Lady of shalott by waterhouse Stock Photos and Images
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Lady of shalott by waterhouse Stock Photos and Images
RM2FN9AY0–The Lady of Shalott by John William Waterhouse (1849-1917), oil on canvas, 1888. Painting based on the poem by Alfred Lord Tennyson.
RMPRB6XT–John William Waterhouse, The Lady of Shalott 1888 Oil on canvas, Tate Britain, London, England.
RM2AK5P7A–John William Waterhouse, 'I am half sick of shadows', said the Lady of Shalott, painting, 1915
RMMC879K–ARTHURIAN - LADY OF SHALOTT 'Lady of Shalott - engraving by Macbeth-Raeburn after the painting by Waterhouse, 1889.
RM2KG5DE3–I am Half-Sick of Shadows, said the Lady of Shalott 1916, Painting by John William Waterhouse
RMD961R7–I am Half Sick of Shadows, said the Lady of Shalott' (1915). Illustration of Tennyson's poem of Arthurian legend showing the Lady of Shallot bored with her weaving. Beside her is the window she will look through and fall fatally in love with Sir Lancelot. John William Waterhouse (1849-1917) English painter. Musee des Beaux Arts de l'Ontario, Canada.
RM2TC64EA–'The Lady of Shalott', John William Waterhouse 1888, Tate Britain and the Tate Gallery in Millbank, Westminster, London, England, UK.
RMPJAA5K–Tate Britain, London, UK. 5 September, 2018. Tate Britain staff with John William Waterhouse’s The Lady of Shalott 1888 to mark the launch of a major new exhibition at the National Gallery of Australia. Over forty works from Tate Britain’s collection of Pre-Raphaelite art will be loaned to the National Gallery of Australia in December for a major new exhibition. Credit: Malcolm Park/Alamy Live News.
RM2CGK34K–Waterhouse John William - I'M Half Sick of Shadows Said the Lady of Shalott 2 - British School - 19th Century
RM2K2K0FD–John William Waterhouse (6 April 1849 — 10 February 1917) English Pre-Raphaelite painter The Lady of Shalott, based on The Lady of Shalott by Alfred Lord Tennyson.1888
RMG5DGJX–Two Birmingham Museum & Art Gallery workers hang John Williams Waterhouse's The Lady of Shalott before an exhibition of Victorian paintings at the Birmingham Museum & Art Gallery, Birmingham.
!['The Lady of Shalott Looking at Lancelot', 1894, (c1930). Illustration to Tennyson's poem, "The Lady of Shalott": the Lady sees 'bold Sir Launcelot' in her mirror: she goes to the window, golden yarn from the loom wrapped round her knees. The mirror through which she must view the outside world cracks 'from side to side', bringing down the curse on her. Painting in Leeds City Art Gallery, Leeds, Yorkshire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo](https://c8.alamy.com/comp/W6P6TX/the-lady-of-shalott-looking-at-lancelot-1894-c1930-illustration-to-tennysons-poem-quotthe-lady-of-shalottquot-the-lady-sees-bold-sir-launcelot-in-her-mirror-she-goes-to-the-window-golden-yarn-from-the-loom-wrapped-round-her-knees-the-mirror-through-which-she-must-view-the-outside-world-cracks-from-side-to-side-bringing-down-the-curse-on-her-painting-in-leeds-city-art-gallery-leeds-yorkshire-from-quotmodern-masterpieces-of-british-artquot-the-amalgamated-press-ltd-london-c1930-W6P6TX.jpg "'The Lady of Shalott Looking at Lancelot', 1894, (c1930). Illustration to Tennyson's poem, "The Lady of Shalott": the Lady sees 'bold Sir Launcelot' in her mirror: she goes to the window, golden yarn from the loom wrapped round her knees. The mirror through which she must view the outside world cracks 'from side to side', bringing down the curse on her. Painting in Leeds City Art Gallery, Leeds, Yorkshire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo")
RMW6P6TX–'The Lady of Shalott Looking at Lancelot', 1894, (c1930). Illustration to Tennyson's poem, "The Lady of Shalott": the Lady sees 'bold Sir Launcelot' in her mirror: she goes to the window, golden yarn from the loom wrapped round her knees. The mirror through which she must view the outside world cracks 'from side to side', bringing down the curse on her. Painting in Leeds City Art Gallery, Leeds, Yorkshire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930]
RMCF966M–The Lady of Shalott by John William Waterhouse Victorian ballad Sir Lancelot Queen Guinevere Galahad
RF2HBTE0R–I am half-sick of shadows, said the lady of shalott - 1915 - oil on canvas 100,3 x 73,7 cm - Waterhouse John William
RM2TC64HM–'The Lady of Shalott', John William Waterhouse 1888, Tate Britain and the Tate Gallery in Millbank, Westminster, London, England, UK.
RMPJ6GBR–London, UK. 5 September 2018. A visitor photographs 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, ahead of the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJAABJ–Tate Britain, London, UK. 5 September, 2018. Tate Britain staff with John William Waterhouse’s The Lady of Shalott 1888 to mark the launch of a major new exhibition at the National Gallery of Australia. Over forty works from Tate Britain’s collection of Pre-Raphaelite art will be loaned to the National Gallery of Australia in December for a major new exhibition. Credit: Malcolm Park/Alamy Live News.
