnfti inuitabatur ret.<br />

expone<br />

Omnes in uno igitur p<strong>of</strong>iti:&C fpintu<br />

fando breue<br />

repleti<br />

jftud futurz fibi ut diximus<br />

pdicatioms indicium in unum confcrendo quod fentiebat unufqfc coponunt. atcp hanc<br />

credentibus danda effe regula ftatuunt. Symbolu aut hoc multis 8C luftiffimis ex caufis<br />

appellah uoluerunt. Symbolu enim graxe K. indicium dici pot&i collatio: hoc eft quod<br />

plures in unum c<strong>of</strong>erunt.Id enim fecerunt i ap<strong>of</strong>toli<br />

his fermonibus in unum c<strong>of</strong>eredo<br />

quod unufquifq; fcnfit. Indicium autem uel fignum iccirco dicitunquia in illo tempore<br />

ficut Paulus dicit 5C I<br />

ap<strong>of</strong>tolus<br />

aftibus rcfert&quot;multi<br />

ap<strong>of</strong>tolo^z<br />

ex circueuntibus mdaris<br />

fimulabant fe effe<br />

ap<strong>of</strong>tolos<br />

Chrifti:& lucn alicuius uel uentris ad<br />

gratia prardicandum<br />

pficifcebatunnoiantes qde Chriftu fed non integns<br />

tradinonj Dneis nunciates. Iccirco<br />

iftud indicium<br />

p<strong>of</strong>ucriit:per quod is<br />

agn<strong>of</strong>ceretur qui Chriftu uere fecundu<br />

ap<strong>of</strong>tolicas<br />

regulas pdicaret.Deniq; 8C in bellis ciuilibus hoc obferuan fcruntrquoniaSiarmon: ha/<br />

bitus fonus uocis ide&quot;:Si mos unus eft. cade&quot;<br />

par:8&amp;lt;<br />

Atq; iftituta belladi nequa doli furrc/<br />

ptio fiat:fymbola diftmfta unufquifq? dux fuis militibus tradit. quaslatme fi^na uel idi/<br />

cia fi<br />

nuncupatunut forte occurrent quis de quo dubitetur fi fymbolum fit<br />

pdat h<strong>of</strong>tis<br />

uel focms.Iccirco dcniq? hie no fcnbi chartulis aut mebrams:fed requin in credentium<br />

cordibus tradiderunt:ut certum effet hzc ncmme&quot; ex leftone qui mterdu peruenire etia<br />

ad infideles folet fed ex ap<strong>of</strong>toloi^ traditoe didiciffe. Difceffun igitur ut diximus ad pdi<br />

candum iftud unamrmtatis 8C fidei fuz ap<strong>of</strong>toli indicium p<strong>of</strong>uere : no ficut filn Adam<br />

difceffun ab alterutrum turrem ex latere cod;o &C bitumme c<strong>of</strong>truetes : cuius cacumen<br />

ufq) ad carlum pertmgeret:fed monumeta fidei quz ftarent aduerfum faciem inimici e<br />

lapidibus umis Si margaritis dommicis atdificates: quam necj uenti impellerenttneque<br />

fulmma fubmerent:nec| te peftatum ac procellapi turbines promouerent. Mento igitur


57<br />

o<br />

57 Hieronymus, Saint. Epistolae et tractatus. Parma: [Printer <strong>of</strong>Hieronymus], 18 January- 15<br />

May 1480<br />

2 volumes, Super-Royal 2 (422 x 277mm.), 584 leaves, 53 lines, Roman letter, 2 8-line<br />

initials supplied by an Italian hand in colours on gilt grounds, 2-, 4- and 6-line initials<br />

and paragraph-marks alternately in red and blue, early eighteenth-century Italian<br />

sprinkled calf, spines gilt with red labels, sprinkled edges, modern morocco-backed boxes,<br />

bindings rebacked retaining original spines, worn at edges<br />

FIRST EDITION WITH THESE SUPPLEMENTS. There were numerous fifteenth-century<br />

editions <strong>of</strong> the collected letters and tractates <strong>of</strong> St Jerome, together with various pseudo-<br />

Jerome writings, letters addressed to Jerome, and several lives <strong>of</strong> Jerome. The present<br />

edition derives from the collection assembled byTheodorus Lelius (d. 1466) and printed<br />

after his death by Sweynheym and Pannartz, 13 December 1468 (G<strong>of</strong>f H161) and by<br />

Sixtus Riessinger, not after 1470 (G<strong>of</strong>f HI 63). Mentelin s Strassburg edition <strong>of</strong> not after<br />

1469 (G<strong>of</strong>f HI 62) and Schoeffer s Mainz edition <strong>of</strong> 7 September 1470 (G<strong>of</strong>f HI 65) are<br />

from Miscomini s 1476<br />

independent compilations. The present edition was reprinted<br />

Venice edition (G<strong>of</strong>f HI 66), with the addition <strong>of</strong> several letters and tractates in volume 2;<br />

these additional texts are advertised in the colophon as not available in other editions.<br />

The anonymous life <strong>of</strong>Jerome (Socii Bollandiani, Bibliotheca hagiographica latina, 1898-<br />

1901, no. 3873) included in Miscomini s edition is here replaced with the life by pseudo-<br />

Sebastian <strong>of</strong> Monte Cassino (ibid., no. 3870), which was first printed by Sweynheym and<br />

Pannartz s 1468 edition.<br />

This eponymous press has never been identified. The present edition was its first and<br />

most important production, followed by some five folio and quarto editions <strong>of</strong> classical<br />

texts, including Chrysoloras s Greek-Latin grammar (GW 6697).<br />

Blank spaces have been left in the text <strong>of</strong> the present edition for the supply <strong>of</strong> Greek<br />

words in manuscript, but the word TeA-Oc; is printed in Greek at the end <strong>of</strong> the life <strong>of</strong><br />

Jerome and at the end <strong>of</strong> the second colophon.<br />

Provenance: Augustinian Hermits <strong>of</strong> Milan, with contemporary inscription: Iste liber est<br />

Conventus sancte marie coronate mediolani fratrum Eremitarum sancti Augustini<br />

observantium congregationis Lombardie ; Count Carlo Archinto <strong>of</strong> Milan, 1670-1732,<br />

with bookplate (sale Paris, 1863); Cuthbert Hamilton Turner, with inscription, bought in<br />

Paris, 1919; Albert Ehrman, Broxbourne Library, with bookplate (sale in our rooms, ii, 7<br />

May 1978, lot 493); George Abrams, with bookplate (sale in our rooms, 16 November<br />

1989, lot 65)<br />

References: HC *8558; BMC vii 942; G<strong>of</strong>f H 169<br />

50,000-60,000<br />

81,000-97,000<br />

129


130<br />

58<br />

flefcj in teo pat<br />

pzhtfcp hmpiam be ipfis feemonu viz<br />

tutibuG bifpntatC tHud no hnpotfcmc<br />

m bis iccebis muemucuc abirfhv;jf<br />

defia tn vtbis tome boc no bcpzebenbitut fcm<br />

t&amp;gt; co atbitcotg&amp;gt; ncqj beeefia vlla iliic fumpfit<br />

e^ordium.a mos mibi fecuatuc anaqu?cos q<br />

gtaoam bapttfrni (tifcepturi nittt-publicc ibsm<br />

fifcclium populo<br />

au&icfc fimtolu ccbiccc&amp;lt;i vti<br />

q; abicdioncm vni? faltcm fennoms coj^ qut<br />

pccctfTccunt m fibe no abmittit aubicus,jn cc<br />

nuoc p que<br />

tiouellc ioa-chic fcnfue vibscc^ e^dudufRoc tn<br />

(Mum fequamuc quc mAguiiicnfi cccia p {aua<br />

ebci geanj (ufocpim?* IJTccbo ccgop2fmo o{<br />

urn a<br />

pomtuc.ficut ap<strong>of</strong>tol^ ad tebrcos fccife<br />

bmt Ccctccc cntm pzfmo ommuacce&ntc ad<br />

feum eft<br />

opottct-qz<br />

a ceebentib? m fe fit tmune<br />

&i* flifi ctcbitccifis-neq? ; 3pt&amp;gt;a<br />

mtc(<br />

.Vt ecgo hit elligcttc ibi abituo patcfcat<br />

tfmo oint te cccterc pi<strong>of</strong>itenc^uia nee<br />

58 Hieronymus (pseudo-) [Rufinus Aquileiensis] Expositio symbol! gloriosi leronymi<br />

contra louinianum hereticum. [Cologne: Ulrich Zel, c. 1472]<br />

Chancery 4 (217 x 143mm.), 30 leaves, 27 lines, 4-line initial space, initials, paragraphmarks<br />

and initial-strokes in red, nineteenth-century blind-stamped calf, edges stained<br />

green,<br />

corners rubbed<br />

Rufinus s commentary on the apostle s creed was, following a common manuscript<br />

tradition, attributed to St Jerome both in this editio princeps, and in the Oxford edition<br />

<strong>of</strong> 17 December 1478 (G<strong>of</strong>f R352).<br />

Provenance: Dukes <strong>of</strong> Arenberg, with inventory label on spine (Schab catalogue 23, no.<br />

42); Walter Goldwater, with bookplate (sale New York, ii, 5 December 1985, lot 119)<br />

References: HC *8578; BMC i 191; G<strong>of</strong>f R351; VK 1057<br />

7,000-10,000<br />

11,300-16,200


59 actual size<br />

5De immottalifafe animc.<br />

59 Houppelande, Guillermus. De immortalitate animae. Paris: [Pierre Le Drufor] Denis<br />

Roce, 4 September 1499<br />

Chancery 8 (131 x 91mm.), 24 leaves, 31 lines, Gothic letter, one 7-line initial space<br />

with printed guide, printer s woodcut device on title, later vellum<br />

The last <strong>of</strong> four fifteenth-century editions, all printed in Paris. Although described by<br />

most bibliographies as quarto, this edition is in fact printed in octavo, like the three<br />

earlier editions.<br />

References: HR 8969; G<strong>of</strong>f H495; IGI 4909; CIBN H-301; Gates 3130.5<br />

400-600<br />

650-950<br />

131


132<br />

&quot;<br />

60<br />

i&amp;gt;LE\j x.ovpj<br />

X.opHTOJ O.VT&quot;HC<br />

/ Au&HCT-e x-au. au.&amp;lt;r^toc ovx.e cri<br />

y x_oyiKcri<br />

w^ ,<br />

*<br />

&amp;gt;<br />

&amp;gt; / Vjt<br />

p oAooy (Ja.Atfy J x. r&amp;lt;{i;ai2i. Mpua-c; CL^OAOV<br />

T-V U-tp-rc x-ou<br />

ovV e<br />

v ox*.<br />

MC x.ai. a-fuv^oyoc op^HSM-oJo<br />

1^ TroAtA-ov r uec ^e M-OU^HC aux-opHToj<br />

c tfnj-w^T^t. jw^/ &amp;lt;xvr(a- a-iro^pooc at^.a. rotV<br />

o-vAMO-oLC ^i^ov<br />

eT-a.poj&amp;lt;r<br />

&quot;oc<br />

pet. nj-aTi ^iA,u<br />

i-wHo nroAfM-i<br />

(c oiM ovSiexwric cu^iKCT Tra-rjd a. l<br />

aLo ft-to-ov o-a-X.oc oraurt<br />

o-H-riKv X-aLTau x.t&amp;gt;q-iVv-5roq-toy f


60 Homer. Opera [Greek] (edited by Demetrius Chalcondylas). Florence: Demetrius Damilas<br />

[in the shop <strong>of</strong>the Printer <strong>of</strong> Virgil (Copinger 6061)]for Bernardus and Nerius Nerlius, and<br />

Giovanni Acciaiuoli, 9 December 1488 [dedication printed 13 January 1488/89 or shortly<br />

after]<br />

bound in 2 volumes, Median 2 (325 x 235mm.), 189 leaves (<strong>of</strong> 190, without final blank<br />

leaf)) 39 lines, Greek letter, 2- and 10-line initial spaces, brown crushed morocco by<br />

Marius Michel, brown morocco gilt doublures decorated with a seme <strong>of</strong> fleurs-de-lys, gilt<br />

edges, occasional contemporary manuscript notes, lackingfinal blank leaf<br />

FIRST EDITION IN GREEK OF HOMER, PRINCE OF POETS, AND THE FIRST LARGE-SCALE<br />

PRINTING IN GREEK.<br />

The editor, Demetrios Chalcondylas, had come to Italy at the invitation <strong>of</strong> Cardinal<br />

Bessarion in 1447 and came under the patronage <strong>of</strong> Lorenzo de Medici in the 1470s.<br />

The Greek font <strong>of</strong> the Homer is, with variants <strong>of</strong> a few sorts, that <strong>of</strong> the earliest Milanese<br />

Greek font, used in 1476 and after. The maker <strong>of</strong> this font was Demetrius Damilas <strong>of</strong><br />

Crete, whose skill and pains are commemorated in the colophon and dedication <strong>of</strong> the<br />

Homer. Despite the lengthy and circumstantial colophon, bibliographers have had<br />

trouble in agreeing on the correct imprint and date. Robert Proctor ( 77^- Printing <strong>of</strong> Greek<br />

in the Fifteenth <strong>Century</strong>, 1900, p. 66 sqq.) argued that the edition was actually printed in<br />

the shop <strong>of</strong> Bartolommeo di Libri, whose type was used to print the dedication to Piero<br />

de Medici on the first page. BMC assigned the edition rather to the Nerli brothers.<br />

Roberto Ridolfi (La stampa a Firenze nelsecolo XV, 1958, p. 95 sqq.) has pointed out that<br />

the Nerli were well-born and wealthy Florentines whose role would have been a purely<br />

financial one. He has assigned the Homer to the anonymous Florentine shop, the Printer<br />

<strong>of</strong> Virgil (Copinger 6061, G<strong>of</strong>f V183), which flourished from 1488 to 1490 or so. Ridolfi<br />

has supposed that only the first, dedication page was printed in di Libri s shop, more than<br />

a month after the completion <strong>of</strong> the edition proper, this page hitherto having been<br />

planned as a blank.<br />

The Batrachomyomachia ( Battle <strong>of</strong> the Frogs and Mice ), a pseudo-homeric text, which is<br />

also included here with the Iliad, Odyssey and Homeric Hymns, had been earlier printed<br />

in an unsigned Greek-Latin edition printed perhaps at Brescia or Ferrara, which is known<br />

only from the unique copy in the John Rylands University Library, Manchester.<br />

Provenance: University <strong>of</strong> Lyon, with stamp ACAD. LUGD. and release stamp dated 1843;<br />

Constantine Radoulesco, with leather booklabel; H. Bradley Martin, with bookplate<br />

(Sotheby s New York, 14 June 1990, lot 3355)<br />

References: HCR 8772; BMV vi 678; G<strong>of</strong>f H300<br />

60,000-80,000<br />

97,000-129,000<br />

133


134<br />

61 actual size<br />

poie csMjcnit ad tcrram:quf cum torus occidit vt pcn<br />

ex arctico drculo vidcatur. xories ante pcdibus $ rcliqui* n;c/<br />

b:is.babct autem in capitc ftdla vnam. ftnifti 3 o b::tfbto vua.<br />

3n ttroq5 bumcro fingulas dare luccntee.3&quot; wnn fimftra vna.<br />

3 :i ocxiro cubito vnam.3 vtroc^ Intcrc : fingulas fed c!ano:cm<br />

in finiftro.3n txr^tro fcmoic ona9.3n Scnu vnan.3&quot; Popltrc v/<br />

nam.3&quot; cnirc ouas.3 n P e(^ c ^nam ^ U 2 oicitur dara . 3&quot; fiwftu<br />

manu quattuoj.quas pdle Iconis.nonulU clTc oixerunt. 3 1^ func<br />

onmino occcm i nouan.<br />

bcrculcs


61<br />

3dr.i [rium fijnoinm longirndini cxcupano c.mcri<br />

Iconio c virjnii^iiiter cquinoctulo circu urn i DW<br />

nulcm ccllocmir: 3 ijmcn vtcjput 0110 con/<br />

i endow ad fignu id qtud piocrau voc.ii :T loiui j<br />

bydrj ,vp:ic quan.i p jro uiicr clhuu t e^lnouu/<br />

tc (irculfi vidc.if . i jud.1 out cytrcn.i pcnc cam \ apnt u^ce: In<br />

ftincl in ro:fo Co:uu:r<strong>of</strong>tro co^ua ciue ui^cntc 7 tcio ca^ox:<br />

ad tt.itcrcm tcndcntc:qui fans longo oifcidcntc mrcriullo p:opc<br />

met Iconcm ( virgincm coiiihtuiiiu vidcrar uuiiiutior ad caput<br />

61 Hyginus Mythographus. Poeticon astronomicon (edited by Jacobus Sentinus and<br />

Johannes Lucilius Santritter). Venice: Erhard Ratdolt, 14 October 1482<br />

Chancery 4 (186 x 143mm.), 57 leaves (<strong>of</strong> 58, without the initial blank leaf), 31 lines,<br />

Gothic letter, 5-, 6- and 1 1-line white-on-black woodcut initials, heading on a2 recto<br />

calf, modern morocco-<br />

printed in red, 47 woodcuts in text, nineteenth-century polished<br />

backed slipcase and chemise<br />

SECOND, BUT FIRST ILLUSTRATED EDITION, CONTAINING THE EARLIEST PRINTED<br />

REPRODUCTIONS OF THE CONSTELLATIONS, PLANETS AND SIGNS OF THE ZODIAC. The first<br />

edition, printed at Ferrara in 1475, contains blank spaces presumably intended for hand<br />

illustrations. The woodcuts <strong>of</strong> the present edition, ascribed by Hind to one <strong>of</strong> the two<br />

editors, Johannes Lucilius Santritter, were reused by Ratdolt in his 1485 reprint <strong>of</strong> the<br />

same work (see lot 62) and also in his 1488 Augsburg edition <strong>of</strong>Johannes Angelus,<br />

Astrolabium (see lot 10).<br />

The text is <strong>of</strong>ten misattributed to Caius Julius Hyginus, Augustan freedman, librarian <strong>of</strong><br />

the Palatine Library, and friend <strong>of</strong> Ovid. Its primary source is the Phaenomena <strong>of</strong> Aratus<br />

(c. 315-240 BC), a poem about the constellations and weather signs which became, after<br />

the ///Wand Odyssey, the most widely read poem in the ancient world. In it we find<br />

clearly explained the basics <strong>of</strong> astronomy, world, sphere, diameter and pole, as well as a<br />

treatment <strong>of</strong> the 42 constellations and the zodiac, all embroidered with mythological<br />

stories. When discussing Capricorn we are told <strong>of</strong> an divine assembly in Egypt, in which<br />

irrupted the enemy Typhon. To escape him nay gods changed their shape: Mercury<br />

turned into an Ibis, Apollo became a crane, and it was for this reason that the Egyptians<br />

considered these birds to be gods.<br />

Leaf a3 is signed b3; but d3 is correctly signed (see BMC).<br />

Provenance: Gilbert R. Redgrave, Ratdolt s bibliographer, with bookplate and a long<br />

bibliographical note on flyleaf dated 13 May 1891; Robert Honeyman IV, with bookplate<br />

(sale in our rooms, iv, 6 November 1979, lot 1735); George Abrams, with bookplate (sale<br />

in our rooms, 16 November 1989, lot 69)<br />

References: HC *9062; BMC v 286; GorTH560; Sander 3472; Essling 285; Klebs 527.2;<br />

Redgrave, Ratdolt, 30<br />

25,000-30,000<br />

40,400-48,500<br />

135


136<br />

j Ndromeda,ppe cafliopeia fapra caput perfei bre/<br />

j<br />

ui interuallo diflldete pfpicir collocata: manibus<br />

diucrfis uincta ut antiqs biftoriis e traditu: cuius<br />

j caput equi pegaii uetri coiungif.Eade cni ftclla ut<br />

l<br />

umbilicus fl^<br />

pegafi andromed^ caput appellatur<br />

Hui^mediu pectus & manu flniftra circulus fftm diuidit. Oc/<br />

cidit aute cd pifce de duob^lccudotque andromed^ fubiectum<br />

bracbio fupra dixim^Exoricte libra & fcorpione capite priuf/<br />

q^ reliquo corpe puenit ad terra.Exorit aute cu pi(cib^&: ariete<br />

Hf c ut fiipra dixim9 !^ I capite ftella clare luceteunaJn utroq;<br />

.buero.iJn cubito dextro4tlri ipCa mau tijn finiftro cubito ufi<br />

62 actual size


62 Hyginus Mythographus. Poeticon astronomicon (edited by Jacobus Sentinus and<br />

Johannes Lucilius Santritter). Venice: Erhard Ratdolt, 22January 1485<br />

Super-Chancery 4 (214 x 155mm.), 56 leaves, 32 lines, Roman letter, 3, 5- and 11-line<br />

white-on-black woodcut initials, full-page woodcut schematic sphere on al verso, 47<br />

Hebrew notes in<br />

woodcuts <strong>of</strong> the constellations, nineteenth-century olive morocco, early<br />

Rabbinic script on verso <strong>of</strong> final leaf and captions for woodcuts, occasional early<br />

manuscript annotations in Latin, cl and c8 misbound in place <strong>of</strong> each other, small paper<br />

repairs in lower margins <strong>of</strong> a few leaves, some light damp-staining in a few leaves, edges <strong>of</strong><br />

binding slightly rubbed<br />

Third edition. The woodcuts were first used in Ratdolt s 1482 edition (see previous lot).<br />

This second, Ratdolt edition is printed in Roman type rather the Gothic used in his<br />

earlier edition. It also contains a full-page schematic sphere at the beginning <strong>of</strong> the text,<br />

and the two concluding Carmina adlectorem by Sentinus <strong>of</strong> the earlier edition are here<br />

omitted.<br />

The present copy contains early Hebrew notes in Rabbinic script on the blank verso <strong>of</strong><br />

the final leaf and in a few captions for the woodcuts.<br />

Provenance: Hewell, with bookplate; Robert George Windsor-Clive, P.C., C.B., Earl <strong>of</strong><br />

Plymouth, with bookplate<br />

References: HC *9063; BMC v 289; G<strong>of</strong>f H561; Sander 3473; Essling 286; IGI 4960;<br />

Redgrave, Ratdolt, 48<br />

62<br />

10,000-15,000<br />

16,200-24,300<br />

- -<br />

; _<br />

, \ &quot;*&amp;gt;. 1*1<br />

137


138<br />

63 actual size<br />

ftropcdceiu .quiaurigaappcllatur.intcrhuiusfinitfoncm cor<br />

pons&arieds caudamftcihfunt:quas ucrgclias n<strong>of</strong>tri grseci<br />

& cxontur.<br />

autempleidasappellaucrunt.Hicauerfusoccidit<br />

Habcc in cornibus ftellasrfed in finiftro clariore.Vtrif<br />

fingulas<br />

qj oculis fingulas.in frontc media uniEx quibus locis cornua<br />

nafcuntur fmgulas:qu3E fcptem ftcllz hyadcs nuncupatur.Et fi<br />

ce: uc<br />

nonuliiquasduasdiximusnouifTimasftcIlas ncgau^rit<br />

olno hyadcs cflfet quincp.praecerca in finiftro gcnu priorchabcs<br />

ftella una.Et<br />

fupcr ungula una.indcxtrogcnu una.& intcrfca ^<br />

pilio trcsmouirfima cam caetcris clariorcm.in /^&quot; &quot;<br />

pcdorc una<br />

funt omnino praetcr ucrgilias quattuordccim.<br />

^ Vv ^ ^U^ltvv 2~OtM*l<br />

**~\<br />

*f<br />

?! Taurus


63 Hyginus Mythographus. Poeticon astronomicon. Venice: Thomas de Blavis, de Alexandria,<br />

7June 1489<br />

Chancery 4 (204 x 141 mm.), 56 leaves, 34 lines, Roman letter, 5-, 6- and 1 1-line whiteon-black<br />

woodcut initials, some initial spaces with printed guides, 47 woodcuts <strong>of</strong> the<br />

constellations, ALL COLOURED BY AN EARLY HAND, some early manuscript notes and<br />

captions in red ink, other early manuscript notes on first leaf, nineteenth-century vellum,<br />

occasional<br />

staining<br />

A reprint <strong>of</strong> Ratdolt s 1485 edition (see lot 62), from which the woodcuts are copied,<br />

some in reverse. Copies <strong>of</strong> this edition are known with the date 1485 (see H 9064 and<br />

Proctor 4760). The heading for the schematic diagram on al verso is here printed in<br />

Gothic letter, while in Ratdolt s 1485 edition this was in Roman letter.<br />

References: HC *9065; BMC v 318; G<strong>of</strong>f H562; Sander 3474; Essling 287; IGI 4961;<br />

Proctor 4765<br />

3,000-5,000<br />

4,850-8,100<br />

139


140<br />

64<br />

JAMBLICHVSDEMYSTERirS.<br />

De cognitione diuin or urn<br />

gyptiifcriptorcsputantesomniainuetaeflea Mcr<br />

curio Juoslibros nierciino infcnbebat. Mcrcuhus<br />

peftfapietk&elocjp. Pythagoras,<br />

Plato. Democri<br />

cus. Eudoxus. & inulti ad facerdotes xgyptiosaccclfc<br />

nit- Dogmatahumslibrifutairynoru,&,egyptioru.<br />

&cxcolunis Mcrcurii. Pythagoras& Plato didice/<br />

implnioiophiaexcoliinis Mcrcurii in aegypto. Co<br />

crcurii plen&amp;lt;edoctrinis. A utco nine ratio ins ufum inert na-<br />

turaliter infitadeorumnotio .Immo tactus quida diuinitads mclior,<br />

quani notitia , exquo incitatur naturalis appetitus boni ,& ratiocmatio<br />

at^uidiciiiin. E{Icntialiscognitioduiinoru.,qu^animacfl:perpctua<br />

acre ucranoncft cognitio h^ec, qua deo fruimur. Incognitionecnim<br />

eft alteri tas.led co n tactu ; q uidam effentiaiis & i im p lex . N<br />

on enim p<strong>of</strong>-<br />

fitmus attingerc unitatemipiam,nifi unitii iimo quodam & imitate&quot;<br />

mentis, qux ruperanim&amp;lt;e,mentisqucproprietaremextar.<br />

ipia<br />

Vnitas<br />

dcorum unit (ibi anima? ab &amp;lt;cthcrno unitatcs carum fecunduni<br />

per<br />

contiguitatem tarn propnam &c eflicacem,utefic contintiitas uideatur.Inteliectusdiiuiiusdateircanim<br />

i-perintelligcrefuuincfientiale.<br />

Ergo ci~leanim&amp;lt;ecftqiioddam iiitclligcrcicilicetdeuinunde depcndct.<br />

Effe no ftrum eft deuin cognoicere. quia prcccipuum cffe anima?,eit iii-<br />

tellectus fuus,in quo idem eft , cffe quod mtclligcrc diuma actu perpe-<br />

tuo. Abilloaufpnieflcprcccipiioderiuanturpotcnti.canini.cdiiairreii<br />

tes.<br />

P<strong>of</strong>tdeosponimiisd;emoinji.licroc:.o7Tiniaspiiras,hitresordme5<br />

folitis humanierationisdif.<br />

pediffequi funtdeoriinv Nonp<strong>of</strong>lumus<br />

curfionibusattingeredeorumpcdi{{equosdsmoncs:heroesanimospu<br />

ros. Sed necefle cit confurgere ad centialem intclligcntiam &c xtherna.<br />

Sicutdiifeniperattingunturnotioneinnata/icnummadeorumpe<br />

diflequa,tuncprimtimattingunturquando animadep<strong>of</strong>uitmodum<br />

cognitionij mobilem, qui ad potcntiam fpectat rationalcm, qux mtel<br />

.<br />

lectLiintelligentiaq; formatur,qucin uocantiiitellectumadeptum Na<br />

priinanotitiainagcnteintellectLiconiiftit. Cum cognitio pcrada^qua<br />

tioncm fiat.lequitur ut minima lempitcrna,&; immobiliaattingamus,<br />

iiotionefempiternaimmobilifimplici. Cognitio qua cogn<strong>of</strong>cimus<br />

fubftatitias fcparatas: eft in alia fpccic,&amp;lt;| ilia, qua cogn<strong>of</strong>cimus alia~<br />

: Cognitio<br />

duiinoriimfiiitfeinperiiianimaperfimplicemintuitum<br />

a, in


64 lamblichus. De mysteriis aegyptiorum, chaldaeorum, assyriorum (and other Platonic and<br />

neo-Platonic writings, translated and edited by Marsilius Ficinus). Venice: Aldus<br />

Manutius, September 1497<br />

FIRST EDITION, Super-Chancery 2 (291 x 199mm.), 185 leaves (<strong>of</strong> 186, without the final<br />

blank leaf), 37 lines and headline, Roman letter, 3- and 7-line initial spaces with printed<br />

guide-letters, outline woodcut on a3 recto illuminated in gilt, red, green and blue, an<br />

armorial painted in lower margin <strong>of</strong> a3 recto, early nineteenth-century Italian sheep richly<br />

gilt, green silk pastedowns with gilt dentelle borders, gilt edges,<br />

slipcase and chemise, sides rubbed<br />

slightly<br />

141<br />

modern morocco-backed<br />

FIRST EDITION <strong>of</strong> this important collection <strong>of</strong> classical and Byzantine Platonic texts<br />

translated and edited by Marsilio Ficino (1433-1499), dedicated to Cardinal Giovanni de<br />

Medici (later Pope Leo X), second son <strong>of</strong> Ficino s patron Cosimo de Medici. It was at the<br />

behest <strong>of</strong> Cosimo that Ficino learned Greek and for whom he made translations <strong>of</strong> Plato s<br />

works. These translations were first printed at Florence by Laurentius de Alopa, c. 1484-<br />

85 (G<strong>of</strong>f P771). Ficino was also the founder and leading spirit <strong>of</strong> the Platonic Academy<br />

<strong>of</strong> Florence.<br />

The present collection comprises two groups <strong>of</strong> translations: the first (lamblichus to<br />

Priscianus Lydus) made in the late 1480s; the second (Alcinous-Xenocrates) in the early<br />

1460s. To this second group is added Ficino s own early tract De voluptate (written in<br />

1457). For details on the dates and textual history <strong>of</strong> each text, see Paul O. Kristeller,<br />

Supplementum Ficinianum, 1937, iii, Index operum; and for indentification <strong>of</strong> the Greek<br />

manuscript sources used by Ficino, see Kristeller, Marsilio Ficino and his Work after Five<br />

Hundred Years, 1987, appendix V.<br />

lamblichus (c. 245-325AD), a pupil <strong>of</strong> Porphyry, is one <strong>of</strong> the most important figures in<br />

the history <strong>of</strong> Neoplatonism, and through his Vita Pythagorae and Protrepticus <strong>of</strong><br />

Pythagorean number symbolism. lamblichus also knew the works <strong>of</strong> Hermes<br />

Trismegistus, and was an early critic <strong>of</strong> certain spuria. In his De mysteriis lamblichus<br />

writes <strong>of</strong> the importance <strong>of</strong> ritual and <strong>of</strong> how the initiate (mustes) must transcend<br />

corporality and matter in the service <strong>of</strong> the gods, and become one with them through the<br />

power which unites the cosmos.<br />

The importance <strong>of</strong> lamblichus in the late fifteenth and early sixteenth centuries cannot be<br />

overstated, not can his influence on the history <strong>of</strong> Neoplatonsim. His succcessors credited<br />

him with the whole orientation <strong>of</strong> later Neoplatonic philosophy, by his establishing a<br />

curriculum, drawing up a system for the interpretation <strong>of</strong> Plato, by his extension <strong>of</strong> the<br />

use <strong>of</strong> mathematics in philosophy (cf. his In Nichomachi arithmeticam introductio) , by his<br />

refining <strong>of</strong> Neoplatonic metaphysics, and by his extraordinary syncretism <strong>of</strong> the various<br />

theologies, demonology and rites <strong>of</strong> the ancients, including the Egyptians, Persians,<br />

Chaldaeans and others. Some <strong>of</strong> his lost works were known to Macrobius and to the<br />

Emperor Julian the Apostate.<br />

All but two <strong>of</strong> the texts are here published for the first time. Alcinous was first printed in<br />

the translation <strong>of</strong> Petrus Balbus at Nuremberg in 1472 (G<strong>of</strong>f A365), and the original<br />

Greek text <strong>of</strong> the Pythagorean Golden Verses was included in the first book from Aldus s<br />

press,<br />

Lascaris s Erotemata <strong>of</strong> 1494/95 (G<strong>of</strong>fL68).<br />

This handsome copy, later in the Saks and Abrams collections, belonged in the<br />

nineteenth century to Lord Vernon the great Dante scholar, whose editions <strong>of</strong> Dante and<br />

the commentators upon him are <strong>of</strong> great importance. The manuscripts <strong>of</strong> his own<br />

commentary on Dante are in the College Library, Eton, which has a number <strong>of</strong> his books.<br />

Provenance: George John Warren, 5th Baron Vernon (1803-1866), with bookplate (sale in<br />

our rooms, 10 June 1918, lot 300); John A. Saks, with bookplate (sale New York, 1<br />

October 1980, lot 122); George Abrams, with bookplate (sale in our rooms, 16<br />

November 1989, lot 70)<br />

References: HC *9358; BMC v 557; G<strong>of</strong>f J216; Klebs 529.1; Renouard p. 13; Ahmanson-<br />

Murphy 17; Christ, Plato, Hermes Trismegistus ( 1 990) no. 127<br />

25,000-30,000<br />

40,400-48,500


142<br />

65<br />

HE<br />

.<br />

teffipus <strong>of</strong>tendunt. tfCamcula ftella que K Cmus elicit eftiuig<br />

meniibus in medio centre caeli eft-8&amp;gt; dum fbl ad ea<br />

ascendentconiun&acum<br />

fole calor ems-& diflbluunt<br />

duplicator corpora<br />

&c vaporantur. Vnde & ex ftella dies canicularcs dicuntur-<br />

ipa<br />

qliando et molefte font purgationes.CCanis autem vocat ,pptei?<br />

quod corpora. raorbo afficiat-fiuepropter flamme candorenv<br />

eiufmodi fit ut &amp;lt;j pre<br />

cetens lucere<br />

videatur.Itaq^ quo magis ea ^<br />

cogn<strong>of</strong>cerent Unon appellarunt. i^Lb metes ffcella didra eft-eo<br />

?<br />

Iff<br />

(j comas luminis ex fe fundat. Quod genus fidens quado ap/<br />

paruent-aut peftilentiam-aut famem-aut boella fignihcat. (Eo/<br />

metes autem latme crinite appellantur-cj? in mo dum crmium P=-4^ l<br />

flammas fpargunt. Q^.ias ftoici dicunt eiTe vltra-xxx- quarum<br />

nomia &c effec tus<br />

quida aftrologi fcripferut. ^fCucifer<br />

dictus ^<br />

eo<br />

Of<br />

inter omnia f?dera plus lucem ftrat. Lucifer emm eft vna ^ &amp;gt;v&amp;lt;<br />

ex planetis.Maecproprie &C mbar dicitur-eo<br />

c^&amp;gt;<br />

mbas lucis ex (e<br />

iimdat. Sed &^ fplendor fblis-ac lune 8^ (lellarum iu^&amp;gt;ar<br />

vocat-<br />

c^m modum mbe radii iporum extendantur. iT^clperus (lei ^v*^-<br />

la occidentals -quam cognommatam perhibcnt a<br />

vefpero rege<br />

autem 2<br />

noclem ducens<br />

biipame.Bft ipa ex-v-ftelhs planetis<br />

^.fequens fbiem. Fcrtur autem c$ baec ftella oncns luciferum<br />

occides veifoeru facit.Dc qua ftacms.Et alterno<br />

dependit vnus<br />

in ortu. IfTPlanete ftelie (unt que non funt fixe in caelo ut rehq<br />

led m acre feruntur.Did:e autem planete a potefplanes id eft ab<br />

errore.Nam interdum in auftrum-mterdum in<br />

feptentnonemplerumq^<br />

contra mundum-nonunqm cum mundo feruntur<br />

quarum nomma grcca funt-pbcton-plenon-dapbinon-pbcton L{<br />

pbetonta-phmona-beiperus. ftelbon. Wasromam nomimbus &amp;gt;<br />

deorum (uoru id eft louis-faturni-martiS Veneris-atqj mercuni-<br />

lacrauerunt.lDecepti emm et decipere volentes in coru adulatio<br />

nem qui fibi ahquid fecundum amore preftitiiTent fidera <strong>of</strong>ten<br />

debat in caelo -dicetes vj lows eflet illud fidus-^ iliud mercurn-<br />

K, concepta eft oppmio vanitatis.Manc oppimone errons dna/<br />

bolus confirmauit xps euertit. flam vero ilia que ab ipis ^cn<br />

tihbus %na dicunt-m quibus 2 ammatium imago dc ftefhs<br />

tprmatur.utaryion.aries-taurus-libra &i buiufmodi alia.Mi Q<br />

udera preuiderut in numero ftellaru {peciem corpons fuperfti/<br />

ci<strong>of</strong>a vamtatepermoti fmxcrut- ex cauffs quibufHam deorum<br />

morum & imagines^ nomma confirmantes. Nam anetem<br />

**&amp;gt;&quot;&quot;<br />

,<br />

#^**j iv<br />

*<br />

&quot;


65<br />

europa K affnca<br />

Afu &C nus partibus - CCa-mo<br />

oia ex noie<br />

______ liens eft ap/<br />

pcllata-quc apudanti/<br />

quos imperiu onentis<br />

tenuit. Hec in tercia or<br />

bis parte chlp<strong>of</strong>ita- ab<br />

oricntc ortu lolis-a me<br />

riche-oceao-ab occidiw<br />

n<strong>of</strong>tro man fimtur a<br />

fcptentnone mcotbide<br />

S&amp;gt; lacu tanai<br />

fluuio ttr<br />

minatur.Wabctautcm<br />

proumciasmultasctit<br />

giones-quaru breuitcr nomina rt (lens expediam-fumpto inttw<br />

a naiMsWrifTI^iMHifitc A- Irx-tic- ir, ^^nf-u rdrfiHllS COnftltltf<br />

65 Isidorus Hispalensis, Saint, Bishop <strong>of</strong>Seville. Etymologiae. [Augsburg]: Giinther Zainer, 19<br />

November 1472<br />

FIRST EDITION, Chancery 2 (304 x 218mm.), 264 leaves, 38 lines, Roman letter, 3 full-<br />

page woodcut diagrams, small woodcut world map, numerous woodcut diagrams and<br />

symbols in text, 3- and 6-line initials supplied in red or blue, many with penwork<br />

decoration and extensions in green and blue ink, headlines and paragraph-marks in red,<br />

nineteenth-century half sheep, several early manuscript annotations in Latin, with a few<br />

in Hebrew, a few small wormholes in the firstfew leaves, first and last gatherings loose and<br />

guarded, damp-stain in some outer margins, occasional other light soiling and staining<br />

FIRST EDITION <strong>of</strong> Isidore s encyclopaediaa <strong>of</strong> medieval knowledge composed at the turn <strong>of</strong><br />

the sixth century. IT CONTAINS THE FIRST PRINTED MAP, <strong>of</strong> the diagrammatic T-O form<br />

showing the three continents separated by a T-shape Mediterranean Sea, the whole<br />

enclosed within the ocean. The three genealogical woodcuts show trees <strong>of</strong> consanguinity<br />

and affinity and a large wheel-form diagram <strong>of</strong> family relationships.<br />

The Etymologiae <strong>of</strong> Isidore <strong>of</strong> Seville stand out as THE GREAT ENCYCLOPAEDIA OF THE<br />

EARLY AND HIGH MIDDLE AGES. Isidore (died 4 April 636AD) left this remarkable work<br />

unfinished, although even before his demise, the work was in circulation. The division<br />

and editing <strong>of</strong> the text in twenty books was carried out by Braulio, Bishop <strong>of</strong> Saragossa, to<br />

whom Isidore sent the text before his death, and there are three versions <strong>of</strong> the text (and<br />

three groups <strong>of</strong> manuscripts), the pirated version, the unedited text <strong>of</strong> the author and the<br />

text as edited by Braulio. Within less than a hundred it years was known across Europe,<br />

e.g. to Aldhelm in England, who used information derived from Isidore (died 709 AD,<br />

some <strong>of</strong><br />

see A. Orchard, The poetic art <strong>of</strong>Aldhelm, Cambridge, 1994. p. 14). Manuscripts,<br />

great antiquity, attest to the rapid dissemination <strong>of</strong> the text (see M. Reydellet, La<br />

Diffusion des Originesd Isidore de Seville au Haut Moyen Age ,<br />

in MEFR78 (1966) pp.<br />

383-437). The Etymologiae cover the liberal arts, medicine, law, language, geography<br />

hence the map in this editio princeps - and natural history, and constituted ONE OF THE<br />

MAIN ROUTES FOR THE TRANSMISSION OF CLASSICAL LEARNING TO THE MIDDLE AGES (cf. E<br />

Brunholzl, Histoire de la litterature latine du Moyen Age, 1 , pt. 1 (1990), 78-93, 257-260).<br />

The present edition is the first complete book to be printed with this Roman type, which<br />

Zainer had previously used to print a broadside calendar in 1471 (GW 1293). Mentelin s<br />

Strassburg edition is dated not after 1473 on the basis <strong>of</strong> an ownership inscription<br />

in a<br />

copy at Bamberg.<br />

The early manuscript notes include on fol. 54 some Hebrew translations <strong>of</strong> the names <strong>of</strong><br />

planets, some scattered notes in the section on medicine, and at the beginning <strong>of</strong> Book VI<br />

a contemporary note with the date 1483.<br />

Provenance: Staatsbibliothek, Berlin, with release stamp<br />

References: H *9273; BMC ii 317; G<strong>of</strong>f 1181; Klebs 536.2; Schreiber 1532; Shirley 1<br />

30,000-50,000<br />

48,500-81,000<br />

143


144<br />

66<br />

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ianuenfis oe ozdine piedicato?,<br />

te in quattuo: oi^<br />

lhngui& fan temp*<br />

pcuiatoiarenoti a*<br />

tionisfmereuoca*<br />

ni&7peregrmatio<br />

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clcfia a feptuagefima vfqj ad pafcba.vn<br />

ztuc legtfgenefif? liber J.inqno poni<br />

peuiatio piirno? parenru . ? 3CempU3<br />

rmonanoio fine rtuocationid incepic a<br />

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|:pinn quo boiwper^pbctaead ftderci<br />

nocari fun 1 7 rcnoiwci . iSt iftud temp 15<br />

repfmtacecdefia ab aduecu oni vfi^ ad<br />

pud reconciliation eft rcpjio in quo per<br />

jcpm fumuo recociliao. SSt iftud temp^<br />

repiefeucat ccckfia a pafcba vfy ad pen<br />

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puo pzeent[ vitran quo peregrinamur<br />

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repntaceeclcfia ab octaua pentbec<strong>of</strong>tes<br />

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b:i regu i macbabeo?. in qnib^ ot nm I<br />

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pplici pugna agifper quam nfa pugna<br />

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lud qt5 eft a natali oni vfcp ad feptua^<br />

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tempoie peregrin atoio.f.ab octaua epy<br />

pbanievf^adreptuagefima \ jgtpoc<br />

accipi bee qdruplet tempos variation<br />

gmmo penee quatmo! tempo? oifhiv<br />

. vt bycmsrcferat ad jimi^.ver<br />

. tmtom :<br />

quart.iSt ro apptoptiarionis facie pja=<br />

tet.Secudo pene0 quattuot palteo oiei<br />

vtnojcreferat ad piimu.manead fcdm<br />

nieri dies ad tcniu . v efpera ad quattu &amp;lt;.-<br />

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iiacio ;tn ecdefia oia <strong>of</strong>ficia fuapoti^ in*<br />

cipit in ccpo:c renouahoid q? oruidtio^<br />

ni3.t.in aduetu ppti 9 ^ in feptuagefima<br />

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^&amp;gt;iimonevidea<br />

incipere ab erroie: tenetent rem i non ft<br />

qui6 oidine tepo:i9. ficut 7 euagehft efe*<br />

pius faciut . Scdo qm per aduentu jcpi<br />

owrenouatafunt^pterciiJ t^usiftuct<br />

oiatempusrenottaoioi0. apoca,|^|<br />

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inboctepoie renouarionioeccUfia 013<br />

a fua renouatt^t igit I) oidorpis<br />

n iiisj oe fcftiuitatibus que occurrut i<br />

fra temp 9 renouaaoi0. qd crmpn^ reps<br />

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poie recondlwriois.partim fub rpe pere<br />

grinationis. qd tempusrepfentateccle<br />

fia a nariuitate vfcp ad feptuagefimani<br />

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Deuiatiois* qd tempua repiefmeatecclc<br />

fia a feptuagefimavf(p ad pafcba.&uar<br />

to oe illi0 q occurrut infra temp reconrf<br />

lunonio.qD tempus repfentacecddia J<br />

pafcba vfcg ad octauan) pentbec<strong>of</strong>kd.<br />

luinro oe illic que occurrut infra tents<br />

pua pegrinarioi0.qtJ temput? repfentat<br />

ecclefia ab octaua pentbec<strong>of</strong>tesvfcgad<br />

aduentu <strong>of</strong>ii, jgjplicitpiolog^,<br />

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oicanoiatnr biftona - jtt p:imo oead^<br />

loomini.<br />

iperqrtuoi<br />

figmficandu &amp;lt;$ eftquadrupleraduent*<br />

.fan carnean mentcan moitc.i ad mdt<br />

nil . Ultima autfeptimana vijcfinig.q?


66 Jacobus de Voragine. Legenda aurea sanctorum. Nuremberg: Georg Stuchs, 1 October 1488<br />

Median 4 (229 x 169mm.), 276 leaves, double column, 47 lines and headline, Gothic<br />

letter, first 8-line initial in blue on a gilt panel with coloured borders, other 2- and 3-line<br />

initials supplied alternately<br />

in red and blue, paragraph-marks in red, contemporary<br />

Nuremberg binding, blind-tooled calf over unbevelled wooden boards, both covers with<br />

an outer border ruled in blind, that on upper cover decorated with a repeated leafy staff<br />

tool and a gryphen, central panel filled with a repeated artichoke tool, title originally<br />

tooled in gilt at head <strong>of</strong> the upper cover, lower cover decorated with a leaf staff tool, a<br />

large rosette and a gryphen, four metal corner- and centre-pieces, two clasps and catches,<br />

title lettered along upper edges, modern cloth box, lower margin <strong>of</strong> initial blank leaf and<br />

M4 strengthened, slight worming in margins <strong>of</strong> last few leaves, some leaves in gathering L<br />

misbound, rebacked, new endpapers<br />

The Legenda aurea sanctorum, written by the Italian Dominican friar Jacobus de Voragine<br />

(1230-1298), was a popularly written collection <strong>of</strong> lives <strong>of</strong> the saints following the church<br />

year. Of wide circulation and influence from the late thirteenth century onward, it was<br />

first printed by Heinrich Eggestein at Strassburg, not after April 1472 (G<strong>of</strong>f J81), and<br />

was reprinted at least seventy times before the end <strong>of</strong> the century.<br />

A Nuremberg binding by the Hieronymus Miinzer Binder (Kyriss 116), so-called after<br />

his chief customer (see E.P. Goldschmidt, Hie ronymus Meunzer und seine Bibliothek,<br />

Warburg<br />

Institute, 1938).<br />

Provenance: Library <strong>of</strong> the Prince Bishop at Eichstatt, with note <strong>of</strong> ownership on title Ad<br />

Brother Julian, ES.C. Collection,<br />

Biblioth[ecam] aul[icam] Eystettense[m] ; The<br />

Manhattan College, with bookplate recording gift from Christian A. Zabriskie<br />

References: C 6450; BMC ii 468; G<strong>of</strong>f J 120<br />

5,000-7,000<br />

8,100-11,300<br />

145


146<br />

67 actual size<br />

quen0queftio fcctcrmmate eft inquodlibeto<br />

r(fo:denfis BJnno*i4d lludtj<br />

p<strong>of</strong>t&amp;gt;artbolo<br />

met add petitionc mulro^ tarn religt<strong>of</strong>bm c^ fc/<br />

culariu contra tripliccm errorc* |/p2imo cotra.<br />

^clumut cakutarc i t)cterminarct&amp;gt;tcnoiunimrj<br />

jContr^ qooepotitt clt condufio ^ma 015 fuis co^dati^<br />

quo ad auqua* CSfctfo cotra qucnda cractam inip:cfl uj*<br />

qui t&amp;gt;iat ^ anti^ps non fit gfonalitcrvcntur 9 ncc nocb<br />

7 &cka8lintgfonalift:r vcnturi. led q? macb^mc^fucric<br />

va- 9 7 gfbnalis anrirpg/ duanm at tllctractat p t)cuiet<br />

averimtcracrcfcripturcymoafidccrcdcntmapp^rcbiti<br />

fct&amp;gt;4 codulkmc cum fuia co:rcLir^8: T in p:imo co:rebrto<br />

qucndalibmm cmufda<br />

none vcre vite* T afleribuntbcato Sugufrino* fcd<br />

me. Jn quo tractatu auto: nititur/pbarc, q? rcgnu cclo:u5<br />

cgpjiuatio vifiom0&cute]tbijsconcludi q? nodtloc9<br />

vbirccipiantbeatiinccfitloc 9 vbicolUganfoanati Et (Ic<br />

nesatcelumempuTcuefielocu5bcato* ferealem infer/<br />

numin terra confiitcntc.ftconcluditejcb^qd^cteri 9 ^<br />

fcilsq? ^non necveret&amp;gt;cfcendit<br />

vcrcafccnditadcelo^<br />

ad mfernaquc omnia quantum llntfacre fcripture i ftdci<br />

cotraria.ymopcflimavcnenaberctica<strong>of</strong>tendcfmtertU<br />

co ndulionc, cum fu is co:rda ri s An n euo .<br />

j


67 [Johann von Paltzj. Quaestio determinata contra triplicem errorem de Antichrist!<br />

revelatione. Memmingen: [Albrecht Kunne, after 24 August i486]<br />

Chancery 4 (197 x 139mm.), 44 leaves, 33 lines, Gothic letter, 4-line initial, initialstrokes<br />

and underlining all in red, modern calf, yellow edges (from an earlier binding),<br />

some spotting and staining<br />

Second edition, closely reprinted from the first edition printed at Erfurt (G<strong>of</strong>f A771).<br />

Johann von Paltz, an Augustinian Hermit, was a leading intellectual in Erfurt at the end<br />

<strong>of</strong> the fifteenth century and the beginning <strong>of</strong> the sixteenth. His Quaestio de Antichristo<br />

was an academic disputation delivered at the University <strong>of</strong> Erfurt in August i486. In it<br />

Paltz argues against the orthodoxy <strong>of</strong> two printed works: Annius s Defuturis<br />

Christianomm triumphis (G<strong>of</strong>fA750 sqq.), which claimed that Mohammed was the<br />

Antichrist; and the pseudo-Augustine (i.e. Honore <strong>of</strong> Autun) De cognitione verae vitae<br />

(G<strong>of</strong>f A1250), which denied the physical reality <strong>of</strong> heaven and hell.<br />

Provenance: George Abrams, with bookplate (sale in our rooms, 16 November 1989, lot<br />

74)<br />

References: HC *1 155; BMC ii 604; G<strong>of</strong>f A772<br />

5,000-8,000<br />

8,100-12,900<br />

147


148<br />

P*<br />

Ltlj<br />

carta et oiucrfa patiaris-gauoerc fcebrs in immcnfum ejiftimanCJo<br />

cpbabcas oel f&amp;gt;m equiualenriam.rel fupeminendam omr.e genus<br />

munoano2 gr.uioo?.-Nimirum ficut paiP per fozorem meam di&i<br />

cifti cp tribulatio in prefenti auget cozona in futuro-Ita aO gauoij<br />

tui augmentum ejdftima.cp carietas tribulationnm earium few C&amp;gt;u<br />

werfumfutwrecosonetue.relOni equiualentiamaDicit oznatum<br />

Sicut ergo in cozona materiali non e(T^ bonum carere olio genere<br />

gemmae cosone oueniennumIta enam cum puentu potenrie fu<br />

flinendique in ipis tribulaconib? fiDelie de? facit.meli? eft t?llo<br />

carere genere tribulationum.<br />

Capituluni qu^rtu contincna <strong>of</strong>clationco fuper gaersis<br />

co ftatui contrari jo<br />

Varto a&amp;gt; pcfl paemilTa (up^aDiclra J5ominam ccnfola<br />

triceni acceflit. etaliPtnfltsc<strong>of</strong>olationem requireno<br />

fuper fe turbantib? guerris* cut ilia pzo c<strong>of</strong>olatione<br />

Oe fuie puellio Duas Oepucauit.<br />

Bima pulla fie ait-aut turbans oc gnerris e^ eo q? oergunt in<br />

malum tuu? pfonale-aut e^ co q&amp;gt; cergunt ctiam in malurn aii<br />

i eje eo prefctfeq? oergunt in matum tuu pfonale plcr.n po<br />

teris <strong>of</strong>olari in bcc opere diuerfis in capitulm p oicta meaxjifoDa<br />

lium panter ct oicen&aSi oero ep eo turbans cp oergunt guerre<br />

in malum alio^L<br />

earn fuper boc <strong>of</strong>olarione reapiao qua circa fine<br />

totiP bu\9 libsi potcrts rcpcrire cbi poncnt 1<br />

<strong>of</strong>olaaones bcminia<br />

opaffmi $ptcr palTiones alioix ^pancnfto crucian*<br />

Scuf&amp;gt;a puella fie ait HefciB q? miliria eft oita bominis fuper<br />

terram. ^Ailitanti autem oalet e^ercitium. qo in guerrie r&amp;gt;el<br />

fosinfecus magis cf&amp;gt;<br />

paucis tempo? e eft patunv quippe pacis tem<br />

pose t02pent bomincs inbcrtia atq? ab intra picul<strong>of</strong>i? impugnan<br />

tur-tunc em inimtci bominis oomeftici c?iua.tunc temptat lu^uria<br />

tune inuic&amp;gt;iatuc auaricta tuc ct aha oida plura numero cp i gueri<br />

ri quibP pacis tpe inferuitur*<br />

CapKulum quintu cotines Dfolationce fup bello feu <strong>of</strong>liclu et<br />

cniuerfaliter fnp impugnatoe in ccmuni.<br />

Vinto p<strong>of</strong>t pzcmina accelTitao Dominant fuprafcicto?<br />

caa ah? triftie De bell 10 feu <strong>of</strong> liclitbP immenribus to<br />

CUB perturbat? Defioerans confolari cui ilia mcr pzo<br />

confolatione oe fuis pucllis feptem oeputauit*<br />

I.COHSIOSP^TIO.<br />

Bima puella fie ait-O miles jcpi nefcis qp maius bonu eft bo;<br />

tium pacifi cp malum fit maluj belli imrainenris- patet boc e^<br />

J-<br />

p


68 Johannes de Tambaco. Consolatio theologiae. [Strassburg: printer <strong>of</strong> Henricus Ariminensis<br />

(GeorgReyser?), c. 1478]<br />

Chancery 2 (287 x 208mm.), 294 leaves, 44 lines, Gothic letter, 2-, 3-, 4- and 5-line<br />

<strong>of</strong> wooden boards,<br />

initial spaces, contemporary South German (Franconian?) binding<br />

blind-tooled pigskin spine, the leather extending 90mm. over the boards, green edges,<br />

modern cloth box, contemporary manuscript headlines and annotations in table at the<br />

end, lacking two clasps, upper board split and repaired, upperjoint repaired, some light damp-<br />

staining<br />

FIRST COMPLETE EDITION. Johannes de Tambaco (1288-1372), from Dambach, near<br />

Strassburg, was a Dominican <strong>of</strong> Strassburg until his appointment to a lectureship at<br />

Prague in 1347.<br />

This unsigned edition was assigned by BMC and Polain to Speyer. It is printed in the<br />

type (4:88G) which is ascribed by Ohly to Georg Reyser. BMC records a copy presented<br />

to the Kreuzherren at Diisseldorf in 1479.<br />

Provenance: Franciscans <strong>of</strong> Wiirzburg, with seventeenth-century inscription at head <strong>of</strong><br />

first leaf; E. Gordon Duff, with inscription; Laurence W. Hodson, with booklabel; John<br />

Gribbel, St Austell Hall, with bookplate<br />

References: HC (+ Add) * 15236; BMC ii 484; G<strong>of</strong>fJ436<br />

6,000-10,000<br />

9,700-16,200<br />

149


150<br />

3nciptt<br />

logicupicclanirimi vintmagiftri 3&amp;lt;<br />

bannie<br />

criptafutad nfamooctrini<br />

&quot;cripta Cut: vtper pfolatione<br />

teripturap fpem babeamus:<br />

qua fc? fpe gaudetes in tribu<br />

^^ L. Utione ob quozficucp triftw<br />

uonea tpfrituali gaudio mono cotinuan<br />

do muume reftciamua. ^ddrco confideratia<br />

muidii bui 9 tribulationib^ ac multiplicib 9 tup<br />

bationft caufis feu occafiomb ? :cogitaitt tcin<br />

ftmtis pfolationib 9 cotenrio impUcitc vd ep<br />

plidte in rcrtpmri3:quarda redigere in qua/<br />

licucp oge in fcriptis:Bd bono:e oei c<strong>of</strong>olato<br />

ris optimiT e.imij :ac glozi<strong>of</strong>^ ^ginis marip:<br />

quaiprepacUmsfic f^cudautf (y oefi totius<br />

c<strong>of</strong>olationis nobis genuittatc^ btiflfimi ioba^<br />

me euagelift^ qui ,^pter euagelisadt pftatiam<br />

meruit creb:a pfolarfonerdeuari:lBecn6 om<br />

niu fctdr:quo3 p multas tribulationeo opoj<br />

tuit intrare in regnii eglop:Hc oentcp ad o5fo<br />

latione oitnboiimpdpuedttts illo?qui;pic<br />

r<br />

a-C<br />

69 actual size<br />

69 Johannes de Tambaco. Consolatio theologiae. Basel: Johann Amerbach, [14]92<br />

Chancery 8 (\36 x 92mm.), 112 leaves, 27 lines and headline, Gothic letter, 6-line<br />

initial on al recto supplied in blue on a gilt panel with green and pink leafy decoration in<br />

margin, 4-line initials supplied in red and blue, 2-line initials and paragraph-marks<br />

supplied in red, crushed red morocco by A. & R. Maylander, gilt edges, a few early<br />

manuscript notes in margins and some underlining, initial on al recto rubbed, firstfew<br />

leaves lightly soiled in margins<br />

One <strong>of</strong> several abridged versions <strong>of</strong> the complete text. Amerbach presented twelve copies<br />

<strong>of</strong> this book to the Basel Charterhouse in 1492.<br />

References: HC * 15237; BMC iii 754; G<strong>of</strong>fJ437<br />

2,000-3,000<br />

3,250-4,850


70<br />

70 Johannes de Tambaco. Consolatio theologiae. Basel: Johann Amerbach, [14]92,<br />

leaves<br />

Gerardus de Zutphania. De reformatione virium animae. [Basel: Johann Amerbach],<br />

1492, 60 leaves, woodcut <strong>of</strong>Adam and Eve within a four-piece border on al verso<br />

Bernardus Claravallensis (pseudo-) Meditationes de interiori homine. [Basel: Johann<br />

Amerbach], 1492, 32 leaves<br />

3 works in one volume, Chancery 8 (143 x 100mm.), 27 lines and headline, Gothic<br />

letter, 2-, 4- and 6-line initial spaces with printed guide-letters, contemporary Tubingen<br />

binding (Kyriss workshop 123), blind-tooled pigskin over wooden boards, border <strong>of</strong> a<br />

hunting roll, one clasp and catch, contemporary manuscript notes including a list <strong>of</strong><br />

contents on front pastedown and minor penwork additions to the woodcut<br />

The woodcut <strong>of</strong>Adam and Eve in the Gerardus de Zutphania is one <strong>of</strong> the fifty-five used<br />

in Ludwig Moser s Bereitungzu dem Heiligen Sakrament, printed at Basel by Michael<br />

Furter, c. 1493 (G<strong>of</strong>fM 866).<br />

Provenance: Canons Regular <strong>of</strong> Waldsee, with contemporary inscription<br />

References: Johannes de Tambaco: HC * 15237; BMC iii 754; G<strong>of</strong>fJ437; Gerardus de<br />

Zutphania:HC *16291; BMC iii 755; G<strong>of</strong>f G171; Schreiber 4096; pseudo-Bernardus<br />

Claravallensis: HC *2883; GW 4032; BMC iii 754; G<strong>of</strong>f B404<br />

4,000-6,000<br />

6,500-9,700<br />

1 12<br />

151


152<br />

71<br />

tttllb&quot; CUU4CM |&amp;gt;<br />

ur<br />

^L<br />

ru<br />

at-<br />

im ^tia<br />

wr fmmn f<br />

rurf fufn^je ui|ru t^Ji f<br />

tvm ya f<br />

OAw ?&amp;gt;^t<br />

(I gflfhtf MI<br />

ct tmp UiK&amp;gt;^r ^fim fp u-ualm<br />

ttu fUit tttt<br />

tm ma<br />

te fiuiaire ma -enu-^v ^ tra<br />

14^ tU4i^^UCltTHrt<br />

war (FvliTtt tw rcfwnvrturiT<br />

4H nor ^H^ca^ tc c<br />

-rurfa *n-fiutw<br />

tc<br />

t 1 . ctfliilri;f)&amp;gt;njjfut Mto Uk<br />

- Uit<br />

IrtJ? fivfamW<br />

ttai<br />

* tpT c<br />

cuutcr tun<br />

j* n *cai&amp;gt;<br />

un


71 John Chrysostom, Saint. Homiliae super Matthaeum. Cologne: Johann Koelh<strong>of</strong>f,<br />

the Elder,<br />

1487, 140 leaves, double column, 45 lines and headline, Gothic letter, first 7-line initial<br />

supplied in blue, other 2-, 3- and 5-line initials, paragraph-marks and initial-strokes in<br />

red<br />

John Chrysostom. Libri II De cordis compunctione. Manuscript on paper, 14 leaves,<br />

double column, 49 lines, two 7-line initials in blue, heading, and initial-strokes in red<br />

John Chrysostom. Liber De reparatione Lapsi. Written at Hohenbusch by<br />

Ruremund, 23 April 1490. Manuscript on paper, 16 leaves, double column, lines, one<br />

initial in blue, heading and initial-strokes in red<br />

153<br />

frater German<br />

3 works in one volume, Chancery 2 (271 x 206mm.), eighteenth-century marbled calf<br />

over contemporary wooden boards, fol. 1 <strong>of</strong>first work remargined, heavy staining in first<br />

few leaves <strong>of</strong>first work, some damp-staining in fore-margins, slight worming in margins <strong>of</strong> last<br />

few leaves<br />

Second edition <strong>of</strong> the Homiliae super Matthaeum, preceded by Mentelin s Strassburg<br />

edition <strong>of</strong> not after 1466 (G<strong>of</strong>f J288). The present copy is bound with two signed and<br />

dated manuscripts <strong>of</strong> further texts by John Chrysostom, written by frater German<br />

Ruremund, Crutched friar <strong>of</strong> Hohenbusch, as recorded in the colophon: Explicit liber<br />

beati Johannis Crisostomi episcopi contstantinopolitani de reparacione lapsi - sive ad<br />

amanticum lapsum. Serif turn Anno Domini MCCCCXC in festo Georgii martins Post<br />

pascha per me Germanum Ruemundensem fratrem conventi altinemoris. Deo gracias.<br />

Provenance: Crutched friars <strong>of</strong> Hohenbusch, with manuscript colophon dated 1490 and<br />

inscription at beginning <strong>of</strong> first work dated 1778<br />

References: H *5035; BMC i 228; G<strong>of</strong>f J289; Voull (K) 647<br />

7,000-10,000<br />

11,300-16,200


154<br />

72<br />

rplicit fctte^ncipit tercius.<br />

trJfficere quidcm * ifta<br />

poterar quc oicta ft it adejcriguedamtiicrozta<br />

fl.i m.i: .1 tq.; ad gfuadedu mclioie .ic traquillio<br />

re ce aio.Uerii vt confolatio fit cumuUmo* : ec<br />

buc libai adiccre infti tin 3 llud abs tc p:iti m;<br />

mqiures.&ic 0:0.Si q&quot;a re ad rcgnu tcrreftrc i iperiu yocarct:<br />

atcp ante mgrcii ii eius citiitatis: in qua coionadus crtconu fta<br />

bum otuerrere ncccfle cet :vbi luti ac fimi pluriniiis: viatorucp<br />

tumultus et latronu gturbatioifiunacp pjeflura i anguftia: nu<br />

ad ilia tnftia cogitatione onertcree: jn ilia oia qualt nibiledec<br />

gaudio i fpe regni cotepncrce: *per qua igif.ineptii t tndignu<br />

eucrrenis moualibtifqj rebus ponturumibil bus que itcri con<br />

ciderit cotrabireterni aiir regni fpe elatu i erccturatqj ad celoa<br />

acccrfiturper fingula que in boc oiucrfozio cormgut tnftia occt<br />

dcre atqj gnirbari.T&amp;gt;z<strong>of</strong>ecto eni ac ftabulo mbtl<br />

oiucrfozip p:e<br />

fcntis vite ftatus melio: e Jdc$ cu facti nfi pke nobis idicare<br />

cuperet:b<strong>of</strong>pitc0 fcipos acperegrios appcllabat:by0 vbis nos<br />

erudtctea * Icta fcculi pntis t tnftia part metis altitudine cote<br />

nereiatq? a terra longiflunc remotes.: celeftia<br />

tptoanimo am<br />

bire atqj ad ea tota tralTcrre cogitattone ,Hge itaq? ad fanctos<br />

illos Uemamus a 3f<strong>of</strong>epb ad Woyfen ojationem tranlTcreted<br />

C bic eni ZDoyfes oim qui in terra verfabaf mitiflimus: gig<br />

ntttir quidc getibus fuis vt<br />

puriflime<br />

feruitutis oppzeffts ^llie<br />

natus aiit a gttbus vcl paretibtts ignozanftg a quibus genitus<br />

fiiiflet:p:io2C3 etate omne a barbans viris cducaf:quo quid g<br />

uiusbebje<strong>of</strong>mgutariqjpnidetiapjcdito adotcfceim potuttco<br />

tingcrc: r ft rmltcs ftlius regis films putaretur .&quot;lion aute boc<br />

foto angebatur tile tunc.Ucniin Q intucretur gentcm fuaj fup<br />

mis calamitatibus oppzimi gramd timi fibi videbatur.Qui eni<br />

pzctcr illojtim falutcm: ne viucrc quidcm neq? in oei hbio con<br />

fcribi paticbatunquando aule regie regniqj bonis frui pottrif<br />

fet:cii tata oes tepeftare iact.iri getilcs cerncret lias ft nos Q&amp;lt;^<br />

p<strong>of</strong>t tarn multa fecula c,roups:nulluq? buitifmodt mifcratiois<br />

puuilegtumad iudeos babetcs tanta fubit nnferatio:ann ifan<br />

ttum tllain imantmma iugulatione audim* aut legim .<br />

72 John Chrysostom, Saint. De providentia Dei (De dignitate humanae originis). Alost:<br />

Thierry Martens, 22 March 1487/88<br />

FIRST EDITION, Chancery 4 (201 x 136mm.), 42 leaves, 40 lines, Gothic letter, 5- and 6-<br />

line initial spaces, vellum leaf from a later printed hymnal over modern boards, 2 tears<br />

through text <strong>of</strong>gl repaired without loss, light damp-staining in a few margins, early<br />

inscription and library stamp washed from al<br />

The only fifteenth-century edition <strong>of</strong> this text, printed at the third press <strong>of</strong> Thierry<br />

Martens, who printed firstly at Alost with Johannes de Westfalia in 1473, and then<br />

contined on his own for a few months. There then followed a period <strong>of</strong> twelve years when<br />

he did not print and may have visited Venice, before he returned to Alost in i486 and<br />

continued to print until 1492, producing some fifteen books. His two main types are<br />

modelled on Ratdolt s Venetian types.<br />

Provenance: Eric Sexton, with bookplate (sale Christie s New York, 8 April 1981, lot 4)<br />

References: HC 5053; BMC ix 127; G<strong>of</strong>f J293<br />

10,000-15,000<br />

16,200-24,300


73<br />

23efattcto1Bicolao Sermo II<br />

futr;fn qua nudus ftbi fin iilio fuit: vt t<br />

.ipp.t uenrua fimilia bearo tlieolaci Jit<br />

rcrcrfapienaDciqueintatavarictarelan<br />

cto?.<br />

rione.jfuitemgrari<strong>of</strong>egcitcmnic^ptcrqf<br />

tanr-i p<strong>of</strong>uir vanctare virruro: quc It. mo:A rer nobia no lit cognira:tso ramcn eft nora<br />

S3i cm raiita eft v-rieraa in facicb^bominu<br />

no mini fl ranra potclt effe in aiabiia. i qa<br />

brua Hicoiaua maicimecirccflit inoperib-<br />

]?iino ct parrc vtriufqj gcneranri*<br />

2iiccr emcfTcnr tuucnea tame 1110 j: vr &quot;flico<br />

laus nat^ eft princnf vircrur, vnde erat ms<br />

mmonio iuncri no vt Ubidini ocfcruircnng<br />

vtplcj cducanda adocifcruiriu gcncrarec<br />

mifcoic.3ii.aiUud.2iucc,vi. i:ftotcmiferi Sicutcmmiraculunjitinnaruiitate ioBis<br />

cozdco.licutparvcftcrcelc.miic.eft.Jdco<br />

af.non ct iimcntue nmilia ic,<br />

bapri.q&amp;gt;patrimutoloquclarcddidirJiuce<br />

t<br />

i| ;sic iiiiraculu fuit in nanuirarc bri TMc<strong>of</strong><br />

eftinucntDe litnilio illi,<br />

iJ Jai:q&amp;gt; vtricp parenti prinenna ocinccps iin<br />

3nfanihcarione, ptraucnt. Sccudocjpartcgeiiiriquo34<br />

gaicratioiif<br />

&quot;|n<br />

, Bn nobilirate.<br />

Bn cdiicjtiouc.<br />

co:puo.qz ad vbera pcndceiquarra i.fcxt9<br />

fcna ieiunabar.lpoc aiit no fuit a natura.q*<br />

ttktii oibue paruulis idempriugcrctfemg<br />

Jnperfccrionc.<br />

Jin iulhficatione.<br />

vetfrcquctcr.vtOiqf.ti.pbifi. nccacafu^a<br />

tune feria a feria no Difttngiieref.nee a pip<br />

jn clccrione.<br />

n conucrfationf.<br />

p<strong>of</strong>iro,qz we vfum liberi arbitrij non babe<br />

bat.lRcftat ergo g&amp;gt;fuerit en nnglinicrtoo<br />

yn tmigratipnf.<br />

y u ruinularione.<br />

Bn aflumprione.<br />

no.3ob.vtu.&quot;p&amp;gt;aeatu redder babitaculu iu*<br />

fricie tue,i&amp;lt;ecrio cic gre geniri quo ad anif<br />

nia:q mojc yr nar eft btus Tlieola 1<br />

fuit t?a<br />

iraculo^opmotioe. biraeuliifpulTancri.pB,ti.3nquoitvo8eo<br />

rtnrtnpft mn/ fti^ edificaminiinbabiraculijtrimfpijfanefo.<br />

OIJOneil inUCnlS ift3rimccpitfcniircKo.ccf.^m|,3nl?3<br />

ftniito bto nieolao m fancrificarione.Ziiet bitationc fancta co:a ipfo ininiftraui./l6a&amp;lt;<br />

em in vtero nutria fanctifiear no ftjcrit ta gnii miraculii fuit ioBes q&amp;gt; baprifta (jnque<br />

me mot naruo fcnie fuir. Jujcta illud pfaf, nio Jefertu p^ichr. i iciunare S&amp;gt;} cegit. ma<br />

1<br />

piie pzeucnilh eu in bndierionib ouleedi iuo miraculn c q&amp;gt; Tlico.niot nar eame fuaj<br />

nio Jnrelligcnduiqi qnattuo: modis ali^ tnomficauit. 3deo.iu|.TRe^.ij.oicir .afFcr<br />

quifanaificat. pnmoinvreromatri8.fi tevasnouunonvctuftujimirrire inillud<br />

cut ?obaneo baprifta. iuce, i. firp<strong>of</strong>ancro fal. t (Suarro pane modi generandi:4a<br />

replebifadbucc.t vtero matris.^tpi.Jn gmeratU8eftp.To:arione.Su:uremyfaae<br />

re c<strong>of</strong>innaruo fum ex vrero ocvctrc rnatrio per ojationcj ab:abe genirus eft.vt Oicirur<br />

mcel iSccudo name ex vrcro: ficut TMw tSentf. jt^ t ncut famucl per ozarionem<br />

Iau8:qiptiluncri gratia ab vberib- marris anne.vtpatct.i. lReg i,@ieparenree beart<br />

obftincbat.p6.&amp;lt;5p:8 mea ab vbcrib 1<br />

mfis Tlicolai Deum e|co:aucrunr.vt film eis eow<br />

mee. r 2cmo in uuicrutejficut /lOarniv1 : 4 ccdcrcr.qucm non tantu oinirianim.fed eri<br />

in fua iuucnrute oco feruire ccpir,pe,opc8 an j mo:um babcrent beredem.i. lRegu5,i.<br />

mea one a iuucrute meal tJuarto in fene? p:o pucro ifto oiaui:^ oedic mibi Oomiiv*<br />

ctute:ncut larro in cruce: Dices. ilDcmenro peritioneincam ic.<br />

meioneoumvcncrisinregnutuu.tjtpus IrTV-j- . .<br />

rancnficaneenDijarramenDieotibiibodie fl^CltlOltOn ClUltDCHtUS<br />

mccu erie in paradifo. vr Dicif /Iftar. jrppij. ftmlife bearo Ilicolao in llobairarione.Pm<br />

JTafe autenj cum no p<strong>of</strong>fit De fum meriris enim iSrego.-najajenntnobiliraa eft qua*<br />

coimdcrenep:oiicurura o&amp;lt;i mifcricozdia droplet. i^zinwcaufarureic camis ppa&amp;lt;<br />

tebct owre.pfal.lk^iicua me in rempoze garione, fcihcet cum quis cr uobilibus P3#<br />

fenecrurisicuni ocfccciit virrua mca-ne Oc* renribua nafcirur.I3Mdcemardu8 in cpi<br />

relmquaa me. Jn feamdo mode fancri^ ft (a ad magiftnim /Sualrcru* oc cclioma<br />

fteatioms non iu2wua fimilw ^eato te Oiarfk./3enua darum.cozpiis aperru5,<br />

Ilicolao. fozma cuidene: ingenium veloj: erudition<br />

iCX^/W&amp;lt;/4/\ M&amp;lt;s/9/\f&amp;lt;^ /^A. nia vriliraa.ermozum f?oneftaa.glozi<strong>of</strong><br />

CCUClO mOdO !|0 eft m* w&m tm. V ^ iDwc mtcm no<br />

73 Leonardus de Utino. Sermones de sanctis. Lyon: Johannes Trechsel, 14 March 1495/96<br />

4 (199 x 137mm.), 222 leaves, double column, 53 lines and headline, Gothic letter,<br />

printer s woodcut device at the end, first 6-line initial supplied in red on a green and<br />

brown panel, 3-line initials and paragraph-marks supplied in red and blue, some<br />

underlining in red, contemporary blind-stamped pigskin over unbevelled wooden boards,<br />

two clasps and catches, a few early manuscript notes in margins, slight worming <strong>of</strong>fore-<br />

margins <strong>of</strong>first and last few leaves (with very slight loss <strong>of</strong>printer s device), occasional light<br />

staining, one clasp renewed<br />

References: HC * 161 38; BMC viii 298; G<strong>of</strong>f LI 64<br />

2,000-3,000<br />

3,250-4,850<br />

155


156<br />

74<br />

fl^folotttc 9 ^rido(cie0SibiIIa BrfgibalRcfnfearD


74<br />

74 Lichtenberger, Johannes. Prognosticatio latina. Mainz: [Jacob Meydenbach], 8 June 1492<br />

Chancery 2 (254 x 196mm.), 36 leaves, 45 lines, Gothic letter, 9- and 1 1-line woodcut<br />

initials, 43 large woodcuts (3 full-page), sixteenth-century German vellum, decorative<br />

borders and central arabesque stamped in black, some small wormholes in text at the<br />

beginning and end<br />

Second Latin edition published in Germany. Johannes Lichtenberger, a hermit named<br />

after the Clairmont region <strong>of</strong> Alsace where he lived, was astrologer to Emperor Frederick<br />

III. His prognostications relate to the years 1490 to 1567 and were calculated upon the<br />

conjunction <strong>of</strong> the planets on 25 November 1484. They were first printed in Latin<br />

probably at Heidelberg by the Printer <strong>of</strong> the Vocabularius , after 1 April 1488 (G<strong>of</strong>f<br />

L204; BMC and Schreiber both assigned this edition to the Ulm press <strong>of</strong>Johann Zainer).<br />

Italian and German translations were also printed in the fifteenth century, and the life <strong>of</strong><br />

the text continued well into the next.<br />

The striking series <strong>of</strong> woodcuts was first used in the earlier Latin edition (there with a<br />

further two cuts not used here), and was then reused for Meydenbach s German edition<br />

printed barely a month after the present book (ISTC il00205500). The first image depicts<br />

Ptolemy, Aristotle, the Sybil, St Bridget and Ramon Lull, the five people who were the<br />

inspiration for Lichtenberger s work. The cut on A4 verso shows the author kneeling<br />

before God and below, on A5 recto, line 1 1 , is Lichtenberger named.<br />

This is the second book printed by Meydenbach, the first being his Hortus sanitatis dated<br />

23 June 1491.<br />

Provenance: Anton Schiller?, Convent <strong>of</strong> the Blessed Virgin, Vienna, with inscription on<br />

title-page<br />

References: H * 10082; G<strong>of</strong>fL205; Schreiber 4500; Schramm xv 7; Klebs 606.6; Fairfax<br />

Murray 239; Zinner 476<br />

20,000-30,000<br />

32,300-48,500<br />

157


158<br />

75 Margarita davitica, seu expositio psalmorum. Augsburg: Giinther Zainer, [c. 1475-76]<br />

Chancery 2 (297 x 208mm.), 124 leaves, 35 lines and headline, Gothic letter, 19-line<br />

woodcut knotwork initial in margin <strong>of</strong> fol. i verso, 12-line Maiblumen initial (partly<br />

coloured in red) with floral extensions forming woodcut in inner margin <strong>of</strong> fol. ii recto,<br />

3-line outline woodcut initials, contemporary wooden boards, modern cloth bo\,fos. ii<br />

and viiii suppliedfrom another copy, a few small wormholes in text <strong>of</strong>firstfew leaves, several<br />

small wormtracks in margins throughout, repairs in upper margin <strong>of</strong> last two leaves with<br />

partial loss <strong>of</strong>afew letters in each case, afew other small repairs in margins, rebacked with<br />

modern pigskin, lacking one clasp and catch<br />

First edition. This compilation <strong>of</strong> pearls from the Psalms are largely based on the great<br />

commentaries <strong>of</strong> St. Ambrose, St. Augustine and Cassiodorus. The Psalms have always<br />

been the focus <strong>of</strong> a personal approach to religion, and from early Christian times onwards<br />

have served as a source <strong>of</strong> devotion and piety. Said to have been written by King David,<br />

king, priest, poet and musician, generally depicted with his harp in Home, through divine<br />

inspiration, the Fathers <strong>of</strong> the Church, as well as later commentators, interpreted them<br />

more mystico. The fact that throughout the Middle Ages (and to this day) they were sung<br />

as the poetry <strong>of</strong> the church on a daily basis, and the fact that music and metre were by<br />

some viewed as divine emanations, was again recognised as <strong>of</strong> great importance by<br />

Renaissance Neoplatonists (see C.V. Palisca Humanism in Italian Renaissance musical<br />

thought, New haven & London: Yale UP., 1985)<br />

This book, the only recorded edition <strong>of</strong> this anonymous, popular explanation <strong>of</strong> the<br />

Psalms, was listed in Zainer s second advertisement <strong>of</strong> c. 1476.<br />

Provenance: Henricus, Nicolaus and Leo de Alberg, nobiles, <strong>of</strong> Galen, near Regensburg,<br />

with inscription dated 1521; Jorge Beristayn, with bookplate<br />

References: HC * 10754; BMC ii 323; G<strong>of</strong>f M262; Christ, Plato, Hermes Trismegistus<br />

(1990) no. 141<br />

10,000-15,000<br />

16,200-24,300


75<br />

(iJInapiunt tituit pfalmo;<br />

turn ct cvp<strong>of</strong>mo ereum<br />

minuet Fuit atcba n<br />

facrtficiu alttahc.&amp;lt;3cfi-jcjcq.<br />

mari8mb2i.jcp jciitj.(TVel j&amp;gt;<br />

Iftophea a eft<br />

infpimtiD DI<br />

inn a q cuet2<br />

trru^imobili<br />

xentate : pec<br />

fa eta : xel pec<br />

Dicta pzonu<br />

aute mobie*<br />

bee gra&ata<br />

Dracoes bo.<br />

natiui<br />

tareS Vt efau i iacob-4 futuui fignift<br />

cabat*gcn-jqct&amp;gt;(r Vcl p locfntes angtro<br />

ioquit :7 alps.CTVfg vifioes fie pfaie<br />

^fa*x) . et e^chicli Cjfd5 *v^ ortts.fVf<br />

p fomnia*!<br />

(f0auic aut nlfo bo^ifco ccicfli infpi<br />

ocoe into etocbo-fpu in CD loqucntc IE<br />

IccuBC.Hn UhzD rt-Qil &!tcd: cfcfpuB<br />

^^ _-_ V<br />

?i DaiuD in fpiatu vcrat cum oiinv<br />

Films cm 8 cf<br />

quornoco<br />

159


160<br />

76<br />

Q.VARTVS<br />

msciusqu.tlrbrtnitcntioisdcrpulfiocftzqu.iiiurnticiiclfpulfio no<br />

e :a nee coilitutio dhncc pars colbtutiois.J te partial lar is abdjca<br />

tiua pot hoc mocoumi.Si.n.quoddi aial ho no eft. Quodda non<br />

hoaialeit.Et i haccouer6cobt&amp;gt;uadu e:ubi no eft nego:cu dircdto<br />

.pponim ibrfitdu coucmm .Hacuicifliscoucrf ocifcipiLtduo^i<br />

lo-ja.-qu.T ilia prim j no muucrlalc<br />

recipiebat.Solu abdicanuu; no<br />

ah.i<br />

n.ipir.uocec<br />

iecuda.<br />

crgod]cedicauiaillaprimac6urrfio:hac<br />

1 1 ic ant inter<br />

proloqa qucmadmodu & a llc^la ( mt : hoc mo manife<br />

De ftiusapparcbit.<br />

afiedbs inter (e.<br />

Quatuor lincifquadrata formula c.vpnmaf :inprimo jgulo iu<br />

periorislinej:fcribat untueriaIisdedicatiua:6sialiociufdemai)gU<br />

lo uniucrlalisabdicatma.Ite; infra ad primu angulum infenons h<br />

nca particularis dcdicatiua:ad angulu reliquu pamcularis abdica<br />

tiua. DcindeducanturanguIaresliiKM.-&abuniuer(ali dedicatiua<br />

ad particularc;abJ!catmi:5;abuniucrlali atJicatiuaad pamcula<br />

remdcdicatiuam.<br />

&amp;lt;s&amp;gt; -<br />

Vniurrfalis dedicatiua<br />

Uis uoluptas bonum cit<br />

Vniaerlalis abJicatiua .<br />

Ois uoluptas bonu no &amp;lt;<br />

atticularis dedicatiua. Particulansabdicatma<br />

qujda uoluptis bonu e;quadt uoluptas bonu nc {ft<br />

76 Martianus Capella. De nuptiis Philologiae et Mercurii de grammatica (edited by<br />

Franciscus Vi tails Bodianus). Vicenza: Henricus de Sancto Ursio, Zenus, 16 December 1499<br />

FIRST EDITION, CHANCERY 2 (302 x 204mm.), 124 leaves, 37 lines and headline, Roman<br />

letter, 3-, 4-, 5-, 7- and 8-line initials with printed guide-letters, printer s woodcut device<br />

at the end, one diagram on g6 recto, eighteenth-century vellum, occasional early<br />

manuscript notes in margins, a few small wormholes in text <strong>of</strong>first and last few leaves,<br />

slightly more extensive worming in some margins, some light staining mostly in margins, spine<br />

slightly wormed<br />

Martianus Capella (fl. 5th century AD) was a native <strong>of</strong> North Africa and an advocate at<br />

Carthage. His encyclopedia <strong>of</strong> the liberal arts, written in the form <strong>of</strong> an allegory in prose<br />

and verse, was widely used in the Middle Ages. It is composed <strong>of</strong> nine books, the first two<br />

<strong>of</strong> which are entitled De nuptiis Philologiae et Mercurii and recount how Mercury gives his<br />

bride, who is made divine, seven maidens each representing one <strong>of</strong> the liberal arts. The<br />

seven remaining books then contain the declamations by each <strong>of</strong> the maidens on each <strong>of</strong><br />

these arts. The seventh book relates to arithmetic, the eighth to astronomy and the ninth<br />

to music.<br />

The earliest book to contain the name <strong>of</strong> Henricus de Sancto Ursio is an edition <strong>of</strong><br />

Juvenal dated 1480; he continued to print until 1507.<br />

Provenance: L.S.F.C.S.D.M.H.M.F, initials inscribed on title-page with date 1558<br />

References: H 4370; BMC vii 1048; G<strong>of</strong>f Cl 17; Klebs 668.1; Smith p. 66; Stillwell<br />

(Science) 77<br />

5,000-7,000<br />

8,100-11,300


77<br />

(Pdicecirca<br />

teipfum.4nce-iin/o<br />

^tcut art gregcmue<br />

pJitna parte fn i pafto<br />

__<br />

togifarYonum r ufncra occutacca ne<br />

cwrefieTulnerito Tifceru ; IRimira<br />

pidcturmedicri (pnakj tnulto fubti<br />

IkwejtrtcTcfiMe medico cojgah-q Tt<br />

brnecutct Ttciamiulra pmtiaopne<br />

twbEt-pfcrtitn TtTitn pigmentmum<br />

fpuahum confidera&quot;6-pjuifq3 ccter<strong>of</strong><br />

furaretrfidcret- ciraJquaqj regulae<br />

mcdione cogn<strong>of</strong>cat.Blioquin n artf<br />

fpualiermptue-iinfeipo igncearie<br />

e<strong>of</strong>bfliw vulncnto alioe mederi.jpef<br />

ret . j udirc non immcnro merebirut<br />

tnfdicecura teipfuj -f agna quifpc<br />

ftulticia eft vt idem ait (Frrg.fuliqe<br />

alioe medenjperafcqm i if* in facie<br />

Tii!nuepi:tJt.&amp;lt;5:tmanrna plane w<br />

itientu eft vt inqtnt in paftotali cap.<br />

i]. T&amp;gt;um bi qut ncqttaqg pccpra fpua<br />

lu fcxTnouerunt-cojdieff mrdkog<br />

.pfften non metuut-Pii qui pignicn &amp;gt;<br />

torn rim ncfciu n t-nderi media ran<br />

nw non eruhrfhit,8^cctc igifcuilibrt<br />

igitur mcdicoeco?dium afpdlanrad<br />

ffens me! me con uelii t:&amp;lt;p curatcnce<br />

fi jrtifqii i to ille t trjaurus? eft rradir&quot;.<br />

p quo non parcet tru0pf.qui ff&amp;gt;no<br />

filio Too non (xpmtt-vt tnafad 9^o.<br />

nq.Ciuib) rtiaj ilk vulnera tuo qui<br />

modi t in btronee cuiandue fo ucn ;<br />

dufcg a famantano relutue cft.l uc-rniniiq;<br />

cni ipfo? oidf:cutam illi&quot;<br />

bate.&amp;lt;t rutfue tma p jpfrtam.iCu<br />

ftodiTitutfhjm.quuf!lapfu(?fiicnt<br />

arnma tuaerttproanima ipiue.pe;<br />

to tme p cycbielej.iit.i.ttnii.cap.coi<br />

m mafcui! ibrt tnraton vum&-J@5m<br />

gume eiiw tc nijnu n requtra-q-o-<br />

.<br />

quia rita 7mr;e fubdifcnl p<strong>of</strong>ita efl<br />

mTnanu0platojum.Tndeoiaf.3u*<br />

prtt-nr) . (Jrnrbiepmdit anirnail;<br />

loju- fli&amp;gt;ac itaqj fcntentia OHIO n 1 1 us<br />

quifqj pjdatop : rector pcnfct pen*<br />

culum fill rcgimmio. T jnem Vxtrit<br />

natrKBTnfcatfpualie curanome.qua<br />

tin in fc ignoran tic curare p<strong>of</strong>lit TU!<br />

ncra.-: in fubditot co?dito p Jina to*<br />

ctnnamifalubx^prriam fciatfana*<br />

re con tJITU tclietosum-lRc quod ab<br />

fit rum fanandi regular ndna t .-7 ad<br />

fanandn comiffoe uibdiroe fcfimer:<br />

. lufrcfibiobinaudiatcr cifdrmCTc;<br />

Mce curj tnpm ff^cctc namqjplato<br />

ignozanti waf.rr jstue in fefumno<br />

tern aitem curandi fpnaliuj morlup<br />

bJtrat cp rmp!j(;al laruiiitieTulnr;<br />

ribui? jdbitrat -l^am Tt ait (Eregoin<br />

rrgiftro tcrccundn efi ivum pa)<br />

tet-gi facctdotee tmeafti arnp; un t.ij<br />

crozdium religiotf rue non none*<br />

njnt.&Kjin qbufda cat tr 1 icio mvfte/<br />

Ttj0igno?antia rokranda foxtro cp<br />

in plenfcp meliue efi ncpbarc an<br />

&amp;lt;$<br />

rare ^nqbufdj ena mrtj aug&quot;.in lu<br />

te xtrtne Pm.mclius eft fidelicigno)<br />

rantia^g temerana <strong>of</strong>amtia. 3ln co<br />

defiafncie tn Tninifterijaosdinandia<br />

Pifponcrdifcg omnmo fcamnabilie i<br />

&quot;Bit quitoeft illud xrrbn aptiLad /Co<br />

nnf-ruii- gx quie ant ignozat igno&amp;gt;<br />

rabmr . iC:di m&amp;gt;? rarrq? ignorantu<br />

qucni1clino:dineiiuifqd agenduj<br />

eft in ecclcfia co n rurba t negonomm<br />

na tur.ifc:mamcg men to?u m .Iflam<br />

ffatohe racntiniuria^trl contraire<br />

non eft intelligere fed crrare. Tt mqt<br />

Smteo.fuQ trari immaoilati . ItMnc<br />

d}Q&amp;gt;T)n0requRitferun pnidentem<br />

qticconfhtuit fupcr familiam fuam<br />

07atb-rrun!. Pidentem t<strong>Mr</strong>rnvrt<br />

that quo o:d in c -ciio fen fu- a uo mot<br />

tf.q no fin c qu icqd gcren dii fit-S I io<br />

qum fi cecuc ceco oucatum pzefkt:<br />

I<br />

77 Nicolaus de Blony. Tractatus sacerdotalis de sacramentio. [Strass burg: Johannes PrussJ, 21<br />

October i486<br />

Chancery 2 (261 x 193mm.), 76 leaves, double column, 45 lines and headline, Gothic<br />

letter, one 5-line initial supplied in blue, 3-line initials in red, eighteenth-century<br />

speckled calf, light damp-staining in first 9 leaves, a few other light damp-stains in margins, a<br />

few small wormholes in text <strong>of</strong>firstfew leaves, an early ownership inscription on title pasted<br />

Second edition, scarce. Nicolaus de Blony (fl. 1434-1438) was chaplain to the Bishop <strong>of</strong><br />

Posen, Poland, and this work was first printed in Breslau c. 1475 (G<strong>of</strong>f N80).<br />

Polain assigned this edition to the Basel press <strong>of</strong> Michael Wenssler, and erroneously<br />

described it as containing 78 leaves.<br />

Provenance: B.F. Bisping paroccie Harsewinkelensium sacellanus , with inscription dated<br />

23 April 1801<br />

References: HC 3250; G<strong>of</strong>f N81; BSB-Ink N-85; Polain(B) 2809; IGI 6798; Gates 207<br />

1,000-1,500<br />

1,600-2,450<br />

161


162<br />

78<br />

PVBLII OVIDII NASONIS META<br />

MORPHOSEOS LIBER PRIMVS.<br />

N NOVA PERT AN IMVS<br />

mutatas dicere formas<br />

C orpora. du coeptis(nam<br />

uos mutaftis & illas)<br />

A fpirate meis:pnmaq?<br />

ab engine mundi<br />

A d mea perpetuum deducite<br />

tempora carmen.<br />

A nte mare& terras :5t<br />

quod <strong>of</strong>a carlu<br />

tegit<br />

V nus erat toto naturx uultus in orbe:<br />

Q_ uem dixere chaos :rudis indigeftaqj moles*<br />

N ec nifi<br />

quicq pondus mers<br />

:congeftaq; eodem<br />

N on bene lundiarum dtfcordia femina rerum.<br />

N ullus adhuc mundo prxbebat lumina titan*<br />

N ec noua crefcendo<br />

reparabatcornuaphoebe.<br />

N ec arcunfufo<br />

pendebat in aere tellus<br />

P ondenbus librata fuis.nec brachia<br />

longo<br />

M argme terrarum<br />

porrexerat amphitrite,<br />

Q_uac]j erat& tellus ullic dC pontus & aer.<br />

S ic erat inftabdis tellus : mnabdis unda:<br />

L ucis egensaer.nullifua forma manebat.<br />

bflabatqj alus aliud:quia corpore in uno<br />

F ngidapugnabantcalidis.-humentia ficcis:<br />

M o]hacumduris:fme pondere habenria 4 pondus<br />

H anc deus : & melior litem natura diremit:<br />

N am cxlo terras :& terns abfadit undas:<br />

E t<br />

liquidum fpiffo fecreuit ab aere crlum:<br />

Q_ ux p<strong>of</strong>tq euoluittcxcoqj exemit aceruo:<br />

D ilToaata loas concordi<br />

pace ligauit.<br />

1 gnea conuexi uis & fine pondere cell<br />

i micuit: fummaqj locum fibi legit in arcc,<br />

y roximuseftaerilli leuitate:locoqj.<br />

D enfiorhis tellus:elementaq? grandia traxit:<br />

i t preila eft grauitate fua.drcunfluus humor<br />

V ltim.ap<strong>of</strong>Tedit:folidumq3 coercuitorbem<br />

S ic ubi difp<strong>of</strong>itam quifquis futt die deorum<br />

-<br />

ongenem fecuit:feclamqj in membra 5<br />

redegitt<br />

nncipioterram:nenona:qualisabomm<br />

3<br />

arte<br />

foret:magm fpeciem glomerauit in orbis ,


78 Ovidius Naso, Publius. Opera (edited by Johannes Calphurnius). [Venice]: Jacobus<br />

Rubeus, [before December] 1474<br />

Median 2 (331 x 225mm.), 412 leaves, 43 lines, Roman letter, first 10-line initial<br />

supplied in maroon on gilt panel with floral border extension in gilt and gold, blue, red<br />

and green paint, 4-, 6- and 7-line initials supplied in red and blue with reserved white<br />

decoration, with penwork infill and extensions in black and red, one initial historiated<br />

with a monster, 2-line Lombard initials and paragraph-marks alternately red and blue, red<br />

headlines and capitals with yellow wash, modern tan morocco by Zaehnsdorf, edges gilt<br />

from an earlier binding, a contemporary manuscript index on front flyleaf, the first leaf<br />

hinged,<br />

occasional stains<br />

Third edition. The first two editions were printed in 1471, by Azoguidus in Bologna<br />

(G<strong>of</strong>f O126), and by Sweynheym and Pannartz in Rome (G<strong>of</strong>f O127), with slightly<br />

different respective contents. The present edition is apparently reprinted from the<br />

Bologna edition. Its Vita Ovidii, though left anonymous, is that supplied by Franciscus<br />

Puteolanus (d. 1490) for the Bologna book, and the remaining contents are identical,<br />

though in a different order. Puteolanus wrote <strong>of</strong> the Epistola consolatoria ad Liviam (on<br />

the death <strong>of</strong> Drusus, 9 B.C.) as recently discovered . No manuscript <strong>of</strong> it before the mid-<br />

fifteenth century is known; it is generally accepted as authentically ancient, though not by<br />

Ovid. Puteolanus correctly identified the Philomena, Pulex and Nux as not authentic (on<br />

the first, see P. Lehmann, Pseudo-Antike Literatur des Mittelalters, 1927, 3 sqq.).<br />

A terminus within 1474 for this edition is provided by the dogal reckoning: Nicolo<br />

Marcello died on 1 December 1474. Rubeus completed in January 1475 an edition <strong>of</strong><br />

Virgil in the same format (G<strong>of</strong>f V166).<br />

The illumination and rubrication <strong>of</strong> the present copy are Flemish. The Pierpont Morgan<br />

Library s copy was decorated, somewhat more elaborately, in the same shop; closely<br />

similar combinations <strong>of</strong> illumination and rubrication are found in several <strong>of</strong> the<br />

manuscripts collected by Raphael de Mercatellis, humanist abbot <strong>of</strong> St Bavo, Ghent (see<br />

A. Derolez, The Library <strong>of</strong>Raphael de Mercatellis, 1979, especially no. 10, acquired by<br />

Mercatellis in 1479). A portion <strong>of</strong> Rubeus s edition must have been marketed in Flanders,<br />

presumably via Bruges, aimed at a more or less de luxe market. In Heroides II (Phyllis)<br />

the missing lines 18-19 (attested before the printed tradition only in a Giessen<br />

manuscript) are supplied by an early hand, signed A. Tournes (?).<br />

Provenance: Earls <strong>of</strong> Sunderland (sale in our rooms, iv, 6 November 1882, lot 91 1 1);<br />

William Morris, with the Kelmscott House bookplate; Richard Bennet (by en bloc<br />

purchase <strong>of</strong> Morris s library, then sold by him in our rooms, 5 December 1898, lot 923);<br />

C.S. Ascherson, with bookplate and note that he commissioned the present binding;<br />

H.R. Creswick, with bookplate (sale in our rooms, 27 April 1982, lot 473); George<br />

Abrams, with bookplate (sale in our rooms, 16 November 1989, lot 91)<br />

References: HC 12138; BMC v 214; G<strong>of</strong>f 128<br />

100,000-150,000<br />

162,000-243,000<br />

163


164<br />

79<br />

CASTITATIS


79 Petrarca, Francesco. Trionfi e canzonieri (commentaries by Bernardo Lapini da Siena,<br />

Franciscus Philelphus and Hieronymus Squarzaficus; revised by Gabriel Bruno and<br />

Girolamo Centone). Venice: Bartholomaeus de Zanis, 1 1 July-30 August 1497<br />

2 parts in one volume, Super-Chancery 2 (316 x 216mm.), 135 leaves (<strong>of</strong> 136, without<br />

initial blank leaf) and 97 leaves (<strong>of</strong> 98, without final blank leaf), 62 lines <strong>of</strong> commentary<br />

and headline, Roman letter, 4-, 6- and 9-line white-on-black woodcut initials, 3-line<br />

initial spaces with printed guides, 6 full-page woodcuts within woodcut borders, Italian(?)<br />

red morocco <strong>of</strong> c. 1700, crudely gilt with small rosettes and fleurs-de-lys, two scallop<br />

clasps and catches, modern cloth box, a few early manuscript notes and underlining in<br />

text, a few small wormholes in text <strong>of</strong>first and last few leaves (one small hole running through<br />

text), some light staining, recased and rehacked retaining original spine<br />

The six full-page woodcuts <strong>of</strong> the triumphs <strong>of</strong> Love, Chastity, Death, Fame, Time and<br />

Eternity were first used in the edition printed by Giovanni Capcasa at Venice between 12<br />

January 1492/93 and 28 March 1493 (G<strong>of</strong>f P388). They are copies <strong>of</strong> the blocks used for<br />

the 1490 edition printed by Petrus de Plasiis Cremonensis on 22 April 1490 (G<strong>of</strong>f P386).<br />

In this copy, as in that in the British Library, the inner forme <strong>of</strong> sheet aa3.6 was mis-<br />

imposed, with pages 6r.3v instead <strong>of</strong> 3v.6r.<br />

References: HC * 12776; BMC v 433; G<strong>of</strong>f P392; Essling 81; Sander 5606<br />

6,000-10,000<br />

9,700-16,200<br />

165


80<br />

&amp;gt;<br />

jpfioWcfcnllfftB<br />

Uquib<br />

fct xittute coti<br />

^ tn ftbuU0 ftoit (<strong>Mr</strong>o |r CjCOraw^tc aquam<br />

po^ubt jbtia a a&quot;riuo/magifl bif<br />

ripulo fricntta/ ccnfrplaautio ab<br />

actiuo/ab arcfyibpaeono picful/fpt<br />

nturtlwr a arua j.fa<strong>Mr</strong>tuOf aptttatn<br />

K Fa.JiniSab-cj latn/ttfitrau qui<br />

tc-n t)ui? 0319 tit me f tunt <strong>of</strong>f ft<br />

fu<strong>of</strong>a fccuatio ^Jcb fiait p opljrts<br />

wnrmarat/tiirrc? noti l;abct pattu<br />

Rcnff{t&amp;gt;io quite quob polTtloCt ft d<br />

tea UnMttj fnatltatia fujpenbatuc<br />

affectuff Ooa<strong>of</strong> fetmcn rjcubewna&quot;^<br />

omtmulattt ac acruratxi tx)!untaor<br />

meu fujplcat mip^t ftctu-utac itaq|<br />

Dice oo a j quc obtufa cfl % tarncn<br />

fferw aaiit* t tit ivrbo fapicntiff<br />

ininuo fapieng l&amp;gt;fcac/qu jt&amp;gt; fine fie<br />

tione bibid* ixflre fine tuibta comit<br />

tc fpt nnt meo pzop^c^tnor/rfb ra<br />

quc pzcfirrs tmrt.itua f jcpDfut fdc<br />

toiti pactu aurtccimtt conficmano<br />

(T)icae cnt coUcgt que ccatrtuc tc<br />

tnenfa tomi-io;*, mcozO^et cu wtlj<br />

tnovibsbtt ut agto boo;fpiaac a<br />

abunaiti que man? euafcatnt mcf<br />

fo K H forte ut f,m ejt; aifjiotic inuc<br />

ma tut menfiica cp^itc qua tn ml<br />

ic p!atiorti!7* prints anttff a bfto<br />

confHttc (ibi pancm tonfiaat lacn<br />

matum<br />

it ut cut? aife twnue:<br />

roictt txmct ab faacta<br />

fern ^ [c c(lcntntiUt* p?t quob ttel<br />

ligttn^ic^ pcrtats wn(^j]fio tKpa<br />

nato pec If pzarn ft)4cntQ r(l facee<br />

koti* Cerium ctum ou^i{li)it cfl<br />

f7cmo bimt fibt oa ulte confioi<br />

ct a^o pcmtcn&am opub ttu- $ji<br />

cnim fufftdcnor c(i if! a cDttfr(|io* re<br />

go fit ttuja tn t fiiHt dauro petto<br />

(tuftca e narn bictum c{l * &amp;lt;2uoba!<br />

qp folucaa fup?c itcoam rat folti tii<br />

in &amp;lt;z ccb& Omnia fan* in a|r|fioe<br />

louaturvBt fiait roitr cabitut ob<br />

t fca 021? anifrfjio fit ab fa<br />

)a0n&amp;lt;* c(l wnfcflionior Die<br />

ttto quia ficuc bcotuo ombi<strong>of</strong>tuec<br />

ui Ubzo tv fxtmbpfo fcabit* Cojtf<br />

fio iau t animom* (onfrffio ajxwfc<br />

puabpfu/lpc r ft ff ^o po[l liouftngi<br />

urn tabula / bapbfmuj^ *-t pinittn<br />

fca ^)cu<strong>of</strong>cj (otifc||io r{<br />

to txtlife fewfoner 32tn<br />

fcngttia ttf^ ab btmftoncm amme<br />

ac fpin(uoT rtl^annfno h: mfbul<br />

lia antnic^ncpalfa affedua^J&i<br />

cut auft g iMgrattubtitcm pccrafcl<br />

Wttunt/ fie fXt ronfvjTioncm cp?m<br />

Ubzo fcc prmt;ntiaputm c(I reebcts<br />

aim in q&amp;gt; Ipminr gratia tvi* mala<br />

tcjlm.wtit pzuna amuncMt bona<br />

ct cum tv{lni]cct q^ non ccat* futi<br />

onu &amp;gt;7 fbuet q^ ifi plan hi<br />

trcr funtnmetum pentfttitic ab ope<br />

cburt mtK^ute Opgca moztua futtC<br />

:<br />

q&amp;lt;ic fcamucr


80 Petrus Blesensis. Epistolae. [Brussels: Fratres vitae communis, c. 1480]<br />

FIRST EDITION, Chancery 2 (289 x 212mm.), 207 leaves (<strong>of</strong> 208, without initial blank<br />

leaf), double column, 40 lines, Gothic letter, 2-, 3- and 7-line initial<br />

spaces, initials and<br />

paragraph-marks in red and blue, underlining in red, initial-strokes in yellow, modern<br />

calf, note by the rubricator dated i486 at the end, early manuscript notes in red in<br />

margins, modern calf, new endpapers, note in red chalk on verso <strong>of</strong> final leaf Epistole<br />

Blesensis , slight worming in inner margin <strong>of</strong>firstfew leaves<br />

Peter <strong>of</strong> Blois (c. 1 130-c. 1203), statesman and theologian, came to England from his<br />

native France and became Henry II s chief counsellor. In 1 176 he was appointed<br />

chancellor to the Archbishop <strong>of</strong> Canterbury and Archdeacon <strong>of</strong> Bath, and in 1 177 and<br />

1 187 was sent on diplomatic missions to the popes. After the death <strong>of</strong> Henry II in 1 189<br />

he entered the service <strong>of</strong> Eleanor <strong>of</strong> Aquitaine, to whom he was secretary from 1 190-1 195<br />

and was made Archdeacon <strong>of</strong> London.<br />

The Brothers <strong>of</strong> the Common Life at Nazareth Cloister established the first and only<br />

fifteenth-century press in Brussels. Their first book was printed in 1475 and they<br />

produced thirty-five known editions between then and 1485, almost all theological texts.<br />

Their earliest type appears to have been supplied by the prototypographer <strong>of</strong> Louvain,<br />

Johann Veldener.<br />

The type <strong>of</strong> the present edition (l a :100B) was in use between 1476 and 1481. The<br />

present copy bears a rubricate r s date <strong>of</strong> i486.<br />

Provenance: Benedictines <strong>of</strong> Hasnon, near Valenciennes, with rubricator s inscription<br />

dated i486; William Hutchinson, <strong>of</strong> Eggleston, with bookplate<br />

References: HC (+Add) 3240; BMC ix 174; G<strong>of</strong>f P456<br />

80<br />

20,000-30,000<br />

32,300-48,500<br />

blrfcnfio Utttjom<strong>of</strong>ig<br />

; *<br />

-<br />

tf&quot; V<br />

&quot;<br />

167


168<br />

81<br />

jlncipit p:dogus cplarie.<br />

pn ac DO/<br />

mio fuo giulbdmo.<br />

Dei gratia fenonenfi<br />

arcbiepo. ^etr? fen<br />

uusdwifti pzefbyter<br />

trecenfis.3ttambcv<br />

nam7ejritumbeatw\<br />

ti labcv<br />

rin fuit mltano petmo iociojL (Bui cii bifto<br />

namfocrefcnpturemfcrie^gl<strong>of</strong>isDtffufaj<br />

Iccnra ivn : b.vue mm 10 ? m ctp<strong>of</strong>ita 5<br />

opus<br />

aggrcDi mecopulcrunt aO quoDp2O ucrit*<br />

tebi^iec<strong>of</strong>equenDarecurrercnt-.^nquo<br />

lie amm- ? ftilo imgauir.pt a Dietispatrii no<br />

incboans . nuulu biftoncu ; DC<br />

afcenfioncfaiuat02is;pclag^myftcri02um<br />

L<br />

pcniio:ib &amp;gt;c!inqucns.mquibii0prilta :t e<br />

netempopmfcrui-.inftamuuliquifec^aU<br />

ueumDiuertJcu!aqueinuencritrepIcs.p2ei<br />

terflueretft no ceffar. T^eruntamen q2 ftilo<br />

ruDiopusclilima-.pobispatcrtnditelima<br />

rcfcruauhPtbuicogi<br />

&amp;lt;<br />

Deo polete zco2rectio<br />

p:ftra rplenD02e.7aucro2itas pbcatpbenni<br />

tate.lJber otnta bnoictus De^;<br />

.Uncipitbiftozia fcdaftica rtxolo<br />

Ditonu pelconfiftoziu in quo mra Oecernit<br />

^ cenaculurquocibariaciftribuit.tbalamu<br />

vnt<br />

lterquumpcratpeti07mari.munDubunc<br />

anima cum fq? fponfa ,C?acr a fcptura ba bj<br />

p:o cenaculo.m qua fie fuos mcb:iat. vt (o<br />

Dei cu c<strong>of</strong>enfuao ellin facra fcptura iDipm<br />

Dicif paterfamilias, (rfnmcraeftfebhfq<br />

cCenaeuli b? tres fii t Durat tan t li p Diem<br />

partes.fiiDamentu;<br />

n j.funDamcnttim c<br />

cum B tree funtfpca-<br />

Ieg02tapa2iesfuper<br />

mmtcnsqucpcrfa*^<br />

cnim aliuo Return<br />

ftgurat. clropoloi<br />

gia Doma culniuu<br />

fuperp<strong>of</strong>uumquep.<br />

ID quoD factum eft<br />

quiDanobisfttfaei<br />

PcPicmo:ifqnafcit<br />

cmmchalcDariabi.<br />

fto2ia.qirnomcnfe<br />

ftgne.i<br />

faetue<br />

qorcpaefactucim<br />

fis.lbac filituoie cfi<br />

fimeraepifcisqmo*<br />

nfeoOeDieqnafcifr<br />

ma plamoxi5cOa acu02.^cn ia fuauio?.<br />

*2Gumitur allcgo2ia<br />

^IfunDamet<strong>of</strong>ume quanDoq;apfona:<br />

muspncipiuloquei<br />

Damentipnctpioxo requcnoeftpfonaj<br />

iuuanteo. otm p^ni pt perucjc occif^ bui.<br />

ccpscftcrp ncipui. manttatem paffam<br />

fignificat^(berfona<br />

em eft inoiuiouaronabilis nature fubfta&amp;lt;<br />

tiactfjfiqj a numerc\pt apcbenOent fepte<br />

mulieres pini pnH.2c.ufeptc Dona gratia::.<br />

gapeftrabiemepelfabbato.Linrefriacra;<br />

IieaDauiD.iDe.interfectioOiaboliacb.MRo<br />

clropologiaeftfermoeonucrfmus.pertu<br />

&quot;Nwaqoe ptmetaOecdeftam midtame<br />

3nasogeaOtnupba.ite,.aoommn.tatc.<br />

5equif tabula in biftonajOe<br />

_J T.


81<br />

/ &quot;;<br />

/<br />

I 81 Petrus Comestor. Historia scholastica. Strassburg: [Printer <strong>of</strong> the 1483 Jordanus de<br />

l-ci t Quedlinburg (GeorgHusner), after 24 February 1485]<br />

Chancery 2 (298 x 207mm.), 231 leaves (<strong>of</strong> 232, without blank leaf A8), double<br />

column, 47 lines and headline, Gothic letter, first initial supplied in pink on green panel<br />

with leafy border-piece in lower margin <strong>of</strong> the page highlighted in gold, other 4-, 9- and<br />

10-line initials alternately in red and blue, paragraph- marks and underlining in red,<br />

initial-strokes in yellow, contemporary (central European?) blind-stamped pigskin over<br />

wooden boards, brass clasp plates, modern cloth box, contemporary manuscript notes<br />

and sketches in margins, clean tear in K6just touching the text, occasional light soiling and<br />

browning, lacking two clasps<br />

Petrus Comestor s twelfth-century schoolbook <strong>of</strong> sacred history, Historia scholastica,<br />

contains much information drawn from rabbinic scholarship. It enjoyed great popularity:<br />

after it was first printed in Strassburg [not after 6 February 1473], printed editions<br />

continued to appear until the 1 540s.<br />

The present copy contains several early sketches in the margins <strong>of</strong> women, women s<br />

heads, animals, the Tower <strong>of</strong> Babel and other subjects.<br />

Provenance: Bartholomaeus <strong>of</strong> Lewnpergk [Lemberg/Lvov?] , with presentation inscription<br />

dated 1581 to; the priest Sebastianus Prachaticaenus; Antonius Augustus Frankowsky,<br />

parish priest <strong>of</strong> Putimy (Bohemia), with ownership inscription dated 1768; Martin<br />

Sch0yen, sale at s Sotheby New York, 1 2 December 1991, lot 33<br />

References: H *5533; BMC i 132; G<strong>of</strong>f P463<br />

15,000-20,000<br />

24,300-32,300<br />

169


170<br />

82<br />

P&amp;gt;:oemm in fcbolaftica b iftcwa<br />

uerendo<br />

paniactmo fu<strong>of</strong>iiuib<br />

be Imo oci gratia ICMO/<br />

ncnfi<br />

arcbicpp.-jbcmjs<br />

fcrtiu s cbzfiti pzefbrter<br />

crccenfis* &quot;0iri boria z<br />

cnrum bcarii .auia fa<br />

fccpti labor; nut tnl las<br />

petftfo fodoQu{ di bilto:ia fcriptu&amp;gt;<br />

(acre<br />

re in fcric 7 gl<strong>of</strong>is oiffufam leoitarcnt b:cuc<br />

nimia etmcjcp<strong>of</strong>iia.opu8aggrcdimcc6pu<br />

Icruntadqd p veritaK btfto.ne cpfcqucnda<br />

recurrerctOn quo fie aninflttlo imRauiMt<br />

a oicrio patru non rcccderctiicj nouiraa fa<br />

nozabiUs firt mulcens aurc0/o:ro a col /<br />

mograpbia mo? ft incboans,riuulu billon*<br />

cumocdujd vfqj ad afccnfionc falnarozi8.pc<br />

lagusmvlkri<strong>of</strong> pcririozitoreunqucnsun q<br />

bus vrilia 7 &quot;<br />

rcrcra^fc^^<br />

ua aidcre licer*<br />

rta p:o rjnonc temp<strong>of</strong> infcruu inftarhuuU<br />

qui fccus alucum Diucrrfcula que uiucncric<br />

ncplcnsrpMerflucre tn no ccflat J3eruiamc<br />

qrlhlo nidi optioclt lima.vobsn pater incU<br />

te UmJ rcfcruauuvt buic operi oco volctect<br />

co;rccrto<br />

rejlra fplcndo:c7aucfo:ita8 pbc*<br />

arpennitarevpxr oia benedict? ocu9<br />

&amp;lt;OnopttbiJto:ia fcbolalWca rbcologfeob<br />

T&quot;3fipcrato:iema<br />

idbria c in palario trcs baberc mi<br />

fionc0audttojtuvclconfifto:iu3i<br />

quo fun oecernit.ccnaailnm in quo a tuna<br />

t&amp;gt;(iMbuiubaUtnu3 in quo qutdcir, 3d buc<br />

modudngato: noitcrqut impcrarvcnnsct<br />

man mundu bunc babct p:o audirono .v tn<br />

ad nut u euie o miria t&amp;gt;ifponunf I Jtui c illttd<br />

jEfaie^Cclut tcrram ego implco.SrtJj boc<br />

t(afOpmiii 9 , mndcpom&amp;lt;ni c terra tplcnf<br />

tudoeuis.animliufti babetpzotbalamo,<br />

quto Oelfcic funt ci (bi quicfccre * efle aij ff/<br />

Iqs bominuSct55 boc <strong>of</strong>af fponfue7 ani&amp;gt;<br />

maoiiufqjfponfa.iBacramfcriptura babet<br />

pro cenaculo^n qua fie faos incb: i.u. vt lo /<br />

b:io8 redd jr. UiJiic.SmbuLuj inni u lnt&amp;gt;o&amp;gt;<br />

mo oei cum con fen lu.id cit in facra fcrtptura<br />

uiipfti fap icnrct3,i3com bone oicirur p -irer-<br />

bums trca ftit par/<br />

tcn.fiind.1 HUTU pa&amp;gt;<br />

ric8.tcctunt2?illoria<br />

nindammtn3 c<br />

an u a trcs jut fpcd<br />

eu.3iinaIi.&quot;KaU :<br />

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daria ffimcra 31<br />

lcgo:ia paries fug<br />

mi! irciiu que per fa<br />

ctum aliud factum<br />

ftgurar* Zropolp<br />

gu ooma cuUnini<br />

fupcrp<strong>of</strong>mi5 qucg<br />

id quod factum eft<br />

quid a nobis fir fact<br />

fftmcra c fcb:fe quc<br />

Ourat tin per oic a ver<br />

me Dieta * qui codem<br />

nie inotuur quo rulcttur25iftozia<br />

annalist<br />

factum* q o g annu i.\/<br />

cnucit. kalcndan.iln<br />

fto:ta que in vno mcfe<br />

facra e.t .rjafi .1 Uq o in<br />

fignc qo in r no nicnfc<br />

factu dl.fftmeraell<br />

qjSrtpcnte factu c,iin<br />

rno oie rcl i gte mcn&amp;gt;<br />

fi925acfifitudineef&amp;gt;<br />

fimera eft pifcis q mo<br />

ni codcoic q nafcif<br />

ma planio: Sc?5a acution ZTcrda fuaufo:,<br />

Sumif allegona qua<br />

3 fiidamfto fume / doqj a perfona.vtjfa<br />

mua p nap nun [o<br />

quendi.tmo ab ipi 9<br />

rondamenri p:ind&amp;gt;<br />

pio.co iuuante qui<br />

omnium pnnccps<br />

dt 7 pancipium,<br />

ac fignificat cbnltum*<br />

Dnandoqj a re q non<br />

e perfona vtrcrucp oc-<br />

cifus bumanifate paf&amp;gt;<br />

fam fignificaf. -f&amp;gt;erfo&amp;gt;<br />

na enun ell indiuidua<br />

rationabif nature Tub<br />

ftanrfa.Ouandocp a numcro.Ttapp:cbedcc<br />

fcptcm muUcrea virum rnum 7c id c leptcj<br />

Dona grariarii.Ouadocpa Ipcovt E mote in<br />

quo ooccbat cbciitus cminctia ^tunitOul /<br />

do&amp;lt;p a tepoze: vt no fu fuga vcllra bvcmevcl<br />

fabbato.idc in rcfrigcrarioe cbaritafis.0ul<br />

a facto: vt iterfecrio fiolie a Dauid, id<br />

doq3<br />

eft inrcrfccrio Ciaboli a cb:ifto Zropologia<br />

eft fcnno conucrfiu^pcmncs ad mo:cs ani /<br />

mitmagt8inouct qjallcgozia queetinet<br />

adccclcfiam miuranrcanagogcadtriupban<br />

tcm,t ad oomini trinitatem*<br />

i] Scquu*tabulamb((lo:(am Scncfia,<br />

crcationc t&amp;gt;c empird cell ? quami o: clemen<br />

ro:iuii. ca.f<br />

Dcpmanamundic<strong>of</strong>uHonc<br />

DeopcrepmcOici<br />

C)copcrcfecundcDici<br />

t&amp;gt;eoperctcrticDid<br />

Dcopcrcquarteoicu<br />

Deopcrcquintctrid*<br />

DcopcrefccteOid<br />

ca.t),<br />

caut?<br />

cav<br />

ca.vj<br />

cavu<br />

cavin<br />

82 Petrus Comestor. Scholastica historia. Stmssburg: [Georg HusnerJ, 15 July 1500<br />

Chancery 2 (255 x 186mm.), 207 leaves (<strong>of</strong> 208, without final blank leaf), double<br />

column, 51 lines and headline, Gothic letter, 3-, 4-, 5-, 7- and 8-line initials supplied in<br />

red, eighteenth-century calf, sides ruled in blind and with fleurons in blind, a few<br />

headlines shaved, rebacked retaining original spine, new endpapers<br />

References: H *5538; BMC i 163; G<strong>of</strong>f P466<br />

4,000-6,000<br />

6,500-9,700<br />

A l


83<br />

i<br />

V<br />

171


172<br />

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ufwltaliquiox<br />

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cftomniuqucrtacuralitcr fum:<br />

anus caufa non eft qucrenoa q:<br />

pmafumacacft oiniy<br />

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QuoD pctpto vpbibicc pmiffio<br />

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accipiunturx<br />

^rni tfs vclir at&amp;gt; oib fieri ca quc<br />

pcipit f no fieri ea que ^pbiKtx<br />

voliitaa ret quc ipe eft m nul<br />

lo cmari pctcftx<br />

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q wit oco boies faluos fierix<br />

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tfjtiitates implctur-<br />

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83 Petrus Lombardus. Sententiarum libri IV. [Strassburg: Heinrich Eggestein, not after 1471]<br />

FIRST EDITION, Royal 2 (397 x 295mm.), 266 leaves, double column, 42 lines, Gothic<br />

letter, 3- and 6-line initial spaces, initials and headlines supplied in blue and red, initial-<br />

strokes and underlining in red, contemporary vellum over bevelled wooden boards, sides<br />

ruled in blind, brass corner- and centre-pieces on each cover, two contemporary labels on<br />

upper cover lettered with title and pressmark, several uncut edges, contemporary<br />

manuscript signatures (some shaved), occasional small wormholes in margins, light damp-<br />

stain in fore-margin <strong>of</strong> last few leaves, lacking two clasps<br />

A FINE, TALL, MONASTIC COPY OF THE EDITIO PRINCEPS OF ONE OF THE FOUNDATION<br />

THEOLOGICAL TEXTS OF THE MIDDLE AGES. Peter Lombard, Bishop <strong>of</strong> Paris, wrote his<br />

Sentences between 1 146 and 1 158 (for further discussion <strong>of</strong> the text, see the sale in our<br />

rooms, A selection <strong>of</strong> printed books... the property <strong>of</strong> J.R. Ritman ,<br />

lot 29).<br />

6 December 2000,<br />

The Sentences <strong>of</strong> Peter Lombard, Bishop <strong>of</strong> Paris, is one <strong>of</strong> the most important books <strong>of</strong><br />

the Middle Ages. Written between about 1 146 and 1158, it was divided into four books<br />

by the author, who also introduced the capitula, although the full division into<br />

Distinctiones is somewhat later, and far from regularised. The subjects covered are:<br />

Book I (48 Distinctiones) The Trinity and attributes <strong>of</strong> God<br />

Book II (44 Distinctiones) Creation, grace, angels, original sin<br />

Book III (40 Distinctiones) Incarnation, christology, redemption, the commandments etc.<br />

Book IV (50 Distinctiones) The sacraments (an excellent summary is given in Fr.<br />

Ghellinck s article in DTC xii 2 col. 1969-1972).<br />

Its success was enormous, although Lombard s ideas on the Trinity did not escape<br />

criticism and even persecution, notably from Joachim <strong>of</strong> Flora, but at the Lateran council<br />

<strong>of</strong> 1215 he was formally received as orthodox: Nos autem, sacro et universal! concilio<br />

approbante, credimus et confitemur cum Petro . The use <strong>of</strong> the Sentences quickly spread<br />

to Germany, where he was studied by Eberhard <strong>of</strong> Bamberg and others, to France and to<br />

England. Manuscripts quickly found their way into monastic libraries: three English<br />

libraries possessed texts before 1200; he was copied at Clairvaux in 1 158 and other<br />

Benedictine and Cistercian houses also had the text.<br />

Not only was the text quickly diffused but before 1 1 76 the Sentences were already<br />

attracting commentary, and were taking their place at the centre <strong>of</strong> the Schools, and their<br />

use by the student members <strong>of</strong> the great orders like the Dominicans and Franciscans,<br />

extended to the great universities: the Sorbonne received before the middle <strong>of</strong> the<br />

fourteenth century 50 copies as gifts, and Merton College, Oxford by about 1360 had<br />

fifteen copies (Powicke, The Mediaeval <strong>Books</strong> <strong>of</strong> Merton College, Oxford, 1931 pp. 54-55).<br />

The Sentences attracted numerous commentaries, including those <strong>of</strong> St Bonaventure,<br />

Thomas Aquinas and Duns Scotus. A copy <strong>of</strong> Koberger s 1491 edition <strong>of</strong> Bonaventure s<br />

commentary on the Sententiae also from the Abbey <strong>of</strong> St Magnus at Fiissen was sold in<br />

the first selection <strong>of</strong> printed books, the property <strong>of</strong> J.R. Ritman, sale in our rooms, 6<br />

December 2000, lot 31.<br />

Provenance: Benedictine Abbey <strong>of</strong> St Magnus at Fussen, with contemporary ownership<br />

inscriptions<br />

References: H *10183; BMC i<br />

70,000-80,000<br />

113,000-129,000<br />

See also illustration on p. 171<br />

67; G<strong>of</strong>f P479<br />

173


174<br />

84


84 Picus de Mirandula, Johannes. Opera (Cyprianus: De Pascha; Johannes Franciscus<br />

Picus: Vita Pici; edited by Johannes Franciscus Picus). Venice: Bernardinus Venetus, de<br />

Vitalibus, 14 August-9 October 1498<br />

Chancery 2 (303 x 207mm.), 262 leaves, 44 lines and headline, Roman letter, 6-line<br />

outline woodcut initials, 3-, 4-, 5- and 6-line initial spaces with printed guides, one<br />

woodcut diagram on kl recto, contemporary blind-stamped calf over wooden boards,<br />

borders <strong>of</strong> a floral roll and an interlocking strapwork roll, central panel filled with a<br />

vertical roll <strong>of</strong> birds and flowers and a small rosette, OPERA MIRAN stamped at head <strong>of</strong><br />

upper cover, two clasps and catches, brass corner- and centre-pieces on covers, modern<br />

cloth box, slight worming in margins <strong>of</strong> several gatherings, title browned, some other light<br />

dampstaining, spine repaired at head and foot<br />

Second or third edition, reprinted from the first, which was printed at Bologna by<br />

Benedictus Hectoris in 1496 (G<strong>of</strong>f P632). In addition to the present edition, there is<br />

another printed anonymously at Lyon by Jacobinus Suigus and Nicolaus de Benedictis,<br />

which also reprints the colophon <strong>of</strong> the first edition; it is dated by CIBN as not after<br />

1498 and therefore may or may not precede the present edition. The work is edited by<br />

the author s nephew.<br />

The texts in this edition include Pico s famous manifesto <strong>of</strong> the Renaissance, his Oratio de<br />

hominis dignitate, in which he refers to the saying <strong>of</strong> Hermes Trismegistus, Man, Oh<br />

Asclepius, is a great<br />

miracle .<br />

References: HC * 12993; BMC v 548; G<strong>of</strong>f P634; Klebs 764.2<br />

30,000-50,000<br />

48,500-81,000<br />

175


176<br />

85


85 detail<br />

85 Plenarium. [German] Plenari. [Augsburg: Giinther Zainer], 4 April 1474<br />

2 parts in one volume, Chancery 2 (269 x 192mm.), 341 (<strong>of</strong> 342) leaves, 33 lines and<br />

foliation, Gothic letter, full-length woodcut initial in inner margin <strong>of</strong> fol. 2 recto, 7-line<br />

woodcut Maiblumen initials, 54 woodcuts in the text, ALL WOODCUTS AND INITIALS<br />

COLOURED BY A CONTEMPORARY HAND, sixteenth-century South German pigskin over<br />

bevelled wooden boards, richly decorated in blind with four rolls, THE UPPER COVER<br />

OVERSTAMPED with numerous impressions in black <strong>of</strong> a lozenge-shaped acorn tool, pale<br />

brown edges, modern cloth box, lackingfol. 1 with woodcut on verso (as in almost all<br />

copies), damp-stain in upper margin <strong>of</strong> several gatherings, margins <strong>of</strong>fos. 76-78 (part 2)<br />

repaired, occasional light spotting, lacks two clasps and metal corner- and centre-pieces<br />

A FINE COPY FROM THE ANCIENT BAVARIAN ABBEY OF ST. QUIRINUS AT TEGERNSEE, IN A<br />

REMARKABLE BINDING.<br />

Intended as a devotional manual for the laity, and using the liturgical gospel texts which<br />

were read out loud at mass on the Sundays and feast days <strong>of</strong> the year, but here presenting<br />

them for personal and internal study and reflection, the Plenarium is not unlike the<br />

Speculum humanae salvationis (in fact some editions contain part <strong>of</strong> it). Expounding<br />

through Scripture the life <strong>of</strong> Christ, it is a product <strong>of</strong> that religious atmosphere<br />

fifteenth century which gave rise in the Low Countries to the Devotio moderna, the<br />

<strong>of</strong> the<br />

founder <strong>of</strong> which, Groote stressed the Gospels for they contain the life <strong>of</strong> Christ . It is<br />

perhaps worthy <strong>of</strong> note that the early editions <strong>of</strong> the Plenarium were like the first edition<br />

<strong>of</strong> the Imitatio Christifrom the press <strong>of</strong> Zainer at Augsburg. The present edition is the<br />

second, preceded by Zainer s edition <strong>of</strong> the previous year (G<strong>of</strong>f E72). ISTC lists forty-six<br />

editions, <strong>of</strong> which seven are in Low German.<br />

The colophon <strong>of</strong> the present edition reads as follows: finiunt feliciter Anno incarnationis<br />

d[omi]nice Millesimo quadringentesimo Septuagesimo q[ua]rto die ip[s]o die mensis... ,<br />

which ISTC interpretes as 4 April 1474 , which if correct would give it precedence over<br />

Bamlers edition which is dated 20 September <strong>of</strong> the same year (see lot 86).<br />

Of the dozen or so recorded copies <strong>of</strong> this edition, the<br />

full-page woodcut at the beginning<br />

<strong>of</strong> the text is known in only a couple <strong>of</strong> copies. Its conjugate leaf is unnumbered and<br />

inserted between fol. x and xi, suggesting that it may have been printed after the main<br />

<strong>of</strong> text.<br />

body<br />

We know <strong>of</strong> no other example <strong>of</strong> a binding similarly overstamped in black. The<br />

overstamping predates the application <strong>of</strong> the title-label (now faded) and the Tegernsee<br />

pressmark to the upper cover. Loosely inserted is a postcard about the binding written by<br />

Ernst Kyriss.<br />

Provenance: Benedictine Abbey <strong>of</strong> St Quirinus, Tegernsee, with ownership inscription<br />

inside the lower board and pressmark label P II 3 pasted on upper cover (the Tegernsee<br />

books were removed to Munich at the time <strong>of</strong> the Secularisation in 1803 and many were<br />

subsequently sold as duplicates); Dukes <strong>of</strong> Arenberg (?)<br />

References: HC 2317-2319; G<strong>of</strong>f E74; Schreiber 4946; Schramm ii 1 1 & 24, nos. 300-<br />

349; Fairfax Murray 335<br />

60,000-90,000<br />

97,000-146,000<br />

177


178<br />

86<br />

1<br />

b6 (5Fm w ftrfbtt<br />

mal ^uHmi R $5 8&amp;lt;m<br />

86<br />

Da it fat an n bcfp ctntjtig /ate<br />

t Seibc btot /w5n vnf <strong>of</strong>ten<br />

f5&amp;gt;l<br />

t cciftus gopfft/&amp;gt;5n nlfo t6<br />

paf t &quot;&amp;gt;* jn 6tm alt* v^b<br />

&amp;lt;X)a<br />

riojotobiwt&falos<br />

ir c fflnfftn fallen<br />

ns baligt tags $3<br />

u funn auff to.-, s g<br />

t ws Ben |?cm<br />

Bo fbt fi) 6j<br />

s }m(il gse 5


86 Plenarium. [German] Plenari. Augsburg: Johann Bamler, 20 September 1474<br />

2 parts in one volume, Chancery 2 (312 x 218mm.), 368 leaves, 28 lines and foliation,<br />

Gothic letter, 54 woodcut Maiblumen initials, text on fol. 1 verso printed in red, 2 full-<br />

page<br />

woodcuts <strong>of</strong> the Salvator Mundi on fol. 1 recto and <strong>of</strong> the Entombment <strong>of</strong> Christ<br />

on fol. 168 verso, 55 small woodcuts in text, ALL WOODCUTS AND ALMOST ALL INITIALS<br />

COLOURED BY A CONTEMPORARY HAND, contemporary South(?) German calf over wooden<br />

boards slightly bevelled outwards, decorated in blind with vertical rows <strong>of</strong> tools, a free<br />

rosette, rectangular flowers, square unicorn and maria hilf scroll, at head and foot are<br />

three impressions <strong>of</strong> a square tool <strong>of</strong> the eagle <strong>of</strong> St John, the lower cover decorated with<br />

the same tools to a different design, plain edges, many uncut leaves, with contemporary<br />

manuscript signatures, inscription dated 1541 on verso <strong>of</strong> final blank leaf, slight worming<br />

in first and last few leaves and in inner margins <strong>of</strong>fos. 161-168 just touching edge <strong>of</strong> text,<br />

short tear in border <strong>of</strong> woodcut on fol. 1, short tear at head <strong>of</strong>fol. 46 in first 5 lines <strong>of</strong> text,<br />

light soiling in margins <strong>of</strong>firstfew leaves, lacking two clasps, both covers slightly worn<br />

A FINE, VERY TALL AND COMPLETELY UNSOPHISTICATED COPY WITH CONTEMPORARY<br />

COLOURING.<br />

The third German edition <strong>of</strong> the Plenarium, the first to be printed by Bamler, who copied<br />

the woodcuts <strong>of</strong> Zainer s two earlier editions. Two variants <strong>of</strong> this edition exist: in some<br />

copies, as here, the full-page woodcut at the beginning <strong>of</strong> part 2 shows the Entombment<br />

<strong>of</strong> Christ; in others this is replaced with a woodcut <strong>of</strong> the Resurrection.<br />

This is perhaps an Augsburg binding. The unusual large square tool <strong>of</strong> the eagle <strong>of</strong> St<br />

John and the rectangular flower tool are identical, or almost identical, with tools<br />

belonging to the Augsburg printer and binder Ambrosius Keller. The rosette (although<br />

very similar to one <strong>of</strong> Keller s), unicorn and maria hilf scroll are not recorded in his kit<br />

(see Ernst Kyriss, Der Augsburger Drucker Ambrosius Keller als Buchbinder , Gutenberg-<br />

Jahrbuch, 1952, 176-179, pis. XV-XVI, tools 1 1 and 30).<br />

References: C 2318; BMC ii 332; G<strong>of</strong>f E73; BSB-Ink 580, copy 2; Schreiber 4947;<br />

Schramm iii 5 & 25, nos. 103-149, 151<br />

120,000-150,000<br />

194,000-243,000<br />

179


180<br />

87


87 Publicius, Jacobus. Oratoriae artis epitomata (Artes orandi, epistolandi, memorandi).<br />

Venice: Erhard Ratdolt, 30 November 1482<br />

FIRST EDITION, Chancery 4 (174 x 137mm.), 67 leaves (<strong>of</strong> 68, without initial blank leaf)<br />

leaves, 31 lines, Gothic letter, 2-, 5- and 1 1-line white-on-black woodcut initials, heading<br />

on A2 recto printed in red, full-page woodcuts <strong>of</strong> a tree <strong>of</strong> oratory, a mnemonic diagram<br />

with movable snake pointer, another mnemonic diagram composed <strong>of</strong> twenty-five<br />

animals, 42 woodcut roundels <strong>of</strong> a white-on-black pictorial alphabet, ruled in red<br />

throughout, brown morocco by Matthews, gilt edges, occasional light spotting in margins,<br />

rebacked retaining original spine<br />

FIRST EDITION. AN APPARENTLY UNRECORDED VARIANT ISSUE, in which the colophon and<br />

accompanying woodcut <strong>of</strong> a chessboard are printed on the recto <strong>of</strong> d8 with the verso <strong>of</strong><br />

d7 left blank. In most copies the is colophon printed on d7 verso and d8 is blank.<br />

This manual <strong>of</strong> oratory deals in particular with commonplaces and mnemonics.<br />

Publicius, a Spanish humanist, lectured at Leipzig, Erfurt and Basel in the 1460s. Many<br />

more manuscripts <strong>of</strong> his works survive in northern libraries than Italian ones, and it may<br />

well be that Ratdolt s copy came into his hands from north <strong>of</strong> the Alps.<br />

Ratdolt reprinted the present work twice: firstly at Venice in 1485 (G<strong>of</strong>f PI 097); and<br />

secondly at Augsburg in 1490 (G<strong>of</strong>fP1098).<br />

Provenance: duplicate from the Royal Library, Munich, with stamps; H.M., with pencil<br />

note recording purchase at the sale <strong>of</strong> Hamilton Cole s Library, New York, 8 April 1890;<br />

Walter Goldwater, with bookplate (sale New York, ii, 5 December 1985, lot 108)<br />

References: HC * 13545; BMC v 287; G<strong>of</strong>f PI 096; BSB-Ink P-868; Redgrave 31; Klebs<br />

816.1; Essling 292; Sander 5982<br />

20,000-25,000<br />

32,300-40,400<br />

181


182<br />

88<br />

fies,prdinata Can -4 dSipta.^ inter alia que<br />

plus ui&priam Iducuttfttpfaru acieru prdpqn _<br />

mes Cequtur duces fuosptf principegfeu tribunps<br />

^nfi^xercitus eft fine orpine diitjditur ,8&amp;lt;<br />

djuifus cito fran<br />

gitur et fugatur .Vn &amp;lt;(}e ^egemp re militari \ljcbil cnim i acie<br />

magis eft cuftodicdum.quam ut PCS milites incedendi p^rdinc<br />

feruent -quoii alitcr non poteft fieri nifi ut ,aml?|ilare celeriter<br />

et cqualitcrcxercitas sdifcant , J)erjculu enl abhpftibus femg<br />

grauiflimufuJftinet diuifu^ et inpr^riajUi? eescitu$X/^pua<br />

liter EjedoCa fanAa dci^uin?,acie e&.ppti ne prdinatl a f<br />

nojducebab| fuos pnncipcsid^ft appftplpf -4t trjburips<br />

Mantes ucxillum eterni<br />

r^i$.-<br />

Jes xpmniArdinatifunt miirp<br />

fueriit ele&i diiodefim prinfipes<br />

fu<br />

Vbi<br />

leginius Q&amp;gt;<br />

ifrabel .jsjui b^teeb*nt inftrucrexls libris md.4ato^: dei , ut f<strong>of</strong><br />

rjent quis^b&ruare^bert jt illafaciyp ip<strong>of</strong>fent intrarc t<br />

I&amp;gt;p0i4cre terrain prpn5ilTiPiiCnSpualite^4jiwdecim ^rin^i/<br />

-pes ifrabej iignificant dupdeci appftolos a fe) prdinatps fug<br />

populu xpiaiiu. lljimw urbo 3^ o^e nps ^octtcrixt IW^4a<br />

ta dei que c<strong>of</strong>iftunt jri juera CAritate quam fet uando f u dep 8C<br />

rpximp.debtllati bpftibtisfi<strong>of</strong>tris fecureptrgimus i\d ppf<br />

firfeadu Urram prpmifFipnis .Wee igittir ucxilla ipijbeati pri<br />

cipes npUri ui^toripfe pprtauemnt neqj imquam psna ,utj<br />

mcrjte pptuerutsgieniaijiibns ep^c cadere.S&amp;lt;n appftplus Rp&amp;gt;$<br />

Qttis npsfe^abjt aariu.te xpi&amp;gt;$J igitur biinc caritatefequa<br />

mur & extty;e;amas / quam bti appftpli ferwauemt .quc^4n<br />

uicia SC miitaiierut elemeta *;ita<br />

ipi uicerut bpftes-et fugauerut<br />

et nps facipmus , Vn Amgp in fermone de appftplis. J?e4it<br />

diis -poteftatcm ap<strong>of</strong>tplis Uig naturam ut earn curaret Super<br />

dempnes ut eos uincerJtt -fu^ elemfcta ut ca nvut^rit -JTug nipjr^<br />

tern ut cam cotempneret-fug angel PS tf prpus d<br />

retlSJec eciam poteftas data eft ep^fuadOforihp fe<br />

appc-6 .Mii funt qui babet ppteftated^udendi&amp;lt;eltt<br />

infanguinem:<br />

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et decpr indumetu<br />

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H^_Jhrftpg uidpriam faccre dicit 1$ I pukbritudp armpnl<br />

unde ait plurimu enim tcrrpris bpftibiLS ar^noru ?ltdpr im


88 [Rampigollis, Antonius] Compendium morale. [Augsburg: Monastery <strong>of</strong>SS Ulrich and<br />

Afra, not after 1473]<br />

Chancery 2 (264 x 179mm.), 178 leaves (<strong>of</strong> 179, without blank fol. 9), 38 lines, Gothic<br />

letter, 3- and 7-line initials supplied in red, paragraph-marks and initial-strokes in red,<br />

eighteenth-century vellum, a few early manuscript notes (some shaved), light damp-stain<br />

in lower outer corners, a small wormhole in text <strong>of</strong> last few leaves, a few others in margins<br />

The prologue to this work is that <strong>of</strong> the Aurea biblia, sive repertorium aureum bibliorum <strong>of</strong><br />

Antonius Rampigollis (see lot 89), but signed N. de Janua, from whom Hain created a<br />

Nicolaus de Janua. BMC suggests rather that Antonius de Janua, i.e. Rampigollis, or a<br />

scribe, wrote N (i.e. Nomen) instead <strong>of</strong> his name.<br />

The press at the Benedictine monastery <strong>of</strong> SS. Ulrich and Afra was established by Abbot<br />

Melchior von Stamhaim in 1472. Most <strong>of</strong> the books from this press are undated, but<br />

editions <strong>of</strong> the Speculum humanae salvationis and Gregory I s dialogues in German were<br />

printed in 1473 and <strong>of</strong> Vincent <strong>of</strong> Beauvais s Speculum historiale and Leonardus de<br />

Utino s Sermones de sanctis in 1474.<br />

The present edition is dated on the basis <strong>of</strong> the Tegernsee copy which was given to them<br />

in 1473.<br />

Provenance: Johannes Franz Ecker, Freiherr von Kapfing und Lichteneck, Bishop <strong>of</strong><br />

Freising 1695-1727, with engraved bookplate<br />

References: H *9359; BMC ii 339; G<strong>of</strong>TR22<br />

10,000-15,000<br />

16,200-24,300<br />

183


184<br />

89<br />

m<br />

r.<br />

ft


89<br />

( Liber manualie tic in tro Jmcio:iua in biblie tfb:ia j<br />

figuraC^ ottcrio ac noui teftamcnti paeptimua Aurc.i<br />

biblia wxitatus Jncipit Feliritet.<br />

~ EligioFia at$ Ijonelhe vitia in jcpa oilechs fi.i<br />

tribua ftubentib? neapolim Conuenr? o!mr:i<br />

Fratp Ijeremita^ fcfi auguftim-Fraierantoni?<br />

Ampigoll|j9 oibls memoiati Salute ftilectiomvf c p<strong>of</strong>tn<br />

lata rcFneno&amp;gt;mtiuo no inogiuc ne (it? macia ar.nic.-im<br />

Sunij multo labotc fuSo!f cj ooiocto.-oelut infipi&a rcli<br />

qoatia mti lab:ufc&amp;gt; *<br />

impcritia exigence D&cocjs rcteptig<br />

on racctni ociftant ez ne -era Frufttec \ntcntio a mc.i fine<br />

Fr nctu an jtie p.ian opera oncercat&amp;gt;(\.ttra ljunt ten cj pio<br />

tuli-lnftigat veto l.irgito:ia manus quc fapiam picflat<br />

piiulia a fiti9 pmt&amp;gt;cnna pollutantibu9-]f2.im Faarum<br />

mennu piecib? inclinata largicnfta Son.irs nouit&amp;lt;a ct iv<br />

gita Put bniiidionie roic pFunScna Tufcipientis K fern-,.<br />

nanria cnKa<strong>Mr</strong> abun&ati? FeciiSarcN tgct ttia me a& ho;<br />

op us qm noui meam inerham non UtereCum impF:cm<br />

meum viBeft oculi vfi- ^bcirco fagitte quaa jpe area i<br />

iarit pidcitt minus Fcriunt-picf lim cu mee tanto ampli ?<br />

imbecittitati tcncamini comp in- qnro apcctiua vfa p :<br />

cf pit<br />

Biltctio mc.rajticu qo noui fine anogantia pctcn<br />

tibua impacriri ^n f;?mo&i figurap opcnoio -nf loco re<br />

Fcchoma Faftibiu gt nerei-fuccmcte 62 loquar clarc vc t. i<br />

jfia valitubo pm.fcrit. CQaltena opuf;u!um iub b:cm<br />

tateoponfOiuiriomb?acrub6mir&amp;gt;onib?[ccto?C);c!ac5<br />

6crcliSi9&amp;gt; qg nimia jsliptate conFun&c intaetes JVlatiaa<br />

enim oiftingu.i p oioine alpbabeti p.iutioica ez p !ucr 3<br />

in Fabac.i collocans- vt paupm ingent) Facultaa pmifeit<br />

Vt autquelita Fatiliua oclrant-tabulam preccbentcm<br />

atplyibeticam p<strong>of</strong>ui SpintnrTanct i gcatia aunuente<br />

Jn iyot mm opufculo fi quifpnm vellrum |cgennum&amp;gt;<br />

&amp;lt;lau8innum quiTgj me noucru6cFcc\fTc Jtlemincrit<br />

cultoia inutif rragiUtite q lij frugca ocbilea paucA a j,<br />

89 Rampigollis, Antonius [and Bindo <strong>of</strong> Siena] Aurea biblia, sive Repertorium aureum<br />

bibliorum. Ulm: Johann Zainer, 17June 1475<br />

Chancery 2 (289 x 204mm.), 159 leaves (<strong>of</strong> 160, without initial blank leaf), 34 lines<br />

and headline, Gothic letter, 3-line outline woodcut initials coloured in red, paragraphmarks<br />

and initial-strokes in red, contemporary German pigskin over wooden boards<br />

bevelled outwards, blind-tooled to an unusual design <strong>of</strong> a saltire decorated with<br />

impressions <strong>of</strong> a foliate border-tool, the other tools include a lozenge-shaped crowned<br />

eagle displayed, a round rosette, a small square lion rampant and a maria scroll, modern<br />

cloth box, contemporary signatures in red in the lower margins, a few early manuscript<br />

annotations, some light spotting and damp-staining, a few small wormholes at the beginning<br />

and end <strong>of</strong> text, two clasps renewed<br />

The first dated edition, and probably the editio<br />

princeps, <strong>of</strong> the Aurea biblia, <strong>of</strong> which<br />

The rest <strong>of</strong> the text was<br />

only the prologue was written by Antonius Rampigollis.<br />

composed by Bindo de Senis. Rampigollis s prologue also appears in the Compendium<br />

morale (signed N. de Janua , see lot 88) and the Figurae bibliae (G<strong>of</strong>f R23-26).<br />