RM2CGK32W–Waterhouse John William - I'M Half Sick of Shadows Said the Lady of Shalott 1 (Study) - British School - 19th Century
RMG5DGK5–Two Birmingham Museum & Art Gallery workers hang John Williams Waterhouse's The Lady of Shalott before an exhibition of Victorian paintings at the Birmingham Museum & Art Gallery, Birmingham.
RM2TC64E7–'The Lady of Shalott', John William Waterhouse 1888, Tate Britain and the Tate Gallery in Millbank, Westminster, London, England, UK.
RMPJ6GAR–London, UK. 5 September 2018. Staff members view 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJAAB6–Tate Britain, London, UK. 5 September, 2018. Tate Britain staff with John William Waterhouse’s The Lady of Shalott 1888 to mark the launch of a major new exhibition at the National Gallery of Australia. Over forty works from Tate Britain’s collection of Pre-Raphaelite art will be loaned to the National Gallery of Australia in December for a major new exhibition. Credit: Malcolm Park/Alamy Live News.
RMG5DGK2–Tate Gallery frame conservation technician Adrian Moore checks John Williams Waterhouse's The Lady of Shalott before an exhibition of Victorian paintings at the Birmingham Museum & Art Gallery, Birmingham.
RM2TC64EM–'The Lady of Shalott', John William Waterhouse 1888, Tate Britain and the Tate Gallery in Millbank, Westminster, London, England, UK.
RMPJ6GB1–London, UK. 5 September 2018. Staff members view 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJAA6D–Tate Britain, London, UK. 5 September, 2018. Tate Britain staff with John William Waterhouse’s The Lady of Shalott 1888 to mark the launch of a major new exhibition at the National Gallery of Australia. Over forty works from Tate Britain’s collection of Pre-Raphaelite art will be loaned to the National Gallery of Australia in December for a major new exhibition. Credit: Malcolm Park/Alamy Live News.
RMG5DGK3–Tate Gallery frame conservation technician Adrian Moore checks John Williams Waterhouse's The Lady of Shalott before an exhibition of Victorian paintings at the Birmingham Museum & Art Gallery, Birmingham.
RM2TC64EE–'The Lady of Shalott', John William Waterhouse 1888, Tate Britain and the Tate Gallery in Millbank, Westminster, London, England, UK.
RMPJ6GBC–London, UK. 5 September 2018. A visitor photographs 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, ahead of the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJAA4Y–Tate Britain, London, UK. 5 September, 2018. The new Director of the National Gallery of Australia, Nick Mitzevich, and Director of Tate, Maria Balshaw, with John William Waterhouse’s The Lady of Shalott 1888 to mark the launch of a major new exhibition at the National Gallery of Australia. Over forty works from Tate Britain’s collection of Pre-Raphaelite art will be loaned to the National Gallery of Australia in December for a major new exhibition. Credit: Malcolm Park/Alamy Live News.
RMDC3HNG–Shepherds Bush, London, UK. 08th Aug, 2013. The launch of the opening of Art Everywhere at the Westfield Centre. A collaborative venture between Richard Reed, the Art Fund, Tate, the poster industry and 101 creative agency, it is a public celebration of art across Britain on thousands of poster and billboard sites from 12-25 August 2013. The Lady of Shalott by John William Waterhouse, 1888, Tate, features on the digital display board as the number one choice by the public. Credit: Malcolm Park/Alamy Live News
RMPJ6GC2–London, UK. 5 September 2018. Staff members view 'The Lady of Shalott', 1888, by John William Waterhouse, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6GBG–London, UK. 5 September 2018. A visitor views 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, ahead of the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6G9E–London, UK. 5 September 2018. A visitor views 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, ahead of the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6GC1–London, UK. 5 September 2018. Staff members view 'The Lady of Shalott', 1888, by John William Waterhouse, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6GB7–London, UK. 5 September 2018. Staff members view 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6GAM–London, UK. 5 September 2018. Maria Balshaw, Director of Tate, and Nick Mitzevich, Director of the National Gallery of Australia, pose with 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6GAK–London, UK. 5 September 2018. Maria Balshaw, Director of Tate, and Nick Mitzevich, Director of the National Gallery of Australia, pose with 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6G9F–London, UK. 5 September 2018. Maria Balshaw, Director of Tate, and Nick Mitzevich, Director of the National Gallery of Australia, pose with 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6GAX–London, UK. 5 September 2018. Maria Balshaw, Director of Tate, and Nick Mitzevich, Director of the National Gallery of Australia, pose with 'The Lady of Shalott', 1888, by John William Waterhouse, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6GAN–London, UK. 5 September 2018. Maria Balshaw, Director of Tate, and Nick Mitzevich, Director of the National Gallery of Australia, pose with 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6GAT–London, UK. 5 September 2018. Maria Balshaw, Director of Tate, and Nick Mitzevich, Director of the National Gallery of Australia, pose with 'The Lady of Shalott', 1888, by John William Waterhouse, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
RMPJ6GA6–London, UK. 5 September 2018. Maria Balshaw, Director of Tate, and Nick Mitzevich, Director of the National Gallery of Australia, pose with 'Ophelia', 1851-52, by John Everett Millais, at Tate Britain, to mark the launch of a major new exhibition at the National Gallery of Australia (NGA) in December 2018. Over forty Pre-Raphaelite works will be loaned by Tate to NGA, which have never been shown in Australia until now, including 'Ophelia', 1851-52, by John Everett Millais and 'The Lady of Shalott', 1888, by John William Waterhouse. Credit: Stephen Chung / Alamy Live News
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