Another unsigned edition <strong>of</strong> this work printed at the Monastery <strong>of</strong> SS Ulrich and Afra in<br />

Augsburg is dated [c. 1475]. Zainer reprinted the present edition in 1476.<br />

The binding tools are not recorded in Kyriss or Schwenke/Schunke.<br />

Provenance: Jorge Beristayn, with bookplate<br />

References: HC * 13681; BMC ii 524; G<strong>of</strong>f R12<br />

10,000-15,000<br />

16,200-24,300<br />

185


186<br />

er txrooes poomeoafll oer erfl vflenoifcb kiinig bp oen tuoett gefin Oc<strong>of</strong>ctben bpffo<br />

ria befcfczibt Der metfter gar ftiflicben vft fpzict&amp;gt;t9 fp gefin ein geftrenger vnD gloub<br />

feaftiger man oer ficb in alien otngen reoitcb t?ab gebalten.vno ift geweft gar genenu<br />

cen r6mern vno oem volch oie fri<strong>of</strong>am woieno vno frioe lieb txttcn * r bat oucb vil<br />

gfitef werck getfcon otc ocr geocct&amp;gt;tniif wol wirOt g wcrenD giber tn finem alter oo er<br />

oen r5mern 311 vaft wolgefallen wolt vno t&amp;gt;&:et von oer gebort i^efu crifli Do f6zct?t er<br />

fere er wtirPe ate ein vflenDiger von Dem rici) geft<strong>of</strong>len vft vil elenoiglicl) vft fcbentlicb<br />

vonfinenr^nnenvnoverli eprinalte erberheit vnD gute werck*vno lief M evnfct?ulwg<br />

en kpnolen t5ten vno oucfr etlici? finer fun oo von er fict&amp;gt; ouct&amp;gt; befozgt oas er vertriben<br />

Wiiroe in finem alter Oozumb in 5$ left poerman leaflet vnO vtgeno wuroevno ftarb di<br />

parser welt.<br />

Shelimecrifti.<br />

oea<br />

2acbartas vn elifabet lino UOe cine txtlign lebena gefm vnielternfanT io^linelbaptift<br />

3Joacl?im v &quot; annafmo<br />

clar vn fcl&amp;gt;tnbare in bcil kett iro lebena oie ooznoc^ vf funoer/<br />

licfcer genaoe vno l?eiltkeit wirotg fino gefm 3d gebern Die blomen 6 gantsen feliheit*<br />

mariam*pt e Do vbmriflft alle creatur welcl?e marta vne got gebozn t?at .<br />

Jobannee bapttfta wart gebozn oem npmant gr6ifer vnoer oer geburt oer \iber vffer<br />

tricbpeerflonoe*<br />

5n oen 3pten fino vffkomen oie bnrgunoumea oie all ?pt fino gar manbar gefin vn men<br />

l ct&amp;gt; geflriten t&amp;gt;abent vno angefefcen 039 fp vf oem rmfiram vil biirg get?abt l&amp;gt;aben fino<br />

fiegenant wozoen burgunoer * /U^arcnsagrippaein fcbwager octaufanioeekeifers<br />

bat angefangen 56 buwen vff oem rin ein Hat nacb finem namen genant agripna.<br />

c^e flat Ooznoct? C6ln gebeiflen wozoen ift*


90 Rolewinck, Werner. Fasciculus temporum [German] . Eyn biirdin oder versamlung der<br />

zyt. Basel: Bernhard Richel, 31 August 1481<br />

FIRST EDITION IN GERMAN, Chancery 2 (288 x 210mm.), 142 leaves, 43 lines (variable),<br />

Gothic letter, 12 woodcuts in the text (including 4 repeats), numerous woodcut roundels<br />

enclosing typeface, contemporary wooden boards, one clasp and catch, contemporary<br />

inscription fassiculus tpm deutsch at head <strong>of</strong> initial blank leaf, final leafrepaired<br />

in inner<br />

margin with loss <strong>of</strong>some letters in each line (supplied in pen facsimile), afew small wormholes<br />

with loss, mostly in the first and last few leaves (one in inner margin extending through several<br />

gatherings with occasional minimal loss), upper outer corner <strong>of</strong>fol. 99 lacking (paperflaw),<br />

rebacked with modern blind-stamped calf, clasp mounting renewed<br />

THE FIRST EDITION IN GERMAN OF ROLEWINCK S CELEBRATED WORLD HISTORY. Werner<br />

Rolewinck (1425-1502) inhabited the Cologne Charterhouse for more than fifty years.<br />

The Fasciculus temporum was first printed in Latin at Cologne by Arnold ther Hoernen in<br />

1474 (G<strong>of</strong>f R254) and at least another twenty editions followed in the fifteenth century<br />

(including one printed by Richel the year after the present edition, G<strong>of</strong>f R267). A Dutch<br />

translation was first printed at Utrecht in 1480 and a French translation at Geneva in<br />

1495.<br />

The Fasciculus, like the famous Liber cronicarum <strong>of</strong> Hartmann Schedel, is a world<br />

history , beginning with the Creation, and passing through biblical, classical and medieval<br />

times, right up to the contemporary period. It synthesises two chronological systems, that<br />

<strong>of</strong> Creation in the 1 year continuing up to 6673, and that also<br />

treating the birth <strong>of</strong> Christ<br />

as the 1 year and working backwards (BC) and forwards (AD), in which scheme the BC<br />

dates are printed upside down. The work is horizontally presented. On f. [61] verso the<br />

birth <strong>of</strong> Christ (on the verso <strong>of</strong> the leaf with the woodcut <strong>of</strong> the city <strong>of</strong> Cologne) is<br />

printed as an announcement in the middle <strong>of</strong> the page within a border, forming, as it<br />

were, a firm break in the history <strong>of</strong> the world.<br />

The eight woodblocks, which appear to be copied from those cut for the Cologne edition<br />

<strong>of</strong> 1476 printed by Conradus de Hoemborch and from one <strong>of</strong> Ratdolt s Venice editions,<br />

depict Noah s Ark, the Tower <strong>of</strong> Babel, the Temple <strong>of</strong> Solomon, and four small town<br />

views, including one <strong>of</strong> Cologne showing boats on the Rhine.<br />

References: HC *6939; BMC iii 738; Schreiber 5121; G<strong>of</strong>f R281<br />

25,000-30,000<br />

40,400-48,500<br />

187


188<br />

91<br />

91 Rolewinck, Werner. Fasciculus temporum. [Strassburg: Johann Priiss, not before 1490]<br />

Chancery 2 (280 x 196mm.), 96 leaves (<strong>of</strong> 98, without 2 final blank leaves), 49 lines<br />

and headline, Gothic letter, woodcut <strong>of</strong> a blind pilgrim on verso <strong>of</strong> title, 17 small<br />

woodcuts (including repeats) and numerous woodcuts diagrams and roundels,<br />

eighteenth-century vellum, new endpapers, a few early manuscript notes in margins,<br />

inner margin <strong>of</strong>first leaf restored, some light browning and spotting, short tear in lower<br />

margin <strong>of</strong>F4, small repair in fore-margin <strong>of</strong>first and final leaf<br />

The text <strong>of</strong> this edition ends with the death <strong>of</strong> King Mathias (Corvinus) <strong>of</strong> Hungary on 6<br />

April 1490.<br />

References: HC *6915; BMC i<br />

3,000-4,000<br />

4,850-6,500<br />

127; G<strong>of</strong>f R275; Schreiber 5120


92<br />

FoK CLXXXVH<br />

fHdi<strong>of</strong>o ocio/lraijz feruore:^) ludo/hiftoriaijj legion?<br />

jp <strong>of</strong>tetacione/frugalitate aflumite: fnduire; fedami;<br />

ni.Si c apud exteros:apud Principes; in couentu ci uf<br />

tatu:cora quibuflibet Oratoribns vobisipfi s glon5:<br />

Amicis voluptare:& reipubliccArgcntmefi increme:<br />

turn Khonore affereris fcmpiternii.<br />

Vale candide Le&amp;lt;3or,<br />

Imprefla aMartino SchottojCiue Argrii.<br />

Sexto Nonas Oflobres AnnoChrifh v<br />

,M,<br />

cccc.LXxxxvm.<br />

Q_uod minus eft fupplq&quot;d plos abradetqd hirtum<br />

Come; quod obfcurum dgclararquodvid<strong>of</strong>tjm<br />

Ifmcnd&amp;lt;i;acuris i fb s(intomnia(ana.<br />

PETRYS SCHOTTVS<br />

92 Schott, Peter. Lucubratiunculae ornatissimae (edited by Jacob Wimpheling). Strassburg:<br />

Martin Schott, 2 October 1498<br />

Chancery 4 (213 x 155mm.), 192 leaves, 34 lines and headline, Roman letter, Peter<br />

Schott s woodcut device at the end <strong>of</strong> the text, modern morocco-backed boards, extracts<br />

from Ovid, Horace and others copied onto the final blank leaf by the original owner Beat<br />

Volck, library stamp on title, small wormhole in text <strong>of</strong>first 4 leaves, a small tear affecting<br />

headline on xl recto<br />

The only collected edition <strong>of</strong> Peter Schott s writings, edited posthumously by Jacob<br />

Wimpheling. Schott (1458-1490) was one <strong>of</strong> the earliest members <strong>of</strong> the circle <strong>of</strong><br />

Alsatian humanists. His writings consist <strong>of</strong> verse, legal consilia and letters, the latter<br />

addressed to leading scholars <strong>of</strong> the day, including Wimpheling, Johann Reuchlin,<br />

Sebastian Brant, Geiler von Keisersberg, Rudolph Agricola and Adolf Rusch.<br />

Martin Schott was related to Peter and son-in-law <strong>of</strong>Johann Mentelin, the proto-<br />

typographer <strong>of</strong> Strassburg. His usual device <strong>of</strong> a cabbage has been transformed into a<br />

flourishing<br />

tree for this commemorative volume.<br />

Provenance: Beat Volck <strong>of</strong> Strassburg, with inscription: Ego Beatus Volck Argentinus<br />

depositus sum a domino baccalaureo Nicolao Textoris spirense Anno domini 1499 infesto<br />

sancti Thome de Aquino ordinis predicatorum; Heneage Wynne Finch, signature dated<br />

1 936 on flyleaf; Alfred Ehrman, Broxbourne Library, with bookplate (sale in our rooms,<br />

ii, 9 May 1978, lot 594); George Abrams, with bookplate (sale in our rooms, 16<br />

November 1989, lot 112)<br />

References: HC (+Add) * 14525; BMC i<br />

Histoire litteraire de I Alsace, ii, p. 332 no. 54a<br />

5,000-7,000<br />

8,100-11,300<br />

167; G<strong>of</strong>fS321; Proctor 765; C. Schmidt,<br />

189


190<br />

93 actual size<br />

Jntipit life* &amp;lt;ltrf<br />

o ftuc ipfri Jmifocio ^ m Oirfta* fcffiuio<br />

tte feu I aCue fcaeg egi6j<br />

, ce fmci coe out ott&amp;gt;mah funt<br />

g ItiapDtcaoHcnj g auctotif<strong>of</strong>cty<br />

a^ aftoe * ^(Hfotmaw au(c g tfcfc poe Snuf ;<br />

ftcn^fuu I owtri tjjc^ G&amp;gt;co ojt6ino / f?<br />

t6t / cgjxSm quia ^&amp;gt;c5 cum<strong>of</strong>fna<br />

/<br />

(OOnuTquifqj ftcuf acciyit g?am m<br />

73 ot ta6etr qute<br />

etf g ctue amwm ajpcfew^ ft


93 Speculum Christian!. London: William de Machlinia, for Henry Frankenbergh, [c. 1484-<br />

1485]<br />

FIRST EDITION, Chancery 4 (183 x 131mm.), 118 leaves, 23 lines, Bastarda and Gothic<br />

letter, 2- and 3-line initials and paragraph-marks supplied in red or blue, eighteenthcentury<br />

mottled calf, spine gilt in compartments, red edges, a few early manuscript notes<br />

in margins, a few small wormholes at beginning and end <strong>of</strong> text, further worming in lower<br />

margins repaired, corners <strong>of</strong>binding slightly worn<br />

FIRST EDITION <strong>of</strong> this anonymous religious treatise <strong>of</strong> the second half <strong>of</strong> the fourteenth<br />

century. It is erroneously ascribed by Duff, G<strong>of</strong>f, Pforzheimer, STC and others to one<br />

John Watton or Wotton, who was no more than the scribe <strong>of</strong> a fifteenth-century tract<br />

volume containing the Speculum Christiani together with many other treatises (Corpus<br />

Christi College, Oxford, MS 155). The text, <strong>of</strong> which more than sixty extant manuscripts<br />

have been recorded, is divided into eight chapters, or tabulae, devoted to the Athanasian<br />

and Apostles Creed, Ten Commandments, Seven Virtues, and so on. Scattered through<br />

the Latin text is miscellaneous English verse intended to serve as doctrinal mnemonics for<br />

the laity. This first printed edition added to the text two distinct groups <strong>of</strong> additional<br />

doctrinalia, one group interpolated into Speculum Christiani proper, the other added to it;<br />

none <strong>of</strong> the recorded manuscript copies contains these additions.<br />

The Speculum Christiani is largely derived from a Latin pastoral summa , the Cibus<br />

anime, the parent <strong>of</strong> a complex family <strong>of</strong> texts <strong>of</strong> which the Speculum Christiani appears<br />

to have been the most successful and most widely circulated. . . whereas the Cibus anime<br />

adopts a tone <strong>of</strong> tolerant fraternal exhortation. . . the Speculum Christiani is more urgent<br />

and more pragmatic, in a manner typical <strong>of</strong> manuals aimed at the clergy and not simply<br />

for their use (V. Gillespie, The evolution <strong>of</strong> the Speculum Christiani in A.J. Minnis,<br />

editor, Latin and Vernacular Studies in late-medieval texts and manuscripts, Cambridge:<br />

D.S. Brewer, 1989, pp. 39-62 (with a complete list <strong>of</strong> surviving manuscripts and <strong>of</strong> the<br />

printed editions).<br />

This edition shares paper stocks with several Caxton editions dated or datable to 1484-<br />

1485, notably Mallory s Morte dArthur, completed by Caxton on 22 July 1485.<br />

Machlinia printed his edition at the instance and expenses <strong>of</strong> an alien merchant <strong>of</strong><br />

London, Henry Frankenbergh, who is known to have been active in importing<br />

continental printed books for sale in England (see Nelly J.M. Kerling,<br />

Caxton and the<br />

trade in printed books , Book Collector, iv, no. 3, 1955, 191 sqq.). It may be that,<br />

conversely, Frankenbergh exported some copies <strong>of</strong> Speculum Christiani for sale on the<br />

continent. This copy was probably in France from the time <strong>of</strong> its first sale: its rubricator<br />

was manifestly incapable <strong>of</strong><br />

supplying initials competently to the<br />

English passages.<br />

Speculum Christiani was not reprinted in England, but there were at least six Parisian<br />

editions <strong>of</strong> the late fifteenth and early sixteenth centuries (cf. Shaaber W-141 to 146),<br />

derived from Machlinia s edition but omitting the English portions.<br />

Provenance: Paul Beuvain de Beausejour, Archbishop <strong>of</strong> Toulouse, with bookplate (sold in<br />

our rooms, 27 March 1972, lot 155); H. Bradley Martin, with bookplate (sale Sotheby s<br />

New York, ix, 14 June 1990, lot 3354)<br />

References: HC 14914; G<strong>of</strong>fW9; Duff 415; Pforzheimer 1097; STC 26012<br />

50,000-70,000<br />

81,000-113,000<br />

191


192<br />

94 actual size<br />

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Tf&cccft f-cfida pars in qua pom tfeciida naftira cmu .(9(f<br />

in fcuae eres.na p mo fjctt l^oc.? fctfo ponir allcgozu.fcfa gs ibi;. fVr ra<br />

Ics mo:es.6Ct Oicit pmo fic.fctfa natura ccrui c fc&amp;gt; tul certri pjfcua qriic<br />

lucpfingifeosaliqnBahqucflumtl narre.7i n natarcne raicobfcruac<br />

tnodu t O2dinc#oc9o:dinare,pcedutfc5 vn 9 p<strong>of</strong>talul etia fice<br />

rint in ojdinc vnufquifcj ccruo?, pom t cs futl fug ffinur ceriri pcc<br />

et Ou ceriiua anrerto: fcflus c tile rctroccdit t ponir oe futl fug ferny r<br />

utvlrimitiftomoomcsccruifcvcrriittmuru<strong>of</strong>e pc:rattire^ eonun<br />

apftciuf fic,pcedcndo ncc aliq^ co Ocficifrt.Xuc tbi. ]Qcr take mo:es.<br />

Sufojponitallego:[aoicte nature oiccs fie recte.fictit ccruus fubleuae<br />

l&amp;gt;ebilio:c coniti.fic ^otee fo:rio:ee fublcuarc OH t ccbiliozee. t oiuttee fce<br />

bnr paugtb in co^ ncccflarijs fubucntre i fie adimplcda e Ujt jcpi.cui 9 le^<br />

gem t pccpra q^ fldimplcucrit ad ccleftc pace gucniat vbi vitc fur pafcua<br />

&amp;lt;3nDicitapf6.^l ircralrcri9 oncra po:farc,2fic adimplebirt s legc )cpi<br />

&amp;lt;L)[n onuo alrcrius po:tatcnil?i(aliudcq?miam l?fe circa ^jcimii fuurn.<br />

fc5 infirmos viftrardo.nudos veftiando-efuricres fariado.motcftoa co^<br />

fola do.c^p:cffia coparicdo.cl?a:irarc am ado.7 fie oe aitje.^tc alibi0c<br />

ciiq? vulris vt vobi6 facia c Ijotee l?cc eis facice. Item cemue Oicitur i<br />

ceres grecc quod eft co;nu t.i t inc.<br />

rnii9 Branca ticctcpigii<br />

fSIunma vila ncctiraflfidauo<br />

^cpcre qui ftudctartifictjs<br />

mtcarctbia mufca tibi<br />

^t volttans capiaris ibi<br />

Dulcis ct vtilis efca cibi<br />

l^mc placet ilUid opus tcncrc<br />

tfibinil valet vtfragilc<br />

Ouclibet aura rn bit in patulum<br />

Rumpitur etcaditin nibilum<br />

^osfcquiturbomo vermiculos<br />

^ecipiendo fuos minimoa<br />

OUOB comedit faciens miferos


94 Theobaldus, Episcopus. Physiologus de naturis duodecim animalium. [Cologne: Heinrich<br />

Quentell, 1495]<br />

Chancery 4 (200 x 135mm.), 14 leaves, 46 lines <strong>of</strong> commentary, Gothic letter, initial-<br />

spaces, modern vellum, some browning and spotting<br />

Theobaldus s verse physiologus was written in the eleventh century and was first printed<br />

in Antwerp in 1487. It is composed <strong>of</strong> allegorical interpretations <strong>of</strong> twelve animals: the<br />

lion, eagle, snake, ant, wolf, stag, spider, whale, siren, elephant, turtle-dove and panther.<br />

This is the last <strong>of</strong> four editions printed by Quentell.<br />

References: HC *15468; BMC i 295; G<strong>of</strong>fT140; Klebs 956.8; Voullieme(K) 1131<br />

5,000-6,000<br />

8,100-9,700<br />

193


194<br />

95<br />

In hoc volumine CD rj tin en tut fubfcripta<br />

Jecommus re viris lUuftrib? cum tabula ra p log in peincipio dHifaet htei*<br />

Jeronimuote dfentia Dtuinitatis<br />

ce articulis fitd et caddie faccamentis<br />

Cb^mas aquino<br />

Quguftinus ae quantitate an mi 2<br />

Quguftinus te S^oliioquio* 3Item.5Opeoihsm peccatroiB.<br />

Quatutw libzi ^datcs ce imttacoe )cpi cum tabfa capiDpt in hne c2Uht Iibzt*<br />

llrcm ctrozcsiuteoturn qdCalmut<br />

Item \mtates p^o probation c attioilorum jcpi<br />

pcocdTus iudiriatius ipftus Q^afcaron pzocuris tattato^ 5 genus buanu<br />

Donat? arte gram atic8 boi in fqupfig D^nicojg atiegozia <strong>of</strong>td2 vct(t(Tim3<br />

^^<br />

fie<br />

*<br />

i *<br />

Apu& latir.os aut Varro-SantranepoD-iginuB.et<br />

ao cuius nos qcempiu ius p:ouocarc tnquillis S&amp;gt;et?<br />

non c in ca qciilo^ ftmilis traDirio Htii*nbirto2ias<br />

vetetes annalef^ rEpltcantES-potuctut qft a tngcntt<br />

pzato puam opuftuk fui creonam tqcorc-go qupo<br />

actutus qui nuni p:cuium fc^s peffimu i?t &*rngtm<br />

mcmctipm bafeo et ^tifcbius<br />

pampbihin^-ttricftaf*<br />

ibiftozic UfeiG-majcimti nbbis a&iumcntfi fuctit*ct<br />

ftngulo^tc quibusfcripturifumus ^olumia etatcs<br />

an dop fuo^ fcpe teftent- 5ta$ Dnrn $m 111 WP F^<br />

ut qo ciccro tuus 4 in arcc rone elpcjfae fletit * non e<br />

facerc a&tgnanter hko mb:uto O2ato^ la tine lingue<br />

tejccno catologu-tD ego in ccdefie cius fcciptohb? enu^<br />

metan&is oignc coboztacionc tua imple^ -Si 4 aut<br />

4 ufcg bo^ie fcriptitant a me in 5 -pplwc ptermifli ft<br />

fibi magis $ mibi imputare cetebt jHecp n-celantEB<br />

fccipta fua ce bijs q non legi h<strong>of</strong>ie potui-et qt? alrjs<br />

notu^mibi in j&amp;gt;oc tenra^ angiiio fuent ignotu Certe<br />

cu fcnpns fuis claruert no magnoge no filentt^ oif?<br />

pen&ia fuftinebt iDiftat i^celfuB-pozpbitiS-iutianus<br />

rabi&i aDufus jcpm caneo t?iftat ferfatozes eo^ 4 Pu -<br />

tant eai^ nlFce pBos ct clo^tes nllbs babuifle toe -<br />

to2C8 qhti ^r qles viti ea fu&auecit inftrujcerit atorna?<br />

uccit * rdinat ftDe nra; rufticc tm fipliatatie<br />

fuacg poaus impicia recogn<strong>of</strong>cat jcplidt* v-i


95 Thomas a Kempis. Imitatio Christi. [Augsburg:] Giinther Zainer, [before 5June 1473],<br />

FIRST EDITION, 76 leaves. G<strong>of</strong>f HI 92; PMM 13<br />

Hieronymus, Saint. De viris illustribus (with continuation <strong>of</strong> Gennadius <strong>of</strong> Marseilles).<br />

37 leaves. G<strong>of</strong>f HI 92<br />

Hieronymus (pseudo-) De essentia divinitatis (Thomas Aquinas: Summa de articulis<br />

fidei). 16 leaves. G<strong>of</strong>f HI 79<br />

Augustinus, Saint. De animae quantitate. 29 leaves. G<strong>of</strong>f Al 225<br />

Augustinus. Soliloqiua (Anon.: Speculum peccatoris). 28 leaves. G<strong>of</strong>fA1333 & 1337<br />

[Theobaldus subprior] Errores iudaeorum (Probationes NoviTestamenti). 12 leaves. G<strong>of</strong>f<br />

E106<br />

Bartholus de Sax<strong>of</strong>errato. Processus iudicarius. 10 leaves. G<strong>of</strong>f PI 001<br />

Gerson, Jean. Donatus per allegoriam traductus. 8 leaves. G<strong>of</strong>f G221<br />

[Nider, Johannes] Liber de arte moriendi. 21 leaves. G<strong>of</strong>f Al 089<br />

9 works in one volume, Chancery 2 (285 x 196mm.), 35 lines, Gothic letter, 3-, 5- and<br />

6-line initials supplied in red, title-slip <strong>of</strong> 12 lines (85 x 190mm.) bound at the beginning<br />

with text on recto (originally reversed, with text on verso), calf over unbevelled wooden<br />

boards, blind-stamped in the gothic style, brass corner- and centre-pieces, moroccobacked<br />

box, contemporary manuscript headlines and occasional marginal notes in some<br />

works only, a few small wormholes in text, spine repaired at head and foot, a remboitage<br />

FIRST EDITION OF THE iMITATIO CHRISTl THE MOST INFLUENTIAL DEVOTIONAL TEXT OF<br />

THE LATER MIDDLE AGES. The Imitatio has remained among the most read and printed<br />

classics <strong>of</strong> Christian spirituality, printed in a huge number <strong>of</strong> editions (more than 3000<br />

are recorded), in many formats and languages. AN OUTSTANDING COPY BOUND WITH 8<br />

OTHER CONTEMPORARY THEOLOGICAL TRACTS.<br />

The Imitatio is made up <strong>of</strong> four independent treatises: Admonitiones adspiritualem vitam<br />

utiles, Admonistiones adinterna trahentes, Devota exhortatio adsacram communionem, Liber<br />

internae consolationis, consisting <strong>of</strong> 25, 12, 59 and 18 chapters. It takes its title from the<br />

title <strong>of</strong> the first chapter <strong>of</strong> Book I:<br />

Incipit libellus consolatorius ad instructorum<br />

devotorum cuius primum capitulum est de imitatiuone christi & contempotu damni<br />

vanitatum mundi. Et quidam totum libellum sic appellant. Sicilicet libellum de<br />

imitatione christi. Sicut evangelium Mathei appellatur liber generacionis iehsu christi eo<br />

quo in primo capitulo sit mentio de generacione<br />

Christi secondum carnem... .<br />

Written as a model <strong>of</strong> the spiritual life for the brethern <strong>of</strong> the Devotio moderna, it became<br />

the most widely read <strong>of</strong> all texts <strong>of</strong> this movement.<br />

The text was remodelled over a period <strong>of</strong> about twenty years, and it was only when<br />

Thomas a Kempis judged it definitive that he added the colophon on the last page <strong>of</strong> his<br />

autograph manuscript, 1441 . But over those twenty years the various sections had been<br />

many times copied, sometimes all together, sometimes in manuscripts containing one,<br />

two or three <strong>of</strong> them, and some thirty manuscripts dated before 1441 are known. The<br />

text was therefore well known by the time it was printed.<br />

195


196<br />

95<br />

ceTieetat Tit gtatus pio gratia Data paries p Tublata<br />

Oret vt tectat cautus Tit tt bumilis ne amittat<br />

^x&amp;gt;^<br />

Oepaudtate amato^ crucis )cpi Cap-jci.<br />

AtoiWusnuncmultceamatoicsTuiregni<br />

ceteTtts pauccs baislatozcs Tuc crude Q9ul ;<br />

ji jA* tosbabettcTiccratoicsconTolatiDni<strong>of</strong>ipaucDB<br />

cnbulationis Plutes inuenit Tocice menfc-g pauccs<br />

abftinentic Dmcs cupiunt cu CD gautcrc Tet&amp;gt; paud<br />

cum co aliquiD mTtinerc . Cpulti ibeTum Tccuntut<br />

vftj; aD Fradioncm panis-TcD paud vT^ aD bitcn&u<br />

calicem pafiionis -Cpulti tniracula dusvencrantur<br />

TCD paud igtiominiatn RrucisTceuntut CpultiijJm<br />

Diliguntqin Diu aDucrTa cisnon otingunt -Cpulti<br />

ilium lauDant ct beneDicunt cjoi Dm conTolationes<br />

ab co pcrdpiunt .S^i autem ibeTus Tc abTconDcdt ct<br />

irioDicu ecorcUcfritaut in cftimonia aut in cdcdoig<br />

nimiam caDunt GUI aut iBm ^Jptcc i|5m ^ no ^pter<br />

Tuaali^ oTolationcm Diligunt ipm in DI tdbulacoe<br />

anguTtia coi&is Ticut in TumaoTolatoe bcncDicunt<br />

ft nuncj? cis conTolationcm vdlct Dare ipTum tn<br />

Tcmjvr lauDaretet Temper gratiao agcre xtllcnt-O<br />

quantupotcTt amcc ibcTu puruc-nulio tiptio am-cce<br />

xclompto permijctus Jfionne omcs mcrcenattj Tunt<br />

DicenDi qui conToladoncs Temper querunt .fionne<br />

am a trees Tui magiTg^ jcjpi pjobantur qui Tua om<strong>of</strong>ca<br />

ctlucra Temper mc&itanturvbi inucniturtaltsqui<br />

\rlit ceo Tenure gratis H\aro inuenitur tarn Tpuahs<br />

ahqs qui omite tit nuDatus -([iaj \^^ paupej Tjpu et<br />

ab pi creata nuDu quis inuenict p:ocul ct tc vltimis<br />

finite pjedu eius .&amp;gt;i cetcrit bo omcm TubTtandam<br />

Tuam p:o bac nu&itate aDbuc nibil eTt .t ft ftcerit<br />

penitenda magna aDbuc cjciguu e t Tt afptebcn&ft<br />

omern Tcicn tiaj aDbuc longc eft 6t ft babuit virtute<br />

ma gnt^et emotion 13 nimisaromtem aDbuc multu<br />

Tibi eeeTt Tcj vnu quob Tume Tibi neceflatiu eft duio<br />

;:;:


Even before the death <strong>of</strong>Thomas a Kempis, this work was <strong>of</strong>ten attributed incorrectly to<br />

Jean Gerson and this false attribution persisted in many incunable editions and beyond.<br />

Zainer, however, correctly attributes the text to Thomas, canon regular <strong>of</strong> St.<br />

Agnietenberg near Utrecht . A manuscript <strong>of</strong> the Imitatio Christi, dated 1471, at Harvard<br />

University (fMS lat. 246), formerly owned by the Carthusians <strong>of</strong> Buxheim, presents a text<br />

very close to that <strong>of</strong> Zainer s edition; whether it served as Zainer s exemplar has not been<br />

definitively shown. As in most copies, leaf 3/10 is here a cancel; the uncancelled leaf<br />

survives for example in the New York Public Library and Lilly Library copies.<br />

The Imitatio Christi is one <strong>of</strong> nine theological tracts printed by Zainer in identical format,<br />

c. 1472-early 1473, and marketed together. The complete set <strong>of</strong> nine is present here, with<br />

the Imitatio Christi bound fifth. Hain describes a complete set with a rubricator s<br />

completion date <strong>of</strong> 5 June 1473; the Otto Schafer copy <strong>of</strong> all nine was acquired by the<br />

Benedictines <strong>of</strong> St Mang at Fiissen in 1473; and a copy <strong>of</strong> the first part tract, Jerome De<br />

viris illustrious, contains a rubrication date <strong>of</strong> 1472 (L. Feinberg catalogue 4, 1979, no.<br />

1). When the entire group was sold together, perhaps ready bound, it was provided with<br />

an inserted<br />

title-slip <strong>of</strong> 12 lines, listing the contents (present in this copy).<br />

The present volume, although perhaps integral from the eighteenth century onwards, is<br />

apparently made up from three different copies, as indicated by variations in rubrication,<br />

presence or absence <strong>of</strong> manuscript headlines, and patterns <strong>of</strong> worming, the Thomas a<br />

Kempis and the Theobaldus both appear to be <strong>of</strong> separate provenance from the remaining<br />

7 tracts. An early owner <strong>of</strong> the Imitatio Christi, Leonardus Pruckhain, wrote several<br />

marginal notes dated 1530, including one referring to the Franciscans <strong>of</strong> Landshut and<br />

another referring to an act <strong>of</strong> witchcraft in flickendorff (?).<br />

Provenance: Imitatio Christi: Leonardus Pruckhain, priest <strong>of</strong> Chambstorff (?), fl. 1530,<br />

with inscription; an unidentified religious house (perhaps Unering, near Starnberg), with<br />

deleted inscription, ...B VMVnelensium 1606; Augustinians <strong>of</strong> Polling (Upper Bavaria),<br />

with inscription dated 1769; all parts: Lucius Wilmerding, with bookplate (sale Sotheby s<br />

New York, ii, 5 March 1951, lot 343); Charles van der Elst, with bookplate (sale Ader<br />

PicardTajan, 13 May 1985, lot 183; the Collection <strong>of</strong> the Garden Ltd., with booklabel<br />

(sale Sotheby s New York, 9 November 1989, lot 12)<br />

References: H *8589; BMC ii 318; IGI 5106; Christ, Plato, Hermes Trismegistus (1990) no.<br />

184<br />

50,000-70,000<br />

81,000-113,000<br />

197


198<br />

96 actual size<br />

,,_jaltattimfctftteiltm<br />

tec ttactmolgung ctCffi- *tafc 00<br />

mtjntec<br />

nttp*tf<br />

bte vv?o*t<br />

wtt<br />

emettfptttob wit watltd? 1<br />

fytet wee4c**mb von allee plmt^tt 5ee fce<br />

c^ett ecle&i8ct*atttmb vitfee l&amp;gt;od)ptee flei<br />

fe fey ^bettac^tctt feas lebett mfti^rnin cti<br />

fttts lee ufccctttfft allee ^epltgett lee vn fcyi<br />

fceit ^ejnn Jas verpozflett V&amp;gt;tmelp20 1<br />

^et &t* tos vtl menf^en hleftie te ?<br />

rf


96 Thomas a Kempis. Die wahre Nachvolgung Christi. Augsburg: Anton Sorg, 20 November<br />

1486<br />

Chancery 4 (202 x 14 1mm.), 198 leaves, 23 lines and headline, Gothic letter, 4- and 10-<br />

line woodcut Maiblumen initials, contemporary Nuremberg binding blind-tooled calf<br />

over unbevelled wooden boards, outer frame <strong>of</strong> triple fillets, outer border with small<br />

lozenge-shaped stamp <strong>of</strong> a pierced heart, central panel divided with triple fillets into<br />

triangular compartments each containing the stamp <strong>of</strong> an artichoke (Kyriss workshop<br />

113, Taf. 227, no. 9), metal corner- and centre-pieces, one clasp and catch, modern cloth<br />

box, a few early manuscript notes at the beginning, outer corner <strong>of</strong>fol. 1 repaired, short tear<br />

infol. 161, firstfew leaves lightly damp-stained, rebacked retaining some <strong>of</strong>original spine,<br />

clasp renewed<br />

FIRST EDITION IN GERMAN OF THE iMITATIO CHRISTl . Although G<strong>of</strong>f places Johann<br />

Zainer s Ulm edition earlier, c. 1480 (G<strong>of</strong>f 139), the type employed in that edition was<br />

not used by Zainer until 1487. A fine copy in a contemporary binding.<br />

In the present edition the text is treated as anonymous. A German translation was made<br />

as early as 1434, and there are several manuscripts <strong>of</strong> fifteenth-century Dutch<br />

translations.<br />

The present copy contains an apparently unrecorded setting <strong>of</strong> fos. 106 and 1 12, in<br />

which they are misnumbered cxii and cvi<br />

respectively. Anton Sorg,<br />

like Zainer, printed<br />

many works in German in this format. The British Library copy has the early sixteenthcentury<br />

ownership inscription <strong>of</strong> a German nun.<br />

Provenance: Augustinians <strong>of</strong> Herzogenburg, near St Polten, Austria, with bookplate and<br />

inscriptions; Rendel Harris library, with stamp<br />

References: HC *91 16; BMC ii 352; G<strong>of</strong>f 140<br />

25,000-30,000<br />

40,400-48,500<br />

199


200<br />

97 actual size<br />

r<br />

J


97 Trithemius, Johannes. De triplici regione claustralium et spiritual! exercitio<br />

monachorum. Mainz: Peter von Friedberg, 6 August 1498, FIRST EDITION, 98 leaves, 36<br />

lines, Gothic letter, title printed in red, initials in red<br />

Trithemius, J. De statu et ruina monastici ordinis. [Mainz: Peter von Friedberg, after 11<br />

April 1493], 32 leaves, 36 lines, Gothic letter<br />

Trithemius, J. De cura pastorali. Mainz: Peter von Friedberg, [after 1 May 1496], FIRST<br />

EDITION, 10 leaves, 36 lines, Gothic letter, initials supplied in red<br />

Trithemius, J. Oratio de duodecim excidiis observantiae regularis. [Mainz: Peter von<br />

Friedberg, after 28 August 1496], FIRST EDITION, 22 leaves, 35 lines, Gothic letter, initials<br />

supplied in red<br />

4 works in one volume, Chancery 4 (212 x 143mm.), initial-strokes supplied in red<br />

throughout, contemporary South German blind-stamped pigskin<br />

over wooden boards,<br />

metal corner- and centre-pieces, 2 clasps and catches, contemporary paper label on upper<br />

cover, modern cloth box, a few small wormholes in margins, some light staining in margins<br />

A collection <strong>of</strong> four works on monastic spirituality byTritheim (1462-1516), abbot <strong>of</strong> the<br />

Benedictine Abbey <strong>of</strong> Spanheim, three <strong>of</strong> them first editions, all printed by the Mainz<br />

printer Peter von Friedberg. Of the twenty-six editions <strong>of</strong> Tritheim listed by G<strong>of</strong>f,<br />

eighteen are from this press, mostly dating from the mid 1490s. The Abbey <strong>of</strong> Spanheim<br />

is in the diocese <strong>of</strong> Mainz. Trithemius became abbot on the 9th July 1483.<br />

The De triplici regione is an important work, and in 1499 the annual chapter decided to<br />

adopt it, together with the Exercitium Spirituale <strong>of</strong> Thierry <strong>of</strong> Bursfeld, as an <strong>of</strong>ficial<br />

book. For Trithemius reading was very important - lectio sacra mentem provocat - and his<br />

own collections and works bear testimony to this.<br />

Another undated edition <strong>of</strong> De statu et ruina monastici ordinis was printed by Peter von<br />

Friedberg (G<strong>of</strong>f T453), which BMC describes as the first edition.<br />

References: De triplici regione: HC * 1561 8; BMC i 49; G<strong>of</strong>fT456; De statu et ruina<br />

monastici: G<strong>of</strong>fT454; De cura pastorali: G<strong>of</strong>fT436; Oratio de duodecim excidiis: G<strong>of</strong>f<br />

T449<br />

15,000-20,000<br />

24,300-32,300<br />

201


202<br />

98<br />

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pontificcm majcimu coitio in tibrum pfalmozfi quc alt) foliloqum<br />

bicunt intipit felidter.a*Jobanne be turre cremata. $abmcn(i epo<br />

ac foe romane coic araiaUa fen Sijcti tulgariter nucupato cbita,<br />

Bipfatimmo<br />

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ac dementiflimo bomino 10<br />

patri<br />

(ccunbo pontihd majdmo* Johannes be turrc<br />

cremata Cabmen epudTancleiomane ccclcfie<br />

car oin alia fan^i Pi](tt vutgaritcr nuncupatua&amp;gt;<br />

pod bumilcm recomenoatione ao pccu <strong>of</strong>cula<br />

beacomm* mibi Ouoi<strong>of</strong>c fa<br />

|&amp;gt;crfcrutanri p (mop<br />

UDmm* quc airj ell foliloqum oicunt^quob<br />

coUocutto boia cum beo<br />

fingularitefvel Fecu tantum* lauoati couenit ct ozari<br />

quozu \&amp;gt;tru$<br />

alg libmm bpmnop bgmnus aute eft taua bei cu cantico* alg pfab<br />

tcrium-quia q intus bauio oiuina infpiratioe pcrdpicbat-bcc mo;<br />

Dulato carmte p:<strong>of</strong>crebatmira oocurrit pulcrituro fcnfuu-ct fhUan:<br />

tium mcDidna verbopet amplimma ccpia ^irtutu ao o;m anime<br />

perftcltone* ut mcrito aptcc pzopbctc illuo p9ci* pabunoatia in.<br />

tumbus tuia ic c in pfalmis tuiaq rcfte turrea afpiUari pnt^u<br />

p:opccr incop2ebenfibilem alritucinc fapiette ! eia cotente . *tu $&amp;gt;t<br />

m&eficictis befenfiois aujci(m-q5 abucrfua b<strong>of</strong>Uea incurfua pzcft \t<br />

bia q intento fcnfu ct -cigilantt mctc pfalmooia oipotrnri beo cjcfoU<br />

mint, Jn bia turrito c babuoaria majcie vtiUtaris. plane bic pfal s<br />

mop liber regiftru e cociua Tacrc fcripre<br />

etconfumaciotonusfacre<br />

paginc, Alia nag; Cunt ut ait AugufKnua q pzopbcte trabut*alia<br />

q biftozici libzi- Iqc $ alia -alia libzi yubiop- pfalmop vo liber quccun$<br />

vrilia funt ej: otto connet* ct fufa pieoicit, JDic em anudatio<br />

jcpi in came fuftbic oim j^i miftcriop<br />

reuelatio-bic cois rcfurrecK;<br />

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fpco pzeoiciturTufpliaop metuaglozie pMUa ^.ibcr ifte<br />

vcteru &amp;lt;?iuctib?<br />

gefta comemozat-lcge<br />

tnbmt gweDop (bruit moou<br />

t ut bzeuic Dicacoi3 quioe boe bo^rie tbefaurua c quio em eft qo<br />

no oiCcac ejc pfalmi^g bic ota magmtubo &quot;ctutiamozma iuftiacpu<br />

cidcie bccozp2UDctic confumatto^pacietie nrgula,J^falmooia ut ait<br />

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!il&amp;lt;f wii7-.tiitummtkiie owu(&amp;lt;iiioii|r\5P--oa &amp;gt;nlV(<br />

I\ IH i&amp;gt;tnuin nimi&amp;lt;iuel&amp;gt;iB<br />

.-|HO:II qrmiGiv(iut-&amp;lt;M/7i<br />

nr; .lutco b<br />

ompliup vcj|Ktt&amp;lt;u ojAitihfl-iiyttnpt^ t|H*i<br />

&quot;*i *i$w rHUmtn i0 *tft-&amp;gt;tto&amp;lt;n &amp;gt;i&amp;gt; *&amp;lt;f^u&amp;lt;*2i ticgnMf otmnu*<br />

i tuu-i mint . wKteiia -&amp;gt;i i IM m VM hf :Jw tin ii*:ii<br />

ntpii(if<br />

?n&amp;lt; on*&amp;gt;&amp;lt;-ntmit ln tw<br />

&amp;lt;f?~*&quot;i9 iwafpau? xpi76 &amp;lt;fr<br />

n ftlB tn tine &amp;lt;-?Oltt<br />

,if&amp;lt;)i<br />

(flija<br />

liirtrtt^oi oooie pwtiiwnt &amp;gt;ti(\ nre fivif II^^IM<br />

hiviiSt<br />

onwnit wllrtrr ,- |iMitr &amp;gt;n<br />

p,th ifcuo<br />

^ti<br />

-etfitti nm&amp;lt;t<br />

ynhri w)7iti4&amp;lt;<br />

1<br />

V**<br />

ih bi i fi * (V-<br />

ifJitn t-u-l pfirtiiN<br />

&quot;,,^&&quot;, v. ,. ,-,, .,.<br />

r rr t<br />

98 Turrecremata, Johannes de. Expositio super toto psalterio. [Augsburg:] Johann Schussler, 6<br />

May 1472, 134 leaves (<strong>of</strong> 136, without 2 blank leaves), 35 lines, Gothic letter, 2- and 6line<br />

initials, paragraph-marks, initial-strokes and underlining in red<br />

Bible. Latin. Gospel <strong>of</strong> St Matthew. Manuscript on paper, 24 leaves, double column,<br />

initials, headings, and initial-strokes in red, [last quarter <strong>of</strong> the fifteenth century]<br />

Manuscript [begins:] Alpha et omega principium et finis Deus omnipotens ,<br />

manuscript<br />

on paper, 47 leaves, double column, initials, and initial-strokes in red, [last quarter <strong>of</strong> the<br />

fifteenth century]<br />

3 works in one volume, Chancery 2 (307 x 215mm.), contemporary blind-stamped calf<br />

over wooden boards, slight worming in upper outer corner <strong>of</strong>firstfew leaves, one leaf soiled,<br />

rebacked, library stamps erased<br />

Juan deTorquemada (1388-1468), Dominican and Cardinal, uncle <strong>of</strong> the Spanish Grand<br />

Inquisitor Tomas de Torquemada, played an important role at the councils <strong>of</strong> Basel<br />

(1432-1437) and Florence (1439). His commentary on the Psalms was first printed by<br />

Ulrich Han at Rome in 1470.<br />

The present, third edition <strong>of</strong> this commentary is reprinted from Schiissler s undated<br />

edition, printed not after 1471. The text <strong>of</strong> Schiissler s editions is based on a different<br />

manuscript from that used by Han. The present edition corrects the textual disorder in<br />

quires 1 1 and 12 that exists in Schiissler s earlier edition; there are also a few changes in<br />

the setting <strong>of</strong> the final leaf.<br />

The second <strong>of</strong> the two manuscript texts appears to be the Postilla Gratiae dei dicta by<br />

Johannes Milicius, a manuscript <strong>of</strong> which exists in Budapest (Univerzitna Kniznica, Lat.<br />

42).<br />

References: HC * 15696; BMC ii 329; G<strong>of</strong>fT519<br />

40,000-50,000<br />

64,500-81,000<br />

f<br />

203


204<br />

99<br />

,<br />

_ bittirprocsfluamteatttodinc.<br />

^CfPraJmusprmiuamquoWcri*<br />

fxceatozu no ftcaOfcdvita fiia m?<br />

maculata e6werfac6e trafiin&amp;gt;( ct q<br />

pefHJc<br />

mittaintncc pstltna pmd<strong>of</strong>c toarmcctcmpb rdiqmf .<br />

- * cd m leg* oiii firit wltitas cui6)ut tntihic !cgi s m.in;<br />

bata pfi0at(cttntcgv coi6).idtmplcnda([mcdttaoir nffi<br />

Oucmj)(peri&im adiicrfisDno tantum fcdionclegis fed<br />

iugi obFuaooncranctitaris.^-^ tcritfancpliytiumqv&amp;gt;<br />

plantato c fccue flucnfa aquar5viro:c0mc gnatt* icmp<br />

Jviuus qw teno^-operurt plcnitudmcfi:aidu8(Fruchi3<br />

fcabtt trmpcvite feliafatis<br />

fuc?tM^nii<br />

etpfnc.<br />

^Jrwrbactu8n6lrfliKt)avmfntrmmcdadii ncmcari<br />

furmcvtihtatrfiad.^ioucrudifonc.-iralutv^pfiricnr rt<br />

r<br />

otnmaqdiiiqjfadtfp<br />

&amp;lt;prpctabiir)fibi ad oolecuttoncm<br />

vice ctemc.j_ von fie hnpti no fie fed tanq pulins^mfrnl<br />

at afaaOftabilitatis ctrrne.T jCtco^qzftitficputuisrno<br />

nrinettir. qt no crcdcwe pjm a errttfrnnrs iamiudieao. lunt<br />

i<br />

no^nrefurgvrCm c6grcg ac6ncrafK);ii)q: no admittctiir<br />

advitam cternatn ad qun iufti cog-rcffabuntuf.<br />

crpcdita via adbfattaJmc^trrain &amp;lt;mpioni)non ap<br />

probar.Tcd rcprobat. ntp&amp;gt;tc qtn.i mimundum tencbro*<br />

(urn triftc tedticcns m pjrdittoncm.<br />

99 Turrecremata, Johannes de. Expositio super toto psalterio. Mainz: Peter Schoeffer, 11<br />

September 1474<br />

-<br />

Chancery 2 /Royal 4to in half-sheets (313 x 215mm.), 173 leaves, 35 lines, Gothic<br />

letter, colophon and printer s device printed in red, first 2 initials supplied in blue and red<br />

with leafy red penwork extensions, 2- and 3-line initials and paragraph-marks in red and<br />

blue, initial-strokes and underlining in red, CONTEMPORARY ERFURT BINDING BY<br />

CONRADUS DE ARGENTINA, blind-stamped calf over wooden boards, sides ruled in blind,<br />

stamped with tools, brass corner-pieces, plain edges, modern cloth box, several small<br />

wormholes in firstfew leaves, a few at the end, some worming on upper board, lacking 10<br />

metal bosses and 2 clasps, small neat repairs to joints and at head and foot <strong>of</strong>spine<br />

Fourth edition <strong>of</strong> Turrecremata s commentary on the psalms, the text being that used in<br />

the editio princeps printed by Ulrich Han at Rome in 1470. The second and third<br />

editions, both printed by Schussier in Augsburg [not after 1471] and 6 May 1472 (see<br />

previous lot), derive from a different manuscript <strong>of</strong> the text.<br />

The psalm incipits are printed in the smaller <strong>of</strong> Fust and Schoeffer s two Psalter types,<br />

while the text type is that used in their 1462 Bible. The broad printed versal initials <strong>of</strong> the<br />

present edition were based on those used by Han for his edition. They are not used in the


first quire, in the second quire in the inner formes only and from the third quire onwards<br />

in all formes.<br />

Like the British Library and Pierpont Morgan Library copies, the present, unusually tall<br />

copy has Royal half-sheets <strong>of</strong> paper in quire 17 (bifolia 2.1 1, 4.9, 5.8 and 6.7); and<br />

additionally in this copy in quire 15 (bifolia 4.7 and 5.6).<br />

The binding is apparently from the Erfurt workshop <strong>of</strong> Conradus de Argentina, active<br />

late 1460s to mid- 1470s; a litte over a dozen examples <strong>of</strong> his work are recorded. In about<br />

1475 Conradus apparently moved back to Strassburg, where his tools merge with those <strong>of</strong><br />

Kyriss s shop 147 (Michael Laird, Bulletin du bibliophile, 1998, 7-36). The present<br />

volume stands chronologically more or less at the crux <strong>of</strong> that move, and is conceivably<br />

Conradus s Strassburg work, but the brass corner-pieces hint at Erfurt as the likelier place.<br />

Provenance: Sir Thomas Phillipps, with his printed-book number label 887 on spine;<br />

Raymond and Elizabeth Hartz, sale Sotheby s New York, 12 December 1991, lot 197<br />

References: H *<br />

15698; BMC i 31; G<strong>of</strong>fT520<br />

50,000-60,000<br />

81,000-97,000<br />

205


206<br />

100<br />

&amp;lt;<br />

rmiuon qtiQ<br />

big^proccfTusmtcatimdmc;<br />

atueUirqninort<br />

o- mipio^ prauie CD^L, macE<br />

nacomto<br />

no flttitj)^ vita fua hn-<br />

tnaoilataoucrfacoc trafiujr^.a q<br />

iqtv<br />

t Diumc Icgis ma?<br />

cdaCmcdtta<br />

nontantuicchoni? I<br />

gi obhiarionc fancHtatis.Jg^r crir tanq^ Itgnu qp<br />

ucra aquaru^trogctJhicgfc kmp<br />

^<br />

frabit trmpc vitHucQpi gnu fehdratre ctrrnc;<br />

no fceflutt)a\ritats i mcdaaTi/ncfnafe<br />

no<br />

dr afaa cjOabidfaris ctcrnc*<br />

ct<br />

Dfifai ad c<strong>of</strong>ccuconc<br />

(no rcfurg-ct hiipti^fe; mfiddcgiCiii uidicD^ifculTiomf<br />

Wtcjcamhictu^qi no crGtrtcs pcmeccrdnmiis iawdica<br />

^ito filt^n(?q5 pccotcg^^fclTtonc xpiani/0 mincwite pccif<br />

ebnoyn rcrurfrctCniQfrrcg-ac6ciiifto;uj)qt no admitcsnmr<br />

ad vita ctrrna ad qua uifH cogrcg-abutur.<br />

&amp;lt;r%<br />

uoniam nouitDnsQ no tina ai


100 Turrecremata, Johannes de. Expositio super toto psalterio. Mainz: Peter Schoeffer, 10<br />

March 1476<br />

Chancery 2 (273 x 204mm.), 197 leaves (<strong>of</strong> 199, without the two blank leaves), 31<br />

lines, Gothic letter, colophon and device printed in red, first initial in red with blue<br />

penwork decoration, second initial in blue with red penwork, 2-line initials, paragraphmarks,<br />

initial-strokes and underlining in red, modern brown morocco, red edges from an<br />

earlier binding, contemporary manuscript foliation, some leaves with brown stains from<br />

removal <strong>of</strong>marginal leather tabs<br />

Sixth edition: a reprint <strong>of</strong> Schoeffer s 1474 edition (see lot 99). The large titling capitals<br />

were copied from those used by Ulrich Han in his editio princeps <strong>of</strong> Turrecremata (G<strong>of</strong>f<br />

T517). The headings are set from the smaller fount <strong>of</strong> the 1457 Psalter. In quire 8, the<br />

compositor skipped a page <strong>of</strong> copy when setting the outer forme <strong>of</strong> sheet 3. This was<br />

rectified by the insertion <strong>of</strong> a single leaf between fols. 2 and 3, with 22 lines on its recto,<br />

and 14 on its verso. These lines were set to a narrower measure than the standard page.<br />

Fol. 8/2 verso was also set 3 lines short, implying that the order <strong>of</strong> composition was from<br />

the middle <strong>of</strong> the quire outward. The red-ink colophon and device were printed in a<br />

separate, second impression.<br />

Provenance: Albert Ehrmann, Broxbourne Library (sale in our rooms, ii, 8 May 1978, lot<br />

349); George Abrams (sale in our rooms, 16 November 1989, lot 124)<br />

References: HC * 15699; G<strong>of</strong>fT522; CIBN T379<br />

30,000-50,000<br />

100<br />

48,500-81,000<br />

cardmafia/tituliratieH<br />

fce Turrccremata/orpfitto braus ctvtilis<br />

fupzr toto pfalteno Mo^unttcrniprcfTa/ Artno tommi<br />

a t&amp;gt;i c marcij pp<br />

eft-confumara.<br />

207


208<br />

101<br />

ftirpjiMgniiambe<br />

(Earns<br />

&quot;Cirqinnon<br />

abqtaviare<br />

eta recedcdo:<br />

mpftlto tm<br />

pto:itm pja<br />

ui0 cop ma/<br />

cbinanomb*<br />

confenriendo qtli in VW peccato<br />

rumnon Item (5 vita fua imma<br />

culata?uerfaride<br />

trafiuit et qill pe<br />

ttllenttSDOtpnansvenena non<br />

feminawtnecp<strong>of</strong>teris gnici<strong>of</strong>e oo*<br />

ctnne ejcempla reliquit.<br />

ffeedmleseDmfurt<br />

s oluntaf<br />

eiUS vtoiuie legis madata gftctat<br />

et in lege ei9 adimpieda mcdtta<br />

turaffiduein pwfperis et in<br />

aduerftd no tm lectione le^ fed iu<br />

at obfcru j noc fjnct itano.<br />

f/tttenttan^lwnu quod plan<br />

tatttm elt fee9 nttenta aquaru<br />

I viro:cDtuutc gfc pvtuM bonozu<br />

opcr plcnitudmc fecudue friictu 3<br />

oabit tge vitefue otgnu Wtcita<br />

ns eterne. f/ i.t verfra ci^on<br />

DefUtent a vcritare in mcndacium<br />

neincaflU5fine vtiUtatefjadaUop<br />

cruuinonc ? falutcpficient etom/<br />

ma quectiq5 factct fg.pfpera<br />

bttntur fibiad confecuttoncm vite<br />

eterne. W T^on ftc tmpvj n ftc<br />

fed tanqua piilins infecudus et<br />

I lccut ab bumo:c Piuic gfe que ait<br />

raDtabolt.pi)ata facie ftabili/<br />

tatie eterne.<br />

2) d co quta funt ftcut pulutd n on<br />

refurgentimptjfcjinftddee in<br />

liidiao oiff ulTcotnvJ v t epniMictur<br />

iiuu 110 credentee pcnt0 certtfltmid<br />

latntudicattfunt neq? peccatd*<br />

respj<strong>of</strong>eflioiiejcpiant ifjmwojtb<br />

peccatieobnojcurefurgctin p0re<br />

tentur ad vita eterna ad qua? iwfti<br />

eon^regabunrur<br />

iA&iioniam nonitoonimus<br />

noincia appwbariote viani itllto<br />

flint vtputc quta mil da fpletidida i<br />

via ad bea-<br />

&amp;gt;<br />

tlectabili0 .q: ejcpcdira<br />

ntuduieni iter auton tmptccuj.<br />

no app:obat : fed repzobat .vrpore<br />

immundu retiebz<strong>of</strong>tini i tnftc<br />

quia<br />

ceduceneinedittcme.<br />

cbinanone etrebelUonc nioiv<br />

entiuni ptra rcsnti5 cb:iltt ct<br />

pe ipftuecbnftt excellentu ct<br />

a3mpcrrccuto:ii3Cb:ilh qua<br />

p:etndebatrpmtuait;<br />

a!3arc fremu<br />

mintmozefera?. ftnera<br />

noiic iJCtllCO romani nir<br />

litee cruciftto:e0 ipi et pcpuli itt<br />

ocomcditati runt mania ere<br />

oentc0 B cb:ifti nionent qxingutre<br />

nomc i fama i regnu cm0.<br />

fauo:e:berodee t pilatus facrilegif<br />

mentibue in boc fcelere c<strong>of</strong>entictea<br />

ifacerdorumpzincipes conue^<br />

nenmtm vna pjawa -volunta<br />

te aducr fits oonnnum oet5 pa<br />

rremetaduerruecl?2tlbini fatu<br />

eius. oiccte0S:&amp;gt;inipamu6<br />

&quot;Cincula.f.t)octrina i miracula if<br />

ct ctuo<br />

imfru&amp;gt;ne0quibu0b:iftu0<br />

101 Turrecremata, Joannes de. Expositio super toto psalterio. Strassburg: [Printer <strong>of</strong>the 1481<br />

Legenda Aurea], 23 April 1482<br />

Chancery 2 (286 x 203mm.), 125 leaves (<strong>of</strong> 126, without initial blank leaf), double<br />

column, 42 lines, Gothic letter, 4-, 7- and 9-line initials in red, paragraph-marks and<br />

initial-strokes in red, red morocco by Riviere & Son, gilt edges, 2 small wormholes in text<br />

<strong>of</strong>first 2 leaves, a few others in margins <strong>of</strong>firstfew leaves, a few repairs in margins <strong>of</strong>first 2<br />

leaves, scratch on upper cover repaired<br />

A scarce edition.<br />

Provenance: Bibliothek Oberherrlingen, with bookplate dated 1839<br />

References: H * 15703; BMC i 97; GorTT527<br />

6,000-10,000<br />

9,700-16,200


102<br />

TJndpitttadatus c* efficada aque bme&ide/ pet &amp;lt;oenetanou<br />

magjfhum ^obannem oe tutce ccemata/facce tbeobgie .pfef*<br />

fotem/otomia pteoicato^/ tempo* condlij bafihenne copdat^<br />

contca pettu anglicum betetico^ afenfotem m bobemia*<br />

Ifliunjrit rnibi nupet patetnitas oeftta patet/^ra<br />

pleumarefponeetraomagjftto ^Jobanmoe tfiagj<br />

3? fio/pumo bobemotum acticuio ceiponoeti j} magi<br />

fttum pcttu anglicu ptop<strong>of</strong>itum notate cu oili*<br />

getiaKnnotaui fiquioeii patec ct one t<br />

oenecato;<br />

ampliffmie/ne oum ^pieumads btulum memoue confignans &amp;lt;ce<br />

ru edam eiufoem ptopieuniads latentis ambiguitade D .fToiucn<br />

to nooulce animu patump accomooans -qt^ue bcnigmffime pa<br />

tetmtadstliuminatiflmte fapiende emenoanoum oifcto et fujple<br />

oum Cuiug quiatm ^pieumatie xnaiicet vttu aqua beneoida<br />

fit maioue efficade et oictutis y factamentum fenfibile altauis .<br />

oedfio iufta ptefumptu * qutfitu ouoe complcditut acticube &amp;lt;<br />

&amp;lt;Quom aquam beneoidam beceda tan&amp;lt;^ tern mutilem et nullius<br />

oicuida aciKte waentuf JOe cuius mftituioe ac efficad virtu<br />

te pee oiuetfa wpitula oiflnbutS eat pamus^SecHnous veto<br />

atttcuius tefpsnccbit ptopsfito Qibio<br />

SDetuinaaquabciieDida* Gspitulum pamu<br />

iRiplex genus aque bcneoide tepeuo Ctiiuo vfum xpi*<br />

t ane teligiome otus auotc amplcSitut et ob(cruat<br />

|Duma aqua beneoida eft qwe oiutnis ptedb? factat*<br />

ct bencoiotut in oeoicatone eccJefie ct ahaus Oe qua fit medo<br />

cjctta ce c<strong>of</strong>eeccle -XJel a!ra-C ^p<strong>of</strong>uifti/etc Kqua g epm Ix*<br />

neoidaSecunoa aqua bfloida eft fonds bapufmalia* o? qua o?<br />

c<strong>of</strong>e.oi.<br />

iij.c.m fabbat<strong>of</strong>ando pafcbe t pntlxc<strong>of</strong>tee Sj qub<br />

aquam fetMOtftfi et c<strong>of</strong>ectata &quot;oelit m comwrn fuam ao afpedicne<br />

teopere/ante ctifmads mftifionem redpiat-^iecda aqua fcewoi<br />

da eft qua comumtec afpecgmiut m ecclefia.ot qua se confe-oiiij<br />

-c.Kquam^bi oidtut- fale<br />

Kq^ua afgfaj populis bemoidm^<br />

t ea cudi confpejfi fandificent -Pamis ouobus gencab* aque<br />

ptetmiffis ee tetdo geiiece quo flpleuma .m<strong>of</strong>itum motu eft/<br />

nuncfctmo bafcenous eft- (Ht quoj vmuecuj^ tei notida a q&<br />

102 Turrecremata, Johannes de. De efficacia aquae benedictae. [Augsburg: Anton Sorg, c.<br />

1475]<br />

Chancery 2 (280 x 198mm.), 8 leaves, 38 lines, Gothic letter, 3- and 5-line initial<br />

spaces, modern morocco-backed boards, slipcase<br />

Presumed second edition. The Efficacia aquae benedictae was printed by Bartholomaeus<br />

Guldinbeck at Rome in an edition 30 August 1475. Sorg printed a second undated<br />

edition in the following year.<br />

Provenance: Georg Kloss, with bookplate; Society <strong>of</strong> Writers to her Majesty s Signet,<br />

Edinburgh, with bookplate; Alex Bridge, with bookplate<br />

References: H * 15739; BMC ii 342; G<strong>of</strong>TT508<br />

10,000-15,000<br />

16,200-24,300<br />

209


210<br />

103<br />

CiJtocipiut queftioneseuangdio?<br />

oefanctis,<br />

C$n fefto beati nm<br />

oreeefteuangelium.<br />

poltuntOifputari fequentc0queftione0.<br />

uitaDp8icaoni0 <strong>of</strong>fictu et l IJbetrum n<br />

Ozcamet^acobumjebeoeiet^obannem<br />

f[ 3?etfa, ^Jtru oporteat fequentib^pm<br />

omiatempalia relmque?c.f! 3Tcrna.tlt^<br />

bt u gtnD2C3 o cr all) ft-cii fii t q PO can ba c<br />

pocattone,fumtpocatu0aDapo(lo!atu.<br />

_ icc0etinDoctt&amp;lt;pbibetur<br />

eligi.pt.jrjcjnjr.OiCoe petro,S?eO ifti ap<strong>of</strong>to<br />

li erat fimplice0 * mDocti.ergo pueniet no<br />

Oebuerutehgi. f/ ^ed<strong>of</strong>ie. (flectio aO<strong>of</strong><br />

fteiu quoo refptcit pnmerfu 02beO; effe De<br />

gfoni0oeomninationeetnonDepnafpe<br />

fc? Oe tuOea woef tncoucnuntelcgifre.f;<br />

3Tertioquentur.quare magi0 dartepifca<br />

toua q piDctur pittoz ec inter oe0 elegem<br />

eo0q30ealia. f^noip<strong>of</strong>uumeft cuageJ<br />

Uu.cuinon pt fubeffe falfum.necm cgtbuf<br />

jrpi ahqp inconueniens.<br />

lcu3a jrpo fuerutDeputati<br />

P0icatoi0<strong>of</strong>ftcio.ii5efcatipo0i0oneo0et<br />

0&quot; pultipotj<br />

ultifapi<br />

Iapiente0.uo0 q oe fapunna muoi conft<br />

Dunt,7inft2mamunDi,t.boie0impotc&quot;tf6<br />

Pmmunt&amp;gt;u.t.rufticp0ctcolono0ckgitt)0<br />

aOpDicat6i0<strong>of</strong>fiati,etBiCico.wconfiiDat<br />

pDicatoi0 <strong>of</strong>tciu ignobilia munDi.i.cosd<br />

^mmunDnfutignobilee.etptemptibib,<br />

I0e(l.eo0 q fm munoii funt ptcmptibib!<br />

effe in fcculo ahq o clegu aopDicatoie<strong>of</strong>t<br />

cul .et boc iDeo.pt ea que fu n t.i .cos q faifc i<br />

munOoaltqOeffepiOefocftrucrcr.^taffi;<br />

ejccellcnte0infccul<strong>of</strong>eOabieao0.wn6glo<br />

rietur oje earo in pfpectu e? t.wnull? p:o<br />

qu3cuq5carni0crccllcnti3glo:utgcopa<br />

ratoem ao Deil.c,c Bent qjmunpii fucfir i<br />

fubice.it non gfublime0 in mtiD<strong>of</strong>iucfctb<br />

fco per abicctoo no potcft bo glonarurp<br />

abqua carnaiem crccllcnt in faluat^fumu<br />

Ous.lBotatniy licet cbnft^apnncipiow)<br />

c3ucruaDppicat6i0<strong>of</strong>ficuifimplicc0bo<br />

mme0 non in ita q nullii poeaucm littcra<br />

tum.qilBatbanaeles zlBicoDemii wxa;<br />

uit.ptpat33oB.|.et,u|.qzfi foloe fimpkcs<br />

pocaffetcrcOipolTetq&amp;gt;fuiirentc]rfimplui!<br />

rtttui t apfo0 et poica tojce eua n gchi q;lir<br />

tcrato0 pt fi8c0cuangcliim3gw3ttribuc<br />

returfapientie&iuineq5bumane.ftcutOi!<br />

ctum eft. f / 3lD fdam itfponOetJicR&quot;<br />

oopfeqnriaamoconuenienterDe lib<br />

fjW<br />

gente luDaica affumenCH erantapo(toli.D<br />

qua alfumpti faewtppbete,caieiw


103 Turrecremata, Johannes de. Questiones evangeliorum de tempore et de sanctis (Nicolaus<br />

de Byard. [Dictionarius pauperum] Flos theologiae sive Summa de abstinentia).<br />

[Strassburg: Printer <strong>of</strong>thejordanus de Quedlinburg (Georg Husner), c. 1487], 292 leaves,<br />

double column, 47 lines and headline, gothic letter, 3-, 4- and 5-line initials, paragraph-<br />

marks and initial-strokes in red<br />

Corona Beatae Virginis Mariae. [Strassburg: Printer <strong>of</strong>thejordanus de Quedlinburg (Georg<br />

Husner), not after 1488], 86 leaves, double column, 47 lines and headline, gothic letter, 4and<br />

7-line initials, paragraph-marks and initial-strokes in red<br />

2 works in one volume, Chancery 2 (298 x 217mm.), contemporary blind-stamped calf<br />

over unbevelled wooden boards, outer border composed <strong>of</strong> alternating tools <strong>of</strong> a four-<br />

leaved flower and a lion passant, central panel ruled to a diaper pattern, with alternating<br />

rows <strong>of</strong> small fleurs-de-lys and rosettes, four metal bosses on each cover, 2 clasps and<br />

catches, remains <strong>of</strong> a hasp on lower cover, modern cloth box, inner margins <strong>of</strong>first leaf<br />

repaired, tears in margins <strong>of</strong>2/3, bl,fiandN2 (first work) repaired, b2 and 3 <strong>of</strong> the second<br />

work misbound with contemporary manuscript note recording the error on b3, rebacked<br />

retaining original spine<br />

The Flos theologiae, or Dictionarius pauperum, is attributed to Nicolaus de Byard. It was<br />

first printed with five <strong>of</strong> the thirteen incunable editions <strong>of</strong> Turrecremata s Quaestiones, and<br />

therefore by association is <strong>of</strong>ten attributed to Turrecremata himself. The Quaestiones were<br />

first printed at Rome by Johannes Schurener de Bopardia in 1477 (G<strong>of</strong>fT544).<br />

Provenance: Franciscans <strong>of</strong> Bielefeld, with inscription on first page; Hans Furstenberg,<br />

with booklabel<br />

References: Turrecremata: HC *15713; BMC i<br />

GW 7573; BMC i 136; G<strong>of</strong>fC923<br />

12,000-15,000<br />

19,400-24,300<br />

136; G<strong>of</strong>fT554; Corona BMV: HC *5746-<br />

211


212<br />

refusafeflotmw<br />

Iefus uocelaudatus<br />

Cgne c fortirudinis:hec Ber.([~Vbi didt $ ungue<br />

<strong>of</strong>ponfifuntuirtunsfragrantie & luauirans do<br />

fcndenns in fponfam quibus attrahit in micem<br />

pod iplu.Na eius fapictia c occultu fidci.Eius emi<br />

nennaarduu fpeirfumabonitas incendium diari*<br />

Rns:&ausdoiannaregulaprudcac:eius uita for<br />

nutcperanrieeius mifencordu infufio uiftirie:eius<br />

ftrenuapaitlo fortitudiais Hi<br />

ui^orarit) iiature.(j<br />

funtinfluxus fpiritualis tradture diledh icfu qui^<br />

bus petit fpon& fctrahi p<strong>of</strong>tdiledu ie(u:8Cpmit<br />

titfibi non oao fe reapere-.fed fimul cu oibus his<br />

fibi<br />

q<br />

uoluennt adhuc delcdabditer curreic in odo<br />

rem ungueto^ fue<br />

precedentisidirigetisudmua^<br />

tis:8dde&amp;lt;ftantisperfone:donec introduatur in<br />

cellauinarii in qua inebriaturab aberrate domus<br />

fuemr cam ia no trahi oporteat odore lunginquo<br />

fedmamplexibusdilctbfljmiiefuetetnaliterconx<br />

quiefcat^TEt hie terminetur Lber tcraus qui plus<br />

q crcdidi idiffi idi t ram o s dodhne iefu Si miraculo<br />

foru operum: quibus fud diuinitatc condefcendc<br />

(_<br />

tern humano generi in unione n<strong>of</strong>tre in firm i tati s<br />

fisificlc per aflumpoonempaflibuis nature uu-<br />

ftrem<strong>of</strong>trauit.<br />

Explidt felicii liB terrius arbonfcrudfixe uite iefu.<br />

Inapicciufdem uite iefu prologusquard libti.<br />

y^TV VIripIicaris ramis perf&Sionis<br />

uite 8 do<br />

\ &amp;lt;bine icfu 6 opennonis miraculi ile mf<br />

3 I !_,tipIids:8Cadhefioncditoplinans cohor^<br />

tuque omniafecundum proportioneradias&fti<br />

pmshuiusfaaearbons la<br />

prixiefferunt. tcpus eft<br />

ut in hoc libra quarto hecfelix arbor produatui<br />

idfumu.Itatncj) eius finis pncipio Xmedio appareatcouenire-Na<br />

in oibus claret<br />

premiftls per^<br />

currenti quod fonptu fumus dcus iefus alia<br />

e:cf p<br />

pta naturam femp ab humilitate incipies aeature<br />

tn fuu lumii uirtualiter reafcesdat. Qui cu femper<br />

huncordineferuaucrir copies quod docuit maxi/nerirca<br />

fuii fineeuidctirtimedem<strong>of</strong>tnuit: du ab<br />

numilitate afdlimapies:aiper dcratiltime cruas<br />

fuppliduuf^adinfemadefcedens: 6C p<strong>of</strong>tuictor<br />

morris elori<strong>of</strong>e refurgens ad Jextera dei patns ef^<br />

wliter felTurus afcendens.Et quia (anda maf cede<br />

jiain die palmarum filii dei iefu inapit paflloncm:<br />

wcohunchbrum quaitumab hacdKuichoaiitcs<br />

diomus.<br />

Iefus Klachrymatue Cap.i. fefusrexorbisBenics Iefus t&Imn iffi-edics<br />

lejus zik) amutus Iefus urbicopatics<br />

fiddiu dirTundiintiir.d.Gc.Qnid uobis cum (Jefos afdlo iarus (Me/us rctorbis uenies<br />

bus qui dei uirtutc iefum ignotans.- 1<br />

Vbi ni<br />

(flefus uoce laudarus iTTefus urbi cumpanens<br />

{Hefus 6C uirtuobus qui<br />

lachrymarus (Tefus tcplum injrejiens<br />

dei uirtute ic/iim : ignorans Vbi ni<br />

quefo uera prudcntia mfi in xpi docrnna. Vnde 6C<br />

nOTmfntianifidedirifhrnifencordia. Etubi uera<br />

nifi in rhrifti uitaf EC ubi uen fottitudo<br />

tcpcraria<br />

nill in &amp;gt;!<br />

Et infra. Ineallum chnlti.paiTi&amp;lt;inc.<br />

quidcm<br />

ejkboratinarqfmoneuimitufialiuJeeas fpcri<br />

cus pu tat q a domino mrtutu.Cuius d &amp;gt;An<br />

i ia fo<br />

minariumpruderie. Cuiusmilericordiaopus iiu<br />

fhne.Cmus uita Ttende \ Cf hoc faclo domini<br />

laluatons myfhco Si mirabili<br />

coprehenduntur multa deuo<br />

ta<br />

memorierumindda:que ut<br />

fpcculu tcpcr.itie.Gims more infadlius<br />

occurrerent memone<br />

illius q uult uita<br />

xpi trafcur-<br />

ICTC i<br />

.j ~<br />

iitos mM meditido uerficu^<br />

*<br />

&quot;^<br />

Ios:quodfubunopoteraruet<br />

1<br />

ficulo did.In feptc multiphcaui qd Kin aliis locis<br />

fcpe fed:ubi (ut laluatuns fada myftica K dcuota:<br />

ut per multos refpedus eiufde facia licet fint diucr<br />

la opa mulriplicetur 6C attedat deuorio meditatis..<br />

Et Leer dequohbetponer per fecapFm fieri ualde<br />

rnagnurppcoiucbone memorieci breuitans ama<br />

re liroul tractado<br />

pftringo.<br />

In<br />

(J hoc autc Ciclo my<br />

ftico continet hiltonaliter cnnfti<br />

([Keceflio de betiiania lumo mane:<br />

MifTto difapuloiji p addudione pulli & afine.<br />

^eflio xpi fup iumetadjfaproii; ueftibus adoouta,<br />

&quot;<br />

Occurfus rurbapi ipfii ut rege recipicuuum<br />

rr<strong>of</strong>traoo ueftimetoiji in uia:<br />

Etccfio dearbonbus ramorum oliuaru:<br />

[Et baiulario K oblano palmaii;:<br />

;Etomniufimulprecedetiu8Clequetiucocors ao<br />

clamario:utlaluarenturppotctia noui regis. Infu<br />

diaDopharifeoK&inaepatiodiceriufibi titdiid<br />

pulos:&turbaslaudatesincreparet. CopalCo be^<br />

nigmtTima dniicfucu uiduTetfacrilegaauitatem:<br />

fupercuius futuru exddiii i uoces laudantiu cu ma<br />

gno fletu allupfitlametu.Comorio roaus duira^<br />

tis pro gloria<br />

itroeutis icfu.Et i<br />

ingrefliis teplu ubi<br />

fymoniacos 8C rapaces fiippfni latrodnio fpolian*<br />

tesrilupedo miraculo aecit de teplo cu duro iacpatioisucrbo.Ibiq;inrcplomulasianatisceas<br />

C<br />

daudis aliis in hr m is acdamanbus pueris.Ofana<br />

filio dauid i<br />

teplo:5C pharifei tabefcctes inuidia<br />

& iracudia dilTlxati drcudederut eu. bt <strong>of</strong>tcdentes<br />

idignatione cordis fui de laude pueroru audicrunt<br />

c<strong>of</strong>utationc per uerbuppheticu. Et iteru idigne fe<br />

rentes expuliioncfuop; raanoKde teplo queilc^<br />

ruta xpo.In qua poteftate hoc faceret:ubi p nega&amp;gt;<br />

riua nifi fuilfent cea eis plenc rridiKoC fie bemgnif<br />

fimus iefus tola die cu eis difputas ad ipfos couer<br />

tcdos:8C i oculis com fades dinitatis miracula Si ac<br />

trahens turba gcnbu ad fc:uoce ad ipfa dilapla de<br />

dahrlcatione patenu Gc didt. loanncs fue<br />

paffiois<br />

modu cC mirabilc frudiieis predicens: ufcp ad UC<br />

fpcra pdicaair:8C drcufpechs uibus fiair diar Mar.<br />

cu ia uelpera ecr hora:quafi a^piceret f qs cum ex<br />

pietatc in totaciuitate (acnlega<br />

inuiraret holpirio:<br />

&; non uiuenies cu fuis difcipulis ededuitateegref<br />

*ui&melkusS4iidunus. Qui tame mane a popa<br />

104 Ubertinus de Casali. Arbor vitae crucifixae Jesu. Venice: Andreas de Bonetis, 12 March<br />

1485<br />

Chancery 2 (265 x 193mm.), 250 leaves, double column, 58 lines and headline, Roman<br />

letter, 3-, 6- and 8-line initial spaces, initials and paragraph-marks supplied alternately in<br />

red and blue, seventeenth-century Spanish vellum, title lettered in ink on spine, several<br />

early manuscript notes in margins, tear in the first 6 lines <strong>of</strong>text <strong>of</strong>c8 without loss, some<br />

light staining in margins, lower hinge broken<br />

The Franciscan Ubertinus de Casali wrote his Arbor vitae crucifixae Jesu, a meditation on<br />

the Passion, in 1305. This is the only fifteenth-century edition <strong>of</strong> the work.<br />

References: HC *4551; BMC v 361; G<strong>of</strong>f U55<br />

2,500-3,000<br />

4,050-4,850


105<br />

.<br />

}utipic copcnbi<strong>of</strong>u (crip<br />

turn pialrcrn mtfrionrm<br />

KuifUc ikbos<br />

1 cut olun ma /<br />

na bsbuit br<br />

Icctamentu it<br />

omncmfapcec<br />

fuauatatin inc<br />

carmen jnitug<br />

libei fiabrt onrne fpualc bom//<br />

mcntu et i ft d&amp;gt;udbilc ab ocin<br />

fc nfu cuiuOib; m&aoma &amp;lt;tu<br />

mc^oco canitur cue futrcrl a<br />

eccicfie bru hub .men * mn<br />

a uifco tunitur tuc Cut wba<br />

graa agcnt.s um a pcecacott<br />

carat tuc fut -arba \cnum be<br />

puinris (Siibclpjubiflbcdtat<br />

tune fut tba befu)}.lico ab<br />

bzuctamaiids t tquoruq; ff<br />

nireao amentia countit mcp fr<br />

(tnfus<br />

I uiMR Ubn afftctui in /-<br />

nct&amp;gt;8 c<strong>of</strong>oetnabit Cum bcnebi<br />

wtr biVjicit cu malebiclte ma<br />

Icbidt fttdcbicit mcbra bp.i to -<br />

Ji bttbiat mcbra p?\ ilacrollc<br />

Q\] nrl caatas \\tub encbmbio<br />

^i<br />

tj ibeft Ub-a manuaiem bnlv<br />

fltvnb: Hinlunr om-&amp;gt;plalinoru<br />

mttllcttu luir innnwi.1 fn ob*<br />

liuione fp ten cat Btlr cm ct<br />

falubrt cfk itelligf q6 nu$ tef<br />

fat bccantart augct qui|f&amp;gt;e be<br />

uononu inttlltgcdas ct turn<br />

intr Iligif Q antatut inrne p<br />

tttUcctum obiigara n cunga* i<br />

tcdcctus qq; dtacni mcti ppm<br />

frrit pt itf q<br />

bum inteUcttu ct ere bcduut<br />

co3u?t ^potlbubio attrnrnia<br />

oniibu pa ppa t mctc (ua c bu<br />

bcfantas ppa tn ozetuorft<br />

Fcuctu vtinipie<br />

tibi vtcuq; occuint tcftamcn<br />

tuplal nwuin bcurjco p-ldun<br />

ppiccfiliatingcto? congtula*<br />

com gnieot igmtos tncoa af*<br />

fcctus fufntat in U j purg.it<br />

bcmonea fiigat glabio fpu?<br />

qS rTr TCzbum bci -<br />

quia bru<br />

com pfaUcnetu luftincre non<br />

psffut pfjlmoruboioco Ipin<br />

tui fancto r<br />

iparat ct oim tona<br />

mecatpralmotumbice8 non<br />

ntc:w feb in cclo fi-ji fuc quil<br />

tbi eft crirtus qui om pfajwoji<br />

matecta cfletmCcoibicouc:/<br />

face rcclrfir q corpus rpi eft<br />

que eaam p mapime pfalmo^<br />

tcm cotinct ^cuocionS pTal<br />

fcnbi tocct apfs di btdt pfal<br />

la fpintu fpallam ct mere 23 c<br />

uodoni pfullcncm cociulato tii<br />

agelita ^ cct pfalim fr.i q agit<br />

vjnc<strong>of</strong>pcctu angcloru pfallam<br />

abi &amp;lt;^uob piailcnnKis fancti<br />

angdi abmiftci fdr.int ?naii<br />

frft-u pl^lnnft i rbi apt<br />

eunt pdripcs ibcft angcli<br />

iam plaUctitib? vnbe<br />

rftncpcoptci ncftta<br />

agcli rcccbat Sli cm bmii fcws<br />

ft a nobte clongaiicmit V&quot;<br />

jxtus malozuquie fultincbit<br />

105 [Walafridus Strabo] Scriptum compendiosum Psalterii intentionem declarans. [Basel:<br />

Johannes Solidi (Schilling), c. 1472-1474]<br />

Chancery 2 (287 x 210mm.), 30 leaves, double column, 38 lines, Gothic letter, 3-, 4and<br />

6-line initials supplied in red outling, initial-strokes in red, modern vellum-backed<br />

boards, a few early manuscript notes, slight worming in some inner margins, some light<br />

damp-staining<br />

The press <strong>of</strong>Johannes Schilling, formerly located in Cologne, is now reassigned by<br />

Dalbanne and Droz to Basel. See Paul Needham, Corsten Festschrift, pp. 126-127. None<br />

<strong>of</strong> the books printed by Schilling at Basel is dated, but the Uppsala copy <strong>of</strong> the Albertus<br />

Magnus has a purchase inscription dated 1473 and the Hain copy <strong>of</strong> the Leonardus de<br />

Utino a purchase inscription dated 1474. Schilling s first set <strong>of</strong> matrices are almost<br />

identical to those used by the Printer <strong>of</strong> the Flores Sancti Augustini c. 1472.<br />

References: H * 14571; BMC i 237; Voullieme (K) 1 108; Claude Dalbanne and Eugenie<br />

Droz, Limprimerie a Vienne en Dauphine au XVe siecle, Paris, 1 930, V<br />

6,000-8,000<br />

9,700-12,900<br />

213


214<br />

HONOR,<br />

Duodecim ccrtamina Herculis.<br />

R<strong>of</strong>com wuiftifhper&amp;lt;ttfocun&amp;lt;lia laudcf.<br />

Diftft Sopbifhrum kquebstyrefol<br />

Norc rabies uirtutc ufl&amp;lt;t<br />

furor,4Ut potentior eft.<br />

Continutmob curfwmfapienti opukntwmiit.<br />

Spcrnit<br />

SIXTEENTH AND SEVENTEENTH CENTURIES<br />

106 Alciati, Andrea. Emblemata. Lyons: Mathieu Bonhomme, 1550<br />

8 (190 x 1 17mm.), title within architectural woodcut border, 197 woodcut emblems, 14<br />

small woodcuts <strong>of</strong> trees, each page within a woodcut border, red morocco by Trautz-<br />

Bauzonnet, gilt edges, some light spotting<br />

The emblems <strong>of</strong> the Italian humanist and jurist Andrea Alciati (d. 1550) were first<br />

published in 1531 and enjoyed enormous popularity during his lifetime and after. The<br />

both Bonhomme and Guillaume Rouille, is the last to be<br />

present edition, published by<br />

printed during his lifetime and contains emblem no. 97 for the first time. The woodcuts<br />

were designed by Pierre Eskrich for Bonhomme and Rouille s first edition <strong>of</strong> 1548.<br />

References: Green 45; Landwehr, Romanic emblem books, 51; cf. Harvard Catalogue 15 &<br />

16 ( 1 549 & 1551 editions)<br />

1,500-2,000<br />

2,450-3,250


107<br />

107 Alciati, Andrea. Omnia emblemata (edited and commented by Claude Mignault).<br />

Antwerp: Christopher Plantin, 1581 (1580)<br />

8 (168 x 103mm.), title within woodcut border and with printer s device, 196 woodcut<br />

emblems within borders, 14 full-page woodcuts <strong>of</strong> trees, CONTEMPORARY PARISIAN<br />

FANFARE BINDING, calf gilt a la fanfare, flat spine similarly decorated, gilt edges,<br />

nineteenth-century morocco slipcase and chemise, occasional underlining in text, some<br />

light spotting and staining<br />

Claude Mignault s commentary was first printed by Plantin in 1573. Mignault (1536-<br />

1606) was pr<strong>of</strong>essor <strong>of</strong> canon law at Paris.<br />

Provenance: Leo Olschki, with booklabel; James William Ellsworth, with bookplate<br />

References: Green 99; Voet 29; Landwehr 18<br />

4,000-5,000<br />

6,500-8,100<br />

215


216<br />

108 actual size<br />

Tertia tephtnte tempeflas kta locab/c<br />

Quidamaitin fomnisuifusadefle fib<br />

Pradixiflefuocuidamtunc ferturamfco:<br />

Quod trjs ad dies interiturus era t.<br />

Cecropidis ilium morti damnantibus inquit:<br />

Etuosfatafimulimperi<strong>of</strong>a trahcnt.<br />

Cum precii magniueftem.donaretamicus<br />

Qiia fcpelircmr;dumc^recufat;ait.<br />

An mini dum uiuo uefts mea conuenit (<br />

Apra cft:defuncflo cdngruet ilia minus<br />

Damnato iniufle moreris cum diceret uxor.<br />

Ille refen.iuftc me cupis ergo moru<br />

De xenophonte archiaso*<br />

Enophon patre gry llo patria<br />

uero archteus<br />

expagoactico diicipulus fuitSocratis Flo*<br />

ruitqjnonagefimacjrca olympiadeatc^ obu<br />

iit corinthiiam grandis natu*<br />

Eiuslententiaefl.<br />

Ille cororratus dum facrum redditad aras<br />

Hi<br />

Accepit<br />

funera acerba fui.<br />

gty<br />

Atcp itadcp<strong>of</strong>ea fercur dixiAe corona<br />

Jam fcio mortalem mihi.<br />

progcnuifle<br />

Sed p<strong>of</strong>tquamaudknt pulchrecccidifle:coronam<br />

Dclapfumcapiti comp<strong>of</strong>uiflc fuot


108 Antonius Nebrissensis, Aelius. Vafre dicta philosophorum. [Salamanca: Juan de Porras, c.<br />

1502]<br />

One part only (<strong>of</strong> 2), Chancery 4 (205 x 152mm.), 30 leaves, 29 lines, Roman letter,<br />

one 4-line initial space with printed guide-letter, 3- and 5-line white-on-black woodcut<br />

initials, brown morocco by Riviere & Son, gilt edges, early manuscript foliation and a few<br />

early manuscript notes in margins, lackingpart 2 (see below), lightly washed, upper cover<br />

partly detached<br />

RARE: ONE OF ONLY EIGHT RECORDED COPIES. Traditionally assigned by Haebler, Vindel<br />

and GW to the Salamanca press <strong>of</strong> the Printer <strong>of</strong> Nebrissensis, Grammatica , this edition<br />

is more recently assigned by Norton, ISTC, IBE and Ruiz Fidalgo to the Salamanca press<br />

<strong>of</strong>Juan de Porras, c. 1502. Norton and Ruiz Fidalgo describe the work as containing 52<br />

leaves, with the second part (not here present) containing Antonius s commentary. Of the<br />

copies listed by Ruiz Fidalgo, that in Madrid contains only the first part (as here) and that<br />

in Toledo contains only the second part.<br />

The Vafre dicta philosophorum was printed in at least nine editions in the late fifteenth and<br />

sixteenth centuries, in several recensions (see Antonio Odriozola, La caracola del bibli<strong>of</strong>ilo<br />

Nebrisense, Madrid, 1947, 51-52). Based on the Lives <strong>of</strong> the Philosophers <strong>of</strong> Diogenes<br />

Laertius, it comprises brief notes on Greek philosophers followed by Nebrija s Latin<br />

couplets on each. The present edition may be the only one to include additional neo-<br />

Latin poetry by Nebrija, including his exchange <strong>of</strong> verses with Petrus Martyr Anglerius<br />

(1455-1526), historian <strong>of</strong> the early American explorations.<br />

Provenance: Maggs catalogue 656, Bibliotheca incunabulorum, 1938, no. 395; George<br />

Abrams, with bookplate (sale in our rooms, 16 November 1989, lot 8)<br />

References: GW 2244; G<strong>of</strong>f A91 1; Haebler(BI) 478; Vindel ii 227 no. 143; Norton 463;<br />

IBE Post-incunables 36; Sallander 2040; Palau 189238; L. Ruiz Fidalgo, La imprenta en<br />

Salamanca 1501-1600, Madrid, 1994, 28<br />

20,000-25,000<br />

,300-40,400<br />

217


218<br />

109<br />

antfio vnico:ni.:aco vero fc teffificatttt verms cod ct fgnem ct fetozc* qt o:c<br />

mittebatJed com os apcrtrct vntco:nis qpcttius cucarrit yolens (plum in gut *<br />

turetranfuib:are.&amp;gt;:aci)o vero agitaaitcapat ivnicoims contain terrain fu<br />

pit oicens mo:iendo,ui p:o alto vult pugnarc fe cupit trucidare. fc cm ftul<br />

turn eft oe fe confidcrc ac oc quo fi&f no perttnct agoni5arcSlndc cede* &amp;gt;e ea<br />

re que tc non molcftat ne certaucris. 6rgo require in animo tuo a teipfo 4d eft<br />

q$ facere vis,ltram factumillud a te pcrttnca; an potfoe ad almm.te imifcere<br />

non oebes^TToli p:o alio pugnarc nee inter oifcozdationes oifcozdtam augere<br />

0ed facvt oicitfcneca(5emper oiJTelfio at&amp;gt; alio icipiatta te recociliano^ue<br />

dam agrefliTuntiniimid fed alias qufdamoccurritvolens ipfam oefeudere et<br />

armauit fe verfus infmicos illiusJUi autem oi]cerunt*amicc tibi infuriam no,i<br />

facimus.tolle qood tuum eft ? vadc qm oe n<strong>of</strong>tro vindictam qiiertm ; ^iii no<br />

acquiefcens fermonibas eo:um ad bcilum contra cos ic parauit.tlli autem in*<br />

dignati cum inunico ipfum inutiiaucrm it.<br />

S^e elepbante qui p lie aui t co:am Icon:, Ca i p tol uin J t f nt .<br />

Zcpbao cam (It inter alias feras nomfna<br />

ttflitn 5<br />

et fara<strong>of</strong>as tamen fe genitulare no<br />

poteft pwpter q6 genaa no babet^ua^<br />

dam autem vice leo icns per ftlaam cu fe<br />

re tranficbant omnes ei genua fiectebant<br />

vt rcgiferaram^lepbaa non gena fleFit<br />

qaia non potit,3nde cuedam fere in in<br />

dicio ad leone conuenerunti elepbante<br />

infamaucrunnXeo autc ad elepbante ac<br />

cclfit oicc3,fcuarc es tn ita ourns t acer<br />

bns cp genua ante me no flectia vt cetere<br />

Cui elepbaa* S&amp;gt;omfe polfc mco te oiligo<br />

i bono:o fed ftecte* e me non p<strong>of</strong>lantP O<br />

pter quod genua non babco* Bt leo (I tu


109 Destructorium vitiorum ex similitudinum creaturarum exemplorum appropriationem<br />

per modum dyalogi. Lyon: Claude Nourry, 11 June 1509<br />

4 (239 x 167mm.), 68 leaves, title printed in red and black, heading on a3 recto printed<br />

in red, 5-, 6- and 14-line woodcut initials, numerous woodcuts in the text, modern<br />

brown morocco, two-line gilt border on sides, gilt edges, several early manuscript notes<br />

on title and in margins (washed and deleted), some light browning and soiling<br />

VERY SCARCE: von Giiltlingen records only two copies <strong>of</strong> this edition, one in the British<br />

Library, the other in the Bibliotheque municipale in Lyon (the latter incomplete).<br />

This anonymous work, first printed in 1480 by Gerard Leeu at Gouda under the title<br />

Dialogus creaturarum moralisatus (G<strong>of</strong>f N151), ranks alongside Aesop and the Fables <strong>of</strong><br />

Bidpai by Johannes de Capua as one <strong>of</strong> the three great illustrated fable books to be<br />

printed in the fifteenth century. It is ascribed both to the physician Mayno de Mayneriis<br />

(d. 1368), on the basis <strong>of</strong> a manuscript in Cremona, and to Nicolaus Pergamenus, on the<br />

basis <strong>of</strong> Paris BN MS. lat 8512.<br />

A dozen or so editions were printed by the end <strong>of</strong> the fifteenth century, including<br />

translations into Dutch and French; and all but two <strong>of</strong> them used Leeu s original<br />

woodblocks. The woodcuts <strong>of</strong> the present edition, and another printed by Nourry on 4<br />

September 1511, are copies <strong>of</strong> Leeu s blocks.<br />

Provenance: J.B. Asseste(P), with French purchase inscrition dated 1587 on title;<br />

unidentified Jesuit house, with inscription dated 1635 on title; Robert George Windsor-<br />

Clive, Earl <strong>of</strong> Plymouth, with bookplate<br />

References: von Gultlingen i p. 76 no. 32; Baudrier xii 108<br />

30,000-40,000<br />

48,500-64,500<br />

219


220<br />

110 actual size<br />

DAVID Sauli s armisreiecftis,acfolius Dei<br />

iacfto Go&amp;gt;<br />

potencia confiftisjapidefunda<br />

liath mterficic.Philifthceos in uertit.<br />

fogam<br />

I . R E G V M X V I K


110 [Holbein, Hans] Historiarum veteris instrumenti icones ad vivum expressae. Lyons:<br />

Melchior and Caspar Trechsel [forj. and F. Frellon], 1538<br />

FIRST EDITION, second issue, 4 (187 x 130mm.), s<br />

printer woodcut device on title, 92<br />

woodcut illustrations, colophon within woodcut frame on recto <strong>of</strong> final leaf, green<br />

morocco gilt by Chambollo-Duru, wide border <strong>of</strong> leafy tendrils, gilt edges, morocco<br />

slipcase, Kl neatly remargined, early manuscript notes on M2 andfoliation partly washed out<br />

FIRST EDITION OF HOLBEIN S FAMOUS SERIES OF ILLUSTRATIONS OF OLD TESTAMENT<br />

SCENES. Two further woodcuts were added in the second edition <strong>of</strong> 1539, and all editions<br />

thereafter contain 94 illustrations. Eighty-six <strong>of</strong> the woodcuts were used in the same year<br />

for the Trechsel brothers folio Latin Bible.<br />

This is the second issue with signatures <strong>of</strong> gatherings I-M in larger type and with<br />

woodcuts transposed in gathering I.<br />

Provenance: Sir David Salomons, with bookplate (sale Christie s, 25 June 1986, lot 172)<br />

References: Harvard Catalogue 277; Baudrier v 175; von Giiltlingen, vi, 139<br />

7,000-10,000<br />

11,300-16,200<br />

221


222<br />

111


111 Homer. O&uaaEia. Bca;paxo^ujO[a,axia. Yfrvoi A.p. Ulyssea. Batrachomyomachia.<br />

Hymni xxxii. [Venice: Aldus Manutius, 1504]<br />

8 (164 x 100mm.), Greek letter, initial spaces with printed guides, Aldine anchor and<br />

dolphin device on title-page, CONTEMPORARY PADUAN (?) RED MOROCCO GILT, line<br />

borders in gilt in borders, small gilt fleuron at corners, gilt figure <strong>of</strong> Fortune and her sail<br />

in centre <strong>of</strong> sides, 3 double and 4 single sewing bands on spine, edges gilt and gauffered,<br />

black morocco box by Sangorski & Sutcliffe, 15 recto dust-soiled, small repairs to two<br />

corners<br />

THE FIRST ALDINE EDITION OF THE ODYSSEY, the second volume <strong>of</strong> the Aldine complete<br />

edition <strong>of</strong> Homer which also includes the Vitae Homeri. This is in fact the first octavo<br />

edition, printed in the smallest size <strong>of</strong> Aldus Greek font. Although textually <strong>of</strong> no<br />

importance, it occupies an important place in the reading <strong>of</strong> Homer forming part <strong>of</strong> the<br />

group <strong>of</strong> Octovo texts, published from 1501 onwards, both in the classical languages and<br />

in Italian -<br />

Virgil, Sophocles, Euripides, Petrarch, Dante etc. - which revolutionised books<br />

and reading. One <strong>of</strong> Aldus s early customers wrote in 1501: For since my various<br />

activities leave me no spare time... your books - which are so handy that I can use them<br />

walking, and even, so to speak, while playing the courtier... have become a special delight<br />

to me (cited by Grafton, The humanist as reader in Cavallo and Chartier, A history <strong>of</strong><br />

reading in the West, 1999, p. 186). There is no colophon, the preface is dated 3 November<br />

1504.<br />

Grolier owned a copy <strong>of</strong> this edition (Austin 232.1) now in the Grolier Club. The<br />

impresa <strong>of</strong> Fortune stamped on the covers is discussed by Mazzucco in Marcon & Zorzi p.<br />

176-177, and the tools illustrated, and is reproduced in Hobson (1989) p. 262 in his<br />

discussion <strong>of</strong> Paduan bindings from a shop active from about 1530 onwards, many <strong>of</strong><br />

them on Aldine editions.<br />

Provenance: German-speaking Capuchin convent, with stamp partly erased; Tammaro de<br />

Marinis; The Garden Ltd., with booklabel (sale Sotheby s New York, 9 November 1989,<br />

lot 33)<br />

References: Renouard p. 46; Ahmanson-Murphy 68/2; Marcon & Zorzi, Aldo Manuzio,<br />

1994no.99<br />

15,000-25,000<br />

24,300-40,400<br />

223


224<br />

112 Homer. O[ir|pou IXiao... O&uoaeia. Homeri Ilias... Ulyssea. Venice: in aedibus Aldi, et<br />

Andreae Asulani soceri, April 1524<br />

2 volumes, 8 (160 x 99mm.), Greek letter, Aldine anchor and dolphin device on title-<br />

pages and at the end <strong>of</strong> each volume, initial spaces with printed guides, early nineteenth-<br />

century French blue straight-grained morocco gilt, narrow leafy border, inner beaded line<br />

border, small corner-pieces with dotted grounds, spine gilt in compartments, three with<br />

dotted grounds, gilt edges, inner gilt border with Greek key pattern border, occasional very<br />

slight worming in lower margins, edges <strong>of</strong>bindings very slightly rubbed<br />

Third Aldine edition. A VERY PRETTY, CLEAN COPY. The Aldines in the Clive collection<br />

passed to the 2nd Earl <strong>of</strong> Powis, <strong>of</strong>ten described before his father s death as Lord Clive.<br />

They were sold as one lot and formed the base for Quaritch s Catalogue <strong>of</strong>a most<br />

important collection <strong>of</strong>publications <strong>of</strong> the Aldine press (1929). The binding is reminiscent <strong>of</strong><br />

work by Bozerian.<br />

Provenance: College <strong>of</strong> St Charles, Salzburg, with inscription on first title; Edward<br />

Herbert (1785-1848), 2nd Earl <strong>of</strong> Powis, Viscount Clive, with bookplate; Earl <strong>of</strong> Powis<br />

(sale in our rooms, March 23, lot 479)<br />

References: Renouard p. 98; Ahmanson-Murphy<br />

3,000-5,000<br />

4,850-8,100<br />

197/1 & 2; H<strong>of</strong>fmann ii 460


112<br />

225


226


113 Homer. Odyssea ad verbum translata, Andrea Divo lustinopolitano interprete. Eiusdem<br />

Batrachomyomachia... Aldo Manutio interprete. Eiusdem Hymni deorum XXXII. Georgio<br />

Dartona Cretense interprete. Paris: Chretien Wechel, 1538<br />

8 (169 x 108mm.), italic letter, woodcut white-on-black initials on crible grounds,<br />

woodcut printer s device on title-page and at the end, SIXTEENTH-CENTURY FRENCH CALF<br />

GILT FOR THOMAS MAHIEU, in the atelier <strong>of</strong> Claude de Picques, outer border <strong>of</strong> two fillets<br />

painted red and white, sides decoratd with interlacing fillets painted in red, white, green<br />

and yellow, leafy azured tools, including the stirrup stamp, within the central cartouche<br />

and between the fillets, upper cover lettered in gilt<br />

in centre HOMERI/ODYSSEA and at the<br />

foot TO MAIOLI ET AMICORUM, lower cover lettered in the centre<br />

INGRATIS/SERVIRE/NEPHAS, flat spine decorated with gilt cross-hatching, gilt edges,<br />

modern morocco box, some light damp-staining, lacking two pairs <strong>of</strong> ties, spine slightly<br />

damaged at head and foot and neatly repaired, colours slightly rubbed in a few places with<br />

some repainting<br />

BOUND FOR THOMAS MAHIEU, principal secretary to Catherine de Medicis from 1549 to<br />

1560, and later a conseiller du /fo/ at the court <strong>of</strong> Henri II. Some 109 books from his<br />

library are recorded almost all in Latin or Italian. The present book is no. 40 in G.D.<br />

Hobson s list (Maioli, Canevari and others, 1926, in his group VI). It was exhibited at the<br />

Burlington Fine Arts Club Exhibition, 1891, was reproduced in the catalogue (pi. XLI); it<br />

was also included in the First Edition Club Exhibition <strong>of</strong> Bookbindings in 1926.<br />

The present edition <strong>of</strong> Homer s works includes a second volume containing the Iliad<br />

which is not present here. Of the two copies in the British Library, the Grenville copy also<br />

lacks, as does that in the Bibl. Mazarine, the Iliad. Legrand (374) describes it as a rare et<br />

jolie edition . He also describes another similar edition in two volumes <strong>of</strong> these texts<br />

published in the same year at Lyons with the device <strong>of</strong> Vincentius de Portionariis (no.<br />

373; Baudrier v 467; von Gultlingen ii (1993) p. 186 nos. 248-249).<br />

As can be seen the provenance <strong>of</strong> this copy is extremely distinguished, having belonged to<br />

Mahieu, to Richard Heber who bought it at Leigh & Sotheby s in February 1812-<br />

possibly at the sale <strong>of</strong> duplicates from Colonel Stanley s library (19 February) or possibly<br />

at the sale <strong>of</strong> Matthew Raines s<br />

library (27 February), then to the great<br />

Vernon (cf. lot 64), and then to the Holfords <strong>of</strong> Dorchester House.<br />

Dante scholar<br />

Provenance: Thomas Mahieu; Richard Heber, with autograph note <strong>of</strong> purchase Sale by L.<br />

& S. Feb. 1812. 6.0.0 (sale, ix, 1 1 April 1836, lot 1465, for 3.0.0 to Thorpe); George<br />

John Warren, 5th Baron Vernon (1803-1866); Robert Stayner Holford; Sir George<br />

Holford (sale in our rooms, ii, 5 December 1927, lot 370)<br />

References: H<strong>of</strong>fmann ii 478; Adams H773; Foot, Thomas Mahieu and his binder in The<br />

Henry Davis Gift, vol. 1 (1978)<br />

15,000-20,000<br />

24,300-32,300<br />

227


228


1 14 Homer. Ilias... Latino carmine reddita, Helio Eobano Hesso interprete. Paris: Guillaume<br />

Morel for Martin Le Jeune, 1 July 1550<br />

16 (1 16 x 80mm.), italic letter, ruled in red throughout, CONTEMPORARY PARISIAN<br />

BROWN CALF GILT, border <strong>of</strong> interlaced fillets, two large azured bud-tools, leaves and<br />

roundels, dotted grounds in some compartments, partly painted black, spine gilt in<br />

compartments, gilt edges, new spine label, cloth box, spine repaired at head and foot,<br />

corners repaired<br />

POSSIBLY BOUND FOR THOMAS WOTTON. This binding is the work <strong>of</strong> the binder <strong>of</strong> Wotton<br />

Group I (see H.M. Nixon, Twelve <strong>Books</strong> in Fine Bindings... Hely-Hutchinson, 1953, p. 10),<br />

and as it has an English provenance from at least the it is<br />

eighteenth century, quite<br />

that it was bound for Wotton.<br />

possible<br />

Most <strong>of</strong> the bindings executed for Wotton are either identifiable because they have his<br />

name or arms on them, or because they have a provenance which stems ultimately from<br />

Boughton Malherbe, the Wotton seat in Kent, such as the books sold in the April 1919<br />

sale, which came from Lord Carnarvon (e.g. the Eton Agrippa, 1533, at Eton, which<br />

resembles this binding, see reproduction in Nixon (1953) pi. 10, and in Quarrie,<br />

Treasures <strong>of</strong> Eton College Library, New York: PML, 1990, no.l 12). This volume has no<br />

such obvious connection.<br />

229<br />

These delightful I6mo volumes, which were very popular from the mid-sixteenth century<br />

onwards, and led, one may presume, to the bijou Elzevier formats <strong>of</strong> the seventeenth<br />

century, were printed in Paris in the 1 530s and 1 540s by Simon de Colines, by Le Jeune<br />

in Lyons by Gryphius, Payen, Frellon and others, by Plantin in Antwerp, and in Geneva.<br />

Some were also printed in England. They were <strong>of</strong>ten, but not exclusively used for Latin<br />

writers or translations, e.g. the Lactantius owned by Jacques Malenfant in the Henry<br />

Davis Gift, the series <strong>of</strong> volumes owned by Pietro Duodo, printed in the 1590s by<br />

Gryphius in Lyons and Stoer in Geneva, the various editions <strong>of</strong> Ovid, Virgil, Horace, the<br />

Psalms, Juvenal, Aesop and others printed by Plantin from the 1550s onwards, and <strong>of</strong>ten<br />

found in handsome bindings. Another feature <strong>of</strong> these small books is that they are<br />

generally (as here) ruled in red.<br />

Scrope Berdmore, who owned the book in 1790, was warden <strong>of</strong> Merton College, Oxford.<br />

Provenance: Scrope Berdmore, 1790, with bookplate; Henry C. Compton <strong>of</strong> Lyndhurst,<br />

with bookplate; H.B. Wheatley (sale in our rooms, 8 April 1918, lot 16); Lt.-Col. WE.<br />

Moss (sale in our rooms, 2 March 1937, lot 821); J.R. Abbey, with morocco book-labels<br />

(sale in our rooms, iii, 20 June 1967, lot 1916)<br />

References: Adams H785; G.D. Hobson, English Bindings <strong>of</strong>J.R. Abbey,<br />

no. 1 1<br />

3,000-5,000<br />

4,850-8,100


230<br />

115<br />

S&amp;gt;it jfrftpt is mttfp#n$m/0ua: aiic ganften totyet<strong>of</strong>ocpt


115 [Joris, David] T Wonder-Boeck: waer in dat van der Werldt aen versloten gheopenbaert<br />

is. Opt nieuw ghecorrigeert unde vermeerdert by den Autheur selve: Intjaer 1551 [Vianen:<br />

Dierck Mullen, 1584]<br />

Second edition, 4 parts<br />

in one volume, 2 (312 x 208mm.), 3 full-page engravings, 2<br />

engravings in the text, 6 woodcut illustrations in text, seventeenth-century Dutch vellum,<br />

bibliographical notes in Dutch on front flyleaf, upper margin <strong>of</strong>title-page cut away<br />

Second edition <strong>of</strong> TWonderboeck by David Joris (1501-1556), one <strong>of</strong> the most important<br />

Anabaptist leaders in the Low Countries and the founder <strong>of</strong> the Davidists, or Jorists, a<br />

sect whose members considered Joris a prophet. TWonderboeck, Joris s most important<br />

work, was first published in 1 542, with woodcut illustrations said to have been designed<br />

by Joris himself (his first known occupation was as a glass-painter and he is known to<br />

have worked as such in Holland, France and England).<br />

The present edition was published at the instigation <strong>of</strong> Herman Herberts, prescher in<br />

Dordrecht and Gouda, for whom the printer Dierck Mullem had already printed three<br />

works. Mullem later admitted under interrogation that he had printed on commission in<br />

1583/4 an edition <strong>of</strong> 100 copies which had been sent to Emden. The three large<br />

woodcuts <strong>of</strong> the first edition were replaced with two engraved and one etched plate, two<br />

<strong>of</strong> which were by Hieronymus Wierix. There are also two engravings in the text, that <strong>of</strong><br />

the Lamb on f2 recto and that <strong>of</strong> a river scene on 4C6 recto. The woodcut diagram on<br />

4C6 verso contains some captions printed in civilite type. A third edition was printed by<br />

the same printer at Rotterdam c. 1595, in which the two text engravings were replaced<br />

with woodcuts.<br />

Provenance: W. van Rossen, with bookplate<br />

References: A. van der Linde, David Joris Bibliografie, s Gravenhage, 1 867, no. 57; Paul<br />

Valkema Blouw, Printers to the arch-heretic David Joris, Prolegomena to a bibliography<br />

<strong>of</strong> his works , Quaerendo, 21/3 (1991), pp. 163-209; Roland H. Bainton, David Joris,<br />

Wiedertaufer und Kampfer fiirToleranz ,<br />

in Archivfur Reformationsgeschichte,<br />

Erganzungsband VI, Leipzig, 1937; P.V. Blouw, Typographia Batava 1541-1600<br />

(Nieuwkoop: De Graaf, 1998) no. 5643<br />

6,000-10,000<br />

9,700-16,200<br />

231


232<br />

A T film indigndtw feruvrum fuetfiont ? pttrtm in fad<br />

fedeint (remit . fidt igitur amalgdmd<br />

cum dan* Line curs<br />

C o L L I G I T in tertio loco filiw fud uefiepatris fen*<br />

gwnem, quod efiftcundwn opw & in Metliodo iam dtclda<br />

rdtum .<br />

116 actual size<br />

\&amp;gt;j*<br />

e*


116 Lacinius, Janus, editor. Pretiosa margarita novella de thesauro, ac pretiosissimo<br />

philosophorum lapide... collectanea ex Arnaldo, Rhaymundo, Rhasi, Alberto & Michaele<br />

Scoto. Venice: apud Aldi filios, 1546<br />

FIRST EDITION, 8 (142 x 97mm.), Aldine anchor and dolphin device on title and on<br />

verso <strong>of</strong> final leaf, 22 woodcut illustrations, initial spaces with printed guides, modern<br />

calf, some early manuscript annotations to illustrations, a few slight stains<br />

FIRST EDITION OF AN IMPORTANT ALCHEMICAL WORK, the Pretiosa margarita novella,<br />

purported to be written by one Petrus Bonus in c. 1330. To this abbreviated version <strong>of</strong><br />

the text, Janus Lacinius, <strong>of</strong> Calabria, added writings by Raymond Lull, Arnold <strong>of</strong><br />

Villanova, Albert the Great and Michael Scotus.<br />

Janus Lacinius [Therapus] (Giano Lacinio) is named as editor <strong>of</strong> this work. He was, as he<br />

and the various liminary verses proudly proclaim (those by Hippolytus Fantotius <strong>of</strong><br />

Perugia, written as if the Ars divina is speaking give both his forenames), a native <strong>of</strong><br />

Calabria from Psychronea, and a minorite friar, i.e. a Franciscan. Sbaralea (Suppl. ..ad<br />

scriptorum trium ordinum s. Francisci, II, Rome, 1921 p. 22) treats the name as a<br />

pseudonym and identifies him with John <strong>of</strong> Croton, from a promontary in Calabria<br />

called Lacinium. The Pretiosa Margarita novella circulated in manuscript and is attributed<br />

generally to one Petrus Bonus (Pietro Bono, see article by C. Vasoli in DBI12 pp. 287-<br />

289), who in turn refers to many earlier alchemical sources. It is interesting not only for<br />

its alchemical content, and the practicalities <strong>of</strong> alchemy, but also for the light it throws<br />

generally on fourteenth-century technology. It is (as Vasoli remarks) distinguished<br />

noteworthy simplicity <strong>of</strong> the procedures proposed and by nature <strong>of</strong> being a practical<br />

manual, written for a public <strong>of</strong> scientists and scholastic academics .<br />

233<br />

for the<br />

This edition, the only such work to be published by the Aldine press, was said by<br />

Georgius Merula to have many errors (Thorndike, op.cit. v, 546), but it was nevertheless<br />

much read, and also reprinted. Another edition Preciosa. . . artis chymicae collectanea<br />

appeared in Nuremberg in 1554 from the press <strong>of</strong> G. Hayn (also Basel, 1572,<br />

Mompegard 1602 and Strassburg 1608). That the work remained very much alive is<br />

shown by the publication in 1714 <strong>of</strong> a German translation published in Leipzig, and in<br />

the 1890s the Englishman Arthur E. Waite abbreviated and translated this Aldine edition<br />

(London: J. Elliott & Co., 1894, reprinted London, 1963). There is also a modern Italian<br />

translation, Preziosa margarita novella / [di] Pietro Bono da Ferrara ; edizione del<br />

volgarizzamento, introduzione e note a cura di Chiara Crisciani, Firenze: La nuova Italia,<br />

1976.<br />

The present copy contains the errors in the headlines <strong>of</strong> gathering L as described in the<br />

Mellon catalogue. The copies in the Beinecke Library and in the Garden Ltd. collection<br />

(sale Sotheby s New York, 9 November 1989, lots 55 and 56) all have these errors<br />

corrected.<br />

Another issue <strong>of</strong> this edition appeared with the first 8 leaves reprinted, with the device <strong>of</strong><br />

Giordano Ziletti and the date 1557 on the title-page.<br />

Ce volume est rare et ne se trouve guere que mal conserve et delabre: il aura du eprouver<br />

plus d un accident aupres des fourneaux des adeptes (Renouard).<br />

Provenance: John Carr (1764-1817) <strong>of</strong> Dunston Hill, co. Durham, and Hedgeley,<br />

Northumberland, who was in Florence from May 1792 until 19 November 1793 (see<br />

Ingamells A dictionary <strong>of</strong> British and Irish travellers in Italy 1701-1800(1997) pp. 185-<br />

186)<br />

References: Renouard p. 135; Ahmanson-Murphy 312; Caillet 5910; Duveen 332;<br />

Ferguson ii 2; Mellon Collection 17; Thorndike, iii, chapter ix passim<br />

800-1,000<br />

1,300-1,600


234<br />

PENSE ES<br />

DE<br />

M.PASCAL<br />

SUR LA RELIGION<br />

ET SUR QUELQUES<br />

AUTRES SUJETS,<br />

ont cfte trouvccs aprcs fa wort<br />

farmy fes<br />

A PARIS,<br />

Chez GUILLAUME DESPREZ,<br />

rue Saint Jacques , a Saint pr<strong>of</strong>per.<br />

117 actual size<br />

M. DC. LXX.<br />

Privilege & Approbation.


117 Pascal, Blaise. Pensees de M. Pascal sur la religion et sur quelques autres sujets, qui ont<br />

este trouvees apres sa mort parmy ses papiers. Paris: Guillaume Desprez, 1670<br />

8vo (154 x 86mm.), 234 leaves, (41 + 183 + 10), [82], 365, [21] pp., (a 12 e 12 i 8 o 8 u 1<br />

A-P 12 Q 4 R 8 S 2 (-S2=ul?), Contents: al r title (verso blank); a2r-i8 v preface [de Port-<br />

Royal, by Etienne Perier]; ol r -o6 r<br />

approbations; 06V -07 V contents; 08 r extrait du<br />

privilege; 08V errata; ul r &quot;v<br />

avertissement on the subject <strong>of</strong> editing; Al r<br />

-Q3 r text (Q3 V<br />

blank); Q4-S1 V table des matieres, RULED IN RED THROUGHOUT, monogrammatic<br />

printer s device on title, contemporary French red morocco, gilt triple fillets on covers<br />

enclosing a central panel <strong>of</strong> triple fillets with flower spray fleurons at corners, spine gilt in<br />

5 compartments, one compartment lettered in gilt, gilt turn-ins, all edges gilt, in red<br />

morocco slip-case by Mme Alix, occasional very light browning<br />

FIRST EDITION. THIS IS PROBABLY THE FINEST COPY KNOWN, RULED IN RED AND IN A FINE<br />

CONTEMPORARY MOROCCO BINDING, COMPLETELY UNRESTORED.<br />

Pascal s Pensees, published posthumously in 1670, is the greatest<br />

work <strong>of</strong> one <strong>of</strong> the<br />

outstanding French thinkers <strong>of</strong> the seventeenth century. Despite being composed largely<br />

<strong>of</strong> notes and fragments jotted down a mesure qu elles lui venoient dans 1 esprit in<br />

preparation for a treatise which he did not live to complete, it is a major exercise in<br />

Christian apologetics. The avertissement underlines the disjunct nature <strong>of</strong> the work by<br />

drawing attention to the typographical distinction <strong>of</strong> certain Pensees. The published work<br />

was not something carefully overseen its by author, but rather a work in which the hand<br />

<strong>of</strong> the editors at Port-Royal was very powerful. In fact the Pensees were already circulating<br />

in manuscript by the time <strong>of</strong> publication, as were other works by Pascal, which was a<br />

source <strong>of</strong> concern to his nephew s family. They therefore acquired a privilege for the<br />

Fragments etpenseesxi the end <strong>of</strong> 1666 and registered it with the booksellers on 7 January<br />

1667. The work <strong>of</strong> editing continued from 1667 until 1669.<br />

The original autograph recueil(now BnF. ms f.fr. 9202) is a collage <strong>of</strong> disparate fragments<br />

pasted into a guard book. Pascal originally made his notes on large sheets <strong>of</strong> paper (23.5 x<br />

35cm., sometimes divided in half). These he divided up taking care to put a small cross at<br />

the top <strong>of</strong> the page. When in mid- 1658 he decided to classify them, he cut up these large<br />

sheets and constructed bundles held together by a thread or a metal staple. The guard<br />

book into which they were pasted was made later, and was presented in 1711 to the<br />

library at Saint Germain-des-Pres in 1711 by Etienne Perier, where it remained until the<br />

Revolution. Two other copies exist: BnF f.fr. 9203 (Cl), and f.fr. 12449 (C2), both <strong>of</strong><br />

these containing some new material. It is on these manuscript sources that modern texts<br />

<strong>of</strong> the Pensees s.re based.<br />

235<br />

,


236<br />

The acheve d imprimer <strong>of</strong> the 1670 edition is dated 2 January 1670, but the bulk <strong>of</strong> the<br />

text was printed in 1669. In fact, two copies <strong>of</strong> a so-called edition preoriginale with the<br />

date 1669 are known to exist, one at the BnF (Res. D. 2 1374, acquired in the 1850s, and<br />

used by Sainte-Beuve) and the other atTroyes. The copy in Paris consists <strong>of</strong> 30<br />

preliminary leaves, 365pp. for the text and 1 leaf at the end <strong>of</strong> Table des matieres (Q4),<br />

which ends at the letter C: it has no approbations, privilege, table <strong>of</strong> chapters, errata or<br />

avertissement. These absences would definitely serve to accord it a quasi interim status<br />

(does it have a title-page solely as an identifying mark?). The 1669 edition has 424<br />

fragments, <strong>of</strong> which five were suppressed before the appearance <strong>of</strong> the 1670 edition, the<br />

edition originale.<br />

The supposition is that the 1 669 copies were printed a tirage restreint (Le Guern speaks<br />

<strong>of</strong> thirty or so copies) for submission to the censors and friends: the approbations are<br />

dated August-November 1669, and a letter from Arnauld to Florin Perier (dated 20-xi-<br />

1669) mentions some <strong>of</strong> the difficulties connected with this edition preoriginale. Certainly


the edition originate was published early in 1670: the archbishop <strong>of</strong> Paris Hardouin de<br />

Perefixe had summoned the printer Desprez, who, after consultation with Arnauld and<br />

others, provided one on 24 December 1669, although he declined to add the declaration<br />

by the cure de Saint-Etienne (on Pascal s denial <strong>of</strong> Port- Royal on his deathbed), which the<br />

archbishop wanted to inserted with the approbations. Daniel Huet bought his copy <strong>of</strong> the<br />

first edition (now in the BNF Res. D. 21375) in February 1670. The 1670 edition<br />

contains additionally twelve fragments drawn from Pascal s letter to the Roannez family,<br />

five taken from the letter on the death <strong>of</strong> his father, and fifteen taken from the Priere pour<br />

le bon usage<br />

des maladies (=section xxxii, the text being divided into 32 sections.) It is clear<br />

that substantive changes were made to the text very late in 1669.<br />

The long preface by Etienne Perier, Pascal s nephew, gives some account <strong>of</strong> Pascal and <strong>of</strong><br />

his virtue and piety, and <strong>of</strong> the work: de quelle maniere ces Pensees ont etc ecrites et<br />

recueillies: ce qui en a fait retarder 1 impression [Pascal died 19 August 1662]; quel<br />

dessin de 1 auteur dans cet ouvrage et comment il a passe les dernieres annees de sa vie.<br />

237<br />

etait le<br />

Desprez, who was the <strong>of</strong>ficial printer for Port Royal, published another edition in 1 670<br />

with identical<br />

title-page, and ornaments, but with 221 leaves ([64], [1]2-312, 307-330,<br />

3 13-334, [20] pp.), and the errata corrected (Le Guern C; Maire 6). He also published the<br />

Seconde edition (348 pp., Le Guern D; Maire 70), and the textus receptus<strong>of</strong> 1678. There<br />

are two other editions with his name but these are clearly Low Countries piracies or<br />

clandestine editions (Le Guern A; it has a woodcut fleuron on title-page, a frieze bandeau<br />

on [2]nd Al, rose cul-de-lampe on p. 294 (end XXX) and fruit cul-de-lampe on p. 342<br />

(end XXI) as well as a number <strong>of</strong> other differences), and another (Le Guern B, with a<br />

fleuron <strong>of</strong> two crossed palms with interlacing leaves and flowers.)<br />

In this copy the list <strong>of</strong> errata the final item has been crossed out: an addition to p. 337 1.<br />

12 where car leur but principal n estoit pas d instruire, mais d echaufer should have<br />

seulement added after instruire .<br />

Provenance: Montcelor, seventeenth-century inscription on title; sold Paris, Ader Picard<br />

Tajan, 29 March 1984, lot 78; The Garden Ltd. (sale Sotheby s New York, 9-10<br />

November 1989, lot 126)<br />

References :T. Goyet, Le Visage de 1670 , in Les Pensees de Pascal en trois cent ans,<br />

Clermont-Ferrand: Bussac, 1971; HJ. Martin (1987) Guillaume Desprez, libraire de<br />

Pascal et de Port-Royal , reprinted in his Le livrefrancais sous IAncien Regime, Paris:<br />

Promodis, 1987, pp.65-78; Antony McKenna, De Pascal a Voltaire: le role des Pensees de<br />

Pascal dans I histoire des idees entre 1670 et 1734, Oxford: Voltaire Foundation 1990, vol<br />

1.; Pascal, Oeuvres completes II Edition presente... par Michelle Guern, Paris: Gallimard,<br />

2000; Printing and the Mind <strong>of</strong>Man 152<br />

100,000-120,000<br />

162,000-194,000


238<br />

IL PETRARCHA CON t ESP OS ITIONE<br />

ANDRO VELLVTELLO E<br />

&amp;lt;;ON &OLTE ALTRfc VTlLl$<br />

SIME COSE IN DiVERSl<br />

LVOGH1 D I Q.VELLA f L<br />

N VOVAMENTB<br />

118 Petrarca, Francesco. II Petrarcha con 1 espositione d Allessandro Vellutello. Venice:<br />

Bernardino de Vidali, February 1528<br />

2 parts in one volume, 4 (197 x 138mm.), hand-coloured double-page woodcut map <strong>of</strong><br />

the Vaucluse region, two full-page illuminations in camaieu d or on title-page and sub<br />

title, gold on brown with occasional touches <strong>of</strong> green, early nineteenth-century diced<br />

russia by Binda <strong>of</strong> Milan, edges marbled and gilt, modern cloth box, manuscript poem in<br />

a sixteenth-century hand on n3 verso and n4 recto, two wormholes in title and one in last 5<br />

leaves repaired, illuminated border on title slightly shaved at head, lower cover detached<br />

FROM THE LIBRARY OF PIETRO BEMBO, ILLUMINATED BY BENEDETTO BORDONE. This is one<br />

<strong>of</strong> the few surviving books from the library <strong>of</strong> the Renaissance humanist and Cardinal<br />

Pietro Bembo (1470-1547), who edited Petrarch s Rime for Aldus Manutius s 1501<br />

edition. This edition <strong>of</strong> Petrarch was very highly regarded and established Bembo s<br />

reputation as one <strong>of</strong> the finest literary scholars (for Bembo s editing <strong>of</strong> Petrarch and other<br />

writers see B. Richardson Print Culture in Renaissance Italy, Cambridge 1994 chap. 4).<br />

His own copy <strong>of</strong> this edition, printed on vellum and with his arms illuminated on the<br />

first leaf <strong>of</strong> text, is in the John Rylands University Library <strong>of</strong> Manchester. The Pierpont<br />

Morgan Library has a 1501 Petrarch on vellum with miniatures attributed to Bordone<br />

(reproduced in Fletcher In Praise <strong>of</strong>Aldus Manutius, 1995, plates 1-2). In 1544 Bembo<br />

was able to purchase Petrarch s autograph manuscript, from which he had earlier prepared<br />

the Aldine edition. Alessandro Vellutello s commentaries were first printed by the da<br />

Sabbio brothers in 1525.


The illumination appears to be the work <strong>of</strong> Benedetto Bordone (c. 1450/60-c. 1530),<br />

who worked in Venice as a book illuminator from the early 1 500s and was the author <strong>of</strong><br />

the Isolario published in 1 528. The architectural border on the title-page is designed as a<br />

marble monument with a classical frieze <strong>of</strong> figures at the foot. Below the title the arms <strong>of</strong><br />

Bembo are within a cartouche. The other border, on the sub-title to the Trionfi, is also<br />

architectural and is composed <strong>of</strong> satyrs, eagles, putti and and ram s head. At the foot is a<br />

classical frieze with figures and Medusa heads, and above the title is a semi-circular<br />

compartment depicts the Triumph <strong>of</strong> Love watched by a seated poet.<br />

The Bembo provenance <strong>of</strong> this copy was only identified by Cecil H. Clough in 1969-<br />

1970 (see below).<br />

Provenance: Pietro Bembo, with his illuminated arms added to title-page; Miss B. Hall,<br />

Beech House, Cheltenham (sale in our rooms, 24 April 1939, lot 44); Major J.R. Abbey,<br />

with faded acquisition note on end flyleaf; sale in our rooms, 16 May 1977, lot 35<br />

References: Sander 5631; C.H. Clough, Pietro Bembo s Library, 1971, note 27; and his<br />

article, The library <strong>of</strong> Bernardo and <strong>of</strong> Pietro Bembo , The Book Collector, 33, 1984, pp.<br />

305-331, especially p. 317; Nella Giannetto, Bernardo Bembo, Florence 1985.<br />

15,000-25,000<br />

24,300-40,400<br />

239


240<br />

119 actual size


119 Reisch, Gregorius. Margarita philosophica, cum additionibus novis. Basel: Michael Furter,<br />

5 March 1517<br />

4 (203 x 148mm.), Gothic, Greek and Hebrew types, title printed in red within<br />

woodcut border, 17 full-page woodcuts, some woodcut illustrations and diagrams in text,<br />

numerous small woodcuts in margins <strong>of</strong> the chapter on geometry, printer s woodcut<br />

device at the end, some music printed on 4-line staves, WOODCUTS ALL COLOURED BY<br />

HAND, woodcut initials, border on title, initials, paragraph-marks and initial-strokes all<br />

supplied in red, modern morocco, sides ruled in blind to a diaper pattern, title and author<br />

lettered in an early hand round the margins <strong>of</strong> title, red silk indexing tabs on most <strong>of</strong> the<br />

full-page woodcuts, lacking the world map found in some copies and two folding diagrams<br />

relating to Music, short tear at head <strong>of</strong>a3<br />

Eighth edition, the fourth to be revised by the author. Gregor Reisch, prior <strong>of</strong> the<br />

Carthusian monastery <strong>of</strong> Mons S. Joannis Baptistae near Freiburg im Breisgau, was<br />

confessor to Emperor Maximilian I. His popular handbook was a compendium <strong>of</strong> the<br />

trivium, the quadruvium and the natural and moral sciences and was first printed in<br />

Freiburg by J. Schott, before 13 July 1503. Following this first edition, a pirated edition<br />

was produced by Griininger at Strassburg in 1504; Schott then printed the third in 1504,<br />

and the fourth in partnership with Michael Furter at Basel on 17 February 1508.<br />

Griininger then produced three further pirated editions in 1508, 1512 and 1515, before<br />

the present edition appeared.<br />

The woodcuts in the present edition are those used in the first edition, with the exception<br />

<strong>of</strong> that <strong>of</strong> Geometry, which did not appear in the first edition. The subjects <strong>of</strong> the large<br />

cuts are: Philosophy, Grammar, Logic, Rhetoric, Arithmetic, Music, Geometry,<br />

Astronomy (2), Astrology, the Creation (repeated), Fortune, Anatomy, Childbirth, a<br />

phrenological head, the mouth <strong>of</strong> Hell and Purgatory.<br />

References: VD16 R1040; Wellcome i 5418; Smith p. 83; Fairfax Murray 354<br />

15,000-20,000<br />

24,300-32,300<br />

241


242<br />

120<br />

, Bythios Mixi s<br />

Ageratos Henonfs<br />

j<br />

lAutophyes Hedone<br />

.<br />

MonogcncsMacana<br />

qua & Enthymcfis<br />

Mater/ale ex pafl?one<br />

Animale ex couerfioe<br />

Spiritale eximagi/<br />

natione<br />

PatricosElpi s<br />

Mctricos Agape<br />

, Eccl<br />

AenosSynefis<br />

. Macariotes<br />

iTeletusSoph<br />

120 Tertullianus, Quintus Septimius Florens. Opera... per Beatum Rhenanum e tenebris<br />

eruta. Basel: Hieronymus Froben and Nicolaus Episcopius, March 1539<br />

2 (304 x 204mm.), printer s woodcut device on title and at the end, white-on-black<br />

woodcut initials, full-page woodcut diagram on PI verso, contemporary<br />

South German<br />

binding <strong>of</strong> blind-stamped calf over bevelled wooden boards, borders and central panel<br />

composed <strong>of</strong> a roll composed <strong>of</strong> four bust portraits separated by ornament (Hobson, op.<br />

cit. pi. 4b), two clasps and catches, fore-edge (56 mm. wide) decorated with a painted<br />

figure in white robes writing in an open book, lettered Q. SEPTIMUS TERTULLIANUS, top<br />

and bottom edges marbled, modern morocco slipcase, gathering Vv mishound, small<br />

wormhole in upper margin <strong>of</strong> title and following leaf, one clasp renewed, spine slightly chipped<br />

at head and foot<br />

FROM THE PILLONE LIBRARY, WITH A FORE-EDGE PAINTING BY CESARE VECELLIO. Belluno is<br />

a town in the Veneto, due north <strong>of</strong> Venice, on the edge <strong>of</strong> the Grappa Hills, and the<br />

Pillone (properly Piloni ) family, originally from the Val Cadore, came there in the late<br />

fifteenth<br />

century. Antonio Pillone acquired the earliest books in the collection. He moved<br />

to Belluno in 1506, where he was a prominent citizen much involved in the town s<br />

defence, and died there in 1533. His eldest son Odorico (1503-1594), who in the 1520s


had been at Padua University, built a villa at Casteldardo in the foothills <strong>of</strong> the<br />

mountains, and established there his Studio, collections <strong>of</strong> books, pictures and other<br />

objects. His son Giorgio, author <strong>of</strong> a history <strong>of</strong> Belluno published in Venice in 1607, and<br />

who may have had some connection with the decoration <strong>of</strong> the books, died in 1611.<br />

The library was large and varied, but the most remarkable feature <strong>of</strong> it was a collection <strong>of</strong><br />

172 volumes, <strong>of</strong> which most had beautifully painted fore-edges, decorated with portraits<br />

<strong>of</strong> the authors or similar images. The painter who executed these remarkable paintings<br />

was Cesare Vecellio (c. 1521-1601), cousin <strong>of</strong> the painter Titian, who came from the<br />

region and was working in the late 1 570s in the parish<br />

243<br />

church at Lentiai and in numerous<br />

other churches around Belluno. The work <strong>of</strong> painting the fore-edges seems to have been<br />

carried out over a number <strong>of</strong> years: certainly in his Habiti antichi e modern* (1 590)<br />

Vecellio pays tribute to the folk at Casteldardo and their hospitality over the years.<br />

Confusion with his more famous cousin led to the attribution to Titian <strong>of</strong> a mural<br />

representing the rape <strong>of</strong> Paola di Lusa, a famous episode in the history <strong>of</strong> Feltre, dating<br />

from 1590, which still existed in 1744 in a room <strong>of</strong> the villa (see A. Alpago Novello, Ville<br />

della provincia di Belluno, Milan: Rusconi, 1982, pp. 411-413, note 4).<br />

It may have been in the late 1570s, therefore, that work began on the decoration <strong>of</strong><br />

certain chosen books, all already in the library. Those acquired by Antonio Pillone before<br />

1500 were in half bindings <strong>of</strong> wooden boards and leather<br />

spines, decorated only with<br />

lines, executed either in the Val Cadore or in Belluno. Later acquisitions had been bound<br />

by two Belluno workshops which Hobson distinguished as Belluno bindery A and B;<br />

there was a group <strong>of</strong> books in South German bindings (see below); and a further group<br />

(including several volumes in quarto format) acquired later were bound in plain vellum.<br />

The present binding is one <strong>of</strong> a group <strong>of</strong> fifty-nine volumes in German bindings <strong>of</strong> blind-<br />

stamped calf or pigskin. Three quarters <strong>of</strong> these books were printed in Basel or Cologne<br />

and the latest was printed in 1 550. The bulk <strong>of</strong> this group were bound in one <strong>of</strong> two<br />

binderies, one at Augsburg (see lot 121), the other (<strong>of</strong> which the present book is an<br />

example) possibly at Gorlitz (see Anthony Hobson, The Pillone Library ,<br />

Collector, Spring 1958, pp. 34-35).<br />

The Book<br />

It is thought that this group <strong>of</strong> bindings was acquired by Odorico Pillone from the estate<br />

<strong>of</strong> Bonaccorso Grino (d. 1553), who was in the service <strong>of</strong> Emperor Charles V and was<br />

granted the castle <strong>of</strong> Burtembach, near Augsburg (Odorico s sister had married a member<br />

<strong>of</strong> the Bellunese family <strong>of</strong> Grino).<br />

The ecclesiastical writer Tertullian (c. 160-240), a native <strong>of</strong> Carthage, was much admired<br />

by both Cyprian and Augustine. His earliest writings were the apologetics <strong>of</strong> 197. After<br />

206 he jointed the Montanist sect and a few years later definitively separated from the<br />

Church. Virulant writings against the Church followed and he eventually left the<br />

Montanists and founded his own sect, the Tertullianists, who were eventually reconciled<br />

to the Church by St Augustine. This is the third edition <strong>of</strong> his works, edited by Beatus<br />

Rhenanus, printed by Froben, preceded by editions in 1521 and 1528.<br />

Provenance: Odorico Pillone; Paolo Maresio Bazolle; Sir Thomas Brooke, with his<br />

bookplate; Pierre Beres<br />

References: Bibliotheque Pillone 124 (illustrated); VD16 T561<br />

30,000-40,000<br />

48,500-64,500


244<br />

121<br />

NVS DEV5A NV5 CONCILIATOR. DEI ET HOMINV* HOMO CHRISTVS 1ESVS<br />

&amp;lt;^ C5VI DEDIT SEMETIPSVM PREC1VM REDEMPT1ON1S PRO OMN10VS J-&quot;J v<br />

THEOPHYLA<br />

CTI BVLGARIAE AR<br />

CHIEPISCOPI TOMVS PRI-<br />

musjEnarrationesin Quatuor<br />

Euangelia conti^<br />

- -licns. &quot;<br />

1 O AN NE ^. -.. ^. - ...<br />

Interprete<br />

CVM PRIVILEGIO CAESAREAE MAIE<br />

flans ad Sexeunium inics<br />

grum<br />

B A S I L E


,<br />

- I<br />

121 Theophylactus, Archbishop <strong>of</strong>Achrida. Ennarationes in quatuor Evangelia continens.<br />

loanne Oecolampadio interprete.<br />

Basel: heirs <strong>of</strong>Andreas Cratander, August 1541, title<br />

within historiated woodcut border, s<br />

printer woodcut device on verso <strong>of</strong> final leaf,<br />

woodcut initials<br />

Theophylactus. In omnes D. Pauli Epistolas enarrationes... Christophoro Porsena<br />

Rhomano interprete. Cologne: Peter Quentell, January 1531, index leaf at the end,<br />

woodcut initials<br />

2 works in one volume, 2 (31 1 x 209mm.), contemporary South German binding <strong>of</strong><br />

over bevelled wooden boards, outer border <strong>of</strong> a roll <strong>of</strong> David and<br />

blind-stamped pigksin<br />

his harp, St Paul and the Resurrection (Hobson, op. at., plate 4a), fore-edge (47 mm.<br />

wide) painted with the figure <strong>of</strong> an archbishop seated at a table covered with a red drap<br />

and writing in a open book, upper and lower edges marbled, two clasps and catches,<br />

modern morocco slipcase, a censored copy <strong>of</strong> the first work with the name <strong>of</strong>Oecolampadius<br />

erased on title and at the beginning <strong>of</strong> the text and several words erased from Oecolampadius s<br />

address to the reader with paper damage and slight text loss, small stain on title and following<br />

leaves <strong>of</strong>first work<br />

FROM THE PILLONE LIBRARY, WITH A FORE-EDGE PAINTING BY CESARE VECELLIO. One <strong>of</strong><br />

twenty-six volumes in the library probably bound at Augsburg (see lot 120).<br />

Theophylact, born in Constantinople and Archbishop <strong>of</strong>Achrida and metropolitan <strong>of</strong><br />

Bulgaria from 1078 to 1 107, was considered the most learned exegete <strong>of</strong> his time. His<br />

fame rests<br />

largely on his biblical commentaries. s Oecolampadius Latin translation <strong>of</strong> his<br />

245<br />

commentary on the Gospels was first printed by Cratander in 1522; and Porsena s<br />

translation <strong>of</strong> the commentary on St Paul was first printed by Quentell in 1527. Melchior<br />

von Neuss printed an octavo edition also at Cologne, and in the same year as the present<br />

edition.<br />

Provenance: Odorico Pillone; Paolo Maresio Bazolle; Sir Thomas Brooke, with his<br />

bookplate; Pierre Beres<br />

References: Bibliotheque Pillone 126; VD16 B4614 & 5001; H<strong>of</strong>fman iii 740<br />

30,000-40,000<br />

48,500-64,500


246<br />

122<br />

Cur Facuda paru decoro<br />

inter Verba ccdit lingus<br />

fdentio.D.lnclpir afrari.<br />

Prcddebat cptextn jtbo<br />

rurvtloqndifpaciaprcr*<br />

ris:cuorone Integra non<br />

(Bneidos<br />

Ntmc eadem labente die conumia querit,.<br />

K 1<br />

Iliac<strong>of</strong>cp iterumdemensaudirelabores<br />

Expoicic : pendetcj iterum narrancis ab ore.<br />

pot vti amasrfed vt puer interrifpit . Hanc re mfre <strong>of</strong>tcdit<br />

Floret/ 9 prtrarcha in eo lyrico Benchio tabbia g jardato:<br />

: &amp;lt;5c demenfogna:iuamia polla honorato alfoi ingra<br />

ta lingua non pogia inhai Re nduro honore.-ma factomi<br />

uergogna.Giequatopiuil tuoai uto mi bifognap do/<br />

raadare mcrcede alllior tiftai femp piu frcdda:cS:feparo<br />

le fa fonoimpfec^fccomedhuomchefogna.Seddicet<br />

aliquis:cumamorcautu3:callidufqj fitretiarn eJoquens<br />

eritr Vnde eft illd:D fertii faciebat amorcEft quide difa<br />

tus amas.-fed fepc vd.fubito inteructu :vel vehemeri ali<br />

quacogitationcita<br />

Obfcuralaa.S.i;<br />

nox: Nsnihil ta cprrariii<br />

eft lune qp obfcuritas.<br />

o Sola.S.fineep quern<br />

amabat . Na rrgina fola<br />

.<br />

e^enppotcrat<br />

Eftautc<br />

Plauri:g (nducic amaro*<br />

fcrinterrnPcos p<strong>of</strong>itu dw<br />

cent? folus fit.<br />

q&amp;gt;<br />

Mocret.SpdyphthS<br />

gOn eft tr ifti s ;alirer figni<br />

conftcrnatar : vt ominac memona<br />

piebant:Eamcg coenam appellabant: . Deinder I<br />

eft:vt bis in<br />

dieepularenr.primamq? epubttonJ^SaS<br />

dixerunt.fed ***% Uk*AVV4 de Vt%- hoc IIV^V, raro *O.i\J memmerunt 11JS.1 Jill Itl U II S<br />

I I fcripton. tfli c ,,,r<br />

fa lafTilKrtrl-wr r.n-fn r^w.iV.o lw ,,. ta ^.-~... *HIll<br />

laflEftMKtJryc fcpejn Comitis vidernus.<br />

k IlIiac<strong>of</strong>q?.E&amp;gt;.coiifumptis omnibus inuentio<br />

dibat ad ea q pnus erant narrata:mifereill5 fa<br />

piebat. 1<br />

Demens.S-qugeaqucnoueratcupitbata-,<br />

dire. m Pendcc narrancis ab ore .S. vt o iim<br />

tur.et hoc loco per omnta amantis affcctus rxpnmi^<br />

CRI.Pendet ab ore.N5 amantcs omniaqujajj^<br />

dicuntunqualiacunqj funt admirantur.<br />

_ _ ficatmflitarvtam^<br />

igremrlumec^ oblcura viciUim: __ _ _<br />

_ ^ai ud P^jf eft f&quot; q<br />

Lunaprcmic;lnadeco^cadeciaiydera lomnos,,<br />

o p<br />

ftm&8.T<br />

tf,-cripi abdi-L. -^fj]b<br />

Soladomomoeretvacuarftratifc^relKrtis<br />

Incubatrillum abfens abfente auditqs<br />

Aut grcmib Afcaniu gerutoris Imagine capt<br />

j


122 Vergilius Maro, Publius. Opera (edited by Sebastian Brant). Strassburg: Johann Griininger,<br />

1502<br />

2 (275 x 200mm.), 449 leaves (A 6 B-G 8 H 10 1 I-S 8 T-V 10 x-z 8 Aa-Hh 8 ii 6 KK-W 8<br />

xx&quot; yy-zz a-f aa-cc ), full-page woodcut on title, some 210 other woodcuts in text,<br />

some full-page, one double-page, woodcut initials, title printed in red, printer s woodcut<br />

device at the end, nineteenth-century blind-tooled green morocco by W. Pratt, gilt edges,<br />

a few early manuscript notes in margins, some headlines shaved, tears in Rl, MM3, a7 and<br />

f2 repaired with minimal loss in all cases, repairs in margins <strong>of</strong> a few other leaves, printing<br />

flaw on CCS recto, occasional light spotting<br />

If for the Middle Ages Aristotle was ille philosophus, Virgil was ille poeta - Ad Maronis<br />

mausoleum/ ductus flevit super eum . It was Virgil, savio gentil, che tutto sepe (Inferno<br />

7.3.) who guided the greatest poet <strong>of</strong> medieval Catholicism, Dante, through to the gates<br />

<strong>of</strong> heaven, where he has to abandon him.<br />

This first illustrated edition is one <strong>of</strong> the most wonderful illustrated books ever<br />

produced (Redgrave, The illustrated books <strong>of</strong> Sebastian Brant , in Bibliographica II<br />

(1896) p. 56), and a landmark in the presentation <strong>of</strong> Virgil. The charming rural<br />

evocations for the ten Eclogue are founded in contemporary life, as are the illustrations for<br />

the Georgics, the first <strong>of</strong> which shows the poet at his desk with Augustus, the emperor,<br />

Pallas (Minerva), and as signs <strong>of</strong> the contents <strong>of</strong> the books Neptune and Triptolemus.<br />

Each <strong>of</strong> the four books has a number <strong>of</strong> carefully considered illustrations, again drawing<br />

on what the artist knew. The illustrations <strong>of</strong> bee-keeping which accompany book IV are<br />

particularly striking, even if Orpheus and Euridice on fol. cxviii are somewhat stiff. A<br />

similar general allegorical frontispice heads the Aeneis, and all the great scenes <strong>of</strong> that<br />

great poem are depicted: there is a wonderful wooden horse with a very angry-looking<br />

Laocoon, with an enormously long spear, there is a vivid Polyphemus on fol. cciii, a<br />

frightening Fama in book IV (fol. xxcv verso), a very biblical looking Dido and her sister<br />

Anna with a fearsome high priest on fol. ccx verso, and very martial cuts in the closing<br />

books <strong>of</strong> Virgil and in the additional book XIII <strong>of</strong> Mapheus Vegius, including on fol.iiii<br />

verso <strong>of</strong> that section a splendid feast with Aeneas, Lavinia, Ascanius and Latinus sitting<br />

down to a fine peacock. Even the poems <strong>of</strong> the Appendix Virgiliana (plus some others like<br />

the Aetna} are prolifically illustrated: there is a particularly inviting garden with<br />

musicians, on fol. vi verso at the end <strong>of</strong> the Copa Surisca, <strong>of</strong> which Helen Waddell would<br />

surely have approved; a group <strong>of</strong> drunkards outside a thriving whorehouse (fol. vii verso)<br />

and beneath it a cut <strong>of</strong> two black men belabouring a peasant, a cut <strong>of</strong> games with dice<br />

and cards on fol.ix recto, a neatly fronded Priapus on fol. xiii with a bevy <strong>of</strong> chaste<br />

beauties<br />

shielding their eyes ( Expurgatio Seb. B. cur priapeia imprimi is prohibuerit the<br />

running title). The final cut is on fol.. xxxiii and is <strong>of</strong> Virgil lying dead Hic.Maro.Docte.<br />

laces.<br />

247


248<br />

122<br />

These illustrations show a detailed knowledge <strong>of</strong> the text <strong>of</strong> Virgil and <strong>of</strong> mythology, but,<br />

<strong>of</strong> course, the styles and locations, like those in Horae, are strictly contemporary.<br />

In a prefatory poem, Brant traces the history <strong>of</strong> depiction, listing many painters and<br />

sculptors <strong>of</strong> antiquity, and stressing the importance <strong>of</strong> illustration for the indoctus:<br />

His legere historias commentaque plurima doctus:<br />

Nee minus indoctus perlegere ilia potest.<br />

Dardanium Aeneam doctum non legimus usque:<br />

Picturam potuit lerlegere ille tamen<br />

The reader may wonder, he says, why he has given these praises <strong>of</strong> illustration. It is, he<br />

continues, that the reader may enjoy the pictures he provides, which no one had done<br />

before, and enjoy them with ease:<br />

Quam nisi: ut has nostras quas pinximus ecce tabellas<br />

Virgilio: charas tu quoque habere velis<br />

Has tibi nemo ante hac tarn plane ostenderat usquam:<br />

Nemo tibi voluit pingere Virgilium<br />

Nunc memorare potes monochromata cuncta maronis<br />

Quam leuiter: pictis lector amice locis.<br />

This copy, like those in the British Library, contains nine leaves in gathering H; this ninth<br />

leaf is unrecorded by Adams, nor was apparently present in the Klotz copy (sale Christie s,<br />

2 November 1994, lot 259). Adams also records a copy which has gatherings DD and EE<br />

are printed in Gothic, rather than Roman type, and without the four woodcuts which<br />

normally appear on D2 and 7.


122<br />

Provenance: John Holmes, with bookplate; Dyson Perrins, with bookplate<br />

References: VD16 VI 332; Proctor 9888; Schmidt, Histoire litteraire de IAlsace, ii, 369 no.<br />

163; P. Kristeller, Die Strassburger Buchillustration, 1888, no. 99; B. Schneider Vergil<br />

Handschriften und Drucke der HAB. Wolfebuttel: HAB, 1982, D5; and see the essays by<br />

E.W. Leach and Ruth Mortimer in The early illustrated book Essays in honor <strong>of</strong>LessingJ<br />

Rosenwalded. S. Hindman. Washington:LC, 1982<br />

30,000-40,000<br />

48,500-64,500<br />

END OF SALE<br />

249


250<br />

REFERENCES:<br />

Altaner: Berthold Altaner, Patrologie, 7th ed., rev. Alfred Stuiber<br />

(Freiburg<br />

i. Br., 1966)<br />

Arnold: Klaus Arnold, Johannes Trithemius (1462-1516), 2nd ed.<br />

(Wiirzburg, 1991)<br />

Bekker: Aristotelis opera, ed. Immanuel Bekker, vols. 1-2 (Berlin,<br />

1831)<br />

Busard 1996: H. L. L. Busard, Lateinische Euklidiibersetzungen<br />

und -bearbeitungen aus dem 12. und 13. Jahrhundert ,<br />

Mathematische Probleme im Mittelalter, ed. Menso Folkerts (1996:<br />

WolfenbiittelerMittelalter-Studien, 10), 139-57<br />

CC: Corpus Christianorum, series Latina<br />

CPL: Eligius Dekkers, Clavis patrum Latinorunr (Steenbrugge,<br />

1995)<br />

Cont. Eras.: Contemporaries <strong>of</strong> Erasmus, ed. Peter G. Bietenholz (3<br />

v., Toronto, 1985-87)<br />

CTC: Paul Oskar Kristeller, et al., eds., Catalogus translationum et<br />

commentariorum: Mediaeval and Renaissance Latin Translations and<br />

Commentaries (Washington, D.C., 1960 )<br />

DAGL: Dictionnaire des auteurs et<br />

grecs latins, ed. Wolfgang<br />

Buchwald . . . mis a jour par Jean Denis Berger & Jacques Billen<br />

(Turnhout, 1991)<br />

DBI: Dizionario biografico degli Italiani<br />

Distelbrink: Balduinus Distelbrink, Bonaventurae scripta authenti-<br />

ca, dubia, velspuria critice recensita (Rome 1975 = Subsidia scien-<br />

tifica Franciscalia, 5)<br />

DSB: Dictionary <strong>of</strong>Scientific Biography<br />

During: Ingemar During, Aristotle in the Ancient Biographical<br />

Tradition (Goteborg, 1957)<br />

Eubel I-II: Conradus Eubel, Hierarchia catholica medii aevi ... ab<br />

anno 1198 usque ad annum 1431, (II:) ... ab anno 1431 usque ad<br />

annum 1503 (Minister, 1914 [II, ed. altera], 1901 [I])<br />

Flashar: Die Philosophic der Antike, 3: Altere Akademie -<br />

Aristoteles - Peripatos, ed. Hellmut Flashar (Basel/Stuttgart, 1983)<br />

Geanakoplos: Deno John Geanakoplos, Constantinople and the<br />

West (Madison, Wis., 1989)<br />

Geldner: Ferdinand Geldner, Die deutschen Inkunabeldrucker (2 v.,<br />

Stuttgart, 1968-70)<br />

Glorieux: Jean Gerson, Opera, ed. Mgr. Palemon Glorieux (10 v.,<br />

Paris, 1961)<br />

Grabmann: Martin Grabmann, Die Werke des HI. Thomas von<br />

Aquir? (Minister, 1949)<br />

Kaeppeli: Thomas Kaeppeli, Scriptores ordinis praedicatorum Medii<br />

Aevi (4 v., Rome, 1970-93)<br />

INDEX OF AUTHORS AND TEXTS<br />

in<br />

Kl. Pauly. Der kleine Paufy, ed. Konrat Ziegler et al. (5 v., Munich,<br />

1975)<br />

LMA: Lexikon des Mittelalters, ed. Robert Auty et al., 10 v.,<br />

Munich 1979-99 (PrinUL Hist. Grad. D 10 1.5 L49)<br />

Lohr: Charles H. Lohr, SJ,<br />

Medieval Latin Aristotle commen<br />

taries, Traditio25 (1967) 313-414 [A-F]; 24 (1968) 149-245 [G-<br />

I]; 26 (1970) 135-216 [J-Johannes Juff]; 27 (1971) 251-351<br />

[Johannes de Kanthi-M]; 28 (1972) 281-396 [N-Richardus] ; 29<br />

(1973) 93-197 [Robertus-end] ; 30 (1974) 119-44<br />

[Supplementary Authors]<br />

LThK: Lexikon fur Theologie und Kirchtr, ed. Josef H<strong>of</strong>er et al. (10<br />

v., i. Freiburg Br., 1957-67)<br />

MGG: Musik in Geschichte und Gegenwart, ed. Friedrich Blume<br />

(18 v., Kassel, 1949-86 [2nd ed. in progress])<br />

Munoz Sendino: Jose Munoz Sendino, ed., La escala de Mahoma:<br />

Traduccion del arabe al castellano, latin yframes, ordenadapor<br />

Alfonso X el Sdbio (Madrid, 1 949)<br />

Murdoch 1968: John E. Murdoch, The Medieval Euclid ,<br />

ttesynthese3rdseT. 49-52 (1968) 67-94<br />

NDB: Neue Deutsche Biographic<br />

Revue<br />

Needham: Paul Needham, Venetian Printers and Publishers in<br />

the Fifteenth <strong>Century</strong> ,<br />

La Bibli<strong>of</strong>ilia 100 (1998 [1999]) 157-200<br />

Neue Pauly. Der neue Pauly, ed. Hubert Cancik & Helmuth<br />

Schneider (Stuttgart, 1996 )<br />

New Grove: New Grove Dictionary <strong>of</strong> Music and Muscians, ed.<br />

Stanley Sadie (20 v., London, 1980)<br />

OCD: Oxford Classical Dictionary* ,<br />

Antony Spawforth (Oxford, 1 996)<br />

ed. Simon Hornblower &<br />

Orlandi: Aldo Manuzio editore: Dediche, prefazioni, note ai testi,<br />

ed. and transl. Giovanni Orlandi (2 v., Milan, 1975)<br />

Reichhart: Gottfried Reichhart, OSB, Beitrdge zur Inkunabelkunde<br />

[pt.<br />

1 : Die Correctoren der Buchdruckereien des funfzehnten<br />

Jahrhunderts] (Leipzig, 1895)<br />

Rupprich: Hans Rupprich, Die Deutsche Literatur vom spdten<br />

Mittelalter bis zum Barock, 1: Das ausgehende Mittelalter,<br />

Humanismus und Renaissance, 1370-1520 (Munich, 1970: H. de<br />

Boor & R. Newald, eds., Geschichte der Deutschen Literatur, vol.<br />

4)<br />

Sicherl: Martin Sicherl, Griechische Erstausgaben des Aldus<br />

Manutius: Druckvorlagen, Stellenwert, kultureller Hintergrund<br />

(Paderborn, 1997)<br />

Stegmiiller, Rep. bibl.: Fridericus Stegmiiller, Repertorium biblicum<br />

medii aevi (1 1 v., Madrid 1940 [=1950]-80) Sent.: Repertorium<br />

commentariorum in Sententias Petri Lombardi (2 v., Wtirzburg,<br />

1947)


Thorndike & Kibre: Lynn Thorndike and Pearl Kibre, A<br />

Catalogue <strong>of</strong>lncipits <strong>of</strong>Medieval Scientific Writings<br />

in Latin,<br />

Revised ... Edition (Cambridge, Mass., 1963)<br />

TLGC: Thesaurus Linguae Graecae, Canon <strong>of</strong> Greek Authors and<br />

Works, 3rd edition, ed. Luci Berkowitz & Karl A. Squitier<br />

(Oxford, 1990) [authors, arranged sequentially, are given reference<br />

numbers, and the texts classed under them decimal numbers; page<br />

numbers are given below only when<br />

VL: Die deutsche Literatur des Mittelalters: Verfasserlexikon, 2nd<br />

edition, ed. Kurt Ruh et al. (10 v., Berlin, 1978-1999)<br />

Wadding-Sbaralea: Lucas Wadding, Scriptores ordinis minorum;<br />

Joh. Hycinthus Sbaralea, Supplementum et castigatio (3 v., Rome,<br />

1906-22)<br />

Zumkeller: Adolar Zumkeller, OSA, Manuskripte von Werken der<br />

Autoren des Augustiner-Eremitenordens in mitteleuropa ischen<br />

Bibliotheken (Wiirzburg, 1966: Cassiciacum, vol. 20)<br />

Texts entered by titles: Auctoritates Aristotelis Auslegung der<br />

heiligen Messe Biblia Latina Corona Beatae Mariae<br />

Virginis Gesta Romanorum Heiligen Leben Historia<br />

septem sapientum Romae Kalender Lucidarius<br />

Margarita Davitica Martyrologium (Viola sanctorum)<br />

Plenarium Processus iudiciarius Speculum Christiani<br />

ABRAHAM ibn Ezra, c. 1089/90-1 164/7, Toledo [Encyc.jud.<br />

8.1 163; DSB 4.502]<br />

De nativitatibus (Dixit quoque abraham iudeus: optimum<br />

instrumentorum ad inveniendum gradum orientem<br />

[Thorndike & Kibre, 446]; an anonymous Latin version <strong>of</strong><br />

the mid- 12th cent., not, as BSB-Ink. 1-130, a version by<br />

Petrus de Abano (c. 1250-13 15/1 8): Alexander Birkenmajer,<br />

A propos de 1 Abrahismus , Archives Internationale d histoire<br />

des sciences 3 (1950) 378-90, esp. p. 385 n. 24] (with:<br />

Henricus Bate, Magistralis compositio astrolabii): II 1 (A-7)<br />

Adelardus Bathoniensis / Adelard <strong>of</strong> Bath, early<br />

[Sharpe, 23]:<br />

tr. Euclides<br />

AEGIDIUS Romanus (Aegidius de Columna),<br />

12th cent.<br />

c. 1243-1 3 16, OESA,<br />

probably not a member <strong>of</strong> the noble Colonna family<br />

[DAGL,350;LThK1.193]:<br />

De regimine principum (excerpt: Lib. 1.3, chs. 1-9: De XII<br />

passionibus animae: Duodecim sunt passiones animae videlicet<br />

amor ...) [Zumkeller 54, this excerpted form not noted]: II<br />

5 (A-297)<br />

Aegidius de Tebaldis, fl. 1257, <strong>of</strong> Parma, notary to Alfonso X <strong>of</strong><br />

Spain [Munoz Sendino, 84]: translator from Castilian to<br />

Latin <strong>of</strong> Haly<br />

251<br />

AESOPUS, i.e. the life <strong>of</strong> Aesop and a composite fable compilation,<br />

translated by Heinrich Steinhowel with extensive editorial<br />

prose, and dedicated by him to Duke Sigmund <strong>of</strong> Tyrol; his<br />

sources include Rinuccio da Castiglione s Latin Aesopic<br />

translation, printed Milan, 1474 (G<strong>of</strong>f A-99), with added<br />

stories selected from the verse fables <strong>of</strong> Avianus (cf. OCD,<br />

226), Petrus Alfonsi (DAGL, 683), and Poggio Bracciolini<br />

(DAGL, 706). For a detailed account <strong>of</strong> contents and<br />

sources, see Gerd Dicke, Heinrich Steinhowels Esopus und<br />

seine Fortsetzer (Tubingen, 1994), 40 sqq.]: II 2 (A- 122)<br />

ACRICOLA, Rudolf, 1444-1485, <strong>of</strong> Frisia, humanist [Cont. Eras.<br />

1.15; VL 1.84; G. C. Huisman, Rudolph Agricola: A<br />

Bibliography <strong>of</strong> <strong>Printed</strong> Works and Translations (Groningen,<br />

1985)]: Commendatory verse in Joh. Tritheim, De laudibus<br />

S. Annae<br />

ALANUS de Insulis, c.l 128-1202/3, Lille, OCist, Doctor univer-<br />

salis [VL 1 .97; Alain de Lille: Textes inedits, ed. with lengthy<br />

introduction by Marie Therese d Alverny (Paris, 1965)]<br />

Doctrinale ahum seu liber parabolarum (with anonymous<br />

commentary: [Iste liber duobus modis solet nominan])<br />

[authenticity questioned, but favored by d Alverny, 51-2]: II<br />

3 (A- 174)<br />

see also: Ludolphus de Saxonia<br />

Albertus de Orlamunda, 13th cent., OP, <strong>of</strong> Orlamiinde<br />

(Thuringia): see Albertus Magnus, Philosophia pauperum<br />

ALBERTUS Magnus, c.l 193-1280, OP, Paris, Regensburg, Cologne<br />

[VL 1.124]<br />

ps.-: Compendium theologicae veritatis [Kaeppeli 1982:<br />

Hugo (Ripelin) Argentinensis; with shortened II<br />

ending;]: 4<br />

(A-236), 27.2 (A-237: with table <strong>of</strong>Thomas Dorniberg)<br />

ps.-: Mariale (Opus virginis gloriosae) [A. Kolping, Zur<br />

Frage der Textgeschichte, Herkunft und Entstehungszeit der<br />

anonymen Laus Virginis (bisher Mariale) Alberts des<br />

Grossen ,<br />

Recherches de theologie ancienne et medievale 25<br />

(1958) 285-328]: II 6.1 (A-272), 7 (A-273)<br />

ps.-: De laudibus Beatae Mariae Virginis: see Richardus de<br />

Sancto Laurentio<br />

ps.-?: Philosophia pauperum, sive Isagoge in libros<br />

Aristotelis physicorum, de coelo et mundo, de generatione et<br />

corruptione, meteororum et de anima [Lohr vol. 23.345 and<br />

Kaeppeli 112 query or doubt an attribution to Albertus de<br />

Orlamunda, q.v. After book IV <strong>of</strong> is<br />

Philosophia pauperum<br />

an interpolated extract from Aegidius Romanus, De<br />

regimine principum [Zumkeller 54], treated as a tract De<br />

XII passionibus animae (Duodecim sunt passiones animae<br />

videlicet amor . . .); book V is then treated as a<br />

separate tract<br />

(fo. 49r) De intellectiva] : II 5 (A-297)<br />

ALCINOUS, 2nd cent.? [OCD, 54; Neue Pauly 1.506; formerly<br />

assimilated with, now generally accepted as a different figure<br />

from Albinos <strong>of</strong> Smyrna, 2nd cent. AD Platonist]: De doctri-<br />

na Platonis in lAMBI.ICHUS<br />

Marcus An tonius, fl. 1490s, <strong>of</strong> Mantua: commendato<br />

Aldegatus,<br />

ry verse in Bossus


252<br />

ALEXANDER Aphrodisiensis [fl. c. 200: OCD, 61; Neue Pauly<br />

vol. IV<br />

1.480] (pseudo-): see Aristoteles, Opera (Gr.),<br />

Alten, Bartholomaeus de, M.D., <strong>of</strong> Nussia, late <strong>15th</strong> cent.<br />

[Reichhart, 10]: editor <strong>of</strong> Haly<br />

AMBROSIUS, Saint, c.340-397, Bp. <strong>of</strong> Milan from 374 [CPL, 39;<br />

OCD, 71; Neue Pauly \5%2;VL 1.327]<br />

Opuscula I (De <strong>of</strong>ficiis - Vita S. Agnetis - Passio SS. Vitalis<br />

et Agricolae - Passio SS. Protasii et Gervasii - Paulinus<br />

Mediolanensis, Vita Ambrosii): II 8 (A-560)<br />

Opuscula II (Opuscula I + De obitu S. Satyri - De resurrec-<br />

tione et cruce domini - de bono mortis): II 9 (A-561)<br />

De <strong>of</strong>ficiis ministrorum [CPL 144]: Opuscula I, II<br />

De bono mortis [CPL 129]: Opuscula II<br />

De lapsu virginis [CPL 149] (extract): see ps.-Hieronymus,<br />

In iuvenem sceleris perpetratorem<br />

ps.-: Vita S. Agnetis [BHL 156]: Opuscula I, II<br />

ps.-: Passio S. Vitalis et Agricolae [BHL 8690]: Opuscula I,<br />

II<br />

ps.-: Passio S. Protasii et Gervasii et de inventione corporum<br />

eorum [BHL 3513-4]: Opuscula I, II<br />

ps.-: De obitu S. Satyri [BHL 7509]: Opuscula II<br />

ps.-: De resurrectione et cruce domini [CPPM 1.93-4:<br />

Maximus <strong>of</strong> Turin]: Opuscula II<br />

ANASTASIUS I, d. 401, pope<br />

from 399 [CPL, 528; Altaner, 56]<br />

Epistola ad Johannem Hierosolymitanam [CPL 1640]: in<br />

Hieronymus, et<br />

Epistolae<br />

tractatus<br />

ANGELUS, Johannes (Johann Engel), d. 1512, <strong>of</strong> Aichach [VL<br />

2.523; DSB 1.165]<br />

Astrolabium planum in tabulis ascendens (Etsi plurima<br />

astrologiae divini numinis accommoda astrolabii <strong>of</strong>ficio demon-<br />

strentur), with dedication by Erhard Ratdolt to Albrecht IV,<br />

Duke <strong>of</strong> Bavaria: I 1 - II 10 (A-71 1)<br />

Anghiera, Pietro Martire d (Petrus Martyr Anglerius), 1457-<br />

1526, <strong>of</strong> Arona (It.), to Spain 1486, acquaintance <strong>of</strong><br />

Christopher Columbus, etc., historian <strong>of</strong> early American<br />

explorations [DBI 3.257]: commendatory verse in Antonius<br />

Nebrissensis<br />

ANSELMUS, Saint, c. 1033-1 109, Arbp. <strong>of</strong> Canterbury from 1093<br />

[Sharpe, 59; Diet, spir 1.690; VL 1.375; Opera, ed.<br />

Franciscus S. Schmitt (6 v., Edinburgh, 1936-61), cit. as<br />

SAO infra]<br />

Opuscula (with a prefatory index, Annotatio principalium<br />

sententiarum ... Anselmi ; contents infra): II 11 (A-761)<br />

Cur deus homo (SAO 2.37)<br />

De incarnatione verbi (SAO 1 .277)<br />

De conceptu virginali et originali peccato, with anonymous<br />

Declaratio cuiusdam de eodem (SAO 2.139)<br />

Monologion (SAO 1.13)<br />

Proslogion (SAO 1.93)<br />

De processione Spiritus Sancti (SAO 2.175)<br />

De casu diaboli (SAO 1.233)<br />

Liber apologeticus adversus Gaunilonem Pro insipiente<br />

(SAO 1.130) (prefaced by the text <strong>of</strong> Gaunilo, SAO 1.125)<br />

Meditatio ad concitandum timorem (De miseria hominis)<br />

(SAO 3.76)<br />

De sacramentis ecclesiae epistola (SAO 2.239)<br />

De sacrificio azimi et fermentati epistola (SAO 2.221)<br />

ps.-: Expositio membrorum et actuum Dei<br />

ps.-: De voluntate Dei<br />

De concordia praescientiae<br />

at praedestinationis et<br />

gratiae<br />

Dei cum libero arbitrio (SAO 2.243)<br />

De libero arbitrio (SAO 1.207)<br />

De veritate (SAO 1.173)<br />

ps.-: De Anselmi similitudinibus [has been attributed to<br />

Eadmer <strong>of</strong> Canterbury (as in Migne PL) or to Alexander <strong>of</strong><br />

Canterbury (A. Wilmart, 1929), but see Sharpe, p. 49: now<br />

attributed to Robert de Braci , Augustinian prior <strong>of</strong><br />

Lanthony, d. 1137]<br />

De mensuratione crucis<br />

ps.-:<br />

ps.-: Meditationes (Domine Deus meus da cordi meo) [ps.-<br />

Augustinus: extracts, ch. 1-9]<br />

Meditatio redemptionis humanae (SAO 3.84)<br />

ps.-: Dialogus Anselmi et Beatae Mariae Virginis de pas-<br />

sione Jesu Christi.[cf. VL 1.378]<br />

ps.-: Stimulus amoris. [Ecbertus Schonaugiensis]<br />

ps.-: Homilia in Lucam (10.38: Intravit Jesus in quoddam<br />

castellum ) [Radulphus Cantuariensis? (CIBN); Hervaeus<br />

Burgidalensis? (BSB-Ink.)]<br />

ps.: De excellentia virginis Mariae [Eadmerus<br />

Cantuariensis]<br />

Epistolae (101, 112,416, 121, 168,258,231,37,65, 160,<br />

161, 188, 281, 285: SAO vols. 3-5)<br />

ps.-: De imagine mundi [Honorius Augustodunensis:<br />

extracts, lib. i-ii]<br />

Invocatio matris virginis<br />

et filii eius (Sancta et inter sanctos<br />

post deum singulariter) - Ex gestis Anselmi colliguntur<br />

forma et mores beatae Mariae [extracts] (SAO 3.13, etc.)<br />

ANTONIUS Nebrissensis, Aelius (Elio Antonio de Nebrija),<br />

1441/4-1522, humanist pr<strong>of</strong>essor at Salamanca and Alcala<br />

[Cont. Eras. 3.9; Antonio Odriozola, La caracola del bibli<strong>of</strong>i-<br />

lo Nebrisense , Revista bibliogrdfica y documental, 1 (1947) 3-<br />

114]<br />

Vafre dicta philosophorum, dedicated to Juan Rodriguez de<br />

Fonseca, Bp. <strong>of</strong> Badajoz 1495-99, with additional verses by<br />

Nebrija and by Pet. Martyr d Anghiera: II 108 (GW 2244)<br />

APULEIUS, <strong>of</strong> Madaura (Numidia), Carthage,<br />

131; Neue Pauly 1.910]<br />

fl. c. 125-1 59 [OCD,<br />

Asinus aureus (Commentarii a Philippo Beroaldi conditi in<br />

Asinum Aureum . . .: commentary, verse, Vita Apulei, and<br />

dedication to Petrus de Varda, metropolitan <strong>of</strong> Kalocza-Bacs<br />

and chancellor <strong>of</strong> the king <strong>of</strong> Hungary [Eubel 2.147] by<br />

Philippus Beroaldus; commendatory verse by Coelius<br />

Calcagninus): II 12 (A-938)<br />

ARGYROPOULOS, Johannes, c.1393-1487, Constantinople, Padua,<br />

Florence, Rome [DAGL, 75; DBI 4.129; Geanakoplos, ch.<br />

4]: tr. Aristoteles, De anima<br />

ARISTOPHANES, c.445-386 BC [OCD, 163; Neue Pauly 1.1122]<br />

Comoediae novem (Greek): the first 8 plays in the recension<br />

<strong>of</strong>, and with prolegomena and scholia by, Demetrius<br />

Triclinius (1. Plutus [TLGC 19.1 1].<br />

2. Nebulae [Nubes:<br />

19.3]. 3. Ranae [19.9]. 4. Equites [19.2]. 5.<br />

Acharnes [Acharnenses: 19.1]. 6. Vespae [19.4]. 7.<br />

Aves [19.6]. 8. Pax [19.5]. 9. Contionantes


[Ecclesiazusae: 19.10]); edited, and with Greek preface by<br />

Marcus Musurus; Latin dedication by Aldus Manutius to<br />

Daniel Clarius; 2 Greek epigrams by Scipio Fortiguerra;<br />

other Greek introductory material belonging to the<br />

Triclinian recension, including a life <strong>of</strong> Aristophanes<br />

[TGLC, 399: 4158.1] and grammatical and metrical sections<br />

by or attributed to Hephaestion, Demetrius Triclinius,<br />

Platonius, and Thomas Magister [Nigel Wilson, The<br />

Triclinian Edition <strong>of</strong> Aristophanes ,<br />

Classical Quarterly 56<br />

(1962) 31-47; Sicherl ch. 3, Die Editio princeps des<br />

Aristophanes ]: I 2 (A-958)<br />

ARISTOTELES, 384-322 BC [OCD, 165; Neue Pauly 1 . 1 1 34]<br />

Opera (Greek) [Aldus s collection in 5 volumes <strong>of</strong> the known<br />

Greek works <strong>of</strong> Aristotle and Theophrastus (some pseudo- or<br />

doubtful, some with authenticity still under discussion, some<br />

fragmentary); with related texts <strong>of</strong> Porphyry, ps.-Philo, and<br />

ps. -Alexander Aphrodisiensis. The commendatory and intro<br />

material includes Aldus s 5 Latin dedications to<br />

ductory<br />

Alberto Pio, Prince <strong>of</strong> Carpi (Orlandi III, VIII, VII, IX,<br />

XIII), and Greek verses Alexander Agathemeros<br />

(Bondinus): to the reader (Gr.) Scipio Carteromachus<br />

(Fortiguerra): to students <strong>of</strong> philosophy (Gr.) and Greek<br />

verses Anonymous verses on the Organon Diogenes<br />

Laertius, Vita Aristotelis and Vita Theophrasti (Gr.: Vitae<br />

philosophorum, TLGC 4.1, extracts; the life <strong>of</strong> Aristotle ed.<br />

During, 29-56) ps.- Johannes Philoponus, Vita Aristotelis<br />

(Gr.: the Vita vulgata, ed. During, 120-39) ps.-Galenus,<br />

De historia philosophica (Gr.: TLGC 530.42]. The list<br />

below gives the contents in sequence, vols. I-V, using the<br />

<strong>of</strong> vol. I,<br />

printed foliation <strong>of</strong> vols. II-V and printed signatures<br />

which lacks foliation. In vol. IV there are five cycles <strong>of</strong> quir<br />

ing and foliation, indicated as i-v before the folio numbers.<br />

Aristotelian texts are further specified by their page-column<br />

numbers in Bekker, which are included in all later editions.<br />

Texts are indicated as pseudo-Aristotle according to the<br />

grouping <strong>of</strong> Flashar, 288. On manuscripts identified as<br />

printer s copy, see Sicherl, ch. 2.]:<br />

I. (Organon), 1 Nov. 1495:<br />

II 13 (A-959)<br />

1. Porphyryius, Isagoge (A3-B4v) [TLGC 2034.6]<br />

2. Categoriae (B5-D6) [TLGC 86.6; Bekker la]<br />

3. De interpretation (D6v-E8) [TLGC 86.17; Bekker I6a]<br />

4. Analytica priora (E8v-N6v) [TLGC 86.1.1; Bekker 24a]<br />

5. Analytica posteriora (al-e8, v blank) [TLGC 86.1.2;<br />

Bekker 7 la]<br />

6. Topica (fl-p4) [TLGC 86.44; Bekker lOOa]<br />

7. Sophistic! elenchi (p4-s5) [TLGC 86.40; Bekker I64a]<br />

II. (Natural Philosophy, part 1), Feb. 1497:<br />

8. Physica (l-87v, 88 blank) [TLGC 86.31; Bekker 184a]<br />

9. De caelo (89-137) [TLGC 86.5; Bekker 268a]<br />

10. De generatione et corruptione (137v-62) [TLGC 86.13;<br />

Bekker 3 14a]<br />

11. Meteorologica (I62v-2l4v) [TLGC 86.26; Bekker<br />

338a]<br />

12. ps.-Arist.: De mundo ad Alexandrum (215-35v) [TLGC<br />

86.28; Bekker 39 la]<br />

13. ps.-Philo: De mundo (226-36) [TLGC 18.47: extracts<br />

from Philo, particularly his De aeternitate mundi, TLGC<br />

18.29]<br />

14. Theophrastus, De igne (236-45v) [TLGC, 387: 93.5]<br />

253<br />

15. Theophrastus, De vends (245v-54) [TLGC 93.10, fr. 5]<br />

16. Theophrastus, De lapidibus (254-60v) [TLGC 93.4]<br />

17. ps. -Theophrastus (Aldus: &quot;incerti authoris&quot;): De signis<br />

aquarum et ventorum (261-8v) [TLGC 93.10 (Fragmenta),<br />

5 (De ventis), 6 (De signis tempestatum)]<br />

III (Natural Philosophy, part 2). 29 Jan. 1497:<br />

18. De historia animalium (2-l45v) [TLGC 86.14; Bekker<br />

486a5]<br />

19. De partibus animalium (l46-204v) [TLGC 86.30;<br />

Bekker 639al]<br />

20. De incessu animalium (205-14) [TLGC 86.15; Bekker<br />

704a4]<br />

21. De anima (2l4v-46v). [TLGC 86.2; Bekker 402a]<br />

22. De sensu et sensibilibus (247-59v) [TLGC 86.41;<br />

Bekker 436a; Parva nat. 1 ]<br />

23. De memoria et reminiscentia (260-3v) [TLGC 86.24;<br />

Bekker 449b; Parva nat. 2]<br />

24. De somno et vigilia (264-9) [TLGC 86.42; Bekker<br />

453b; Parva nat. 3]<br />

25. De insomniis (269-73) [TLGC 86.16; Bekker 458a;<br />

Parva nat. 4]<br />

26. De divinatione per somnum (273v-5) [TLGC 86.8;<br />

Parva nat. 5; Bekker 462b]<br />

27. De motu animalium (275v-81v) [TLGC 86.21; Bekker<br />

698a]<br />

28. De generatione animalium (282-362) [TLGC 86.12;<br />

Bekker 7 15a]<br />

29. De longitudine et brevitate vitae (362v-5) [TLGC<br />

86.20; Bekker 464b; Parva nat. 6]<br />

30a + b De juventute et senectute, de vita et morte, de res-<br />

piratione (365v-79) [TLGC 86.18 + 86.37: Bekker 467blO-<br />

480b30. Aldus subdivides with initial for De respiratione, fo.<br />

368v; Parva nat. 7]<br />

31. ps.-Arist.: De spiritu (379v-85) [TLGC 86.43; Bekker<br />

48 la]<br />

32. ps.-Arist.: De coloribus (385v-94) [TLGC 86.7; Bekker<br />

79 la]<br />

33. ps.-Arist.: Physiognomia (394v-404) [TLGC 86.32;<br />

Bekker 805a]<br />

34. ps.-Arist.: De mirabilibus auscultationibus (404v-18v)<br />

[TLGC 86.27; Bekker 830a]<br />

35. ps.-Arist.: De Xenophane, Zenone et Gorgia [i.e., De<br />

Melisso, Xenophane, Gorgia] (419-26) [TLGC 86.47;<br />

Bekker 974a]<br />

36. ps.-Arist.: De lineis insecabilibus (426v-35) [TLGC<br />

86. 19; Bekker 968a]<br />

37. Theophrastus, De piscibus (435v-7) [ Theophrastus, his<br />

Psychological, Doxographical, and Scientific Writings, ed.<br />

William W. Fortenbaugh & Dimitri Guptas (New<br />

Brunswick, N.J., 1992), 347-85 (ed. Robert W. Sharpies)]<br />

38. Theophrastus, De vertigine (437v-9) [TLGC 93.10 fr.<br />

8]<br />

39. Theophrastus, De lassitudine (439-41) [TLGC 93.10 fr.<br />

7]<br />

40. Theophrastus, De odoribus (44lv-51) [TLGC 93.10 fr.<br />

4]<br />

41. Theophrastus, De sudore (451v-5v) [TLGC 93.10 fr. 9]


254<br />

42. De historia animalium, lib. X ([459-65v]: an appendix<br />

quire, with note by Aldus re the late arrival <strong>of</strong> copy to set<br />

from) [TLGC 86.14 Bk. 10; Bekker 633b]<br />

IV (Natural Philosophy, part 3), 1 June 1497:<br />

43. Theophrastus, De historia plantarum (i. 1-1 19) [TLGC<br />

93.1]<br />

44. Theophrastus, De causis plantarum (i.l 19v-226,<br />

vblank) [TLGC 93.2]<br />

45. ps.-Arist.: Problemata (ii.1-1 16v) [TLGC 86.36; Bekker<br />

859a]<br />

46. ps.-Alexander Aphrodisiensis, Problemata (iii.l-42v)<br />

[TLGC 732.2]<br />

47. ps.-Arist.: Mechanica (iv.lr-12v) [TLGC 86.23; Bekker<br />

847a]<br />

48. Metaphysica (v.lr-1 16v) [TLGC 86.25; Bekker 980a]<br />

49. Theophrastus, Metaphysica (v.l 17r-21v) [TLGC 93.6]<br />

V (Ethics, Economics, and Politics), June 1498:<br />

50. Ethica Nicomachea (2-93v, [94] blank) [TLGC 86.10;<br />

Bekker 1094a]<br />

51. Politica (95-209v, [210] blank) [TLGC 86.35; Bekker<br />

1252a]<br />

52. ps.-Arist.: Economica (fragmentary) (unfoliated quire <strong>of</strong><br />

12 leaves, 12v blank, 19 on 12r) [TLGC 86.29; Bekker<br />

1343a]<br />

53. Magna moralia (210-45v) [TLGC 86.22; Bekker 1 18 la]<br />

54. Ethica Eudemica (246-316) [TLGC 86.9; Bekker<br />

12l4a]<br />

LATIN VERSIONS:<br />

De anima [TLGC 86.2] (Lat.), tr. Johannes Argyropoulos,<br />

with title-page Epigramma (Pythia fatidici monuere oracula<br />

Phoebi \ . . .); ed. Wolfgang Mosnauer with commendatory<br />

verse and dedication to Georg Puecher, pastor<br />

in Wels: II 1 5<br />

(A-972)<br />

De animalibus (Lat.), i.e. the collection <strong>of</strong> De historia ani<br />

malium [TLGC 86.14], De partibus animalium [86.30],<br />

and De generatione animalium [86.12], tr. Theodore Gaza<br />

with dedication to Pope Sixtus IV; ed. Ludovicus<br />

Podocarthus: I 3 (A-973)<br />

De coelo [TLGC 86.5] (Lat.), with comms. <strong>of</strong>Thomas<br />

Aquinas [Lohr 29.166 no. 6; Grabmann, 296 (no. 4)] and<br />

Petrus de Alvernia [Lohr 28.337 no. 4]; ed. Hermannus de<br />

Virsen: II 14 (A-978)<br />

see also: Auctoritates Aristotelis<br />

Auctoritates Aristotelis (Auctoritates Arestotelis, Senece, Boetii,<br />

Platonis, Apulei, Affricani, Porphirii, et Gilbert! Porretani)<br />

(Cum enim aristotelicae) [Les Auctoritates Aristotelis : unflorilege<br />

medieval, ed. and comm. Jacqueline Hamesse<br />

(Louvain, 1974); see review by Jean-Francois Gilmont, Edi<br />

tion critique et support du texte: a propos des Auctoritates<br />

Aristotelis , Scriptorium 31 (1977), 283-94]: II 16 (GW<br />

2814), 17(A-1196)<br />

AUGUSTINUS Aurelius (Saint), 354-430, Bp. <strong>of</strong> Hippo [CPL, 97;<br />

OCD.215; New Pauly 2.293; VL 1.531)<br />

in solemnitate sanc-<br />

Opuscula, I and II, with (I:) Sequentia<br />

ti Augustini (De pr<strong>of</strong>undis tenebrarum mundo lumen exit<br />

clarum) (I-II:) Possidius Calamensis, De vita et moribus<br />

sancti Augustini; commendatory verses (Barbara quid<br />

prodest vel quid romana trophea) (II:) colophon verses<br />

(Has iuuat arguta scrutari indagine verum): II 20 (A-1217:<br />

Opusculal), II 21 (A-1219: Opusculall)<br />

Ars praedicandi (= De doctrina christiana, book IV,<br />

anonymously edited and with preface by Stephan Hoest:<br />

Canon pro recommendatione huius famosi operis (Cum sit<br />

res non solum : I presumptuosa) 4 (A- 1 227)<br />

Confessiones [CPL 251]: Opusculal-ll<br />

De agone christiano [CPL 296]: Opuscula II<br />

De animae quantitate [CPL 257]: II 95.4 (A- 1225)<br />

De caritate [CPL 284 sermo 350]: Opuscula II<br />

De consensu evangelistarum [CPL 273]: Opuscula II; II 18<br />

(A- 1257)<br />

De cura pro mortuis gerenda [CPL 307]: Opuscula I-II<br />

De decem chordis [CPL 284 sermo 9; CPPM 1.456]:<br />

Opuscula II<br />

De disciplina christiana [CPL 310]: Opuscula II<br />

De [diversis] quaestionibus LXXXIII [CPL 289]: Opuscula<br />

II<br />

De divinatione daemonum [CPL 306]: Opuscula I-II<br />

De doctrina christiana [CPL 263] ;<br />

see also Ars<br />

praedicandi: Opuscula I-II<br />

De moribus ecclesiae catholicae [CPL 26 1 ]: II 22 (A-<br />

1296)<br />

De musica [CPL 258]: Opuscula II<br />

De vera religione [CPL 264]: Opuscula I-II<br />

De beata vita [De vita beata] [CPL 254]: Opuscula I-II<br />

Enchiridion ad Laurentium [de fide, spe et caritate] [CPL<br />

295]: Opusculal-ll<br />

Epistola ad Julianum Demetriadis matrem (Domine debitis<br />

in christo <strong>of</strong>ficiis honorandae .<br />

. .<br />

filiae) [CPL 262, Ep. 188]:<br />

in Hieronymus, Epistolae et tractatus - [ibid., Ep. 55]: see<br />

ps.-Hieronymus, De celebratione paschae<br />

Expositio evangelii Johannis [CPL 278]: II 22 (A- 1275)<br />

Quaestiones evangeliorum [CPL 275]: Opusculall<br />

Regula [tertia] de communi vita clericorum (Ante omnia<br />

fratres charissimi diligatur deus) [CPL 1839b; CPPM<br />

2.3592a], in Opuscula I with prefatory epistle<br />

<strong>of</strong> Eusebius<br />

Corradus to Sixtus IV, de errore scribentium sanctum<br />

Augustinum fuisse heremitam , and his Annotatio brevissima<br />

in errorem scribentium sanctum Augustinum fuisse<br />

heremitam: Opuscula I-II<br />

Sermo de pastoribus (Spes tota nostra quia in christo) [PL<br />

284, 46]: in Hieronymus, Epistolae<br />

et tractatus<br />

Sermones II de vita et moribus clericorum suorum [CPL<br />

284, sermones 355-6]: Opusculal-ll<br />

ps.-: Soliloquia animae ad deum (Cognoscam te domine cognitormeus)<br />

[CPPM 2.3071: 13th-cent. compilation from<br />

Augustine, Hugh <strong>of</strong> St. Victor, and John <strong>of</strong> Fecamp]:<br />

Opuscula I-II<br />

ps.-: Contra V haereses (Debitor sum fateor) [CPL 4 10;<br />

CPPM 1.1204: Quodvultdeus, sermo 10]: in Hieronymus,<br />

Epistolae<br />

et tractatus<br />

ps.-: De spiritu et anima [De anima et spiritu] (Prol.:<br />

Quoniam dictum est mihi) [CPPM 2.153: Cistercian anony<br />

mous, late 12th cent.. Leo Norpoth, Der pseudo-augustinis-<br />

che Traktat: De spiritu et anima (Cologne, 1971)]: Opuscula


I (abridged recension, 33 chapters) -II (full text, 65 chap<br />

ters)<br />

ps.-: De assumptione beatae Mariae virginis (Prohemium:<br />

Ad interrogata de virginis matris domini resolutione temporali<br />

[ch. 1]: Quia pr<strong>of</strong>iindissime & sua dignitate altissime sum<br />

responsurus questioni: lectorem meum obsecro) [CPPM 1.161:<br />

school <strong>of</strong> Anselm, c.l 100?]: Opuscula I-II<br />

ps.-: De bono disciplinae (Multi sunt qui sanae doctrinae<br />

aduersantur) [CPL 1002, CPPM 1.1 122: Valerianus<br />

Cemeliensis]: Opuscula II<br />

ps.-: De cognitione verae vitae (Prohemium: Sapientia del<br />

que os muti aperuit et rudibili animali humana verba formare<br />

tribuit) [CPPM 2.156: Honorius Augustodunensis]:<br />

Opuscula I-II<br />

ps.-: De contemptu mundi (Auditefratres charissimi salu-<br />

tiferam nostri patris doctrinam) [CPPM 1 . 1 1 2 1 = 1 1 86:<br />

sermo 59 <strong>of</strong> ps.-Aug., Sermones LXXVI ad fratres in eremo<br />

(CPPM 1.1 127: Flemish compilation, 12th or 13th centu<br />

ry)]: Opuscula I-II<br />

ps.-: De contritione cordis (Nihil certius morte ac incertius<br />

horn mortis] [CPPM 2.3073: chapters 8-29 <strong>of</strong> CPPM<br />

2.3072h, ps.-Aug., Meditationes (Eta tune homuncio): late<br />

12th century, derived from Anselmus, Proslogion]:<br />

Opuscula I-II<br />

ps.-: De convenientia X praeceptorum et X plagarum<br />

Aegypti (Non sine causa fratres dilectissimi preceptorum legis)<br />

[CPL 1008: Caesarius Arelatensis, sermo 100A (ed.<br />

Germain Morin, CC 103.413)]: Opuscula\-l\<br />

ps.-: DeXII abusionum gradibus (Primus abusionis gradus,<br />

si sine operibus bonis) [CPL 1 106; CPPM 2.3067; Lapidge<br />

& Sharpe 339: Hibernian anonymous, mid-7th century]:<br />

Opuscula I-II<br />

ps.-: De ebrietate (Frequenter caritatem vestram) [CPL<br />

1008, CPPM 1.1080: Caesarius Arelatensis] : Opuscula U<br />

ps.-: De fide ad Petrum diaconum (Epistolam fili Petre tue<br />

caritatis accepi in qua significasti te velle ierosolimam pergere)<br />

[CPL 826; CPPM 2.152: Fulgentius]: Opuscula l-ll<br />

ps.-: De honestate mulierum (Nemo dicat fratres quod tem-<br />

poribus nostris martirum certamina non possunt esse) [CPL<br />

1008: Caesarius Arelatensis, sermo 41, De fuga mulierum]:<br />

Opuscula I-II<br />

ps.-: De oboedientia et humilitate (Nihil sic Deo placet)<br />

[CPL 605, CPPM 1.1123=1181: Hieronymus]: Opuscula<br />

II<br />

ps.-: De diffmitionibus orthodoxae fidei et ecclesiasticis<br />

dogmatibus (Credimus unum esse deum et patrem etfilium et<br />

spiritum sanctum) [CPL 958, CPPM 2.174: Gennadius<br />

Masssiliensis]: Opusculall<br />

ps.-: De triplici habitaculo ( Tria sunt sub omnipotentis<br />

manu habitacula) [CPL 1006 note; CPPM 2.155: Patricius<br />

episcopus, later 1 1th century]: Opuscula I-II<br />

ps.-: De vanitate hums saeculi (In hac vita positifratres)<br />

[CPPM 1.1 120=1 184: extracts from Eligius, Bp. <strong>of</strong> Noyon<br />

(d. 660), Sermo de supremo iudicio, CPL 2096]: Opuscula<br />

II<br />

ps.-: De vera et falsa poenitentia (Quantum sit appetenda<br />

gracia penitentie omnis auctoritas clamat) [CPPM 2.3081:<br />

anonymous, variously dated 9th- 1 1th cents.]: Opuscula I-II<br />

ps.-: De vita christiana (Ego primus peccator et ultimus)<br />

[CPL 730, CPPM 2.157: Pelagius or his circle, early 5th<br />

cent.]: Opusculall<br />

ps.-: Epistola ad Cyrillum de magnificentiis beati<br />

Hieronymi ( Gloriosissimae christianae fidei athletae) [BHM<br />

903, CPPM 2.145 ep. 18: 14th cent., Italy, Dominican]: in<br />

Hieronymus, Epistolae et tractatus<br />

ps.-: Manuale de verbo dei (Quoniam in media laqueorum<br />

positi sumus) [CPPM 2.3074: anonymous, early 13th cent.;<br />

CIBN A-669: expanded recension, with 36 chapters]:<br />

Opuscula I-II<br />

ps.-: Meditationes (Domine deus meus da cordi meo)<br />

[CPPM 2.3072: mostly extracts from Jean de Fecamp, per<br />

haps an Italian 1 5th-cent. compilation within the<br />

Augustinian order] : Opuscula l-ll<br />

ps.-: Scala paradisi (Cum die quadam corporali manuum<br />

labore occupatus) [CPPM 2.3077: Guigo II Carthusiensis]:<br />

Opuscula I-II<br />

Soliloquia ( Volventi mihi multa) [CPL 252], with ps.-Aug.<br />

II 95.5<br />

[but anon, in this edition], Speculum peccatoris:<br />

(A- 1333 +1337)<br />

ps.-: Speculum peccatoris (Quoniam fratres carissimi in via<br />

huius seculi fugienties) [CPPM 2.3076: anonymous 13th-<br />

cent. compilation]: Opuscula II - see Soliloquia (Volventi<br />

mihi multa)<br />

Auslegung der heiligen Messe (Incip.: Messe singen<br />

das thun sol, wenn, wye, oder wo) [VL 6.446:<br />

Messerklarung ]: I 5 (A- 1396)<br />

255<br />

oder lesen wer<br />

AVICENNA, 980-1037, at court <strong>of</strong> Isfahan [LMA 1.925; Encyc.<br />

Islam 3.941}<br />

Metaphysica (Lat.), ed. Franciscus de Macerata and<br />

Antonius Fracantianus: II 23.1 (A- 1431)<br />

BACHIARIUS, monachus, fl. early 5th cent. [CPL, 198; AJtaner, 37]<br />

Epistola ad Evagrium de levita lapso: see ps. -Hieronymus<br />

Badius, Jodocus, Ascensius, c.1461/62-1535, scholar, printer, and<br />

publisher [Cont. Eras. 1.79; Ph. Renouard, Bibliographic des<br />

impressions et des oeuvres dejosse Bade Ascensius imprimeur et<br />

humaniste(3 v., Paris, 1908)]: Commendatory verse in<br />

Tritheim, De laudibus S. Annae<br />

BARBERIIS, Philippus de (Barbieri, Filippo), 1426-1487, OP<br />

Syracuse; inquisitor for the kingdom <strong>of</strong> Sicily 1476 [DBI<br />

6.21 7; Kaeppeli 3.271]<br />

Discordantiae sanctorum doctorum Hieronymi et<br />

Augustini (Duo luminaria magna) [Kaeppeli 3371], followed<br />

by: [6v:] Sibyllarum et prophetarum de Christo vaticinia -<br />

[20r] : Proba Falconia, Cento vergilianus (extract) [36v] -<br />

ps.- Thomas Aquinas: Praefatio super symbolum Athanasii<br />

- [45v]: Explanatio super orationem dominicam - [49v]:<br />

Explanatio super salutationem angelicam - [52v]:<br />

Explanatio super Te Deum - [58r]: Explanatio super Gloria<br />

in excelsis - [61r]: Donatus theologus; with Philippus de<br />

Lignamine s dedication to Pope Sixtus IV, describing<br />

Barberiis as a kinsman, affinis meus: II 24 (B-l 19)<br />

BARTOLUS de Sax<strong>of</strong>errato, 1313/14-1357, jurist, Perugia, Bologna<br />

[DBI 6.640]: see Processus iudiciarius


256<br />

Beissel, Jodocus, d. 1514, <strong>of</strong> Aachen, jurist, councillor <strong>of</strong> the Duke<br />

<strong>of</strong> Austria [Cont. Eras. 1.119, NDB 2.22; also wrote dedica<br />

tion <strong>of</strong> G<strong>of</strong>fB-296: Joh. Beets, Commentum super praeceptis<br />

decalogi, Louvain: Aeg. van der Heerstraten, i486]:<br />

Commendatory verse in Joh. Tritheim, De laudibus S.<br />

Annae<br />

Bellatus, Bartholomaeus, d.1479, <strong>of</strong> Feltre, OFM Conventual,<br />

theology lecturer, University <strong>of</strong> Bologna [DBI 7.614]: part<br />

editor <strong>of</strong> Joh. Duns Scotus<br />

Bergamo, Petrus de, OP Bologna, fl. 1452-d. 1482 [Kaeppeli<br />

3.219; Bonaventura Kruitwagen, 5. Thomae de Aquino<br />

Summa opusculorum (Kain, 1924), 82; author <strong>of</strong> the Tabula<br />

operum Thomae Aquinatis, G<strong>of</strong>f P-450 et seq. (Kaeppeli<br />

3210)]: ed., Thomas Aquinas, Commentaria in epistolas S.<br />

Pauli<br />

BERNARDUS Claravallensis (Bernard <strong>of</strong> Clairvaux), Saint, c.1090-<br />

1 153 [Diet. spir. 1.1454; VL 1.754]<br />

Sermones de tempore et de s. metis et de diversis (with con<br />

tents register by anonymous compiler, addressed to Drach<br />

from Heidelberg, 31 Oct. 1481, and commendatory verse, /<br />

nunc i tandem totum Bernarde per orbem I . . .: II 26 (B-437)<br />

Flores (Colophon: Flores de diversis sermonibus et epistolis<br />

beati Bernardi) [?compiled by Guillelmus deTornaco]: II<br />

27.1 (B-389)<br />

ps.-: Meditationes de interior! homine (Multi multa sciunt et<br />

seipsos nesciunt): II 70.3 (B-404 + J-437)<br />

BERNARDINUS de Siena, 1380-1444, OFM Obs. [DBI 9.215;<br />

Diet, spir 1.1 518; VL 1.789]<br />

Sermones de evangelic aeterno: II 25 (B-350)<br />

BEROALDUS, Philippus, 1453-1505, Bologna [DBI 9.382; Cont.<br />

Eras. 1.135]<br />

De felicitate opusculum (with dedication to Jakob II,<br />

Margrave <strong>of</strong> Baden, and commendatory verses, including on<br />

the German invention <strong>of</strong> printing [ O Germania muneris<br />

repertrix\ ...): II 28 (B-482)<br />

Heptalogos (Libellus quo septem sapientium sententiae dis-<br />

cutiuntur; with dedication to Johannes von Wartenberg,<br />

Bohemian scholasticus): II 29 (B-487)<br />

Comm.: Apuleius<br />

BERTHOLDUS, 14th (or <strong>15th</strong>?) cent., Germany, OP; possibly iden<br />

tical with Bertholdus Friburgensis, German translator <strong>of</strong><br />

Johannes Friburgensis, Summa confessorum [VL 1.801,<br />

Kaeppeli 1.241]:<br />

Zeitglocklein [Latin:] Horologium devotionis circa vitarn<br />

Christi [Kaeppeli 670 (German), 671 (Latin)]: I 6.1 (B-506)<br />

Biblia Latina (with the enlarged prologue set first found in F.<br />

Renner s 1475 Venice edition [G<strong>of</strong>f B-541]; Capitulare lec-<br />

tionum et evangeliorum, and verses Fontibus ex graecis, both<br />

first printed in this edition; Casus summarii prefixed to the<br />

four evangelists; and printed marginal concordances in the<br />

New Testament, first found in Richel s 8 Sept. 1477 Basel<br />

edition [G<strong>of</strong>f B-553]): II 30 (B-561)<br />

BlENATUS, Aurelius, c. 1450-1496, <strong>of</strong> Milan, Bp.<br />

<strong>of</strong> Martorano<br />

(Calabria) from 1485; au. <strong>of</strong> Epitomata elegantiarum<br />

Laurentii Vallae (GW 4343-5) [DBI 10.369; Eubel, 206]<br />

Oratio in funere Laurentii de Medicis (16 Apr. 1492): II 31<br />

(B-667)<br />

BlNDO de Senis, d. 1390, OESA, prior in Siena 1383 [Zumkeller,<br />

96; LThK 2.483]<br />

Distinctiones exemplorum veteris et novi Testamenti: see<br />

Ant. Rampigollis<br />

BOCCACCIO, Giovanni, 1313-1375, Florence [DBI 10.838]<br />

De Claris mulieribus: II 32 (B-717)<br />

Bodianus, Franciscus Vitalis, fl. Vicenza, 1499 [briefly cited CTC<br />

2.368]: ed. Martianus Capella<br />

BONAVENTURA (Johannes Fidanza Bonaventura), Saint, c.1217-<br />

1274, OFM [DBI 1 1.612; Diet. spir. 1.1768; VL 1.937;<br />

Distelbrinck]:<br />

Tractatus et libri quamplurimi (with Octavianus de Martinis,<br />

Oratio in vitam et merita S. Bonaventurae, and his dedica<br />

tion to card. Giuliano della Rovere): II 34 (B-927)<br />

Apologia pauperum contra calumniatorem [Distelbrink<br />

: 26] in Tractatus et libri<br />

Breviloquium [Distelbrink 1]: Tractatus et libri<br />

Collationes de decern praeceptis (Sermones de ...)<br />

[Distelbrink 55/1]: in Tractatus et libri<br />

De praeparatione ad missam (Prol.: Adhonorem gloriosae et<br />

individuae Trinitatis - ch. 1 : Primo accessurus ad mensam cae~<br />

lestis convivii) [Distelbrink 24]: in De triplici via, infra<br />

De reductione artium ad theologiam [Distelbrink 3]: in<br />

Tractatus et libri<br />

De regimine animae (Epistola ad dominam Blankam reginam<br />

Hispaniae ...) [Distelbrink 16]: in Tractatus et libri<br />

De triplici via (Parvum bonum / Regimen conscientiae /<br />

Fons vitae) (Prol.: Ecce descripsi earn tibi tripliciter- ch. 1:<br />

Nunc primo meditationis formarn) [Distelbrink 18: recently<br />

attributed to Hugo de Balma, q.v.]: in Tractatus et libri -<br />

(with ps. -Methodius, Revelationes - Bonaventura, De<br />

praeparatione ad missam): II 33 (B-970)<br />

De V festivitatibus pueri lesu [Distelbrink 15]: in Tractatus<br />

et libri<br />

Epistola ad omnes provinciales (cavens a frequentia discursuum,<br />

ab importunitate quaestuum, a sumptuositate aedifi-<br />

ciorum, librorum, vestium ac ciborum, a praedicatione con<br />

tra praelatos coram laicis, et a litigiosa invasione<br />

sepulturarum et testamentorum) [Distelbrink 40]: in<br />

Tractatus et libri<br />

Epistola ad omnes provinciales et custodes (de reformandis<br />

fratribus) [Distelbrink 39]: in Tractatus et libri<br />

Epistola continens XXV memorialia : [Distelbrink 42] in<br />

Tractatus et libri<br />

Epistola de sandalis apostolorum (Epistola de eo quod<br />

Christus et apostoli . . . incesserunt discalciati) [Distelbrink<br />

45]: in Tractatus et libri<br />

Epistola de tribus quaestionibus (Epistola ad magistrum<br />

innominatum eliminans errorem contra regulam beati<br />

Francisci) [Distelbrink 46]: in Tractatus et libri


Itinerarium mentis in deum (In principio) [Distelbrink 19]:<br />

in Tractatus et libri<br />

Lignum vitae [Distelbrink 21]: in Tractatus et libri<br />

Quaestiones disputatae de perfectione evangelica (Tractatus<br />

de paupertate Christi contra magistrum Wilhelmum)<br />

[Distelbrink 5]: in Tractatus et libri<br />

Soliloquium [Distelbrink 23]: in Tractatus et libri<br />

ps.-: Centiloquium (Prol.: Ecce descripsi earn tibi<br />

tripliciter-<br />

1 :<br />

pars Malum considerare) [Distelbrink 67: compilation by<br />

Johannes Marchesinus?]: in Tractatus et libri<br />

ps.-: De VII gradibus contemplationis (Contemplativorum<br />

aquilonis) [Distelbrink 107: Thomas Gallus]: in Tractatus et<br />

libri<br />

ps.-: Expositio orationis dominicae (Pater noster ...&quot; Oratio<br />

haec privilegiata est) [Distelbrink 140]: in Tractatus et libri<br />

ps.-: Liber de tribus ternariis peccatorum infamibus<br />

[Distelbrink 114] in Tractatus et libri<br />

ps.-: Pharetra: in Tractatus et libri<br />

ps.-: Speculum beatae Mariae virginis (Quoniam ut ait beatus<br />

leronimus Nulli dubium est) [Distelbrink 214: Conradus<br />

deSaxonia]:II35(B-959)<br />

ps.-: Viginti passus de virtutibus bonorum religiosorum<br />

de informatione spiritualis vitae) (Si vis in spiritu pr<strong>of</strong>icere)<br />

[Distelbrink 238: David de Augusta]: in Tractatus et libri<br />

Commentary on Petrus Lombardus, Sententiae, q.v.<br />

[Distelbrink 2; Stegmiiller Sent. Ill]<br />

Bondinus, Alexander (Agathemeros), d.a. 1505, Venice, Greek<br />

scholar, friend <strong>of</strong> Nicolo Leoniceno [DBI 1 1.735; Orlandi<br />

2.318 n. 12]: commendatory matter in Aristoteles, Opera<br />

(Gr.)<br />

BOSSUS, Matthaeus, c.l 427-? 1502, OSA Lateran prior<br />

in many<br />

houses<br />

including Verona, procurator general <strong>of</strong> the order,<br />

1486-8 [DBI 13.341]<br />

De instituendo sapientia animo (with dedication to<br />

Severinus Calcus, OSA Lateran, Verona, 19 Sept. 1485;<br />

commendatory verse by Marcus Antonius Aldegatus [Illustret<br />

quae vere animum sapientia nostrum I<br />

...]): II 36 (B-1043)<br />

BRANT, Sebastian, 1458-1521, humanist jurist [Cont. Eras, i.190;<br />

VL 1.992]<br />

Carmina (with commendatory verse to the s publisher dedi<br />

catee Wynmar von Ercklens, decanus <strong>of</strong> I Aix-la-Chapelle): 8<br />

(B-1099)<br />

BURLEY, Walter, 1275-1344 or after, Oxford and Paris [Sharpe,<br />

709; C. Martin, Walter Burley , in Oxford Studies Presented<br />

to Daniel Callus (Oxford, 1964) 194-230]<br />

De vita et moribus philosophorum [Jan Prelog, Die<br />

Handschriften und Drucke von Walter Burleys Liber de uita<br />

et moribus philosophorum ,<br />

(. . .<br />

Codices manuscripti9 (1982) 1-<br />

18; GW 5.669, re recensions A ( Cologne ), with complete<br />

text, and B (S. German, or better Koberger ) omitting 13<br />

lives and with other differences]: II 38 (B-1316 [rec. A]), 37<br />

(B-1319[rec. B]).<br />

Bussi, Johannes Andrea, 1417-1475, <strong>of</strong>Vigevano, Bp. <strong>of</strong> Acci<br />

1463, <strong>of</strong> Aleria (Corsica) 1466 [DBI 15.565; Eubel 2.88,<br />

95]: ed. Cyprianus<br />

CAESARIUS Arelatensis, c.470-542, Bp. <strong>of</strong> Aries from 530 [CPL,<br />

329; Neue Pauly 2.926; Altaner, 475]. Sermo 47: see<br />

ps.-<br />

Augustinus, De ebrietate.<br />

Caietanus, Thomas de Vio, 1469-1 534, OP, General <strong>of</strong> the order<br />

1508-18, Cardinal 1517, Bp. <strong>of</strong> Gaeta 1519 [Cont. Eras.<br />

257<br />

1.239]: Commentator <strong>of</strong>Thomas Aquinas, De ente et essen-<br />

tia; with his dedication to Benedictus Tyriaca.<br />

Calcagninus, Coelius (Celio Calcagnini), 1479-1541, Ferrara;<br />

Opera aliquot, Basel: Froben & Episcopius, 1544, F [DBI<br />

16.492; Cont. Eras. 1.242]: commendatory verse in<br />

Apuleius<br />

Calphurnius, Johannes (Giovanni Calfurnio / Giovanni Planza de<br />

Rufiniono da Bordgona), d. 1503; pr<strong>of</strong>, <strong>of</strong> rhetoric, Padua,<br />

from c.1474; editor <strong>of</strong> various classical and humanist texts,<br />

Venice and Vicenza, 1470s and after; author <strong>of</strong> a Simon <strong>of</strong><br />

Trent verse libel (G<strong>of</strong>f C-62: Trent, c. 1481) [Vittorio Cian,<br />

Un umanista bergamasco del Rinascimento: Giovanni<br />

Calfurnio , Archivio strico lombardo 4.t\\ sen 14 (1910) 221-<br />

48; Reichhart, 36]: ed.: Ovidius<br />

Campanus <strong>of</strong> Novara, d. 1296 [DSB 3.23; DBI 17.420], ed. and<br />

comm., Euclides<br />

Carteromachus: see Forteguerri<br />

Celtis, Conrad, 1459-1508, poet laureate [NDB 3.181; Lewis<br />

Spitz, Conrad Celtis (Cambridge, Mass., 1957)]:<br />

Commendatory verse in Tritheim, De laudibus S. Annae<br />

Chalcondylas, Demetrius, 1423-1511, Byzantine scholar, teacher<br />

in Perugia, Padua, Florence, and Milan [Cont. Eras. 1.290;<br />

DBI 16.542]: editor <strong>of</strong> Homer<br />

Chromatius, d. 407, Bp. <strong>of</strong> Aquileia c.387 [CPL, 75; Altaner,<br />

457], pseudo: see ps.-Hieronymus, Praefationes in<br />

Martyrologium Hieronymianum; Responsio ad<br />

Chromatium et Heliodorum<br />

CICERO, Marcus Tullius, 106-43 BC, Rome [OCD, 1558; Neue<br />

Paufy2.\\9\]<br />

De inventione: in Rhetorica ad C. Herennium, infra<br />

De <strong>of</strong>ficiis - Paradoxa stoicorum (with medieval com<br />

mendatory verses Tullius hesperios cupiens componere mores<br />

and Versus XII sapientum (Baxilius: Hie iacet Arpinas<br />

manibus tumulatus amici), a commendation by Apollonius<br />

Rhodius ( Te nempe Cicero et laudo et admiror); and Horatius,<br />

carm. iv.7, Diffugere nives): II 39 (C-575)<br />

Tusculanae quaestiones: II 41 (C-631)<br />

ps.-: Rhetorica ad C. Herennium - De inventione (ed.<br />

Omnibonus Leonicenus [emendata manu sunt docta \<br />

Omniboni: quern dat utraque lingua patrem}): II 40 (C-672 +<br />

C-644)<br />

Compendiosum scriptum Psalterii intentionem declarans: see<br />

Ludolphus de Saxonia<br />

CONRAD von Megenburg, 1309-1374, stud. Erfurt, Paris; teacher<br />

Vienna, Regensburg [VL 5.221]<br />

Buch der Natur: II 42 (C-845)


258<br />

CONRADUS de Saxonia, d.1279, OFM Braunschweig, Hildesheim,<br />

provincialis for Saxony [VL 5.247; Diet. spir. 2.1548]<br />

Speculum beatae Mariae virginis: see ps.-Bonaventura<br />

Corona Beatae Mariae Virginis (Prol.: Signum magnum apparuit<br />

in caelo) [attributed in the 17th cent, to one Daniel Agricola,<br />

OFM (Obs.), Basel, d. 1515 (Lexicon der Marienkunde, ed.<br />

K. Algermissen [Regensburg, 1967], 1.1251; that is, evident<br />

ly, the author <strong>of</strong> the Passio domini nostrijesu Christi, with Urs<br />

Graf woodcuts, Basel: Adam Petri, 1511, 4to, unmentioned<br />

in the Lexicons entry on Agricola. Evidence for Agricola s<br />

authorship <strong>of</strong> the Corono BMV is II<br />

lacking]: 103 (C-923 +<br />

T-534)<br />

Corradus, Eusebius, 1447-1500, Milan, OSA Lateran [DBI<br />

29.412; Reichhart, 50]: see Augustinus, Regula tertia<br />

Curtius, Lancinus, d. 1512, <strong>of</strong> Milan [DBI 31.487]: commenda<br />

tory verse in Gafurius<br />

CYRILLUS, d. 444, Bp. <strong>of</strong> Alexandria from 412 [OCD, 422; Neue<br />

Pauly 4.309; Altaner, 283]<br />

ps.-: Epistola ad Augustinum de miraculis beati Hieronymi<br />

(Illius sancti Hieronymi gloriosi cuius memoria) [BHM 903,<br />

CPPM 2.146 ep. 19: 14th cent., Italy, Dominican]: in<br />

Hieronymus, et<br />

Epistolae<br />

tractatus<br />

CYPRIANUS, Thascius Caecilius, Saint, fl. c.240-d.258, Bp. <strong>of</strong><br />

Carthage from 248/9 [CPL, 11; OCD, 419; Neue Pauly<br />

3.253; Altaner, 172]<br />

Opera (ed. Johannes Andreae Bussi, with dedicatory letter to<br />

Pope Paul II, and including as final text De revelatione capitis<br />

beati Johannis Baptistae [BHL 4293: re Pepin s translation <strong>of</strong><br />

head <strong>of</strong> St. John Baptist to II<br />

Angers]): 43 (C-1010)<br />

Epistolae [CPL 50; <strong>of</strong> the 83 letters edited by G. Hartel,<br />

CSEL 3.2 (1871), the following are omitted: 8, 21-4, 27, 31,<br />

33-6, 41-2, 62, 71-5, 77]: Opera<br />

Ad Donatum [CPL 38]: Opera<br />

Ad Demetrianum : [CPL 46] Opera<br />

De opere et eleemosynis [CPL 47]: Opera<br />

Ad Fortunatum de exhortatione martyrii [CPL 45]: Opera<br />

De zelo et livore [CPL 49]: Opera<br />

De bono patientiae [CPL 48]: Opera<br />

De mortalitate [CPL 44] : Opera<br />

De habitu virginum [CPL 40] : Opera<br />

De catholicae ecclesiae unitate [CPL 41]: Opera<br />

Delapsis [CPL 42]: Opera<br />

De dominica oratione [CPL 43] : Opera<br />

Quod idola dii non sint (Deos non esse quos colit vulgus)<br />

[CPL 57, CPPM 2.550: authenticity questioned, but<br />

defended by most recent editor, Manlio Simonetti] : Opera<br />

Testimoniaruni libri I-II (Ad Quirinum adversus ludeos)<br />

[CPL 39]: Opera<br />

ps.-: De singularitate clericorum (Promiseram quidem vobis)<br />

[CPL 62, CPPM 2.3229]: Opera<br />

ps.-: De montibus Sina et Sion (Probatio capitulorum) [CPL<br />

61, CPPM 2.551]: Opera<br />

ps.-: Carmen de ligno crucis / de Pascha (Est locus ex omni)<br />

[CPPM 2.544]: in Pico<br />

Damasus I, pope<br />

366-84 [CPL, 525; Altaner, 354], pseudo: see<br />

ps. -Hieronymus, Rescriptum ad Damasum papam<br />

Danhauser, /Thanhauser, Petrus, <strong>of</strong> Nuremberg, M.A.,<br />

fl. 1490s:<br />

dedicatee <strong>of</strong> and commendatory letter in: Thos. a Kempis,<br />

a? dedication in Guillelmus Alvernus<br />

Opera<br />

DAVID de Augusta, c. 1200/1 0-1 272, OFM, novice master in<br />

Augsburg, Regensburg [Diet. spir. 3.42; VL 2.47]<br />

De exterioris et interioris hominis compositione: excerpts in<br />

Ger. de Zutphania - see also ps.-Bonaventura, Viginti passus<br />

Demetrius Triclinius: see Triclinius, Demetrius<br />

Dio Chrysostom, c.40/50-after 1 10 AD. [OCD, 470; Neue Pauly<br />

3.621]: Vita Homeri [TLGC 612.1, Oratio 53, De Homero<br />

(Orationes, ed. J. de [Hans Fried. Aug. v.] Arnim (Berlin,<br />

1893-6), 2. 109]: in Homer<br />

Diogenes Laertius, 3rd cent. AD, place unknown [OCD, 474]:<br />

Vita Aristotelis Vita Theophrasti: in Aristoteles, Opera<br />

(Gr.)<br />

Directorium vitae humanae: see Johannes de Capua<br />

DORNIBERG, Thomas, c. 1440- 1497, <strong>of</strong> Memmingen, Dr. iur. can.<br />

Heidelberg, Ratsadvokat <strong>of</strong> Speyer [Allan Stevenson, The<br />

Problem <strong>of</strong> the Missale speciale (London, 1967), 240;<br />

Reichhart, 57]: table in ps.-Albertus Magnus, Compendium<br />

theologicae veritatis<br />

DUNS SCOTUS, Johannes, c. 1265-1 308, OFM [Sharpe, 239;<br />

DAGL, 256]<br />

Quaestiones in quattuor libros Sententiarum (Opus<br />

Oxoniense version, ed. Thomas Penketh and Bartholomaeus<br />

Bellatus: GW 7.702): I 30<br />

EADMERUS Cantuariensis (Eadmer), d. a. 1 124, OSB, Christ<br />

Church, Canterbury [Sharpe, 104]: De excellentia virginis<br />

Mariae: see ps.-Anselmus<br />

ECBERTUS Schonaugiensis (Ekbert von Schonau), 12th cent., OSB<br />

[VL 2.436]<br />

Stimulus amoris: in Anselmus<br />

EPHRAEM Syrus, c.306-373, <strong>of</strong> Nisibis [CPL, 373; OCD, 530;<br />

Neue Pauly 3. IQ9Q; Diet.<br />

spir. 4.788 and esp. 815 Ephrem<br />

Latin ; VL 2.360; Altaner, 373]<br />

Libri Sancti Effrem (De compunctione cordis - De iudicio<br />

dei et resurrenctione - De beatitudine animae - De penitentia<br />

- De luctamine spiritali - De die iudicii) [CPL<br />

H43]:II44(E-44)<br />

Eucherius, Bp. <strong>of</strong> Lyons<br />

Formulae spiritalis intelligentiae [CPL 488: extracts]: see ps.-<br />

Hieronymus, De essentia trinitatis<br />

[fl. c.428-50: CPL, 174; Altaner, 455]:<br />

EUCLIDES / Euclid, early 3rd century BC, Alexandria [OCD, 564;<br />

Neue Pauly 4.238}<br />

Elementa in artem geometriae (TLGC 1799.1: Latin, tr.<br />

Adelard <strong>of</strong> Bath; ed. and comm. Campanus <strong>of</strong> Novara; with<br />

Erhard Ratdolt s dedication to Giovanni Mocenigo)<br />

[Murdoch 1968; Busard 1996]:<br />

II 45 (E-l 13)


EuSEBlUS Caesariensis, c.260-c.340, Bp. <strong>of</strong> Caesarea from c.315<br />

[OCD, 575; NeuePaufy4.3Q9; Altaner, 217]<br />

with the continuations <strong>of</strong><br />

Chronicon (tr. Hieronymus;<br />

Prosper Aquitanus, Matthaeus Palmerius Florentinus and<br />

Matthias Palmerius Pisanus, ed. Johannes Lucilius<br />

Santritter):II47(E-117)<br />

Historia ecclesiastica (Tr: Rufinus Aquileiensis): II 46 (E-<br />

126: with dedication to Card. Guillaume d Estouteville)<br />

De situ et nominibus locorum Hebraicorum (tr.<br />

Hieronymus, with prologue) [BHM 202]: in Hieronymus,<br />

Epistolae<br />

et tractatus<br />

ps.-: De vita et transitu Hieronymi (Multifariam multisque<br />

modis) [BHM 903, BHL 3866]: in Hieronymus, Epistolae et<br />

tractatus<br />

EUTROPIUS, presbyter, fl. c.400, place uncertain [CPL, 197; Diet,<br />

4.<br />

spir. 1729; Altaner, 370]<br />

De perfecto homine: see ps. -Hieronymus<br />

De vera circumcisione: see ps. -Hieronymus, Epistola de tes-<br />

tamento Geruntii<br />

FlCINUS, Marsilius (Marsiglio Ficino), 1433-1499, Florence<br />

[Com. Eras. 2.27; DBI 47.378]: translator, editor and com<br />

mentator <strong>of</strong> the collection <strong>of</strong> Platonic texts, IAMBLICHUS,<br />

including his own treatise De voluptate<br />

Forteguerri, Scipione (Carteromachus), 1466-1515, <strong>of</strong> Pistoia,<br />

humanist [Cont. Eras. 2.44; DBI 49.163]: Greek commenda<br />

tory material in Aristophanes and Aristoteles<br />

Fracantianus, Antonius, c. 1450?- 1506, Vicenza, Padua [DBI<br />

49.522] :ed. Avicenna<br />

FRIDOLIN, Stephan, c. 1430- 1498, Nuremberg, OFM Obs. [VL<br />

2.918; Petra Seegets, Passionstheologie und<br />

Passionsfrommigkeit im Spatmittelater: der Niirnberger<br />

Franziskaner Stephan Fridolin (Tubingen, 1998)]<br />

Schatzbehalter [Anonymous; attributed to Fridolin in a<br />

notice by his friend Fr. Matthaeus, bound into a former<br />

Rebdorf OSA copy, now at Munich SB (BSB-Ink F-263,<br />

cop. 1, Ran 293)]: I 9(5-306)<br />

GAFURI, Franchinus, 1451-1522, Milan, cathedral canon and<br />

choir master [New Grove 9.410; Paul Hirsch, Bibliographic<br />

der musiktheoretischen Drucke des Franchino Gafori ,<br />

FestschriftfurJohannes Wolf, [ed. Walther Lott et al.] (Berlin:<br />

Martin Breslauer, 1929) 65-72]<br />

Theorica musicae (with commendatory verse by Lancinus<br />

Curtius): II 48 (G-6)<br />

Galenus, 129-C.216, <strong>of</strong> Pergamon [OCD, 621; Neue Pauly<br />

4.748], pseudo-: see Aristoteles, Opera (Gr.), heading<br />

Callus, Jodocus, c. 1459-1 5 17, <strong>of</strong> Ruffach, student and teacher<br />

Basel, Heidelberg; member <strong>of</strong> the Sodalitas litteraria<br />

Rhenana; his library bequeathed to the Franciscans <strong>of</strong><br />

Ruffach [NDB 6.55]: Commendatory verse in Pet. Schott<br />

GAZA, Theodore, c.l400-c.l477, Byzantine scholar [Cont. Eras.<br />

2.81; Geanakoplos, ch. 3]: tr. <strong>of</strong> Aristoteles, De animalibus<br />

GENNADIUS Massiliensis, presbyter, Marseilles, fl. late 5 cent.<br />

[CPL, 309; Neue Pauly 4.918; Altaner, 474]<br />

259<br />

De ecclesiasticis dogmatibus: see ps.-Augustinus, De diffini-<br />

tionibus orthodoxae fidei<br />

De scriptoribus ecclesiasticis [CPL 957]: see Hieronymus,<br />

De viris illustribus<br />

Gerardus de Zutphania: see Zutphania, Gerardus de<br />

GERSON,Jean (Charlier de), 1363-1429, Cardinal [VL 2.1266;<br />

Opera, ed. P. Glorieux (8 v. in 10, Paris, 1960), cit. as Opera<br />

by vol. and page, with Glorieux s item numbers bracketed]<br />

Opuscula (De examinatione doctrinarum. De duplici<br />

statu in Dei ecclesia. Admonitio brevis quo modo caute<br />

legendi sunt quorundam libri. De appellatione peccatoris<br />

a divina justitia ad divinam misericordiam. De unione<br />

ecclesiae. Dubium de delectatione in servitio Dei): 110<br />

Appellatio peccatoris ad divinam misericordiam (De appel<br />

latione peccatoris a divina justitia ad divinam misericordiam:<br />

In tua o regina coeli et mundi totius domino) [ Opera 8.536<br />

(no. 420)]: Opuscula<br />

De delectatione quaerenda in divino <strong>of</strong>ficio (Dubium de<br />

delectatione in servitio Dei: Dubitabat nuper aliquis an delec-<br />

tatio cordis) [Opera8.l6l (no. 417)]: Opuscula<br />

De examinatione doctrinarum (Attendite a falsis prophetis<br />

clamat Christus) [Opera 9.458 (no. 456)]: Opuscula<br />

De meditatione cordis (Meditatio cordis mei in<br />

conspectu<br />

tuo<br />

semper) [Opera 8.77 (no. 409)]: in Thos. a Kempis, Opera<br />

De modo se habendi tempore schismatis (De unione eccle<br />

siae: Ad tollendam quorundam in praesenti schismate) [ Opera<br />

6.29 (no. 256)]: Opuscula<br />

De statibus ecclesiasticis (De duplici statu in Dei ecclesia:<br />

Pax quam omnes observare convenif) [Opera 9.25 (no. 424)]:<br />

Opuscula<br />

Donatus moralisatus . . . (Donatus per allegoriam traductus:<br />

Panes orationis quot sunt? Octo. Quae? Cognitio substantiae<br />

...) [Opera9.689 (no. 479); GW treats as pseudo-Gerson]:<br />

II 95.8 (G-122)<br />

Epistola ad fratrem Johannem (Admonitio brevis quo modo<br />

caute legendi sunt quorundam libri: Quia unum est necessari-<br />

um) [Opera 2.259 (no. 55)]: Opuscula<br />

Monotessaron (Monotessaron aut unum ex quatuor -<br />

Unum de quatuor cuius titulus esse potest Tetramonum vel<br />

Monotessaron: Evangelium latum esse et magnum) [Opera<br />

9.254 (no. 450), with tables including Tabula Confluentina<br />

l471 ]:Ill(G-236)<br />

Gesta Romanorum (German) ([ch. 1, Von dem sun Gorgonii]:<br />

Gorgonius der kaiser wa z getualtig zu rom in der statt der nam<br />

im das allerschonst weibe) [VL 3.25; GW 10903 gives con<br />

tents as 89 stories from the Latin Gesta Romanorum, 6 from<br />

Historia septem sapientum]: I 12 (G-299)<br />

GOBIUS, Johannes [junior], 14th cent., OP [Kaeppelli 2.442;<br />

Diet. spir. 6.542; VL 3.299]<br />

Scala coeli [Kaeppeli 2369]: II 49 (G-310)<br />

GREGORIUS I, Saint, fl. 573-d. 604, Rome, Pope<br />

552; OCD, 656; Neue Pauly 4. 1216; Altaner, 466]<br />

from 590 [CPL,<br />

Dialogorum libri quattuor [CPL 1713]: II 51 (G-405)<br />

Epistolae [CPL 1714]: II 50 (G-415)<br />

Homiliae Super Ezechielem (Expositio super . . . / Homeliae<br />

super...) [CPL1711]:II52(G-425)


260<br />

Gresemund, Dietrich, Jr., 1477-1512, <strong>of</strong> Speyer, jurist and poet,<br />

canon <strong>of</strong> St. Stephan, Mainz [NDB 7.48; Hans-Heinrich<br />

Fleischer, Dietrich Gresemund der Jiingerer: Bin Bericht zur<br />

Geschichte des Humanismus in Mainz (Wiesbaden, 1967)]:<br />

Commendatory verse in Tritheim, De laudibus S. Annae<br />

GUIGO II Garth usiensis, prior <strong>of</strong> the Grande Chartreuse, d.<br />

c.l 193 [LMA 4.1777; Diet. spir. 6.1 175]. Scala paradisi: see<br />

ps.-Augustinus<br />

GuiLLELMUS Alvernus, c.l 180-1249, Bp. <strong>of</strong> Paris 1228 [LThK<br />

\Q.\\27; Diet. spir. 6.1182]<br />

Tractatus Guilhermi Parisiensis (De sacramentis [ Cum inter<br />

sapientiales spiritalesque scientias] - Cur Deus homo [Ponam<br />

ad hoc quattuor radices] - De poenitentia novus tractatus<br />

[Secunda tabula post naufragium]): II 53 (G-723)<br />

Guillelmus deTornaco, fl. 1264-1275 Paris [Kaeppeli 2.167;<br />

LMA 9.190]: see Bernardus, Flores<br />

GuiLLELMUS Paraldus, c.l 200- 1274, <strong>of</strong> Peyraut (Ardeche), OP<br />

[Kaeppeli 2.133; Diet.<br />

spir. 6.1229]<br />

Summadevitiis [Kaeppeli 1622]: II 54 (P-89)<br />

HALY filius Abenragel (Albohazen), 1 1th cent., d. n.b. 1040, <strong>of</strong><br />

Tunis [Carmody, 150; GW 10.570; Encyc. Islam 3.688]<br />

De iudiciis astrorum [Carmody 28. la: translated from<br />

Arabic to Old Castilian by Jehudah ben Moshe ha-Cohen,<br />

then from Old Castilian to Latin by Aegidius de Tebaldis &<br />

Petrus de Regio, 1257: Duodecim suntsigna in celo similia<br />

membris corporis (Thorndike & Kibre, 475)]; ed.<br />

Bartholomaeus de Alten; dedicated by Ratdolt to Johann von<br />

Werdenberg, Bishop <strong>of</strong> Augsburg: I 14 (H-4)<br />

Hassenstein: see Lobkowitz<br />

Heiligen Leben, Der [VL 3.618: Nuremberg, late 14th century<br />

(not before 1384), probably a Dominican compilation <strong>of</strong><br />

saint s lives, perhaps intended as a refectory text for<br />

Dominican nuns; treated as a German translation <strong>of</strong> Jacobus<br />

de Voragine s Legenda aurea in most incunable catalogues<br />

before Vera Sack s Freiburg catalogue, 1985]: II 55 (J-157),<br />

56 (Pell-Pol 6538)<br />

HENRICUS Bate, 1246-C.1310, <strong>of</strong> Malines [DSB 6.272; LMA<br />

4.2088]<br />

Magistralis compositio astrolabii (3 Oct. 1274; Prol.:<br />

Universorum entium radix et origo) , composed ad petitionem<br />

<strong>of</strong> Wilhelmus de Morbeke, OP [Thorndike & Kibre, 1604,<br />

14): in Abraham ibn Ezra<br />

Hephaestion, 2nd cent. AD, <strong>of</strong> Alexandria, Greek grammarian<br />

[OCD, 681; NeuePauly^.350]: Epitome <strong>of</strong> his Introductio<br />

metrica [TGLC 1402.2; cf. Hephaestion, Enchiridion, ed.<br />

M. Cornsbruch, Teubner 1906]: in Aristophanes<br />

Herbenus, Matthaeus, 1451-1538, musician, rector <strong>of</strong> St.<br />

Servatius Maastricht [MGG 6.190]: commendatory verse in<br />

Tritheim, Oratio de XII excidiis<br />

Herbst, Johannes, pupil <strong>of</strong>Johann Tritheim,<br />

fl. 1490s:<br />

Commendatory verse in Joh. Tritheim, De laudibus S.<br />

Annae<br />

HERODIANUS, <strong>of</strong> Syria, fl. c. 180-238 AD [OCD, 696; NeuePauly<br />

5.467]<br />

Historia de imperio post Marcum [TLGC 15.1, transl. by<br />

Angelus Politianus; Incip.: Qui res antiquas posteris prodiderunf^:<br />

I 15<br />

Herodotus (pseudo), Vita Homeri [TLGC 1805.1; ed.: T. W.<br />

Allen, Homeri opera, 5.192]: in Homer<br />

HERVAEUS Burgidalensis, c.l075-c.H50 [LMA 4.2 186; Diet. spir.<br />

7.373]: see ps.-Anselmus, Homilia in Lucam<br />

HEYNLIN, Johann, von Stein (Johannes de Lapide), c.l 430/33-<br />

1496, rector <strong>of</strong> the Sorbonne, founder and patron <strong>of</strong> the first<br />

Paris printing shop, OCarth Basel from 1487 [VL 3.1213]<br />

Resolutorium dubiorum circa celebrationem missarum<br />

occurentium: I 18 (J-374)<br />

HlERONYMUS (Eusebius H.; Jerome), Saint, 331/48-419/20, <strong>of</strong><br />

Stridon (Dalmatia), Trier, Rome, Antioch, Bethlehem [CPL,<br />

203; BHM; OCD, 794; Neue Pauly 5. 548; VL 3.1221;<br />

Altaner, 394]<br />

Epistolae et tractatus (collected and edited by Theodorus<br />

Lelius; with the Vitae Hieronymi <strong>of</strong> ps.-Augustinus, ps.-<br />

Cyrillus, and ps. -Eusebius and the laudation <strong>of</strong> Vergerius;<br />

136 <strong>of</strong> the 158 letters, ed. I. Hilberg, CSEL 54-6, including<br />

a number <strong>of</strong> letters to Jerome [omitting Jerome s letters nos.<br />

33, 114, 15 1-4; and other letters nos. 80, 92-6, 98, 100,<br />

113, 135-7, 144, 149, 150, 156]; and a wide variety <strong>of</strong> other<br />

letters, sermons, tractates, and translations, authentic and<br />

inauthentic; 16 items [8 <strong>of</strong> which authentic letters <strong>of</strong><br />

Jerome] were added to the Lelian corpus in this edition): II<br />

57 (H- 169)<br />

Ad Paulinianum de opere Didymi de spiritu sancto [BHM<br />

258, prologue]: Epistolae<br />

et tractatus<br />

Adversus Helvidiam [BHM 251, CPL 609]: Epistolae<br />

et trac<br />

tatus<br />

Adversus Jovinianum [BHM 252, CPL 610]: Epistolae et<br />

tractatus<br />

Altercatio Luciferiani et Orthodox! [BHM 250, CPL 608]:<br />

Epistolae<br />

et tractatus<br />

Apologia adversus libros Rufini [BHM 255, CPL 613]:<br />

Epistolae<br />

et tractatus<br />

Contra Johannem Hierosolymitanum [BHM 254, CPL<br />

612]: Epistolae<br />

et tractatus<br />

Contra Vigilantium [BHM 253, CPL 611]: et<br />

Epistolae<br />

trac<br />

tatus<br />

De oboedientia [BHM 240]: see ps.-Augustinus<br />

De viris illustribus, with continuation <strong>of</strong> Gennadius<br />

Massiliensis [BHM 260, CPL 616]: Epistolae<br />

et tractatus- II<br />

95.2 (H-192)<br />

Dialogi contra Pelagianos [BHM 257, CPL 615]: Epistolae<br />

et tractatus<br />

In die dominica Paschae, I [BHM 231, CPL 603]: Epistolae<br />

et tractatus<br />

In die dominica paschae, II (In psalmum CXVII) [BHM<br />

232, CPL 604]: Epistolae<br />

et tractatus<br />

In psalmum XLI [BHM 230, CPL 602]: et<br />

Epistolae<br />

tracta<br />

tus<br />

Liber tertius adversus libros Rufini [BHM 256, CPL 614]:<br />

et<br />

Epistolae<br />

tractatus


Sermo de die epiphaniorum [BHM 227, CPL 599]:<br />

Epistolae<br />

et tractatus<br />

Sermo de quadragesima [BHM 228, CPL 600]: Epistolae et<br />

tractatus<br />

Tractatus de Exodo in vigilia Paschae [BHM 229, CPL<br />

60 1 :<br />

] Epistolae<br />

et tractatus<br />

Vita Malchi monachi captivi [BHM 263, CPL 619]:<br />

Epistolae<br />

et tractatus<br />

Vita S. Hilarionis [BHM 262, CPL 618]: Epistolae<br />

et tracta<br />

tus<br />

Vita S. Pauli primi eremitae [BHM 261, CPL 617]:<br />

Epistolae<br />

et tractatus<br />

ps.-: Ad filiam Mauritii laus virginitatis (Ad virgines deo<br />

dicatas) (Quantam in coelestibus beatitudinem) [BHM 313,<br />

CPPM 2.862: Pelagianist, 5th cent.]: Epistolae<br />

et tractatus<br />

ps.-: Ad virgines deo dicatas (Solae idcirco<br />

filiae) [Regula<br />

monachorum, ch. 26]: Epistolae<br />

et tractatus<br />

ps.-: Carmen de puella (Quis consoletur te virgo filia Siori)<br />

[BHM 805, CPPM 2.3385]: Epistolae<br />

et tractatus<br />

ps.-: De celebratione paschae (Lectis litteris tuis ubi me com-<br />

monuisti) [Augustinus, Ep. 55: Ad inquisitiones Januarii, lib.<br />

II] :<br />

Epistolae<br />

et tractatus<br />

ps.-: De corpore et sanguine Christi (Magnitudo caelestium<br />

beneficiorum) [BHM 338, CPPM 2.887]: Epistolae<br />

et tracta<br />

tus<br />

ps.-: De diversis generibus leprarum (Admirabile divinae dis-<br />

positionis) [BHM 334, CPPM 2.883]: Epistolae et tractatus<br />

ps.-: De diversis generibus musicorum (Cogor a te) [BHM<br />

323, CPPM 2.872: Carolingian, possibly Rabanus]: Epistolae<br />

et tractatus<br />

ps.-: De duobus filiis frugi et luxurioso (Omnium quidem de<br />

scripturis quaestionum absolutio) [BHM 335, CPPM 2.884]:<br />

Epistolae et tractatus<br />

ps.-: De essentia trinitatis (Omnipotens deus pater etfilius et<br />

spiritus sanctus unus atque trinus) [BHM 314, CPPM 2.863:<br />

extracts from Eucharius, Formulae spiritalis intelligentiae]:<br />

Epistolae et tractatus - as De essentia divinitatis, with<br />

Thomas Aquinas, De articulis fidei: II 95.3 (H-179)<br />

ps.-: De homine poentitente (Obiurgatio in eum qui se dicit<br />

poenitentem) (Ad te surgo hominem quern scio esse fidelem)<br />

[BHM 333, CPPM 2.882: Pelagian]: Epistolae et tractatus<br />

ps.-: De honorandis parentibus (Parentum mentis subiugans)<br />

[BHM 311, CPPM 2.860]: Epistolae et tractatus<br />

ps.-: De lapsu virginis (Obiurgatio acerrima in Susannam)<br />

(Quid faces o anima Susannae?) [BHM 320, CPPM 2.869]:<br />

Epistolae et tractatus<br />

ps.-: De locis et nominibus hebraicorum quaestionum<br />

(Cum in<br />

principiis librorum] [Liber Hebraicarum quaestion<br />

um in Genesim, Praefato]: Epistolae et tractatus<br />

ps.-: De nativitate domini (Hodie verus sol) [BHM 325,<br />

CPPM 2.874]: Epistolae et tractatus<br />

ps.-: De nativitate sanctae Mariae (Petistis a me) [BHM 350,<br />

CPPM 2.899; cf. CPL 633 ep. 50 re doubts on attribution<br />

to Paschasius Radbertus]: Epistolae<br />

et tractatus<br />

ps.-: De observatione vigiliarum (Dignum estfratres<br />

aptumque prorsus) [BHM 331, CPPM 2.880, CPL 648:<br />

Nicetas Remesianensis] :<br />

Epistolae et tractatus<br />

ps.-: De perfecto homine (Ecce iterum) [BHM 306, CPPM<br />

2.855, CPL 566a: Eutropius]: Epistolae et tractatus<br />

ps.-: De resurrectione domini [BHM 324, CPPM 2.873]:<br />

Epistolae<br />

et tractatus<br />

261<br />

ps.-: De tribus virtutibus fortitudine sapientia et prudentia<br />

(Tres quodammodo virtutes) [BHM 308, CPPM 2.857:<br />

Origenes, Homilia (5) in Hieremiam]: Epistolae<br />

et tractatus<br />

ps.-: De vera circumcisione, ad Terentiam (Superiori epistola<br />

quam ex me) [BHM 319, CPPM 2.868, CPL 566:<br />

Eutropius] :<br />

Epistolae<br />

et tractatus<br />

ps.-: De virtute psalmorum (Quia me dulcissimae<br />

filiae)<br />

[BHM 351, CPPM 2.900]: Epistolae et tractatus<br />

ps.-: Decem tentationes populi Israel in deserto (Haec sunt<br />

verba quibus corripuit Moyses filios Israel) [BHM 409, CPPM<br />

2.2346]: Epistolae<br />

et tractatus<br />

ps.-: Dialogus sub nomine Hieronymi et Augustini de origine<br />

animarum (Cum apud vos caelestis eloquentia) [BHM<br />

337, CPPM 2.886: N. Italian, c.430-50]: in Hieronymus,<br />

Epistolae<br />

et tractatus<br />

ps.-: Epistola [ad Augustinum] (Cum in urbe leges anteriori<br />

tempore) [BHM 352, CPPM 2.901]: Epistolae et tractatus<br />

ps.-: Epistola ad amicum aegrotum (Quanquam noverim certissime<br />

experientiam tuam) [BHM 305, CPPM 2.854: Gaul,<br />

c.500?]: Epistolae et tractatus<br />

de oboedientia<br />

ps.-: Epistola ad Ctesiphontem<br />

(Praesumptionem meam) [BHM 307, CPPM 2.856: Rome?<br />

5th cent.?]: Epistolae<br />

et tractatus<br />

ps.-: Epistola ad Damasum de oblationibus altaris (Noverit<br />

sancta auctoritas) [BHM 343, CPPM 2.892: 5th-6th cent.]:<br />

Epistolae<br />

et tractatus<br />

ps.-: Epistola ad Demetriadem (Si summo ingenio parique<br />

frequentus) [BHM 301, CPPM 2.850, CPL 737: Pelagius]:<br />

Epistolae<br />

et tractatus<br />

ps.-: Epistola ad Desiderium de XII doctoribus (Vis nunc<br />

acriter) [BHM 357, CPPM 2.906: Hibernian, 8th cent.]:<br />

Epistolae<br />

et tractatus<br />

ps.-: Epistola ad Eustochium de vinculis Petri (Saepissimo<br />

rogatu o virgo) [BHM 330, CPPM 2.879: 12th cent.]:<br />

Epistolae<br />

et tractatus<br />

ps.-: Epistola ad Evagrium de levita lapso (Nisi vererer beatis-<br />

simefrater) [BHM 358, CPPM 2.907=836, CPL 569:<br />

Bachiarius] :<br />

Epistolae<br />

et tractatus<br />

ps.-: Epistola ad Marcellam de sufferentia temptationum<br />

(Magnam humilitati nostrae fiduciam scribendf) [BHM 303,<br />

CPPM 2.852, CPL 738: Pelagius]: Epistolae et tractatus<br />

ps.-: Epistola ad militem saeculi (Etsi ignotus tibi sim facie)<br />

[BHM 359, CPPM 2.908, CPL 202 ep.: Paulinus Nolanus]:<br />

Epistolae<br />

et tractatus<br />

ps.-: Epistola ad Oceanum de ferendis opprobriis<br />

(Diversorum opprobrii tribulationes multiplies) [BHM 341,<br />

CPPM 2.890: Pelagian]: Epistolae et tractatus<br />

ps.-: Epistola ad Oceanum de vita clericorum (Deprecatus es<br />

uttibi breviter exponerem) [BHM 342, CPPM 2.891:<br />

Pelagian?]<br />

ps.-: Epistola ad Pammachium et Oceanum de renuntia-<br />

tione saeculi (Qui aethiopem invitat ad balnea) [BHM 332,<br />

CPPM 2.881: Pelagian]: Epistolae et tractatus<br />

ps.-: Epistola ad Paulam et Eustochium de assumptione<br />

Mariae virginis (Cogitis me o Paula) [BHM 309, CPPM<br />

2.858: Paschasius Radbertus]: Epistolae<br />

et tractatus<br />

ps.-: Epistola ad Rusticum de VII ordinibus ecclesiae


262<br />

(Sufficere quidem arbitrorfidei tuae) [BHM 312, CPPM<br />

2.861: related to Isidorus Hispalensis, De ecclesiasticis <strong>of</strong>fici-<br />

is] :<br />

et<br />

Epistolae<br />

tractatus<br />

ps.-: Epistola ad Tullianum (Sancti corruunt si fuerint negli-<br />

gentes) [BHM 990, cited from 2 Vatican Mss.]: Epistolae et<br />

tractatus<br />

ps.-: Epistola ad Tyrasium super morte filiae suae (Caritatis<br />

tuae scripta percept) [BHM 340, CPPM 2.889]: Epistolae et<br />

tractatus<br />

ps.-: Epistola ad virginem in exilium (Si deus ac dominus noster<br />

iesus christus securitatem pacem) [BHM 304, CPPM<br />

2.853, CPL 739: Pelagius]: Epistolae et tractatus<br />

ps.-: Epistola de testamento Geruntii (Cuncti mei sensus)<br />

[BHM 302, CPPM 2.851, CPL 565: Eutropius]: Epistolae et<br />

tractatus<br />

ps.-: Epistola Valerii ad Rufinum de ducat uxorem (Loqui<br />

prohibeor et tacere non possum) [BHM 336, CPPM 2.885:<br />

Walter Map] :<br />

Epistolae<br />

et tractatus<br />

ps.-: Explanatio fidei ad Damasum (Credimus in deum<br />

patrem omnipotentem cunctorum uisibilium et inuisibilium<br />

conditorem) [BHM 316, CPPM 2.865, CPL 731: Pelagius]:<br />

Epistolae<br />

et tractatus<br />

ps.-: Expositio fidei ad Cyrillum (Credimus in unum deum<br />

patrem omnipotentem omnium uisibilium et in uisibilium cre-<br />

atorem) [BHM 317, CPPM 2.866: early 5th cent.]: Epistolae<br />

et tractatus<br />

ps.-: Expositio in symbolum apostolorum (Mihi quidem<br />

fidelissime papa Laurenti ad scribendum animus tarn non est<br />

cupidus) [CPL 196; BHM 514, CPPM 2.840: Rufinus. In<br />

G<strong>of</strong>fR-351 the title is given as Exposicio symboli gloriosi<br />

leronimi contra louinianum hereticum, and the text begins<br />

in ch. 3: Credo in deo patre omnipotente. Verum priusquam<br />

incipiam}: Epistolae<br />

et tractatus- II 58 (R-351)<br />

-<br />

ps.-: Homelia super evangelium Matthaei (Sanctus evange-<br />

lista docet nos) [BHM 339, CPPM 2.888]: Epistolae<br />

et tracta<br />

tus<br />

ps.-: In iuvenem sceleris perpetratorem (De te autem quid<br />

dicam fili serpentis) [Ambrosius, De lapsu virginis conse-<br />

cratae, ch. 9, extract]: Epistolae<br />

et tractatus<br />

ps.-: Praefationes in Martyrologium Hieronymianum (ps.-<br />

Chromatius to Jerome, and reply) [BHM 640, CPPM<br />

2.518-20: Gallican, 6th-7th cent.]: Epistolae<br />

et tractatus<br />

ps.-: Prologus in librurn de infantia salvatoris (Qui terram<br />

aurt) [BHM 349, CPPM 2.898]: Epistolae<br />

et tractatus<br />

ps.-: Regula vivendi sanctimonialium (Prol.: Tepescens in<br />

membris] [BHM 560, CPPM 2.3663]: Epistolae<br />

et tractatus<br />

ps.-: Rescriptum ad Damasum papam (Legi litteras apostolatus<br />

vestri), with preceding ps.-Damasus, ad Hieronymum ut<br />

Graecorum Psallentiam sibi mittat (Dum multa corpora<br />

librorum) [BHM 346-7, CPPM 2.895-6: Rome, 6th cent.?]:<br />

Epistolae et tractatus<br />

ps.-: Responsio ad Chromatium et Heliodorum (Dominis<br />

sanctis . . . Qui terram aurt); with ps.-Chromatius, Epistola ad<br />

Hieronymum de ortu beatae Mariae virginis ( Ortum<br />

Mariae reginae) [BHM 348-9, CPPM 2.897-8 = 515-6]:<br />

Epistolae et tractatus<br />

ps.-: Sermo de nativitate beatae Mariae . . (de assumptione .)<br />

(Sdentesfratresdilectissimi) [BHM 310, CPPM 2.859: 7th<br />

cent.] :<br />

Epistolae et tractatus<br />

ps.-: Tractatus fidei, credulitatis et conversationis vitae<br />

Christianae (Dauid gloriosus in psalmo sic dicif) [BHM 515,<br />

CPPM 2.830: Spain? 4th cent.]: Epistolae et tractatus<br />

tr.: Eusebius Caesariensis, Chronicon. De situ et<br />

nominibus locorum Hebraicorum. Origenes,<br />

in Cantica canticorum<br />

see also Biblia Latina; Lupus de Olmeto<br />

Homilae II<br />

Historia septem sapientum Romae (German) (Ein gar schone<br />

Cronick unnd hystorie ausz den geschichten der Romern)<br />

[<strong>15th</strong>-cent. prose version; VL 8.1 174]: I 13 (HC 8729)<br />

Hoest, Stephan, c. 1430-1472, theology pr<strong>of</strong>essor at Heidelberg<br />

University [VL 4.79; Frank Baron, Der erste Druck einer<br />

SchriftAugustms\HistorischesJahrbuch9l (1971) 108-18]:<br />

editor <strong>of</strong> Augustinus, De arte praedicandi<br />

HOMER, fl. c.700 BC? [OCD, 718; NeuePauly 5.686]<br />

Opera (Greek: 1. 7/zW[TLGC 12.1]. 2. Odyssey [12.2].<br />

3. Batrachomyomachia [TLGC 1220.1]); ed. by<br />

Demetrius Chalcondylas with a preface, with lives <strong>of</strong> Homer<br />

by pseudo-Herodotus, pseudo-Plutarch, and Dio<br />

Chrysostom: I 16 (H-300: prelims); II 60 (H-300)<br />

HONORIUS Augustodunensis, c. 1080-1 137, fl. Regensburg, per<br />

haps <strong>of</strong> Irish origin [Sharpe, 179; VL 4.122]<br />

De cognitione verae vitae: see ps. -Augustinus<br />

De imagine mundi: see ps.-Anselmus<br />

Elucidarium [Dagmar Gottschall, Das Elucidarium des<br />

Honorius Augustodunensis (Tubingen 1992)]: see Lucidarius<br />

(German)<br />

HORATIUS Flaccus, Quintus, 65-8 BC [OCD, 724]: see Cicero, De<br />

<strong>of</strong>ficiis<br />

HOUPPELANDE, Guillermus, mag., fl. 1490s, Paris<br />

De immortalitate animae (Antiques philosophos floruisse ac<br />

studio pr<strong>of</strong>ecisse): II 59 (H-495)<br />

HUGO de Balma, fl. 1289-1304, OCarth. [Diet. spir. 7.859; VL<br />

4.225]<br />

Theologia mystica / Viae Sion lugent [ed. Francis Ruello, 2<br />

v., Paris, 1995: Sources chretiennes 408-9]: see Bonaventura,<br />

De triplici via<br />

HUGO (Ripelin) Argentinensis, C.1210-C.1270, OP [VL 4.252;<br />

Kaeppeli 2.251]: see ps.-Albertus Magnus, Compendium<br />

theologicae veritatis<br />

HVGINUS (C. Julius H.), fl. c. 28 BC and after, Augustan freedman,<br />

prefect <strong>of</strong> the Palatine library, Rome, author also <strong>of</strong> a mythographic<br />

handbook Ge nealogiae I Fabulae [OCD, 735; Neue<br />

Pauly 5.778. OCD doubts the identification, accepted by the<br />

editor <strong>of</strong> the Teubner edition, Ghislaine Vire (Hygini De<br />

astronomia, 1992), suggesting the Poeticon astronomicon<br />

belongs to the 2nd cent. AD, its author being essentially<br />

unidentifiable as an historical figure]<br />

Poeticon astronomicon (ed., and with commendatory verse<br />

byjac. Sentinus and Job. Luc. Santritter): II 61 (H-560), 62<br />

(H-561), 63 (H-562)<br />

lAMBLICHUS, c.240-c.325, <strong>of</strong> Chalcis (Syria), pupil <strong>of</strong> Pirphyry<br />

[OCD, 743; Neue Paufy5.848]<br />

De ...<br />

mysteriis Aegyptiorum [A compilation <strong>of</strong> Marsilius


Ficinus s translations, many excerpted, <strong>of</strong> classical and<br />

Byzantine Platonic texts; including Ficinus s earlier dedica<br />

tions <strong>of</strong> individual texts to Card. Giovanni de Medici,<br />

Lorenzo and Piero de Medici, Philippus Valor, and Giovanni<br />

Cavalca. In contents, infra, roman numbers refer to the<br />

items in Paul O. Kristeller, Supplementum Ficinianum<br />

(1937), pt. Ill: Index operum]: II 64 (J-216)<br />

lamblichus, De mysteriis Aegyptiorum, Chaldaeorum,<br />

Assyriorum (XVIII; TLGC 2023.6)<br />

Proclus, In Platonis Alcibiadem (XIX; TLGC 4036.7) - De<br />

sacrificio et magia (XIX; TLGC 4036.18)<br />

Porphyrius, De occasionibus (XX) - De abstinentia (XX;<br />

TLGC 2034.3) [BSB-Ink. 1-127 as De divinis et dae-<br />

monibus, viz. Epistola ad Anebonem, TLGC 2034.13]<br />

Synesius, De insomniis (XXV; TLGC 2006.5)<br />

Michael Psellus, De daemonibus (XXI)<br />

Priscianus Lydus, In Theophrastum De sensu (XV, with<br />

interpolations by Ficinus; TLGC 4014.1)<br />

Alcinous, De doctrina Platonis (XXII; TLGC 693<br />

[Albinus].!)<br />

Speusippus, De Platonis definitionibus (XXIII; TLGC<br />

1692.5 (Fragmenta); cf OCD, 1434)<br />

Pythagoras (Pythagorica), Aurea verba - Symbola (XXVI;<br />

TLGC 632.1)<br />

ps.-Xenocrates, De morte (XXIV; TLGC, 322: 59.38, i.e.<br />

ps.-Plato, Axiochus)<br />

Marsilius Ficinus, De Voluptate (7457; IX)<br />

Ilicinus, Bernardus: see Lapini, Bernardus<br />

INSTITORIS, Henricus, c. 1430-1 505, OP [VL 4.1408], jointly<br />

with Jac. Sprenger<br />

Malleus maleficamm (Apologia: Cum inter mentis saeculi<br />

calamitates Text: Super bullam ergo Innocentii octavi adver-<br />

sus haeresim [Kaeppeli 2127 (sub I<br />

Sprenger)]): 17<br />

ISIDORUS c.<br />

Hispalensis, 560-636, Bp. <strong>of</strong> Seville 599/600 [CPL,<br />

398; OCD, 768; Neue Pauly 5. 1 1 22]<br />

Etymologiae [CPL 1186]:<br />

II 65 (1-181)<br />

JACOBUS de Voragine, c.1228/9-1298, OP, Arbp. <strong>of</strong> Genoa 1292<br />

[Kaeppeli 1.348; VL 4.448; Legenda aurea, ed. Giovanni<br />

Paolo Maggioni, 2 v., Tavarnuzze, 1998]<br />

Legenda aurea (with 27 supplementary lives added at the<br />

end, and indicated as Additiones ;<br />

their order suggests that<br />

the edition derives ultimately from that <strong>of</strong> Anton Koberger,<br />

Nuremberg, 1 1 Aug. 1478 [G<strong>of</strong>fJ-90]): II 66 0-120)<br />

see also Heiligen Leben<br />

Jehudah ben Moshe ha-Cohen,<br />

Alfonso X <strong>of</strong> Spain, translator <strong>of</strong> Haly, De iudiciis astrorum<br />

fl. 1231-1257 at the court <strong>of</strong><br />

from Arabic into Old Castilian, from which it was translated<br />

into Latin [ed. Gerold Hilty, El libra libra conplido en los<br />

iudizios de las estrellas (Madrid, 1954), see xxxviii sq. on<br />

Jehudah, and also Munoz Sendino, 85 sq.]<br />

JOHANNES Chrysostomus, Saint, c.349/54-407, Patriarch <strong>of</strong><br />

Constantinople from 397/8 [OCD, 329; Neue Paufy5.\Q59;<br />

Diet. spir. 8.331; Altaner, 322]<br />

De providentia Dei, Lat. (noviter translatutus est de greco in<br />

latinum: Oportuerat quidem o mihi amantissime omnium<br />

Stagiri) - De dignitate humanae originis (Dignitate<br />

263<br />

humanae originis facile agnoscitur) [colophon identifies trans<br />

lator as Ambrosius, abbot general <strong>of</strong> the Camaldolese order,<br />

i.e. Ambr. Traversarius] : II 72 (J-293)<br />

ps.-: Expositio super Matthaeum / Opus imperfectum in<br />

Matthaeum, Lat. (Sicut referunt, Matheum conscribere evangelium)<br />

[Diet. spir. 8.362: A 5th-6th cent. Latin text, <strong>of</strong><br />

Arianist II<br />

origin]: 71.1 0-289)<br />

ps.-: Sermones de patientia in lob, Lat. (Annuus ad nos<br />

hodierna die certator orbis), ed. and trans. Lilius Tifernas,<br />

with his dedication to Pope Nicholas V: I 19 (J-304)<br />

JOHANNES de Capua,<br />

from Hebrew to Latin <strong>of</strong> the Sanskrit fable collection<br />

fl. 1263-1278, Jewish convert, translator<br />

Panchatranta (as transmitted to the Latin West via Persian to<br />

Arabic to Hebrew), under title Directorium vitae humanae<br />

[VL 1 .402, s.v. Antonius von Pforr]<br />

Directorium vitae humanae [ed. F. Geissler, Berlin, I960];<br />

with Johannes s dedication to Card. Matthaeus Rubeus<br />

Ursinus: I 7 0-268)<br />

Johannes de Lapide: see Heynlin, Johannes<br />

JOHANNES deTambaco / Dambach, 1288-1372, OP Strassburg<br />

[Diet. spir. 8.466, Kaeppeli 2.400; VL 4.571]<br />

Consolatio theologiae [1366: Kaeppeli 2256. G<strong>of</strong>f J-436 is<br />

the frill text, J-437 an abridgment]: II 68 0-436), 70.1 (J-<br />

437), 69 0-437)<br />

JOHANNES Marchesinus,<br />

fl. c. 1300, OFM in custodia <strong>of</strong> Ferrara,<br />

au.<strong>of</strong> Mammotrectus [Wadding-Sbaralea 1.166, 3/204; cf.<br />

Stegmuller, Rep. bibl. 4776-7]<br />

Centilioquium: see ps.-Bonaventura<br />

Johannes Philoponus [c.490-c.570/5, Alexandria: OCD,<br />

Neue Pauly 9. 860], pseudo-: see Aristoteles, Opera (Gr.)<br />

1 168;<br />

Kalender (German) [Peter Amelung, ed. and comm.: Das ist der<br />

teutsche kalender mit denfiguren gedruckt zu Ulm imjahre<br />

1498 von Johannes Schaffler(Dietikon-Zuric\i, 1978)]: I 20<br />

(H 9745)<br />

KEMPIS, Thomas (Hemmerken) a, c.1379/80-1471, OSA [VL<br />

9.862; Opera, ed. Jos. Pohl, 7 v., Freiburg 1902-22]<br />

Opera et libri vitae, ed. Georg Pirckamer, with commendato<br />

ry letter by the dedicatee Pet. Danhauser . I (1 mi tat io<br />

Christi. 2. Jean Gerson, De meditatione cordis. 3.<br />

Liber vitae magistri Gerhardi Magni vulgariter Gross. 4.<br />

Liber de hu militate Christi (quam dominus Florentius<br />

studuit imitari).<br />

5. Liber de discipulis domini Florentii.<br />

6. Soliloquiurn animae. 7. De disciplina claustralium.<br />

8. Aliqua notabilia de conversatione Thomae de<br />

Kempis. 9. Alphabetum 10. Sermones ad novitios.<br />

1 1. (De tribus tabernaculis:) Libellus de paupertate, humili-<br />

tate et patientia.<br />

12. De vera compunctione (cordis).<br />

13. Hortulus rosarum. 14. Vallis liliorum. 15.<br />

Alphabetum monachi. 16. Consolatio pauperum et<br />

infirmorum. 17. Epitaphium monachorum. 18.<br />

Sermones devoti. 19. Dialogus novitiorum. 20.<br />

Canticum de laudibus sanctarum virginum (et alia).<br />

Epistolae V. 22. Manuale monachorum. 23.<br />

Doctrinale iuvenum. 24. I Hospitale pauperum): 34 (T-<br />

352)<br />

21.


264<br />

Imitatio Christi: II 95.1 (1-4) (German, anon.): II 96 (I-<br />

40) in Opera<br />

Meditationes de vita et beneficiis Jesu Christi, sive<br />

Gratiarum actiones (Si desideras perfecte mundari a vitiis)<br />

[authenticity unclear, anonymous here]: I 6.2 (M-432)<br />

LACTANTIUS (Lactantius Caelius Firmianus),<br />

fl. c.250-325, <strong>of</strong><br />

Nicomedia [GPL, 24; OCD, 811; Neue Paufy6.lQ43;<br />

Altaner, 185]<br />

. Opera (1 De divinis institutionibus [CPL 85] 2. De ira<br />

dei [CPL 88] 3. De opificio<br />

dei vel de formatione<br />

hominis [CPL 87] 4. De phoenice carmen [CPL 90] -<br />

5. Epitome divinarum institutionum (chs. 56-73) [CPL<br />

85]; with Venantius Fortunatus, [Carmen] De resurrectione<br />

Christi [Saluefesta dies toto uenerabilis euo I<br />

num uicit. et astra tenet]): I 21 (L-9)<br />

Qua deus infer-<br />

Langen, Rudolf von / c. Rudolphus Langius, 1438-1 5 19, human<br />

ist, canon <strong>of</strong> Miinster cathedral [Cant. Eras. 2.290; VL<br />

5.590; Reichhart, 79]: Commendatory verse in Joh.<br />

Tritheim, De laudibus S. Annae<br />

Lapide, Johannes de: see Heynlin, Johann<br />

Lapini, Bernardus (Bernardus Ilicinus, <strong>of</strong> Montalcino), 1435-<br />

1476, Siena, physician and humanist [C. Corso, L llicino<br />

(Bernardo Lapini) , Bullettino senese di storia patria 64 (1957)<br />

3-108; Valerie Merry, Una nota sulla fortuna del commento<br />

di Bernardo Ilicino ai Trionfi petrarcheschi ,<br />

Giornale storico<br />

della letteratura italiana, 163 (1986) 235-46; Reichhart, 67]:<br />

comm.: Petrarca<br />

LEONARDOS de Utino, c. 1400-1469, <strong>of</strong> Udine, OP, prior 1456<br />

[Kaeppeli 3.80]<br />

Sermones de sanctis [1446; Kaeppeli 2874]: II 73 (L-164)<br />

Leonicenus, Omnibonus (Ognibene Bonisoli da Lonigo), c. 1412-<br />

1474, taught in Vicenza, Treviso, Mantua; editor also <strong>of</strong><br />

Jensen s 1471 Quintilian (G<strong>of</strong>f Q-26) in which he praised<br />

Jenson as librariae artis mirabilis inventor, etc. [DBI 12.234;<br />

Reichhart, 111]: ed., ps. -Cicero, Rhetorica ad C. Herennium<br />

Leontorius, Conradus, OSB, Maulbronn, late <strong>15th</strong> cent., member<br />

<strong>of</strong> the Sodalitas litteraria Rhenana [Rupprich, 524;<br />

Reichhart, 83]: commendatory material in Pet. Schott<br />

LlCHTENBERGER, Johannes, c. 1440-1 503, court astrologer to<br />

Emp. Friedrich III, c.1476; priest in Brambach 1481 [VL<br />

5.770]<br />

Prognosticatio latina (Prol.: Quanquam solus deus in sua<br />

potestate):<br />

II 74 (L-205)<br />

Lignamine, Johannes Philippus de, printer<br />

in Rome, c. 1470-84:<br />

dedicatory letter to Card. d Estouteville in Eusebius, Historia<br />

ecclesiastica<br />

Lobkowitz von Hassenstein, Bohuslaw, 1462-1510, I.U.D.<br />

Bologna, Bohemian statesman and humanist [NDB 14.730]:<br />

commendatory material in Pet. Schott<br />

Lucidarius (German) (Ein liebliche hystory von dem hochgelerten<br />

meister lucidarius, incip.: (Meister:) Dis buck heysset<br />

Lucidarius das spricht zu teutsch also vil alsz ein erleuchter)<br />

[VL 5.939; based on Honorius Augustodunensis,<br />

Elucidarium, q.v.]: I 22 (CR 3041)<br />

LUDOLPHUS de Saxonia, c. 1300- 1377, OP then (1340) OCarth,<br />

Strassburg, Koblenz, Mainz [Diet. spir. 9.1 130; VL 5.967]<br />

Compendiosum scriptum Psalterii intentionem declarans<br />

(Anon.; Sicut olim manna habuit delectamentum) [cf.<br />

Stegmiiller 5428 (5429, 5430), Sack 2280: entered under<br />

Walafridus Strabo in incunable catalogues from Proctor<br />

onward, treated as anonymous by BSB-Ink. S-237. Sack<br />

treats as an abridgment <strong>of</strong> Ludolphus s full Expositio<br />

psalterii, first printed [Speyer: Peter Drach, 1491], G<strong>of</strong>f L-<br />

336. The relations <strong>of</strong> the latter with other Psalm commen<br />

taries attributed to Alanus (de Insulis?) and Jordanus de<br />

Quedlinburg are discussed by Walter Baier, Untersuchungen<br />

zu den Passionsbetrachtungen in der Vita Christi des Ludolfvon<br />

Sachsen, 1.86 sqq. (3 v., 1977: Analecta Cartusiana, 44)]: II<br />

105 (W-l)<br />

Lupus de Olmeto: see Olmeto<br />

Macerata, Franciscus de,<br />

: [Reichhart, 86] ed. Avicenna<br />

fl. 1495, Venice; B.Th., OFM<br />

Manutius, Aldus, 1452?-1515, scholar-printer in Venice [Cont.<br />

Eras. 2.376; Martin Davies, Aldus Manutius (London,<br />

1995)]: dedicator <strong>of</strong> Aristophanes (to Daniel Clarius, 13 July<br />

1498: Orlandi XIV) <strong>of</strong> Aristoteles (5 to Alberto Pio,<br />

prince <strong>of</strong> Carpi, Orlandi III, VIII.VII, IX, XIII)<br />

Marchesinus: see Johannes Marchesinus<br />

Margarita davitica seu Expositio psalmorum (Prol.: In nomine<br />

sanctissimae et individuae trinitatis et Ihesu Christi humani-<br />

tatis . . . Liber maragarita, Davitica . . . nuncupatus regalem<br />

exponens prophetam David . . .<br />

feliciter incipit<br />

Tituli<br />

psalmorum: Prophetia est inspiratio divina quae eventus rerum<br />

immobili veritate . . . Comm. to 1 , ps. Beatus vir: Innutuis ab<br />

omni male): II 75 (M-262)<br />

MARTIANUS Capella, fl. later 5th cent., ?Carthage [OCD, 932;<br />

NeuePaufy 7.961]<br />

De nuptiis Philologiae et Mercurii (ed. Franciscus Vitalis<br />

Bodianus, with his dedication to Johannes Chieregatus, Bp.<br />

<strong>of</strong> Cattaro, Vicenza, 3 Oct. [1499?]): II 76 (C-l 17)<br />

Martinis, Octavianus de,<br />

fl. Rome, late <strong>15th</strong> cent., I.U.D., advo-<br />

catus consistorialis sacri palatii: see Bonaventura, Tractatus et<br />

libri<br />

Martyr, Peter: see Anghiera<br />

Martyrologium (Viola sanctorum: Si cuncta corporis mei membra<br />

verterentur in linguas, et omnes artus) [A brief digest listing a<br />

major saint or occasionally several saints for each day <strong>of</strong> the<br />

year, with printed shoulder notes in form Ci A , si b ,<br />

j<br />

ij<br />

etc., keying these to, respectively, the syllabic Cisiojanus, the<br />

days <strong>of</strong> the week (a-g), and the days <strong>of</strong> the year]:<br />

339)<br />

I 23 (M-


METHODIUS (pseudo-), St. Methodius, episcopus Pararensis , i.e.<br />

St. Methodius, said to have been Bp. <strong>of</strong> Olympus, martyred<br />

in the Diocletianic persecutions (Hieronymus, De viris illus-<br />

tribus) c. 31 1 [OCD, 969; Neue Pauly 8.96]<br />

Revelationes (De regnis gentium et novissimis temporibus<br />

certa demonstratio Christiana: Sciendum namque est quod<br />

exeuntes Adam quidem et Eva) [a Syrian-Christian apocalypse,<br />

later 7th cent., with early translations into Greek (TGLC,<br />

270: 2959.14-17) and Latin (E. Sackur, ed., Sibyllinische<br />

Texte und Forschungen [1898] 59-96]: in ps.-Bonaventura,<br />

De triplici via<br />

Mosnauer, Wolfgang, fl. 1 500, liberalium disciplinarum magister<br />

[cf. Reichhart, 14]: ed., Aristoteles, De anima<br />

Musurus, Marcus, c. 1470-1 5 17, <strong>of</strong> Crete [Cont. Eras. 2.472;<br />

DAGL, 586 (s.v. Mousouros); Reichhart, 106]: ed.<br />

Aristophanes<br />

Nebrija, Antonio de: see Antonius Nebrissensis<br />

Nerlius, Bernardus, Florentine noble, student <strong>of</strong> Demetrius<br />

Chalcondylas, pr<strong>of</strong>essor <strong>of</strong> civil law at Pisa, 1492 [R. Ridolfi,<br />

La stampa in Firenze nel secolo XV(F\orence 1958), 96 n. 1]:<br />

publisher and dedicator <strong>of</strong> Homer (to Piero de Medici, 13<br />

January [idib. Ian.] 1488)<br />

NlCETAS Remesianensis, fl. late 4th/early 5th cent., Bp. <strong>of</strong><br />

Remesiana (Bela Palanka, Serbia) [CPL, 228; Diet. spir.<br />

1 1.214; Altaner, 391]<br />

De observatione vigiliarum: see ps. -Hieronymus<br />

NlCOLAUS de Blony, d. c.1440, M.A. Cracow 1421, priest; <strong>of</strong><br />

Blony nr. Warsaw [Diet. spir. 1 1.253]<br />

De sacramentis: II 77 (N-81)<br />

NlCOLAUS de Byard, fl. mid-13th cent., OP [Kaeppeli 3.148;<br />

Diet. spir. 11.254]: [Dictionarius pauperum] Flos theologiae<br />

sive Summa de abstinentia [Kaeppeli 3046]: in Joh. de<br />

Turrecremata, Quaestiones Evangeliorum<br />

NlDER, Johann, c. 1380- 1438, OP, <strong>of</strong> Isny, prior in Basel, pr<strong>of</strong>es<br />

sor in Vienna [VL 6.971; Kaeppeli 2.500; Diet. spir. 1 1.322]<br />

Dispositorium artis moriendi [Kaeppeli 2536]: II 95.9 (A-<br />

1089)<br />

Formicarius [Kaeppeli 2537]: I 24 (N-176)<br />

Sermones de tempore et de sanctis cum quadragesimal!<br />

[Kaeppeli 2548]: I 25 (N-216), 26 (N-217), 27 (N-219)<br />

OLMETO, Lupus de, 1370-1433, <strong>of</strong> Valladolid, OHier and<br />

reformer <strong>of</strong> his order, friend <strong>of</strong> and patronized by Martin V<br />

(pope 1417-31) [Diet. spir. 11.786]<br />

Regula monachorum ex variis epistolis Hieronymi excerpta<br />

(with prefatory Bulla <strong>of</strong> Martin V): in Hieronymus, Epistolae<br />

et tractatus<br />

265<br />

OaiGENES Adamantius, C.184-C.254, <strong>of</strong> Alexandria [OCD, 1076;<br />

Altaner, 197]<br />

Cornrnentaria in Cantica canticorum (tr. Rufinus) [PG<br />

13.61]: in Hieronymus, Epistolae et tractatus<br />

Homilia 5 in Hieremiam: see ps. -Hieronymus, De tribus<br />

virtutibus<br />

Homiliae II in Cantica canticorum (tr. Hieronymus, with<br />

prologue to Pope Damasus [Origenes cum in ceteris libris})<br />

[BHM 206]): in Hieronymus, Epistolae<br />

et tractatus<br />

Super epistola Pauli ad Romanes (tr. Hieronymus): in<br />

Hieronymus, et<br />

Epistolae<br />

tractatus<br />

OVIDIUS Naso, Publius, 43BC-AD17, Rome, and exiled toTomis<br />

(Constantsa, Black Sea) [OCD, 1084; Neue Pauly 9. 1 1 0]<br />

Opera, ed. Johannes Calphurnius, with his commendatory<br />

verse (Perlege Nasonis divina poemata lector \ ...) and with<br />

[Franciscus Puteolanus], Vita Ovidii -<br />

[Metamorphoses<br />

Heroides - Ars amandi - Amores - De remedio amoris -<br />

De medicamine faciei - De nuce (ps.-?): [cf. Neue Pauly<br />

8.1067] - Fasti -<br />

(ps.-:) Epistola consolatoria ad Liviam de<br />

morte Drusi [9 BC; cf. Neue Pauly 3.133] - Tristia -<br />

Epistolae ex Ponto -<br />

(ps.-:) De -<br />

pulice (ps.-:) De<br />

Philomena-Ibis]: II 78 (O-128)<br />

PALMERIUS, Matthaeus, Florentinus; humanist, d.1475 [cf. Eric<br />

Cochrane, Historians and Historiography in the Italian<br />

Renaissance (Chicago, 1981), 24]: Annals 448-1448: in<br />

Eusebius Caesariensis, Chronicon<br />

PALMERIUS, Matthias, Pisanus; 1423-1483; pupil <strong>of</strong> Matthaeus<br />

Palmerius, humanist, papal secretary: Annals 1449-1483<br />

(including a reference to Gutenberg s invention <strong>of</strong> printing,<br />

entered under 1457 but referring back to 1440): in Eusebius<br />

Caesariensis, Chronicon<br />

PALTZ, Johannes de, c. 1445-151 1, <strong>of</strong> Pfalzel nr. Trier, OESA,<br />

Erfurt [Zumkeller, 255; VL 4.698]<br />

Quaestio determinata contra triplicem errorem de<br />

Antichristi revelatione [Aug. i486, Erfurt, anonymous as<br />

printed: Zumkeller 555a: opus dubium (?)]: II 67 (A-772)<br />

PASCHASIUS Radbertus (Radbert <strong>of</strong> Corbie), c.790-c.859/60 [Diet,<br />

spir. 12.295]<br />

De nativitate sanctae Mariae: see ps. -Hieronymus<br />

Epistola ad Paulam et Eustochium de assumptione Mariae<br />

virginis: see ps.-Hieronymus<br />

PASSAU, OTTO VON, fl. 1362-1386, OFM [VL 7.229]<br />

Die vierundzwanzig Alten, oder der Goldene Thron der<br />

minnende Seele (Prol.: Als du mynnen sele von mir begert hast<br />

ein leben [ed. Wieland Schmidt, 1937]: I 28<br />

PATRICIUS Episcopus, / Patrick <strong>of</strong> Dublin, OSB Worcester, Bp. <strong>of</strong><br />

Dublin 1074-84 [Sharpe, 414; A. O. Gwynn, ed., The<br />

Writings <strong>of</strong>Bishop Patrick (Dublin, 1955)]. De triplici<br />

habitacula: see ps.-Augustinus<br />

Paulinus Mediolanensis, diaconus, fl. Africa, 422 [CPL, 52;<br />

Altaner, 379]: Vita S. Ambrosii [as Paulinus Nolanus; CPL<br />

169, BHL377]: inAmbrosius, Opuscula


266<br />

PAULINUS Nolanus, c.353-431, <strong>of</strong> Bordeaux, Bp. <strong>of</strong> Nola from<br />

395 [OCD, 1 128; NeuePaufy9A26; Altaner, 409]<br />

Epistola ad militem saeculi (ep. 25): see ps.-Hieronymus<br />

Paulinus et Therasia ad Sebastianum eremi cultorem (ep.<br />

26): in Hieronymus, Epistolae et tractatus<br />

(ps.-): Vita Ambrosii: see Paulinus Mediolanensis<br />

PELAGIUS, fl. c.380-418, British birth [GPL, 250; OCD, 1131;<br />

NeuePauly 9 A87; Sharpe, 415]<br />

Libellus fidei ad Innocentium papam: see ps.-Hieronymus,<br />

Explanatio fidei ad Damasum<br />

Epistola ad Demetriadem: see ps.-Hieronymus<br />

Epistola ad Marcellam de sufferentia temptationum: see<br />

ps.-Hieronymus<br />

Epistola ad virginem in exilium: see ps.-Hieronymus<br />

Penketh, Thomas, fl. !466-d.l487; OESA, theology lecturer,<br />

University <strong>of</strong> Padua, 14/4-79 [Sharpe, 674; Francis X.<br />

Roth, The English Austin Friars (1966), 398-9, 561-4]: part-<br />

editor <strong>of</strong> Joh. Duns Scotus, Quaestiones in quattuor libros<br />

Sententiarum<br />

PETRARCA, Francesco, 1303-1374 [DAGL, 659]<br />

Trionfi, Canzoniere (ed. Franciscus Philelphus, with dedica<br />

tion to Filippo Maria Angelo Visconti; Trionfi with comm.<br />

<strong>of</strong> Bernardo Lapini da Siena ( Bernardus Glicinus );<br />

Canzoniere with comm. <strong>of</strong> Philelphus and Hieronymus<br />

Squarzaficus): II 79 (P-392)<br />

Petrus de Alvernia, fl. 1275-d.l304, canon <strong>of</strong> Notre-Dame, Paris;<br />

Bp. <strong>of</strong> Clermont 1302 [Lohr 28.334; Grabmann, 89; Eubel.<br />

1.192]: comm. <strong>of</strong> Aristoteles, De coelo<br />

PETRUS Blesensis / Peter <strong>of</strong> Blois, d.1212, archdeacon <strong>of</strong> Bath and<br />

London [Sharpe, 418; Diet. spir. 12.1510]<br />

Epistolae: II 80 (P-456)<br />

PETRUS Comestor, d.l 178, <strong>of</strong>Troyes,<br />

[Diet. spir. 12.1614]<br />

chancellor <strong>of</strong> Paris 1 168<br />

Historia schokstica: II 81 (P-463), 82 (P-466)<br />

PETRUS Lombardus, c. 1095-1 160, <strong>of</strong> Novara, Bp. <strong>of</strong> Paris 1 159<br />

[LThK 3.367; Diet. spir. 12.1604]<br />

Sententiarum libri IV: II 83 (P-479)<br />

Sententiae (Lemmata only): 131<br />

Petrus de fl. Regio, 1257-1280, imperial protonotary at the court<br />

<strong>of</strong> Alfonso X <strong>of</strong> Spain [Munoz Sendino,, 97 sq.]: translator<br />

from Castilian to Latin <strong>of</strong> Haly<br />

Philelphus, Franciscus, 1398-1481, humanist and Greek scholar,<br />

Bologna, Florence, Milan [DBI 47.613; Reichhart, 117]: ed.<br />

and comm.: Petrarca<br />

Philo Judaeus, c.15 BC-c. AD 50, Alexandria [OCD, 1167; Neue<br />

Paufy9.850], pseudo-: see Aristoteles, Opera (Gr.)<br />

Philoponus: see Johannes Philoponus<br />

PlCO della Mirandola, Giovanni, 1463-1494 [DAGL, 678;<br />

Fernand Roulier, Jean Pic de la Mirandole (Geneva, 1989)]<br />

Omnia opera, ed. Giovanni Francesco Pico, with his dedica<br />

tion to Lorenzo de Medici and his Vita <strong>of</strong> his uncle; ps.-<br />

Cyprianus, Carmen de ligno vitae; and an extensive series <strong>of</strong><br />

commendations and testimonies by contemporaries; fuller<br />

details <strong>of</strong> contents, including dedications <strong>of</strong> the tracts, given<br />

BSB-Ink. P-481 (Heptaplus - Deprecatio ad deum -<br />

Apologia - De Ente et uno - De dignitate hominis -<br />

Epistolae - Disputationes adversus astrologos): II 84 (P-<br />

634)<br />

Pico della Mirandola, Giovanni di Francesco, 1469-1533, nephew<br />

<strong>of</strong> Giov. Pico, q.v.<br />

Pirckamer, Georg, d.l 506, OCarth, prior <strong>of</strong> the Nuremberg<br />

Charterhouse: editor <strong>of</strong>Thos. a Kempis, Opera; with his<br />

dedicatory correspondence to and from Petrus Danhausser,<br />

14 Feb. 1494<br />

Platonius, Greek grammarian, 9th- 10th cent.? [OCD, 1 193]:<br />

fragmentary tracts on Greek comedy [TGLC 1615.1]: in<br />

Aristophanes<br />

Plenarium / Plenari (Epistolae et Evangelia, German) [VL 7.737;<br />

Paul Pietsch, Ewangely und Epistel Teutsch: Die gedruckten<br />

hochdeutschen Perikopenbiicher (Plenarien) 1473-1523<br />

(Gottingen, 1927)]: II 86 (E-73), 85 (E-74)<br />

Plutarch (pseudo), Vita Homeri [TLGC 1805.2]: in Homer<br />

Podocarthus, Ludovicus, d. 1504, <strong>of</strong> Cyprus and Venice, secretary<br />

<strong>of</strong> Rodrigo Borgia (Pope Alexander VI), Bp. <strong>of</strong> Capaccio<br />

1483-1503, Cardinal (titulus S. Agathae) 1500, Arbp. <strong>of</strong><br />

Benevento 1503 [Eubel 2.25, 117, 132; Reichhart, 121]: ed.<br />

Aristoteles, De animalibus<br />

POGIUS, Jacobus, <strong>of</strong> Bologna,<br />

him with Jacopo di Poggio Bracciolini, 1441-1478]<br />

fl. 1500 [Cosenza 1 .693c confuses<br />

Opus morale (Italian, with Latin: quodSigillum auris appel-<br />

latur [dedication]; dedicated (Cosi como la salamandra in el<br />

fuoco si nutrica) and with commendatory verse to Camilla<br />

Bentivoglio, Poor Clare, daughter <strong>of</strong> Giovanni II<br />

I<br />

Bentivoglio: 32 (P-882)<br />

Politianus, Angelus (Angelo Ambrogini Poliziano), 1454-1494,<br />

Florentine scholar [Cont. Eras. 3.106; DAGL, 707]: transla<br />

tor <strong>of</strong> Herodianus, Historia de imperio post Marcum; with<br />

dedications to Andreas Magnanimus <strong>of</strong> Bologna, 6 May<br />

1483 (Incip.: Efflagitari scribis istic ab Us qui libros excudunt<br />

formis: Herodianum meum); and to Pope Innocent VIII,<br />

1487 (Incip.: Cum Rome ab hinc triennium ferme in comitatu<br />

essem)<br />

PORPHYRIUS, 234-C.305/10, <strong>of</strong> Tyre? studied at Athens, Rome<br />

[OCD, 1226; NeuePauly 10.174]: De occasionibus (XX) -<br />

De abstinentia: in lamblichus<br />

Isagoge (Gr.): in Aristoteles, Opera (Gr.), vol. I<br />

Possidius Calamensis, d. after 437, Bp. <strong>of</strong> Calamo (Guelma,<br />

Algiers) [CPL, 134; NeuePauly 10.217; Altaner, 419]. De<br />

vita et moribus sancti Augustini [CPL 358; BHL 785]: in<br />

Augustinus, Opuscula


Priscianus Lydus, 6th cent. [Netie Pauly 10.344]: In<br />

Theophrastum De sensu: in lamblichus<br />

PROBA, Faltonia Betitia, 4th cent., d. bef. 380, Christian poetess<br />

[OCD, 1249; Neue Pauly 10.365; Altaner, 405]<br />

Cento Vergilianus (extract): in Phil, de Barberis<br />

Processus iudiciarius (explicit: Litigatio Manscaron contra genus<br />

humanum) (Accessit Mascaron ad del omnipotentis presentiam<br />

etait) [attributed to Bartolus de Sax<strong>of</strong>errato in some Mss.;<br />

anonymous in all incunable printings, the Italian editions<br />

mostly with title: Tractatus procuratoris editus sub nomine<br />

diaboli. Robert Jacquin, Le proces de Satan , in Bartolo da<br />

Sass<strong>of</strong>errato: studi e documenti (Milan, 1962), 2.269-80, cau<br />

tiously positive on Bartolus s authorship]: II 95.7 (P-1001)<br />

PROCLUS, 412-485, Constantinople, Alexandria, Athens [OCD,<br />

1250; Neue Pauly 10.383]: In Platonis Alcibiadem and De<br />

sacrificio et magia: in lamblichus<br />

PROSPER (Tiro) Aquitanus, fl. c. 420-455, Gallia, Rome [GPL,<br />

184; OCD, 1263; Neue Pauly 10.447]<br />

Chronicon (to 455) [CPL 2257]: in Eusebius, Chronicon<br />

PSELLUS, Michael, 10 18-? 1078, Constantinople [OCD, 1269;<br />

Neue Pauly 10.506]: De daemonibus: in lamblichus<br />

PUBLICIUS, Jacobus, Florentinus , fl. 1 450s- 1 470s, <strong>of</strong> Salamanca,<br />

used Florentinus as a cognomen <strong>of</strong> prestige, itinerant<br />

humanist teacher: Valentia, Toulouse, Louvain, Erfurt,<br />

Leipzig, Vienna, Cologne, Cracow, Basel, ?Rheims<br />

[Agostino Sottili, Giacomo Publicio, Hispanus, e la diffusione<br />

dell Umanesimo in Germania (Barcelona, 1985)]<br />

Oratoriae artis epitomata (Oratoriae institutiones [dedicated<br />

to Cyrillus Caesar] - Ars epistolandi [dedicated to Federico<br />

<strong>of</strong> Aragon, Prince <strong>of</strong>Tarento] Ars memoriae; edited by Joh.<br />

Luc. Santritter, who interpolated his name, and once that <strong>of</strong><br />

Erhard Ratdolt, in the Ars epistolandi): II 87 (P-1096)<br />

Puteolanus, Franciscus (Francesco dal Pozzo),<br />

fl. c.l467-d. 1490,<br />

Bologna, Parma, Milan [DBI 32.213; Lino Sighinolfi,<br />

Francesco Puteolano e le origin! della stampa in Bologna e<br />

Parma ,<br />

La Bibli<strong>of</strong>ilia 15(1913/14) 263-6, 331-44, 383-92,<br />

451-67; Reichhart, 124]: Vita Ovidii: in Ovidius<br />

PYTHAGORAS, 6th cent. BC, viz. later Pythagorean writings [OCD,<br />

1283; Neue Pauly 10.649]: Aurea verba, Symbola: in<br />

lamblichus<br />

QUODVULTDEUS, fl. 417-437, Bp. <strong>of</strong> Carthage [CPL, 156; Neue<br />

Pauly 10.735; Altaner, 449]<br />

Sermo 1 0: see ps.-Augustinus, Contra V haereses<br />

RADULPHUS Cantuariensis (Ralph d Escures), d. 1 122, <strong>of</strong><br />

Normandy, OSB, Arbp. <strong>of</strong> Canterbury 1114 [Sharpe, 447]:<br />

see ps.- Anselmus, Homilia in Lucam<br />

RAMPIGOLLIS / RAMPEGOLUS, Antonius, d. a. 1423, <strong>of</strong> Genoa,<br />

OESA [Zumkeller, 62]<br />

Compendium morale (Prol.: Religiosis viris in Christo sibi<br />

267<br />

dilectis studentibus Neapolitan! conventus fratrum heremitarum<br />

ordinis sancti Augustini, frater<br />

.N. de lanua . . . salutem)<br />

[Zumkeller 1 17; addressed to the Naples<br />

Augustinian Hermits]: II 88 (R-22)<br />

convent <strong>of</strong><br />

ps.-: Aurea Biblia (Abstinentia primo est meriti augmentativa)<br />

[Zumkeller 115. Victor Scholderer, A Further Note on<br />

Nicolaus Hanapus ,<br />

Gutenberg-] ahrbuch 1939: 153-4, argues<br />

that the text is identical to Bindus de Senis,<br />

convincingly<br />

Distinctiones exemplorum veteris et novi Testamenti<br />

(Zumkeller 202), with Rampigollis prologue from his<br />

Compendium morale prefixed by an editorial error in<br />

Giinther Zainer s shop. Bindus s text with his own prologue<br />

( Tanta pallet excellentia) , and with author s name as frater B.<br />

ordinis sancti Augustini , was printed Memmingen: A.<br />

Kunne, 1485 (G<strong>of</strong>f N-104, misassigned to Nicolaus de<br />

Hanapis)]:II89(R-12)<br />

Ratdolt, Erhard, 1447-c. 1528, printer in Venice and Augsburg<br />

[Geldner 1.150, 2.72; Needham, 170, 173]: dedicator <strong>of</strong><br />

Joh. Angelus, Astrolabium (to Albert, Duke <strong>of</strong> Bavaria)<br />

Haly, De iudiciis astrorum (to Johann von Werdenberg, Bp.<br />

<strong>of</strong> Augsburg)<br />

Reuchlin, Johannes, 1455-1522, <strong>of</strong> Pforzheim [Cont. Eras.<br />

3.145]: Commendatory matter in Pet. Schott<br />

RlCHARDUS de Sancto Laurentio, d. c.1260, penitentiary, Rouen<br />

[Dict.spir. 13.590]<br />

De laudibus Beatae Mariae Virginis [NB: entered as<br />

Albertus Magnus or pseudo-Albertus in most incunable cata<br />

logues, but anonymous in this edition and all preceding<br />

manuscripts; Richardus implicitly identifies himself by refer<br />

ring to his earlier De virtutibus as by the same author]: II 6.2<br />

(A-247)<br />

Robert de Braci, OSA, prior <strong>of</strong> Lanthony, d. 1 137 [Sharpe, 526]:<br />

see ps. -Anselmus, De Anselmi similitudinibus<br />

ROLEWINCK, Werner, 1425-1502, OCarth, Cologne [VL 8.153]<br />

Fasciculus temporum: II 91 (R-275)<br />

281)<br />

German: II 90 (R-<br />

RUFINUS, Tyrannius, c.345-41 1, <strong>of</strong> Aquileia [CPL, 63; OCD,<br />

1337; Neue Pauly 10. 1 1 54; Altaner, 392]<br />

Apologia ad Anastasium [CPL 198]: in Hieronymus,<br />

Epistolae et tractatus<br />

Apologia contra Hieronymum [CPL 197]: in Hieronymus,<br />

Epistolae et tractatus<br />

Expositio symboli: see ps. -Hieronymus, Expositio symboli<br />

Praefationes in libros peri archon Origenis [CPL 198e]: in<br />

Hieronymus, Epistolae et tractatus<br />

tr.: Origenes, Commentarius in Cantica canticorum<br />

Santritter, Johannes Lucilius, <strong>of</strong>Heilbronn, editor-publisher-<br />

printer in Venice, I480s-90s [Geldner 2.86; Needham, 179,<br />

190, 197; Reichhart, 133]: ed.: Eusebius Caesariensis,<br />

Chronicon - Hyginus, Poetica astronomica- Jac. Publicius,<br />

Oratoriae artis epitomata<br />

<strong>of</strong>


268<br />

SCHOTT, Peter, 1458-1490, Srrassburg<br />

humanist patrician [VL 8.831]<br />

Lucubrationes ornatissimae, ed.<br />

Jacob Wimpheling, including his<br />

letter to the reader, afterword, and<br />

verse; other commendatory verse<br />

and prose by Jodocus Gallus,<br />

Bohuslas von Hassenstein-<br />

Lobkovic, Conradus Leontorius,<br />

Johannes Reuchlin, Johannes<br />

Symler, and Adam Wernher: II 92<br />

(S-321)<br />

Sentinus, Jacobus, Ricinensis,<br />

fl. 1480s,<br />

Venice, au. also <strong>of</strong> brief tract De<br />

quibusdam lyricis carminibus, print<br />

ed in Franc. Matartius, De compo<br />

nents versibus, Venice: Ratdolt, 25<br />

Nov. [1482], G<strong>of</strong>fM-347 [cf.<br />

Cosenza 4.3247c; Reichhart, 135]:<br />

ed. and commendatory verse:<br />

Hyginus<br />

Sicamber, Rutger, b. c. 1456, fl. to<br />

1516/17, OSA <strong>of</strong>Venray, close<br />

friend <strong>of</strong> Joh. Tritheim [Cont. Eras.<br />

3. 301; MGG 11.1994s.v.<br />

Rutgerus de Venray] :<br />

Commendatory verse in Tritheim,<br />

De laudibus S. Annae<br />

Sieben weisen Meister: see Historia<br />

septem sapientum Romae<br />

Speculum Christian! (leronimus in prin-<br />

cipio cuiuslibet opens) [Speculum<br />

Christiani, ed. Gustaf Holmstedt,<br />

EETS, OS 182 (1933), anonymous,<br />

later 14th cent.; the author given in<br />

many catalogues (Duff, G<strong>of</strong>f, STC),<br />

John Watton / Wotton, was the<br />

<strong>15th</strong>-cent. scribe <strong>of</strong> Corpus Christi<br />

Oxford Ms. 155, a miscellaneous<br />

volume including this text; more<br />

than 60 Ms. copies are known.<br />

Interspersed<br />

in the Latin text is mis<br />

cellaneous English verse intended to<br />

serve as doctrinal mnemonics.<br />

Machlinia s edition adds additional<br />

similar doctrinalia, not found in the<br />

Mss.]:II93(W-9)<br />

SPEUSIPPUS, c.407-339 BC, Plato s<br />

nephew [OCD, 1434; Kl. Pauly,<br />

5.304]: De Platonis definitionibus:<br />

in lamblichus<br />

SPRENGER, Jacobus, c. 1436-1495, OP<br />

[VL 9.149; Kaeppeli 2.341], co<br />

author <strong>of</strong> the Malleus maleficarum<br />

(see Henr. Institoris)<br />

Squarzaficus, Hieronymus, humanist,<br />

editor, fl. Venice, 1471-1503 [J.<br />

Allenspach & G. Frasso, Vicende,<br />

cultura e scritti di Gerolamo<br />

Squarzafico alessandrino ,<br />

Italia<br />

mediaeval* e umanistica 23 (1980):<br />

233-92; Reichhart, 137]: comm.:<br />

Petrarca<br />

Steinhowel, Heinrich, 1411/12-1479,<br />

Ulm, student in Vienna, Padua,<br />

M.D., city physician <strong>of</strong> Ulm,<br />

humanist, chief patron <strong>of</strong> the press<br />

<strong>of</strong>Johann Zainer [VL 9.258]: see<br />

Aesopus<br />

Symler, Johannes, later <strong>15th</strong> cent.,<br />

Vienna [Rupprich, 476]:<br />

Commendatory verse in Joh.<br />

Tritheim, De laudibus S. Annae -<br />

Peter Schott, Lucubrationes<br />

SYNESIUS, c.370-413, <strong>of</strong> Gyrene, Bp. <strong>of</strong><br />

Ptolemais from 410 [OCD, 1463;<br />

Kl. Pauly 5.453; LThK 9.1231]: De<br />

Somniis: in lamblichus<br />

THEOBALDUS, episcopus ;<br />

llth cent.,<br />

Italy?; not Theobaldus, Abb. <strong>of</strong><br />

Monte Cassino 1022-35 [Theobaldi<br />

Physiologus, ed., comm., tr. P. T.<br />

Eden (Leiden, 1972)]<br />

Physiologus de naturis XII animalium<br />

(with prose comm.: Quoniam<br />

secundum Platonem nihil est ortum<br />

sub sole): II 94 (T-14Q)<br />

THEOBALDUS de Sexannia, fl. mid- 13th<br />

cent., Paris, OP [Kaeppeli 4.392]<br />

Errores Judaeorum in Talmud -<br />

Probationes novi testament! ex vet-<br />

eri [Anon.; Kaeppeli 3672]: II 95.6<br />

(E-106)<br />

THEOPHRASTUS, c.371-c.287 BC, <strong>of</strong><br />

Eresus (Lesbos), colleague and suc<br />

cessor <strong>of</strong> Aristotle [OCD, 1504; Kl.<br />

Pauly 5.720]: see Aristoteles, Opera<br />

(Gr.)<br />

Thomas a Kempis: see Kempis<br />

THOMAS Aquinas (Saint), c. 1225-1274,<br />

OP [James A. Weisheipl, Friar<br />

Thomas d Aquino (Oxford, 1974);<br />

Grabmann; DAGL, 842; VL 9.813]<br />

De articulis fidei (Postulavit a me<br />

vestra dilectio) [Grabmann, 32 1 (no.<br />

8]: see ps.-Hieronymus, De essentia<br />

trinitatis<br />

De ente et essentia (Quia parvus<br />

error in principio magnus est in fine)<br />

[Grabmann, 342 (no. 28)] , with<br />

commentary <strong>of</strong> Caietanus and his<br />

dedication to Benedictus Tyriaca: I<br />

44 (HR 1505)<br />

Summa theologica, II (ii) (Post<br />

communem considerationem de vir-<br />

tutibus et vitiis) [Grabmann, 294<br />

(no. 3), c.l 266-72]: I 35, 36, 37<br />

Summa theologica, III (Quia salva-<br />

tor noster Dominus lesus Christus<br />

teste angelo) [Grabmann, 294 (no.<br />

3)]: I 38<br />

Postilla in lob (Sicut in rebus quae<br />

naturaliter generantur paulatim ex<br />

imperfecto adperfectum pervenitur)<br />

[Grabmann, 251 (no. 1)]: I 39 (T-<br />

236)<br />

Summa contra gentiles ( Veritatem<br />

meditabitur<br />

guttur meum)<br />

[Grabmann, 290 (no. 2)]: I 40, 41<br />

Super quarto libro Sententiarum<br />

(Misit verbum suum et sanavit eos)<br />

[Grabmann, 286 (no. 1)]: I 29<br />

Catena aurea super quatuor evan-<br />

gelistas (colophon: Glosa continua<br />

super quatuor Evangelistas [dedica<br />

tion <strong>of</strong> Matthew to Pope Urban IV]:<br />

Fans sapientiae unigenitum Dei ver<br />

bum) [Grabmann, 261 (no. 7)]: I<br />

42<br />

Commentaria in epistolas Pauli<br />

(prologue, Romans: Vas electionis<br />

etc. Homines in sacra scriptura<br />

invenibuntur vasis comparatf), ed.<br />

Petrus de Bergamo [Grabmann,<br />

266 (no. 10)]: I 43<br />

comm.: Aristoteles, De coelo<br />

THOMAS Gallus, d.1246, OSA St. Victor,<br />

Paris, then abbot <strong>of</strong> OSA St.<br />

Andreas, Vercelli [Diet. spir. 11.786]<br />

De septem gradibus contemplatio-<br />

nis: see ps.-Bonaventura<br />

Thomas Magister, c. 1275-1346, <strong>of</strong><br />

Thessalonica, Byzantine scholar<br />

[DAGL, 846; TLGC 9023.x l-x2]:<br />

see Aristophanes<br />

Tifernas, Lilius, c. 1417-1486, notary,<br />

travelled to Constantinople, taught<br />

in Volterra, Perugia [cf. CTC<br />

7.160]: ed. and transl., Johannes<br />

Chrysostomus, Sermones de paten-<br />

tia in Job<br />

Traversarius, Ambrosius (Ambrogio<br />

Traversari), 1386-1439, OCamald,<br />

vicar general <strong>of</strong> the order; Greek<br />

scholar [DAGL, 857]: tr. Johannes<br />

Chrysostomus, De providentia Dei


Triclinius, Demetrius, c. 1280- 1340,<br />

Byzantine scholar [DAGL, 857]:<br />

scholia and introductory material in<br />

Aristophanes<br />

TRITHEIM, Johann, 1462-1516, abbot <strong>of</strong><br />

OSB Sponheim (1483), then <strong>of</strong><br />

OSB Scotorum Wiirzburg (1506)<br />

[Cont. Eras. 3.344; Arnold]<br />

De cura pastorali [Arnold, 234]: II<br />

97 (T-436)<br />

De laudibus S. Annae [ Voti compel-<br />

lit necessitas et mentis perurget devo-<br />

tio. BHL 1.82, no. 492; Arnold,<br />

237]; with his dedication to<br />

Rumoldus Laupach, Carmelite<br />

prior<br />

in Frankfurt am Main<br />

(Sponheim, 1 July 1494: Voto nostro<br />

et tuis petitionibus optime pater); and<br />

with commendatory verse by<br />

Conrad Celtis, Dietrich Gresemund<br />

Jr., Rudolf von Langen, Rudolf<br />

Agricola, Rutger Sicamber (8<br />

poems), Jodocus Beissel, Adam<br />

Werner <strong>of</strong>Themar, Badius<br />

Ascensius, and Johannes Herbst: I<br />

45 (T-446)<br />

De statu et ruina monastic! ordinis<br />

/ Liber penthicus, with dedication<br />

to Blasius Scheltrub, OSB Abb. <strong>of</strong><br />

Hirsau (21 Apr. 1493) [Arnold,<br />

229]: II 97(T-453)<br />

De triplici regione claustralium et<br />

spiritual!<br />

exercitio monachorum<br />

Compendium quotidiani spiritualis<br />

exercitii [Arnold, 231]: II 97<br />

(T-456)<br />

Oratio de XII excidiis observantiae<br />

regularis, with dedication to<br />

Johannes Distenius (24 Aug. 1496)<br />

and commendatory verse <strong>of</strong><br />

Matthaeus Herbenus) [Arnold,<br />

234]: II 97(T-449)<br />

TURRECREMATA, Johannes de, 1388-<br />

1468, <strong>of</strong>Valladolid, OP, Card, from<br />

1439 [Kaeppeli 3.24; Diet. spir.<br />

15.1048]<br />

Quaestiones Evangeliorum de tem-<br />

pore et de sanctis [Kaeppeli 2735]<br />

(with Nicolaus de Byard, Flos the-<br />

ologiae sive Summa de abstinen-<br />

tia): II 103 (T-554)<br />

Expositio Psalterii [Kaeppeli 2734):<br />

II 98 (T-519), 99 (T-520), 100 (T-<br />

522), 101 (T-527)<br />

De efficacia aquae benedictae<br />

[Kaeppeli 2715]: II 102 (T-508)<br />

UBERTINUS de Casali, 1259-C.1329,<br />

OFM, leader <strong>of</strong> the Spiritual<br />

Franciscans [Diet. spir. 16.3]<br />

Arbor vitae crucifixae Jesu Christi<br />

(7503): n 104 (U-55)<br />

VALERIANUS Cemeliensis, d. c.460, Bp.<br />

<strong>of</strong> Cimiez [GPL, 325]. De bono<br />

disciplinae (Homelia 1) [CPL<br />

1002]: see ps.- Augustinus<br />

VENANTIUS Fortunatus (V. Honorius<br />

Clementianus F.), c.530-600, poet,<br />

Bp. <strong>of</strong> Poitiers [CPL, 337; OCD,<br />

1586; KL Pauly 5.1 162; Altaner,<br />

499]: De resurrectione Christi: in<br />

Lactantius<br />

VERGERIUS, Petrus Paulus, 1370-1444,<br />

author <strong>of</strong> De ingenuis moribus [John<br />

M. McManamon, SJ, Pierpaolo<br />

Vergerio<br />

the Elder: the Humanist as<br />

Orator (Tempe, Ariz., 1996)]<br />

Sermo de laudibus Hieronymi<br />

(Sermo 8) [BHM 915; ed. John M.<br />

McManamon, SJ, Pierpaolo Vergerio<br />

the Elder and SaintJerome (Tempe,<br />

Ariz., 1999), 220-33]: in<br />

Hieronymus, Epistolae<br />

et tractatus<br />

Viola sanctorum: see Martyrologium<br />

Virsen, Hermannus de,<br />

fl. Venice, 1495<br />

[Reichhart, 153]: ed., Aristoteles,<br />

De coelo<br />

Vitalis, Franciscus, Bodianus: ed.,<br />

Martianus Capella, De nuptiis<br />

Philologiae<br />

et Mercurii<br />

Walafridus Strabo, 808/9-849, abbot <strong>of</strong><br />

Reichenau 838, teacher <strong>of</strong> Charles<br />

the Bald [VL 10.584]: see<br />

Ludolphus de Saxonia<br />

WALTER Map, c.l 140-1210, archdeacon<br />

<strong>of</strong> Oxford [Sharpe, 737]<br />

De nugis curialium (Dist. IV 3-5):<br />

see ps. -Hieronymus, Epistola<br />

Valeriani ad Rufinum<br />

Watton / Wotton, John, <strong>15th</strong>-cent.<br />

English scribe, apocryphal as<br />

known author: see Speculum<br />

Christian!<br />

Wernher, Adam, c.l 462- 1537, <strong>of</strong><br />

Themar, M.A. Heidelberg 1489,<br />

tutor to the children <strong>of</strong> Palgrave<br />

269<br />

Philip [VL 10.9 15]:<br />

Commendatory verse in Joh.<br />

Tritheim, De laudibus S. Annae -<br />

Pet. Schott<br />

Wimpheling, Jacob, 1450-1528, <strong>of</strong><br />

Selestat, pr<strong>of</strong>essor in Speyer,<br />

Heidelberg, Strassburg [Cont. Eras.<br />

3.447] :ed. Pet. Schott<br />

ps.-Xenocrates, De morte: in lamblichus<br />

ZUTPHANIA, Gerardus de (Gerhard<br />

Zerbolt, Zutphanensis), 1367-<br />

1398, OSA Windesheim [VL<br />

10.1537]<br />

De spiritualibus ascensionibus<br />

(Beatus vir cuius est auxilium abs te)<br />

(with excerpts from David de<br />

Augusta, De exterioris et interioris<br />

hominis compositione)]: I 6.3 (G-<br />

177)<br />

De reformatione virium animae<br />

(De lapsu hominis a statu rectitudinis:<br />

Homo quidem descendit de<br />

Hierusalem in Hiericho): II 70.2 (G-<br />

171)


270<br />

INITIALS; OTHER UNIDENTIFIED OWNERSHIP MARKS<br />

FaVX Satanae Sedes Apostolica 666 (early inscn.): II 30 (B-561)<br />

F G, monogram in ink at foot <strong>of</strong> first II<br />

page: 43 (C-1010)<br />

H M, fl. NYC, 1890 (pencil note <strong>of</strong> purchase at Hamilton Cole<br />

sale, q.v.): II 87 (P-1096)<br />

L S F C S D M H M F, 1558 (title-p. inscn.): II 76 (C-l 17)<br />

M S P S: initials within large key: 131 (P-486, v. II)<br />

Unlocated religious houses: stamp: Annunciation, with letters N<br />

E: II 12 (A-938)<br />

inscn.: Monasterium S. Urbani: I 6 (B-506 + M-432 + G-<br />

177)<br />

deleted inscn., ... apparently ending B VM Vnelensium 1606<br />

(?cf. Unering, nr. Stamberg): II 95 (1-4 + H-192 + H-179 +<br />

A-1225 + A-1333 & 1337 + E-106 + P-1001 + G-221 + A-<br />

1089)<br />

INSTITUTIONAL OWNERS<br />

ANDECHS (Upper Bav.), Benedictines (S. Nicolaus, BMV): I 38<br />

(T-219)<br />

AUGSBURG, Benedictines (Ss. Ulrich & Afra): I 5 (A- 1396)<br />

BAMBERG, Benedictines (S. Michael Archangel): I 27 (N-219)<br />

BERLIN, Staatsbibliothek / Kgl. Bibliothek: II 65 (1-181)<br />

BlBERACH, Capuchins (inscn.): I 39 (T-236)<br />

BIELEFELD, Franciscans, Observant (inscn.): II 103 (T-554 + C-<br />

923)<br />

BIRMINGHAM, Selly Oak Colleges, J. Rendel Harris Library: II 34<br />

(B-927), 96 (1-40)<br />

BRITISH RAIL Pension Fund: II 10 (A-71 1)<br />

BUXHEIM (Swabia), Carthusians (Aula BMV / Maria Saal); see<br />

also Hilp. Brandenburg: I 24 (N-176); II 20 (A- 12 17)<br />

CELLS (Lower Saxony, 35 km NE <strong>of</strong> Hannover), unidentified<br />

monastery (ex bibliotheca monasterii Cellemis): I 8 (GW<br />

5678)<br />

CORDOBA, Jesuit College (inscn.; stamp): II 5 (A-297)<br />

DORTMUND, Dominicans (S. Johannes Baptista): I 30 (D-381)<br />

DRESDEN, Konigliche Bibliothek: II 39 (C-575)<br />

EDINBURGH, Society <strong>of</strong> Writers to the Signet: II 102 (T-508)<br />

ECGENBURG (Lower Austr.), Franciscans (deleted 17th-cent.<br />

inscn.): H 50 (G-415)<br />

ElCHSTATT, Episcopal Library (Bibliotheca aulica) (inscn.):<br />

0-120)<br />

ERFURT, Benedictines (Ss. Peter & Paul): I 35 (T-208)<br />

INDEX OF PROVENANCE<br />

II 66<br />

FORLI, Hieronymites (Me ex amicorum sumptibus emptum concessit<br />

fratrifrancisco phylolauro de castrocario f-corio?J reverendus<br />

pater Fr. hyeronimus Torniellus ... anno p M. D. Vij. Et<br />

pertineo ad bibliotecam Sancti hieronimi intra forliuium); see<br />

also Franc. Phylolaurus, Hier. Torniellus: II 11 (A-761:<br />

1507)<br />

Fundatio Baldaufica: see Hall (Tyrol)<br />

FOSSEN (Swab.), Benedictines (S. Mang / Magnus) (<strong>15th</strong>-cent.<br />

inscn.): I 31 (P-486, vol. I); II 83 (P-479)<br />

HALL (Tyrol), Franciscans, Fundatio Baldaufica / Waldauff sche<br />

Stiftung, founded 1 509 by Florian Waldauf, imperial coun<br />

cillor: II 3 (A- 174)<br />

HASNON, nr. Valenciennes, Benedictines (rubricated i486): II 80<br />

(P-456)<br />

HERZOGENBURG (Austr.), Augustinians (stamps; II<br />

bkpl.): 96 (I-<br />

40)<br />

HOHENBUSCH nr. Aachen (Alti nemoris), Crutched Friars (inscn.,<br />

1778; see also Germ. Ruremund): II 71 Q-289 + two <strong>15th</strong>-<br />

cent. Mss.)<br />

LlESBORN (Westph.), Benedictines, Bursfeld congr. (Ss. Cosmas &<br />

Damian): II 27 (B-389 + A-237)<br />

LOBECK, Hospital (Antonites): I 30 (D-381)<br />

LUCCA, Franciscans (Delia libreria di san francesco di Lucca): II 1 1<br />

(A-761)<br />

LVON, University (stamp: ACAD. LUGD.; release stamp 1843):<br />

(H-300)<br />

MANCHESTER, John Rylands University Library; auct. Sotheby s<br />

II 60<br />

London, 14 April 1988 (monogram and stamps): II 13 (A-<br />

959: lot 10)<br />

MILAN, Augustinian Hermits / Austin Friars, Observants (BMV<br />

Coronata) (<strong>15th</strong>-cent. inscn.): II 57 (H-169)<br />

Biblioteca Trivulziana (dupl. stamp): II 9 (A-561)<br />

MOSCOW, University: I 2 (A-958)<br />

(outside Moscow:) Monastery (Lavra) / Seminary, Holy<br />

Trinity and St. Sergius <strong>of</strong> Radonzh (S. Thaumaturgi Sergii-<br />

Bibliotheca seminarii ad Laurat. Stae. Triados) [Marguerite<br />

Studemeister, Bookplates and their Owners in Imperial Russia<br />

(Tenafly, N.J., 1991), 162, 192): I 2 (A-958)<br />

MUNICH, Staatsbibliothek / Kgl. Bibliothek (stamps): II 87 (P-<br />

1096)<br />

NEW YORK CITY, Grolier Club: I 37 (T-21 1)<br />

Manhattan College; auct. Christie s NY 1 June 1991: II 66<br />

(J-120)<br />

NUREMBERG, Carthusians (Cella BMV/ Mariazell):<br />

Ad cellam E]<br />

Stadtbibliothek: I 34 (T-352)<br />

Oberherrlingen, Bibliothek: see Eug. Maucler<br />

I 34? (T-352:<br />

PARIS, Augustinian Hermits / Austin Friars (Blancs Manteaux)<br />

(<strong>15th</strong>-cent. inscn.: Sum librarie fratrum alborum mantellorum<br />

ordinis sancti guillelmi parisius): II 4 (A-236)


POLLING, Augustinians (S. Salvator, Crux, Jacobus) (inscn.): II 95<br />

(1-4 + H-192 + H-179 + A-1225 + A-1333 & 1337 + E-106<br />

+ P-1001 + G-221 + A- 1089: 1769)<br />

REBDORF, nr. Eichstatt, Augustinians (S. Johannes Baptista)<br />

(<strong>15th</strong>-cent. inscn.): II 26 (B-437)<br />

SCHAFFHAUSEN, Benedictines (Omnes Sancti): I 42 (T-229, exdono<br />

Jo. Henr. Colmannus)<br />

SEITENSTETTEN (Austr.), Benedictines: I 4 (A- 1227)<br />

Selly Oak: see Birmingham<br />

STUTTGART, Landesbibliothek: I 39 (T-236)<br />

TEGERNSEE (Bav.), Benedictines (Ss. Petrus, Paulus, Quirinus)<br />

(inscn.): II 85 (E-74)<br />

TENBURY WELLS (Worcs.), St. Michael s College; auct. Sotheby s<br />

21 November 1990: II 48 (G-6: lot 339)<br />

VIENNA, Dominicans (BMV): II 74 (L-205)<br />

University, Faculty <strong>of</strong> Philosophy: I 41 (T-190: 1686)<br />

WALDSEE (UPPER SWAB.), Augustinians (S. Petrus) (<strong>15th</strong>-cent.<br />

inscn.): II 70 Q-437 + G-171 + B-404)<br />

WEINGARTEN, Benedictines (Ss. Martinus, Oswaldus, Johannes<br />

Baptista, Alto) II<br />

(bkpl.): 7 (A-273: 1630)<br />

WiJRZBURG, Franciscans, Conventuals (S. Crux) (17th-c. inscn.):<br />

II 68 (J-436)<br />

PERSONAL OWNERS<br />

Abbey, J. R., Major, 1894-1969; Redlynch House, Salis. [DNB];<br />

auct. Sotheby s, I, 21 June 1965: II 21 (A-1219: lot 103)<br />

Abrams, George, 1919-2001, New York City, graphic and type<br />

designer; auct. Sotheby s, 16 Nov. 1989 (label): I 15 (H-86:<br />

lot 15), 39 (T-236: lot 120); II 43 (C- 10 10: lot 41), 50 (G-<br />

415: lot 55), 61 (H-560: lot 69), 78 (O-128: lot 91), 92 (S-<br />

321: lot 112), 100 (T-522: lot 124), 6 (A-272 + 247: lot 3),<br />

67 (A-772: lot 74), 108 (A-911: lot 8), 16 (GW 2814: lot<br />

11), 64 0-216: lot 70), 41 (C-631: lot 37), 57 (H-169: lot<br />

65), 54 (P-89: lot 60)<br />

Adams, Crawford W., M.D., auct. s Sotheby NY 5 May 1982: II<br />

16 (GW 2814: lot 16)<br />

Alberg, Henricus, Nicolaus and Leo de, nobiles, <strong>of</strong> Galen(?) nr.<br />

Regensburg (inscn.): II 75 (M-262: 7527)<br />

Ammianus, Samuel, <strong>of</strong> Schaffhausen, fl. 1574: 1 42 (T-229: gift to<br />

J. H. Colmannus, Strassburg, q.v.)<br />

Andrade, Jose Maria, 1807-1883, Mexico City, bookseller-editor;<br />

his important library purchased by Emperor Maximilian,<br />

q.v., for a destined Biblioteca Imperial; at the latter s death<br />

shipped to Europe, and sold at auction, Leipzig, 18 Jan.<br />

1 869 (bkpl.) [Diccionario Porrua de ... Mexico, 6th ed.<br />

(Mexico City, 1995) 1.166]: I 29 (T-168; not in the auction<br />

catalogue)<br />

Anetenwyl, Ludovicus a, 16th cent, (inscn.): I 6 (B-506 + M-432<br />

+ G-177, 1569)<br />

Aquavita, Bartholomaeus ab, 16/1 7th cent, (inscn.): 115 (H-86)<br />

Archinto, Carlo, Count, 1670-1732 [DBI]; auct. Paris, 1863<br />

(bkpl.):<br />

II 57 (H-169)<br />

271<br />

Arenberg, Dukes <strong>of</strong>, the chief bibliophile Engelbert August, 8th<br />

Duke, 1824-1875 (many books sold in 1950s in NYC dealer<br />

catalogues, e.g. Walter Schab cats. 22, 23, 25; H. P. Kraus<br />

cat. 83, L. C. Harper cat. 4): II 58 (R-351: Schab cat. 23 no.<br />

42), ?85 (E-74)<br />

Ascherson, C. S., d. 1945, <strong>of</strong> Merton Coll., Oxf., member <strong>of</strong><br />

London Metal Exchange; his library purchased by Quaritch<br />

(bkpl.): II 41 (C-631), 78 (O-128)<br />

Barros, Ferdinand, fl. 1847: II 12 (A-938: presentation letter, 24<br />

June 1847)<br />

Bennett, Richard, <strong>of</strong> Worsley, nr. Manchester: see Wm. Morris<br />

Beristayn, Jorge, d. 1954, <strong>of</strong> Buenos Aires: II 75 (M-262), 89 (R-<br />

12)<br />

Beuvain de Beausejour, Paul, Arbp. <strong>of</strong> Toulouse, early 20th cent.;<br />

auct. Sotheby s 27 Mar. 1972: II 93 (W-9: lot 155)<br />

Bisping, B. F, sacellanus <strong>of</strong> Harsewinkel, 18th/19th cent, (inscn.<br />

23Apr.l801):II77(N-81)<br />

Brandenburg, Hilprand, 1442-1514, <strong>of</strong> Biberach, canon <strong>of</strong><br />

Stuttgart, donate priest <strong>of</strong> Buxheim Charterhouse to which<br />

he gave his extensive library [P. Needham, The Library <strong>of</strong><br />

Hilprand Brandenburg ,<br />

Bibliothek und Wissenschaft 29<br />

(1996 [1997]), 95-124; Thirteen More <strong>Books</strong> from the<br />

Library <strong>of</strong> Hilprand Brandenburg , Einbandforschung,<br />

(Feb. 1999), 23-5]: 124 (N-176)<br />

Bridge, Alex (bkpl.): II 102 (T-508)<br />

Heft 4<br />

Brooke, F. C., Capt., fl. 1845, <strong>of</strong> Ufford, Woodbridge (Sufi): II<br />

23 (A- 1431 + Galen: Venice. 1521)<br />

Bruce, George and David Wolfe, NYC printers, their collection<br />

given<br />

to the Grolier Club: I 37 (T-21 1)<br />

Cavendish: see Devonshire<br />

Chamerato, Agostino, 17th cent, (inscn.): II 1 (A-7: 2 Oct. 1628)<br />

Cilia, Bricius de, mag. (Briccius Prepost, <strong>of</strong> Cilli/Celje, Lower<br />

Steiermark), fl. !469-d.l505, cathedral canon, Vienna; dean<br />

and rector <strong>of</strong> the<br />

university [A. Lhotsky, Die Wiener<br />

Artistenfakultdt 1365-1497(1965), 171-3]: I 4 (A- 1227)<br />

Cole, Hamilton, 1844-1889, B.A. Yale 1866, <strong>of</strong> NYC, lawyer,<br />

collector <strong>of</strong> Richard de Bury (auct. NYC, Bangs, 8 April<br />

1 890): II 87 (P- 1096)<br />

Colmannus, Joannes Henricus, pastor <strong>of</strong> Oberhochstadt, fl. 1574:<br />

I 42 (T-229, ex-dono Sam. Ammianus, Strassburg, Apr.<br />

1574; to be given to Benedictines <strong>of</strong> Schaffhausen)<br />

Creswick, H. R. (Harry Richardson), Cambridge University<br />

Librarian, 20th cent.; auct. Sotheby s, 27 April 1982 (bkpl.):<br />

II78(O-128:lot473)


272<br />

Cretschmar, Nicolaus, de Borlitz, 15/l6th cent, (inscn.): I 23 (M-<br />

339)<br />

Davis, Michael: see Garden Ltd<br />

D Elci, Antonio Maria, 1754-1824 [Angela Dillon Bussi et al.,<br />

Incunaboli ed edizioni rare: La collezione di Angela Maria<br />

D Elci (Florence, 1989)]: I 16 (H-300)<br />

Dent, John, d. 1826; aucts. Evans, 29 Mar. & 25 Apr. 1827: I 16<br />

(H-300)<br />

Devonshire, Dukes <strong>of</strong>; Chatsworth (William George Spencer<br />

Cavendish, 1790-1858, 6th Duke; et al.); auct. Christie s, 6<br />

June 1974 (bkpl.): II 40 (C-672 + 644: lot 8)<br />

Digby, Kenelm, Kt., 1603-1665 (inscn.: Vacate et videte Kenelme<br />

Digby) [DNB]: II 23 (A- 1431 + Galen: Venice. 1521)<br />

Doheny, Estelle, 1875-1958, Los Angeles, widow <strong>of</strong> oil producer<br />

Edward L. Doheny (1856-1935), created papal countess<br />

1939, her library given to archdiocese <strong>of</strong> Los Angeles, its<br />

incunables auct. Christie s New York, 22 October 1 987: 1 36<br />

(T-209),40(T-190)<br />

Du Bourg de Bozas, (...) (bkpl., with motto or anagram(?) Chaix<br />

d EstAnge): II 12 (A-938)<br />

Duff, Edward Gordon, 1863-1924, Oxford, Manchester; eminent<br />

bibliographer; auct. Sotheby s, 17 Mar. 1925: I 24 (N-176);<br />

II 68 0-436)<br />

Dunn, George, 1865-1912; <strong>of</strong> Woolley Hall (nr. Maidenhead,<br />

Kent); aucts. Soth., 4 pts., 1 1 Feb. 1913-22 Nov. 1917: II 8<br />

(A-560: August 1900)<br />

Eberus, Johannes Kudovicus, d. by 1670 (see Ph. Werner): II 45<br />

(E-113)<br />

Eckher von Kapfing, Johann Franz, 1649-1727, Prince-Bishop <strong>of</strong><br />

Freising from 1695 (engraved bookplate): II 88 (R-22)<br />

Ehrman, Albert, 1890-1969, diamond merchant; Broxbourne<br />

Library, aucts. Sotheby s, I, 14 Nov. 1977; II, 8 May 1978<br />

(bkpl.): II 41 (C-631: lot II 632), 43 (C-1010: lot II 525),<br />

57 (H-169: lot II 493), 92 (S-321: lot II 594), 100 (T-522:<br />

lot II 349)<br />

Elci: see d Elci<br />

Elst: see Van der Elst<br />

Engel, Samuel, 1702-1784, librarian in Berne; auct. ibid. 1743<br />

(inscn. 7743): II 39 (C-575)<br />

Ernest Augustus, 1771-1835, 5th son <strong>of</strong> George III, King <strong>of</strong><br />

Hannover from 1 837: Fideicommiss Bibliothek: I 8 (GW<br />

5678)<br />

Finch, Heneage Wynne (inscn.): II 92 (S-321: 1936)<br />

Frankowsky, Antonius Augustus, parish priest <strong>of</strong> Putimy (Boh.),<br />

18th cent, (inscn.): II 81 (P-463: 1768)<br />

Fryenstein, Petrus a, canon <strong>of</strong> Strassburg, <strong>15th</strong> cent, (inscn): II 6<br />

(A-272 + 247: 1473)<br />

Fiirstenberg, Hans /Jean, 1890-1982, Berlin, Paris, Beaumesnil;<br />

banker, economist and scholarly book collector (label) [B. H.<br />

Breslauer, The Book CollectorWmtet 1982: 427-44]: I 25<br />

(N-216); II 103 (T-554 + C-923)<br />

Garden Ltd, The, auct. Sotheby s New York 9-10 November<br />

1989; collection <strong>of</strong> Haven O More, direct descendant <strong>of</strong><br />

three <strong>of</strong> the most eminent men <strong>of</strong> all time (afterword), and<br />

Michael Davis: I 3 (A-973: lot 15), 16 (H-300: lot 31), 37<br />

(T-21 1: lot 14); II 45 (E-113: lot 26), 95 (1-4 + H-192 + H-<br />

179 + A-1225 + A-1333 & 1337 + E-106 + P-1001 + G-221<br />

+ A-1089:lot 12)<br />

Germanus, apothecary in Strassburg: see Nicolaus, mag.<br />

Goldwater, Walter, NYC bookdealer, specialist in chess, Afro-<br />

Americana, radical literature, longtime buyer <strong>of</strong> cheap incun<br />

ables (auct. NYC, Swann, I-II, 30 Dec. 1983, 5 Dec. 1985):<br />

II 36 (B-1043: lot I 82), 58 (R-351: lot II 119), 87 (P-1096:<br />

lot II 108)<br />

Gribbel, John, 1858-1936, <strong>of</strong> NYC and Philadelphia, banker;<br />

aucts. Parke-Bernet 30 Oct . 1940, 22 Jan. 1941, etc. (bkpl.:<br />

StAustell Hall): II 68 Q-436)<br />

Gundelius, Philippus, 15/l6thcent. (inscn.): I 14 (H-4)<br />

Hannover, King <strong>of</strong>: see Ernest Augustus<br />

Harris, James Rendel, 1852-1941, Biblical scholar, orientalist<br />

[DNB]: see Birmingham, Selly Oak Colleges<br />

Hartz, Raymond E. and Elizabeth, Bernardsville, N.J.; auct.<br />

Sotheby s NY, 12 Dec. 1991: II 39 (C-575: lot 163); 99 (T-<br />

520: lot 197)<br />

Heathcote, Robert, d.1823: I 16 (H-300)<br />

Hehn, Martin, filiusfabri ex Lambaco, capellanus in Gebolzkirchen,<br />

<strong>15th</strong> cent, (inscn.): I 26 (N-217, 1483)<br />

Herbert: see Pembroke<br />

Hewell, (...) (bkpl.): II 62 (H-561)<br />

Hodson, Laurence W, <strong>of</strong>Compton Hall, nr Wolverhampton;<br />

auct. Soth., 3 Dec. 1906 (label): II 68 (J-436)<br />

H<strong>of</strong>fman, Samuel V. (auct. Christie s 12 Nov. 1975): II 10 (A-<br />

711)<br />

Honeyman, Robert B., IV, collector <strong>of</strong> history <strong>of</strong> science; aucts.<br />

Sotheby s, 7 parts, 30 Oct. 1978-19 May 1981: I 3 (A-973:<br />

lot I 140); II 45 (E-113: lot II 970), 61 (H-560: lot IV<br />

1735)<br />

Hoskier, H. C., 1864-1938, b. London, then <strong>of</strong> South Orange,<br />

N.J.; banker and trader; auct. Sotheby s, 29 June 1908: II 36<br />

(B-1043: Feb. 1903; lot 244)<br />

Huston, Kenneth Garth (bkpl.): II 23 (A- 1431 + Galen: Venice.<br />

1521)<br />

Hutchinson, William, <strong>of</strong> Eggleston: II 80 (P-456)


Jacobonius, Orandius, <strong>of</strong>Terni, 16th cent.(?) (inscn.): II 40 (C-<br />

672 + 644)<br />

Jeudwine, W. R. H. (Wynne), auct. Bloomsbury, pt. I, 18 Sep.<br />

1984 (bkpl.): II 50 (G-415: lot 14)<br />

Junod, Madeleine and Rene (bkpl.): II 22 (A-1275), 25 (B-350),<br />

30(8-561)<br />

Kammerer von Worms (painted arms), perhaps Johannes<br />

Camerarius de Dalburg, d. 1503, Bp. <strong>of</strong> Worms from 1482;<br />

cf. also BPH I 18 (A-924): I 2 (A-958)<br />

Kay, Arthur, d.1939, F.S.A. Scot!.; auct. Sotheby s 29 May 1930<br />

(bkpl.): II 8 (A-560)<br />

Klemperer, Victor von, 1876-1943, Dresden banker, Rotarian,<br />

escapee from Nazi anti-Jewish persecutions, d. in Southern<br />

Rhodesia; auct. Sotheby s 28 June 1991 :<br />

I 4 (A- 1227), 12<br />

(G-299); II 4 (A-236: lot 376), 20 (A-1217: lot 583)<br />

Kloss, Georg, M.D., 1787-1854, pr<strong>of</strong>essor <strong>of</strong> medicine,<br />

Freemason, Frankfurt/Main; auct. Sotheby s, 7 May 1835<br />

[De Ricci 1<br />

(EngL), 17]: I 30 (D-381), 37 (T-21 1); II 102<br />

(T-508)<br />

Kondinos, Philandreios, o pogonatos , 16/1 7th cent. (Greek<br />

inscn.): I 2 (A-958)<br />

Kyber, Elias, <strong>of</strong> Gengenbach, 16th cent, (inscn.): I 42 (T-229, exdono<br />

Veronica Stutmin, 3 Jan. 1566)<br />

Lewnpergk, Bartholomaeus de, 16th cent. [Lemberg/Lvov?] (gift<br />

inscn. to Sebastianus Prachaticaenus): II 81 (P-463: 1581)<br />

Magliabecchi, Antonio, 1633-1714, scholar, his library forms part<br />

<strong>of</strong> the Biblioteca Nazionale Centrale, Florence: 116 (H-300)<br />

Martin, H. Bradley, 1906-1980, NYC, dir. <strong>of</strong> Bessemer Trust;<br />

auct. Sotheby s NY, IX, 14 June 1990): II 40 (C-672 + 644:<br />

lot 3349), 60 (H-300: lot 3355), 93 (W-9: lot 3354)<br />

Massa, Petrus Antonius a, fr., Tuscany (16th cent.(?) inscn.): II 1 1<br />

(A-761)<br />

Maucler, Eugen (Theodor Eugen) von, Freiherr, 1809-1870, <strong>of</strong><br />

Schloss Oberherrlingen nr. Ulm; Wiirttemberg <strong>of</strong>ficial,<br />

diplomat, emissary to Vienna (bkpl., 1839): II 22 (A-1275),<br />

25 (B-350), 101 (T-527)<br />

Maximilian, 1832-1867, Austrian archduke, brother <strong>of</strong> Emperor<br />

Franz Joseph, Emperor <strong>of</strong> Mexico from 1864, captured and<br />

executed by rebels supporting Benito Juarez, 19 June 1867;<br />

see also J. M. Andrade (bkpl.): I 29 (T-168)<br />

Meyer, Hans, 1858-1929, Leipzig, explorer, colonial <strong>of</strong>ficer, pub<br />

lisher: II 32 (B-7 17)<br />

Middendorff, B. <strong>of</strong>Widenbruge(P), fl. 1670. (seejoh. Oisthaus):<br />

II 27 (B-389 + A-237)<br />

Morris, William, 1834-1896, poet, artist, socialist, printer; his<br />

library purchased en bloc by Richard Bennett, 1897, who<br />

sold the books he did not want under the name <strong>of</strong> Morris,<br />

Sotheby s 5 Dec. 1896: II 78 (O-128: lot 923)<br />

Moss, William E., Col., 1875-1953, B.A. Oxon. (Trinity Coll.)<br />

273<br />

1898, <strong>of</strong> Sonning-on-Thames (Berks.), collector and student<br />

<strong>of</strong> fine<br />

bindings, etc.; auct. s Sotheby 2 March 1937<br />

[Strickland Gibson, Colonel William E. Moss , Bodleian<br />

Library Record 53 (July 1955) 156-66]: I 11 (G-236)<br />

Murray, Charles Fairfax Murray; auct. Christie s, 1 8 March 1918<br />

(et al.) [De Ricci (EngL), 1 17; David B. Elliott, Charles<br />

Fairfax Murray (2000)]: II 41 (C-631: lot 182)<br />

Nicolaus, mag., Strassburg, <strong>15th</strong> cent, (purch. inscn.: from dom.<br />

Germanus, apothecary in Strassburg): II 6 (A-272 + 247)<br />

Norzagaray, Mateo de, Don, 19th cent.(?) (label): II 52 (G-425)<br />

O Hagan, Baron; auct. Sotheby s 6 June 1939: II 21 (A- 12 19: lot<br />

566)<br />

O More, Haven: see Garden Ltd<br />

Odell,A.:II32(B-717)<br />

Oisthaus, Johannes, fl. 1670 (ex-dono B. Middendorff): II 27 (B-<br />

389 + A-237: 1670)<br />

Parrhasius, Aulus Janus, 1470-1534, Naples, humanist, biblio<br />

phile, his library given to Ant. Seripando, q.v.:<br />

II 43 (C-<br />

1010)<br />

Pembroke, Thomas Herbert, 8th Earl, 1656-1733, <strong>of</strong> Wilton<br />

House, Wilts., Pres. Royal Society, 1689/90; auct. Sotheby s,<br />

25 June 1 9 1 4: II 4 1 (C-63 1 : lot 67)<br />

Perrins, C. W. Dyson, 1864-1958, <strong>of</strong> Davenham, Malvern,<br />

Worcs.; auct. Sotheby s, I, 17 June 1946 (bkpl.): II 24 (B-<br />

119: lot 36)<br />

Phillipps, Thomas, Bart, 1792-1872, <strong>of</strong> Middle Hill, then <strong>of</strong><br />

Thirlestain House, Cheltenham: I 16 (H-300); II 99 (T-<br />

520)<br />

Phylolaurus, Franciscus, de Castrocorio(?), 15/1 6th cent.,<br />

Hieronymite <strong>of</strong> Forli, q.v. (ad usum, 1507): II 11 (A-761)<br />

Pinelli, MafFeo, come, 1736-1785, state printer <strong>of</strong> Venice; aucts.<br />

London, [James Edwards], 2 March et sqq. 1789, 1 Feb. et<br />

sqq. 1790 [De Ricci (EngL), 89]: I 15 (H-86: lot 2514)<br />

Pinelli, Vincenzo, kinsman <strong>of</strong> Maffeo Pinelli: 115 (H-86)<br />

Plymouth, Robert George Windsor-Clive, Earl <strong>of</strong> (bkpl.): II 62<br />

(H-561)<br />

Prachaticaenus, Sebastianus, fl. 1581 (see Barth. de Lewnpergk):<br />

II 81 (P-463)<br />

Priuli family, Venice patricians, with illuminated arms: II 41 (C-<br />

631)<br />

Pruckhain, Leonardus, priest <strong>of</strong> Chambstorff(?), 16th cent.<br />

(inscn.): II 95 (1-4 + H-192 + H-179 + A-1225 + A-1333 &<br />

1337 + E-106 + P-1001 + G-221 + A-1089: 1530)<br />

Radcliffe, Joseph, Kt., <strong>of</strong> Rudding Park (bkpl.): II 27 (B-389 + A-<br />

237)<br />

Radoulesco, Constantine, d. c.1957, Monte Carlo (mor. label: CR<br />

in circle): II 60 (H-300)


274<br />

Rattey, Clifford C., 1886-1970; privately printed incunable cata<br />

logue, The Library at Corbyns, Torquay (1965) (bkpl.):<br />

II 50<br />

(G-415)<br />

Redgrave, Gilbert Richard, 1844-1941, Muswell Hill, London;<br />

Ratdolt s II<br />

bibliographer (bkpl.): 61 (H-560: 13 May 1891)<br />

Reviczky, Karoly Imre Sandor de, Count; his library sold en bloc<br />

to Earl Spencer: II 13 (A-959)?<br />

Rigola(P), Joannes Fidelis, <strong>of</strong> Ancona(?) (17th cent.(?) inscn.): II<br />

11 (A-761)<br />

Ruremund, Germanus, Crutched Friar <strong>of</strong> Hohenbusch, <strong>15th</strong><br />

cent.: II 71 (J-289 + two <strong>15th</strong>-cent. Mss.: Ruremund wrote<br />

both Mss., the 2nd dated 1490)<br />

Saks, John A., 1913-1983, Greenwich, Conn.; auct. Christie s NY<br />

1 Oct. 1980): II 64 (J-216: lot 122)<br />

Schefold, J. F., 17th cent.(?) (script-form stamp): I 12 (G-299)<br />

Schiller, Anton: II 74 (L-205)<br />

Sch0yen, Martin, Norwegian book collector; auct. Sotheby s NY<br />

12 Dec. 1991: 1 35 (T-208); II 81 (P-463: lot 33)<br />

Sears, George Edward: II 32 (B-717)<br />

Seripandi, Antonio, 1485-1531, Neapolitan humanist, brother <strong>of</strong><br />

Card. Girolamo Seripando, owned an important library,<br />

many volumes from Janus Parrhasius, q.v.: II 43 (C-1010)<br />

Sexton, Eric Hyde Lord, F.S.A., 1902-1980, <strong>of</strong> Philadelphia /<br />

Chestnut Hill; B.A. Princeton 1924; auct. Christie s NY, 8<br />

April 1981:11 72Q-293: lot 4)<br />

Spencer: see Sunderland<br />

Spencer, George John, 2nd Earl Spencer, 1758-1836, <strong>of</strong> Althorp,<br />

Northants; M.P., ambassador to Vienna, Whig cabinet min<br />

ister, creator <strong>of</strong> the finest private library<br />

in : Europe II 13<br />

(A-959)<br />

Strauss, Felix, 18th cent, (purchase inscn.): II 26 (B-427: 1771)<br />

Stutmin, Veronica, fl. 1566: I 42 (T-229: see Elias Kyber)<br />

Sunderland, Charles Spencer, 3rd Earl <strong>of</strong>, 1674-1722; Sunderland<br />

Library, Blenheim Palace; auct. Sotheby s, pt. IV, 6 Nov.<br />

1882: II 78 (O-128: lot IV 91 1 1)<br />

Syllanus, Ludovicus, fr., de Grimaldo (inscn.): II 14 (A-978)<br />

Terhaarius, Paulus, c. 1625/6-1667, Amsterdam, pr<strong>of</strong>, at<br />

Duisburg, auct. Amsterdam 8 Oct. 1667 [D. E. Rhodes,<br />

Studies in Early European Printing and Book Collecting<br />

(1983), 258-62]: 1 2 (A-958)<br />

Torniellus, Hieronymus, fr., pater, Hieronymite <strong>of</strong> Forli, q.v.,<br />

15/1 6th cent.: II 11 (A-761)<br />

Torre del Palasciano (supralibros on doublure): II 1 (A-7)<br />

Towneley, Richard, 1628-1707, <strong>of</strong>Towneley, Lanes, (bkpl.,<br />

1702): II 21 (A-1219)<br />

Tuano, Stefano, di Grosetto, ?l6th cent.: I 43 (T-234)<br />

Turner, Cuthbert Hamilton, 1860-1930; Dean Ireland s Pr<strong>of</strong>essor<br />

<strong>of</strong> Exegesis, Oxford (purch. inscn. Paris, 1919): II 57 (H-<br />

169)<br />

Vambre, Albertus (17th cent.(?) inscn.): II 11 (A-761)<br />

Van der Elst, Charles, d. 1982; auct. Monaco, 13 May 1985: II<br />

95 (1-4 + H-192 + H-179 + A-1225 + A-1333 & 1337 + E-<br />

106 + P-1001 + G-221 + A-1089: lot 183)<br />

Venosta, Giacomo, di Matio, ?l6th cent.: I 43 (T-234)<br />

Vernon, George John Warren, 1803-1866, 5th baron, <strong>of</strong> Sudbury<br />

Hall, Derby; auct. Sotheby s, 10 June 1918 (bkpl.): II 64 (J-<br />

216: lot 300)<br />

Vickery, Willis, 1859-1932, Cleveland, Oh., judge: II 39 (C-575)<br />

Volck, Beat, <strong>of</strong> Strassburg, with inscription: Ego Beatus Volck<br />

Argentinus depositus sum a domino baccalaureo Nicolao<br />

Textoris<br />

spire<br />

nse Anno domini 1499 infesto<br />

sancti Thome de<br />

Aquino ordinis II predicatorum: 92 (S-321)<br />

Vowel, Richard,<br />

fl. 1507-1540, B. Theol. Oxf, Austin Canon<br />

prior <strong>of</strong> Little Leighs (Ess.) and Walsingham (Norf.)[N. R.<br />

Ker, Medieval Libraries <strong>of</strong> Great Britain, 2nd ed. (1964),<br />

312; A. B. Emden, BRUO 3.1952] (inscn.): II 21 (A-1219)<br />

Warren: see Vernon<br />

Werner, Ph., fl. 1670 (dono accepi a D.D. Joh: Ludov. Eberi hered-<br />

ibusSMay 1670): II 45 (E-l 13)<br />

Wilmerding, Lucius, 1879-1949, <strong>of</strong> NYC and Far Hills, N.J.,<br />

stock broker, former president <strong>of</strong> the Grolier Club; auct.<br />

NYC, Parke-Bernet, II, 5 March 1951 (bkpl.): II 95 (1-4 +<br />

H-192 + H-179 + A-1225 + A-1333 & 1337 + E-l 06 + P-<br />

1001 + G-221 + A-1089: lot ii.343)<br />

Windsor-Clive: see Plymouth<br />

Wodhull, Michael, 1740-1816, Thenford (Northants.), translator<br />

<strong>of</strong> Euripides, auct. Sotheby s 1 1 Jan. 1886 [De Ricci (Engi),<br />

81]: I 15 (H-86; 20 Apr. 1789, lot 1252)<br />

Zabriskie, Christian A. to Manhattan (gifts College, NYC): II 66<br />

(J-120)


SOTHEBY S AUTHENTICITY GUARANTEE FOR BOOKS<br />

If Sotheby s sells an item which subsequently<br />

is shown to be a &quot;counterfeit&quot;, or which in<br />

Sotheby s opinion is materially defective in<br />

text or illustration, subject to the terms<br />

below Sotheby s will set aside the sale and<br />

refund to the Buyer the total amount paid by<br />

the Buyer to Sotheby s for the item, in the<br />

currency <strong>of</strong> the original sale.<br />

For these purposes, &quot;counterfeit&quot; means a lot<br />

that in Sotheby s reasonable opinion is an<br />

imitation created to deceive as to authorship,<br />

origin, date, age, period, culture or source,<br />

where the correct description <strong>of</strong> such matters<br />

is not reflected by the description in the<br />

catalogue (taking into account any Glossary <strong>of</strong><br />

Terms).<br />

Please note that this Guarantee does not apply<br />

if eithen-<br />

(i)<br />

the catalogue description was in<br />

accordance with the generally accepted<br />

opinions <strong>of</strong> scholars and experts at the date <strong>of</strong><br />

the sale, or the catalogue description indicated<br />

that there was a conflict <strong>of</strong> such opinions; or<br />

(ii)<br />

the only method <strong>of</strong> establishing at the<br />

date <strong>of</strong> the sale that the item was a counterfeit<br />

would have been by means <strong>of</strong> processes not<br />

then generally available or accepted,<br />

unreasonably expensive or impractical to use;<br />

or likely to have caused damage to the lot or<br />

likely (in Sotheby s reasonable opinion) to<br />

have caused loss <strong>of</strong> value to the lot; or<br />

(iii) the item complained <strong>of</strong> comprises an<br />

atlas, an extra-illustrated book, a volume with<br />

fore-edged paintings, a periodical publication<br />

or a print or drawing; or<br />

(iv) in the case <strong>of</strong> a manuscript, the lot was<br />

not described in the catalogue as complete; or<br />

(v)<br />

the defect complained <strong>of</strong> was mentioned<br />

in the catalogue or the item complained <strong>of</strong><br />

was sold un-named in a lot; or<br />

(vi) the defect complained <strong>of</strong> is other than in<br />

text or illustration. (For example, without<br />

limitation, a sale will not be set aside on<br />

account <strong>of</strong> damage to bindings, stains, foxing,<br />

marginal wormholes, lack <strong>of</strong> blank leaves or<br />

other conditions not affecting the<br />

completeness <strong>of</strong> the text or illustration, lack <strong>of</strong><br />

list <strong>of</strong> plates, inserted advertisements, cancels<br />

or any subsequently published volume,<br />

supplement, appendix or plates or error in the<br />

enumeration <strong>of</strong> the plates; or<br />

(vii) there has been no material loss in value <strong>of</strong><br />

the lot from its value had it been in<br />

accordance with its description.<br />

This Guarantee is provided for a period <strong>of</strong><br />

twenty one (21) days after the date <strong>of</strong> the<br />

275<br />

relevant auction, is solely for the benefit <strong>of</strong> the<br />

Buyer and may not be transferred to any third<br />

party. To be able to claim under this<br />

Guarantee, the Buyer must:-<br />

(i) notify Sotheby s in writing within such<br />

twenty one (21) day period with the reasons<br />

why the Buyer considers the item to be<br />

counterfeit or materially defective in text or<br />

illustration, specifying the lot number and the<br />

date <strong>of</strong> the auction at which it was purchased;<br />

and<br />

(ii)<br />

return the item to Sotheby s in the same<br />

condition as at the date <strong>of</strong> sale to the Buyer<br />

and be able to transfer good title in the item,<br />

free from any third party claims arising after<br />

the date <strong>of</strong> the sale.<br />

Sotheby s has discretion to waive any <strong>of</strong> the<br />

above requirements. Sotheby s may require<br />

the Buyer to obtain at the Buyer s cost the<br />

reports <strong>of</strong> two independent and recognised<br />

experts in the field, mutually acceptable to<br />

Sotheby s and the Buyer. Sotheby s shall not be<br />

bound by any reports produced by the Buyer,<br />

and reserves the right to seek additional expert<br />

advice at its own expense. In the event<br />

Sotheby s decides to rescind the sale under this<br />

Guarantee, it may refund to the Buyer the<br />

reasonable costs <strong>of</strong> up to two mutually<br />

approved independent expert reports.<br />

8/01 G.Guar.<strong>Books</strong>


SPECIAL AUCTIONS ONLINE autumn/winter 2001 highlights<br />

OCT. 17<br />

<strong>Property</strong> from<br />

the Estate <strong>of</strong><br />

Mildred H. Boink,<br />

Evansville, Indiana<br />

NOV. 1-15<br />

Vienna 1900<br />

Glass Vase<br />

Johann Loetz Witwe<br />

Height 16.5 cm.<br />

Offered by Kunsthandel Patrick Ko<br />

ESTIMATE: $13,000 - 15,000<br />

STARTING BID: $10,000<br />

Frederic, Lord Leighton, P.P. A.<br />

The Misses Stewart Hodgson<br />

oil on canvas<br />

121.6 by 105.4cm.<br />

Offered by Ken Farmer Auctions*<br />

ESTIMATE: $200,000 - 300,000<br />

STARTING BID: $140,000<br />

MDV 1 5 - nrr 6 NOV.<br />

Modern British and Irish Art<br />

The Art <strong>of</strong> the<br />

Silversmith<br />

Duncan Grant (1885-1978)<br />

Brighton<br />

signed and dated 1952<br />

oil on canvas<br />

50.8 by 6 1cm<br />

Offered by Vincent and Louise<br />

Kosman*<br />

ESTIMATE: $10,000 - 13,000<br />

STARTING BID: $9,500<br />

OFC.<br />

Sothebys com For<br />

NOV. R.1R<br />

London Asia Week<br />

Online<br />

Holiday Cufflinks<br />

and Dress Sets<br />

NOV.<br />

30-nFr. 10<br />

Holiday Watches The Gentleman s Club<br />

OCT. 24 -MOV 14<br />

Australia Online: Art,<br />

Antiques and the Antipodes<br />

Rover Thomas,<br />

(Australian c.1926- 1998)<br />

Wing-Viga Country<br />

ochre and binder on canvas<br />

100 by 80cm.<br />

Offered by Lauraine Diggins Fine Art*<br />

ESTIMATE: $20,000 - 40,000<br />

a complete listing <strong>of</strong> special auctions, please log<br />

on to www.sothebys.com/specialauctions<br />

All dates are subject to change.<br />

*A Sothebys.com Associate<br />

Nepalese Gilt Bronze Figure <strong>of</strong> Indra<br />

1 6th <strong>Century</strong><br />

Offered by David Kenny Oriental Art*<br />

ESTIMATE: $6,000 - 8,000<br />

Holiday Glamour:<br />

Vintage Fashions<br />

& Costume Jewellery<br />

Sculptural<br />

Black Velvet Dress<br />

circa 1980<br />

Anthony Price<br />

Offered by Cherry*<br />

ESTIMATE: $500 - 600<br />

STARTING BID: $450<br />

Simulated Gemstone<br />

Brooch<br />

Kenneth Jay Lane<br />

Offered by Chartreuse*<br />

ESTIMATE: $200 - 300<br />

STARTING BID: $175<br />

Sothebys com


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278<br />

GUIDE FOR PROSPECTIVE BUYERS<br />

Buying at Auction<br />

The following pages are designed to give you<br />

useful information on how to buy at auction.<br />

Sotheby s staff as listed at the front <strong>of</strong> this<br />

catalogue will be happy to assist It is<br />

you.<br />

important that you read the following<br />

information carefully.<br />

Provenance<br />

In certain circumstances, Sotheby s may print<br />

in the catalogue the history <strong>of</strong> ownership <strong>of</strong> a<br />

work <strong>of</strong> art if such information contributes to<br />

scholarship or is otherwise well known and<br />

assists in distinguishing the work <strong>of</strong> art.<br />

However, the identity <strong>of</strong> the seller or previous<br />

owners may not be disclosed for a variety <strong>of</strong><br />

reasons. For example, such information may<br />

be excluded to accommodate a seller s request<br />

for confidentiality or because the identity <strong>of</strong><br />

prior owners is unknown given the age <strong>of</strong> the<br />

work <strong>of</strong> art.<br />

Buyer s Premium<br />

For <strong>Books</strong> the buyer s premium payable by the<br />

buyer <strong>of</strong> each lot is at a rate <strong>of</strong> 17.5% on the<br />

first 10,000 <strong>of</strong> the hammer price, 15% on<br />

the next 50,000 <strong>of</strong> the hammer price up to<br />

and including 60,000, and at a rate <strong>of</strong> 10%<br />

on the amount by which the hammer price<br />

exceeds 60,000.<br />

VAT<br />

Value Added Tax (VAT) may be payable on<br />

the hammer price and/or the buyer s<br />

premium. Buyer s premium may attract a<br />

charge in lieu <strong>of</strong> VAT. Please read carefully the<br />

&quot;VAT INFORMATION FOR BUYERS&quot; in<br />

this catalogue.<br />

1 . Before the Auction<br />

Catalogue Subscriptions<br />

If you would like to take out a catalogue<br />

subscription, please ring 020 7293 6410.<br />

Pre-sale Estimates<br />

Pre-sale estimates are intended as a guide for<br />

prospective buyers. Any bid between the high<br />

and low pre-sale estimates would, in our<br />

opinion, <strong>of</strong>fer a chance <strong>of</strong> success. However,<br />

all lots can realise prices above or below the<br />

pre-sale estimates.<br />

8/01 G.Book.BuyA<br />

It is advisable to consult us nearer the<br />

time <strong>of</strong> sale as estimates can be subject to<br />

revision. The estimates printed in the auction<br />

catalogue do not include the buyer s premium<br />

or VAT.<br />

Pre-sale Estimates<br />

in US Dollars and Euros<br />

Although the sale is conducted in pounds<br />

sterling, the pre-sale estimates in some<br />

catalogues are also printed in US dollars<br />

and/or Euros. The rate <strong>of</strong> exchange is the rate<br />

at the time <strong>of</strong> production <strong>of</strong> this catalogue.<br />

Therefore, you should treat the estimates in<br />

US dollars or Euros as a guide only.<br />

Condition <strong>of</strong> Lots<br />

Prospective buyers are encouraged to inspect<br />

the property at the pre-sale exhibitions. Solely<br />

as a convenience, Sotheby s may provide<br />

condition reports. The absence <strong>of</strong> reference to<br />

the condition <strong>of</strong> a lot in the catalogue<br />

description does not imply that the lot is free<br />

from faults or imperfections. Please refer to<br />

Condition 3 <strong>of</strong> the Conditions <strong>of</strong> Business for<br />

Buyers.<br />

2. Bidding in the Sale<br />

Bidding at Auction<br />

Bids may be executed in person by paddle<br />

during the auction, in writing prior to the sale<br />

or by telephone.<br />

Auction speeds vary, but average between<br />

50 and 120 lots per hour. The bidding steps<br />

are generally in increments <strong>of</strong> approximately<br />

1 0% <strong>of</strong> the previous bid.<br />

Please refer to Conditions 5 and 6 <strong>of</strong> the<br />

Conditions <strong>of</strong> Business for Buyers.<br />

Bidding in Person<br />

To bid in person, you will need to register for<br />

and collect a numbered paddle before the<br />

auction begins. Pro<strong>of</strong> <strong>of</strong> identity will be<br />

required. If you have a s Sotheby Identification<br />

Card, it will facilitate the registration process.<br />

If you are an existing client and do not have a<br />

card but would like one please contact the<br />

Bids department on 020 7293 5336.<br />

Should you be the successful buyer <strong>of</strong> a<br />

lot, please ensure that your paddle can be seen<br />

by the auctioneer and that it is your number<br />

that is called out. Should there be any doubts<br />

as to price or buyer, please draw the<br />

auctioneer s attention to it immediately.<br />

All lots sold will be invoiced to the name<br />

and address in which the paddle has been<br />

registered and cannot be transferred to other<br />

names and addresses.<br />

Please do not mislay your paddle; in the<br />

event <strong>of</strong> loss, inform the Sales Clerk<br />

immediately. At the end <strong>of</strong> the sale, please<br />

return your paddle to the registration desk.<br />

Absentee Bids<br />

If you cannot attend the auction, we will be<br />

happy to execute written bids on your behalf.<br />

A bidding form can be found at the back <strong>of</strong><br />

this catalogue. This service is free and<br />

confidential. Lots will always be bought as<br />

cheaply as is consistent with other bids, the<br />

reserves and Sotheby s commissions. In the<br />

event <strong>of</strong> identical bids, the earliest received<br />

will take precedence. Always indicate a &quot;top<br />

limit&quot; - the hammer price to which you would<br />

bid if you were attending the auction yourself.<br />

&quot;Buy&quot;<br />

and unlimited bids will not be<br />

accepted. Please refer to Condition 5 <strong>of</strong> the<br />

Conditions <strong>of</strong> Business for Buyers.<br />

Telephoned absentee bids must be<br />

confirmed before the sale by letter or fax. Fax<br />

number for bids only: 020 7293 6255.<br />

To ensure a satisfactory service, please<br />

ensure that we receive your bids at least 24<br />

hours before the sale.<br />

Bidding by Telephone<br />

If you cannot attend the auction, it is possible<br />

to bid on the telephone on lots with a<br />

minimum low estimate <strong>of</strong> 1,000. As the<br />

number <strong>of</strong> telephone lines is limited, it is<br />

necessary to make arrangements for this<br />

service 24 hours before the sale.<br />

We also suggest that you leave a<br />

maximum bid which we can execute on your<br />

behalf in the event we are unable to reach you<br />

by telephone. Multi-lingual staff are available<br />

to execute bids for you. Please refer to<br />

Condition 5 <strong>of</strong> the Conditions <strong>of</strong> Business for<br />

Buyers.<br />

Employee Bidding<br />

Sotheby s employees may bid only if the<br />

employee does not know the reserve and fully<br />

complies with s Sotheby internal rules<br />

governing employee bidding.


UN Embargo on trade with Iraq<br />

The United Nations trade embargo prohibits<br />

us from accepting bids from any person in<br />

Iraq (including any body controlled by Iraqi<br />

residents or companies, wherever carrying on<br />

business), or from any other person where we<br />

have reasonable cause to believe (i) that the<br />

lot(s) will be supplied or delivered to or to the<br />

order <strong>of</strong> a person in Iraq or (ii) that the lot(s)<br />

will be used for the purposes <strong>of</strong> any business<br />

carried on in or operated from Iraq.<br />

Acceptance <strong>of</strong> bids by the auctioneer is subject<br />

to this prohibition.<br />

For further details, please contact a<br />

member <strong>of</strong> the Specialist department or the<br />

Legal department PRIOR to bidding.<br />

3. The Auction<br />

Conditions <strong>of</strong> Business<br />

The auction is governed by the Conditions <strong>of</strong><br />

Business and Authenticity Guarantee for<br />

<strong>Books</strong>. These apply to all aspects <strong>of</strong> the<br />

relationship between Sotheby s and actual and<br />

prospective bidders and buyers. Anyone<br />

considering bidding in the auction should<br />

read them carefully. They may be amended by<br />

way <strong>of</strong> notices posted in the saleroom or by<br />

way <strong>of</strong> announcement made by the<br />

auctioneer.<br />

Consecutive and<br />

Responsive Bidding<br />

The auctioneer may open the bidding on any<br />

lot by placing a bid on behalf <strong>of</strong> the seller. The<br />

auctioneer may further bid on behalf <strong>of</strong> the<br />

seller, up to the amount <strong>of</strong> the reserve, by<br />

placing consecutive or responsive bids for a<br />

lot. Please refer to Condition 6 <strong>of</strong> the<br />

Conditions <strong>of</strong> Business for Buyers.<br />

4. After the Auction<br />

Payment<br />

Payment is due immediately after the sale and<br />

may be made by the following methods:<br />

Sterling Cash, Sterling Bankers Draft,<br />

Sterling Travellers Cheques, Sterling Cheque,<br />

Wire Transfer in Sterling, Credit Card (Visa,<br />

Mastercard & Eurocard), Debit Card (Delta,<br />

Connect & Switch).<br />

It is against Sotheby s general policy to<br />

accept single or multiple related payments in<br />

the form <strong>of</strong> cash or cash equivalents in excess<br />

<strong>of</strong> the local currency equivalent <strong>of</strong><br />

US$10,000. It is Sotheby s policy to request<br />

any new clients or purchasers preferring to<br />

make a cash payment to provide verification<br />

<strong>of</strong> identity (by providing some form <strong>of</strong><br />

government issued identification containing<br />

a photograph, such as a passport, identity<br />

card or driver s licence), confirmation <strong>of</strong><br />

permanent address and identification <strong>of</strong> the<br />

source <strong>of</strong> the funds. Thank you for your co<br />

operation.<br />

Cheques and drafts should be made payable to<br />

Sotheby s. Although personal and company<br />

cheques drawn in Sterling on UK banks are<br />

accepted, you are advised that property will<br />

not be released until such cheques have cleared<br />

unless you have a pre-arranged Cheque<br />

Acceptance Facility. Forms to facilitate this<br />

are available from cashiers.<br />

Bank transfers should be made to:<br />

Barclays Bank pic<br />

50 Pall Mall<br />

London SWIA 1QA<br />

Account name:<br />

Sotheby s Client Receipts<br />

Account No. 60163058<br />

Sort Code: 20-67-59<br />

Please include your name, Sotheby s<br />

account number and invoice number with<br />

your instructions to your bank.<br />

Payment by Mastercard, Visa and Eurocard<br />

will be subject to a 1.5% administrative fee.<br />

Payments exceeding 20,000 can only be<br />

made by the card holder in person. For<br />

absentee payments below 20,000 please<br />

contact cashiers on 020 7293 5220.<br />

The Conditions <strong>of</strong> Business require buyers to<br />

pay immediately for their purchases. However,<br />

in limited circumstances and with the seller s<br />

agreement, Sotheby s may <strong>of</strong>fer buyers it<br />

deems credit worthy the option <strong>of</strong> paying for<br />

their purchases on an extended payment term<br />

basis. Generally credit terms must be arranged<br />

prior to the sale. In advance <strong>of</strong> determining<br />

whether to grant the extended payment terms,<br />

Sotheby s may require credit references and<br />

pro<strong>of</strong> <strong>of</strong> identity and residence.<br />

Collection<br />

279<br />

Lots will be released to you or your authorised<br />

representative when full and cleared payment<br />

has been received by Sotheby s and a release<br />

note has been produced by our Cashiers at<br />

New Bond Street, who are open Monday to<br />

Friday, 9 am to 5.30 pm.<br />

Smaller items can be collected from the<br />

Packing Room at New Bond Street, large<br />

items will be sent to Sotheby s Kings House<br />

Warehouse.<br />

If you are in any doubt about the location<br />

<strong>of</strong> your purchases, please contact the Sale<br />

Administrator prior to arranging collection.<br />

Removal, interest, storage and handling charges<br />

will be levied on uncollected lots. Please refer to<br />

Conditions 7, 8 and 9 <strong>of</strong> the Conditions <strong>of</strong><br />

Business for Buyers.<br />

Storage Charges<br />

Storage and handling charges plus VAT may<br />

apply. Please refer to Condition 9 <strong>of</strong> the<br />

Conditions <strong>of</strong> Business for Buyers.<br />

Insurance<br />

Buyers are reminded that lots are only insured<br />

for a maximum <strong>of</strong> five (5) working days after<br />

the day <strong>of</strong> the auction. Please refer to<br />

Condition 7 <strong>of</strong> the Conditions <strong>of</strong> Business for<br />

Buyers.<br />

Shipping<br />

Sotheby s Shipping Logistics can advise buyers<br />

on exporting and shipping property. Our<br />

<strong>of</strong>fice is open between the hours <strong>of</strong> 9.00am<br />

and 5.30pm and you can contact the Shipping<br />

advisor on the number set out in the front <strong>of</strong><br />

this catalogue.<br />

Purchases will be despatched as soon as<br />

possible upon clearance from the Accounts<br />

department and receipt <strong>of</strong> your written<br />

despatch instructions and <strong>of</strong> any export<br />

licence or certificates that may be required.<br />

Despatch will be arranged at the buyer s<br />

expense. Sotheby s may receive a fee for its<br />

own account from the agent arranging the<br />

despatch. Estimates and information on all<br />

methods can be provided upon request and<br />

enquiries should be marked for the attention<br />

<strong>of</strong> Sotheby s Shipping Logistics and faxed to<br />

020 7293 5952.<br />

8/01 G.Book.BuyB


280<br />

Transit insurance will be arranged unless<br />

otherwise specified in writing and will be at<br />

the buyer s expense. All shipments should be<br />

unpacked and checked on delivery and any<br />

discrepancies notified to the transit insurer or<br />

shipper immediately.<br />

A form to provide shipping instructions<br />

is printed on the reverse <strong>of</strong> the bid slip in this<br />

catalogue or on the back <strong>of</strong> your buyers<br />

invoice.<br />

Export<br />

The export <strong>of</strong> any lot from the UK or import<br />

into any other country may be subject to one<br />

or more export or import licences being<br />

granted. It is the buyer s responsibility to<br />

obtain any relevant export or import licence.<br />

The denial <strong>of</strong> any licence required or delay in<br />

obtaining such licence cannot justify the<br />

cancellation <strong>of</strong> the sale or any delay in making<br />

payment <strong>of</strong> the total amount due.<br />

Sotheby s, upon request and for an<br />

administrative fee, may apply for a licence to<br />

export your lot(s) outside the UK.<br />

An EU Licence is necessary to export from<br />

the European Community cultural goods<br />

subject to the EU Regulation on the export <strong>of</strong><br />

cultural property (EEC No. 391 1/92, Official<br />

Journal No. L395 <strong>of</strong> 31/12/92.<br />

A UK Licence is, necessary to move from<br />

the UK to another Member State <strong>of</strong> the EU<br />

cultural goods valued at or above the relevant<br />

UK licence limit. A UK Licence may also be<br />

necessary to export outside the European<br />

Community cultural goods valued at or above<br />

the relevant UK licence limit but below the<br />

EU Licence limit.<br />

The following is a selection <strong>of</strong> some <strong>of</strong><br />

the categories and a summary <strong>of</strong> the limits<br />

above which either an EU or a UK licence<br />

may be required for items more than 50 years<br />

old-<br />

Paintings in oil or tempera<br />

1 19,000<br />

Watercolours 23,800<br />

Prints, Drawings & Engravings<br />

1 1,900<br />

British Historical Portraits 6,000<br />

Photographs<br />

6,000<br />

Arms and Armour 20,000<br />

Textiles 6,000<br />

<strong>Printed</strong> Maps<br />

11,900<br />

<strong>Books</strong> 39,600<br />

Any Other Objects<br />

8/01 G.Book.BuyC<br />

39,600<br />

Manuscripts/Archives/Scale Drawings<br />

Archaeological items<br />

(* a licence will be required in most instances,<br />

irrespective <strong>of</strong> value)<br />

Export to Italy<br />

Buyers intending to export their purchases to<br />

Italy under an Italian Temporary Cultural<br />

Import Licence are advised that the Italian<br />

authorities will require evidence <strong>of</strong> export<br />

from the UK. Please contact Sotheby s<br />

Shipping Representative or your own shipping<br />

agent prior to the export for more<br />

information.<br />

Endangered Species<br />

Items made <strong>of</strong> or incorporating plant or<br />

animal material, such as coral, crocodile, ivory,<br />

whalebone, tortoiseshell, etc., irrespective <strong>of</strong><br />

age or value, may require a license or<br />

certificate prior to exportation and require<br />

additional licenses or certificates upon<br />

importation to any country outside the EU.<br />

Sotheby s suggests that buyers check with their<br />

own government regarding wildlife import<br />

requirements prior to placing a bid. Please<br />

note that the ability to obtain an export<br />

license or certificate does not ensure the ability<br />

to obtain an import license or certificate in<br />

another country, and vice versa. It is the<br />

buyer s responsibility to obtain any export or<br />

import licenses and/or certificates as well as<br />

any other required documentation (see<br />

Condition 10 <strong>of</strong> the Conditions <strong>of</strong> Business<br />

for Buyers).<br />

5. Additional Services<br />

Financial Services<br />

s Sotheby Financial Services makes loans to<br />

clients <strong>of</strong> Sotheby s. These include loans<br />

secured by property consigned for sale and<br />

loans secured by art collections which are not<br />

intended for sale. It is Sotheby s Financial<br />

Services general policy to lend no more than<br />

40% <strong>of</strong> the total <strong>of</strong> its low auction estimates<br />

for such property. It is also general policy that<br />

the minimum loan for consignor advances is<br />

25,001 (in the US $50,000) and for secured<br />

loans is 500,000 (in the US $1,000,000). For<br />

further information please call Sotheby s<br />

Financial Services in New York at (1-212) 508<br />

8061, or in London at (44) 20 7293 5273.<br />

This is not an <strong>of</strong>fer or solicitation. The<br />

services described are subject to the laws and<br />

regulations <strong>of</strong> the jurisdiction in which any<br />

services may be provided.<br />

Pre-sale auction estimates<br />

Sotheby s will be pleased to give preliminary<br />

pre-sale auction estimates for your property.<br />

This service is free <strong>of</strong> charge and is available<br />

from Sotheby s experts in New Bond Street on<br />

week days between 9 am and 4.30 pm. We<br />

advise you to make an appointment with the<br />

relevant expert department. Upon request, we<br />

may also travel to your home to provide<br />

preliminary pre-sale auction estimates.<br />

Valuations<br />

The Valuation department provides written<br />

inventories and valuations throughout Europe<br />

for many purposes including insurance,<br />

probate and succession, asset management and<br />

tax planning. Valuations can be tailored to suit<br />

most needs. Fees are highly competitive. For<br />

further information please contact the<br />

Valuation department on 020 7293<br />

5177/5082, fax 020 7293 5957.<br />

Tax and Heritage Advice<br />

Our Tax and Heritage department provides<br />

advice on the tax implications <strong>of</strong> sales and<br />

related legal and heritage issues. It can also<br />

assist in private treaty sales, on transfers in lieu<br />

<strong>of</strong> taxation, on the obtaining <strong>of</strong> conditional<br />

exemption from tax and on UK export issues.<br />

For further information, please contact the<br />

Tax and Heritage department on 020 7293<br />

5082, fax 020 7293 5965.


SOTHEBY S KINGS HOUSE<br />

SOTHEBY S<br />

WAREHOUSE<br />

KINGS HOUSE<br />

GREAT WEST ROAD<br />

BRENTFORD<br />

MIDDLESEX<br />

TW8 9AS<br />

020 8232 5600<br />

PLEASE SEE DETAIL<br />

Q] SOTHEBY S BOND STREET \2\ SOTHEBY S OLYMPIA g] SOTHEBY S KINGS HOUSE g] SOTHEBY S 1/2 ST GEORGE ST<br />

[51 SOTHEBY S 4 ST GEORGE ST (GOODS) \6\ SOTHEBY S 6/7 ST GEORGE ST \J] SOTHEBY S GROSVENOR GALLERIES<br />

Consignors Information<br />

Furniture, Longcase Clocks, large Works <strong>of</strong> Art,<br />

Carpets, Rugs, Tapestries and large Musical<br />

Instruments<br />

Consignments mentioned in the above should<br />

be delivered to Sotheby s Kings House.<br />

By appointment telephone 020 8232 5600.<br />

Opening hours Monday to Friday 8.30am to<br />

4.30pm, Saturdays 8.30am to 1 1 .30am. Please<br />

arrive at least half an hour before closing.<br />

Small items including Pictures, Ceramics, Silver<br />

and small Works <strong>of</strong> Art<br />

Delivery in person between 9.00am and<br />

4.30pm<br />

for all Wl locations.<br />

Paintings and <strong>Books</strong><br />

1-2 St. George Street, London, W1A 2AA<br />

Ceramics, Silver, Jewellery, small Works <strong>of</strong> Art<br />

and Oriental and Islamic Works <strong>of</strong> Art<br />

6-7 St. George Street, London, W1A 2AA<br />

Collectables, small Musical Instruments, Clocks<br />

and Watches, Wine, Stamps and Coins<br />

Aeolian Hall, Bloomfield Place, London<br />

W1A2AA<br />

Delivery by Courier or Shipping Agent<br />

When instructing a Courier or Shipper to<br />

deliver items to Sotheby s, address your<br />

property to the Arrivals Department,<br />

1-2 St. George Street, London, W1A 2AA.<br />

Consignments sent by this method must be<br />

packed appropriately and clearly<br />

labelled with<br />

the owners name, address, telephone numbers,<br />

s Sotheby Client Account Number, (if known)<br />

and necessary licences from the country <strong>of</strong><br />

export. Contact Sotheby s Shipping<br />

Department on 020 7293 5357 for further<br />

information.<br />

To avoid delay ensure 3 days notice is given<br />

along with full consignment details.<br />

Collection<br />

Purchasers wishing to collect lots from Kings<br />

House must ensure that their payment has<br />

been cleared prior to collection and that a<br />

release note has been forwarded to the<br />

warehouse by the cashiers at Sotheby s New<br />

Bond Street. Buyers who have established<br />

credit arrangements with Sotheby s may<br />

collect purchases prior to payment, although a<br />

release note is still required from the cashiers<br />

as above. Please note that the cashiers<br />

department is not open on Saturdays. Lots<br />

will be released only if full payment has been<br />

received together with settlement <strong>of</strong> any<br />

removal, interest, handling and storage<br />

charges thereon. Handling and storage<br />

281<br />

charges plus VAT for all purchase lots sent to<br />

Sotheby s Kings House will apply two weeks<br />

after the sale date at the following rates:<br />

Handling Charge: 20 plus VAT per lot<br />

Storage Charge: 21 plus VAT per lot per<br />

week or part there<strong>of</strong>.<br />

Payments should be made to Sotheby s at<br />

Kings House.<br />

Route Guidance<br />

From Bond Street to Hyde Park Corner take<br />

the Knightsbridge Road leading into<br />

Brompton Road then the Cromwell Road.<br />

Over the Hammersmith Flyover onto the<br />

Great West Road. At the Hogarth<br />

Roundabout take the Hogarth Road to<br />

Chiswick. Follow the A4 route from slip road<br />

round the Chiswick Roundabout and take the<br />

second turning on the left. Follow the A4 past<br />

Capital Interchange on your left and take next<br />

left down the ramp signed Sotheby s. Kings<br />

House is situated adjacent to the DHL<br />

Building.<br />

Kings House Warehouse<br />

Paul Dennis and Salim Hasham<br />

Telephone: 020 8232 5600<br />

Fax: 020 8232 5625<br />

8/01 G.KmgsHouse


282<br />

VAT INFORMATION FOR BUYERS AT BOOK SALES<br />

The following paragraphs are<br />

intended to give guidance to buyers<br />

on the VAT implications <strong>of</strong><br />

purchasing at Sotheby s book<br />

department<br />

sales. The information<br />

concerns the most usual<br />

circumstances (arising from the VAT<br />

rules introduced on 1 June 1995) and<br />

is not intended to be complete. In all<br />

cases the UK VAT legislation takes<br />

precedence and the VAT rates in<br />

effect on the day <strong>of</strong> the auction will<br />

be the rates charged. It should be<br />

noted that, for VAT purposes only,<br />

Sotheby s is not usually<br />

treated as an<br />

agent and most property is sold as if<br />

it is the property <strong>of</strong> Sotheby s.<br />

In the following paragraphs,<br />

reference to VAT symbols shall mean<br />

those symbols located beside the lot<br />

number or the pre-sale estimates in<br />

the catalogue (or amending sale<br />

room notice).<br />

8/00 G.Book.VAT.A<br />

1 . <strong>Property</strong> with no VAT symbol<br />

Where there is no VAT symbol the property is<br />

free from VAT and Sotheby s will not charge<br />

VAT on either the hammer price or the buyer s<br />

premium.<br />

2. <strong>Property</strong> with a # symbol<br />

Although these items are not free from VAT,<br />

s is Sotheby able to use the Auctioneer s<br />

Margin Scheme and VAT will not normally be<br />

charged on the hammer price.<br />

Sotheby s must bear VAT on the buyer s<br />

premium and hence will charge an amount in<br />

lieu <strong>of</strong>VAT at 17.5% on this premium. This<br />

amount will form part <strong>of</strong> the buyer s premium<br />

on our invoice and will not be separately<br />

identified.<br />

Please see Exports from the European<br />

Union for the conditions to be fulfilled before<br />

the amount in lieu <strong>of</strong>VAT in the buyer s<br />

premium may be cancelled or refunded.<br />

(VAT-registered buyers from within the<br />

European Union (EU) should note that the<br />

amount in lieu <strong>of</strong>VAT contained within the<br />

cannot be cancelled or<br />

buyer s premium<br />

refunded s by Sotheby or HM Customs &<br />

Excise.)<br />

(VAT-registered buyers from within the<br />

EU requiring an invoice under the normal<br />

VAT rules, instead <strong>of</strong> a margin scheme<br />

invoice, should notify the Cashier s Office or<br />

the Client Accounts Department on the day<br />

<strong>of</strong> the auction and an invoice with VAT on the<br />

hammer price will be raised. Buyers requiring<br />

reinvoicing under the normal VAT rules<br />

subsequent to a margin scheme invoice having<br />

been raised should contact the Client<br />

Accounts Department for assistance.)<br />

3. <strong>Property</strong> with a t symbol<br />

These items are standard-rated and will be<br />

sold under the normal UK VAT rules. Both<br />

the hammer price and buyer s premium will<br />

be subject to VAT at 17.5%.<br />

Please see Exports from the European<br />

Union for the conditions to be fulfilled before<br />

the VAT charged on the hammer price may be<br />

cancelled or refunded. Sotheby s must always<br />

charge VAT on the buyer s premium for these<br />

lots and will neither cancel nor refund the<br />

VAT charged.<br />

(VAT-registered buyers from other<br />

European Union (EU) countries may have the<br />

VAT on the hammer price cancelled or<br />

refunded if they provide Sotheby s with their<br />

VAT registration number and evidence that<br />

the property has been removed from the UK<br />

within three months <strong>of</strong> the date <strong>of</strong> sale. A<br />

form is available from the Cashier s Office<br />

which will act as such evidence once<br />

completed by the buyer or the buyer s agent.<br />

If the shipping is undertaken by Sotheby s, no<br />

such form will be required.)<br />

(All business buyers from outside the UK<br />

should refer to VAT Refunds from HM<br />

Customs & Excise for information on how to<br />

recover VAT incurred on the buyer s<br />

premium.)<br />

4. <strong>Property</strong> with a a symbol<br />

Items sold to buyers whose address is in the<br />

European Union (EU) will be assumed to be<br />

remaining in the EU. The property will be<br />

invoiced as if it had a # symbol (see <strong>Property</strong><br />

with a # symbol above). However, if the<br />

property is to be exported<br />

from the EU,<br />

Sotheby s will re-invoice the property under<br />

the normal VAT rules (see <strong>Property</strong> sold with<br />

a f symbol above) as requested by the seller.<br />

Items sold to buyers whose address is<br />

outside the European Union (EU) will be<br />

assumed to be exported from the EU. The<br />

property will be invoiced under the normal<br />

VAT rules (see <strong>Property</strong> sold with a t symbol<br />

above). Although the hammer price<br />

will be<br />

subject to VAT this will be cancelled or<br />

refunded upon export - see Exports from the<br />

European Union . The s buyer premium will<br />

always attract VAT. However, buyers who are<br />

not intending to export their property from<br />

the EU should notify our Client Accounts<br />

Department on the day <strong>of</strong> the sale and the<br />

property will be re-invoiced showing no VAT<br />

on the hammer price (see <strong>Property</strong> sold with<br />

a # symbol above) .<br />

5. <strong>Property</strong> sold with a * or Q<br />

symbol<br />

These items have been imported from outside<br />

the European Union (EU) to be sold at<br />

auction under temporary importation. When<br />

Sotheby s releases such property to buyers in<br />

the UK, the buyer will become the importer<br />

and must pay Sotheby s import VAT at the


following rates on both the hammer price and<br />

buyer s premium:<br />

t - 5%<br />

Q- 17.5%<br />

Buyers intending to take their purchased<br />

property out <strong>of</strong> the EU should see Exports<br />

from the European Union .<br />

(VAT-registered buyers from the EU<br />

should note that the import VAT charged on<br />

property released in the UK cannot be<br />

cancelled or refunded by Sotheby s.)<br />

(VAT-registered buyers from the UK<br />

should note that the invoice issued by<br />

s Sotheby for these items is not suitable<br />

evidence for VAT return purposes. You<br />

should confirm with the Shipping<br />

Department that s Sotheby has a record <strong>of</strong><br />

your VAT registration number and wait for a<br />

certificate C79 to be issued by HM Customs<br />

& Excise.)<br />

(VAT-registered buyers from other EU<br />

countries may be able to seek repayment <strong>of</strong><br />

the import VAT paid by applying to HM<br />

Customs & Excise with a copy <strong>of</strong> the C88<br />

import declaration available from the<br />

Shipping Department - see VAT Refunds<br />

from HM Customs & Excise .)<br />

6. Exports from the European Union<br />

The following types <strong>of</strong>VAT may be cancelled<br />

or refunded by Sotheby s on exports made<br />

within three months <strong>of</strong> the sale date if strict<br />

conditions are met:<br />

- the amount in lieu <strong>of</strong>VAT charged on<br />

buyer s premium for property sold under the<br />

or a a<br />

margin scheme i.e. with a # symbol<br />

symbol.<br />

- the VAT on the hammer price for<br />

property sold under the normal VAT rules i.e.<br />

with a t symbol or a a symbol.<br />

- the import VAT charged on hammer<br />

price and buyer s premium for property sold<br />

under temporary importation i.e. with a t or a<br />

2 symbol.<br />

In each <strong>of</strong> the above examples, where the<br />

appropriate conditions are satisfied, no VAT<br />

will be charged if, at or before the time <strong>of</strong><br />

invoicing, the buyer instructs Sotheby s to<br />

export the property from the EU. If such<br />

instruction is received after payment, a refund<br />

<strong>of</strong> the VAT amount will be made. If a buyer<br />

later decides not to use Sotheby s shipping<br />

services a revised invoice will be raised<br />

charging VAT.<br />

Where the buyer carries purchases from<br />

the EU personally or uses the services <strong>of</strong><br />

another shipper, Sotheby s will charge the VAT<br />

amount due as a deposit and refund it if the<br />

lot has been exported within three months <strong>of</strong><br />

the date <strong>of</strong> sale and the following conditions<br />

are met:<br />

- For lots sold under the margin scheme<br />

(# symbol) or the normal VAT rules (t<br />

symbol), Sotheby s is provided with<br />

appropriate documentary pro<strong>of</strong> <strong>of</strong> export<br />

from the EU. Buyers carrying their own<br />

property should obtain hand-carry papers<br />

from the Shipping Department to facilitate<br />

this process.<br />

- For lots sold under temporary<br />

importation (t or Q symbols), Sotheby s is<br />

provided with a copy <strong>of</strong> the correct paperwork<br />

duly completed and stamped by HM Customs<br />

& Excise. It is essential for shippers acting on<br />

behalf <strong>of</strong> buyers to collect copies <strong>of</strong> the<br />

original import papers from our Shipping<br />

Department. Buyers carrying their own<br />

property must obtain hand-carry papers from<br />

the Shipping Department.<br />

Once the appropriate paperwork has<br />

been returned to Sotheby s, a refund <strong>of</strong> the<br />

VAT charge will be made. Please note, an<br />

administrative fee <strong>of</strong> 20.00 will be charged<br />

for this service.<br />

Sotheby s is not able to cancel or refund<br />

any VAT charged on sales made to UK or EU<br />

private residents unless the lot is subject to<br />

temporary importation and the property is<br />

exported from the EU within three months <strong>of</strong><br />

the date <strong>of</strong> sale.<br />

Buyers intending to export lots under<br />

temporary importation ($ or Q symbols)<br />

should notify the Shipping Department<br />

before collection. Failure to do so may result<br />

in the crystallisation <strong>of</strong> the import VAT charge<br />

and Sotheby s will be unable to refund the<br />

VAT charged on deposit.<br />

7. VAT Refunds from HM Customs<br />

& Excise<br />

Where VAT charged cannot be cancelled or<br />

refunded by Sotheby s, it may be possible to<br />

seek repayment from HM Customs &C Excise.<br />

Repayments in this manner are limited to<br />

283<br />

businesses located outside the UK and may be<br />

considered for VAT charged on buyer s<br />

premium on property sold under the normal<br />

VAT rules (i.e. with a t or a symbol) or import<br />

VAT charged on the hammer price and buyer s<br />

premium for lots sold under temporary<br />

importation (i.e. with a $ or Q symbol).<br />

Claim forms are available from:<br />

HM Customs & Excise<br />

Overseas Repayment Section<br />

8th/ 13th Directive<br />

Customs House<br />

PO Box 34<br />

Londonderry, BT48 7AE<br />

Northern Ireland<br />

Tel: (44) 1504 372727<br />

Fax: (44) 1504 372520<br />

8/00 G.Book.VAT.B


284<br />

CONDITIONS OF BUSINESS FOR BUYERS<br />

The nature <strong>of</strong> the relationship<br />

between Sotheby s, Sellers and<br />

Bidders and the terms on which<br />

Sotheby s (as auctioneer) and Sellers<br />

contract with Bidders are set out<br />

below. Bidders attention is<br />

specifically drawn to Conditions 3<br />

and 4 below, which require them to<br />

investigate lots prior to bidding and<br />

which contain specific limitations and<br />

exclusions <strong>of</strong> the legal liability <strong>of</strong><br />

Sotheby s and Sellers. The limitations<br />

and exclusions relating to Sotheby s<br />

are consistent with its role as<br />

auctioneer <strong>of</strong> large quantities <strong>of</strong><br />

goods <strong>of</strong> a wide variety. Bidders<br />

should pay particular attention to<br />

these Conditions.<br />

1 . Introduction<br />

(a) Sotheby s and Sellers contractual<br />

relationship with prospective Buyers is<br />

governed by:<br />

(i)<br />

(ii)<br />

these Conditions <strong>of</strong> Business;<br />

the Conditions <strong>of</strong> Business for Sellers<br />

displayed in the saleroom and which are<br />

available on request;<br />

(iii) Sotheby s Authenticity Guarantee as<br />

printed in the sale catalogue; and<br />

(iv) any additional notices and terms printed<br />

in the sale catalogue,<br />

in each case as amended by any saleroom<br />

notice or auctioneer s announcement at the<br />

auction.<br />

(b) As auctioneer, Sotheby s acts as agent for<br />

the Seller. A sale contract is made directly<br />

between the Seller and the Buyer. However,<br />

Sotheby s may own a lot (and in such<br />

circumstances acts in a principal capacity as<br />

Seller) and/or may have a legal, beneficial or<br />

financial interest in a lot as a secured creditor<br />

or otherwise.<br />

7/01 G.AII.CoB.A<br />

2. Common Terms<br />

In these Conditions <strong>of</strong> Business:<br />

&quot;Bidder&quot; is any person considering, making<br />

or attempting to make a bid, by whatever<br />

means, and includes Buyers;<br />

&quot;Buyer&quot; is the person who makes the highest<br />

bid or <strong>of</strong>fer accepted by the auctioneer, and<br />

includes such person s principal when bidding<br />

as agent;<br />

&quot;Buyer s Expenses&quot; are any costs or expenses<br />

due to Sotheby s from the Buyer, including an<br />

amount in respect <strong>of</strong> applicable VAT thereon;<br />

s Premium&quot; is the commission<br />

&quot;Buyer<br />

payable by the Buyer on the Hammer Price at<br />

the rates set out in the Guide for Prospective<br />

Buyers;<br />

&quot;Counterfeit&quot; is as defined in Sotheby s<br />

Authenticity Guarantee;<br />

&quot;Hammer Price&quot; is the highest bid accepted<br />

by the auctioneer by the fall <strong>of</strong> the hammer, or<br />

in the case <strong>of</strong> a post-auction sale, the agreed<br />

sale price;<br />

&quot;Purchase Price&quot; is the Hammer Price and<br />

s applicable Buyer Premium and VAT;<br />

&quot;Reserve&quot; is the (confidential) minimum<br />

Hammer Price at which the Seller has agreed<br />

to sell a lot;<br />

&quot;Seller&quot; is the person <strong>of</strong>fering a lot for sale<br />

(including their agent (other than Sotheby s),<br />

executors or personal representatives);<br />

&quot;Sotheby s&quot; means Sotheby s, the unlimited<br />

company which has its registered<br />

<strong>of</strong>fice at 34-<br />

35 New Bond Street, London W1A 2AA;<br />

&quot;Sotheby s Company&quot; is Sotheby s Holdings,<br />

Inc. and any <strong>of</strong> its subsidiaries (within the<br />

meaning <strong>of</strong> Section 736 <strong>of</strong> the Companies Act<br />

1985) (including Sotheby s);<br />

&quot;VAT&quot; is Value Added Tax at the prevailing<br />

rate. Further information is contained in the<br />

Guide for Prospective Buyers.<br />

3. Duties <strong>of</strong> Bidders and <strong>of</strong>Sotheby s in respect <strong>of</strong><br />

items for sale<br />

(a) Sotheby s knowledge in relation to each<br />

lot is partially dependent on information<br />

provided to it by the Seller, and Sotheby s is<br />

not able to and does not carry out exhaustive<br />

due diligence on each lot. Bidders<br />

acknowledge this fact and accept<br />

responsibility for carrying out inspections and<br />

investigations to satisfy themselves as to the<br />

lots in which they may be interested.<br />

(b) Each lot <strong>of</strong>fered for sale at Sotheby s is<br />

available for inspection by Bidders prior to the<br />

sale. Sotheby s accepts bids on lots solely on<br />

the basis that Bidders (and independent<br />

experts on their behalf, to the extent<br />

appropriate given the nature and value <strong>of</strong> the<br />

lot and the Bidder s own expertise) have fully<br />

inspected the lot prior to bidding and have<br />

satisfied themselves as to both the condition<br />

<strong>of</strong> the lot and the accuracy <strong>of</strong> its description.<br />

(c)<br />

Bidders acknowledge that many lots are<br />

<strong>of</strong> an age and type which means that they are<br />

not in perfect condition. All lots are <strong>of</strong>fered<br />

for sale in the condition they are in at the time<br />

<strong>of</strong> the auction (whether or not Bidders are in<br />

attendance at the auction). Condition reports<br />

may be available to assist when inspecting lots.<br />

Catalogue descriptions and condition reports<br />

may on occasions make reference to particular<br />

imperfections <strong>of</strong> a lot, but Bidders should<br />

note that lots may have other faults not<br />

expressly referred to in the catalogue or<br />

condition report. Illustrations are for<br />

identification purposes only and will not<br />

convey full information as to the actual<br />

condition <strong>of</strong> lots.<br />

(d) Information provided to Bidders in<br />

respect <strong>of</strong> any lot, including any estimate,<br />

whether written or oral and including<br />

information in any catalogue, condition or<br />

other report, commentary or valuation, is not<br />

a representation <strong>of</strong> fact but rather is a<br />

statement <strong>of</strong> opinion genuinely held by<br />

Sotheby s. Any estimate may not be relied on<br />

as a prediction <strong>of</strong> the selling price or value <strong>of</strong><br />

the lot and may be revised from time to time<br />

in Sotheby s absolute discretion.<br />

(e)<br />

No representations or warranties are<br />

made by Sotheby s or the Seller as to whether<br />

any lot is subject to copyright or whether the<br />

Buyer acquires copyright in any lot.<br />

(f) Subject to the matters referred to at 3 (a)<br />

to 3(e) above and to the specific exclusions<br />

contained at Condition 4 below, Sotheby s<br />

shall exercise such reasonable care when<br />

making express statements in catalogue<br />

descriptions or condition reports<br />

as is<br />

consistent with its role as auctioneer <strong>of</strong> lots in<br />

the sale to which these Conditions relate, and<br />

in the light <strong>of</strong> (i) the information provided to<br />

it by the Seller; (ii) scholarship and technical<br />

knowledge; and (iii) the generally accepted<br />

opinions <strong>of</strong> relevant experts,<br />

in each case at<br />

the time any such express statement is made.


4. Exclusions and limitations <strong>of</strong>liability to<br />

Buyers<br />

(a) s Sotheby shall refund the Purchase Price<br />

to the Buyer in circumstances where it deems<br />

that the lot is a Counterfeit and each <strong>of</strong> the<br />

conditions <strong>of</strong> the Authenticity Guarantee has<br />

been satisfied.<br />

(b)<br />

In the light <strong>of</strong> the matters in Condition 3<br />

above and subject to Conditions 4(a) and<br />

4(e), neither any Sotheby s Company nor the<br />

Seller:<br />

(i)<br />

is liable for any errors or omissions in<br />

information provided to Bidders by Sotheby s<br />

(or any Sotheby s Company), whether orally<br />

or in writing, whether negligent or otherwise,<br />

except as set out in Condition 3(f) above;<br />

(ii) gives any guarantee or warranty to<br />

Bidders and any implied warranties and<br />

conditions are excluded (save in so far as such<br />

obligations cannot be excluded by law) other<br />

than the express warranties given by the Seller<br />

to the Buyer in Condition 2 <strong>of</strong> the Sellers<br />

Conditions <strong>of</strong> Business;<br />

(iii) accepts responsibility to any Bidders in<br />

respect <strong>of</strong> acts or omissions (whether negligent<br />

or otherwise) s by Sotheby in connection with<br />

the conduct <strong>of</strong> auctions or for any matter<br />

relating to the sale <strong>of</strong> any lot.<br />

(c)<br />

Unless Sotheby s owns a lot <strong>of</strong>fered for<br />

sale, it is not responsible for any breach <strong>of</strong><br />

these conditions by the Seller.<br />

(d) Without prejudice to Condition 4(b),<br />

any claim against Sotheby s or the Seller by a<br />

Bidder is limited to the Purchase Price with<br />

regard to that lot. Neither s Sotheby nor the<br />

Seller shall under any circumstances be liable<br />

for any consequential losses.<br />

(e)<br />

None <strong>of</strong> this Condition 4 shall exclude or<br />

limit Sotheby s liability in respect <strong>of</strong> any<br />

fraudulent misrepresentation made by<br />

Sotheby s or the Seller, or in respect <strong>of</strong> death<br />

or personal injury caused by the negligent acts<br />

or omissions <strong>of</strong> Sotheby s or the Seller.<br />

5 . Bidding at Auction<br />

(a) s Sotheby has absolute discretion to<br />

refuse admission to the auction. Bidders must<br />

complete a Paddle Registration<br />

Form and<br />

supply such information and references as<br />

required by Sotheby s. Bidders act as principal<br />

unless they have Sotheby s prior written<br />

consent to bid as agent for another party.<br />

Bidders are personally liable for their bid and<br />

are jointly and severally liable with their<br />

principal if bidding as agent.<br />

(b) s Sotheby advises Bidders to attend the<br />

auction but will seek to carry out absentee<br />

written bids which are in pounds sterling and,<br />

in Sotheby s opinion, clear and received<br />

sufficiently<br />

in advance <strong>of</strong> the sale <strong>of</strong> the lot,<br />

endeavouring to ensure that the first received<br />

<strong>of</strong> identical written bids has priority.<br />

(c)<br />

Where available, written and telephone<br />

bids are <strong>of</strong>fered as an additional service for no<br />

extra charge, at the Bidder s risk and are<br />

undertaken subject to Sotheby s other<br />

commitments at the time <strong>of</strong> the auction,<br />

Sotheby s therefore cannot accept liability for<br />

failure to place such bids. Telephone bids may<br />

be recorded.<br />

6. Conduct <strong>of</strong> the Auction<br />

(a)<br />

Unless otherwise specified, all lots are<br />

<strong>of</strong>fered subject to a Reserve, which shall be no<br />

higher than the low presale estimate at the<br />

time <strong>of</strong> the auction.<br />

(b) The auctioneer has discretion at any time<br />

to refuse any bid, withdraw any lot, re-<strong>of</strong>fer a<br />

lot for sale (including after the fall <strong>of</strong> the<br />

hammer) if he believes there may be error or<br />

dispute, and take such other action as he<br />

reasonably thinks fit.<br />

(c) The auctioneer will commence and<br />

advance the bidding at levels and in<br />

increments he considers appropriate and is<br />

entitled to place a bid or series <strong>of</strong> bids on<br />

behalf <strong>of</strong> the Seller up to the Reserve on the<br />

lot, without indicating he is doing so and<br />

whether or not other bids are placed.<br />

(d) Subject to Condition 6(b), the contract<br />

between the Buyer and the Seller is concluded<br />

on the striking <strong>of</strong> the auctioneer s hammer,<br />

whereupon the Buyer becomes liable to pay<br />

the Purchase Price.<br />

(e) Any post-auction sale <strong>of</strong> lots <strong>of</strong>fered at<br />

auction shall incorporate these Conditions as<br />

if sold in the auction.<br />

7. Payment and Collection<br />

(a)<br />

Unless otherwise agreed, payment <strong>of</strong> the<br />

Purchase Price for a lot and any Buyer s<br />

Expenses are due in pounds sterling<br />

immediately on conclusion <strong>of</strong> the auction (the<br />

&quot;Due Date&quot;) notwithstanding any<br />

requirements for export, import or other<br />

permits<br />

for such lot.<br />

285<br />

(b) Title in a purchased lot will not pass until<br />

s Sotheby has received the Purchase Price and<br />

Buyer s Expenses for that lot in cleared funds.<br />

Sotheby s is not obliged<br />

to release a lot to the<br />

Buyer until title in the lot has passed, and any<br />

earlier release does not affect the passing <strong>of</strong><br />

title or the Buyer s unconditional obligation<br />

to pay the Purchase Price and Buyer s<br />

Expenses.<br />

(c)<br />

The Buyer is obliged to arrange<br />

collection <strong>of</strong> purchased lots within five days <strong>of</strong><br />

the auction. Purchased lots are at the Buyer s<br />

risk (and therefore their sole responsibility for<br />

insurance) from the earliest <strong>of</strong> i) collection or<br />

ii) five days after the auction. Until risk<br />

passes, Sotheby s will compensate the Buyer<br />

for any loss or damage to the lot up to a<br />

maximum <strong>of</strong> the Purchase Price paid. Buyers<br />

should note that Sotheby s assumption <strong>of</strong> risk<br />

for loss or damage is subject to the exclusions<br />

set out in Condition 6 <strong>of</strong> the Conditions <strong>of</strong><br />

Business for Sellers.<br />

(d) For all items stored by a third party and<br />

not available for collection from Sotheby s<br />

premises, the supply <strong>of</strong> authority to release to<br />

the Buyer shall constitute collection by the<br />

Buyer.<br />

(e)<br />

All packing and handling is at the Buyer s<br />

risk. Sotheby s will not be liable for any acts or<br />

omissions <strong>of</strong> third party packers or shippers.<br />

Remedies for non-payment<br />

Without prejudice to any rights the Seller may<br />

have, if the Buyer without prior agreement<br />

fails to make payment for the lot within five<br />

days <strong>of</strong> the auction, Sotheby s may in its sole<br />

discretion (having informed the Seller)<br />

exercise one or more <strong>of</strong> the following<br />

remedies:<br />

(a)<br />

store the lot at its premises or elsewhere<br />

at the Buyer s sole risk and expense;<br />

(b) cancel the sale <strong>of</strong> the lot;<br />

(c)<br />

set <strong>of</strong>f any amounts owed to the Buyer by<br />

a Sotheby s Company against any amounts<br />

owed to Sotheby s by the Buyer in respect <strong>of</strong><br />

the lot;<br />

(d) reject future bids from the Buyer or<br />

render such bids subject to payment <strong>of</strong> a<br />

deposit;<br />

(e) charge interest at 4% per annum above<br />

Barclays Bank pic Base Rate from the Due<br />

Date to the date the Purchase Price and<br />

relevant Buyer s Expenses are received in<br />

cleared funds;<br />

7/01 G.AII.CoB.B


286<br />

(f)<br />

exercise a lien over any <strong>of</strong> the Buyer s<br />

property which is in the possession<br />

<strong>of</strong> a<br />

Sotheby s s Company. Sotheby shall inform<br />

the Buyer <strong>of</strong> the exercise <strong>of</strong> any such lien and<br />

within 14 days <strong>of</strong> such notice may arrange the<br />

sale <strong>of</strong> such property and apply the proceeds<br />

to the amount owed to Sotheby s;<br />

(g)<br />

resell the lot by auction or private sale,<br />

with estimates and reserves at Sotheby s<br />

discretion. In the event such resale is for less<br />

than the Purchase Price and Buyer s Expenses<br />

for that lot, the Buyer will remain liable for<br />

the shortfall together with all costs incurred in<br />

such resale;<br />

(h) commence legal proceedings to recover<br />

the Purchase Price and Buyer s Expenses for<br />

that lot, together with interest and the costs <strong>of</strong><br />

such proceedings on a full indemnity basis; or<br />

(i)<br />

release the name and address <strong>of</strong> the Buyer<br />

to the Seller to enable the Seller to commence<br />

legal proceedings to recover the amounts due<br />

and legal costs. Sotheby s will take reasonable<br />

steps to notify the Buyer prior to releasing<br />

such details to the Seller.<br />

9. Failure to collect purchases<br />

(a)<br />

If the Buyer pays the Purchase Price and<br />

Buyer s Expenses but fails to collect a<br />

purchased lot within fourteen calendar days <strong>of</strong><br />

the auction, the lot will be stored at the<br />

Buyer s expense (and risk) at Sotheby s or with<br />

a third party.<br />

(b) If a purchased lot is paid for but not<br />

collected within six months <strong>of</strong> the auction, the<br />

Buyer authorises Sotheby s, having given<br />

notice to the Buyer, to arrange a resale <strong>of</strong> the<br />

item by auction or private sale, with estimates<br />

and reserves at Sotheby s discretion. The<br />

proceeds <strong>of</strong> such sale, less all costs incurred by<br />

Sotheby s, will be forfeited unless collected by<br />

the Buyer within two years <strong>of</strong> the original<br />

auction.<br />

10. Export<br />

It is the Buyer s sole responsibility to obtain<br />

any necessary export, import, firearm,<br />

endangered species or other permit for the lot.<br />

Without prejudice to Conditions 3 and 4<br />

above, s Sotheby and the Seller make no<br />

representations or warranties as to whether<br />

any lot is subject to export or import<br />

restrictions or any embargoes.<br />

7/01 G.AII.CoB.C<br />

The denial <strong>of</strong> any permit or licence shall not<br />

justify cancellation or rescission <strong>of</strong> the sale<br />

contract or any delay in payment.<br />

1 1 . General<br />

(a)<br />

All images and other materials produced<br />

for the auction are the copyright <strong>of</strong> Sotheby s,<br />

for use at Sotheby s discretion.<br />

(b) Notices to Sotheby s should be in writing<br />

and addressed to the department in charge <strong>of</strong><br />

the sale, quoting the reference number<br />

specified at the beginning <strong>of</strong> the sale<br />

catalogue. Notices to s Sotheby clients shall<br />

be addressed to the last address formally<br />

notified by them to Sotheby s.<br />

(c)<br />

Should any provision <strong>of</strong> these Conditions<br />

<strong>of</strong> Business be held unenforceable for any<br />

reason, the remaining provisions shall remain<br />

in full force and effect.<br />

(d) These Conditions <strong>of</strong> Business are not<br />

assignable by any Buyer without Sotheby s<br />

prior written consent, but are binding on<br />

Buyers successors, assigns and representatives.<br />

No act, omission or delay by Sotheby s shall<br />

be deemed a waiver or release <strong>of</strong> any <strong>of</strong> its<br />

rights.<br />

(e)<br />

The Contracts (Rights <strong>of</strong> Third Parties)<br />

Act 1999 is excluded by these Conditions <strong>of</strong><br />

Business and shall not apply to any contract<br />

made pursuant to them.<br />

(f)<br />

The materials listed in Condition l(a)<br />

above set out the entire agreement and<br />

understanding between the parties with<br />

respect to the subject matter here<strong>of</strong>. It is<br />

agreed that, save in respect <strong>of</strong> liability for<br />

fraudulent misrepresentation, no party has<br />

entered into any contract pursuant to these<br />

terms in reliance on any representation,<br />

warranty or undertaking which is not<br />

expressly referred to in such materials.<br />

12. Data Protection<br />

Sotheby s will use information provided by its<br />

clients or which Sotheby s otherwise obtains<br />

relating to its clients for the provision <strong>of</strong><br />

auction and other art-related services, real<br />

estate and insurance services, client<br />

administration, marketing and otherwise to<br />

manage and its operate business, or as<br />

required by law.<br />

Some gathering <strong>of</strong> information about<br />

Sotheby s clients will take place using<br />

technical means to identify their preferences<br />

and provide a higher quality <strong>of</strong> service to<br />

them, and Sotheby s may gather information<br />

about its clients through video images or<br />

through the use <strong>of</strong> monitoring devices used to<br />

record telephone conversations.<br />

Sotheby s will generally seek clients express<br />

consent before gathering any sensitive data,<br />

unless otherwise permitted by law. Bidders<br />

agree that Sotheby s may use any sensitive<br />

information that they supply to Sotheby s.<br />

By agreeing to these Conditions <strong>of</strong> Business,<br />

Bidders agree to the processing <strong>of</strong> their<br />

personal information and also to the<br />

disclosure and transfer <strong>of</strong> such information to<br />

any Sotheby s Company and to third parties<br />

anywhere in the world for the above purposes,<br />

including to countries which may not <strong>of</strong>fer<br />

equivalent protection <strong>of</strong> personal information<br />

to that <strong>of</strong>fered in the UK. Bidders can prevent<br />

the use <strong>of</strong> their personal information for<br />

marketing purposes at any time by notifying<br />

Sotheby s.<br />

13. Law and Jurisdiction<br />

Governing Law These Conditions <strong>of</strong> Business<br />

and all aspects <strong>of</strong> all matters, transactions or<br />

disputes to which they relate or apply shall be<br />

governed by and interpreted in accordance<br />

with English law.<br />

Jurisdiction For the benefit <strong>of</strong> Sotheby s, all<br />

Bidders and Sellers agree that the Courts <strong>of</strong><br />

England are to have exclusive jurisdiction to<br />

settle all disputes arising in connection with<br />

all aspects <strong>of</strong> all matters or transactions to<br />

which these Conditions <strong>of</strong> Business relate or<br />

apply. All parties agree that s Sotheby shall<br />

retain the right to bring proceedings in any<br />

court other than the Courts <strong>of</strong> England.<br />

Service <strong>of</strong> Process All Bidders and Sellers<br />

irrevocably consent to service <strong>of</strong> process or<br />

any other documents in connection with<br />

proceedings in any court by facsimile<br />

transmission, personal service, delivery by<br />

mail or in any other manner permitted by<br />

English law, the law <strong>of</strong> the place <strong>of</strong> service or<br />

the law <strong>of</strong> the jurisdiction where proceedings<br />

are instituted, at the last address <strong>of</strong> the Buyer<br />

or Seller known to Sotheby s or any other<br />

usual address.


CLIENT SERVICES<br />

<strong>Books</strong>hop & Mail Order <strong>Books</strong><br />

Clare Klos 020 7293 5404<br />

Client Assistance<br />

Enquiries<br />

Catalogue Subscriptions<br />

020 7293 5002<br />

Katherine MacDonald 020 7293 5458<br />

Client Accounts<br />

Michael Hart 020 7293 5890<br />

Sotheby s Institute <strong>of</strong> Art<br />

Diana Keith Neal 020 7293 5337<br />

New York<br />

]. Thomas Savage<br />

Photography<br />

Wayne Williams<br />

212 894 1 1 1 1<br />

Financial Services<br />

Ann-Marie Jones<br />

New York<br />

Shelley Fischer<br />

Furniture Restoration<br />

Roddy McVittie<br />

New York<br />

Colin Stair<br />

House Sales<br />

James Miller<br />

Harry Dalmeny<br />

Alexandra Reece<br />

Layout Editor<br />

Lynne Sellers<br />

Colour Editor<br />

Judith Arnold<br />

020 7293 5273<br />

212894 1144<br />

01403 833626<br />

212 860 5446<br />

020 7293 5405<br />

020 7293 5848<br />

02072935711<br />

Communications & Press<br />

Christopher Proudlove<br />

Shipping<br />

Suzanne Swan<br />

Tax & Heritage<br />

James Jowitt<br />

New York<br />

Warren P. Weitman, Jr.<br />

Valuations<br />

William Lucy<br />

New York<br />

Lindsey Pryor<br />

Production Controller<br />

David Mountain<br />

Repro/Print<br />

SOT/DIT<br />

287<br />

02072935165<br />

020 7293 5353<br />

020 7293 5335<br />

2126067198<br />

02072935178<br />

212894 1120


288<br />

8/01 G. Speciall


289


290<br />

John Hudson<br />

Telephone: 020 7293 5897<br />

Fax: 020 7293 5934<br />

Kent & East Sussex<br />

Timothy Wonnacott, FRICS<br />

Telephone: 01403 833500<br />

Fax: 01403 833699<br />

Cotswolds, South Wales 6- the<br />

West Midlands<br />

John Harvey<br />

1 8 Imperial Square<br />

Cheltenham<br />

Gloucestershire GL50 1QZ<br />

Telephone: 01 242 5 10500<br />

Fax: 01 242 250252<br />

Charles Hignett<br />

Bath, Somerset<br />

Telephone: 01225 840101<br />

Fax: 01225 840696<br />

Northamptonshire<br />

Mary Miller<br />

Towcester<br />

Northamptonshire<br />

Telephone: 01327 860020<br />

Fax: 01 327 8606 12<br />

North West 6- North Wales<br />

Gareth Williams<br />

The Hon. Rose Paterson<br />

Lightfoot Street<br />

Hoole, Chester<br />

Cheshire CH2 3AD<br />

Telephone: 01 244 3 15531<br />

Fax: 01244 346984<br />

The Marchioness <strong>of</strong> Linlithgow<br />

Powys, Wales<br />

Telephone: 01691 648646<br />

Fax: 01 691 648664<br />

Georgiana Bruce<br />

112 George Street<br />

Edinburgh EH2 4LH<br />

Telephone: 013 1226 7201<br />

Fax: 0131 2266866<br />

Anthony Weld Forester<br />

130 Douglas Street<br />

Glasgow G2 4HF<br />

Telephone: 0141 2214817<br />

Fax: 0141 2042502<br />

Northern Ireland<br />

William Montgomery<br />

The Estate Office<br />

Grey Abbey<br />

Newtownards<br />

Co. Down BT22 2QA<br />

Telephone: 028 4278 8668<br />

Fax: 028 4278 8652<br />

Hanne Wedell-Wedellsborg<br />

Tina Hansen<br />

Vognmagergade 9<br />

1 120 Copenhagen K<br />

Telephone: 45 33 135556<br />

Fax: 45 33 930 119<br />

FINLAND<br />

Claire Svartstrom<br />

Bernhardinkatu IB<br />

00 130 Helsinki<br />

Telephone: 358 9 622 1558<br />

Fax: 358 9 680 1208


INTERNATIONAL OFFICES<br />

FRANCE<br />

Paris<br />

Princesse de Beauvau Craon<br />

P.D.G., France<br />

Deputy Chairman, Europe<br />

Jean-Baptiste de Proyart<br />

Vice-President, France<br />

Peter Arney<br />

Managing Director<br />

Jeremy Durack<br />

Finance & Operations Director<br />

76 rue du Faubourg St. Honore<br />

75008 Paris<br />

33 1 53 05 53 05<br />

Telephone:<br />

Fax: 33 1 47 42 22 32<br />

Bordeaux<br />

Alain de Baritault<br />

Telephone/Fax: 33 5 56 58 72 04<br />

Lyon<br />

Albert de Franclieu<br />

Telephone/Fax: 33 4 76 07 15 52<br />

Montpellier<br />

Beatrice Viennet<br />

Telephone: 33 4 67 24 95 72<br />

Fax: 33 4 67 24 93 52<br />

Strasbourg<br />

Marie-France Ludmann<br />

Telephone/Fax: 33 3 88 60 00 61<br />

Frankfurt<br />

Dr. Philipp Herzog von<br />

Wurttemberg<br />

Managing Director-Germany<br />

Nina Buhne<br />

Mendelssohnstrasse 66<br />

D-60325 Frankfurt-am-Main<br />

Telephone: 49 69 74 07 87<br />

Fax: 49 69 74 69 01<br />

Munich<br />

Heinrich Graf von Spreti<br />

President- Germany<br />

Odeonsplatz 16<br />

D-80539 Munchen<br />

Telephone: 49 89 291 31 51<br />

Fax: 49 89 299 271<br />

Cologne<br />

Ursula Niggemann<br />

Vice President-Germany<br />

Jorg-Michael Bertz<br />

Vice President-Germany<br />

St. Apern - Strasse 17-21<br />

D-50667 Koln<br />

Telephone: 49 221 207170<br />

Fax: 49 221 2574359<br />

Hamburg<br />

Axel Benz<br />

Tesdorpfstrasse 22<br />

D-20148 Hamburg<br />

Telephone: 49 40 44 40 80<br />

Fax: 49 40 41 070 82<br />

Rivka Saker<br />

46 Rothschild Boulevard<br />

Tel Aviv 66883<br />

Telephone: 972 3 560 1666<br />

Fax: 972 3 56081 11<br />

Filippo Lotti<br />

Managing Director<br />

Milan<br />

Filippo Lotti<br />

Claudia Dwek<br />

Deputy Chairman<br />

Palazzo Broggi<br />

Via Broggi 19, 20129 Milan<br />

Telephone: 39 02 29 5001<br />

Fax: 39 02 29 5 18595<br />

Rome<br />

Luisa Lepri<br />

Director<br />

Silvia Geddes da Filicaia<br />

Piazza di Spagna 90<br />

00 187 Rome<br />

Telephone: 39 6 699 41791<br />

Fax: 39 06 679 6 167<br />

Florence<br />

Clementina Bartolini Salimbeni<br />

Telephone: 39 55 247 9021<br />

Fax: 39 55 247 9563<br />

Turin<br />

Laura Russo<br />

Director<br />

Corso Galileo, Ferraris 18B<br />

10121 Turin<br />

Telephone: 39 1 1 544898<br />

Fax: 39 1 1 547675<br />

LUXEMBOURG<br />

Please refer all enquiries to<br />

Count Hubert d Ursel<br />

in the Brussels Office<br />

Telephone: 32 2 648 0080<br />

Fax: 32 2 648 0757<br />

MONACO<br />

Mark Armstrong<br />

B.P.45, Le Sporting d Hiver<br />

Place du Casino<br />

MC 98001 Monaco Cedex<br />

Telephone: 377 93 30 88 80<br />

Fax: 377 93 25 24 98<br />

NETHERLANDS<br />

John L. van Schaik<br />

Managing Director<br />

Patrick van Maris<br />

Deputy Managing Director<br />

De Boelelaan 30<br />

1 083 HJ Amsterdam<br />

Telephone: 3 120 5 50 22 00<br />

Fax: 31 205502222<br />

NORWAY<br />

Ingeborg Astrup<br />

Bj0rnveien 42, 0774 Oslo<br />

Telephone: 47 22 1472 82<br />

Fax: 47 22 49 38 36<br />

Madrid<br />

Carmen Araoz de Urquijo<br />

Chairman<br />

Helene Marie Montgomery<br />

Managing Director<br />

Serrano 32, 2 Int-Dcha<br />

28001 Madrid<br />

Telephone: 34 91 5765714<br />

Fax: 34 91 781 2490<br />

SWEDEN<br />

Stockholm<br />

Lars Nedergaard<br />

Arsenalsgatan 6<br />

S - 1 1 1 47 Stockholm<br />

Telephone: 46 8 679 5478<br />

Fax: 46 8 61 14826<br />

Gothenburg<br />

Viviann Kempe<br />

Villa Thalatta<br />

James Keillers 1 Vag 2<br />

S - 429 43 SARO<br />

Telephone: 46 31 937150<br />

Fax: 46 31 937550<br />

South Sweden<br />

Baroness Catharina von<br />

Blixen-Finecke<br />

Nasbyholm Sateri<br />

S - 274 94 SKURUP<br />

Telephone: 46 411 43981<br />

Fax: 46 41 143982<br />

SWITZERLAND<br />

Guy Jennings<br />

Chairman<br />

Geneva<br />

Peter-Paul Guthman<br />

13 Quai du Mont Blanc<br />

CH- 1201 Geneva<br />

Telephone: 41 229084800<br />

Fax: 41 22 908 4804<br />

Zurich<br />

Dr. Claudia Steinfels<br />

Gessnerallee 1<br />

CH-8021 Zurich<br />

Telephone:<br />

41 1 2262200<br />

Fax: 41 1 2262201<br />

Lugano<br />

Iris Fabbri<br />

Riva Caccia 4a<br />

CH - 6900 Lugano<br />

Telephone: 41 91 993 3060<br />

Fax: 41 91 9933061<br />

291


292<br />

INTERNATIONAL OFFICES<br />

AFRICA<br />

SOUTH AFRICA<br />

Johannesburg<br />

Stephan Welz<br />

Mannrim Director<br />

o o<br />

13 Biermann Avenue<br />

Rosebank<br />

Johannesburg 2196<br />

Telephone: 27 11 8803125/9<br />

Fax: 27 1 1 880 2656<br />

Cape Town<br />

PO Box 818<br />

Constantia 7848<br />

Cape Town<br />

South Africa<br />

Telephone: 27 21 794 6461<br />

Fax: 27 21 7946621<br />

ASIA<br />

CHINA<br />

Wang Jie<br />

Dynasty Business Centre<br />

Room 401<br />

457 Wu Lu Mu Qi Road (N)<br />

Shanghai 200040, PRC<br />

Tel: 86 21 6249 7450<br />

Fax: 86 21 62497451<br />

HONG KONG<br />

Henry Howard-Sneyd<br />

Managing Director, China and<br />

Southeast Asia<br />

5/F Standard Chartered Bank<br />

Building<br />

4-4A Des Voeux Road Central<br />

Hong Kong<br />

Telephone: 852 2524 8121<br />

Fax: 852 2810 6238<br />

INDONESIA<br />

Martina Sudwikatmono*<br />

Mitra Bldg., 8th Floor<br />

JL. Gatot Subroto, Kav. 2 1<br />

Jakarta 12930<br />

Telephone: 62 21 5220156<br />

Fax: 62 21 5220074<br />

JAPAN<br />

Tetsuji Shibayama<br />

President<br />

Fuerte Kojimachi Bldg. 3F<br />

1-7 Kojimachi<br />

Chiyoda-ku, Tokyo 102<br />

Telephone: 81 3 3230 2755<br />

Fax: 81 332302754<br />

KOREA<br />

c/o Hong Kong Office<br />

Telephone: 852 2524 8121<br />

Fax: 8 52 28 10 6238<br />

Walter Cheah<br />

Manannv Director<br />

o o<br />

25 Jalan Pudu Lama<br />

50200 Kuala Lumpur<br />

Telephone: 60 3 2070 03 19<br />

Fax: 60 3 2070 6833<br />

SINGAPORE<br />

Esther Seet<br />

Managing Director<br />

1 Cuscaden Road<br />

01-01 The Regent Singapore<br />

Singapore 249715<br />

Telephone: 65 732 8239<br />

Fax: 65 737 0295<br />

TAIWAN, R.O.C.<br />

Winnie Chang<br />

Managing Director<br />

1 st Floor, No. 77<br />

Sec. 1 , An Ho Road<br />

Taipei, Taiwan, R.O.C.<br />

Telephone: 886 2 2755 2906<br />

Fax: 886 2 2709 3949<br />

Rika Dila<br />

Sotheby s Representative<br />

Sukhothai Hotel<br />

13/3 South Sathorn Rd<br />

Bangkok 10120<br />

Thailand<br />

Telephone: 662 286 0788<br />

& 662 286 0789<br />

Fax: 662 286 0787<br />

AUSTRALIA<br />

Justin Miller<br />

Chairman<br />

Martin Gallon<br />

Managing Director<br />

Melbourne<br />

926 High Street, Armadale<br />

Melbourne, Victoria 3143<br />

Telephone: 61 3 9509 2900<br />

Fax: 61 3 9563 5067<br />

Sydney<br />

Queen s Court, Level 1<br />

11 8- 122 Queen Street<br />

Woollahra<br />

New South Wales 2025<br />

Telephone: 61 29362 1000<br />

Fax: 61 29362 1100<br />

LATIN AMERICA<br />

ARGENTINA<br />

Buenos Aires<br />

Adela Mackinlay de Casal<br />

Avenida Alvear 1640 (P.B.)<br />

C1014 AAQ, Capital Federal<br />

Argentina<br />

Telephone: 541 148144454<br />

Fax: 541 148145033<br />

BRAZIL<br />

Rio de Janeiro<br />

Katia Mindlin Leite Barbosal<br />

Caixa Postal 62619<br />

Rio de Janeiro<br />

RJ CEP 22250-970<br />

Telephone: 55 21 2553 1946<br />

Fax: 55 21 25534594<br />

Heloise Guinlet<br />

Estrada da Gavea 611<br />

Bloco 1, Apt 2503<br />

Sao Conrado<br />

22610-000 Gavea<br />

Rio de Janeiro<br />

Telephone: 55 21 3322 4500<br />

Fax: 55 21 3322 6397<br />

Sao Paulo<br />

Pedro Correa do Lago|<br />

Rua Joao Cachoeira 267<br />

Sao Paulo SP CEP 04535-010<br />

Telephone: 55 11 3167 0066<br />

Fax: 55 11 3168 1559<br />

MEXICO<br />

Mexico City<br />

Ana Yturbe de Sepulveda<br />

Campos<br />

Mexico 11560D.F.<br />

Eliseos 325-5 Polanco<br />

Telephone: 525281 2100<br />

Fax: 525 280 7 136<br />

Luis C. Lopez Morton^:<br />

Jewelery Consultant<br />

Monte Athos 179<br />

Lomas Virreyes<br />

C.P. 11000<br />

Mexico, D.F.<br />

Telephone: 525 520 5005<br />

525 502 9936<br />

Fax: 525 540 32 13<br />

Monterrey<br />

Barbara Perusquia de Lobeira^<br />

Via Triumphalis 127 PTE.<br />

Fuentes Del Valle<br />

Monterrey 66220, Nuevo Leon<br />

Telephone: 528 675 7573 / 74<br />

Fax: 528 129 5081<br />

Diana Boccardo<br />

Edf. Torresaman,<br />

Piso9, Ofc91<br />

Avenida Romulo Gallegos<br />

con calle El Carmen<br />

Los Dos Caminos, Caracas 1 062<br />

Telephone: 58212 234 8298<br />

Fax: 58212 237 3920<br />

HEADQUARTERS<br />

1334 York Avenue<br />

New York, New York 10021<br />

Telephone: 212 606 7000<br />

Fax: 212 606 7107<br />

212 606 70 16 Bids only<br />

OFFICES AND ASSOCIATES<br />

Atlanta<br />

Virginia Groves Beach t<br />

77 West Paces Ferry<br />

Atlanta, Georgia 30305<br />

Telephone: 404 355 7225<br />

Fax: 404 355 8599<br />

* Associate <strong>of</strong>Sotheby s<br />

t International Representative<br />

% Consultant


INTERNATIONAL OFFICES<br />

Baltimore<br />

Aurelia Bolton*<br />

Elizabeth Schroeder*<br />

P.O. Box 250<br />

2 1 1 39<br />

Riderwood, Maryland<br />

Telephone: 41 0252 4600<br />

Fax: 410 561 9738<br />

Chicago<br />

21 5 West Ohio Street<br />

Illinois Chicago, 60610<br />

Telephone: 312 396 9599<br />

Fax: 31 2 396 9598<br />

Helyn D. Goldenberg<br />

Chairman, Midwest<br />

Larry J. Sirolli<br />

Managing Director<br />

Cassie Spencer<br />

Trusts dr Estates<br />

Eve Reppen Rogers<br />

Jewelry<br />

Richard T. Nelson<br />

Furniture & Decorative Art<br />

F. Gary Metzner<br />

Fine Arts<br />

Marcus Tremonto<br />

Art Nouveau cjrArt Deco<br />

Michael Davis<br />

Paul Hart<br />

Wine<br />

Marjorie S. Susmanf<br />

Dallas<br />

Serena Ritch*<br />

Nancy Strauss Halbreich*<br />

The Quadrangle<br />

2800 Routh Street, Suite 140<br />

Dallas, Texas 75201<br />

Telephone: 2 14 871 1056<br />

Fax: 214 871 1057<br />

Delaware<br />

Barbara C. Riegel*<br />

P.O. Box 67<br />

Montchanin, Delaware 19710<br />

Telephone: 302 652 6570<br />

Fax: 302 652 6575<br />

Honolulu<br />

Andrea Song Gelber*<br />

P.O. Box 177<br />

Honolulu, Hawaii 968 10<br />

Telephone: 808 732 01 22<br />

Fax: 808 732 01 22<br />

Houston<br />

2001 Kirby Drive, Suite 805<br />

Houston, Texas 77019<br />

Telephone: 71 3 524 0044<br />

Fax: 71 3 520 1602<br />

Los Angeles<br />

9665 Wilshire Blvd.<br />

Beverly Hills, California 90212<br />

Telephone: 3 10 274 0340<br />

Fax: 310 274 0899<br />

Andrea L. Van de Kamp<br />

Chairman, West Coast<br />

Richard S. Wolf<br />

Managing Director, West Coast<br />

August O. Uribe<br />

Director, Fine Arts, West Coast<br />

Lisa Hubbard<br />

International Jewelry<br />

Katherine Watkins<br />

Director, Decorative Arts<br />

Montana<br />

Kathryn Wilmerding Heminway<br />

Bar 20 Ranch<br />

West Boulder Reserve<br />

McLeod, Montana 59052<br />

Telephone: 406 222 9399<br />

Fax: 406 222 0051<br />

Miami<br />

Douglas Entrance<br />

800 Douglas Road, Suite 125<br />

Coral Gables, Florida 33134<br />

Telephone: 305 448 7882<br />

Fax: 305 448 7 168<br />

Axel Stein<br />

Director<br />

Tracy Sherman<br />

Jewelry<br />

Maria Bonta de la Pezuela<br />

Decorative Arts<br />

Minneapolis/St. Paul<br />

Laura MacLennan<br />

2030 Foshay Tower<br />

821 Marquette Avenue<br />

Minneapolis, Minnesota 55402<br />

Telephone: 612 332 8938<br />

Fax: 612 332 7456<br />

Naples<br />

Barbara Deisroth<br />

Telephone/Fax: 813 261 6787<br />

New England<br />

William S. Cottingham<br />

Director<br />

Patricia Ward<br />

Representative<br />

67 /2 Chestnut St.<br />

Boston, Massachusetts 02108<br />

Telephone: 61 7 367 6323<br />

Fax: 617 367 4888<br />

New York City<br />

Barbara Gates*<br />

Suzette de Marigny Smith*<br />

Brooke Douglass de Ocampo*<br />

Lee Copley Thawf<br />

Telephone: 212 606 7442<br />

North Carolina<br />

Robert V. Ruggiero^<br />

597 Fog Hollow Cove<br />

Clyde, North Carolina 28721<br />

Telephone: 828 627 6004<br />

Fax: 828 627 2059<br />

Palm Beach<br />

225 Peruvian Avenue<br />

Palm Beach, Florida 33480<br />

Telephone: 561 833 2582<br />

Fax: 561 655 4583<br />

David G. Ober<br />

Chairman, Southeast<br />

P. Hope Kent*<br />

Louis J. Gartner*<br />

Philadelphia<br />

Angela Hudson<br />

Director<br />

Wendy Foulke<br />

1 8 Haverford Station Road<br />

Haverford, Pennsylvania<br />

Telephone: 61 0649 2600<br />

Fax: 610 649 7995<br />

Richmond<br />

Virginia Guest Valentinef<br />

Telephone: 804 353 1579<br />

Fax: 804 353 0575<br />

San Francisco<br />

Jennifer Foley Biederbeck<br />

<strong>Mr</strong>s. Prentis Cobb Hale*<br />

1 904 1<br />

<strong>Mr</strong>s. John N. Rosekranst<br />

214 Grant Avenue, Suite 350<br />

San Francisco, California 94108<br />

Telephone: 41 5 772 9028<br />

Fax: 41 5 772 9031<br />

Santa Barbara<br />

Robin C. Woodworth*<br />

661 Corte de Quintero<br />

Camarillo, California 93010<br />

Telephone/Fax: 805 485 6120<br />

Seattle<br />

Catherine Vare<br />

1 1 Union Street<br />

Suite 300<br />

Seattle, Washington 98101<br />

Telephone: 206 667 9575<br />

Fax: 206 667 9576<br />

St. Louis<br />

Telephone: 312 396 9599<br />

Washington, D.C.<br />

Sidney Ferguson^<br />

Penne Percy Keithf<br />

William S. Cottingham<br />

c/o Margot Cooper<br />

<strong>Property</strong> Group Ltd.<br />

Nautilus House<br />

82 S. Road<br />

Warwick WK08 Bermuda<br />

Telephone: 44 1295 6891<br />

4412957392<br />

CANADA<br />

David Silcox<br />

Managing Director<br />

9 Hazelton Avenue<br />

Toronto, Ontario M5R 2E1<br />

Telephone: 416 926 1774<br />

Fax: 416 926 9179<br />

293


294<br />

GUIDE FOR ABSENTEE BIDDERS<br />

If you are unable to attend an auction in<br />

s person, you may give Sotheby Bid<br />

Department instructions to bid on your behalf<br />

by completing the form opposite.<br />

This service is free and confidential.<br />

Please record accurately the lot numbers,<br />

descriptions and the top hammer price you are<br />

willing to pay for each lot.<br />

We will try to purchase the lot(s) <strong>of</strong> your<br />

choice for the lowest price possible and never<br />

for more than the top amount you indicate.<br />

&quot;Buy&quot; or unlimited bids will not be accepted.<br />

Alternative bids can be placed by using the<br />

word &quot;OR&quot; between lot numbers.<br />

Bids must be placed in the same order as in<br />

the catalogue.<br />

This form should be used for one sale only -<br />

please indicate the sale number, title and date<br />

on the form.<br />

Please place your bids as early as possible, as in<br />

the event <strong>of</strong> identical bids the earliest received<br />

will take precedence. Wherever possible bids<br />

should be submitted at least twenty-four hours<br />

before the auction.<br />

Where appropriate, your bids will be rounded<br />

down to the nearest amount consistent with<br />

the auctioneer s bidding increments.<br />

Absentee bids, when placed by telephone, are<br />

accepted only at the caller s risk and must be<br />

confirmed by letter or fax to the Bid<br />

Department on 020 7293 6959.<br />

Please note that the execution <strong>of</strong> written bids<br />

is <strong>of</strong>fered as an additional service for no extra<br />

charge at the bidder s risk and is undertaken<br />

subject to s Sotheby other commitments at the<br />

time <strong>of</strong> the auction; s Sotheby therefore<br />

cannot accept liability for failure to place such<br />

bids, whether through negligence or<br />

otherwise.<br />

Successful bidders will receive an invoice<br />

detailing their purchases and giving<br />

instructions for payment and clearance <strong>of</strong><br />

goods. Unsuccessful bidders will be advised.<br />

Successful buyers <strong>of</strong> large objects are earnestly<br />

requested to arrange early collection <strong>of</strong> their<br />

goods.<br />

Bidders on large objects are recommended to<br />

check on the afternoon <strong>of</strong> the auction whether<br />

they have been successful.<br />

Lots marked W in the catalogue will be sent to<br />

Kings House warehouse immediately after the<br />

auction.<br />

All bids are subject to the conditions <strong>of</strong><br />

business applicable to the sale, a copy <strong>of</strong> which<br />

is available from Sotheby s <strong>of</strong>fices or by<br />

telephoning 020 7293 6152. Conditions <strong>of</strong><br />

Business particularly relevant to buyers are<br />

also set out in the sale catalogue.<br />

Sotheby s will use information provided by its<br />

clients or which Sotheby s otherwise obtains<br />

relating to its clients for the provision <strong>of</strong><br />

auction and other art-related services, real<br />

estate and insurance services, client<br />

administation, marketing and otherwise to<br />

manage and operate<br />

its business, or as<br />

required by law. Some gathering <strong>of</strong><br />

information about Sotheby s clients may take<br />

place using technical means to indentify their<br />

preferences and provide a higher quality <strong>of</strong><br />

service to them, and Sotheby s may gather<br />

information about its clients through video<br />

images or through the use <strong>of</strong> monitoring<br />

devices used to record telephone<br />

conversations. Sotheby s will generally seek<br />

clients express consent before gathering any<br />

sensitive data, unless otherwise permitted by<br />

law. You agree that Sotheby s may use any<br />

sensitive information that you supply to<br />

Sotheby s. By signing<br />

this Absentee Bid Form,<br />

you agree to the processing <strong>of</strong> your personal<br />

information and also to the disclosure and<br />

transfer <strong>of</strong> such information to any Sotheby s<br />

associated company and to third parties<br />

anywhere in the world for the above purposes,<br />

including to countries which may not <strong>of</strong>fer<br />

equivalent protection <strong>of</strong> personal information<br />

to that <strong>of</strong>fered in the UK. You can prevent<br />

the use <strong>of</strong> your personal informaton for<br />

marketing purposes at any time by notifying<br />

Sotheby s.<br />

8/01 G.Ab.Bid


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SOTHEBY S EUROPE<br />

Board <strong>of</strong> Directors<br />

Henry Wyndham<br />

Chairman<br />

Princess de Beauvau Craon<br />

Deputy Chairman<br />

Melanie Clore<br />

Deputy Chairman<br />

Guy Jennings<br />

Deputy Chairman<br />

Tobias Meyer<br />

Deputy Chairman<br />

The Hon James Stourton<br />

Deputy Chairman<br />

James Miller<br />

Deputy Chairman UK<br />

Senior Directors<br />

Peter Arney<br />

Jonathan Baddeley<br />

Adrian Biddell<br />

Michael Bing<br />

Thomas Boiler<br />

Florence de Botton<br />

Richard Charlton-Jones<br />

Natacha Chiaramonte<br />

Tom Christopherson<br />

Jennifer Conner<br />

Jeff Cook<br />

Jackie Coulter<br />

Neil Davey<br />

Marie-Odile Deutsch<br />

Jeremy Durack<br />

Marcus Fraser<br />

Martin Gallon<br />

Philippe Garner<br />

Roger Griffiths<br />

Michael Hall<br />

Nicolas Joly<br />

James Jowitt<br />

Diana Keith Neal<br />

Marcus Linell<br />

William Lucy<br />

Patrick van Maris<br />

Jonathan Massey<br />

Robin Woodhead<br />

Chief Executive<br />

George Bailey<br />

Managing Director<br />

Simon Taylor<br />

Deputy Managing Director<br />

David Moore-Gwyn<br />

Alistair Morris<br />

Ursula Niggemann<br />

Stefano Papi<br />

Susannah Pollen<br />

Jonathan Pratt<br />

Christopher Proudlove<br />

Jean-Baptiste de Proyart<br />

Paul Quarrie<br />

Alexandra Rhodes<br />

Dr. Stephen Roe<br />

Charles Rolandi<br />

Rivka Saker<br />

John Van Schaik<br />

Lucian Simmons<br />

Julien Stock<br />

Andrew Strauss<br />

Peter Waldron<br />

Sara Webb<br />

Henry Wemyss<br />

Elisabeth Wilson<br />

Patricia Wong<br />

Tim Wonnacott<br />

Alex Bell<br />

Claudia Dwek<br />

George Gordon<br />

Philip Hook<br />

Paul Mack<br />

Helena Newman<br />

Margaret Southern<br />

Heinrich Graf v. Spreti<br />

Serena Sutcliffe, M.W.<br />

Mario Tavella<br />

Hubert d Ursel<br />

Cheyenne Westphal<br />

Philipp von Wiirttemburg<br />

Chairman s Office, UK<br />

Henry Wyndham Chairman<br />

Earl <strong>of</strong> Arundel<br />

Henry Bowring<br />

Lord Dalmeny<br />

Marquess <strong>of</strong> Harrington<br />

The Hon Simon Howard<br />

James Jowitt<br />

William Lucy<br />

James Miller<br />

David Moore-Gwyn<br />

Alexander Russell<br />

The Hon James Stourton<br />

Hugo Swire<br />

Timothy Wonnacott<br />

SOTHEBY S<br />

HOLDINGS, INC.<br />

Board <strong>of</strong> Directors<br />

Michael I. Severn<br />

Chairman<br />

Max M. Fisher<br />

Vice Chairman<br />

Marquess <strong>of</strong> Harrington<br />

Deputy Chairman<br />

William F. Ruprecht<br />

President and Chief<br />

Executive Officer<br />

Robin Woodhead<br />

Executive Vice President<br />

and Chief Executive,<br />

Europe and Asia<br />

The Hon.<br />

Conrad M. Black, P.C., O.C.<br />

The Viscount Blakenham<br />

George Blumenthal<br />

Steven B. Dodge<br />

Dr. Henry G. Jarecki<br />

Henry R. Kravis<br />

Jeffrey H. Miro<br />

Brian S. Posner<br />

Sharon Percy Rockefeller<br />

Robert S. Taubman<br />

Advisory Board,<br />

Sotheby s Holdings, Inc.<br />

Ambassador Walter J. P. Curley<br />

Chairman<br />

Giovanni Agnelli<br />

Ann Getty<br />

Alexis Gregory<br />

Alexander M. Laughlin<br />

Sir Q.W. Lee<br />

John L. Marion<br />

The Rt. Hon.<br />

Sir Angus Ogilvy, K.C.V.O.<br />

Carroll Petrie<br />

Carol Price<br />

Baron Hans Heinrich<br />

Thyssen-Bornemisza de Kaszon<br />

Lodewijk J.R. de Vink


Sotheby s<br />

34-35 NEW BOND STREET LONDON Wl A 2AA 02072935000 WWW.SOTHEBYS.COM

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